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Painting   /pˈeɪntɪŋ/  /pˈeɪnɪŋ/   Listen
Painting

noun
1.
Graphic art consisting of an artistic composition made by applying paints to a surface.  Synonym: picture.  "He bought the painting as an investment" , "His pictures hang in the Louvre"
2.
Creating a picture with paints.
3.
The act of applying paint to a surface.
4.
The occupation of a house painter.  Synonym: house painting.



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"Painting" Quotes from Famous Books



... Byron told Medwin (Conversations, 1824, p. 173) that it was no invention of his that the "young Foscari should have a sickly affection for his native city.... I painted the men as I found them, as they were—not as the critics would have them.... But no painting, however highly coloured, can give an idea of the intensity of a Venetian's affection for ...
— The Works of Lord Byron - Poetry, Volume V. • Lord Byron

... of Anecdotes of the various forms of Literature, of the Arts, of Architecture, Engravings, Music, Poetry, Painting and Sculpture, and of the most celebrated Literary Characters and Artists of different Countries and Ages, &c. By KAZLITT ARVINE, A. M. With numerous Illustrations. ...
— Modern Atheism under its forms of Pantheism, Materialism, Secularism, Development, and Natural Laws • James Buchanan

... break out into poetic raptures upon any other score; nor, by Jove, Euxodus, Aristarchus, or Archimedes. And when the lovers of the art of painting are so enamoured with the charmingness of their own performances, that Nicias, as he was drawing the Evocation of Ghosts in Homer, often asked his servants whether he had dined or no, and when King Ptolemy had sent him threescore talents for his piece, after ...
— Essays and Miscellanies - The Complete Works Volume 3 • Plutarch

... now have many learned expositions on Faust and the Faust legend. They are and will remain of a purely material character. This preference for matter to form is the same as a man ignoring the shape and painting of a fine Etruscan vase in order to make a chemical examination of the clay and colours of which it is made. The attempt to be effective by means of the matter used, thereby ministering to this evil propensity of the public, is absolutely to be censured ...
— Essays of Schopenhauer • Arthur Schopenhauer

... hovering around a collection of tropical orchids. The gardener had passed on into an adjoining hot-house, and no sound broke the quiet but the dripping of water in a tank of aquatic plants. The fans of the palms and the long fronds of the tree-ferns hung as still as in some painting ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, October, 1880 • Various

... the mountaine Ida groues, Where Paris kept his Heard, Before the other Ladies all He would haue thee prefer'd. Pallas, for all her painting, than Her face would seeme but pale, Then Iuno would haue blush't for shame And Venus looked stale. Eurymine, thy selfe alone Shouldst beare the golden ball; So far would thy most heauenly forme ...
— Old English Plays, Vol. I - A Collection of Old English Plays • Various

... attending the rapid growth of this pioneer village, and to be surrounded by those interesting and widely varying types of people who are drawn to a city-in-the-making. Educated in public schools of the Rockaways, and at a boarding school in Tarrytown, N. Y. Student of painting. First story published in 1913 in a magazine of the Munsey ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various

... say arte is neither an aider nor a surmounter, but onely a bare immitatour of natures works, following and counterfeyting her actions and effects, as the Marmesot doth many countenances and gestures of man, of which sorte are the artes of painting and keruing, whereof one represents the naturall by light colour and shadow in the superficiall or flat, the other in body massife expressing the full and emptie, euen, extant, rabbated, hollow, or whatsoeuer other figure and passion of quantitie. So also the Alchimist counterfeits ...
— The Arte of English Poesie • George Puttenham

... made everything different. But when you stroll across from the Arch of Titus to the Arch of Constantine you wonder what the difference was. The two things look so much alike. And in the Vatican that huge painting of the triumph of Constantine over Maxentius doesn't throw much light on the subject. Suppose the pagan Maxentius had triumphed over Constantine, what difference would it ...
— Humanly Speaking • Samuel McChord Crothers

... foundation laid in 1248, only two or three years ago completed. More than six hundred years in building. All Europe taxed for its construction. Its chapel of the Magi with precious stones enough to purchase a kingdom. Its chapel of St. Agnes with masterpieces of painting. Its spire springing five hundred and eleven feet into the heavens. Its stained glass the chorus of all rich colors. Statues encircling the pillars and encircling all. Statues above statues, until sculpture can do no more, ...
— New Tabernacle Sermons • Thomas De Witt Talmage

... figures of warriors and animals, and battle-scenes ornamented the sides of the great hall and the apartments, while the roof was so contrived that only gilding and painting were to be seen. On each side of the palace a grand flight of marble steps ascended to the marble terrace which surrounded the building. The interior contained an immense hall, capable of serving as a banqueting-room for a multitude of guests, while the ...
— Historic Tales, Vol. 12 (of 15) - The Romance of Reality • Charles Morris

... millions and millions, to perish in a bottomless ditch—that was something a man could hardly bring himself to face! He looked at the bowed figure of this white haired toiler, vague in the feeble lamplight, and found himself thinking of Rembrandt's painting, the Visit of Emmaus: the ill-lighted room in the dirty tavern, and the two ragged men, struck dumb by the glow of light about the forehead of their table-companion. It was not fantastic to imagine a glow of light about the forehead ...
— King Coal - A Novel • Upton Sinclair

... Pandarus is Cressid's cousin and Troilus' youthful friend, and there is no intention of making him more offensive than are half the confidants of amorous heroes. But Chaucer sees his dramatic opportunity; and without painting black in black and creating a monster of vice, he invents a good-natured and loquacious, elderly go-between, full of proverbial philosophy and invaluable experience—a genuine light comedy character for all times. How admirably this Pandarus practises as well as preaches ...
— Chaucer • Adolphus William Ward

... side of these school-pieces we meet with the melodious lament of the genuine elegy, the festal poem in the full pomp of individual and almost dramatic execution, above all, the freshest miniature painting of cultivated social life, the pleasant and very unreserved amatory adventures of which half the charm consists in prattling and poetizing about the mysteries of love, the delightful life of youth with full cups and empty purses, the pleasures of ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen

... average purveyor of public entertainment reckons Shakespeare's plays among tasteless and colourless commodities, which only become marketable when they are reinforced by the independent arts of music and painting. Shakespeare's words must be spoken to musical accompaniments specially prepared for the occasion. Pictorial tableaux, even though they suggest topics without relevance to the development of the plot, have at times to be interpolated in order to keep the attention ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee

... they to dinner, and all to dinner and sat down to the King saving myself. The King having dined, he came down, and I went in the barge with him, I sitting at the door. Down to Woolwich (and there I just saw and kissed my wife, and saw some of her painting, which is very curious; and away again to the King,) and back again with him in the barge, hearing him and the Duke talk, and seeing and observing their manner of discourse. And God forgive me! though I admire them with all the duty possible, yet the more a man ...
— The Diary of Samuel Pepys • Samuel Pepys

... was, we know, the Father of Lies, and so indeed in a measure are all historians and biographers, since they cannot see into hearts and motives or know all the circumstances of the case. And in this case they were painting the picture of their hated enemy and no doubt were not sparing in the use of ...
— Dead Man's Plack and an Old Thorn • William Henry Hudson

... that, born or fashioned, or both. I am not for nothing the son of my father, of that man in the painting. I am he, all but the genius. And there is even less in me than I make out, because the very scorn is falling away from me year after year. I have never been so amused as by that episode in which I was suddenly called to act such an incredible ...
— Victory • Joseph Conrad

... as she stood there before them, her eyes closed as if to shut out the horrible picture her mind was painting. There were other white faces and ice-cold veins about the table. The sneer on Anna ...
— Truxton King - A Story of Graustark • George Barr McCutcheon

... contour throbs, the hidden soul heaves the inert canvas with the solemn palpitations of life. Art is dead no longer, but informed with divine vitality. There is no picture but Hope crowned and radiant, or pale and patient Sorrow, or the tender sanctity of Love. The landscape of the artist is neither painting nor nature, but summer fields and rosy sunsets over-flooded with his own inward light. Only from her Heaven-anointed monarch, man, can Nature receive her knightly accolade. And shall one detect the false or recognize the true by the minute-hand? ...
— Gala-days • Gail Hamilton

... their acquaintance. The girls learned to sew and cook, just as they learned to read,—as a matter of habit rather than of instruction. They learned how to make their own clothes, by making their dolls' clothes,—and the dolls themselves were frequently home-made, the eldest sister painting the faces much more prettily than those obtained at the shops; and there was a great delight in gratifying the fancy, by dressing the dolls, not in Quaker garb, but in all of the most brilliant colors and stylish shapes ...
— Maria Mitchell: Life, Letters, and Journals • Maria Mitchell

... England Puritans probably smoked as their friends in old England did. A contemporary painting of a group of Puritan divines over the mantelpiece of Parson Lowell, of Newbury, shows them well provided with punch-bowl and drinking-cups, tobacco and pipes. One parson, the Rev. Mr. Bradstreet, of the First Church of Charlestown, was very unconventional in his attire. He seldom ...
— The Social History of Smoking • G. L. Apperson

... from Sir Charles's house at Cap Brun, 'La Sainte Campagne,' and figures as an illustration in one of Lady Dilke's stories; 'Reeds and Umbrella Pines' at Carqueiranne, by Pownoll Williams, kept another memory of Provence. Next to a painting, by Horace Vernet, of a scene on the Mediterranean coast, little Anne Fisher, born 1588, exhibited herself in hooped and embroidered petticoat, quaint cap and costly laces, a person of great dignity at six years old. She was to be Lady Dilke of Maxstoke Castle and a shrewd termagant, mother ...
— The Life of the Rt. Hon. Sir Charles W. Dilke, Vol. 2 • Stephen Gwynn

... chairs and the horsehair sofa which was never moved from its accustomed place along the wall. It was not a comfortable Squire's residence, this old house at Vavasor. In the last twenty years no money had been spent on furniture or embellishments, and for the last ten years there had been no painting, either inside or out. Twenty years ago the Squire had been an embarrassed man, and had taken a turn in his life and had lived sparingly. It could not be said that he had become a miser. His table was kept ...
— Can You Forgive Her? • Anthony Trollope

... opinion, such effects are tawdry, and detract not only from the severe simplicity, but from the UNITY which should pervade a painting of this description. Of course, I wash my hands of all these innovations upon ...
— Round the Block • John Bell Bouton

... decline of moral purity in society is often marked by the deterioration of the sense of artistic beauty. Corrupt and dissipated social epochs produce corrupt styles of architecture and corrupt styles of drawing and painting, as might easily be illustrated by the history of art. When the leaders of society have blunted their finer perceptions by dissipation and immorality, they are incapable of feeling the beauties which come from delicate concords and truly artistic combinations. They ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various

... extension table. A hanging lamp above it. Four yellow chairs surround the table, a fifth—of the same set stands near the bed. LANGHEINRICH and EDE, dressed in their working-clothes, are busy at the table. LANGHEINRICH holds an iron weather-vane which EDE is painting red. ...
— The Dramatic Works of Gerhart Hauptmann - Volume I • Gerhart Hauptmann

... beautifying our cities and our homes, more time cultivating our minds and hearts by social intercourse and in the companionship of the great spirits of all ages, through the masterpieces of literature, music, painting and sculpture. But instead, we produce for sale and profit. When the workers have produced more than the master class can use and they themselves buy back out of their meagre wages, there is a glut in the markets of the world, unless a new market can be opened up ...
— The Common Sense of Socialism - A Series of Letters Addressed to Jonathan Edwards, of Pittsburg • John Spargo

... he mumbled. "Leo and I were painting our boat, that is all. We hurried so as to finish it before dinner. I suppose that is the reason the paint got splashed around ...
— Apples, Ripe and Rosy, Sir • Mary Catherine Crowley

... his "Symbolical Painting of the Four Elements," represents the sea by fishes, the earth by moles, fire by a salamander, and air by a camel! Evidently he mistook the chameleon (which traditionally lives on ...
— Character Sketches of Romance, Fiction and the Drama, Vol 1 - A Revised American Edition of the Reader's Handbook • The Rev. E. Cobham Brewer, LL.D.

... it meets the ANSI X.364 standard for terminal control. Unfortunately, this standard was both over-complicated and too permissive. It has been retired and replaced by the ECMA-48 standard, which shares both flaws. 3. /n./ [BBS jargon] The set of screen-painting codes that most MS-DOS and Amiga computers accept. This comes from the ANSI.SYS device driver that must be loaded on an MS-DOS computer to view such codes. Unfortunately, neither DOS ANSI nor the BBS ...
— The Jargon File, Version 4.0.0

... part of the sign must mean house for selling Breda beer. Rollo then concluded that the first word must mean something connected with oysters. There was another, KOFFER EN ZADEL MAKERIJ. At first Rollo could not make any thing of this; but on looking at the window he saw a painting of a horse's head, with a handsome bridle upon it, and a saddle on one side. So he concluded it must mean a trunk and saddle makery. He was the more convinced of the correctness of this from the fact that the word for trunk or box, ...
— Rollo in Holland • Jacob Abbott

... thought of the foe haunts him, and he falls again to the lower level of painting their assembling round his house, and their whispers as they take their stand. It would appear that the watch had been kept up for more than one night. How he flings his growing scorn of them into the sarcastic ...
— The Life of David - As Reflected in His Psalms • Alexander Maclaren

... the illusion. In the case of fine arts there is, in the range of the means which art adopts, a certain limit, and beyond it illusion is impossible. Sculpture, that is to say, gives us mere colourless form; its figures are without eyes and without movement; and painting provides us with no more than a single view, enclosed within strict limits, which separate the picture from the adjacent reality. Here, then, there is no room for illusion, and consequently none for that interest or sympathy which resembles the interest we have ...
— The Essays of Arthur Schopenhauer; The Art of Controversy • Arthur Schopenhauer

... United States a goodly portion of its business prosperity. Seth Thomas, Silas Hoadley, Chauncey Jerome are names that will not soon be forgotten; Terryville and Thomaston, two clockmaking centers, testify to that. As for Jerome—it was he who experimented with the painting of decorative glass and evolved that variety having a ...
— Christopher and the Clockmakers • Sara Ware Bassett

... rising, he gave it a kick, just as one of his brothers might have done. Then he squatted again, and through the ragged strands of his bang, his black eyes sparkled eagerly. For, of late, every warrior's lodge had seen secret flesh-painting; under every warrior's blanket were hidden gaudy tracings of vermilion, scarlet, orange, and blue; and was he not ...
— The Plow-Woman • Eleanor Gates

... was emptied, the drawers were visited, the box and valise filled and securely locked by seven o'clock. An hour remained to him before supper and he sat there resting, when his eyes whilst travelling round the walls to make sure that he had forgotten nothing, encountered that old painting by some unknown master, which had so often filled him with emotion. The lamplight now shone full upon it; and this time again as he gazed at it he felt a blow in the heart, a blow which was all the deeper, as now, at his parting hour, he found ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola

... was renewed again on the 20th of February by Lord Brougham, who urged upon the house the propriety of immediately emancipating the negro apprentices. His speech on this occasion gained for him the golden opinions of the good and the wise. He commenced by painting in poetic language the "delicate, calm, and tranquil joy" which pervaded the Antilles on the day when slavery ceased to exist. He continued to show that the predictions of those who had declared that labour would cease when slavery was abolished, had failed. Twice as much sugar ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan

... uncertainty of the future half-tinged your joy with a shadow of sadness, which you had not known before: but love sadness is only the shading and gentle pencilling in love's wondrous picture, whereby the whole light of the painting is made clearer and stronger. A new world opened out before you in endless vistas of untold and undreamed bliss. You looked back at your former self, so careless and sunny, so consciously happy in the strong sense of life and power, and you wondered how you could have been even ...
— Mr. Isaacs • F. Marion Crawford

... of the methods of interpretation and analysis that are related to both quantitative and qualitative methods are processes that can be performed by computers. For example, computers can count. They can count brush strokes used in a Rembrandt painting or perform regression analysis for understanding cause and effect. By means of advanced technologies, computers can recognize patterns, analyze text, and model concepts. Furthermore, computers can complete these processes faster with ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly

... FOR COACH PAINTERS. Translated from the French of M. Arlot, Coach Painter, for Eleven Years Foreman of Painting to M. Eherler, Coach Maker, Paris. By A. A. Fesquet, Chemist and Engineer. To which is added an Appendix, containing Information respecting the Materials and the Practice of Coach and Car Painting and Varnishing, in the United States and Great Britain. Philadelphia: ...
— Scientific American, Volume XXIV., No. 12, March 18, 1871 • Various

... detailing these tragedies with the idea of painting a gloomy future, but merely to illustrate a point of view,—a habit of mind. I ...
— A Jolly by Josh • "Josh"

... was to make more money; but she realized that other people, especially young men, like the things it would buy. Twice during that particular vacation, for no cause except to gratify herself, she gave her son a wickedly large check; and once, when Nannie told her that he wanted to pay for some painting lessons, though she demurred just for a moment, she paid the bill so that his own spending-money ...
— The Iron Woman • Margaret Deland

... the nooks and corners of drawers, cupboards, lumber-rooms, lofts, &c., with a view of getting rid of all unnecessary articles, which only create dirt and attract vermin; sweeping of chimneys, taking up carpets, painting and whitewashing the kitchen and offices, papering rooms, when needed, and, generally speaking, the house putting on, with the approaching summer, a bright appearance, and a new face, in unison with nature. Oranges now should be preserved, ...
— The Book of Household Management • Mrs. Isabella Beeton

... dells that they passed by holly-berries in full red were found growing beside oak and hazel whose leaves were as yet not far removed from green, and brambles whose verdure was rich and deep as in the month of August. To Grace these well-known peculiarities were as an old painting restored. ...
— The Woodlanders • Thomas Hardy

... your Father deare to you? Or are you like the painting[11] of a sorrow, A face without ...
— The Tragedie of Hamlet, Prince of Denmark - A Study with the Text of the Folio of 1623 • George MacDonald

... read that story of his about a painter who was always striving to attain perfection, could never let a picture alone, was for ever adding new touches, painting details out and other details in? One day he called in his friends to see his masterpiece. When they came they found a mere mess of ...
— The Way of Ambition • Robert Hichens

... for there sat Hinpoha busily painting robins on the place cards for the banquet which was to take place the following night. This banquet was given each year as a wind-up to the camp activities, with the winner of the Buffalo Robe in the place of honor at ...
— The Campfire Girls at Camp Keewaydin • Hildegard G. Frey

... the couch, intending to sit down. As he turned, his gaze encountered an oil-painting ...
— The Kingdom Round the Corner - A Novel • Coningsby Dawson

... Duerer, Raphael, or Michael Angelo. Although intended at first for Swiss readers only, the little weekly soon captured a German public. Its purpose was to kindle the imagination, and to suggest a parallel between the art of painting and the art of literature. Bodmer only dimly outlined what an infinitely greater mind defined with unerring precision some twenty years later in the 'Laocoon.' But the service of the older man to literature is not therefore to be undervalued. Bodmer created ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various

... her hair, and the whole effect enhanced the dainty coloring of cheeks and lips. Leigh had an artist's eye in dress and knew by instinct what to wear. She had an artist's hand also, as her mother had had before her, and was far more skilled in the painting of prairie landscapes than any of the Grass River ...
— Winning the Wilderness • Margaret Hill McCarter

... was a livid pink. The lake had checked the fire's advance to the eastward and the wind had driven the flames north toward the mountains. Further and further away traveled the flames painting the sky a sinister color and producing a spectacle that the ...
— The Boy Scout Fire Fighters • Irving Crump

... looked around, but the sailors were as cool as he was—they were reassured by his honest explanation. Then he took me by the arm, and, pointing to the painting in the sky, said: 'Old man Providence again, son, sure as you are born; do you see that lane through the great ring? There's an open, fairly straight passage to the inner ocean, except that it's closed by about three ...
— Danger Signals • John A. Hill and Jasper Ewing Brady

... taking turns in the one bucket, which was all Joe could offer as laundry equipment. He had an iron, but after brief consultation, "Major" and "Captin" decided that to iron working shirts would be merely painting the lily. Old Joe watched them with a twinkle, saying nothing. But a spirit of festivity and magnificence must have entered into him, for when the washermen went for a walk, after disposing their damp raiment upon bushes, he entered the kitchen ...
— Back To Billabong • Mary Grant Bruce

... the bar, took chambers, engaged himself to sit at the feet of a learned pundit, and spent a season in London. He there found that all his aptitudes inclined him to the life of an artist, and he determined to live by painting. With this object he returned to Milan, and had himself rigged out for Rome. As a painter he might have earned his bread, for he wanted only diligence to excel, but when at Rome his mind was carried ...
— Barchester Towers • Anthony Trollope

... the advance,[525] Like climbing some great Alp, which still doth rise, Deceived by its gigantic elegance— Vastness which grows, but grows to harmonize—[po] All musical in its immensities; Rich marbles, richer painting—shrines where flame[pp] The lamps of gold—and haughty dome which vies In air with Earth's chief structures, though their frame Sits on the firm-set ground—and this the clouds ...
— The Works of Lord Byron, Volume 2 • George Gordon Byron

... my lord, forbear: The ruddiness upon her lip is wet; You'll mar it if you kiss it; stain your own With oily painting. Shall I draw ...
— The Winter's Tale - [Collins Edition] • William Shakespeare

... for some time, following almost entirely the course and history of one individual, painting none but the characters with whom he was brought into immediate contact, and making him, as it were, a lantern in the midst of our dark story, all the characters appearing in bright light as long ...
— The King's Highway • G. P. R. James

... many. It was the most pleasing home, where money was lavishly spent, that she had ever been in, and perhaps she is not to be blamed that for a moment she was carried away by her surroundings, and the longing came over her to be so happily situated as this. Seeing a life-size painting of a woman placed on a high frame near a desk, she went over to look at it. There was something so lifelike and natural, and even familiar, about the picture that she still further forgot how she came to be there. She did not ...
— The Adventures of Uncle Jeremiah and Family at the Great Fair - Their Observations and Triumphs • Charles McCellan Stevens (AKA 'Quondam')

... his time in an office from nine to six adding up figures. His proper place in life is that of Prime Minister or Field Marshal: he feels it. Do you think the man has no yearning for higher things? Do you think we like the office, the shop, the factory? We ought to be writing poetry, painting pictures, the whole world admiring us. You seem to imagine your man goes off every morning to a sort of City picnic, has eight hours' fun—which he calls work—and then comes home to annoy you with chatter ...
— The Angel and the Author - and Others • Jerome K. Jerome

... in Florence, and contemplates Fra Lippo Lippi's masterpiece, The Coronation of the Virgin, and reads the lines about it in this poem, one will get a new idea of the picture. It is a representation of the painter's whole nature, half genius, half mucker—the painting is a glory of form and color, and then in the corner the artist had the assurance to place himself in his monk's dress among the saints and angels, where he looks as much out of place as a Bowery Boy ...
— Robert Browning: How To Know Him • William Lyon Phelps

... moon to a man like me? Let it shine—let anything be, so that I never see another day!... Eustacia, I don't know where to look: my thoughts go through me like swords. O, if any man wants to make himself immortal by painting a picture of ...
— The Return of the Native • Thomas Hardy

... genuine lustre by Boulle will sell at a public auction for three thousand francs; the same thing reproduced by casting may be made for a thousand or twelve hundred; one is archaeologically what a picture by Raphael is in painting, the other is a copy. At what would you value a copy of a Raphael? Thus Crevel's mansion was a splendid example of the luxury of idiots, while Josepha's was a perfect model of ...
— Cousin Betty • Honore de Balzac

... and mausoleum of his grandson, Iemitzu (farther on), was erected in the seventeenth century, at a time when the art of building shrines was at its perfection, as was the work in lacquer and bronze, wood carving and decorative painting. Every detail is perfect, and the great predominance of red and gold lacquer with its setting of green produced a striking effect, but without being in the least garish. Indeed, the keynote to all the buildings and interiors we have ...
— Travels in the Far East • Ellen Mary Hayes Peck

... of it?' said the old lady: observing in great surprise, the look of awe with which the child regarded the painting. ...
— Oliver Twist • Charles Dickens

... Sandy replaced Janie's numerous wraps, much as if she had been a valuable painting, or a choice bit of sculpture, and taking her hand, led her gently down the long stairway to the street. Then, lifting her into the sleigh, and tucking the bear skin about her, he drove briskly over the road toward home, not allowing the horse ...
— Randy and Her Friends • Amy Brooks

... was surrounded by pictures of his stars. Dominating them was J. W. Alexander's fine painting of Miss Adams in "L'Aiglon." On a shelf stood a bust of John Drew. There were portraits of playwrights, too. A photograph of Clyde ...
— Charles Frohman: Manager and Man • Isaac Frederick Marcosson and Daniel Frohman

... thing that wasn't as it should be was the picture on the wall. It was a reproduction of a painting by Pieter de Hooch, which he had always liked, aside from the fact that he had been named after the seventeenth-century Dutch artist. The picture was slightly askew on ...
— The Bramble Bush • Gordon Randall Garrett

... with the plate now under consideration. There is one statement made by the expounder of the Vatican Codex which not only enables us to understand his confused explanation, but indicates clearly the kind of painting he had in view, and tends to ...
— Notes on Certain Maya and Mexican Manuscripts • Cyrus Thomas

... express the goodness—the religion in him, in something, and if he is not the kind of man who can express his religion in money and in employing labour, then let him find something—say music or radium or painting in which he can. It is this bounding off in a world, this making a bare spot in life and saying "This is not God, this cannot be God!"—it is this alone that ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee

... government of the right line, as in the pure and severe curves of the draperies of the religious painters; and thus in color it is not red, but rose-color which is most beautiful, neither such actual green as we find in summer foliage partly, and in our painting of it constantly; but such gray green as that into which nature modifies her distant tints, or such pale green and uncertain as we see in sunset sky, and in the clefts of the glacier and the chrysoprase, and the sea-foam; and so of all colors, not that ...
— Modern Painters Volume II (of V) • John Ruskin

... she is to go with her aunt to the artist's studio," said Leslie, "and wouldn't I like to do that? Just think what fun it would be to see him painting." ...
— Princess Polly's Playmates • Amy Brooks

... had his small case open, with its knife; cotton-wire, thread, and bottle of preserving cream, and when I joined him where he was seated he had already stripped the skin off one of the birds, and was painting the inside cover with the softened paste; while a few minutes later he had turned the skin back over a pad of cotton-wool, so deftly that, as the feathers fell naturally into their places and he tied the legs together, it was hard to believe that there ...
— Through Forest and Stream - The Quest of the Quetzal • George Manville Fenn

... the letter hurriedly, as though its very touch stings her, and, rousing herself with bitter self-contempt from her sentimental regrets, works vigorously at her painting for about an hour, then, growing wearied, she flings her brushes aside, and goes to the morning-room, where she knows she will ...
— The Haunted Chamber - A Novel • "The Duchess"

... whom we associate. A man's ideals mold him. Living with Jesus makes us look like Himself. We are familiar with the work that has been done in restoring old fine paintings. A painting by one of the rare old master painters is found covered with the dust of decades. Time has faded out much of the fine coloring and clearly marked outlines. With great patience and skill it is worked over and over. And something of the original beauty, ...
— Quiet Talks on Service • S. D. Gordon

... of literature and art describe the same periodical revolutions and parallel eras. After the golden age of Latinity, we gradually slide into the silver, and at length precipitately descend into the iron. In the history of painting, after the splendid epoch of Raphael, Titian, and Correggio, we meet with pleasure the Oarraccis, Domenichino, Guido, and Albano; as we read Paterculus, Quintilian, Seneca, Juvenal, and Silius Italicus, after their immortal masters, Cicero, ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli

... sounded like "Um, um," and without a word or a gesture of gratitude rode away with his property. Roosevelt felt cheap, as though he had done a service which had not been appreciated; but a few days later the old Indian came to him and silently laid in his arms a hide bearing an elaborate painting of the battle of ...
— Roosevelt in the Bad Lands • Hermann Hagedorn

... doctor at this hospital next day looked at my hand and said in a nonchalant way, "Looks as though you will lose it." At that time it didn't strike me as a great loss to lose a hand, even if it was my "painting hand." ...
— "Crumps", The Plain Story of a Canadian Who Went • Louis Keene

... the shrine of the Madonna della Rocca. Night was coming now, and the little lamp before the shrine shone gently, throwing a ray of light upon the stones of the path. When they reached it, Lucrezia crossed herself, and they stood together for a moment looking at the faded painting of the Madonna, almost effaced against its rocky background. Within the glass that sheltered it stood vases of artificial flowers, and on the ledge outside the glass were two or three bunches of real flowers, placed there by peasants returning to their homes ...
— The Call of the Blood • Robert Smythe Hichens

... Thunderbolt back on her flaps. The Jerry shuddered an instant, then broke in two and burst into roaring flames. Stan went over the wreckage and cut in between the other two Jerries. They were alive now and in action. Around the three went, up and over, painting the chill sky with streaks and loops of vapor. Stan did not hold on long. The instant he had a chance to dive and run for it he did. And the Jerries did not chase him. They were convinced he ...
— A Yankee Flier Over Berlin • Al Avery

... to oil was a natural transition for burned fingers, and Amy fell to painting with undiminished ardor. An artist friend fitted her out with his castoff palettes, brushes, and colors, and she daubed away, producing pastoral and marine views such as were never seen on land or sea. Her monstrosities in the ...
— Little Women • Louisa May Alcott

... as absolutely incompatible with its pretensions, had in later years addressed itself to the encouragement of art. But music and painting, though they may be exquisite adornments of life, contain no living force that can develop a weak nation into a strong one; nothing that can permanently assure the material well-being or happiness of communities; and hence at the time of the ...
— History of the Conflict Between Religion and Science • John William Draper

... pinks, and roses, each in separate beds, which were cut into the shape of forts with five bastions. General Lambert, whom Fairfax had reared as a soldier, also loved his flowers, and excelled both in cultivating them and in painting them from Nature. Lord Fairfax only went to Denton, the favourite seat of his grandfather, when the floods were out over the ings at Nunappleton, and he also occasionally resorted to his house at Bishop Hill ...
— Andrew Marvell • Augustine Birrell

... whole life; every opinion formed by the author, every epithet given to the writers of whom he speaks, is beautiful and just, concise and animated. He has found the art of treating the finest pieces of poetry as so many wonders of nature, and of painting them in lively colours, which do not injure the justness of the outline; for we cannot repeat too often, that imagination, far from being an enemy to truth, brings it forward more than any other faculty of the mind; and all those who depend upon it as an excuse for indefinite terms or exaggerated ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black

... generations. But those who preserved it to the present day had avoided the lamentable plastering which disfigures so many others. The walls were built with fine large stones, on which time had left its melancholy impress. There was no grotesque painting on them to mar their quiet beauty, and the dim light that filtered through at that early hour gave them a vague ...
— In the Field (1914-1915) - The Impressions of an Officer of Light Cavalry • Marcel Dupont

... seascapes, with nymphs and cupids and nereids and sirens all daintily portrayed therein,— pictures so ethereal and warm and bright in colour that they were called by some of the best Italian critics, the "amoretti" of painting,—he, this wonderful man, had caught her soul and heart by storm, in a few sudden, quickly-whispered words one night when the moon was at the full, hanging high over the gardens of the Pincio,— and, proud of her security in the love she had won, Angela had risen ...
— The Master-Christian • Marie Corelli

... may take as an instance the cultivation of the Fine Arts, Painting, Sculpture, Architecture, to which I may add Music. These high ministers of the Beautiful and the Noble are, it is plain, special attendants and handmaids of Religion; but it is equally plain that they ...
— The Idea of a University Defined and Illustrated: In Nine - Discourses Delivered to the Catholics of Dublin • John Henry Newman

... ardent. Accompanied by his favourite orderly, Salmat el-Nahhs, an intelligent negro from Dr-For, he sets out after breakfast with a bit of bread, a flagon of water, a tent-umbrella, and his tools, which he loses with remarkable punctuality, to spend the whole day sketching, painting, and photographing. M. Philipin is our useful man: he superintends the washing-cradle; he wanders far and wide, gun in hand, bringing us specimens of everything that strikes the eye; and he is great at his forge: the Bedawin sit for hours, ...
— The Land of Midian, Vol. 1 • Richard Burton

... smile then, and to eat of his breakfast. His digestion had gone wrong, it appears. The Figaro had placed his name second on a certain list, after a rival's! He alone must be great—there must not be another god of painting save him! He! He! that's fine, that's greatness—to lose one's appetite because another is praised, and to be ashamed of ...
— In and Out of Three Normady Inns • Anna Bowman Dodd

... volumes. The portraits of the judges were painted by Michael Wright, by the order of the Court of Aldermen, 19 April, 1670 (Repertory 75, fo. 160b). Warrants for the payment of the artist, and also Jeremiah Wright for painting arms and inscriptions on the frames, are preserved in the Chamberlain's office.—See Report on Corporation Records, 16 Dec., 1869, Appendix ...
— London and the Kingdom - Volume II • Reginald R. Sharpe

... your gay people, who toil through nominal pleasures, dressing by rule and compass, lacing, bracing, patching, painting, plastering, penciling, curling, pinching, and all to go out and be looked at: going from party to party in the middle of the night, pretending not to be sleepy, suppressing each rising yawn, and ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 14, - Issue 386, August 22, 1829 • Various

... IV.34: Carrying about their pictures)—Ver. 24. It was the custom for shipwrecked persons to go about soliciting charity with a painting suspended from the neck, representing their calamity; much in the fashion which we sometimes see ...
— The Fables of Phdrus - Literally translated into English prose with notes • Phaedrus

... take her home! The poet, painting pureness, tells Of lilies; figures power by Rome; And each thing shows by something else. But through the songs of poets look, And who so lucky to have found In universal nature's book A likeness for a life so crown'd! Here they speak best who best express Their inability to speak, ...
— The Angel in the House • Coventry Patmore

... and the pianoforte, is almost in a more degraded position than painting. In every family the young ladies play and sing; but of tact, style, arrangement, time, etc., the innocent creatures have not the remotest idea, so that the easiest and most taking melodies are often not recognisable. The sacred music is a shade ...
— A Woman's Journey Round the World • Ida Pfeiffer

... of the hall was a round table, with very ancient-looking, high-backed chairs scattered about, of all shapes and sizes. Portraits of various degrees of indifferent oil painting adorned the walls of the hall and staircase. Somebody appeared to have been shooting with a catapult at some of the pictures. One old gentleman had a shot through his nose; and an old fellow with a hat on, over the window, had received a pellet in ...
— A Cotswold Village • J. Arthur Gibbs

... desired to give me lessons in oil-painting. The next, my brother Joseph, dead now for ten years, asked forgiveness for his share in a little quarrel of ours which had embittered a portion of his last days,—of which, by the way, I am confident that Miss Fellows knew nothing. At one time I ...
— Men, Women, and Ghosts • Elizabeth Stuart Phelps

... (Vol. ii., p. 391.).—These lines, in which "veriis" and "antesolat" are, of course, misprints for "variis" and "antevolat," apply with such peculiar exactness to Guido's celebrated Aurora, at the Rospigliosi Palace, that I cannot but think the painting has given rise to the lines. Besides, in the ancient mythology, the Horae are said to be three in number, daughters of Jupiter and Themis, and one of their offices was harnessing the horses of the Sun. It is ...
— Notes and Queries, Number 76, April 12, 1851 • Various

... air, melody, is what strikes me most of all in music and design in painting, so design, pattern, or what I am in the habit of calling inscape is what I above all aim at ...
— Aspects of Literature • J. Middleton Murry

... were not beautified with pictures, nor were the rooms furnished with taste. There was no high ideal of cultivating the intelligence, and therefore most of the lessons that were not devoted to accomplishments, such as music, flower-painting, fancy work, hand-screen making, etc., were given to memory work, and note-books, in which extracts were made from standard authors and specimen sums worked with flourishes wondrous to behold. The ...
— Three Addresses to Girls at School • James Maurice Wilson

... hand toward another painting, a delicate and charming conception of a half-clothed woman, a picture in which the flesh-tints, the drapery, the lights all ...
— Max • Katherine Cecil Thurston

... composition adorns the recessed frieze panel. Projections of the cornice above the consoles lend an added touch of refinement. This elaboration of the white wood trim is further emphasized by the dark red-brown painting of the door to simulate old mahogany, which became a frequent feature of the houses ...
— The Colonial Architecture of Philadelphia • Frank Cousins

... "That's my contribution to painting the hall," she gasped. "I'd like to give you a dollar but I don't dare take more from my egg money for Eliza would find it out if I did. I'm real interested in your society and I believe you're going to do a lot of good. I'm an optimist. ...
— Anne Of Avonlea • Lucy Maud Montgomery

... We hesitate. Dr. Piquet, a man of seventy, was killed in his drawing-room by a ball in his stomach; the painter Jollivart, by a ball in the forehead, before his easel, his brains bespattered his painting. The English captain, William Jesse, narrowly escaped a ball which pierced the ceiling above his head; in the library adjoining the Magasins du Prophete, a father, mother, and two daughters were sabred. Lefilleul, another bookseller, was ...
— The History of a Crime - The Testimony of an Eye-Witness • Victor Hugo

... [himself]. The painters in oil (which he will have it that neither of them practised) he affirms to have been the ruin of art, and affirms that all the while he was engaged in his Welsh paintings, Titian was disturbing him,— Titian the Ill Genius of Oil Painting. His pictures—one in particular, the Canterbury Pilgrims, far above Stothard—have great merit, but hard, dry, yet with grace. He has written a Catalogue of them, with a most spirited criticism on Chaucer, but mystical and full of ...
— The Best Letters of Charles Lamb • Charles Lamb

... is deeper than others' into this great and mysterious potency, can only give glimpses of its source, and draw tears by painting, in words, the ...
— Woman on the American Frontier • William Worthington Fowler

... boy!" said Laura, laying her hand upon his shoulder, "what do you know of such things? All you have to do is to go on with your painting, and to remember the promise you made ...
— The Doings Of Raffles Haw • Arthur Conan Doyle

... visible to the most distant wayfarers, when the Eternal Love smote with its beams the praying saint on La Vernia; so also the souls of those men of the Middle Ages were made luminous and visible by the miracle of poetry and painting, and we can see them still, distinct even at ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)

... seven situations; music expresses everything with seven notes; painting employs but seven colors; like these three arts, love perhaps founds itself on seven principles, but we leave this investigation for the ...
— The Physiology of Marriage, Part I. • Honore de Balzac

... plainly not his property was taken away, the man at the table noted it on his paper, and it was carried into a little room. The most amazing assortment of objects were thus confiscated; statuettes, bottles of ink, bed-spreads worked with the Imperial monogram, candles, a small oil-painting, desk blotters, gold-handled swords, cakes of soap, clothes of every description, blankets. One Red Guard carried three rifles, two of which he had taken away from yunkers; another had four portfolios bulging with written documents. ...
— Ten Days That Shook the World • John Reed

... gloriously-mossed stones, the patches of white hail, and the glancing, rushing, and gleaming torrent, which was here deep and dark, there one sheet of white effervescing foam. But the hearts of all were too full, and their imaginations were painting the spectacle upon which they soon expected to gaze, namely, the terribly mutilated body of poor Lawrence, battered by ...
— Yussuf the Guide - The Mountain Bandits; Strange Adventure in Asia Minor • George Manville Fenn

... a class of our ideas images and pictures, a tribe of associations with painting comes into our mind, and we argue about Imagination as if she were actually a paintress, who has colours at her command, and who, upon some invisible canvass in the soul, portrays the likeness of all earthly and celestial objects. When we continue ...
— Practical Education, Volume II • Maria Edgeworth

... one of the Woodbridge traditions that these houses are inviolate. Assistant Professors' wives, upon taking up residence in Tutors' Lane, are tactfully warned that it is not the thing to alter them. There may be an occasional painting, yes; but innovations in the way of building are not to be thought of. People who have to build are advised to do it elsewhere; certain streets are provided for the purpose—High Street, for example—and though of ...
— Tutors' Lane • Wilmarth Lewis

... them handle; and these were not young bloods, outrunning the constable, astonishing their landlords and alarming their fathers; but amongst the ruck were respectable grandfathers who had begun hunting on ponies when Stubbs was painting great-grandfather Smith, and who had as a matter of course brought up their sons to follow the line in which they had been cheered on by Arthur Young's Lord Yarborough. There they were, of all ages, from the white-haired veteran ...
— A New Illustrated Edition of J. S. Rarey's Art of Taming Horses • J. S. Rarey

... into mind, and the rain against his windows there. He was cold, and he tried, with the regressive sense, to feel himself in that old, warm nest. His Black Hill room rose about him, firelit. The fire lighted that Italian painting of a city of refuge and a fleeing man, behind whom ran the avenger of blood.... Then it was July, and he was in the glen with Elspeth Barrow. He fought away from the recollection of that, for it involved a sickness of the soul.... Italy! Think of Italy. Venice, and a month that he had spent ...
— Foes • Mary Johnston

... to him the following afternoon that they were nearing Bystermouth. The skipper contented himself with eyeing him with an air of malicious satisfaction, but the crew gratified themselves by painting the horrors of his position in strong colors. Private Bliss affected indifference, but listened eagerly to all they had to say, with the air of a ...
— Light Freights • W. W. Jacobs

... whites, and on one side of the room were two wide, split boards, placed together so as to make space for a rude figure of a man cut and painted on them. On pointing to this, and asking him what it meant, he said something, of which all that we understood was 'good,' and then stepped up to the painting, and took out his bow and quiver, which, with some other warlike instruments, ...
— First Across the Continent • Noah Brooks

... had no difficulty in finding the inn. The town is composed of one desolate street; and midway in that street stands the inn—an ancient stone building sadly out of repair. The painting on the sign-board is obliterated. The shutters over the long range of front windows are all closed. A cock and his hens are the only living creatures at the door. Plainly, this is one of the old inns of the stage-coach period, ...
— The Lock And Key Library - Classic Mystery And Detective Stories, Modern English • Various

... many steps, we saw the room in which Ludovico Sforza, Duke of Milan, was imprisoned by Louis XII for eight years, and the little sundial that he made on the only spot on the wall that the sun could strike. He also whiled away the weary hours of captivity by painting frescoes on the walls, which are still to be seen. By such devices Ludovico probably saved his reason, but his health broke down and when relief came he seems to have died of joy, or from the sudden shock of coming ...
— In Chteau Land • Anne Hollingsworth Wharton

... came to speak to me about the picture of the Queen's First Council on her accession which Wilkie is painting. He is much scandalised because the Lord Mayor is introduced, which he ought not to be, and Croker apprehends that future Mayors will found upon the evidence of this picture claims to be present at the Councils of future sovereigns on similar occasions. I wrote to ...
— The Greville Memoirs (Second Part) - A Journal of the Reign of Queen Victoria from 1837 to 1852 - (Volume 1 of 3) • Charles C. F. Greville

... loved," Sheila said, sighing happily. "My father loves me,—when he is not painting or eating. He is very good ...
— Outside Inn • Ethel M. Kelley

... Ode xxii. Translation of Horace, Book ii. Ode ix. Translation of part of the Dialogue between Hector and Andromache.—From the Sixth Book of Homer's Iliad To Miss * * * * on her Playing upon a Harpsichord in a Room hung with Flower-Pieces of her own Painting Evening: an Ode. To Stella To the Same To a Friend To a Young Lady, on her Birthday Epilogue intended to have been Spoken by a Lady who was to personate 'The Ghost of Hermione' The Young Author Friendship: an Ode. Printed in the Gentleman's Magazine, ...
— Poetical Works of Johnson, Parnell, Gray, and Smollett - With Memoirs, Critical Dissertations, and Explanatory Notes • Samuel Johnson, Thomas Parnell, Thomas Gray, and Tobias Smollett

... idle boy without character, and mounted on a worn-out hack, and who, so far from being able to defend himself or escape from a robber, is much more likely to be in league with him." There is perhaps room for suspicion that Mr. Palmer was painting the post-boy service as black as possible, for he was then advocating another method of conveying the mails; but he was not alone in his adverse criticism. An official in Scotland thus described the service in 1799: "It is impossible to obtain ...
— A Hundred Years by Post - A Jubilee Retrospect • J. Wilson Hyde

... amused himself with photography. A few indications of its original purposes were still noticeable; an easel and a box of oil-colours showed that someone—doubtless of the younger generation—had used it as a painting-room; a settee and deep cane chairs made it an inviting lounge on a warm evening like the present, when, by throwing open a hinged wall, one looked forth into the deep sky and tasted the air ...
— Born in Exile • George Gissing

... as no portraits are admitted, the respective artists have employed their talents in representing pleasing and interesting subjects, some of which contain high poetical feeling—while others possess the power of raising our risibility by their novelty and genuine humour—a valuable quality in painting, to attain which, the artist treads an extremely difficult path. We must now select a few of the most ...
— The Mirror of Literature, Amusement, and Instruction - Volume 17, No. 478, Saturday, February 26, 1831 • Various

... bright, refreshing story, an ideal book to give a young girl."—Chicago Record-Herald. "An idyllic story, replete with pathos and inimitable humor. As story-telling it is perfection, and as portrait-painting it is ...
— The Rose of Old St. Louis • Mary Dillon

... orange and lemon, and the distant snow-clad peaks glittering in the gentle sunshine, combine to form a perfect picture. There are detailed descriptions from the pens of those who feel an unctuous joy in painting the lily, kalsomining the calla, and adding perfumes to the violet, the ...
— A Truthful Woman in Southern California • Kate Sanborn

... for some years, lived for his children alone, thought only of them, went out into the world surrounded by those little blond heads, which fluttered confusedly around him as in a painting of the Assumption. All his desires, all his plans related to "the young ladies" and constantly returned to them, sometimes after long detours; for M. Joyeuse—doubtless because of his very short neck and his short figure, in which his bubbling blood had but a short circuit ...
— The Nabob, Volume 1 (of 2) • Alphonse Daudet

... arts of music and painting and sculpture, one may find not only professional satisfaction, but the strength that comes from higher living and more lofty feeling. In the study of history as biography, the acquaintance with the men and women of other times, ...
— Life's Enthusiasms • David Starr Jordan

... with ivory, sycamore and acacia, were veneered with thin layers, or ornamented with carved devices of rare wood, applied or let into them; and a fondness for this display suggested to the Egyptians the art of painting common boards, to imitate foreign varieties, so generally adopted in other countries at ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy

... fair maiden," said the stranger, "and thy sweet face doesna belie its fame; admiration fails in painting the loveliness of thy glowing cheeks, and thine een might ...
— Wilson's Tales of the Borders and of Scotland, Volume III • Various

... speech, and voiced it. She was one of those happy beings in either sex who can amuse themselves, who can hold pleasant communion with the inner self, who can find romance in old houses, and yet love books, who prefer sunrises and sunsets at first hand, still loving a good painting. ...
— A Splendid Hazard • Harold MacGrath

... very choice central character, Ludwig Geyer affords great possibilities. He was as hopeful as Triplett and a deal more versatile. The histrionic art afforded him his income of eleven dollars a week; but painting was his forte—if he only had time to devote to the technique! Yet all the arts being one he had written a play; he also modeled in clay and sang tenor parts as understudy to the great Schudenfeldt. Hope, good-cheer and a devotion to art were the distinguishing features ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard

... not accessory to man. Worthy M. Perichon, of prosaic, not to say philistinic fame, had, as we remember, his travels immortalized in a painting where a colossal Perichon in front almost completely eclipsed a tiny Mont Blanc behind. A Far Oriental thinks poetry, which may possibly account for the fact that in his mind-pictures the relative importance of man and mountain stands reversed. "The matchless Fuji," ...
— The Soul of the Far East • Percival Lowell

... into a disquisition whether there is any beauty independent of utility. The General maintained there was not. Dr. Johnson maintained that there was; and he instanced a coffee-cup which he held in his hand, the painting of which was of no real use, as the cup would hold the coffee equally well if plain; ...
— Life Of Johnson, Vol. 2 • Boswell

... At present he is meditating a design for painting himself grass-green and climbing a tree—thence to take a comprehensive and unobserved survey of the enemy's dispositions. He will do it, too, ...
— The First Hundred Thousand • Ian Hay

... by land many miles, find a good market, and retain a good relish; but as generally, live ones are bought first, deceits are used to give them a freshness of appearance, such as peppering the gills, wetting the fins and tails, and even painting the gills, or wetting with animal blood. Experience and attention will dictate the choice of the best. Fresh gills, full bright eyes, moist fins and tails, are denotements of their being fresh caught; if they are soft, its certain they are stale, but if deceits are ...
— American Cookery - The Art of Dressing Viands, Fish, Poultry, and Vegetables • Amelia Simmons

... instanced as the most successful in this style of painting, which he has followed to such an extreme, that his pictures are now attractive only at a great distance, for when they are seen near by, they fail to please, if they do not produce positive disgust. Report represents him as having accumulated upward of one hundred ...
— The Knickerbocker, or New-York Monthly Magazine, February 1844 - Volume 23, Number 2 • Various

... webs formed of talus from the upper cliffs, and painted with every color known to the palette in pure transparent tones of marvellous delicacy. Never was picture more harmonious, never flower more exquisitely beautiful. It flashes instant communication of all that architecture and painting and music for a thousand years have gropingly striven to express. It is the soul of Michael Angelo ...
— The Life Radiant • Lilian Whiting

... of one of these rocks, apparently inaccessible, they saw, with surprise, two figures painted in very brilliant colors and with truly artistic outline. They thought that the painting would have done honor to any European artist. The figures were of two rather frightful looking monsters, about the size of a calf, in red, green, and black. Stoddard, in his history of Louisiana, says that these painted monsters, between the Missouri ...
— The Adventures of the Chevalier De La Salle and His Companions, in Their Explorations of the Prairies, Forests, Lakes, and Rivers, of the New World, and Their Interviews with the Savage Tribes, Two Hu • John S. C. Abbott

... The youngest of the fairy painters was Tintabel. He could draw a face so exquisite, that it was happiness only to gaze at it, or so sad that no one could see it without tears. No fairy longed as he did for the glory and renown of painting ...
— Harper's Young People, February 17, 1880 - An Illustrated Weekly • Various



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