"Hyperion" Quotes from Famous Books
 ... the autumn of 1820; accompanied by the artist Joseph Severn he went to Naples and then to Rome, where, in the spring following, he died; his works were three volumes of poetry, "Poems" 1817, "Endymion" 1818, "Lamia, Isabella and other Poems," including "Hyperion" and "The Eve of St. Agnes" 1820; he never reached maturity in his art, but the dignity, tenderness, and imaginative power of his work contained the highest promise; he was a man of noble character, sensitive, yet strong, unselfish, ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... of the life of humanity gathered upon his single head. It is the very voice of life, which thrills and strikes across the spiritual darkness of Saul, as the coming of Hyperion scattered the shadows ...
— Robert Browning • C. H. Herford
... of giving priority to the complement of the predicate, as well as the predicate itself, is finely displayed in the opening of 'Hyperion': ...
— The Philosophy of Style • Herbert Spencer
... passed Boppart, I sought out the Inn of the "Star," mentioned in "Hyperion"; there was a maiden sitting on the steps who might have been Paul Flemming's fair boat-woman. The clouds which had here gathered among the hills, now came over the river, and the rain cleared the deck of its crowd of admiring ...
— Views a-foot • J. Bayard Taylor
... appears, conveying the impression of a statue and forthwith producing the right frame of mind in the hearer, by the original song of thirty measures all in c.—After her disappearance Penelope's suitors assemble and form a plot to destroy Telemachus, the queen's son, of whom they are afraid. Hyperion, Telemachus' intimate friend tries to frustrate their plans, but in {382} vain. When left alone he reproaches himself bitterly for his treachery to his friend and decides to warn him. Hyperion too is in love with the queen, but he is at the same time deeply attached to her noble son, ...
— The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... shalt thou, at least, live to be the evil bane of mortals that eat the fruit of the fertile soil, and hither shall bring perfect hecatombs. Surely from thee neither shall Typhoeus, nay, nor Chimaera of the evil name, shield death that layeth low, but here shall black earth and bright Hyperion ...
— The Homeric Hymns - A New Prose Translation; and Essays, Literary and Mythological • Andrew Lang
... put up your horse?" said a small voice, and the soldier quickly dismounted, the animal vanishing with the speaker, as Saint-Prosper entered the inn. Gay, animated, conscious of his attractions, the fop hovered over the young girl, an all-pervading Hyperion, with faultless ruffles, white hands, and voice softly modulated. That evening the soldier played piquet with the wiry old lady, losing four shillings to that antiquated gamester, and, when he had paid the stakes, ...
— The Strollers • Frederic S. Isham
... the dancing-master); then he glanced at himself, and recalled the reflection he had so lately quitted in his bedroom. It was impossible. No woman with eyes could choose the one when the other wooed. It was Hyperion to a Satyr. That quotation came aptly; he forgot "That a man's a man for a' that." And yet here was a clue, which he had often wanted, to her changed conduct towards him. If she loved this man—if—he hated the fellow, and longed to strike ...
— Mary Barton • Elizabeth Gaskell
... she first beheld the substantial proportions of Corporal Van Spitter! There she beheld the beau ideal of her imagination—the very object of her widow's dreams—the antipodes of Vanslyperken, and as superior as "Hyperion to a Satyr." He had all the personal advantages, with none of the defects, of her late husband; he was quite as fleshy, but had at least six inches more in height, and, in the eyes of the widow, the Corporal Van Spitter was the finest man she ever ...
— Snarley-yow - or The Dog Fiend • Frederick Marryat |
