"Faun" Quotes from Famous Books
 ... San Marco, where he was discovered by Lorenzo de' Medici, who in 1489 took him into his palace. There the young student remained until his patron's death (1492), improving the great opportunities presented to him. The Mask of a Faun ...
— The Great Events by Famous Historians, Vol. 8 - The Later Renaissance: From Gutenberg To The Reformation • Editor-in-Chief: Rossiter Johnson
... ancestors; but if we reason, I shall reason against their existence." "Of course," he says, "I believe in divination, as I have always been taught to do. But who knows whence it comes? As to the voice of the Fauns, I never heard it; and I do not know what a Faun is. You say that the regular course of nature proves the existence of some ordering power. But what more regular than a tertian or quartan fever? The world subsists by the power of nature." Cotta goes on to criticise the Roman pantheon, ridiculing the idea of such gods as "Love, Deceit, ...
— Ten Great Religions - An Essay in Comparative Theology • James Freeman Clarke
... O! how alter'd was its sprightlier tone When Cheerfulness, a nymph of healthiest hue, Her bow across her shoulder flung, Her buskins gemm'd with morning dew, Blew an inspiring air, that dale and thicket rung, The hunter's call to Faun and Dryad known! The oak-crown'd Sisters and their chaste-eyed Queen, Satyrs and Sylvan Boys, were seen Peeping from forth their alleys green: Brown Exercise rejoiced to hear; And Sport leap'd up, and seized ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... . would I were In Grantchester, in Grantchester!— Some, it may be, can get in touch With Nature there, or Earth, or such. And clever modern men have seen A Faun a-peeping through the green, And felt the Classics were not dead, To glimpse a Naiad's reedy head, Or hear the Goat-foot piping low . . . But these are things I do not know. I only know that you may lie Day long and watch the Cambridge ...
— Poems of To-Day: an Anthology • Various
... 537, many of them were hurled down from the battlements upon the assailants. On the strength of this passage topographers have been in the habit of attributing to the mausoleum all the works of statuary discovered in the neighborhood; like the Barberini Faun now in Munich, the exquisite statue of a River God described by Cassiano dal Pozzo, etc., as if such subjects were becoming a house of death. The mausoleum of Hadrian formed part of one of the largest and noblest cemeteries of ancient Rome, crossed ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... that was a house of surprises, a house full of laid-by things. One never knew what one was going to find. One morning it might be a Ridgway jug all delicate vine leaves and faun heads, or an old blue-and-white English platter, or a piece of fine salt-glaze. On the top shelf of a long-locked closet, pushed back in the corner, you'd discover a full set of the most beautiful sapphire glassware, and a pagoda work-box with ivory corners; and ...
— A Woman Named Smith • Marie Conway Oemler
... named among other authors, probably by Fields, whose house had just published his "Marble Faun," and who had recently come home on the same steamer with him. Doctor Holmes asked if I had met Hawthorne yet, and when I confessed that I had hardly yet even hoped for such a thing, he smiled his ...
— Henry James, Jr. • William Dean Howells
... silent she lay and slept, her arm beneath the neck, her hair loosened, her eyes were closed, she breathed very softly—the air trembled within, it was red like the reflection of roses. Like a clumsy faun, imitating the dance of the nymphs, so the bed-cover with its awkward folds outlined her delicate form. No, no, he did not want to think of her, not in that way, for nothing in all the world, no; and now it all came back again, it could not be kept away, ...
— Mogens and Other Stories - Mogens; The Plague At Bergamo; There Should Have Been Roses; Mrs. Fonss • Jens Peter Jacobsen
... in A, Heedless of what your next neighbour may say! Dance and be gay as a faun or a fay, Sing like the lad in the boat on the bay; Sing, play—if your neighbours inveigh Feebly against you, they're lunatics, eh? Bang, twang, clatter and clang, Strum, thrum, upon fiddle and drum; Neigh, bray, simply obey All your sweet impulses, stop not or stay! Rattle the "bones," hit a tinbottom'd ...
— Fly Leaves • C. S. Calverley
... disguises, which degraded the "All-father" Odin into the ogre of the castle to which Jack climbed on his bean-stalk, and which blended the beneficent lightning-god Thor and the mischievous Hermes and the faun-like Pan into the grotesque Teutonic Devil, did not fail to impart a new and fearful character to the belief in werewolves. Lycanthropy became regarded as a species of witchcraft; the werewolf was supposed to have obtained his peculiar powers through ...
— Myths and Myth-Makers - Old Tales and Superstitions Interpreted by Comparative Mythology • John Fiske
... and fly The reeling faun, the sensual feast; Strive upwards, working out the beast, And let the ape ...
— Health and Education • Charles Kingsley
... Oh, mysterious two, Lords of our fate, the Doctor and the Jew, If, by your care enriched, the aspiring clerk Quits the close alley for the breezy park, And Dolly's chops and Reid's entire resigns For odorous fricassees and costly wines; And you, great pair, through Windsor's shades who rove, The Faun and Dryad of the conscious grove; All, all inspire me, for of all I sing, Doctor and Jew, and M—s and K—g. Thou, to the maudlin muse of Rydal dear; Thou more than Neptune, Lowther, lend thine ear. At Neptune's voice the horse, with flowing mane And pawing hoof, sprung from the ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 3. (of 4) • Thomas Babington Macaulay
... Others suppose, not without reason, that this statue is a representation of the famous Phryne, the courtesan of Athens, who at the celebration of the Eleusinian games, exhibited herself coming out of the bath, naked, to the eyes of the whole Athenian people. I was much pleased with the dancing faun; and still better with the Lotti, or wrestlers, the attitudes of which are beautifully contrived to shew the different turns of the limbs, and the swelling of the muscles: but, what pleased me best of all the statues in the Tribuna was the Arrotino, commonly called ...
— Travels Through France and Italy • Tobias Smollett
... 'Into the middle of a wood profound By chance I from the beaten pathway strayed: Where near me plaintive cries I hear resound, As of a woman who intreated aid. To a lake of crystal I pursue the sound, And, there, amid the waves, a naked maid Caught on the fish-hook of a Faun, survey, Who would devour alive ...
— Orlando Furioso • Lodovico Ariosto
... its interior, and furnished with so much richness and elegance, that it might have been considered the first edifice in Rome, next to the capitol, particularly for its fine collection of statues. The most remarkable among them were the Fighting Gladiator; Silenus and a Faun; Seneca, in black marble, or rather a slave at the baths; Camillus; the Hermaphrodite; the Centaur and Cupid; two Fauns, playing on the flute; Ceres; an Egyptian; a statue of the younger Nero; the busts of Lucius Verus, Alexander, Faustina and Verus; various relievos, among which ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... convinced that I was a faun when the world was young. There are times when I feel the ...
— The Dude Wrangler • Caroline Lockhart
... left upon the scarlet walls, they laughed at the quaint mosaic of the chained dog with its warning Cave Canem (Beware of the dog!), and they went into ecstasies over the lovely little statue of the Dancing Faun and some terracottas of Venus and Mercury. One link with the past was left in the fact that a few of the houses still preserved the names and even the portrait-busts ...
— The Jolliest School of All • Angela Brazil
... difficult pleasures and noisy feasts—of course you can't understand what these things mean. Only a few of you who sit with folded hands and listen can know what it is. I saw a picture once—some people feasting in a forest, and suddenly a little faun jumped from a tree on to their table and waited for them to play with him. But some were eating and some drinking and some talking scandal, and they did not see him. Only a little boy and an old man—they ...
— The Wooden Horse • Hugh Walpole
... mighty Sire addressed They all obeyed his high behest, And thus begot in countless swarms Brave sons disguised in sylvan forms. Each God, each sage became a sire, Each minstrel of the heavenly quire,(112) Each faun,(113) of children strong and good Whose feet should roam the hill and wood. Snakes, bards,(114) and spirits,(115) serpents bold Had sons too numerous to be told. Bali, the woodland hosts who led, High as Mahendra's(116) lofty head, Was Indra's child. That noblest fire, The Sun, was ...
— The Ramayana • VALMIKI
... was a fairy, who for some offence was changed every Saturday to a serpent from her waist downward. I was of course familiar with Keats's Lamia, another imaginary being, the subject of magical transformation into a serpent. My story was well advanced before Hawthorne's wonderful "Marble Faun," which might be thought to have furnished me with the hint of a mixed nature,—human, with an alien element,—was published or known to me. So that my poor heroine found her origin, not in fable or romance, but in a physiological conception ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... was natural in a character and genius so steeped in individuality, his copies became not so much imitations of form as original embodyings of the leading idea. For example: his first attempt in marble, when he was about fifteen, was a copy of an antique mask of an old laughing Faun; he treated this in a manner so different from the original, and so spirited as to excite the astonishment of Lorenzo de Medici, who criticised it, however, saying, "Thou shouldst have remembered that old folks ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... Stafford, unfortunately, could not recollect the attitude of any one antique figure, but was found practising having the head of the Dying Gladiator, the body of the Hercules, one leg of the Apollo, and the other of the Dancing Faun, turned the wrong way. Lord Mulgrave, having a small head, thought of representing the Torso, but he did not know what to do with his legs, and was afraid that, as Master of the Ordnance, he could not dispense with ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume I. • Samuel F. B. Morse
... occasion the sardonic Dordess joined him on deck. Dordess had excited more than a passing interest in Evan. He was different and inexplicable. He had eyebrows that turned up at the ends like a faun's, giving him a devilishly mocking look. The essence of bitterness was in his smile. He had the look of a man of distinction, yet his clothes were a thought shabby. "Clever journalist gone to ...
— The Deaves Affair • Hulbert Footner
... you will begin to understand Turner's work. Similarly, the wing of the Cupid in Correggio's large picture in the National Gallery is focussed to two little grains of white at the top of it. The points of light on the white flower in the wreath round the head of the dancing child-faun, in Titian's Bacchus and Ariadne, exemplify the ...
— The Crown of Wild Olive • John Ruskin
... sat down in that celebrated room, immortalized by the Gladiator, the Faun and the Antinous, scales seemed to fall from her eyes and a weight from her heart. Life meant something more than the mere play she delighted in, or the labor she despised. She took it in in this ...
— Mae Madden • Mary Murdoch Mason
... bugles sound; the orchestra rings out the Marseillaise; it is eight o’clock. The sky is wild and threatening. An unseen hand strikes the three traditional blows. The Faun Lybrian slips down from a branch of a great elm, and throws himself on the steps that later are to represent the entrance to the palace of Agamemnon, and commences the prologue (an invocation to Apollo), in ...
— The Ways of Men • Eliot Gregory
... see, from the open door of the opposite studio, but the faun-like face of Pierce Kinsella, grinning delightedly at the unexpected encounter. He proved himself equal to the occasion and said in ...
— Molly Brown's Orchard Home • Nell Speed
... very strong with Hawthorne, and he quotes Emerson, who called Thoreau "the young god Pan." And this lends much semblance to the statement that Thoreau served Hawthorne as a model for Donatello, the mysterious wood-sprite in the "Marble Faun." ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... experience. Four years in the American Consulate at Liverpool and three subsequent years of residence upon the Continent saw no literary harvest except carefully filled notebooks and the deeply imaginative moral romance, "The Marble Faun." Hawthorne returned home in 1860 and settled in the Wayside at Concord, busying himself with a new, and, as was destined, a never completed story about the elixir of immortality. But his vitality was ebbing, and in May, 1864, he passed away in his ...
— The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry
... uncertain, he entered the studio where, scarcely a year ago, Reginald Clarke had bidden him welcome. Nothing had changed there since then; only in Ernest's mind the room had assumed an aspect of evil. The Antinous was there and the Faun and the Christ-head. But their juxtaposition to-day partook of the nature of the blasphemous. The statues of Shakespeare and Balzac seemed to frown from their pedestals as his fingers were running through Reginald's papers. He brushed against a semblance ...
— The House of the Vampire • George Sylvester Viereck
... He trips to, made by the assembled flowers, And light and fragrance laughing 'mid the bowers, And ripeness busy with the acorn-tree. Such strains, perhaps, as filled with mute amaze— The silent music of Earth's ecstasy— The Satyr's soul, the Faun of classic days. ...
— Weeds by the Wall - Verses • Madison J. Cawein
... with sensitive nostrils; her temples were slightly hollowed: she had a capricious chin, and a mobile, witty, and rather sensual mouth, turning up at the corners, and the Parmigianninesque smile of a pure faun. She had a long, delicate throat, a pretty waist, a slender, elegant figure, and a happy, pensive expression in her girlish face, in every line of which there was the disturbing poetic mystery of the waking spring,—Fruhlingserwachen. ...
— Jean-Christophe Journey's End • Romain Rolland
... Fouque's "Undine" (1811) is in its way a masterpiece and a classic. This story of the lovely water-sprite, who received a soul when she fell in love with the knight, and with a soul, a knowledge of human sorrow, has a slight resemblance to the conception of Hawthorne's "Marble Faun." Coleridge was greatly fascinated by it. He read the original several times, and once the American translation, printed at Philadelphia. He said that it was beyond Scott, and that Undine resembled Shakspere's Caliban in being a ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... by mossy fountain-side, In valley or green meadow, to waylay Some beauty rare, Calisto, Clymene, Daphne, or Semele, Antiopa, Or Amymone, Syrinx, many more Too long—then lay'st thy scapes on names adored, Apollo, Neptune, Jupiter, or Pan, 190 Satyr, or Faun, or Silvan? But these haunts Delight not all. Among the sons of men How many have with a smile made small account Of beauty and her lures, easily scorned All her assaults, on worthier things intent! Remember that Pellean conqueror, A youth, how all the beauties of the East ...
— Paradise Regained • John Milton
... "sculptor's staging," on which also lay Van Nant's modelling tools and his clay-stained working blouse. Cleek looked at the huge, unnatural thing, out of drawing, anatomically wrong in many particulars, and felt like quoting Angelo's famous remark anent his master Lorenzo's faun: "What a pity to have spoilt so much expensive material," and Van Nant, observing, waved his hand ...
— Cleek, the Master Detective • Thomas W. Hanshew
... the wild-wood path That wanders deep in a dell, Where silence sleeps and sunbeams fain Would waken the slumber spell— For there the gods find the world again, Immortals of ancient lore, And time is gone, and a mad-glad faun Knows the glades ...
— The Rose-Jar • Thomas S. (Thomas Samuel) Jones
... design for a window seat which she was building for the Masters dining-room. These pairings left Bertram and Kate to each other; and presently they were out-of-doors, drawing on into the woods. Masters, from the barn, watched them and noted what a goodly couple, what a faun and dryad in clothes, they were. Kate Waddington was turning over her shoulder her slow and rather lazy smile, which began at her lips and lit her green-grey eyes last of all. That was her best attitude of head. ...
— The Readjustment • Will Irwin
... shepherds in Rome's pastoral beginnings, for he was the driver away of wolves, and on his day the early settlers ran round and round their sheepfold on the Palatine, all dressed in skins of fresh-slain goats, praising the Faun god, and calling upon him to protect their flocks. And in truth, as the winter, when wolves are hungry and daring, was over, his protection was a foregone conclusion till the cold days came again. The grotto dedicated to him was on the northwest slope of the Palatine, nearly ...
— Ave Roma Immortalis, Vol. 1 - Studies from the Chronicles of Rome • Francis Marion Crawford
... every faun and satyr flies For willing service; whether to surprise The squatted hare, while in half sleeping fits, Or upward ragged precipices flit To save poor lambkins from the eagle's maw; Or by mysterious enticement draw Bewildered shepherds ...
— Oak Openings • James Fenimore Cooper
... a trophy stood, and round that trophy, forty years before, Sophocles the author of Antigone, then sixteen years of age, the loveliest and most cultivated lad in Athens, undraped like a faun, with lyre in hand, was leading the Chorus of Athenian youths, and singing to Athene, the tutelary goddess, a hymn of triumph for a glorious victory,—the very symbol of Greece and Athens, springing up ...
— Lectures Delivered in America in 1874 • Charles Kingsley
... taste the gentle moon, and freshening beads, Lashed from the crystal roof by fishes' tails. And so he kept, until the rosy veils Mantling the east, by Aurora's peering hand Were lifted from the water's breast, and faun'd Into sweet air; and sober'd morning came Meekly through billows:—when like taper-flame Left sudden by a dallying breath of air, He rose in silence, and once more 'gan fare Along his ...
— Endymion - A Poetic Romance • John Keats
... his life he was more social with the persons about him than he had ever been. After his return he went back to Concord, where he enlarged and beautified his old home, intending to remain there for the balance of his life. He wrote the "Marble Faun" and "Our Old Home" just after his return from Europe. The former was suggested by his residence in Italy, and the latter was a collection ...
— Great Fortunes, and How They Were Made • James D. McCabe, Jr.
... whatever it might be called, of yesterday, was to be healed up it must be done by her on the instant. She crossed into the orchard, and clambered through the gap after Giles, just as he was diminishing to a faun-like figure under the green canopy and over ...
— The Woodlanders • Thomas Hardy
... and use. Arise and fly 25 The reeling Faun, the sensual feast; Move upward, working out the beast And let ...
— Selections from Wordsworth and Tennyson • William Wordsworth and Alfred Lord Tennyson
... Christ. Following the Gospel description of the Baptist when he came forth from the desert "clothed with camel's hair and with a girdle of skin about his loins," the artist has represented the child John as a dark, faun-like boy, with a little skin garment girt about him,—a picturesque figure to contrast with the fair beauty ...
— Child-life in Art • Estelle M. Hurll
... of the Baths, continued by the Street of Fortune, is divided, by six longitudinal and one transverse street, into what the Romans called islands, or insulated masses of houses. Two of these are entirely occupied by the houses of Pansa and of the Faun, which, with their courts and gardens, are about one hundred yards long by ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... attentively. She never had thought of him as a faun but now she noticed that his ...
— The Dude Wrangler • Caroline Lockhart
... bas-relief. Some are leaning against a vine-wreathed tub; a satyr, with acanthus-leaves growing wondrously out of him, half man, half plant, is emptying a cup; a heavy Silenus is prone upon the ground; a faun, seated upon the vat, is supporting in his arms a beautiful sinking youth; another youth, grand, muscular, and grave as a statue, stands on the further side. Is this really a bacchanal? Yes, for there is the paunchy Silenus, there are the fauns, there the vat and vine-wreaths ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... hat had slipped back and showed her short brown curls of hair, strong regular features, and flexile scarlet mouth laughing upward like a faun's. She had sweet dark eyes, a ...
— Stories By English Authors: Italy • Various
... though his sensuality were curiously spiritual. There was in him something primitive. He seemed to partake of those obscure forces of nature which the Greeks personified in shapes part human and part beast, the satyr and the faun. I thought of Marsyas, whom the god flayed because he had dared to rival him in song. Strickland seemed to bear in his heart strange harmonies and unadventured patterns, and I foresaw for him an end of torture and despair. ...
— The Moon and Sixpence • W. Somerset Maugham
... When we are, on the other hand, self-conscious, or in doubt, or out of harmony with love and joy, or anxious for the transient things of the world—Nature, unsympathetic wholly, mocks and plays with us like a faun. When Sordello climbs the ravine, thinking of himself as Apollo, the wood, "proud of its observer," a mocking phrase, "tried surprises ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... Smith was the first, I believe, to compare his form to that of a satyr or faun; this comparison is rendered more probable by the fact that the modern inhabitants of Chaldaea believe in the existence of similar monsters. A. Jeremias places Eabani alongside Priapus, who is generally a god of the fields, and a clever soothsayer. Following out ...
— History Of Egypt, Chaldaea, Syria, Babylonia, and Assyria, Volume 3 (of 12) • G. Maspero
... by him a satyr dances wildly, clashing cymbals as he dances. He is followed, I think—it is difficult to say whether this be a recollection of another vase or whether the figure is included in the same group—by a faun tempting the teeth and claws of a panther with a bunch of grapes. And it was this winsome faun that decided me to select this vase as the repository of my ashes. And I determined to stipulate in my will that this vase be chosen. But my will must not be ...
— Memoirs of My Dead Life • George Moore
... graying hair so closely cropped gave him an odd appearance of boyishness, to which the smart little bow tie added not a little. He was trim, dapper, in spite of the fact that his standing collar was a size or two too large; in spite, too, of the tiny, well-trimmed goatee. He looked like a faun in trouble. With a shadow of distress crossing his face, he gave ground and backed away, the lamp tipping perilously in his grasp. Joe sprang forward and rescued it, setting it ...
— Stubble • George Looms
... reed, And good for slumber, and every holier herb, Narcissus, and the low-lying melilote, And all of goodliest blade and bloom that springs Where, hid by heavier hyacinth, violet buds Blossom and burn; and fire of yellower flowers And light of crescent lilies, and such leaves As fear the Faun's and know the Dryad's foot; Olive and ivy and poplar dedicate, And many a well-spring overwatched of these. There now they rest; but me the king bade bear Good tidings to rejoice this town and thee. Wherefore be glad, and all ye give ...
— Atalanta in Calydon • Algernon Charles Swinburne
... life, their gayety linked them together, ruled out the differences, and made them closely akin, as they had been in Hermione's eyes when they danced upon the terrace. They did not watch the night. They were living too strongly to be watchful. The spirit of the dancing faun was upon them, and guided them down among the rocks and the olive-trees, across the Messina road, white under the moon, to the stony beach of Isola Bella, where Nito was waiting ...
— The Call of the Blood • Robert Smythe Hichens
... the brambles of the woodland caught in her folds and a look as if the satyrs had toyed with her hair, made him shrink not as a man of starch and patent leather, but as a man potentially himself a poet or even a faun. The girl was really more candid than her costume, and the best proof of it was her supposing her liberal character suited by any uniform. This was a fallacy, since if she was draped as a pessimist he was sure she liked the taste of life. ...
— The Lesson of the Master • Henry James
... sovereign pinaster, whose enormous trunks seem to have condescended to arrange themselves into avenues; the most charmingly artificial glades of the glossiest verdure, and vistas haunted by legions of dim waning statues; hero or demigod, nymph or faun, for ever intermingling but never interfering with each other; their various places of rendezvous emblazed with flowers of a thousand colours, and flashing with fountains of the most graceful fancies possible; while every vista discloses some antique portico, or rotunda, or vestibule ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846 • Various
... night's and the dawn's, Conceals not, reveals not for man, On the slopes of the herbless and blossomless lawns, Some track of a nymph's or some trail of a faun's To the place of the slumber ...
— Astrophel and Other Poems - Taken from The Collected Poetical Works of Algernon Charles - Swinburne, Vol. VI • Algernon Charles Swinburne
... representation of a mother fondling her infant. He then said, "If I could have my choice of the pictures and statues in the Tribune, I would take this picture, and that one yonder" (it was a good enough Enthronement of the Virgin by Andrea del Sarto) "and the Dancing Faun, and let the rest go." A delightful man; I love that wholesome coarseness of mind and heart, which no education nor opportunity can polish out of the genuine Englishman; a coarseness without vulgarity. When a Yankee is coarse, he is pretty sure ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... quickly towards the Row with the dog. Woodville looked after her, and then strolled slowly towards the bridge. How well the sylvan surroundings suited them! Sylvia was a wood nymph in a fashionable dress; Woodville, a faun in Bond Street clothes. Chetwode smiled to himself. Then for a moment he was surprised.... It seemed odd to see the secretary so far from his usual haunts. Why should Sylvia sit in Kensington Gardens with him, and then go on alone to the Row? However, he thought, it wasn't his business. ...
— The Twelfth Hour • Ada Leverson
... further you might have blessed your eyes with the sight of a young satyr who led seventeen kings his prisoners; and a Bacchis, who with her snakes hauled along no less than two and forty captains; a little faun, who carried a whole dozen of standards taken from the enemy; and goodman Bacchus on his chariot, riding to and fro fearless of danger, making much of his dear carcass, and cheerfully toping to all ...
— Gargantua and Pantagruel, Complete. • Francois Rabelais
... the hard things of life, or a scrap of gratitude towards the one or two friends who had helped him disinterestedly, but his most intimate associates could not have guessed at the existence of such feelings. Tony Luton was just a merry-eyed dancing faun, whom Fate had surrounded with streets instead of woods, and it would have been in the highest degree inartistic to have sounded him for a ...
— When William Came • Saki
... added their note of research. At one end of the table stood a bronze faun's head with open lips, with hand cupped at listening ear. Surely that head must have come from some buried art-find of the very long ago. The faint greenish patina that covered it could have been painted only by the hand of the greatest artist of ...
— The Flying Legion • George Allan England
... as in opera. Singing appears natural so long as the characters do not speak. Once they speak they cannot go back to music; the convention has been broken. As in Art so it is in Life. Tell a woman that she is a nymph, and she must not expect any more from you than she would from a faun, that all you know is the joy of the sunlight, that you have no dreams beyond the worship of the perfect circle of her breast, and the desire to gather grapes for her, and she will give herself to you unconscious of sin. I must have fallen asleep thinking of these things, and ...
— Memoirs of My Dead Life • George Moore
... Minister's Black Veil, Rappaccini's Daughter, and The Celestial Railroad. And not less in young manhood I was awed and absorbed in the great works of his maturity, The Scarlet Letter, The Blithedale Romance, The House of the Seven Gables, and the Marble Faun. Meat and drink as they were to me in my youth and first entrance into life, I naturally feel that the author of these books was in mind profoundly powerful. In point of genius among our Americans I should set no man before him. He was not a moral inspirer ...
— The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America - and Europe • James Kendall Hosmer
... movements of the gopher, who, after the first alarm, returned cautiously to abduct the tobacco pouch. If any familiar had failed to detect Lance Harriott in this hideous masquerade of dust and grime and tatters, still less would any passing stranger have recognized in this blonde faun the possible outcast and murderer. And when with a swirl of his spattering sleeve he drove back the gopher in a shower of spray and leaped to the bank, he seemed to have accepted his felonious hiding-place as ...
— Frontier Stories • Bret Harte
... outside balanced on the sill, crouching like a faun, head high, one elbow on knee. He was dressed in scarred, snug trousers and an ...
— The Moon is Green • Fritz Reuter Leiber
... hat had slipped back and showed her short brown curls of hair, strong, regular, features, and flexile scarlet mouth, laughing upwards like a faun's. She had sweet dark eyes, a little ...
— Tales from Many Sources - Vol. V • Various
... He was referring to the Locri Faun, a wonderful antique which had recently been found on his property near the town of that name on the neighbouring mainland, and was about to be secretly smuggled out of Italy. He smiled in winning fashion as he spoke. Like everyone ...
— South Wind • Norman Douglas
... of ease of existence. He's as easy as an animal. There's something about him—you must have felt it—sort of impassioned sense of the gladness of life; when he has those accesses he's like a young god, or a faun. But he doesn't know his own power. At those times he might ...
— Success - A Novel • Samuel Hopkins Adams
... a faun pleased when she would go with him over his hothouses, to look at the green and pretty plants, at the pink primulas nodding among their leaves, and cinarrias flaunting purple and crimson and white. She asked about everything, and he told ...
— The Rainbow • D. H. (David Herbert) Lawrence
... and rattle his tin box on the summit, and if he could, there is no passenger to heed or hear him; the Sabine model belle is not there to offer herself to the first artist who wants a madonna or a saint, nor amateur bandits, nor faun-like children playing on the steps; even the patient goats, long since milked, lie panting under the convent wall; not a dog is visible on the large immondezaro in front of it; and had we not had already painful experience of the heat of the day, the ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... frequently misused, and by so many good writers, as propose, when the meaning is to design, to intend to propose. It should always be followed by a personal accusative—I propose to you, to him, to myself. In the preface to Hawthorne's "Marble Faun" occurs the following sentence; "The author proposed to himself merely to write a fanciful story, evolving a thoughtful moral, and did not purpose attempting a portraiture of Italian manners and character"—a sentence than which a fitter could not ...
— Essays AEsthetical • George Calvert
... himself? He couldn't understand his father's state of mind. He had now a positive intuition that Sir Frederick would recover in the manner of a gentleman whose motto was Invictus; an infinite assurance was conveyed by that tilted faun-like smile. He even found himself believing in his own delightful future as Miss Harden's private secretary, so entirely had he submitted to the ...
— The Divine Fire • May Sinclair
... early days, we moved in charmed woods, Where once, at dusk, she piped against a faun, And one warm dawn a tree became a nymph Listening; and trembled; and Life laughed and passed. And once we came to a great stream that bore The stars upon its bosom like a sea, And ships like stars; so to the sea we came. And there she raised me to her lips, and ...
— Artemis to Actaeon and Other Worlds • Edith Wharton
... stereograph. Statues are given absolutely well, except where there is much foreshortening to be done, as in this of the Torso, where you see the thigh is unnaturally lengthened. See the mark on the Dying Gladiator's nose. That is where Michel Angelo mended it. There is Hawthorne's Marble Faun, (the one called of Praxiteles,) the Laocooen, the Apollo Belvedere, the Young Athlete with the Strigil, the Forum, the Cloaca Maxima, the Palace of the Caesars, the bronze Marcus Aurelius,—those wonders all the world ...
— Atlantic Monthly, Volume 8, Issue 45, July, 1861 • Various
... Tku-Skan-Skan [51] will testify! And dares the tall coward to say me no?" But the sullen warrior made no reply. She turned to the chief with her frantic cries: "Wakwa—my Father; he lies!—he lies! Wiwst is pure as the faun unborn; Lead me back to the feast, or Wiwst dies!" But the warriors uttered a cry of scorn, And he turned his ...
— Legends of the Northwest • Hanford Lennox Gordon
... 'What does the Faun mean,' he said, half aloud to himself, 'by telling me the Painted People have changed?' He caught sight of Una's yellow head. 'Have you seen a painted lead-slinger?' ...
— Puck of Pook's Hill • Rudyard Kipling
... the sounder elements in Dehmel, he was largely responsible for destroying such sanity as the amazing genius of Gabriele D'Annunzio had ever possessed. In D'Annunzio the sensuality of a Sybarite and the eroticism of a Faun go along with a Roman tenacity and hardness of nerve. The author of novels which, with all their luxurious splendour, can only be called hothouses of morbid sentiment, has become the apostle of Italian imperialism, and more than any ...
— Recent Developments in European Thought • Various
... mighty Sire addressed They all obeyed his high behest, And thus begot in countless swarms Brave sons disguised in sylvan forms. Each God, each sage became a sire, Each minstrel of the heavenly choir. Each faun, of children strong and good Whose feet should roam the hill and wood. Snakes, bards, and spirits, serpents bold Had sons too numerous to be told. Bali, the woodland hosts who led, High as Mahendra's lofty head, Was Indra's child. That noblest fire, The Sun, was great Sugriva's sire. Tara, the ...
— Hindu Literature • Epiphanius Wilson
... seemed undisturbed. Upon the top of the shelving stood two enormous stuffed birds, moldering and decrepit, regarding the sudden illumination with unblinking, bead-like eyes. Between them a small dancing faun in greenish bronze tripped a Bacchic measure with head thrown back in ...
— O. Henry Memorial Award Prize Stories of 1920 • Various
... moment he stood on the rude platform watching the tide; then he let one bare foot into the water, and, with a shiver of delight, dropped from the boards. In a moment his clothes were on the ground behind a laurel thicket, and his slim white body was flashing like a faun through the reeds and bushes up stream. A hundred yards away the creek made a great loop about a wet thicket of pine and rhododendron, and he turned across the bushy neck. Creeping through the gnarled bodies of ...
— The Last Stetson • John Fox Jr.
... the keys, he played some Bohemian airs, without the organ to hold him back, and that went better. The boy was so restless that I had not had a chance to look at his face before. My first impression was right; he really was faun-like. He had n't much head behind his ears, and his tawny fleece grew down thick to the back of his neck. His eyes were not frank and wide apart like those of the other boys, but were deep-set, gold-green in color, and seemed sensitive to the light. His mother said he got hurt oftener than ...
— My Antonia • Willa Sibert Cather
... speculative eyes, he recognised the mingled strain of impressionability and unrest that had reached such diverse issues in his cousin and himself. The great Duke of the "Golden Age," in his Titianesque brocade, the statuette of a naked faun at his elbow, and a faun-like smile on his own ruddy lips, represented another aspect of the ancestral spirit: the rounded temperament of an age of Cyrenaicism, in which every moment was a ripe fruit sunned on all sides. A little farther ...
— The Valley of Decision • Edith Wharton
... Corot looked down upon a grotesque, grimacing Japanese idol, a beautiful bronze reproduction of a vase by Michael Angelo stood shoulder to shoulder with a bean-pot full of tobacco; a crumpled cravat was thrown carelessly over the arm of a dancing faun, while a cluster of Barye's matchless animals were apparently making their way with great difficulty through a collection of pipes, broken modeling tools, faded flowers and loose papers. Every where it was evident that the studio of Herman ...
— The Pagans • Arlo Bates
... might," said Desire. Her tone was admirably judicial but her thoughts were not.... If the Mary of the visit were no other than the Mary of the faun-eyed photograph, why then— ...
— The Window-Gazer • Isabel Ecclestone Mackay
... hedgegrowth by the orchard gate, watching the dying glow of the sunset. Suddenly I became aware of a naked boy, a bather from some neighbouring pool, I took him to be, who was standing out on the bare hillside also watching the sunset. His pose was so suggestive of some wild faun of Pagan myth that I instantly wanted to engage him as a model, and in another moment I think I should have hailed him. But just then the sun dipped out of view, and all the orange and pink slid out of the landscape, leaving it cold and ...
— Reginald in Russia and Other Sketches • Saki (H.H. Munro)
... Mozart himself in Papageno, the faun domesticated and sweetened by centuries of Christian experience, yet still a faun and always ready to play a trick on human solemnity; and in this paradise which Mozart makes for us the faun has his place and a beauty not incongruous with it, like the imps and gargoyles of a Gothic church. At any ...
— Essays on Art • A. Clutton-Brock
... reality. No, individuality is no more inconsistent with the antique spirit than it is with eccentricity, with the extravagances of personal expression. Is there more individuality in a thirteenth-century grotesque than in the "Faun" of the Capitol? For sculpture especially, art is eminently, as it has been termed, "the discipline of genius," and it is only after the sculptor's genius has submitted to the discipline of culture that it evinces an individuality ...
— French Art - Classic and Contemporary Painting and Sculpture • W. C. Brownell
... glimpses of really great art that Michael Angelo ever had. Certain it is that he was overwhelmed with happiness when he was given permission to copy what he would, and at once he fell to work with his chisel. His first work in that garden was upon the head of an old faun; and Lorenzo, walking by, curious to know to what use the lad was putting his ...
— Pictures Every Child Should Know • Dolores Bacon
... lifted, the blossoms that blew their gales after, the bearded grasses that shook in the wind, all gave me their secret sigh; all the sweet land around, the distant hill, the distant shore, said, "Redeem me from my chains!" I came across a sylvan statue, some faun nestled in the forest: the rains had stained, frosts cracked, suns blistered it; but what of those? A vine covered with thorns and stemmed with cords had wreathed about it and bound it closely in serpent-coils. I stayed and tore apart the fetters till my hands bled, cut away the twisting ...
— Atlantic Monthly, Volume 11, Issue 67, May, 1863 • Various
... faun [Footnote: MS. fawn.] beside its sleeping Mother, Browsing the grass;—what will thy Mother say, Dear Proserpine, what will bright Ceres feel, If her return ...
— Proserpine and Midas • Mary Shelley
... known the great Enchanter's art, Whose magic fired your brain and stirred your heart, Whose touch, more potent than King Midas' gold, Wrought Tales of Tanglewood and Tales Twice Told, Whose Marble Faun and Mosses from the Manse Still hold the lasting colors of Romance; Who built 'for you the Hall of Fantasy Through whose bright portals you might pass and see Hester and Miriam and Goodman Brown And Pyncheron, who dwelt in Salem Town— Malvin and Endicott and Ethan Brand, John Inglefield ...
— Patriotic Plays and Pageants for Young People • Constance D'Arcy Mackay
... bread-crusts, and gray paper became glorified in Laura's eyes; and her one pleasure was to sit pale and still before her easel, day after day, filling her portfolios with the faces he had once admired. Her sisters observed that every Bacchus, Piping Faun, or Dying Gladiator bore some likeness to a comely countenance that heathen god or hero never owned; and seeing this, they privately rejoiced that she had found such solace for ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various
... the palace is a very beautiful fountain, utilized by one of the oldest Roman statues, representing a faun blowing ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various
... the shepherds, the old god Pan,[1] Him of the reeds by the river; Afeared of his faun-face, Arcadians ran; Unsoothed by the pipes he so deftly could play, The shepherds and travellers scurried away From his ...
— Punch, Or The London Charivari, Vol. 103, Sep. 24, 1892 • Various
... Faun" takes up this description of the church and of the dead monk, which we really saw, just as recounted, even to the sudden stream of blood which flowed from the nostrils, as we looked ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... symphonic poem "The Phantoms," Speniarov's legend, "The Sermon of Resia," Rachmaninov's "Veralize" (arranged for orchestra by M. Atshuler), Rimsky-Korsakov's four tableaux from "Le Coq d'Or," and Slavinski's "The Shepherdess and the Faun," given by the Russian Symphony ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... the middle of a patch of white sand where they could be easily seen. Placing the Roman collar upon the top, and, stepping from stone to stone, he stood on the last one as on a pedestal, tall and gray in the moonlight—buttocks hard as a faun's, and dimpled like a faun's when he draws himself up before plunging ...
— The Lake • George Moore
... the inductive; many times the romantic writer gains as much as the realist by confining his fiction to his own environment of time and place. Scott, after all, was less successful with his medieval kings and knights than with his homely and simple Scottish characters. Hawthorne, in "The Marble Faun," lost a certain completeness of effect by stepping off his own New England shadow. "Dr. Jekyll and Mr. Hyde," with its subversion of the actual, is the sort of story that might be set out of space, out of time; but Stevenson enhanced ...
— A Manual of the Art of Fiction • Clayton Hamilton
... went on, "I'd like to see this guy Elliott. Anybody who would draw a picture like that. Hold your horses, Mike, here's another. 'The Faun." What's a faun, Mike? I guess he means fern. ...
— A Thousand and One Afternoons in Chicago • Ben Hecht
... with the others, had enjoyed the entertainment offered by this transformation of Satyr to Faun, and the inversion advanced to still further degrees their curious regard of the "Sepoy," a picturesque description bestowed upon him by the ...
— The Flaw in the Sapphire • Charles M. Snyder
... show an extraordinary advance on Mrs. Radcliffe's earlier art. The mysterious Monk who counteracts Schedoni remains an unsolved mystery to me, but of that I do not complain. He is as good as the Dweller in the Catacombs who haunts Miriam in Hawthorne's "Marble Faun." The Inquisition, its cells, and its ...
— Adventures among Books • Andrew Lang
... myrtles downward, away from the house where the statue lay shattered. The earliest of the nightingales of the year was beginning her lay in some leafy covert hard by, but never would he hear music in their piping again; never, never: any more than I should hear the song of the Faun in ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... it be true that your nymph has fled from the woods of Pan to take shelter under the eaves of a Morehouse? And what becomes of the faun? I can't believe it—and yet my rumor comes direct. Do satisfy my craving for veracity, won't you? I'd like awfully to see you, if you'll forgive and forget. I can now give you positive assurances that you will ...
— Madcap • George Gibbs
... desire to express what he believes Paris must be; therefore a super-Paris, all in brown velvet and wicker tables, and at the back a long window edged with boxes red with geraniums, looking to a back-yard garden where rose-beds lead to a dancing-faun terminal in ...
— The Trail of the Hawk - A Comedy of the Seriousness of Life • Sinclair Lewis
... down a long slope into a valley, and there in the dimness I almost walked into a little river. This I waded, and went up the opposite side of the valley, past a number of sleeping houses, and by a statue—a Faun, or some such figure, minus the head. Here too were acacias. So far I had seen nothing of the Morlocks, but it was yet early in the night, and the darker hours before the old moon rose were ...
— The Time Machine • H. G. (Herbert George) Wells
... all simple," he replied, with a faun-look up from the corner of his eye, which watched her expression. "First, I wished to flee from that newspaper article—dreadful!—till the danger of any reference to it in my hearing was greatly reduced. Then, aside from ...
— Aurora the Magnificent • Gertrude Hall
... chisel before, but he chipped and cut away the marble so marvellously that life seemed to spring out of the stone. There was a marble head of an old faun in the garden, and this Michelangelo set himself to copy. Such a wonderful copy did he make that Lorenzo was amazed. It was even better than the original, for the boy had introduced ideas of his own and had made the laughing mouth a little open to show the teeth ...
— Knights of Art - Stories of the Italian Painters • Amy Steedman
... and excited. I could see him tremble. It was very bitter to me to feel that on my account friends of a lifetime were to be separated. The big artist pulled at his beard, and with another of his faun-like looks, exclaimed,— ...
— A Romantic Young Lady • Robert Grant
... those eventful days. On the thirteenth of April Ann Penhallow sat in the spring sunshine on the porch, while Leila read aloud to her with entranced attention "The Marble Faun." The advent of an early spring in the uplands was to be seen in the ruddy colour of the maples. Bees were busy among the young flowers. There was noiseless peace in the moveless ...
— Westways • S. Weir Mitchell
... frigidarium, in the middle of which played a fountain of bright rose-color, emitting the odor of violets. There they sat in niches which were covered with velvet, and began to cool themselves. Silence reigned for a time. Vinicius looked awhile thoughtfully at a bronze faun which, bending over the arm of a nymph, was seeking her lips ...
— Quo Vadis - A Narrative of the Time of Nero • Henryk Sienkiewicz
... Cyclops; give me rather the sonorous bow of Apollo, and the tranquil brow of the Olympian Jove. His type is that of the Satyr in the "Legende des Siecles," who crushes Olympus, a type midway between the ugliness of the faun and the overpowering sublimity of ...
— Amiel's Journal • Mrs. Humphry Ward
... used for common stones upon invaders who despised art as well as letters; and a thousand years afterwards, when the building was finally formed into a castle, in digging the trenches the fragments of the Sleeping Faun were found, which had crushed some inglorious barbarian and ...
— The Formation of Christendom, Volume VI - The Holy See and the Wandering of the Nations, from St. Leo I to St. Gregory I • Thomas W. (Thomas William) Allies
... canticle. I dare not look again; another gaze Might drive me to the wavering coppice there, Where bat-winged madness brushed me, the wild laugh Of naked nature crashed across my blood. So rank it was with earthy presences, Faun-shapes in goatish dance, young witches' eyes Slanting deep invitation, whinnying calls Ambiguous, shocks and whirlwinds of wild mirth,— They had undone me in the darkness there, But that within me, smiting through my lids Lowered to shut in the thick whirl of sense, The dumb light ached and rummaged, ...
— Gloucester Moors and Other Poems • William Vaughn Moody
... Felton" appeared so much later than "The Marble Faun," it was conceived and, in another form, begun before the Italian romance had presented itself to the author's mind. The legend of a bloody foot leaving its imprint where it passed, which figures so prominently in the following fiction, ...
— Septimius Felton - or, The Elixir of Life • Nathaniel Hawthorne
... slyness, and gave me a dunt with his elbow on the side, a bit of the faun, a bit of the father, a bit of ...
— John Splendid - The Tale of a Poor Gentleman, and the Little Wars of Lorn • Neil Munro
... however, during the series of domestic troubles (continued illness in his family) that befell, in writing memoranda for "The Marble Faun." He thus announces to me the beginning ...
— Yesterdays with Authors • James T. Fields
... fascinated by the simulacra of the wood, and could not see his hands, and so at last, and suddenly, it seemed, he lay in the sunlight, beautiful with his olive skin, dark haired, dark eyed, the gleaming bodily vision of a strayed faun. ...
— The Hill of Dreams • Arthur Machen
... to say, Stephen. The Dancing Faun and the Frieze of the Parthenon express movements. But they do nothing of the sort. They express movements arrested at a certain point. They are supposed to represent nature, but they do not even do that, because arrested ...
— The Tree of Heaven • May Sinclair
... ready thunderbolt, in the other the cypress sceptre; at his feet the watchful eagle with expanded wings: stole over the spirit of the gazing pilgrim, each shape of that refined and elegant hierarchy made for the worship of clear skies and sunny lands; goddess and god, genius and nymph, and faun, all that the wit and heart of man can devise and create, to represent his genius and his passion, all that the myriad developments of a beautiful nature can require for their personification. A beautiful and sometimes flickering light played over the sacred groups and figures, softening the ravages ...
— Tancred - Or, The New Crusade • Benjamin Disraeli
... mountains; while the Fauns, accoupling with the Nymphs, formed light-footed bands that roamed the woods together. Meantime I spent a happy life, tasting at will the clusters of the wild grapes and the lips of the laughing Faun-girls. I enjoyed deep and restful slumbers amid the lush grass; and I would celebrate on my rustic flute Jupiter, Saturn's successor, for it is of my nature to praise the gods, masters ...
— The Well of Saint Clare • Anatole France
... successively all geometrical forms, from the triangle to the trapezium, from the cone to the polyhedron; all human expressions, from wrath to lewdness; all ages, from the wrinkles of the new-born babe to the wrinkles of the aged and dying; all religious phantasmagories, from Faun to Beelzebub; all animal profiles, from the maw to the beak, from the jowl to the muzzle. Let the reader imagine all these grotesque figures of the Pont Neuf, those nightmares petrified beneath the hand of Germain Pilon, ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... to whom every faun and satyr flies, For willing service; whether, to surprise The squatted hare, while, in half-sleeping fit, Or upward ragged precipices flit To save poor lambkins from the eagle's maw; Or by mysterious enticement draw Bewildered ...
— The International Monthly Magazine - Volume V - No II • Various
... is demonstrably beyond all record. What did the faun in the beginning of time when a god surprised him or a mortal had the misfortune to come across him in the woods? It is well known that the faun offered either of them cheese. So he knew ...
— First and Last • H. Belloc
... the child had not been able to speak, and which Tom had nevertheless understood, were enchanting things when she became older and they strayed about together or sat by the fire. Her child thoughts and fancies might have been those of some little faun or dryad She grew up among green things, with leaves waving above and around her, the sun shining upon her, and the mountains seeming to stand on guard, looking down at her from day to day, from year to year. From behind one mountain the sun rose every morning, and she always saw it; and behind ...
— In Connection with the De Willoughby Claim • Frances Hodgson Burnett
... summer's still solstice my steps are drawn To the shade of the forest trees; To revel with Pan in his secret haunts, To pipe mazourkas while satyrs dance, Or lull to soft slumber some favorite faun And fascinate strange wild ...
— Poems - Vol. IV • Hattie Howard
... resilient temperament, one who gamboled through life like a faun, argument was difficult. Bob Wharton was pagan in his joyous inconsequence; his romping spirits could not be damped; he bubbled with the optimism of a Robin Goodfellow. Ahead of him he saw nothing but dancing sunshine, heard ...
— The Auction Block • Rex Beach
... flaw faun yawn bawl thaw slaw fault hawk daub Maud fraud fawn gauze vault brawl cause dawn drawl pawn lawful crawl awful pauper straw brawn drawn ...
— The Beacon Second Reader • James H. Fassett
... seat he could see the central clump of verdure, some lofty palms which stood in relief against the grey hangings with which the garden was decorated all round. A circle of statues was set out there; and you could see the back of a faun; the profile of a young girl with full cheeks; the face of a bronze Gaul, a colossal bit of romanticism which irritated one by its stupid assumption of patriotism; the trunk of a woman hanging by the wrists, some Andromeda of the Place Pigalle; and others, and others still ...
— His Masterpiece • Emile Zola
... Reni, but whose authorship is now doubtful; to the doleful old church Santa Maria dei Capuccini, to see St. Michael and the Dragon by Guido Reni, in which they were especially interested, because Hawthorne made it a rendezvous of the four friends in his "Marble Faun," where so diverse judgments of the picture were pronounced, each having its foundation in the heart and experience of the speaker. They had been reading this book in the same way in which they had read "Romola" in Florence, and each girl was now the happy possessor of a much-prized ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... think of it! We shall inform ourselves Into all sensuous life; the goat-foot faun, The centaur, or the merry, bright-eyed elves That leave they: dancing rings to spite the dawn Upon the meadows, shall not be more near Than you and I to Nature's mysteries, ...
— The Book-Bills of Narcissus - An Account Rendered by Richard Le Gallienne • Le Gallienne, Richard
... he said, swiftly, "but Max suddenly made possessor of a soul! I've always fancied Max a mythical being—a creature of eternal youth, fascinating as he is elusive—a faun-like creature, peeping into the world from some secret grove, ready to dart back at any human touch. Max's lips were made for laughter; his eyes are too bright ...
— Max • Katherine Cecil Thurston
... idleness from one monastery to another, and leaving on their way a trail of thieving, revelry and worse. Once or twice the Wild Woman had nearly fallen into their hands; but had been saved by her own quick wit and skill in woodcraft. Once, so she assured the Hermit, she had found refuge with a faun and his female, who fed and sheltered her in their cave, where she slept on a bed of leaves with their shaggy nurslings; and in this cave she had seen a stock or idol of wood, extremely seamed and ancient, before which the ...
— The Hermit and the Wild Woman and Other Stories • Edith Wharton
... soldiers, scarlet-costumed contadinas, Swiss guards, German artists, English lords, and herdsmen from the Campagna, all "joined hands in the dance" which the musician himself led with the frisky, frolicsome step of the mythical faun. ...
— A Face Illumined • E. P. Roe
... knew how to walk. Lady Farquhar, watching them, thought she had never seen as fine a pair of untamed human beings. In his step was the fine free swing of the hillman, and the young woman breasted the slope lightly as a faun. ...
— The Highgrader • William MacLeod Raine
... shows the paucity of the materials in the environment, especially in his tales; but when his residence in Italy and England gave into his hands larger opportunity, he did not succeed so well in welding Italy with America in The Marble Faun (1860), or England with America in his experimental attempts at the work which he left uncompleted, as he had done in the Puritan romances. He had, however, added a new domain to American romanticism; and, most of all these writers, he blended ...
— Project Gutenberg Encyclopedia
... listened for a time to the flowing words of young Granacci, then rose and wandered to where some stone-masons had lately been at work. He stopped in front of a block of marble that was gradually taking the form of the mask of a faun. ...
— Historic Boyhoods • Rupert Sargent Holland
... forward on the table, scanning the young face opposite him: "A year ago, Velasco, your chin was round and full; from the look of your mouth one could tell that you had lived and enjoyed. You were like the Faun, happy and careless, and your art was to you like a plaything. You cared only for your Stradivarius, and when you were not playing, you were nothing, not even a man. All your genius was concentrated there in your brows where the music lies hidden. Your virility ...
— The Black Cross • Olive M. Briggs
... a cave beneath the steep,[3] Where living rills of crystal weep O'er herbage of the loveliest hue That ever spring begemmed with dew: There oft the greensward's glossy tint Is brightened by the recent print Of many a faun and naiad's feet,— Scarce touching earth, their step so fleet,— That there, by moonlight's ray, had trod, In light dance, o'er the verdant sod. "There, there," the god, impassioned, said, "Soon as the twilight tinge is fled, "And the dim orb of lunar souls "Along its shadowy pathway rolls— ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... Creator's with a wistful yearning. It is the look we sometimes see in the eyes of a woodland creature appealing for mercy. It is such a look as might belong to that imaginary being of the Greek mythology, the faun, half beast, half human. Thus Adam, still but half created, begins to feel the thrill of life in his members, and is aroused to action. He lifts his hand to meet the Creator's outstretched finger. The current of ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll
... butter; soft soap, soft sawder^; rose water. voice of the charmer, mouth honor; lip homage; euphemism; unctuousness &c adj.. V. flatter, praise to the skies, puff; wheedle, cajole, glaver^, coax; fawn upon, faun upon; humor, gloze, soothe, pet, coquet, slaver, butter; jolly [U.S.]; bespatter, beslubber^, beplaster^, beslaver^; lay it on thick, overpraise; earwig, cog, collogue^; truckle to, pander to, pandar to^, suck up to, kiss the ass of [Vulg.], pay court to; court; creep into ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... determined to see more of Europe. The family travelled through France to Italy, which they greatly enjoyed, staying there till 1859. For some months they had occupied the old villa of Montauto, where Hawthorne composed most of "The Marble Faun." The illness of Una compelling them to seek a different climate, they returned to England, where he finished the book, which was published the next year. "The Marble Faun" is "an analytical study of evil"; but despite the subject, the artistic effects and the interpretation of ...
— The Short-story • William Patterson Atkinson
... for us the graceful lay To whose soft measures lightly move The footsteps of the faun and fay, O'er-locked by mirth and love! But such a stern and startling strain As Britain's hunted bards flung down From Snowden to the conquered plain, Where harshly clanked the Saxon chain, On trampled field and ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... When the "Marble Faun" was first published the art criticism in it, especially of sculptors and painters who were then living, created a deal of discussion, which has been revived again by the recent centennial celebration. Hawthorne himself was the most perfect artist of his ...
— Cambridge Sketches • Frank Preston Stearns
... melancholy of Hamlet in the brooding Lorenzo of the Medici Chapel,—from the stone despair, the frozen tears, as it were, of all bereaved maternity, in the very bend of Niobe's body and yearning gesture, to the abandon gleaming from every muscle of the Dancing Faun,—from the stern brow of the Knife-grinder, and the bleeding frame of the Gladiator, whereon are written forever the inhumanities of ancient civilization, to the triumphant beauty and firm, light, enjoyable aspect of Dannecker's Ariadne,—from the unutterable ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various
... title-deeds are gone, Still, still will satyr, nymph, and faun Through brake and covert pipe and call In dances bold and bacchanal— For them, for me, you hold ...
— Dreams and Dust • Don Marquis
... I did, bowed under my sweating load of paraphernalia. He skipped in advance like some degenerate twentieth century faun, playing on his pipes the unmitigated melodies ...
— Police!!! • Robert W. Chambers
... thunder. The schoolmaster and the apothecary vied with each other in making speeches over their liquor; and there were occasional glees and musical performances by the village band, that must have frightened every faun and dryad from the park. Even old Christy, who had got on a new dress from top to toe, and shone in all the splendour of bright leather breeches and an enormous wedding favour in his cap, forgot his usual crustiness, became inspired ...
— Bracebridge Hall, or The Humorists • Washington Irving
... general scheme which was in practice submitted to indefinite enlargement or modification. In the house of Livia, the mother of Augustus, on the Palatine Hill at Rome, and in various houses at Pompeii—such as those of the Vettii, of "Sallust," of the "Faun," or of "The Tragic Poet"—there will be found much diversity in the number and arrangement of the rooms, halls, and courts. Nevertheless the main principle of division, the general conception of the portions requisite for their several purposes, was practically the same. Some of ...
— Life in the Roman World of Nero and St. Paul • T. G. Tucker
... being a great heiress, and who was, of course, beset by a host of admirers. There was something very attractive in her air, and Mr. Irving was never tired of gazing on her as she walked, with what he called a "faun-like step," across the lawn, or up and down the corridors. Her eyes too—"dove-like," he termed them—were his special admiration. He watched with an amused interest the varying fortunes of the rival lovers, and often met me with—"Well, who is in favor to-day?" And ...
— Dream Life - A Fable Of The Seasons • Donald G. Mitchell
... sanctification of this temple to the Arts. The history of the Past broods like an air over those mighty arches; but Memory can find no reminiscence worthy of the spot. The amphitheatre was not built until history had become a record of the vice and debasement of the human race. The Faun and the Dryad had deserted the earth, no sweet superstition, the faith of the grotto and the green hill, could stamp with a delicate and undying spell the labours of man. Nor could the ruder but august virtues of the heroic age give ...
— Godolphin, Complete • Edward Bulwer-Lytton
... you are wiser than I. Let us leave the future to the future. The feast-day is ours too; let us take advantage of this day of freedom. We too will throw ourselves into the holiday whirlpool disguised, I as a satyr, and you as a young faun or something of the kind; we will drain cups, wander round the city and enjoy all ...
— Uarda • Georg Ebers
... little, my dear; but if it whispered it would sound mighty loud in this mummified old world. But we've lost enough time for one day. Come; let's go see 'Narcissus' and the 'Dancing Faun.'" ...
— Aunt Jane's Nieces Abroad • Edith Van Dyne
... colloquies between Balnamoon and his servant, the following must have been very racy and very original. The laird, accompanied by Hairy, after a dinner party, was riding on his way home, through a ford, when he fell off into the water. "Whae's that faun?" he inquired. "'Deed," quoth Hairy, "I witna an it ...
— Reminiscences of Scottish Life and Character • Edward Bannerman Ramsay
... have owned casts of the originals, or Donatello may have copied them in Rome, for they belonged at this time to the Papal glyptothek, from which they were subsequently bought. The subjects of these roundels are Ulysses and Athena, a faun carrying Bacchus, two incidents of Bacchus and Ariadne, a centaur, Daedalus and Icarus, a prisoner before his victor, and the Diomede. Gems became very popular and expensive: a school of engravers grew up who copied, invented, and forged. Carpaccio introduced them ...
— Donatello • David Lindsay, Earl of Crawford
... was handsome as a faun might be and as a tiger is. Not sleek, but lean and brown, with hot, insolent eyes and a fine and cruel mouth. A great emerald sparkled on the little finger of his left hand. He was one of the few in the house who wore evening dress, ...
— Olive in Italy • Moray Dalton
... fond gaze, presented an honest red surface protruding from either side of his head. His feet, in tan laced shoes, were ordinary feet, a little more than ordinarily expert, perhaps, in the convolutions of the dance at Englewood Masonic Hall, which is part of Chicago's vast South Side. No; a faun, to Miss Bauers, Miss Olson, Miss Ahearn, and just Gertie, was one of those things in the Lincoln ...
— Gigolo • Edna Ferber
... his attention called off by a being with a face that half suggested a faun, and half suggested a flower,—a small, olive-skinned face crowned with purply black hair, that kept falling in an elflock over his forehead, and violet eyes set slant-wise. He was talking earnestly of fairies, ...
— Young Lives • Richard Le Gallienne
... remarkable. The species here figured (Megalodon ensifer) has the thorax covered by a large triangular horny shield, two and a half inches long, with serrated edges, a somewhat wavy, hollow surface, and a faun median line, so as very closely to resemble a leaf. The glossy wing-coverts (when fully expanded, more than nine inches across) are of a fine green colour and so beautifully veined as to imitate closely some of the large shining tropical leaves. The body is short, and terminated in the female by ...
— The Malay Archipelago - Volume II. (of II.) • Alfred Russel Wallace
... books that he read, and these as well as the pertinent comments on them tell much more of his intellectual life than we derive from his letters. "Adam Bede," which took the world by storm, did not make so much of an impression on him as Hawthorne's "Marble Faun," which he read through in a day and calls a wonderful book. Of "Adam Bede" he says: "It is too feminine for a man; too masculine for a woman." He says of Dickens, after reading "Barnaby Rudge": "He is always prodigal and ample, but what a set of vagabonds he contrives to introduce us ...
— Cambridge Sketches • Frank Preston Stearns
... and arrayd herself in a grass green muslin of decent cut a lace scarf long faun colored kid gloves and a muslin hat to correspond. She carried a parasole in one hand also a green silk bag containing a few stray hair pins a clean handkerchief five shillings and a pot of ruge in case. She looked a dainty vishen [Pg 80] with her fair hair waving in the breeze and Bernard ...
— The Young Visiters or, Mr. Salteena's Plan • Daisy Ashford
... happened, that if the general rode furiously upon the enemy, the whole army would follow his example. As to the voice of the Fauns, I never heard it. If you assure me that you have, I shall believe you, though I really know not what a Faun is. ...
— Cicero's Tusculan Disputations - Also, Treatises On The Nature Of The Gods, And On The Commonwealth • Marcus Tullius Cicero
... traversed the passages of our underground railway system without being hurriedly aware in passing of a picture in reds and browns, representing a faun-like figure piping to an audience of three rather self-conscious rabbits. This pleasing group does not portray an actual scene from Autumn (LANE), but is rather to be taken as symbolic of the atmosphere ...
— Punch, or the London Charivari, Vol. 152, June 20, 1917 • Various |
