"Veronese" Quotes from Famous Books
 ... to discern, and show; that they have discerned and shown; and all their greatness is first fastened in their aim at this central truth—the open expression of the living human soul. Lastly, take Veronese's "Marriage in Cana" in the Louvre. There you have the most perfect representation possible of colour, and light, and shade, as they affect the external aspect of the human form, and its immediate accessories, architecture, furniture, and dress. This external ...
— The Two Paths • John Ruskin
... art for children (1907). Contains sketches of eighteen Italian painters from Giotto to Paul Veronese, based on Vasari, and attractively written. Sixteen color and eight black and white reproductions. NEW YORK ...
— A Mother's List of Books for Children • Gertrude Weld Arnold
... into the service of the Gonzaga lords of Mantua, receiving from them a salary of thirty pounds a year and a piece of land, on which the painter built a house, and painted it within and without—the latter one of the first examples of artistic waste, followed later by Tintoret and Veronese, regardless of the fact that painting could not survive in the open ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... anything; but the other two were chatting like birds. And what about? About the blond tint used by Venetian painters! Yes, about the "Venetian blond." That little serpent of a Gelis was telling Jeanne the secret of the dye with which, according to the best authorities, the women of Titian and of Veronese tinted their hair. And Mademoiselle Jeanne was expressing her opinion very prettily about the honey tint and the golden tint. I understood that that scamp of a Vecellio was responsible—that they had been bending over the book together, and that they had been admiring ...
— The Crime of Sylvestre Bonnard • Anatole France
... subject treated. For instance, if the subject be of a gay and light character, and the emotions intended to be excited of a similar nature, the variety may be carried to a far greater extent than in one of a graver character. In the celebrated Marriage at Cana, by Paul Veronese, we see it carried, perhaps, to its utmost limits; and to such an extent, that an hour's travel will hardly conduct us through all its parts; yet we feel no weariness throughout this journey, nay, we are ...
— Lectures on Art • Washington Allston
... speak of the portrait of Sordello—that is chiefly of the soul, not of the body—but of the personages who fill the background, the heads of noble houses, the warriors, priests, soldiers, singers, the women, and chiefly Adelaide and Palma. These stand before us as Tintoret or Veronese might have painted them had they lived on into the great portrait-century. Their dress, their attitudes, their sudden gestures, their eyes, hair, the trick of their mouths, their armour, how they walked and talked and read and wrote, are all done in quick touches and ...
— The Poetry Of Robert Browning • Stopford A. Brooke
... route ensiemble...." I will translate: "I call myself Carlo Veronese—first barytone of the theatre of La Scala, Milan. The signora is my second wife; she is prima donna assoluta of the grand opera, Naples. The little ragazza is my daughter by my first wife. She is the greatest violinist of her age now ...
— The Martian • George Du Maurier
... and despair, of pleasure and of suffering. The seasons come and go in glad or saddening pageant, and with winged or leaden feet the years pass by before them. They have their youth and their manhood, they are children, and they grow old. It is always dawn for St. Helena, as Veronese saw her at the window. Through the still morning air the angels bring her the symbol of God's pain. The cool breezes of the morning lift the gilt threads from her brow. On that little hill by the city of Florence, where the lovers of Giorgione are lying, it is always the solstice of noon, of noon ...
— Intentions • Oscar Wilde
... patterned after certain famous wits of ours. I do not know that I would have exposed this impostor, even if occasion had offered, for, after all, his fraud was a tribute to our own primacy in clowning, and the Veronese were none the worse for his ...
— Henry James, Jr. • William Dean Howells
... the Novar pictures were sold. I bought my Cuyp, small Claude, P. Veronese, Watts, Rubens' drawing, Palma Vecchio, ...
— Memoirs of the Life and Correspondence of Henry Reeve, C.B., D.C.L. - In Two Volumes. VOL. II. • John Knox Laughton
... "Titian, Veronese, Tintoretto," she said over and over again, as she looked at the pictures which Rafael pointed out to her in the long rooms. "If I find more of their paintings in other cities of Italy, it will seem ...
— Rafael in Italy - A Geographical Reader • Etta Blaisdell McDonald
... vulgar and brutal, but they were great gentlemen. They were neither illiterate cads nor meddlesome puritans, nor even saviours of society. Yet, if we are to understand the amazing popularity of Titian's and of Veronese's women, we must take note of their niceness to kiss and obvious willingness to be kissed. That beauty for which can be substituted the word "desirableness," and that insignificant beauty which is the beauty of gems, were in great demand. Imitation was wanted, too; for if pictures are ...
— Art • Clive Bell
... truly say, as those which give shape and order to the confused materials out of which habitable worlds are evolved. It is too late now to be sensitive over this unsuccessful attempt as a story and unconscious success as a self-portraiture. The first sketches of Paul Veronese, the first patterns of the Gobelin tapestry, are not to be criticised for the sake of pointing out their inevitable and too manifest imperfections. They are to be carefully studied as the earliest efforts ...
— Memoir of John Lothrop Motley, Complete • Oliver Wendell Holmes, Sr.
... was circumnavigated, and new ideas streamed in from each newly-visited region. It was pre-eminently the period of art. Leonardo da Vinci and Raphael had just passed away, but Michael Angelo, Titian, Tintoretto, and Paul Veronese were still living, freeing men's spirits by the productions of their pencil from formal fancies and conventional fetters, and sending them back to the fresh teaching of Nature. The art of printing was giving a new birth to letters, and the reformation ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... extolled beyond any limits fixed to the admiration of the beholder. It is a rare and bewitching piece of art, I do assure you: and so, raising your expectations to their highest pitch, I will allow you to anticipate whatever is wonderful in FRANCESCO VERONESE and gorgeous in GIROLAMO DEI LIBRI.[35] Perhaps, however, this is not the most happy illustration of ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... hereafter strawberries and cream may grow upon the same bush. His task may be doomed to failure, but that youth at least understands that thought turned the wild rice into wheat; thought turned the sweet briar into the crimson rose; brains mixed the pigments for Paul Veronese, and gave the canvas worth a few florins the value of tens of thousand of dollars. Already wise thoughts have turned the barbarian into a gentleman and citizen, and some glad day thoughts will crown man with the attributes ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... peopled of all scenes not less than the most hushed of all temples—that an excursion to look at pictures would have but half expressed my afternoon. I had looked at pictures, looked and looked again, at the vast Veronese, at Murillo's moon-borne Madonna, at Leonardo's almost unholy dame with the folded hands, treasures of the Salon Carre as that display was then composed; but I had also looked at France and looked at Europe, looked even at America ...
— A Small Boy and Others • Henry James
... of the superiority of Cervantes to all other modern writers? Shakespeare himself has, till lately, been worshipped only at home, though his plays are now the favourite amusements of Vienna; and when I was at Padua some months ago, Romeo and Juliet was acted there under the name of Tragedia Veronese; while engravers and translators live by the hero of La Mancha in every nation, and the sides of miserable inns all over England and France, and I have heard Germany too, are adorned with the exploits of Don Quixote. May his celebrity procure my pardon for a digression in praise of ...
— Anecdotes of the late Samuel Johnson, LL.D. - during the last twenty years of his life • Hester Lynch Piozzi
... America. Instead of honestly constructing what we want, and then decorating it with a style of ornament that should assist, explain, and intensify it, we go wandering off to the ends of the earth, building Grecian temples and Veronese palaces, some entire and some in slices, dreary, indefinite-looking objects, devoid of all constructive principles within, and ornamented with falsified gewgaws without, stuck on in the hope of hiding rather than helping ...
— Continental Monthly, Volume 5, Issue 4 • Various
... head of an old woman by Rubens, which I seemed to stumble upon as if by accident, and which was viewed by my guides with a sort of apathy. Mr. Lewis was half lost in extacies before a pretty little sketch by Paolo Veronese; when, on my observing to him that the time was running away fast, M. Klein spoke aloud in the English language—"Mister Louise, (repeating my words) teime fleis." He laughed heartily upon uttering it, and seemed to enjoy the joke full as much as my companion, to ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Three • Thomas Frognall Dibdin
... optically possible to be seen, is to be shown in every picture. The eye delightedly dwells upon the brilliant individualities in a "Marriage at Cana," by Veronese, or Titian, to the very texture and colour of the wedding garments, the ring glittering upon the bride's fingers, the metal and fashion of the wine pots; for at such seasons there is leisure and luxury to be curious. But in a "day of judgment," or in a ...
— The Works of Charles and Mary Lamb, Volume 2 • Charles Lamb
... or illusion, no experiences of mere soul while the body and the bodily senses sleep, or wake with convulsed intensity at the prompting of imaginative love; but rather the great primary passions under broad daylight as of the pagan Veronese. This simplification interests us, not merely for the sake of an individual poet—full of charm as he is—but chiefly because it explains through him a transition which, under many forms, is one law of the life of the human spirit, and of which what we call the ...
— Aesthetic Poetry • Walter Horatio Pater
... important pictures, while Uncle Dan amused himself with some old engravings, and then, having earned their reward, the two girls strolled back to the great saloons, where nothing less splendid than Tintoretto and Veronese makes its appeal to the conscience ...
— A Venetian June • Anna Fuller
... VERONESE GREEN.—A pigment consisting of hydrated chromium sesquioxide. It is a clear bluish green of great permanency. Also ...
— A Color Notation - A measured color system, based on the three qualities Hue, - Value and Chroma • Albert H. Munsell
... There is a fine view from the steeple of this immense edifice. There is another magnificent church also in this city, that of St Justine, built after the designs of Palladio, the principal ornament of which is a painting of the martyrdom of the Saint by Paul Veronese. But one of the greatest curiosities in this ancient city is the immense Saloon in the Palazzo della Giustizia. It is, I presume, the loftiest and largest hall in the world that is supported by nothing but its walls, it being three hundred feet long, one hundred feet broad ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... you going to be at Paris? What have you been doing? The drawing you sent me was very pretty. So you don't like Raphael! Well, I am his inveterate admirer: and say, with as little affectation as I can, that his worst scrap fills my head more than all Rubens and Paul Veronese together—"the mind, the mind, Master Shallow!" You think this cant, I dare say: but I say it truly, indeed. Raphael's are the only pictures that cannot be described: no one can get words to describe their perfection. Next to him, I retreat to the Gothic imagination, and love the mysteries of ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... draperies, of the spacious apartment. Above the rich and lofty mantelpiece hung one of the last portraits of himself painted by the venerable Titian, and on the dark pannels around were suspended portraits of great men and lovely women by the gifted hands of Giorgione, Paul Veronese, Paris Bordone, and Tintoretto. Regardless, however, of all around him, and almost breathless with eagerness and impatience, the student pursued his object, and with rapid and vigorous strokes had half completed ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various
... rather altogether the first. Wondered how any one could translate it or the Faust, but spoke as knowing the original. Thought little of Murillo as to the mind of painting; said he could not have painted Paul Veronese's 'Marriage of Cana.' Considered that old age in great measure disqualified him by its rigid fixity of habits from judging of the works of young poets—I must say that he was here even over liberal in self-depreciation. He defended the make of the steamboat as more poetical than otherwise ...
— The Life of William Ewart Gladstone, Vol. 1 (of 3) - 1809-1859 • John Morley
... painters live in their work in a singularly vivid sense. Music and painting are more direct in popular appeal than great poetry. Yet none can ridicule the sentiment which is embodied in the statue of Beethoven at Bonn, or in that of Paolo Veronese at Verona. To accept literally the youthful judgment of Milton and his imitators is to condemn sentiments and practices which are in universal vogue among civilised peoples. It is to deny to the Poets' Corner in Westminster Abbey ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... Gerome and Alma-Tadema plan their pictures most carefully, and so did Paul Veronese, and it requires a thorough and practical knowledge ...
— The Painter in Oil - A complete treatise on the principles and technique - necessary to the painting of pictures in oil colors • Daniel Burleigh Parkhurst
... too, that help comes in the night. Things come back to a man that it is good to remember. That time—and that other. . . . A woman there—and the one you met in such a place. There is a picture in the Louvre, by Veronese: a young Venetian woman steps out upon the marble stairway of a palace holding a golden-haired boy by the hand; she is dressed in black velvet, she glows with youth and happiness. A lovers' meeting in her garden? The first kiss! Moonlight ...
— The Great Hunger • Johan Bojer
... Cana," by Paul Veronese, which is to be seen in a Benedictine convent in the Island of St. George, was in particular mentioned to us in high terms. Do not expect me to give you a description of this extraordinary work of art, ...
— The Works of Frederich Schiller in English • Frederich Schiller
... select and distinguished audience. The chief point on which he dwelt was the absolute unity of all the arts and, in order to convey this idea, he framed a definition wide enough to include Shakespeare's King Lear and Michael Angelo's Creation, Paul Veronese's picture of Alexander and Darius, and Gibbon's description of the entry of Heliogabalus into Rome. All these he regarded as so many expressions of man's thoughts and emotions on fine things, conveyed through visible ...
— Miscellanies • Oscar Wilde
... number of other dwarfs at the Court of Spain, and in one of his paintings he portrays the Infanta Marguerite accompanied by her male and female dwarfs. Reproductions of these portraits have been given by Garnier. In the pictures of Raphael, Paul Veronese, and Dominiquin, and in the "Triumph of Caesar" by Mantegna, representations of dwarfs are found, as well as in other earlier pictures representing Court events. At the present time only Russia and Turkey seem to have popular sympathy for dwarfs, and this ...
— Anomalies and Curiosities of Medicine • George M. Gould
... mechanical art,—just as Nicholas Jepson and the Aldi, who were scholars too, made Venice renowned for it. Journalism, which is the accident of business and crowded populations, in great perfection. Venice got as far as Titian and Paul Veronese and Tintoretto,—great colorists, mark you, magnificent on the flesh-and-blood side of Art,—but look over to Florence and see who lie in Santa Crocea, and ask out of whose ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... galleries; because in numbers not so large as to distract attention or confuse the eye. "There are portraits innumerable by Titian, Rubens, Rembrandt and Vandyke; heads by Guido, and Domenichino, and Carlo Dolci; subjects by Raphael, and Correggio, and Murillo, and Paul Veronese, and Salvator; which it would be difficult indeed to praise too highly, or to praise enough. It is a happiness to me to think that they cannot be felt, as they should be felt, by the profound connoisseurs who fall into fits upon the longest notice and the most ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... myself before Titian, Rembrandt, Velasquez, Veronese, Da Vinci, Botticelli, Signorelli—the older the better; and tried my best to honestly feel the greatness I knew and know to be there; but for want of proper training I was unable to reach those ...
— Peter Ibbetson • George du Marier et al
... might be accumulated a thousandfold from the works of Veronese, and of every succeeding painter,—that the fifteenth century had taken away the religious heart ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... much larger, and his field of vision more extended. He reminds us sometimes of Paul Veronese, and, like that great painter, can crowd, without over-crowding, the giant canvas on which he works. We may not at first gain from his works that artistic unity of impression which is Tourgenieff's chief charm, but once that ...
— Reviews • Oscar Wilde
... the splendid involutions of Machiavelli's and Guicciardini's prose Bacon learned their cool and disimpassioned philosophy. From the reading of Politian and Lorenzo dei Medici, from the sight of the Psyche of Raphael, the Europa of Veronese, the Ariadne of Tintoret, men like Greene and Dorset learned that revival of a more luscious and pictorial antique which was brought to perfection in Shakespeare's "Venus and Adonis" and Marlowe's ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee
... Doria. The perfection of architecture, and the utmost profusion of rich furniture are to be seen here, disposed with the most elegant taste, and lavish magnificence. But I am charmed with nothing so much as the collection of pictures by the pencils of Raphael, Paulo Veronese, Titian, Caracci, Michael Angelo, Guido, and Corregio, which two I mention last as my particular favourites. I own, I can find no pleasure in objects of horror; and, in my opinion, the more naturally a crucifix is represented, ...
— Letters of the Right Honourable Lady M—y W—y M—e • Lady Mary Wortley Montague
... little barbarous, but it was better by far than by dint of anxious archæology to construct the Doge's palace upon the stage. By one rich pillar, by some projecting balustrade taken in conjunction with a moored gondola, we should strive to evoke the soul of the city of Veronese: by the magical and unequalled selection of a subtle and unexpected feature of a thought or aspect of a landscape, and not by the up-piling of extraneous detail, are all ...
— Confessions of a Young Man • George Moore
... sunlight.[146] His masterly treatment of light and shadow, in which he was scarcely Leonardo's inferior, enabled him to make use of rich and full-bodied colours, which are never gaudy, as sometimes with Bonifazio, or pretty, as with Catena and lesser artists. Nor is he decorative in the way that Veronese excels, or lurid like Tintoretto. Compared with Titian it is as though his colour-chord sounded in seven sharps, whilst the former strikes the key of C natural. A full rich green frequently occurs, as in the Castelfranco "Madonna" and ...
— Giorgione • Herbert Cook
... with noiseless steps, mounting the splendid marble staircase upon which the masterpieces of Titian and of Paolo Veronese looked down. At the head of the stairs, there was a painted door, which he had but to open to find himself face to face with those who were still telling each other ...
— Master Tales of Mystery, Volume 3 • Collected and Arranged by Francis J. Reynolds
... to those days of primitive costuming. In Shakespere's day there appeared over a "drop," or curtain of green, a legend plainly stating, "This is a street in Verona," and every man with an imagination straightway saw the Veronese street to his complete satisfaction; but there were those who had no imagination, and to hold their attention and to keep their patronage, scenes had to be painted for them. One would not like to see a woman draped in plain grey with an attached placard saying, "This is ...
— Stage Confidences • Clara Morris
... Holy Family by Albano, a Saint-Jerome of Demenichino, a Head of Christ by Gian Bellini, a Virgin of Leonardo, a Bearing of the Cross by Titian, which formerly belonged to the Marquis de Belabre (the one who sustained a siege and had his head cut off under Louis XIII.); a Lazarus of Paul Veronese, a Marriage of the Virgin by the priest Genois, two church paintings by Rubens, and a replica of a picture by Perugino, done either by Perugino himself or by Raphael; and finally, two Correggios and one ...
— The Celibates - Includes: Pierrette, The Vicar of Tours, and The Two Brothers • Honore de Balzac
... manufacture may be seen represented in the paintings of the old masters: Orcagna, Francia, Crivelli, and others, who delighted in the rendering of rich stuffs; later, they abound in the creations of Veronese and Titian. A "favourite Italian vegetable," as Dr. Rock quaintly expresses it, is the artichoke, which, often, set in oval forms, is either outlined or worked solidly ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... at the Capitol, the "Rape of Europa," by Paul Veronese, that would glow with wonderful brilliancy if it were set in a magnificent frame, and covered with a sunshine of varnish; and it is a kind of picture that would not be desecrated, as some deeper and holier ones might ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... draperies, supported by golden ropes and concealing all the background. The architecture suggests the most sensual and sumptuous moments of the Venetian or Flemish Renascence, as seen in the pictures of Veronese or Rubens, with garlands, horns of plenty, fringes, vases, statues, gildings, lavishly distributed on every side. In the middle stands a massive and marvellous table of jasper and silver-gilt, laden with candlesticks, glass, gold and silver plate and ...
— The Blue Bird: A Fairy Play in Six Acts • Maurice Maeterlinck
... born in Tyrol, having an American-born mother of Italian descent, and a Veronese father. Her entire girlhood was spent in Brescia and other cities of Northern Italy, and in early womanhood she came with her family to America. Her story gives a most graphic account of the industries, social customs, dress, pleasures, ...
— John and Betty's History Visit • Margaret Williamson
... which half the charm consists in prattling and poetizing about the mysteries of love, the delightful life of youth with full cups and empty purses, the pleasures of travel and of poetry, the Roman and still more frequently the Veronese anecdote of the town, and the humorous jest amidst the familiar circle of friends. But not only does Apollo touch the lyre of the poet, he wields also the bow; the winged dart of sarcasm spares neither the tedious verse-maker nor the provincial who corrupts the language, but ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... first-rate master of the sixteenth century. While in more than one branch of the painter's art he stood forth supreme and without a rival, in most others he remained second to none, alone in great pictorial decorations of the monumental order yielding the palm to his younger rivals Tintoretto and Paolo Veronese, who showed themselves more practised and more successfully daring in ...
— The Earlier Work of Titian • Claude Phillips
... the Rothschilds could not buy. They sleep, perhaps, in a garret, and dine in a cellar; but no grandee in Europe has such a drawing-room. Kings' houses have, at best, but damask hangings, and gilt cornices. What are these to a wall covered with canvas by Paul Veronese, or a hundred yards of Rubens? Artists from England, who have a national gallery that resembles a moderate-sized gin-shop, who may not copy pictures, except under particular restrictions, and on rare and particular days, may revel here to their hearts' content. Here is ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... joined on to her shoulders!"—And he waves in the air an imaginary line with his cigar. "She would do for Judith, wouldn't she? Or how grand she would look as Herodias's daughter sweeping down a stair—in a great dress of cloth-of-gold like Paul Veronese—holding a charger before her with white arms, you know—with the muscles accented like that glorious Diana at Paris—a savage smile on her face and a ghastly solemn gory head on the dish. I see the picture, sir, I see the picture!" and he fell ...
— The Newcomes • William Makepeace Thackeray
... Paul Veronese, too, has introduced his own portrait among those of his banqueters. What is your image there handing to the ...
— The Youth of the Great Elector • L. Muhlbach
... It was opened 1893, and its campanile reaches a height of 125 feet. Within the porch is a beautiful marble group of the dead Christ, supported by an angel. The pictures inside are exceptionally valuable and beautiful, including paintings by Vandyke, Murillo, Carlo Dolci, Paul Veronese (attributed), and many others. On the opposite side of the street Messrs. Crosse and Blackwell's factory also covers a house owning historical associations. No. 21 was the "White House," and 22, "Falconberg House," in former times. The ...
— The Strand District - The Fascination of London • Sir Walter Besant
... drawing and color, between the dogged attention to detail, the stiff precision of the German masters and the dazzling glow, the joyous exuberance of Italian painters. You have set yourself to imitate Hans Holbein and Titian, Albrecht Durer and Paul Veronese in a single picture. A magnificent ambition truly, but what has come of it? Your work has neither the severe charm of a dry execution nor the magical illusion of Italian chiaroscuro. Titian's rich golden coloring poured ...
— The Unknown Masterpiece - 1845 • Honore De Balzac
... Quintius Aufilena, Love to the death, both swains bloom of the youth Veronese, This woo'd brother and that sue'd sister: so might the matter Claim to be titled wi' sooth fairest fraternalest tie. Whom shall I favour the first? Thee (Caelius!) for thou hast proved 5 Singular friendship to us shown by ...
— The Carmina of Caius Valerius Catullus • Caius Valerius Catullus
... censured Eustace for bad taste in talking over his case with his lawyer in public. He laughed, and assured her that he had never even thought of his suit, but had been discussing one of the pictures on the walls, a fine Veronese—appealing to me if it were not so; but she was not satisfied; she said he should not have encouraged the presumption of that little advocate by presenting ...
— Stray Pearls • Charlotte M. Yonge
... note (see lines 2 and 3) seems to me to indicate that this passage was not written in France, but was written from oral information. We have no evidence as to when this note may have been written beyond the circumstance that Fra Giocondo the Veronese Architect left France not before the year 1505. The greater part of the magnificent Chateau of Blois has now disappeared. Whether this note was made for a special purpose is uncertain. The original form and extent of the Chateau is shown ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... that of Scarpaccia, whom for this reason I have made head of the others. Let my readers therefore accept what I can offer in this connection, seeing that I cannot offer what I would wish. There lived, then, in the March of Treviso and in Lombardy, during a period of many years, Stefano Veronese, Aldigieri da Zevio, Jacopo Davanzo of Bologna, Sebeto da Verona, Jacobello de Flore, Guerriero da Padova, Giusto, Girolamo Campagnola and his son Giulio, and Vincenzio Bresciano; Vittore, Sebastiano,[5] and Lazzaro[5] Scarpaccia, Venetians; Vincenzio Catena, Luigi Vivarini, ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari
... for thy backing and support. By thy subserviency alone (for what were panel or laminated copper for such gigantic works?) did Raffaelle bequeath so many legacies of his immortal genius. It is the strength of thy fibres that is the strength of the loaded supper-tables of Paul Veronese; and the velvets, the furs, the satins of Titian and Vandyke, are quilted upon thee. Nor disdainest thou to render to man, who bruises thee to try thy virtue, a thousand humbler services. Thou preservest our horses from flies, our fruit from birds; and who has not felt how thou ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... Paul Veronese, the splendor of whose conceptions seemed ever to select the pomp and wealth of banquets and ceremonies,—Giorgione, for whom the world revolved in an atmosphere of golden glory,—each had a fixed ideal of noble coloring; and it is ...
— Atlantic Monthly Volume 7, No. 40, February, 1861 • Various
... alone fourteen volumes, we find the source which the French artists and men of letters have studied with such predilection. First in order are the Italian medals of the fifteenth and sixteenth centuries, chiefly by the famous Victor Pisano, a Veronese, whom Nasari has so much lauded. The scholars and imitators of Pisano also produced works as interesting as historical documents as they are admirable in workmanship. Here also will be found the French and English seals, in which the balance of skill in design and execution is acknowledged ...
— The International Weekly Miscellany, Volume I. No. 9. - Of Literature, Art, and Science, August 26, 1850 • Various
... there are several colours—a bright, ringing quality; one soft and veiled. The bright, strident hues of purple and gold in a picture may produce a masterpiece of gorgeous colouring; so, in a different manner, may the harmonious juxtaposition of greys, lilacs and browns on a canvas by Veronese, Rubens, or Delacroix. ...
— Style in Singing • W. E. Haslam
... embodying this doctrine. The one most familiar is perhaps the greatest. It is the one that now graces the gem-room of the Louvre. I so name this room, for in it, within a few feet of one another, are pictures by Raphael, Da Vinci, Correggio, Rembrandt, Veronese, in short, by the foremost masters of the world. Among all these the vision of Murillo takes an equal rank. To many, the idea which the picture represents is of secondary importance, save perhaps as giving a reason for the name it bears. But all can see the exquisite loveliness of this young woman ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... so far realise the painter's ideal of earth as the portal to heaven. Certain spheres were beyond his ken. The marriage of Cana did not for him flow with the wine of gladness; he had no fellowship with the nuptial banquet as painted by Veronese. His pencil shunned the Song of Miriam and the Dance of the Daughter of Herodias; it could not pass, like the pen of England's epic poet, with a light fantastic touch from "Il Penseroso" to "L'Allegro;" his walk was narrow as a convent cloister; his art was attuned ...
— Overbeck • J. Beavington Atkinson
... produced the four greatest Painters, that is to say, managers of color, whom the world has seen; namely, Tintoret, Paul Veronese, Titian, and Correggio. I need not say more to justify my calling it ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin
... happen to have seen it since, and so speak with a forty years' interval, the pen-and-ink drawing of Ariel, portrayed exactly like a Cinquecento angel, is fixed in my mind. It has all the graciousness and gentleness of Bellini and all the robust beauty of Veronese or Palma Vecchio. To tell the truth, I was in the mood of the lady of the Island over which Prospero waved his wand. I could say with Miranda, "O brave new world, that has such men and women in it!" Indeed, though I still stood ...
— The Adventure of Living • John St. Loe Strachey
... know of what size a pane of glass can be manufactured, but I have never seen a picture so large but that I should be glad to see it under glass. Even supposing it were possible, which I suppose it is not, the great Paul Veronese, in the gallery of the Louvre, I think would ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... the festival air in "Romeo." Oh! the solo of the clarionets, the beloved women, with the harp accompaniment! Something enrapturing, something white as snow which ascends! The festival bursts upon you, like a picture by Paul Veronese, with the tumultuous magnificence of the "Marriage of Cana"; and then the love-song begins again, oh, how softly! Oh! always ...
— His Masterpiece • Emile Zola
... locks Germania in, Its name Benacus, which a thousand rills, Methinks, and more, water between the vale Camonica and Garda and the height Of Apennine remote. There is a spot At midway of that lake, where he who bears Of Trento's flock the past'ral staff, with him Of Brescia, and the Veronese, might each Passing that way his benediction give. A garrison of goodly site and strong Peschiera stands, to awe with front oppos'd The Bergamese and Brescian, whence the shore More slope each way descends. There, whatsoev'er Benacus' bosom holds not, tumbling o'er ...
— The Divine Comedy • Dante
... this. It contains more than two thousand pictures already catalogued,—all of them worth a place on the walls. Among these there are ten by Raphael, forty-three by Titian, thirty-four by Tintoret, twenty-five by Paul Veronese. Rubens has the enormous contingent of sixty-four. Of Teniers, whose works are sold for fabulous sums for the square inch, this extraordinary museum possesses no less than sixty finished pictures,—the Louvre ...
— Castilian Days • John Hay
... W. J. Linton[49] disagrees, saying, "...Chatto underrates him. I find his works very excellent and effective. The Finding of Moses (2 feet high by 16 inches wide) and Virgin Climbing the Steps of the Temple (after Veronese), and others, are admirable in every respect...." Duplessis[50] attacks the Venetian set heatedly and at length, yet he devotes more space to expounding Jackson's deficiencies than to discussing the work of any other woodcut artist, even Duerer or ...
— John Baptist Jackson - 18th-Century Master of the Color Woodcut • Jacob Kainen
... great square drawing-room was lit entirely by candles in the sconces that were part of the permanent decoration. But the many lights hardly penetrated into the great depths of the pictures let into the walls. These big, dark canvases by some forgotten Italian of the school of Veronese, gave the room something of the rich gloom of a Venetian palace. Beyond a few stacks of lilies in the corners, Molly had done nothing to relieve its solemn dignity. As she came across it from the opposite corner, the depths of the old pictures were the background ...
— Great Possessions • Mrs. Wilfrid Ward
... longer approach is needed. A broad garden separates the house, which is eighteenth-century English, from the sidewalk. The gallery, the low wing at the upper corner, with lunettes in sculpture by Sherry Fry, Phillip Martiny, Charles Keck, and Attilio Piccirilli, contains pictures by Titian, Paul Veronese, Velasquez, Murillo, Van Dyck, Franz Hals, Rembrant, Daubigny, Corot, Diaz, Manet, Millet, Rousseau, Troyon, Constable, Gainsborough, Lawrence, Raeburn, Reynolds, Romney, Turner, and Whistler. The chief ...
— Fifth Avenue • Arthur Bartlett Maurice
... afternoon Agatha and Miriam were upstairs dressing. Their bedroom was over the stable. It was a low room, not very large, and bare. Miriam had nailed on the wall a reproduction of Veronese's "St. Catherine". She loved the woman who sat in the window, dreaming. Her own windows were too small to sit in. But the front one was dripped over with honeysuckle and virginia creeper, and looked upon the tree-tops of the ...
— Sons and Lovers • David Herbert Lawrence
... paintings not from Nature, but from sculpture; his figures are seen in strange projection and foreshortening, like figures in a high relief seen from below; despite his mastery of perspective, they seem hewn out of the background; despite the rich colours which he displays in his Veronese altar-piece, they look like painted marbles, with their hard clots of stone-like hair and beard, with their vacant glance and their wonderful draperies, clinging and weighty like the wet draperies of ancient sculpture. They are beautiful petrifactions, or vivified ...
— The Contemporary Review, Volume 36, September 1879 • Various
... personages are mere occasions for his presence and means of his development. But Polonius is something the same kind of man as old Capulet in "Romeo and Juliet;" and although there were opportunities enough for the noble Veronese father to utter sententiously the knowledge of the world which he had gained by living in it, see how comparatively meagre and superficial his "wise saws" are compared with the counsel that Polonius gives to his son and to his daughter, and to the King and Queen; although Polonius, ...
— The Galaxy - Vol. 23, No. 1 • Various
... admire frankly. Show them a picture, they exclaim, 'Beautiful! magnificent! lovely! exquisite! name your price;' and they buy it. Here the public look and look. 'Not bad,' they say, 'but the color is from Veronese, and that attitude is surely Raphael's. What a mine that man's genius has been to ambitious but less gifted artists!' and so they go on. I wish they would let the dead rest in peace. Are you acquainted with Mr. B—— of ...
— Lippincott's Magazine of Popular Literature and Science - February, 1876, Vol. XVII, No. 98. • Various
... a Madonna of Titian; but the space of the nave is so largely generous and the new polychrome so richly toned that the church has majesty of space and harmony, deep lights and subdued colourings; it is large and sumptuous with the munificence of a Veronese canvas, a singular and most curious contrast to the cold severity of ...
— Cathedrals and Cloisters of the South of France, Volume 1 • Elise Whitlock Rose
... gradually recedes. The type of the beautiful will soon resume its rights and its role, which is not to exclude the other principle, but to prevail over it. It is time that the grotesque should be content with a corner of the picture in Murillo's loyal frescoes, in the sacred pages of Veronese, content to be introduced in two marvellous Last Judgments, in which art will take a just pride, in the scene of fascination and horror with which Michelangelo will embellish the Vatican, in those awe-inspiring represervations ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... the only man who entirely united the religious temper which was the spirit-life of art, with the physical power which was its bodily life. He joins the purity and passion of Angelico to the strength of Veronese: the two elements, poised in perfect balance, are so calmed and restrained, each by the other, that most of us lose the sense of both. The artist does not see the strength, by reason of the chastened spirit in which it is used: and the religious visionary does ...
— The Queen of the Air • John Ruskin
... beauty, earnestness, frankness, pleased him. He gave her the "balcony scene," of course, to read to him; noted her poses, which were singularly felicitous; knew at once that she was not cast for the lovesick Veronese maiden; was surprised to discover that she was quite willing to follow his advice—to begin in small parts and work her way up if possible. The shrewd London manager foresaw triumphs ahead when the insignificant "Miss H. Leroy" should pass ...
— Lippincott's Magazine, Vol. 22, August, 1878 • Various
... before he made any other attempt, hastened to the relief of Verona; and to counteract his design, Niccolo led his forces to Soave, a castle situated between the Vincentino and the Veronese, and entrenched himself by a ditch that extended from Soave to the marshes of the Adige. The count, finding his passage by the plain cut off, resolved to proceed by the mountains, and thus reach Verona, thinking Niccolo would imagine this way to be ...
— History Of Florence And Of The Affairs Of Italy - From The Earliest Times To The Death Of Lorenzo The Magnificent • Niccolo Machiavelli
... everywhere, Shaw, dealer in human character, cannot write a play and leave her out, any more than the artist Turner could paint a picture and leave man out, or Paul Veronese produce a canvas and ...
— Love, Life & Work • Elbert Hubbard
... Corradi, Ribera, and Vannuchi. The list might be very much enlarged, but let it suffice to add the following well-known names, all of which are nicknames derived from their places of birth: Perugino, Veronese, Aretino, Pisano, Giulio ...
— The Atlantic Monthly, Volume 5, No. 28, February, 1860 • Various
... the judicious eye with a strong resemblance of Paul Veronese: he has all the vivacity and ease of that great painter, and fully equals him in his fancy for the singular and the shining in his draperies; but, as he shares his beauties, he is not without his faults. His composition is ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810 • Various
... of "this evening" well enough. For my adored Dorothy was all romance, and by preference granted me rendezvous in the back garden, where she would tantalize me nightly, from her balcony, after the example of the Veronese lady in Shakespeare's spirited tragedy, which she prodigiously admired. As concerns myself, a reasonable liking for romance had been of late somewhat tempered by the inclemency of the weather and the obvious unfriendliness of the dog; but there is no resisting a lady's commands; ...
— Gallantry - Dizain des Fetes Galantes • James Branch Cabell
... contain a rich museum filled with almost priceless relics of the olden time. Here are also valuable paintings and other works of art, among them Vandyck's portrait of Charles I. and many masterpieces of Rembrandt, Paul Veronese, Leonardo da Vinci, Rubens, Holbein, and Salvator Rosa. In December, 1871, the great hall and suite of private apartments at Warwick were burnt, but the valuable contents were almost all saved with little injury. The castle was restored by a public subscription. It is built around a large ...
— England, Picturesque and Descriptive - A Reminiscence of Foreign Travel • Joel Cook
... though it is out of its proper place said here, this law forbids no luxury which men are not degraded in providing. You may have Paul Veronese to paint your ceiling, if you like, or Benvenuto Cellini to make cups for you. But you must not employ a hundred divers to find beads to stitch over your sleeve. (Did you see the account of the sales of the Esterhazy ...
— Time and Tide by Weare and Tyne - Twenty-five Letters to a Working Man of Sunderland on the Laws of Work • John Ruskin
... size in statues is necessarily vulgar, does not seem admissible. It would be quite as just to condemn the paintings on a colossal scale in which Tintoretto and Veronese so nobly manifested their exceptional powers. The size of a work of art per se is an indifferent matter. Mere bigness or mere littleness decides nothing. But a colossal work has its conditions of being: it must conform to certain laws. ...
— The Bay State Monthly - Volume 2, Issue 3, December, 1884 • Various
... it had not become so banal as any of the French Louis'. And so Arabella had been instructed to drum into her head the names of the geniuses of that time, and their works, and she could now babble sweetly all about Giorgione, Paolo Veronese and Titian's later works without making a single mistake. And while the pictures bored her unspeakably, she took a deep pleasure in her own cleverness about them, and delighted in tracing the influence Paolo Veronese must have had upon Boucher, a hint from Arabella which she had announced as an ...
— Halcyone • Elinor Glyn
... rooms in Florence with Gypsum and Stagg. The former was a young, industrious fellow, of German descent, who worked hard, but not wisely. He spent half a year in copying a face by Paul Veronese, and the other half in sketching an old convent yard. But he did not visit, and an artist, to get orders and take rank, must be seen as well as be earnest. He need not be hail-fellow, but should keep well in the circle of ...
— Campaigns of a Non-Combatant, - and His Romaunt Abroad During the War • George Alfred Townsend
... himself lived in a time of political revolution and of the emergence to power of a burgher class, you will scarce find an unappreciated genius in the whole history of art until the beginning of the nineteenth century. The great masters of the Renaissance, from Giotto to Veronese, were men of their time, sharing and interpreting the ideals of those around them, and were recognized and patronized as such. Rembrandt's greatest contemporary, Rubens, was painter in ordinary to ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... the galleries at Florence. To artists, it is the one attraction of Madrid, and is principally composed of works by the Spanish masters, though also containing many other gems. Here we find forty-four examples of Murillo, sixty-four from Velasquez, sixty by Rubens, twenty-five from Paul Veronese, thirty-four from Tintoretto, and many from Andrea del Sarto, Titian, Vandyke, Goya, Ribera, and others of similar artistic fame, in such profusion as to be a constant source of surprise to the stranger. Here one is sure to meet, daily, intelligent Americans, French, Italians, and English, ...
— Due West - or Round the World in Ten Months • Maturin Murray Ballou
... ventured hazardous measures, which sometimes succeeded. I recollect one which still makes me laugh. No person would suspect it was to me, the lovers of the theatre at Paris, owe Coralline and her sister Camille, nothing however, can be more true. Veronese, their father, had engaged himself with his children in the Italian company, and after having received two thousand livres for the expenses of his journey, instead of setting out for France, quietly continued at Venice, and accepted an engagement in the theatre of Saint Luke, to which ...
— The Confessions of J. J. Rousseau, Complete • Jean Jacques Rousseau |
