"Unaccented" Quotes from Famous Books
 ... pedantic to write them with their full and accurate complement of accents and dots and my general practice is to give such words in their accurate spelling (Ramayana, etc.) when they are first mentioned and also in the notes but usually to print them in their simpler and unaccented forms. I fear however that my practice in this matter is not entirely consistent since different parts of the book ...
— Hinduism And Buddhism, Volume II. (of 3) - An Historical Sketch • Charles Eliot
... accent; in the second half there was one accented word in alliteration with the alliterated words in the first half, and one other accented word not in alliteration. A great license was allowed as to the number of unaccented syllables, and as to their position in regard to the accented ones; and this lent great freedom and vigor to the verse. When well constructed and well read, it must have been very effective. There were of course many variations from the normal number, three, of ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... this principle differs entirely from that of the ancients, who depended on the length of the syllable, we still cling to the names with which they distinguished the different feet. It will be discovered that by combining accented and unaccented syllables into groups of two, three and four an immense variety of feet can be produced. In fact the Roman poets made use of about thirty. In English verse we disregard the four-syllabled foot altogether and make use only of the two ...
— Rhymes and Meters - A Practical Manual for Versifiers • Horatio Winslow
... required, and yet a large number of pupils find it confusing. It may never have occurred to some of them that the great difference in form between prose and poetry is that in the one case the arrangement of accented and unaccented syllables is irregular, and in the other regular. If they are directed to mark a few passages after some definite form, as they will easily learn the normal line. They will learn, too, that there are a few common ...
— Teachers' Outlines for Studies in English - Based on the Requirements for Admission to College • Gilbert Sykes Blakely
... matters, that Dulness with leaden sceptre presides over the opera. The deficiencies of their music, the unfitness of the French language for composition in a style anything higher than that of the most simple national melodies, the unaccented and arbitrary nature of their recitative, the bawling bravura of the singers, must be left to the animadversions ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... run of the unaccented French: 'Son amour, mon ami': drove the significance of the bitterness of the life she had left behind her burningly through him. This was to have fled from a dragon! was the lover's thought: he perceived the motive of her flight: and it was a vindication of it that appealed to him irresistibly. ...
— The Shaving of Shagpat • George Meredith
... vowels and diphthongs their proper sounds and do not slur over them in unaccented syllables, ...
— Latin for Beginners • Benjamin Leonard D'Ooge
... illustrated his point by referring to the negro melodies, which, says Joel Chandler Harris, "depend for their melody and rhythm upon the musical quality of the time, and not upon long or short, accented or unaccented syllables." His citation of Japanese poetry was also a case in point. Unquestionably, the lyrics and choruses of the Greek drama were thoroughly musical; Sophocles and Aeschylus were both teachers of the chorus. Many of the lyrics of the Elizabethan age were written especially for music, and more ...
— Sidney Lanier • Edwin Mims
... to be despised as a rival, this "snowy-banded, dilettant, delicate-handed priest." In the first place, he was a really nice, honorable young fellow, with no much worse faults than a pedantically correct pronunciation of the unaccented vowels; in the second place, he was considerably taller than the race of curates usually runs; and in the third place, he had a handsome allowance from his mother, and "expectations" on a very grand scale indeed. Miss Wedmore, if she were to decide in his favor, might well aspire to be ...
— The Wharf by the Docks - A Novel • Florence Warden
... and she blushed and hurried on; but not so soon that he had not time to see she had a thin face of a pathetic prettiness, gentle brown eyes with wistful brows, under ordinary brown hair. She was rather little, and was dressed with a sort of unaccented propriety, which was as far from distinction as ...
— A Pair of Patient Lovers • William Dean Howells
... of a regularly recurring series of accented sounds, unaccented sounds, and rests, expressed in rhythmic gymnastics by movements and inhibitions of movements. Individuals who are rhythmically uncertain generally have a muscular system which is irregularly responsive to mental stimuli; the response may be too rapid or too slow; in either case impulse or ...
— The Eurhythmics of Jaques-Dalcroze • Emile Jaques-Dalcroze
... ear does not deceive me, the metre of this line was meant to express that sort of mild philosophic contempt, characterizing Brutus even in his first casual speech. The line is a trimeter,—each dipodia containing two accented and two unaccented syllables, ...
— Literary Remains, Vol. 2 • Coleridge
... E final, in proper English words, never forms a syllable, and in the most-used words, in the terminating unaccented syllable it is silent. Thus, motive, genuine, examine, granite, are pronounced motiv, genuin, ...
— Enquire Within Upon Everything - The Great Victorian Domestic Standby • Anonymous
... of French versification is not a fixed number of long and short, or accented and unaccented, syllables in a certain definite arrangement, that is, a foot, but a line. A line is a certain number of syllables ending in a rhyme which binds it to one or more other lines. The lines found in lyric verse vary in length from one to thirteen syllables; but lines with an even number ...
— French Lyrics • Arthur Graves Canfield
... a takes three forms. The unaccented, Italian a represents the normal state; a with the acute accent (') represents the eccentric state; a with the grave accent ...
— Delsarte System of Oratory • Various
... accents; they have not the recurring sounds of rhyme, but they have, like the Germans and Scandinavians, alliteration, that is, the repetition of the same letters at the beginning of certain syllables. "Each long verse has four accented syllables, while the number of unaccented syllables is indifferent, and is divided by the caesura into two short verses, bound together by alliteration: two accented syllables in the first short line and one in the second, beginning with any vowel or the same consonant"[40] (or consonants ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... will now be able to fix the prosodical value of the line quoted above with unerring security. For metrical purposes it syllabifies into: A-ka-mul-vaj-da fi kal-bi wa sa-ru, containing three short and eight long quantities. The initial unaccented a is short, for the same reason why the syllables da and wa are so, that is, because it corresponds to an Arabic letter, the Hamzah or silent h, moved by Fathah. The syllables ka, fi, bi, sa, ru are long for the same reason why the syllables mul, waj, kal are so, that is, ...
— The Book of the Thousand Nights and a Night, Volume 10 • Richard F. Burton
... the Game-Chicken. Certainly, no one would have looked for a pugilist in this subdued old gentleman. He is now Commissioner of Lunacy, and makes periodical circuits through the country, attending to the business of his office. He is slightly deaf, and this may be the cause of his unaccented utterance,—owing to his not being able to regulate his voice exactly by his own ear. He is a good man, and much better expressed by his real name, Procter, than by his poetical one, Barry Cornwall. . . . . He ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne
... which he intends his reader to find in his tale, are in taking up the golden thread here and there in its intended recurrence—and following, as it rises again and again, his melody through the disciplined and unaccented march of ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin |
