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Romancist   Listen
noun
Romancist  n.  A romancer. (R.)






Collaborative International Dictionary of English 0.48








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"Romancist" Quotes from Famous Books



... just fate by not professing, like the Christian martyrs, his real faith when delivering his 'very copious and eloquent' apology (De Civitate Dei, lib. viii. 19). In the Golden Ass of the Greek romancist of the second century, who, in common with his cotemporary the great rationalist Lucian, deserves the praise of having exposed (with more wit perhaps than success) some of the most absurd prejudices of the day, his readers are entertained with stories ...
— The Superstitions of Witchcraft • Howard Williams

... the possibility of going quietly away from Briar Farm all alone, and trying to make a name and career for herself through the one natural gift she fancied she might possess, a gift which nowadays is considered almost as common as it was once admired and rare. To be a poet and romancist,—a weaver of wonderful thoughts into musical language,—this seemed to her the highest of all attainment; the proudest emperor of the most powerful nation on earth was, to her mind, far less than Shakespeare,—and inferior ...
— Innocent - Her Fancy and His Fact • Marie Corelli

... I'm a romancist, sir," Bones stiffened with dignity and saluted, but whether he was saluting Hamilton, or the spirit of Romance, or in sheer admiration was saluting himself, ...
— Bones - Being Further Adventures in Mr. Commissioner Sanders' Country • Edgar Wallace

... be a vast element in the thought of the present. Scott's power of reviving the past in all its romantic and picturesque features, which gave him such capacity for re-creating the life that had once passed away, was not possessed by George Eliot. Still, if not a romancist, she realized how mighty is the shaping power of the past over the present. For this reason, she endeavored to recast old scenes, to revive in living shapes the times that had gone by. The living movements ...
— George Eliot; A Critical Study of Her Life, Writings & Philosophy • George Willis Cooke

... entire book in the form and speech of a century and a half preceding. As a tour de force it is wonderful; but in so long a book the effort becomes at last too visible, and undoubtedly it somewhat cramps the freedom of the author's genius. Thackeray was not a born historical romancist, as were Scott and Dumas; nor was he a born historian at all. And when he undertook to produce an elaborate romance in the form and with the colouring of a past age, like George Eliot, he becomes rather too learned, too conscientious, too rigidly full of his authorities; and if as an historian ...
— Studies in Early Victorian Literature • Frederic Harrison

... has nothing whatever to do with its fundamental features. Similarly with legend. It may be lent to Malory, to Tennyson, to Longfellow, to the literary bards of the romance period, for the purpose of weaving together their story of the wonderful; but it must not be surrendered to the romancist, and, above all things, the romances must never be allowed to enter the domain of folklore. Romances may be stripped of their legends so that the source of legendary material may be fully utilised, but the romances themselves belong to literature, and must ...
— Folklore as an Historical Science • George Laurence Gomme

... still at Eton, and with the L40 paid for the romance, he is said to have given a banquet to eight of his friends. Though the story is little more than a rechauffe of previous tales of terror, it evidently attained some measure of popularity. It was reprinted in The Romancist and Novelist's Library in 1839. Like Godwin, Shelley contrived to smuggle a little contraband theory into his novels, but his stock-in-trade is mainly that of the terrormongers. The book to which Shelley was chiefly indebted was Zofloya or the Moor (1806), by the notorious Charlotte Dacre ...
— The Tale of Terror • Edith Birkhead



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