"Lear" Quotes from Famous Books
 ... by Reginald Scot. The narrative is edifying as peculiarly illustrative of the mode of marring a curious tale in telling it, which was one of the virtues professed by Caius when he hired himself to King Lear. Reginald Scot, incredulous on the subject of witchcraft, seems to have given some weight to the belief of those who thought that the spirits of famous men do, after death, take up some particular habitations near cities, towns, and countries, and act as tutelary and guardian ...
— Letters On Demonology And Witchcraft • Sir Walter Scott
... dream in which she sat in corners with her eyes cast down; flushed whenever she was addressed; stammered whenever she answered a question, and nearly died of heart failure when subjected to an examination of any sort. She delighted the committee when reading at sight from "King Lear," but somewhat discouraged them when she could not tell the capital of the United States. She admitted that her former teacher, Miss Dearborn, might have mentioned it, but if so she had ...
— New Chronicles of Rebecca • Kate Douglas Wiggin
... Holinshed's version in 1605 under the title of 'The True Chronicle History of King Leir and his three Daughters—Gonorill, Ragan, and Cordella.' Shakespeare did not adhere closely to his original. He invested the tale of Lear with a hopelessly tragic conclusion, and on it he grafted the equally distressing tale of Gloucester and his two sons, which he drew from Sidney's 'Arcadia.' {241b} Hints for the speeches of Edgar when feigning madness were drawn ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... included the Ghost, Laertes, Horatio and the Prince in "Hamlet," Dick in "The Confederacy," Captain Worthy in the "Fair Quaker of Deal," Pyrrhus, Cato, Young Bevil in the "Conscious Lovers," Tamerlane, Oronooko, Jaffier, Othello, King Lear, Hotspur, Wildair, Sir Charles Easy, Falstaff, Cassio, Macbeth, Banquo, Lennox, Henry VIII. and Cinna. Few living players ...
— The Palmy Days of Nance Oldfield • Edward Robins
... Lear, Othello, Macbeth, Coriolanus, Antony, Timon, these are names indeed of something more than tragic purport. Only in the sunnier distance beyond, where the sunset of Shakespeare's imagination seems to melt ...
— A Study of Shakespeare • Algernon Charles Swinburne
... 'History of Spanish Literature' may be found his touching letter to De Guzman at the Moorish court. He is, like Lear, poor and discrowned, but not like him, weak. His prelates have stirred up strife, his nobles have betrayed him. If Heaven wills, he is ready to pay generously for help. If not, says the royal philosopher, still, generosity and loyalty ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... with the humiliation of gracing Caesar's triumph, she snatches a dagger, exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that ...
— The World I Live In • Helen Keller
... of all external and internal advantages, and given up a prey to naked helplessness. The threefold dignity of a king, an old man, and a father, is dishonoured by the cruel ingratitude of his unnatural daughters; the old Lear, who out of a foolish tenderness has given away every thing, is driven out to the world a wandering beggar; the childish imbecility to which he was fast advancing changes into the wildest insanity, and when he is rescued ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... Europe lay helpless at his feet. Late in the summer of 55 B.C. he reached Boulogne on the coast of Gaul. Standing there, he could see the gleaming chalk cliffs of Britain, so vividly described in Shakespeare's "King Lear."[1] ...
— The Leading Facts of English History • D.H. Montgomery
... us by similar dramas in our own language. Few, I trust, would be rash or ignorant enough to compare Schiller with Shakspeare; yet, merely as illustration, I would say that we should proceed to the perusal of Wallenstein, not from Lear or Othello, but from Richard II., or the three parts of Henry VI. We scarcely expect rapidity in an historical drama; and many prolix speeches are pardoned from characters whose names and actions have formed the most amusing tales of our early life. On the ...
— The Works of Frederich Schiller in English • Frederich Schiller
... and as perhaps nothing else could do, such proof of a power of loving, of an amount of attendrissement, which is not less wonderful than the bodying forth of that myriad-mind which gave us Hamlet, and Lear, Cordelia, and Puck, and all the rest, and indeed explaining to us how he could give us all these;—while we hardly go so far, we agree with his other wise words:—"There is a weakness and folly in all misplaced and excessive affection;" which in Shakspeare's case is the more distressing, ...
— Spare Hours • John Brown
... with crimes, rich in tenderness, humor, loveliness, awe, yet almost unaffected by any consideration of the supernatural world. On Hamlet's brooding there breaks no ray from Christian revelation. No hope of a hereafter soothes Lear as he bends over dead Cordelia. Macbeth, hesitating on the verge of crime, throws out of the scale any dread of future retribution,—assure him only of success ...
— The Chief End of Man • George S. Merriam
... worked out the math for the interplanetary ships? I did! Without me they would never have been built!" He turned dramatically, as though he were playing King Lear. "And what do I get for it?" He pointed an accusing finger at Arcot. "What do I get? He is called 'Earth's most brilliant physicist', and I, who did all the hard work, am referred to as 'his mathematical assistant'." He shook his head solemnly. ...
— Islands of Space • John W Campbell
... impartiality in judging classes, which is what one demands from a great human poet, is not that he should flatter the poor and denounce the rich, but that he should weigh them both in the same balance. Now whoever will read Lear and Measure for Measure will find stamped on his mind such an appalled sense of the danger of dressing man in a little brief authority, such a merciless stripping of the purple from the "poor, bare, ...
— Dark Lady of the Sonnets • George Bernard Shaw
... styles—the first containing such lighter, friendlier work, as "Life's Little Ironies," "Under a Greenwood Tree," and "The Trumpet Major"—the second being the period of the great tragedies which assume the place, in his work, of "Hamlet," "Lear," "Macbeth" and "Othello," in the work of Shakespeare—the third, of curious and imaginative interest, expresses in quite a particular way, Mr. Hardy's own peculiar point of view. The Well-Beloved, Jude the Obscure, and the later poems would ...
— One Hundred Best Books • John Cowper Powys
... into the soul of Gaul. For the converse task, to-day not equally difficult but once almost impossible, of presenting England to the French intelligence—or, indeed, to any other alien intelligence—you may choose the play "King Lear." ...
— First and Last • H. Belloc
... old Minister Van de Lear's son, Calvin. He's going to succeed his venerable and pious poppy in Kensington pulpit. They'll let ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend
... the stoicism of Brutus and Cato, the rapid and hurried vehemence of Hotspur, mark the class of characters I mean. But he fails where a ready and pliable yielding to the events and passions of life makes what may be termed a more natural personage. Accordingly I think his Macbeth, Lear, and especially his Richard, inferior in spirit and truth. In Hamlet, the natural fixed melancholy of the prince places him within Kemble's range;—yet many delicate and sudden turns of passion slip through his fingers. He is {p.155} a lordly ...
— Memoirs of the Life of Sir Walter Scott, Volume V (of 10) • John Gibson Lockhart
... Raphael could have painted Jackson's portrait. So, conversely, Shakespeare belittles Casar in order to suit the purpose of his play. Which of Shakespeare's male characters can be measured beside George Washington? There is not one of them, unless Kent in "King Lear." Strong, resolute natures, like Washington, Hamilton, Sumner, are not adapted to dramatic fiction, either in ...
— The Life and Genius of Nathaniel Hawthorne • Frank Preston Stearns
... Roberts (1825): "Das Ungeheuerste, das Ensetzlichste, das Schaudervollste, wenn es nicht unpoetisch werden soll, kann man auch nur in dem buntscheckigen Gewaende des Laecherlichen darstellen, gleichsam versoehnend—darum hat auch Shakespeare das Graesslichste im "Lear" durch den Narren sagen lassen, darum hat auch Goethe zu dem furchtbarsten Stoffe, zum "Faust," die Puppenspielform gewaehlt, darum hat auch der noch groessere Poet (der Urpoet, sagt Friederike), naemlich Unser-Herrgott, ...
— Types of Weltschmerz in German Poetry • Wilhelm Alfred Braun
... and Lear were roles in which he [Burbage] gained especial renown. But Burbage and Shakespeare were popularly credited with co-operation in less solemn enterprises. They were reputed to be companions in many sportive ...
— Testimony of the Sonnets as to the Authorship of the Shakespearean Plays and Poems • Jesse Johnson
... as described by the pen of Shakspeare, has brought tears into millions of eyes. The tragedy of King Lear and his wretched daughters is known throughout the civilized world. What heart is not indignant at such treatment? Who does not abhor the conduct of ...
— The Child at Home - The Principles of Filial Duty, Familiarly Illustrated • John S.C. Abbott
... is not a bad woman. Let people overburdened with credulity believe that she is bad," cried Doederlein, with the expression and in the tone and gesture of the royal Lear, and shook his Olympian locks. "The fact is that violence has been practised on her; she has been driven into ruin! Men have stolen the sweet love of my dearly beloved daughter through the use of vile tricks and artifices. Where is she, the ...
— The Goose Man • Jacob Wassermann
... spell of these performers, I wrote a series of studies of the tragedian in his greatest roles. "Edwin Booth as Lear," "Edwin Booth as Hamlet," and so on, recording with minutest fidelity every gesture, every accent, till four of these impersonations were preserved on the page as if in amber. I re-read my Shakespeare in the light of Booth's eyes, in the sound ...
— A Son of the Middle Border • Hamlin Garland
... man believes—not by reason, but by faith. And he too repeats that Shakespeare was a great artist, and he buys the complete works of Shakespeare and puts them on his shelves, and he goes to see the marvellous stage-effects which accompany *King Lear* or *Hamlet*, and comes back religiously convinced that Shakespeare was a great artist. All because the passionate few could not keep their admiration of Shakespeare to themselves. This is not cynicism; but truth. And ...
— LITERARY TASTE • ARNOLD BENNETT
... that trick," Beatrix asserted suddenly. "Lear is very soothing in an emotional crisis. The Rubaiyat for gooseflesh and Lear for tears is my rule. The Jumblies carried me safely through the fifth act of Cyrano. But go on, Bobby. We are nearly ready to ...
— The Dominant Strain • Anna Chapin Ray
... "the dewy-tassell'd wood," "the tender-pencill'd shadow," "crimson-circl'd star," the "hoary clematis," "creamy spray," "dry-tongued laurels". But whatever he describes is described with the same felicitous vividness. How magical is this in the verses to Edward Lear:— ...
— The Early Poems of Alfred Lord Tennyson • Tennyson
... that of the pre-war Carlsbad plum; further, that a solo on the muted viola against an accompaniment of sixteen sarrusophones is only effective if the sarrusophones are prepared to roar like sucking-doves, which, as LEAR would have said, "they seldom if ever do." Still, on the whole the Variations arrided ...
— Punch, or the London Charivari, Vol. 159, October 6, 1920 • Various
... paused for a moment, "I see that it would take too long. You must deal with so many prejudices—such, for example, as that which supposes 'King Lear' ...
— The Emancipated • George Gissing
... to the drawing-room; In hues as gay, and odours as divine, As the fair fields they sold to look so fine. "That's velvet for a king!" the flatterer swears 'Tis true, for ten days hence 'twill be King Lear's. Our Court may justly to our stage give rules, That helps it both to fools-coats and to fools. And why not players strut in courtiers' clothes? For these are actors too, as well as those: Wants reach all states; ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... reached the second reading of this play by the way which I have pointed out to him. And why, indeed, should Ulysses not speak for Shakespeare, or how could it be other than that he should? The man who had written "Hamlet," "King Lear," "Othello," and "Macbeth," if he wished to find Ulysses, had only to turn his mind's eye inward; and thus we have in this drama Shakespeare's only piece of ...
— The Galaxy, Volume 23, No. 2, February, 1877 • Various
... hundred thousands, and then, when they thought they were going to make millions, letting it down and scooping them. My habit of listening intently to Uncle Nate's telegrammatic style of talk caused him to like me. I resembled King Lear: I talked with those who were wise, and said little, and Nathan's aphorisms about trade and politics made good paragraphs when boiled ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, September 1880 • Various
... my edition of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, I shall ...
— Life Of Johnson, Vol. 2 • Boswell
... still more ignorant Doctor Samuel Johnson, knew nothing of the venerable language of the first inhabitants of the British Isles, and of all Western Europe, resolve themselves into Li! Li Beur! Lear-a! Buille na la, which signify, "Light! Light! on the sea, beyond the promontory! 'Tis the stroke (or dawn) of the day!" Like all the choruses previously cited, these words are part of a hymn to the sun, ...
— The Celtic Magazine, Vol. 1, No. 2, December 1875 • Various
... his greatest play, the deepest in meaning, the best knit from the first scene to the last. While 'Othello' centres on jealousy, 'Lear' on madness, 'Romeo and Juliet' on love, 'Macbeth' turns on fate, on the supernal influences which compel a man with good in him to a murderous course. The weird witches who surround the bubbling caldron ...
— [19th Century Actor] Autobiographies • George Iles
... Shakespeare's plays that it was possible to read with any hope of attracting or interesting an audience. My father had limited his range to a few of the most frequently acted plays. I delivered the following twenty-four: King Lear, Macbeth, Cymbeline, King John, Richard II., two parts of Henry IV., Henry V., Richard III., Henry VIII., Coriolanus, Julius Caesar, Anthony and Cleopatra, Hamlet, Othello, Romeo and Juliet, The Merchant of ...
— Records of Later Life • Frances Anne Kemble
... entreat you to be careful, for Bess does not dread him now as much as I do. Again, let me request you to write, as B.'s behavior may silence my fears. You will soon hear from me again. Fanny carried many things to Lear's, brush-maker in the Strand, next door to ...
— Mary Wollstonecraft • Elizabeth Robins Pennell
... General Butler's division; Lieutenant-Colonels Garland and Wilson, commanding brigades in General Twiggs' division; Colonels Mitchell, Campbell, Davis, and Wood, commanding the Ohio, Tennessee, Mississippi, and 2d Texas regiments, respectively; and Majors Lear, Allen, and Abercrombie, commanding the 3d, 4th, and 1st regiments of infantry; all of whom served under my eye, and conducted their commands with coolness and gallantry against the enemy. Colonel Mitchell, Lieutenant-Colonel McClung, Mississippi ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... with only the intellectual material of a rakish Stratford lad's schooling and reading, and the culture coming of a few years' association with the primitive English stage and its hangers-on, was capable of broadening and deepening, with vital experience and vital culture, into the poet of LEAR and MACBETH. But the vital culture must come to it, like the experience: this was not a man who would go out of his way to seek the culture. A man so minded, a man who would bear hardship in order to win knowledge, would not have ...
— Montaigne and Shakspere • John M. Robertson
... because he applies it to himself as a means of general reasoning. He is a great moralizer; and what makes him worth attending to is that he moralizes on his own feelings and experience. He is not a commonplace pedant. If Lear is distinguished by the greatest depth of passion, Hamlet is the most remarkable for the ingenuity, originality, and unstudied development of character. Shakespeare had more magnanimity than any other poet, ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various
... Shakespeare would seem to make it an almost hopeless task now to discover the causes of his insomnia. He wrote a marvellous body of literature, and it might be thought this labor itself would suffice as an explanation: that the furnace heat in which the conceptions of Hamlet and Macbeth and Lear were wrought in the crucible of his brain would be fatal to repose. But his contemporaries speak of him as an easy and rapid writer; one whose imagination is only paralleled by the ease, the force and beauty of the phrase in which it ...
— Shakespeare's Insomnia, And the Causes Thereof • Franklin H. Head
... pictures from the opera and the tragedy. There were pictures from Macbeth, Othello, Lear, Hamlet, from "The Magic Flute," "The Barber of Seville," "Der Freischuetz," and from still a few more—each one always more romantic than the last. In selecting suitable colors for his heroes and heroines, Walter had the advice of the entire family, including Leentje. Usually there was disagreement, ...
— Walter Pieterse - A Story of Holland • Multatuli
... had not triumphed here. For hordes of brutal soldiery had invaded the fertile soil, the tempest of war had swept the land and left it desolate. The South lay battered and bruised, and pros trate in blood, the "Niobe of nations," as sad a victim of ingratitude as King Lear. ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... the passage of these resolutions, a written message was received from the President, accompanying a letter from Mr. Lear, which he said, "will inform you that it had pleased Divine Providence to remove from this life our excellent fellow citizen, GEORGE WASHINGTON, by the purity of his life, and a long series of services to his country, rendered illustrious through the world. It remains ...
— The Life of George Washington, Vol. 5 (of 5) • John Marshall
... I am, alas! without Instruction in the art of fippling, Though something may be found about It in the works of LEAR ...
— Punch, or the London Charivari, Volume 159, August 11, 1920 • Various
... was to get there; how easy to get home again. Moreover, though going to sea in the Shannon was not quite the same 'as going to sea in a sieve,' our stay-at-home friends were of the same mind as those of the dear little Jumblies, whom Mr. Lear has made immortal in his New Book of Nonsense; and we were bound to come back as soon as possible, and not 'in twenty years or more,' if we wished ...
— At Last • Charles Kingsley
... paw, capered limpingly after its own shadow flung by the moonlight on the greensward, and attempted in its own playful way to attract the attention of its new master and wile him away from his mood of utter misery. Involuntarily he thought of the frenzied cry of Shakespeare's "Lear" over the dead ...
— The Treasure of Heaven - A Romance of Riches • Marie Corelli
... dialects in the South of India, as a matter of convenience the English language is much used for personal communication by the natives of different parts of the Presidency of Madras. Mr. Edward Lear, who has travelled much in that part of the country, gives the following interesting account of a journey:—"I was in a second-class railway carriage going from Madras to Bangalore. There was only one other passenger beside myself and servant, and he was a Brahmin, ...
— Railway Adventures and Anecdotes - extending over more than fifty years • Various
... King Lear. Apple, balm, burdock, cork, corn, crab, fumiter, hemlock, harlock, nettles, cuckoo-flowers, darnel, flax, hawthorn, lily, marjoram, oak, oats, peascod, rosemary, vines, ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... drawn may be a true one, the effect had been lessened by the fact that nothing has been left to the imagination. On the other hand there has, since Shakespeare, been nothing so fine as the treatment of Pere Fouan, that peasant King Lear, by his ungrateful family. It has been urged that Zola overdid the horrors of the situation and that no parent would have been so treated by his children. By a singular chance a complete answer to this objection may be found in a paragraph which appeared in the Daily Mail of 18th April, 1911. ...
— A Zola Dictionary • J. G. Patterson
... character. In her poverty of guarantees at Stanhope Gardens there had been least of all, it appeared, a proviso that she shouldn't resentfully revert again from Goneril to Regan. She came down to the goose-green like Lear himself, with fewer knights, or at least baronets, and the joint household was at last patched up. It fell to pieces and was put together on various occasions before Ray Limbert died. He was ridden to the end by the superstition that he had broken up Mrs. Stannace's original ...
— Embarrassments • Henry James
... writes very much in the manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of Elia. Jaques, it will be remembered, ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... Lear, this poor old man has been driven forth "to bide the pelting of the pitiless storm" of a revolution, followed by his widowed daughter-in-law and her helpless son, that child orphaned ere yet he saw the light, and by Frenchmen who now ...
— The Idler in France • Marguerite Gardiner
... actors having been always a heresy with him, and the deplorable length of dialogue to the small amount of action in their plays making them sadly tiresome. The first that he saw at the principal theatre was a version of Balzac's Pere Goriot. "The domestic Lear I thought at first was going to be very clever. But he was too pitiful—perhaps the Italian reality would be. He was immensely applauded, though." He afterwards saw a version of Dumas' preposterous play of Kean, in which most of the representatives of English actors wore red hats with ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... receive and marble to retain," said Mr. Polly. "This beef is a Bit of All Right, Ma'm. I could have done differently if I hadn't been punting on an empty stomach. There's a lear feeling as ...
— The History of Mr. Polly • H. G. Wells
... man "fourscore and upwards," like Lear, and like Lear, too, "mightily abused," about five feet seven, a little stooping, but still vigorous and alert; with a pleasant, fresh countenance, and the complexion of a middle-aged, plump, healthy woman, such as Rubens or Gilbert Stuart would ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... Mareschal-College of Aberdeen, my gentle bluid and designation of Drumthwacket, together with a pair of stalwarth arms, and legs conform, to the German wars, there to push my way as a cavalier of fortune. My lord, my legs and arms stood me in more stead than either my gentle kin or my book-lear, and I found myself trailing a pike as a private gentleman under old Sir Ludovick Leslie, where I learned the rules of service so tightly, that I will not forget them in a hurry. Sir, I have been made to stand guard eight hours, being from twelve at noon ...
— A Legend of Montrose • Sir Walter Scott
... conduct, finds no countenance in the plays of Shakespeare. There man appears as he is, made up of a crowd of passions, which contend for the mastery over him, and govern him in turn. What is Hamlet's ruling passion? Or Othello's? Or Harry the Fifth's? Or Wolsey's? Or Lear's? Or Shylock's? Or Benedick's? Or Macbeth's? Or that of Cassius? Or that of Falconbridge? But we might go on for ever. Take a single example—Shylock. Is he so eager for money as to be indifferent to revenge? Or so eager for revenge ...
— Famous Reviews • Editor: R. Brimley Johnson
... at the Opera, and you will soon find thoughts of the evening hazards and bets intrude themselves on the sermon, and that recollections of the popular melodies interfere with the psalms. Religion is thus treated like Lear, to whom his ungrateful daughters first denied one half of his stipulated attendance, and then made it a question whether they should grant him any share of ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 13, No. 355., Saturday, February 7, 1829 • Various
... of England wrung his hands. "I see you are resolved to drive me to distraction. This is the final stroke. My daughter wishes to desert me. Lear," he added, piteously, "was only a touch to me. You are Goneril and ...
— The King's Men - A Tale of To-morrow • Robert Grant, John Boyle O'Reilly, J. S. Dale, and John T.
... and that was sacred to us, to save him from the gangway. The easiness of my nature was worked upon, and I promised to use my influence to procure for him a pardon. I went to Mr Farmer, but all my efforts were unavailing. The culprit passed a sleepless night in the intolerable agony of lear. Before he was brought up to be flogged, Mr Pigtop had been ...
— Rattlin the Reefer • Edward Howard
... Discoveries in Hieroglyphics and other Antiquities, 6 vols. 8vo. Lond. 1813,—which was suppressed by the author after a few copies had been sold. I have the second and third volumes, being all that relates to Shakspeare. They consist of an edition of Hamlet, Lear, Othello, Merchant of Venice, and the third satire of Horace, copiously illustrated with notes and woodcuts, intended to prove that in the works in question, in common with "all the classics and the different specimens of the arts which have come down to us from the ancients, ...
— Notes and Queries, Number 34, June 22, 1850 • Various
... great beauty in her time. She was once taken out to dinner by General Washington when he was President. Madam Hancock, whose husband had been President of the Continental Congress and Governor of Massachusetts, complained to General Washington's Secretary, Mr. Lear, that that honor belonged to her. The Secretary told General Washington, the next day, what she said. The General answered that it was his privilege to give his arm to the handsomest woman in the room. Whether ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... small annoyances, the squalid cares of even the greatest leaders of men and the brave outward show of their reception by the masses. And the other scene of which I thought, was the appearance of Mr. Irving on a first night in some big play, say, like "Lear." All the public know is that the actor is there, on the stage, to pronounce his kingly speech; but, before he has got there, Mr. Irving, perhaps, has had the sleepless nights which are required in thinking ...
— Sketches In The House (1893) • T. P. O'Connor
... restrained for evil or for good his half-barbaric genius. He flung himself upon life with the irresponsible ardour of the discoverer of a new continent; shaped and re-shaped it as he chose; carved from it now the cynicism of Measure for Measure, now the despair of Hamlet and of Lear, now the radiant magnanimity of the Tempest, and departed leaving behind him not a map or chart, but a ...
— The Greek View of Life • Goldsworthy Lowes Dickinson
... fate, and seeing their own offspring brought up in evidence against them, through the most detestable acts, and by the basest subornation, would naturally extort from minds even of iron mould. If ever Lear's or Timon's power of malediction could be justifiably called into exercise, it would be against such a tribunal and such witnesses as they had ...
— Discovery of Witches - The Wonderfull Discoverie of Witches in the Countie of Lancaster • Thomas Potts
... with which I had aimed at giving it an air of distinction had already been compared by one of my teachers to Persian hieroglyphics. In this composition I had constructed a drama in which I had drawn largely upon Shakespeare's Hamlet, King Lear, and Macbeth, and Goethe's Gotz van Berlichingen. The plot was really based on a modification of Hamlet, the difference consisting in the fact that my hero is so completely carried away by the appearance of the ...
— My Life, Volume I • Richard Wagner
... journeys, or by the violence of rival claimants to their thrones. The pretended records contain a vast number of legends, of very little interest or value, as the reader will readily admit when we tell him that the famous story of King Lear is the most entertaining one in the whole ...
— King Alfred of England - Makers of History • Jacob Abbott
... the drift of Lethe in the darkness, but never for long together. Once he woke uneasily with a start and saw a flash. The crash followed as in one beat, and the rain was like the rain in King Lear. He was broadly awake now. Two carriers were nestling near him. He felt fearfully for his pipe, and almost mourned for it as washed away. He found it, and turned over with a happy sigh. 'Man's airy notions!' 'as in a grave,' 'mix with earth' he hummed himself ...
— Cinderella in the South - Twenty-Five South African Tales • Arthur Shearly Cripps
... without much persuasion, to join the rest of the party at dinner. In the evening, all (Fairthorn excepted) draw round the fire. Waife is entreated by George to read a scene or two out of Shakespeare. He selects the latter portion of "King Lear." Darrell, who never was a playgoer, and who, to his shame be it said, had looked very little into Shakespeare since he left college, was wonderstruck. He himself read beautifully—all great orators, I suppose, do; but his talent was not mimetic—not ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... Southern Germany, as if all trouble were over and all had been forgiven. We walked, too, in the gardens of the Nymphenburg Palace where the mad king used to play. We visited the State Theatre, where Wagnerian opera still holds the patient ear, and there we heard, not Wagner, but Shakespeare's "Lear," done in a jog-trot, uninspired, later-Victorian style. One felt as if the theatre had slept for thirty years and then, awakening, had resumed in the same style as before. It is often said reproachfully in Germany that Queen Victoria would never ...
— Europe—Whither Bound? - Being Letters of Travel from the Capitals of Europe in the Year 1921 • Stephen Graham
... and early in the morning Dr. Craik was sent for. Washington said to Mr. Lear, his ...
— From Farm House to the White House • William M. Thayer
... which are as fine as anything of a similar nature in English criticism, should have been almost unnoticed (undiscovered, except by literary friends) until the year 1818, when Lamb's works were collected and published. The grand passage on "Lear" has caused the Essay on the Shakespeare Tragedies to be well known. Less known is the Essay on Hogarth, although it is more elaborate and critical; the labor being quite necessary in this case, as the pretensions of Hogarth to the grand ...
— Charles Lamb • Barry Cornwall
... intractable temper; in his home there was much to excite his leonine wrath and sense of intolerable wrong. Three times he had quitted his villa, with vows never to return to it, and three times he had been led back. When for a fourth time—like a feeble yet majestic Lear—one hot summer day, toward noon, he flung himself, or was flung, out of doors with only a few pauls in his pocket, it was to Casa Guidi that he made his way broken-hearted, yet breathing forth wrath.[73] Browning had ...
— Robert Browning • Edward Dowden
... caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... King Lear, was turned out into the snow and hail by his wicked daughters; and the white-haired old king wandered through the blackness of the night beneath the falling hail. And, lo! the Cathedral of Rheims is a King Lear in architecture—broken, ...
— The Blot on the Kaiser's 'Scutcheon • Newell Dwight Hillis
... throat and was very hoarse. During the night he felt ill and awoke his wife. As soon as it was daylight, Mrs. Washington sent a messenger posthaste for Dr. Craik. Before he arrived, Washington insisted upon being bled, and his secretary, Tobias Lear, sent across the river to Port Tobacco for Dr. Gustavus Brown. When Dr. Craik arrived he was alarmed at the condition of his friend, bled him twice, and asked to have Dr. Dick called for consultation. The three doctors battled ...
— Seaport in Virginia - George Washington's Alexandria • Gay Montague Moore
... of lies, that His Holiness has been insulting us. Ancient Father of Christendom, under whose sheltering shadow once slept in peace for near a thousand years the now storm-tossed nations of Western and Central Christendom, couldst thou indeed, when turned out a houseless[47] fugitive like Lear upon a night of tempest, still retain aught of thy ancient prestige, and through the might of belief rule over those who have ...
— The Posthumous Works of Thomas De Quincey, Vol. II (2 vols) • Thomas De Quincey
... not fulfill the requirements of our modern short-story for the reason that they are not constructed for one single impression, but are in reality parts of possible longer stories. They are, as it were, parts of stories not unlike Dr. Jekyll and Mr. Hyde and A Lear of the Steppes, and lack those complete and concise artistic effects found in the short-stories, Markheim and Mumu, by the same authors. Both Ruth and the Prodigal Son are exceptionally well told, possess a splendid moral tone, and are excellent prophecies ...
— Short-Stories • Various
... on the other side of the account. The sameness of the chanson story, the almost invariable recurrence of the stock motives and frameworks—of rebellion, treason, paynim invasion, petulance of a King's son, somewhat too "coming" affection of a King's daughter, tyrannical and Lear-like impotentia of the King himself, etc.—may be exaggerated, but cannot be denied. In the greatest of all by general acknowledgment, the far-famed Roland, the economy of pure story interest is pushed to a point which ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... benefit is actually fixed for the Christmas holidays, when his cousin undertakes to die for positively the last time, and his uncle will play in the most natural manner conceivable, the last act of "King Lear."' In fact, this family calamity was rather a cheerful subject among Devereux's friends; and certainly Devereux had no reason to love that vicious, selfish old lunatic, Lord Athenry, who in his prodigal and heartless ...
— The House by the Church-Yard • J. Sheridan Le Fanu
... took delight In LEAR'S immortal Dong, Whose nose was luminously bright, Who sang a silvery song. He did not terrify the birds With strange and unpropitious words Of double-edged ontong; I'm sure he hailed ...
— Punch, or the London Charivari, Vol. 153, Sept. 19, 1917 • Various
... deeply at the unwonted vehemence of my own words, although I had spoken only as I felt—the very, very truth. But his laugh and his test so increased my confusion that, in fine, that was the first and last time I ever did protest! Like Lear's Cordelia, I was tongue-tied—I had no words to assure him. Sometimes I wept to think how poor I was in resources to make him happy. Then came another annoyance—my name and fame were ...
— Hidden Hand • Emma Dorothy Eliza Nevitte Southworth
... trace of exaggeration in saying: Many people frequent theaters ostensibly for the purpose of understanding the great dramatists, and, leading thereto, seeing noted tragedians act Lear, Richard III, Julius Caesar, Hamlet, and at the end of years of attendance have no conception of these dramas as a whole. They had heard one voice among the many; but when the many voices blended, what all meant they can not begin to guess. What ...
— A Hero and Some Other Folks • William A. Quayle
... school at Stratford they pointed out to her the desk at which Shakespeare sat as a lad, with all its boyish hieroglyphics, and her thought instinctively leaped across the years to "The Tempest," "King Lear," and "Hamlet." She pondered deeply the relation between the activities of the lad and the behavior of the man, wondering how much the school had to do with the plays that stand alone in literature, and whether he imbibed the power from associations, from books, from ...
— The Vitalized School • Francis B. Pearson
... it is said, has found an asylum in Persia. The Shah allows him a palace, but he is shorn already of half his hareem. Perhaps the fate of Lear may be before him yet, though not from ...
— 1931: A Glance at the Twentieth Century • Henry Hartshorne
... given us. Here is the picture—a palace, a table abundantly spread, lights and music, delight and banqueting, gladness and fulness, society and sustenance. The guests sit close and all partake. To be within means food, shelter, warmth, festivity, society; to be without, like Lear on the moor, is to stand the pelting of the storm, weary, stumbling in the dark, starving, solitary, and sad. Within is brightness and good cheer; without ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... man. We feel the ghostly shudder of the November night in Hamlet, breathe the bracing Highland air in Macbeth, the air of the woods in As You Like It; the storm on the heath roars through Lear's mad outburst, the nightingale sings in the ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... appear extravagant praise, but for its justice we confidentially appeal to the record. The plays which have most severely tried the sagacity of Shakspeare's critics, are Hamlet, Macbeth, Lear, and Othello. We do not hesitate to say that Mr. Hudson's analysis and representation of these are the most thorough, accurate, and comprehensive which exist at present either in English or German. Compare him or ...
— Graham's Magazine Vol XXXII No. 6 June 1848 • Various
... task, and perhaps there is something in the Shakespearian width of sympathy and in the Shakespearian humour which lies beyond Hazlitt's sphere. His criticism of Hamlet is feeble; he does not do justice to Mercutio or to Jaques; but he sympathises more heartily with the tremendous passion of Lear and Othello, and finds something congenial to his taste in Coriolanus and Timon of Athens. It is characteristic, too, that he evidently understands Shakespeare better on the stage than in the closet. When he can associate Iago and Shylock with the visible presence of Kean, ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... are published in the course of the last seventeen years of his life. I will rapidly enumerate a few, and but a few, of the great works of English writers to which my plan is more favourable than my noble friend's plan. To Lear, to Macbeth, to Othello, to the Fairy Queen, to the Paradise Lost, to Bacon's Novum Organum and De Augmentis, to Locke's Essay on the Human Understanding, to Clarendon's History, to Hume's History, to Gibbon's History, ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 4 (of 4) - Lord Macaulay's Speeches • Thomas Babington Macaulay
... is never more than the highest degree of an excellence which prevails widely round it, and forms the environment in which it grows. No single mind in single contact with the facts of nature could have created out of itself a Pallas, a Madonna, or a Lear: such vast conceptions are the growth of ages, the creations of a nation's spirit; and artist and poet, filled full with the power of that spirit, have but given them form, and nothing more than form. Nor would the form itself have been attainable ...
— Shakespeare: His Life, Art, And Characters, Volume I. • H. N. Hudson
... the fact is that all this scenery is in the way. I have seen King Lear in Paris, at the Theatre Antoine, where it was presented with very nearly perfect scenery. When the King and the fool roamed about the heath in the third act, amid thunder and lightning, everybody was gazing at the clouds in the flies and watching for the lightning, or listening ...
— Youth and Egolatry • Pio Baroja
... lighter than levity; they are lifting forces, and weigh less than nothing. The novelette of the season, or any finest and flimsiest gossamer that is fabricated in our literary looms, compares with "Lear," with "Prometheus Bound," with any supreme work, only as cobwebs and thistle-down, that are easily borne by the breeze, may compare with sparrows and thrushes, that can ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... lappers, clots. lat, let. lauchin', laughing. lave, the rest. law-wer, lawyer. lear, lore, knowledge. learnin', teaching. leear, liar. leech, physician. lees, lies. leggit, legged. leuch, laughed. libel, label. licht, light. lichtsome, cheerful. lilt, a cheerful air. linkit, linked, ...
— The Auld Doctor and other Poems and Songs in Scots • David Rorie
... the gear Is gone where glint the pawky een. And aye the stound is birkin lear Where sconnered yowies wheepen yestreen. The creeshie rax wi' skelpin' kaes Nae mair the howdie bicker whangs, Nor weanies in their wee bit claes Glour light as lammies ...
— The Humourous Poetry of the English Language • James Parton
... Preterite Tenses, he adopts the Part of the Verb now described, employing it in an impersonal acceptation, without a Nominative to it expressed. One or two examples will serve to exhibit the use and effect of this anomalous Tense:—Shuidh an ['o]g bhean air sgeir, is a s['u]il air an lear. Chunnaic i long a' teachd air barraibh nan tonn. Dh' aithnich i aogas a leannain, is chlisg a cridhe 'n a com. Gun mhoille gun tamh, buailear dh' fhios na traighe; agus faighear an laoch, 's a dhaoine m' a thimchioll. In English thus: The ...
— Elements of Gaelic Grammar • Alexander Stewart
... breathed with eastern wind; Or if, o'er-confident, she trust the date, And, with her handful of anemones, Herself as shivery, steal into the sun, The season need but turn his hour-glass round, And Winter suddenly, like crazy Lear, Reels back, and brings the dead May in his arms, Her budding breasts and wan dislustred front 30 With frosty streaks and drifts of his white beard All overblown. Then, warmly walled with books, While my wood-fire supplies the sun's defect, ...
— The Complete Poetical Works of James Russell Lowell • James Lowell
... of poverty with the Strick family, and Loveday was sent to fetch the evening milk from the farm at the crest of the hill. On the way, she came upon Cherry Cotton and Primrose Lear, seated upon a granite stile, their heads together over something Cherry held in her lap. Cherry heard approaching footsteps, and whipped her apron over the object she and her friend had been so busily discussing. ...
— The White Riband - A Young Female's Folly • Fryniwyd Tennyson Jesse
... discerns the essential nature of an actor. The image of George Frederick Cooke, pointing with his long, lean forefinger and uttering Sir Giles's imprecation upon Marrall, never fades out of theatrical history. Garrick's awful frenzy in the storm scene of King Lear, Kean's colossal agony in the farewell speech of Othello, Macready's heartrending yell in Werner, Junius Booth's terrific utterance of Richard's "What do they i' the north?" Forrest's hyena snarl ...
— Shadows of the Stage • William Winter
... objections, That virtue ought not to suffer in a tragedy, is not well considered: Monimia in the Orphean, Belvidera in Venice Preserved, Athenais in Theodosius, Cordelia in Shakespeare's King Lear, Desdemona in Othello, Hamlet, (to name no more,) are instances that a tragedy could hardly be justly called a tragedy, if virtue did not temporarily suffer, and vice for a while triumph. But he recovers himself in the same paragraph; and leads us to ...
— Clarissa, Or The History Of A Young Lady, Volume 8 • Samuel Richardson
... Dutton, The Tortoise and the Geese; The Lark and her Young Ones, in Scudder, Book of Fables and Folk-Stories; The Monk and the Bird, in Scudder, Book of legends; The Owl and his School, in Ramaswami Raju, Indian Fables; The Owl and the Pussy-Cat, Lear (poem), in Story-Telling Poems; The Partridge and the Crow, in Dutton, The Tortoise and the Geese; The Pious Robin, in Brown, Curious Book of Birds; The Rustic and the Nightingale, in Dutton, The Tortoise and the Geese; The Sparrows, Thaxter (poem), in Story-Telling Poems; The Sparrows and the Snake, ...
— Good Stories For Great Holidays - Arranged for Story-Telling and Reading Aloud and for the - Children's Own Reading • Frances Jenkins Olcott
... a favourite pickle; hence the "dangerous trade" of the samphire gatherer ("King Lear," act iv. sc. 6) who supplied the demand. It was sold in the streets, and one of the old London cries was "I ...
— Diary of Samuel Pepys, Complete • Samuel Pepys
... her hand, And prattles to the night. Anon, a reverend form With tattered robe and forehead bare, That challenge all the torments of the air, Goes by! And the pent feelings choke in one long sigh, While, as the mimic thunder rolls, you hear The noble wreck of Lear Reproach like things of life the ancient skies, And commune with the storm! Lo! next a dim and silent chamber, where Wrapt in glad dreams, in which, perchance, the Moor Tells his strange story o'er, The gentle Desdemona chastely ...
— War Poetry of the South • Various
... of the Tuatha Dea, but was later reconciled when the daughter of Bodb Dearg was given to him as his wife. On her death, he married her sister, who transformed her step-children into swans.[304] Ler is the equivalent of the Brythonic Llyr, later immortalised by Shakespeare as King Lear. ...
— The Religion of the Ancient Celts • J. A. MacCulloch
... fits?" "What woman first invented mitts?" "Who said 'To labor is to pray?'" "How much did Daniel Lambert weigh?" "Don't you admire E. P. Roe?" "What is the fare to Kokomo?" "Have you a life of Sairy Gamp?" "Can you lend me a postage-stamp?" "Have you the rimes of Edward Lear?" "What wages do they give you here?" "What dictionary is the best?" "Did Brummell wear a satin vest?" "How do you spell 'anemic,' please?" "What is a Gorgonzola cheese?" "Who ferried souls across the Styx?" "What is the square of 96?" "Are oysters good to eat in March?" ...
— More Toasts • Marion Dix Mosher
... him about in its fitful gusts, and he rather liked it. In his anguish of spirit it was a pleasure to contend with the storm. The wind, the lightning, the sudden sharp claps of thunder were on his own key. He felt in the temper of old Lear. The winds might blow and ...
— The End Of The World - A Love Story • Edward Eggleston
... themselves without reserve to every illusion. Every image which is strongly presented to their mental eye produces on them the effect of reality. No man, whatever his sensibility may be, is ever affected by Hamlet or Lear as a little girl is affected by the story of poor Red Ridinghood. She knows that it is all false, that wolves cannot speak, that there are no wolves in England. Yet, in spite of the knowledge, she believes; she weeps; she trembles; she dares not go ...
— Mushrooms on the Moor • Frank Boreham
... cadaverous:"—Milton's two elder daughters are said to have robbed him of his books, besides cheating and plaguing him in the economy of his house, etc., etc. His feelings on such an outrage, both as a parent and a scholar, must have been singularly painful. Hayley compares him to Lear. See part third, Life of Milton, by W. Hayley (or Hailey, as spelt in the edition ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... weaknesses of his which Mr. Jones's biography, all unconsciously, reveals. Butler, it is clear, was morbidly vain. Many writers are so, but few let their vanity take them so far. Learn from Mr. Jones. In 1879 he and Butler met Edward Lear in an inn at Varese. He told them a little tale about a tipsy man from Manchester—rather a good little tale. "I do not remember that Edward Lear told us anything else particularly amusing, but ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... thought, there was too much of artificial tone and measured cadence, in the declamation of the theatre. The present writer well remembers being in conversation with Dr. Johnson, near the side of the scenes, during the tragedy of King Lear: when Garrick came off the stage, he said, "You two talk so loud, you destroy all my feelings." "Prithee," replied Johnson, "do not talk of feelings, Punch has no feelings." This seems to have been his settled opinion; admirable as Garrick's imitation of ...
— Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 - The Works Of Samuel Johnson, Ll.D., In Nine Volumes • Samuel Johnson
... cruel fables; with all its infamous doctrines; with its spirit of caste; with its spirit of hatred, and tell me whether it was written by a good God. Why, if you will read the maledictions and curses of that book, you would think that God, like Lear, had divided heaven among his daughters, and then, in the insanity of despair, had launched his curses upon ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... romances and tales early, like Dickens; he may have amused his little brothers and his sister Joan by repeating to them on winter evenings in the low room in Henley Street the story of the wild castle of Elsinore, or of the venerable Lear and the gentle Cordelia. He was all imagination, and precocious in knowledge; he must have studied when his companions played, and read everything that came in his way. At eighteen he fell in love and married ...
— Harper's Young People, October 12, 1880 - An Illustrated Weekly • Various
... his soul to a cinder with that odious drug," said Wingfold. "'Tis true, as Edgar in King Lear says: ...
— Thomas Wingfold, Curate • George MacDonald
... highest degree of perfection which prevails widely around it, and forms the environment in which it grows. No such single mind in single contact with the facts of nature could have created a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creation of a nation's spirit; and the artist and poet, filled full with the power of that spirit, but gave it form, and nothing but form. Nor would the form itself have been attained by any isolated talent. No genius can dispense with experience.... ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... received me with her lips pursed up, and her eyes on the ground, and she was insolent enough to say that she would pray for me. I am not a furious old man with a long white beard, and I don't curse my daughter and rush out into a thunderstorm afterward—but I know what King Lear felt, and I have struggled with hysterics just as he did. With your wonderful insight into human nature, I am sure you will sympathize with and forgive me. Mr. Penrose, as my daughter tells me, behaved in the most gentleman-like manner. I make the same appeal to your ...
— The Black Robe • Wilkie Collins
... learn the sacred lore;" This fancy realiz'd, the bard shall see, And his best commentator breathe in thee. She spoke: her magic powers the actor tried; Then Hamlet moraliz'd and Richard died; The dagger gleam'd before the murderer's eye, And for old Lear each bosom heav'd sigh; Then Romeo drew the sympathetic tear, With him and Cibber Love lay bleeding here. Enchanting Cibber! from that warbling throat No more pale Sorrow pours the liquid note. Her voice suppress'd, and Garrick's genius fled, Melpomene declined her ...
— The Mirror of Taste, and Dramatic Censor - Vol I, No. 2, February 1810 • Samuel James Arnold
... there will be no Mercy in it. Wherever the satire of the noble grotesque fixes upon human nature, it does so with much sorrow mingled amidst its indignation: in its highest forms there is an infinite tenderness, like that of the fool in Lear; and even in its more heedless or bitter sarcasm, it never loses sight altogether of the better nature of what it attacks, nor refuses to acknowledge its redeeming or pardonable features. But the ignoble grotesque has no pity: it rejoices ...
— The Stones of Venice, Volume III (of 3) • John Ruskin
... places we find that movable stocks were in use, which could be brought out whenever occasion required. A set of these exists at Garstang, Lancashire. The quotation already given from King Lear, "Fetch forth the stocks," seems to imply that in Shakespeare's time they were movable. Beverley stocks were movable, and in Notes and Queries we find an account of a mob at Shrewsbury dragging around the town in the stocks an incorrigible rogue one Samuel Tisdale in ...
— Vanishing England • P. H. Ditchfield
... dialogues of Romeo and Juliet, by the inherent fault of stage representation, sullied and turned from their very nature by being exposed to a large assembly! How can the profound sorrows of Hamlet be depicted by a gesticulating actor? So, to see Lear acted, to see an old man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. The contemptible ...
— The Atlantic Monthly, Vol. IV, No. 22, Aug., 1859 • Various
... downy bearded Justin, just Justus, just Kay, rejoicing Kenelm, a defender Kenneth, a leader Laban, white Lachlan, warlike Lambert, illustrious Lancelot, servant Laurence, laurel crowned Lawrence, laurel crowned Lazarus, God will help Leander, lion-hearted Lear, sea Leonard, lion-strong Leopold, bold for men Levi, adhesion Lewis, people's refuge Lionel, lion Llawellyn, lightning Lloyd, grey Lodowic, famed piety Lorenzo, laurel crowned Lot, lion Lothar, glorious warrior Lothario, great warrior Louis, famous holiness Lubin, love friend ...
— Cole's Funny Picture Book No. 1 • Edward William Cole
... so harsh and bitter, and in such sardonic phrases—as when he says: "Sincerity is met with in very few people, and is usually nothing but a delicate dissimulation to attract the confidence of others"—that the more timid of his auditors shrank from him, as if he had been Hamlet or Lear. When he dared to suggest that none of these maxims were intended to refer to the reader himself, but only to all other persons, he invited the reaction which led Huet, Bishop of Avranches, to appeal against the morality of the ...
— Three French Moralists and The Gallantry of France • Edmund Gosse
... him; but he is the only example even approximating to the heroic type. Coriolanus—Caesar—Antony stand in flawed strength, and fall by their vanities;—Hamlet is indolent, and drowsily speculative; Romeo an impatient boy; the Merchant of Venice languidly submissive to adverse fortune; Kent, in King Lear, is entirely noble at heart, but too rough and unpolished to be of true use at the critical time, and he sinks into the office of a servant only. Orlando, no less noble, is yet the despairing toy of chance, followed, comforted, saved by ...
— Sesame and Lilies • John Ruskin
... used to relate many whimsical anecdotes of provincial actors whom he knew in the early part of his life. He said that an actor who was to perform the character of Kent in the play of "King Lear," had dressed himself like a doctor, with a large grizzle wig, having a walking-stick, which he held up to his nose, and a box under his arm. Being asked why he dressed the Earl of Kent in that manner, ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 19. No. 575 - 10 Nov 1832 • Various
... starts from within. He reaches, as it were, the central fire, in the heat of which every separate faculty, every animal want, every fortuitous incident is melted down and lost. We never could observe in actual experience passion such as Lear's, or meditation such as Hamlet's, fusing everything else into itself. Facts at every step would interfere to prevent such a possibility. But let us place ourselves, by the poet's help, within the soul of Lear or Hamlet, and we shall be able to follow the process by which the spiritual power, taking ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... Humphrey of Junction City, Kansas, has written a series of short stories on the property rights of women in Kansas, a subject that was and is, still, of vital importance to the women of the state. "The Legal Status of Mrs. O'Rourke" and "King Lear in Kansas" are ...
— Kansas Women in Literature • Nettie Garmer Barker
... primeval presents itself, not less striking and unfamiliar. From the dead branches of those skeleton pines and hemlocks, these rampikes, hang masses of white moss, snow-white, amid the dark verdure. An actor might wear such a beard in the play of King Lear. Acadian children wore such to imitate "grandpere," centuries ago; Cowley's trees are "Patricians," ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... floor in front of my bookcase. From across the room a hitburner seared the door and slashed sidewise, cutting a smoking swathe across my encyclopedia from A-AUD to CAN-DAN and then came down as I squirmed aside. It took King Lear right out of Shakespeare before the beam winked out. It went off just in time to keep me from sporting a ...
— Stop Look and Dig • George O. Smith
... intense power of invention and expression in domestic drama; (King Lear and Hamlet being essentially domestic in their strongest motives of interest). There is a tendency at this moment towards a noble development of our art in this direction, checked by many adverse conditions, which may be summed in one,—the ...
— Selections From the Works of John Ruskin • John Ruskin
... of the seventeenth century, between his thirty-seventh and forty-seventh year, he produced "Hamlet," "Measure for Measure," his part of "Pericles," "All's Well that Ends Well," "King Lear," "Macbeth," "Julius Caesar," "Antony and Cleopatra," "Troilus and Cressida," "Cymbeline," "Coriolanus," and "Othello." These, with other works, were the fruit of his mind in its full maturity and vigor. Think of it a moment! what a period it was! ...
— The Galaxy - Vol. 23, No. 1 • Various
... Imperator, so as to get what he could of power and wealth and dignity in the scramble, was, I think, Caesar's purpose. The rest grew upon him. As Shakspeare, sitting down to write a play that might serve his theatre, composed some Lear or Tempest—that has lived and will live forever, because of the genius which was unknown to himself—so did Caesar, by his genius, find his way to a power which he had not premeditated. A much longer time is necessary for eradicating an idea from men's minds than a fact from their practice. ...
— Life of Cicero - Volume One • Anthony Trollope
... sagacity in all public affairs—he was a scholar and loved all the arts. "He founded," says Pitscottie, "ane triumphant college in Sanct Androis, called Sanct Salvatore's College, wherein he made his lear (library) very curiouslie and coastlie; and also he biggit ane ship, called the Bishop's Barge, and when all three were complete, to wit, the college, the lear, and the barge, he knew not which of the three was the costliest; for it was reckoned for the time by honest men of consideration that ...
— Royal Edinburgh - Her Saints, Kings, Prophets and Poets • Margaret Oliphant
... that in it he has given the world in thin disguise much of his own life-story? Shakespeare alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as he ...
— The Ascent of the Soul • Amory H. Bradford
... I have a letter in my pocket from a young friend in a country company, the ladies of which have their sensibility strung up to so fine a tone that he cannot take the tragedy of King Lear for his benefit, because not one of them will play either Regan or Goneril. If their feelings are so exquisite in the country, where our wise laws treat players as vagabonds, what must they be when ...
— The Adventures of Hugh Trevor • Thomas Holcroft
... the inn for a fortnight, until he was able to settle down comfortably in lodgings, in Dove Court, Mansion House. He was soon hard at work upon 'The Death of Rizzio,' adorning his walls with pictures he had brought with him or sent for afterwards from Kendal, such as 'King Lear,' 'Elfrida,' 'The Death of Lefevre,' and a few portraits of friends. The Rizzio picture has been represented as 'a work of extraordinary merit, combining energetic action with strong expression.' Its fate was sad enough; ...
— Art in England - Notes and Studies • Dutton Cook
... poet in addressing so composite an audience are enormous: cuteness, coyness, archness and condescension are only the most obvious ones. Some great writers of children's verse—Lewis Carroll and Edward Lear—have successfully hedged themselves against these dangers by insistent comedy and parody (Carroll's "serious" children's verse is maudlin and embarrassing). By this means they have contrived what the child will take as lovely, unintimidating, mysterious, rational nonsense, and what the ...
— Songs of Childhood • Walter de la Mare
... Hinxman. Historians now regard Hengist and Horsa, stallion and mare, as nicknames assumed by Jutish braves on the war-path. Sumpter, Old Fr. sommetier, from Somme, burden, was used both of a packhorse and its driver, its interpretation in King Lear ...
— The Romance of Names • Ernest Weekley
... run very well in a tale, that "God will temper the winds to the shorn lamb!" but how can I expect that she will be shielded, when my naked bosom has had to brave continually the pitiless storm? Yes; I could add, with poor Lear—What is the war of elements to the pangs of disappointed affection, and the horror arising from a discovery of a breach of confidence, that snaps ...
— Posthumous Works - of the Author of A Vindication of the Rights of Woman • Mary Wollstonecraft
... been paid for. It has never asked the gold nor the plaudits of the multitude. Job, and Hamlet, and Faust, and Lear, were never written to fill the pages of a Sunday newspaper. John Milton and John Bunyan were not publishers' hacks; nor were John Hampden, John Bright, or Samuel Adams under pay ...
— The Story of the Innumerable Company, and Other Sketches • David Starr Jordan
... way to do it is for the artist to fill himself to the brim with the subject, and to let it burst out. I do not at all believe in the painful pinching and pulling together of a particular bit of work. That sort of process is excellent practice, but it seems to me like the receipt in one of Edwin Lear's Nonsense Books for making some noisome dish, into which all sorts of ingredients of a loathsome kind were to be put; and the directions end with the words: 'Serve up in a cloth, and throw all ...
— At Large • Arthur Christopher Benson
... (or Burbadge) was the first of the great English tragic actors, and was the original of the greater number of Shakespeare's heroes—Hamlet, Othello, Lear, Shylock, Macbeth, Richard III., Romeo, Brutus, etc. Dick Tarleton, one of the privileged scapegraces of social life, was regarded by his contemporaries as the most witty of clowns and comedians. The clown was a permitted character ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... Mr. Linton (head master of the grammar school) with a halflin[807:A], a long, empty chap, who had taken it into his head that he would have some little learning. Said the father, 'Mr. Linton, ye see, my laddie's fond o' lear'[807:B], and I'm thinking o' makin' a scholar o' him.' 'But,' said Mr. Linton, looking at the youth, and not seeing any sign that there was much in him, 'What are you to make of him?' 'You see, Mr. Linton,' rejoined the father—and it showed how sound ...
— Life and Literature - Over two thousand extracts from ancient and modern writers, - and classified in alphabetical order • J. Purver Richardson
... "My prologue an anachronism, quotha! The groundlings will never mark it. Think'st thou wisdom came to mankind with the stenchful rocket and the sundered atomy? More, the Bard himself was topfull of anachronism. He put spectacles on King Lear, had clocks tolling the hour in Caesar's Rome, buried that Roman 'stead o' burning him and gave Czechoslovakia a ...
— No Great Magic • Fritz Reuter Leiber |
