"Duomo" Quotes from Famous Books
 ... I took la bella to the Duomo and Annunciata, to the Cafe, to the Opera, to the village Festa, to the Public Garden, to the Day Theatre, to the Marionetti. The pretty little one was charmed with all she saw. She learnt Italian - heavens! miraculously! Was mistress quite forgetful of that dream? I asked Carolina sometimes. ...
— To be Read at Dusk • Charles Dickens
... the Duomo, the Palazzo Vecchio, the Logia di Lanzi, and then I stood for a long time on the banks of the Arno. Again and again I let my eyes rest on the magnificent ancient Florence, whose round cupolas and towers were drawn in soft ...
— Venus in Furs • Leopold von Sacher-Masoch
... Sunday, we all went to high mass at the Duomo, and I wore my new wedding-gown of black cashmere. In the afternoon we went out to Certosa; and that was the end of my wedding-journey, for the next morning Luigi had to go back to his work at the albergo, and I had to take up my sewing again. It seemed so strange to be sitting down ...
— Lippincott's Magazine, September, 1885 • Various
... human nature was not doomed to be impaired. There stood the famous tower, when they reached the Place del Duomo in Pisa, next morning, looking all aslant, exactly as it does in the pictures and the alabaster models, and seeming as if in another moment it must topple over, from its own weight, upon their heads. Mrs. Ashe declared that it was so unnatural that it made her flesh creep; and when ...
— What Katy Did Next • Susan Coolidge
... exact in describing the details of this composition, because it will be useful as a key to many others of the early Tuscan school, both in sculpture and painting; for example, the fine bas-relief by Nanni over the south door of the Duomo at Florence, represents St. Thomas in the same manner kneeling outside the aureole and receiving the girdle; but the entombment below is omitted. These sculptures were executed at the time when the enthusiasm for the Sacratissima Cintola della ...
— Legends of the Madonna • Mrs. Jameson
... of the car is an interesting ceremony, and thousands of people come from far and near to see it. Two yoke of pure white Tuscan oxen are chosen to pull the car into the Piazza del Duomo for the burning; and proud is that peasant whose oxen are ...
— Rafael in Italy - A Geographical Reader • Etta Blaisdell McDonald
... been walking down the Via Calzioli from the Duomo, and now they came out into the Piazza della Signoria, suddenly, as one always seems to do, upon the rise of the old palace and the leap of its tower into the blue air. The history of all Florence is there, with memories of every great time in bronze or marble, but the supreme ...
— Indian Summer • William D. Howells
... twenty-seven bishops, twenty-six dukes, forty-seven earls, and sixteen lord mayors. The Company is specially proud of three illustrious members—Sir John Hawkwood, a great leader of Italian Condottieri, who fought for the Dukes of Milan, and was buried with honour in the Duomo at Florence; Sir Ralph Blackwell, the supposed founder of Blackwell Hall, and one of Hawkwood's companions at arms; and Sir William Fitzwilliam, Lord High Admiral to Henry VIII., and Earl of Southampton. ...
— Old and New London - Volume I • Walter Thornbury
... design and a general improvement in the arts began to make headway in Tuscany, as in the year 1016 when the Pisans began to erect their Duomo. For in that time it was a considerable undertaking to build such a church, with its five aisles and almost entirely constructed of marble both inside and out. This church, built from the plans and under the direction ...
— The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8) • Giorgio Vasari
... or form for their objects, seeming unknown to him. Then returning to Florence, he painted Dante, about the year 1300,[9] the 35th year of Dante's life, the 24th of his own; and designed the facade of the Duomo, on the death of its former architect, Arnolfo. Some six years afterwards he went to Padua, there painting the chapel which is the subject of our present study, and many other churches. Thence south again to Assisi, ...
— Giotto and his works in Padua • John Ruskin
... it could not at least have been ambition. Nor will this impression be diminished as we approach, or enter, the larger church to which the whole group of building is subordinate. It has evidently been built by men in flight and distress, [Footnote: Appendix IV, "Date of the Duomo of Torcello."] who sought in the hurried erection of their Island church such a shelter for their earnest and sorrowful worship as, on the one hand, could not attract the eyes of their enemies by its splendor, and yet, on the other, might not awaken too bitter feelings by its ...
— Stones of Venice [introductions] • John Ruskin
... of ours. While of a different order of architecture, built of other elements and standing under sterner skies, it should have been as precious to man, as sacred and as intangible as the Piazza di San Marco at Venice, the Signoria at Florence or the Piazza del Duomo at Pisa. It constituted a peerless specimen of art, which at all times wrung a cry of admiration from the most indifferent, an ornament which men hoped was imperishable, one of those things of beauty which, in the words of the poet, are a ...
— The Wrack of the Storm • Maurice Maeterlinck
... the fourteenth century—the few years, that is, of its highest glory in freedom, in letters, in art. Never since the days of Pericles had such a varied outburst of human energy been summed up in so short a space. Architecture reared the noble monuments of the Duomo and Santa Croce. Cimabue revolutionized painting, and then "the cry was Giotto's." Italian poetry, preluded by the canzonets of Guido Cavalcanti and his rivals, rose to its fullest grandeur in the 'Commedia' of Dante. Italian ...
— Stray Studies from England and Italy • John Richard Green
... four months—worse luck! 'Rain at Reggio, rain at Parma.—At Lodi rain, Piacenza rain!'—that might about stand for my diary, except for one radiant day when my aunt, Betty Macdonald, and I descended on Milan, and climbed the Duomo." ...
— Marcella • Mrs. Humphry Ward
... guest to the garlanded gates. There, a fluttered choir, all virgins and all white, strewed flowers; from that point to the Piazza Grande one song came leaping on the heels of another. On the steps of the Duomo were the clergy in brocade, a mitred bishop half smothered under his cope in their midst. The two Dukes dismounted, and hand in hand entered the church; the organ pealed; the choir burst out with the chant, ...
— Little Novels of Italy • Maurice Henry Hewlett
... propose in a speech (curt Tuscan, Expurgate and sober, with scarcely an "issimo,") To end now our half-told tale of Cambuscan, 275 And turn the bell-tower's alt to altissimo: And find as the beak of a young beccaccia The Campanile, the Duomo's fit ally, Shall soar up in gold full fifty braccia, Completing ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... profound, but may be superficial, and yet discover that Jean Valjean is fashioned after the likeness of Jesus. Michael Angelo did not more certainly model the dome of St. Peter's after Brunelleschi's dome of the Duomo than Hugo has modeled his Valjean after Christ. We are not necessarily aware of ourselves, nor of our era, until something discovers both to us, as we do not certainly know sea air when we feel it. I doubt ...
— A Hero and Some Other Folks • William A. Quayle
... said, "good St. Michael! if you put in the one scale all the lucre I have gotten in my life, set in the other, if it please you, the noble foundations whereby I have so splendidly shown my piety. Forget not the Duomo of Santa Maria Novella, to which I contributed a good third; nor my Hospital beyond the walls, that I built entirely ...
— The Well of Saint Clare • Anatole France
... silent watches, when all the world has gone to sleep beneath. The Mont Chetif and the Mont de la Saxe form a gigantic portal not unworthy of the pile that lies beyond. For Mont Blanc resembles a vast cathedral; its countless spires are scattered over a mass like that of the Duomo at Milan, rising into one tower at the end. By night the glaciers glitter in the steady moon; domes, pinnacles, and buttresses stand clear of clouds. Needles of every height and most fantastic shapes rise from the central ridge, some solitary, like sharp arrows shot against the sky, ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... should be embodied. The imagination answered to the call. The eyes of the artist were once more opened to see the beauty of life, and his hand sought to reproduce it. The bonds of tradition were broken. The Greek marble vase on the platform of the Duomo at Pisa taught Niccola Pisano the right methods of sculpture, and directed him to the source of his art in the study of nature. His work was a new wonder and delight, and showed the way along which many followed him. Painting took her lesson from sculpture, and before the end of ...
— Library of the World's Best Literature, Ancient and Modern — Volume 11 • Various
... the best things?" Olive said eagerly when they had all kissed her. "I want to see the Duomo first, and then the Palazzo Vecchio—but that is only open in the mornings, is it? And this is the Piazza Tolomei, so the house where Pia lived ...
— Olive in Italy • Moray Dalton
... he saw the Venus de' Medici, and he saw the Seggiolia; he looked up from the side of the Duomo to the top of the Campanile, and he walked round the back of the cathedral itself; he tried to inspect the doors of the Baptistry, and declared that the "David" was very fine. Then he went back to the hotel, dined with Mrs ...
— The Last Chronicle of Barset • Anthony Trollope
... lavish in his employment of rich Florentine costumes and architecture. He even made the legends of the saints and the histories of the Bible appear as if they had happened under the shadow of Brunelleschi's duomo and Giotto's campanile, and within sound of the flow of the Arno. In the peculiar colouring used in ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... Lerici, where last he had lived, was plainly in view, and they gazed sadly at Viareggio, encircled by pine woods and mountains, where the body of the poet had been found. In Pisa they took rooms in the Collegio Fernandino, in the Piazza del Duomo, in that corner of Pisa wherein are grouped the Cathedral, the Baptistery, the Leaning Tower, and the Campo Santo, all in this consummate beauty of silence and seclusion,—a splendor of abandoned glory. All the stir of life (if, indeed, one may dream of ...
— The Brownings - Their Life and Art • Lilian Whiting
... Italy that I know," said Orso, "is Pisa, where I was at school for some time. But I can not think, without admiration, of the Campo-Santo, the Duomo, and the Leaning Tower—especially of the Campo-Santo. Do you remember Orcagna's 'Death'? I think I could draw every line of it—it is so graven ...
— Columba • Prosper Merimee
... seeing the beginnings of this Renaissance we go from the Palazzo-Vecchio to the Duomo. Both form the double heart of Florence, such as it beat in the Middle Ages, the former for politics, and the latter for religion, and the two so well united that they formed but one. Nothing can be nobler than the public ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... Montferrat, certain legates, the republic of Pisa, and, finally, the signory and council of Florence, from 1378 until the death of Sir John on March 17, 1394. At his death he was entombed with great ceremony in the Duomo. For years prior he had held the office of ...
— Chit-Chat; Nirvana; The Searchlight • Mathew Joseph Holt
... in your Italian wanderings you did not go to Prato. These groups of children dancing and blowing horns are very cleverly copied from Donatello's famous pulpit in the duomo. The design is carried on from the chairs to the footboard of the bed; but in their midst upon the footboard is let in this oval, easel-picture, painted on wood. It is faded, and the garlands have ...
— The Grey Room • Eden Phillpotts
... expounded by the men who had discovered them, first moulded his mind to those lofty thoughts which it became the task of his life to express in form. At the same time he heard the preaching of Savonarola. In the Duomo and the cloister of S. Marco another portion of his soul was touched, and he acquired that deep religious tone which gives its majesty and terror to the Sistine."[37] In the gardens of S. Marco he had Lorenzo's fine collection of antiquities to study, and ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll
... Italy with Mme. de Maufrigneuse, and now sent his journal to his aunt. Every sentence was instinct with love. There were enchanting descriptions of Venice, and fascinating appreciations of the great works of Venetian art; there were most wonderful pages full of the Duomo at Milan, and again of Florence; he described the Apennines, and how they differed from the Alps, and how in some village like Chiavari happiness lay all around ...
— The Collection of Antiquities • Honore de Balzac
... artistic processes, the struggle with new artistic difficulties, the solution of purely artistic problems, fills the first seventy years of the fifteenth century. After producing many works in marble for the Duomo and the Campanile of Florence, which place him among the foremost masters of the sculpture of his age, he became desirous to realise the spirit and manner of that sculpture, in a humbler material, to unite its science, its exquisite and expressive ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... Sacrament, and before the new commission was given by Nicholas V., Fra Angelico—by means of Don Francesco di Barone of Perugia, a Benedictine monk and celebrated master of glass painting—entered into negotiation with the Operai and Consuls of the Duomo at Orvieto, to paint the chapel of the Madonna di San Brizio. But before he accepted the commission he gave them to understand that he could only go to Orvieto in the months of June, July and August, when he did not wish to remain ...
— Fra Angelico • J. B. Supino
... was amid sacred associations. It was situate in an old palazzo built by Vasari, within sight of the Leaning Tower and the Duomo. There, in absolute seclusion, they wrote and planned. Once and again they made a pilgrimage to the Lanfranchi Palace "to walk in the footsteps of Byron and Shelley": occasionally they went to Vespers in the Duomo, and listened, rapt, to the music wandering spirally through ...
— Life of Robert Browning • William Sharp
... in Florence, bred a goldsmith, studied at Rome; returned to his native city, built the Duomo of the Cathedral, the Pitti Palace, and the churches of San Lorenzo ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... marble equal to one and a half times the cubical contents of the Duomo at Florence, or about 450,000 cubic yards, was thrown down at Carrara by one blast, and two hours after, another equal mass, which had been loosened by the explosion, fell of itself. Zolfanelli, La ...
— The Earth as Modified by Human Action • George P. Marsh
... letter from him, and sighed to myself as I read it. Eleanor was miserable. The Sicilians were dirty. The Duomo of Palermo did not come up to her expectations. The Mobray-Robertsons, with whom she travelled, quarrelled with their food. They had never even heard of Theocritus. She had a cold in her head, and was utterly at a loss ...
— Simon the Jester • William J. Locke
... shape thou well canst run, Proteus, 'twixt rise and set of sun, Well pleased with logger-camps in Maine As where Milan's pale Duomo lies A stranded glacier on the plain, 70 Its peaks and pinnacles of ice Melted in many a quaint device, And sees, above the city's din, Afar its silent Alpine kin: I track thee over carpets deep To wealth's and beauty's inmost keep; Across the sand of ...
— The Complete Poetical Works of James Russell Lowell • James Lowell
... evening, they met Mr. Glascock close to the Duomo, under the shade of the Campanile. He had come out as they had done, to see by moonlight that loveliest of all works made by man's hands. They were with the minister, but Mr. Glascock came up ...
— He Knew He Was Right • Anthony Trollope
... among the orange trees, and Pisa and the Capello de Terisa and the Mona Lisa—Oh, Jack, take me away from all this, take me to the Riviera, among the contadini, where we can stand together with my head on your shoulder just as we did in the Duomo at Milano, or on the piaggia at Verona. Take me to Corfu, to the Campo Santo, to Civita ...
— Behind the Beyond - and Other Contributions to Human Knowledge • Stephen Leacock
... end, the Duomo, bristling with a forest of statues and perforated spires; at the other, the monument to Leonardo da Vinci, and the famous Teatro de la Scala! Within the four arms of the Gallery, a continuous bustle of people, an incessant going and coming of merging, dissolving crowds: a quadruple ...
— The Torrent - Entre Naranjos • Vicente Blasco Ibanez
... Thrasymene, and was repulsed. The gateway has a double arch, on the inner one of which is a tablet, recording the above tradition as an unquestioned historical fact. From the gateway we went in search of the Duomo, or cathedral, and were kindly directed thither by an officer, who was descending into the town from the citadel, which is an old castle, now converted into a prison. The cathedral seemed small, and did not much interest us, either by the Gothic front or its modernized interior. We saw ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... C. A. 16b; 65a). Perspective view of a church seen from behind; this recalls the Duomo at Florence, but with two campaniles[Footnote 2: Already published in the ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... to see the Duomo first by moonlight," said Mr. Barrymore, after we had sat still, gazing up for some moments, with even the car motionless and silent. "To-morrow morning you can come again for the detail, and spend as much time as you like inside, ...
— My Friend the Chauffeur • C. N. Williamson and A. M. Williamson
... to live for a while, when they are young, in what we call their {36} roots. These are mostly among the Drosidae[16] and other humble tribes, loving the ground; and, in their babyhood, liking to live quite down in it. A baby crocus has literally its own little dome—domus, or duomo—within which in early spring it lives a delicate convent life of its own, quite free from all worldly care and dangers, exceedingly ignorant of things in general, but itself brightly golden and perfectly formed before it is brought out. These subterranean palaces and vaulted cloisters, which ...
— Proserpina, Volume 1 - Studies Of Wayside Flowers • John Ruskin
... best way I could. The gallery and the churches kept me pretty busy, and the reader will judge of my surprise one day, at hearing my own name uttered on a pretty high key, by a female voice, in the Duomo, or Cathedral of the place. On turning, I found myself in the presence of the Brighams! I was overwhelmed with questions in a minute. Where had I been? Where was Talcott? Where was the ship? When did I sail, and whither did I sail? After this came the ...
— Afloat And Ashore • James Fenimore Cooper
... labours. Now, having worked at many things in his early youth under his master Pietro da Perugia,[1] receiving a third of all that was earned, he was summoned to Siena by Cardinal Francesco Piccolomini to paint the library made by Pope Pius II in the Duomo of that city. It is true, indeed, that the sketches and cartoons for all the scenes that he painted there were by the hand of Raffaello da Urbino, then a youth, who had been his companion and fellow-disciple under the same Pietro, whose manner the said Raffaello had mastered ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 04 (of 10), Filippino Lippi to Domenico Puligo • Giorgio Vasari
... humanity, and the sweep of Orgagna's great arches give me an idea of vastness like the sea; in the Pitti palace only giants should abide; the Campanile goes up to heaven as beautiful as Jacob's ladder, and in the perpetual twilight of the Duomo I was not of half the stature I believed when roaming under ...
— Campaigns of a Non-Combatant, - and His Romaunt Abroad During the War • George Alfred Townsend
... wept one minute and laughed the next; have heard Canon Liddon in St. Paul's, and the sound of that high, clear voice is still with me, "Awake, awake, put on thy strength, O Zion;" have seen High Mass in St. Peter's, and stood in the dusk of the Duomo at Florence when Padre Agostino thundered against the evils of the day. But I never realised the unseen world as I did that day in the Free ...
— Beside the Bonnie Brier Bush • Ian Maclaren
... attracted him, for here, in January of 1491, under the presidency of Lorenzo de' Medici, called the Magnificent, the foremost artists of the day were gathered to consider the decoration of the facade of the Florentine Duomo; and here Perugino was present, beside such masters as Domenico Ghirlandajo, Cosimo Rosselli, Andrea della Robbia, Botticelli, Baldovinetti, Pollajuolo—a long list of names now world-famed in the story of art. From Florence, in March of this same year, our master made his way to ...
— Perugino • Selwyn Brinton
... execution; he completed no fewer than 106 large altar-pieces for churches, and his other paintings amount to about 144. His most famous piece is thought to be the St Petronilla, which was painted at Rome for Gregory XV. and is now in the Capitol. In 1626 he began his frescoes in the Duomo at Piacenza. Guercino continued to paint and teach up to the time of his death in 1666. He had amassed a handsome fortune by his labours. His life, by J. A. Calvi, appeared at ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... famous white marble leaning tower, with its beautiful spiral colonnades; its noble cathedral and baptistry, the latter famous for its wonderful echo, and the celebrated cemetery made of earth brought from the Holy Land. At Florence she should see the stupendous Duomo, with the Brunelleschi dome that excited the emulation of Michael Angelo; the bronze gates of Ghiberti, "worthy to be the gates of paradise," and the choice collections of art in the Pitti Palace and the Uffizi Gallery connected ...
— The Harris-Ingram Experiment • Charles E. Bolton
... large contributor to the recently completed facade of the Duomo in Florence, and to many other benevolent and pietistic good works. He had been tutor in the Russian Boutourlin family, and when acting in that capacity had been taken, by reason of his geological acquirements, to see some copper mines in the Volterra district, which the Grand Duke had conceded to ...
— What I Remember, Volume 2 • Thomas Adolphus Trollope
... Chamouny, we returned to Martigny, and pursued our mount up the Valais, along the Rhine, to Brig. At Brig we quitted the Valais, and passed the Alps at the Simplon, in order to visit part of Italy. The impressions of three hours of our walk among these Alps will never be effaced. From Duomo d'Ossola, a town of Italy which lay in our route, we proceeded to the lake of Locarno, to visit the Boromean Islands, and thence to Como. A more charming path was scarcely ever travelled over. The banks of many of the Italian and Swiss lakes are so steep and rocky as not to admit of roads; that ...
— The Prose Works of William Wordsworth • William Wordsworth
... hundred years before. The slips and dock had long been abandoned, as Smollett is careful to point out in his manuscript notes, now in the British Museum. He also explains with superfluous caution that the Duomo of Pisa is not entirely Gothic. Once arrived in the capital of Tuscany, after admitting that Florence is a noble city, our traveller is anxious to avoid the hackneyed ecstasies and threadbare commonplaces, ...
— Travels Through France and Italy • Tobias Smollett
... into the square before the cathedral by oxen, garlanded with flowers. This erection, the carro, is also decorated with flowers, but is likewise covered with fireworks. A rope is then extended from the carro to a pole which is set up in the choir of the Duomo, before the high altar. For this purpose the great west doors are thrown open, and the rope extends the whole length of the nave. Upon it, close to the pole, is perched a white dove ...
— In Troubadour-Land - A Ramble in Provence and Languedoc • S. Baring-Gould
... in which he and some of his family, who are all artists, were to take part. I could not go to both and chose Dumas because, in the first place, being Turiddu's compare it was my duty to support the family. In the second place I had seen the Entry with Palms at the duomo in the morning and had all the rest of the week free to see the marionettes do the rest of the story. So I went to the Teatro Pezzana in the evening. It is a small place, small enough to have been formerly used ...
— Castellinaria - and Other Sicilian Diversions • Henry Festing Jones
... Duccio, in the Duomo at Siena. Taddeo Gaddi, Rinnucini Chapel. Titian, Mr. Roger's Collection. Rembrandt, Queen's Gallery. Barroccio. An altar piece which came to England with the Duke of Lucca's paintings, but I cannot say where it is now; ...
— Notes & Queries, No. 53. Saturday, November 2, 1850 • Various
... fountains which spouted rainbows into the air, which was silver-clear and transparent, and on which the outline of the landscape was drawn as vividly as a flame against the sky at night. Beside me rose floating into the air the dome of St. Peter's, which is not a nucleus of the city, like the Duomo of Florence, but a crown more majestic and imposing as the spectator is farther removed. I had come to this balcony and its realm of sunny silence through the proper palace of the "Apollo" and the "Laocoon" ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... Angelo and his Swiss away with him. The interior of the city was abandoned by the Imperialists, who held two or three of the principal buildings and the square of the Duomo. Clouds were driving thick across the cold-gleaming sky when the storm-bells burst out with the wild Jubilee-music of insurrection—a carol, a jangle of all discord, savage as flame. Every church of the city lent its iron tongue to the peal; and now ...
— The Shaving of Shagpat • George Meredith
... del Duomo, where stands the Cathedral, you have only to pass thro' a long narrow street or rather alley (for it is impervious to carriages) with shops on each side and always filled with people going to or returning from the Duomo. This Cathedral is of immense size. The architecture is singular from its being a mixture of the Gothic and Greek. It appears the most ponderous load that ever was laid on the shoulders of poor mother earth. There ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... lost his popularity before he came to visit the Grand Duke of Tuscany. The people received him respectfully, but without enthusiasm; nevertheless, Florence was illuminated in his honour. The Duomo, Campanile, and the old tower in the Piazza dei Signori were very fine, but the Lung' Arno was beautiful beyond description; the river was full, and reflected the whole with ...
— Personal Recollections, from Early Life to Old Age, of Mary Somerville • Mary Somerville
... she sat in her cheerless drawing-room, hating its ugly shabbiness, and penetrated with the damp chill of the house, there swept through her a vision of the Piazza del Duomo, as she had last seen it on a hot September evening. A blaze of light—delicious all-prevailing warmth—the moist bronzed faces of the men—the girls with the look of physical content that comes in hot countries with the evening—the sun flooding ...
— The Mating of Lydia • Mrs. Humphry Ward
... go over to Santa Croce by way of the Duomo, and through Piazza Signoria, Uncle," said Margery. "I am never tired of those little, narrow, ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... smallest opportunity of being stupid. We should have in Paris ten Venices if our retired merchants had had the instinct for fine things characteristic of the Italians. Even in our own day a Milanese merchant could leave five hundred thousand francs to the Duomo, to regild the colossal statue of the Virgin that crowns the edifice. Canova, in his will, desired his brother to build a church costing four million francs, and that brother adds something on his own ...
— Poor Relations • Honore de Balzac |
