"Bolognese" Quotes from Famous Books
... by which we must be directed in the nobler branches of our art. Upon this principle the Roman, the Florentine, the Bolognese schools, have formed their practice; and by this they have deservedly obtained the highest praise. These are the three great schools of the world in the epic style. The best of the French school, Poussin, Le Sueur, and Le Brun, have formed themselves upon these models, and ... — Seven Discourses on Art • Joshua Reynolds
... final criterion for the appreciation of art is one that perpetually recurs to those interested in any sort of aesthetic endeavor. Mr. John Addington Symonds, in a chapter of 'The Renaissance in Italy' treating of the Bolognese school of painting, which once had so great cry, and was vaunted the supreme exemplar of the grand style, but which he now believes fallen into lasting contempt for its emptiness and soullessness, seeks to determine whether there can be an enduring criterion or not; and his conclusion is applicable ... — Henry James, Jr. • William Dean Howells
... of the Bolognese family, memorable in art, added to considerable success as painter undoubted triumphs as engraver. His prints are numerous, and many are regarded with favor; but out of the long list not one is so sure of that longevity allotted to art as his portrait of TITIAN, ... — The Best Portraits in Engraving • Charles Sumner
... Monday after Michaelmas, 1520, I gave Thomas of Bologna a whole set of prints to send for me to Rome to another painter who should send me Raphael's work[42] in return. I dined once with my wife. I paid three st. for the little tracts. The Bolognese has made my portrait;[43] he means to take ... — Albert Durer • T. Sturge Moore
... to an open rupture with the duke, but everything tended to excite suspicion; for Filippo had, at the request of the legate of Bologna (who was in fear of Antonio Bentivogli, an emigrant of Bologna at Castel Bolognese), sent forces to that city, which, being close upon the Florentine territory, filled the citizens with apprehension; but what gave every one greater alarm, and offered sufficient occasion for the declaration of war, was the expedition made ... — History Of Florence And Of The Affairs Of Italy - From The Earliest Times To The Death Of Lorenzo The Magnificent • Niccolo Machiavelli
... Stradella supped in a room apart for greater privacy, because a large party of noisy Bolognese merchants had arrived on their way to Venice, and were eating in the dining-room. Cucurullo and Grattacacio waited on their masters, the dishes being brought to the ... — Stradella • F(rancis) Marion Crawford
... called Franceschini, a Bolognese, who, though certainly very inferior to Guido, is yet a person of excellent powers. One entire church, that of Santa Catarina, is covered by his works. I do not know whether any of his pictures have ... — A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury
... Paris became celebrated for its illuminators, and the productions of Franco-Bolognese, whose skill in illuminating manuscripts was then paramount, is mentioned by Dante. Mr. Humphreys thus graphically describes the style of ... — International Weekly Miscellany Vol. I. No. 3, July 15, 1850 • Various
... part from a little son, whom she had had by her husband, abode at home and occupied herself with the governance of the child and of the wealth which had been Ferondo's. Meanwhile, the abbot arose stealthily in the night and with the aid of a Bolognese monk, in whom he much trusted and who was that day come thither from Bologna, took up Ferondo out of the tomb and carried him into a vault, in which there was no light to be seen and which had been made for prison of such of the monks as should make default in aught. ... — The Decameron of Giovanni Boccaccio • Giovanni Boccaccio
... profited by this, and amused the company by giving them a piece of a great man, expressly composed for wooden comedians. This was the Sneezing of Hercules, by Peter James Martelli, a Bolognese. ... — Notes and Queries, Number 187, May 28, 1853 • Various
... out the favourable hour for a magical process. But since many spirits are good or indifferent, the magician could sometimes maintain a very tolerable reputation, and Sixtus IV, in the year 1474, had to proceed expressly against some Bolognese Carmelites, who asserted in the pulpit that there was no harm in seeking information from the demons. Very many people believed in the possibility of the thing itself; an indirect proof of this lies in the fact that ... — The Civilization of the Renaissance in Italy • Jacob Burckhardt
... (particularly the historical) painters being so much at variance with common nature, sometimes glaringly at variance with the locality and position of the objects represented." "This knowledge of the effect of colours is certainly very remarkable in the Bolognese school. Who ever saw Corregio's backgrounds in nature, or indeed the whole colour of his pictures, including figures? Examine his back-ground to his Christ in the garden—what a mystery is in it! The Peter ... — Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... Italians, whose ecclesiastical literature was the first that he mastered, and predominates in his Church history. Several of his countrymen, such as Savigny and Raumer, had composed history on the shoulders of Bolognese and Lombard scholars, and some of their most conspicuous successors to the present day have lived under heavy obligations to Modena and San Marino. During the tranquil century before the Revolution, Italians studied the history of their country with ... — The History of Freedom • John Emerich Edward Dalberg-Acton
... 48. This is mere Bolognese eclecticism in other terms, and those terms incorrect. We are amazed to find a writer usually thoughtful, if not accurate, thus indolently adopting the worn-out falsities of our weakest writers on Taste. Does he—can he for an instant suppose that the ruffian Caravaggio, distinguished only ... — On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... more freely than heretofore. They aimed to unite such a style as Correggio's—who belonged to no school—with that of the severely mannered artists of the preceding centuries. These artists were called Eclectics, and the Bolognese school of the Carracci was the most important centre of the movement, while Domenichino, a native of Bologna—1581-1631—was the most distinguished painter of ... — Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement |