"Ariel" Quotes from Famous Books
 ... who seemed to look so intently and so strangely on the flash and whirl of the dancers, saw but an old fashioned drawing-room, with roses clustering by the windows, and heard the sweet rich voice, to him the music of Ariel, like a far-off dirge—a farewell—sometimes a forgiveness—and sometimes the old pleasant talk and merry little laugh, all old remembrances or ...
— The House by the Church-Yard • J. Sheridan Le Fanu
... this? Too young as yet with willing feet to stray From the tame fireside, glad to get away,— Too old to let my watery grief appear,— And what so bitter as a swallowed tear! One figure still my vagrant thoughts pursue; First boy to greet me, Ariel, where are you? Imp of all mischief, heaven alone knows how You learned it all,—are you an angel now, Or tottering gently down the slope of years, Your face grown sober in the vale of tears? Forgive my freedom if you are ...
— The Poetical Works of Oliver Wendell Holmes, Complete • Oliver Wendell Holmes, Sr.
... heavy confessional, was jubilant. Nothing exhilarates him like work. Given a scanty confessional, and he is as gloomy as Sisyphus; given a hard, laborious day, and he is as bright as Ariel. He was in uncommonly good ...
— My New Curate • P.A. Sheehan
... departments of Shakespearean scholarship, every college offers courses on his plays, a number of them are prescribed for reading and study in the high schools; a few of them are read and extracts memorized in the primary schools. The child begins his education with Ariel and the fairies, and until his schooling is completed is kept in almost daily intercourse with the poetry and persons of the dramas. Homer was not better known in Athens. In a democracy still young and widely separated from older nations and ...
— The Facts About Shakespeare • William Allan Nielson
... arrived, much to my relief; and Mr. Low, a botanist and naturalist, arrived in her. He will be a great acquisition to our society, if devoted to these pursuits. The same day that the Julia entered, the Ariel left the river. I dismissed the Tumma Dyaks; re-warned Bandar Cassim of the consequences of his oppression; and had a parting interview with Lingire. I had another long talk with Lingire, and did him honor by presenting him with a spear and flag, for I believe he is true, and will be useful; ...
— The Expedition to Borneo of H.M.S. Dido - For the Suppression of Piracy • Henry Keppel
... bottle. Yes; that is undoubtedly the reason for the delay. He is hunting about in the cellar for something a little out of the ordinary. But here is Celestina now!" as the child reappeared, with footsteps so noiseless the poet saw before he heard her. "Where is the bottle, my little Ariel? It must be an extra fine vintage. Bless old ...
— The Strollers • Frederic S. Isham
... by Lamb in his Dramatic Selections. I recall how I turned over the leaves of such enchanting works as Inigo Jones's designs for The Tempest played as a Masque. Though I do not happen to have seen it since, and so speak with a forty years' interval, the pen-and-ink drawing of Ariel, portrayed exactly like a Cinquecento angel, is fixed in my mind. It has all the graciousness and gentleness of Bellini and all the robust beauty of Veronese or Palma Vecchio. To tell the truth, I was in the mood of the lady of the Island over which Prospero waved his wand. I could ...
— The Adventure of Living • John St. Loe Strachey
... Thrones, that to be less than Gods Disdained, but meaner thoughts learned in their flight, Mangled with ghastly wounds through plate and mail. Nor stood unmindful Abdiel to annoy The atheist crew, but with redoubled blow Ariel, and Arioch, and the violence Of Ramiel scorched and blasted, overthrew. I might relate of thousands, and their names Eternize here on earth; but those elect Angels, contented with their fame in Heaven, Seek not the praise of men: The other sort, In ...
— Paradise Lost • John Milton
... than this time there came from the pen of Shakespeare a play dealing with a tempest and shipwreck and a magical isle and rescue thereon. The bright spirit Ariel speaks of "the still-vex'd Bermoothes." These were islands "two hundred leagues from any continent," named after a Spanish Captain Bermudez who had landed there. Once there had been Indians, but these the Spaniards had slain or taken as slaves. Now the islands were desolate, uninhabited, ...
— Pioneers of the Old South - A Chronicle of English Colonial Beginnings, Volume 5 In - The Chronicles Of America Series • Mary Johnston
... delicate,—of wit withering and scorching, yet combined with a pathos cool as morning dew,—of satire ponderous as the mace of Richard, yet keen as the scymitar of Saladin.... A work full of "mountain-mirth," mischievous as Puck and lightsome as Ariel.... We know not whether to admire most the genial, fresh, and discursive concinnity of the author, or his playful fancy, weird imagination, and compass of style, at once both objective and subjective.... We might indulge ...
— The Biglow Papers • James Russell Lowell
... romantic grace, A spirit intense and rare, with trace on trace Of passion, impudence, and energy. Valiant in velvet, light in ragged luck, Most vain, most generous, sternly critical, Buffoon and poet, lover and sensualist; A deal of Ariel, just a streak of Puck, Much Antony, of Hamlet most of all, And something of the ...
— Essays of Robert Louis Stevenson • Robert Louis Stevenson
... magician is Gold. In power, in pleasing witchery of potent influence; insidious flattery of pleasure; in remorseless persecution of the penniless, all wonders are its work. Ariel, Mephisto, Moloch, thou, Gold! King ...
— The Little Lady of Lagunitas • Richard Henry Savage
... Lionardo is the wizard or diviner; to him the Renaissance offers her mystery and lends her magic. Raphael is the Phoebean singer; to him the Renaissance reveals her joy and dowers him with her gift of melody. Correggio is the Ariel or Faun; he has surprised laughter upon the face of the universe, and he paints this laughter in ever-varying movement. Michael Angelo is the prophet and Sibylline seer; to him the Renaissance discloses the travail of her spirit; him she endues ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... be allowed him by divine grace in the favourable aspect of Setebos; and his comrades go by us "reeling ripe" and "gilded" not by "grand liquor" only but also by the summer lightning of men's laughter: blown softly out of our sight, with a sound and a gust of music, by the breath of the song of Ariel. ...
— A Study of Shakespeare • Algernon Charles Swinburne
... little because their "Grand Army" could not advance through mud that came up to the horses' shoulders, and in which even the seven-league boots would have stuck, though they had been worn as deftly as Ariel could have worn them. They talked as if no such thing had ever before been known to stay the march of armies; whereas all military operations have, to a greater or a lesser extent, depended for their issue upon the softening or the hardening of the earth, or upon the ...
— Atlantic Monthly, Vol. 9, No. 55, May, 1862 • Various
... favourite poet with him, that divine Ariel feeding upon light and speaking with the tongues of angels. ...
— The Child of Pleasure • Gabriele D'Annunzio
... comparison with her own sex; he has placed her between the demi-demon of earth and the delicate spirit of air. The next step is into the ideal and supernatural; and the only being who approaches Miranda, with whom she can be contrasted, is Ariel. Beside the subtle essence of this ethereal sprite, this creature of elemental light and air, that "ran upon the winds, rode the curl'd clouds, and in the colors of the rainbow lived," Miranda herself appears a palpable reality; a woman, "breathing ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... pass away the weary hours, rather than from desire to hurt his neighbors. In fact, he never did positively touch a bird, to my knowledge, though he always acted as though he intended to annihilate them. He could hardly be called malicious; rather (shall we say?) mischievous, and like Ariel ...
— In Nesting Time • Olive Thorne Miller
... relation operates among thoughts and feelings as well as among fancies, and its results cannot be mistaken for accident. Ariel and his harpies could not interrupt a scene with a more discordant action than the phase of feeling or the poetic atmosphere pervading it would be interrupted by, if a cloud of distraction came across the poet and the faculties of his ...
— Atlantic Monthly, Volume 3, No. 20, June, 1859 • Various
... homage of servile adoration. What a cravat! There it stood; there was no doubting its entity, no believing it an illusion. There it stood, smooth and stiff, yet light and almost transparent; delicate as the music of Ariel, yet firm as the spirit of Regulus; bending with the grace of Apollo's locks, yet erect with the majesty of the Olympian Jove: without a wrinkle, without an indentation. What a cravat! The regent "saw and shook;" and uttering a faint gurgle from beneath the wadded ...
— The Laws of Etiquette • A Gentleman
... of Ariel You heard, as overhead it flew, The farther going more to dwell And wing our green to wed our blue; But whether note of joy, or knell, Not his own Father-singer knew; Nor yet can any mortal tell, Save only how it shivers ...
— On The Art of Reading • Arthur Quiller-Couch
... that. It is the very beauty and completeness of this emblem that has a double aspect, and is no less rich in joy and blessing than pregnant with warning and terror. As Isaiah says in another place, Jerusalem is 'Ariel,' which probably means 'the hearth of God.' His presence in the city is as a fire for the comfort and defence of the happy inhabitants, and at the same time for the destruction of all evil and enemies. Far more truly than He dwelt in the city of David does God dwell in the Church, ...
— Expositions of Holy Scripture - Isaiah and Jeremiah • Alexander Maclaren
... not yet, heart's wonder! A little hour we'll stay, And thou wilt give me grace of dawn For travelled, dusk array. This gown of mottled years, By noon and gnome-light spun, Enchant me to surrender To Ariel ministers; Here poised with thee before Thy summer world's wide door, And glory that is hers; This soft, unclamorous sky That makes a lotus ship of every eye Upventuring; song's sail that pilotless Drifts ...
— Path Flower and Other Verses • Olive T. Dargan
... scene, Prospero's speeches, till the entrance of Ariel, contain the finest example I remember of retrospective narration for the purpose of exciting immediate interest, and putting the audience in possession of all the information necessary for the understanding of the plot. Observe, too, ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... beyond his strength, imprisoned him for twelve years in the rift of a pine tree, where Caliban delighted to torture him with impish cruelty. Prospero, duke of Milan and father of Miranda, liberated Ariel from the pine-rift, and the grateful spirit served the duke for sixteen years, when he ...
— Character Sketches of Romance, Fiction and the Drama, Vol 1 - A Revised American Edition of the Reader's Handbook • The Rev. E. Cobham Brewer, LL.D.
... when mother was weakly, you may now mix for her a tumbler of rum-punch; and if you don't take some too, I'll send you no more. But, hark ye, Jeannie, don't give uncle a drop, though he tried to give me one that, I fear, would have made my head, like yours, a little giddy. Adieu, dear little Ariel." ...
— Wilson's Tales of the Borders and of Scotland, XXII • various
... and nonsense of all kinds, there is a plaintive natural melody about this man, such as no other English poet has ever uttered, except Shakespeare in some few immortal songs. Who that has read Shelley does not recollect scraps worthy to stand by Ariel's song—chaste, simple, unutterably musical? Yes, when he will be himself—Shelley the scholar and the gentleman and the singer—and leave philosophy and politics, which he does not understand, and shriekings and cursings, which are unfit for any civilised and ...
— Literary and General Lectures and Essays • Charles Kingsley
... cause in nature that makes these hard hearts?'—the strain of thought which appears here seems to be present in some degree throughout the play. We seem to trace the tendency which, a few years later, produced Ariel and Caliban, the tendency of imagination to analyse and abstract, to decompose human nature into its constituent factors, and then to construct beings in whom one or more of these factors is absent or atrophied or only incipient. ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... a popular name for the bird Lagenoplastis ariel, otherwise called the Fairy Martin. See Martin. The name refers to the bird's peculiar retort shaped nest. Lagenoplashs is from the Greek lagaenos, a flagon, and plautaes, a modeller. The nests are often constructed in clusters under ...
— A Dictionary of Austral English • Edward Morris
... was the shore at Portlossie, while the cave that opened behind was the Bailie's Barn, where his friends the fishers might at that moment, if it were a fine night, be holding one of their prayer meetings. The mood lasted all through the talk of Prospero and Miranda; but when Ariel entered there came a snap, and the spell was broken. With a look in which doubt wrestled with horror, Blue Peter turned to Malcolm, and whispered with bated breath—"I'm jaloosin'—it canna be—it's no ...
— The Marquis of Lossie • George MacDonald
... worshipping a 'great devil they call Setebos.' No source for the complete plot has been discovered, but the German writer, Jacob Ayrer, who died in 1605, dramatised a somewhat similar story in 'Die schone Sidea,' where the adventures of Prospero, Ferdinand, Ariel, and Miranda are roughly anticipated. {253a} English actors were performing at Nuremberg, where Ayrer lived, in 1604 and 1606, and may have brought reports of the piece to Shakespeare. Or perhaps both ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... story, Uncle Joel," commanded Celia, nestling closer. "Tell me about Miranda and Ariel and that horrid old Caliban." For to reduce Shakespeare to the juvenile comprehension had been one of the tasks imposed on Joel by his new fealty, nor did it seem to him, as once it might have done, a base perversion of the matchless creations ...
— Other People's Business - The Romantic Career of the Practical Miss Dale • Harriet L. Smith
... the first epoch in my life," returned Juliet with animation. "I never shall forget the happy day when I first revelled through the fairy isle with Ariel and his dainty spirits. My father was from home, and had left the key in the library door. It was forbidden ground. My aunt was engaged with an old friend in the parlor, so I ventured in, and snatched at the ...
— Mark Hurdlestone - Or, The Two Brothers • Susanna Moodie
... Ariel wakes his dainty air, His lyre celestial stringing.— Fools he lureth, and the fair, With his ...
— Faust Part 1 • Johann Wolfgang Von Goethe
... all mention of intervening harassments, suffice it, that after some months of inaction as to anything of a warlike nature, Paul and Israel (both, from different motives, eager to return to America) sailed for that country in the armed ship Ariel, Paul as commander, Israel ...
— Israel Potter • Herman Melville
... that it is as a poet, not as a playwright, that we love Shakespeare in England, and that Ariel singing by the yellow sands, or fairies hiding in a wood near Athens, may be as real as Alceste in his wooing of Celimene, and as true as Harpagon weeping for his money- box; still, his book is full of interesting suggestion, many of his remarks on literature ...
— Reviews • Oscar Wilde
... light, time, eternity, So tinged with all, that in its delicate brain Kindling it as a lamp with her bright wings Day-long, night-long, young Ariel sits and sings Echoing the lucid sea, Listening it echo her own unearthly strain, Watching through lucid walls the world's rich tide, One light, one substance with her own, rise ...
— Collected Poems - Volume Two (of 2) • Alfred Noyes
... heard the possibility questioned, he felt a disagreeable conviction of its inevitableness. Mrs. Dressel's view was of course absurd. In spite of Justine's feminine graces, he had formerly felt in her a kind of elfin immaturity, as of a flitting Ariel with untouched heart and senses: it was only of late that she had developed the subtle quality which calls up thoughts of love. Not marry? Why, the vagrant fire had just lighted on her—and the fact that she was poor and unattached, with her own way to make, and no setting of pleasure ...
— The Fruit of the Tree • Edith Wharton
... himself worthy of becoming a mortal for insisting on his rights as a husband. 3. Titania is the most developed woman character in the play, because she insists on her individual right to the changeling. 4. Is Puck a more developed fairy than Ariel in 'The Tempest'? ...
— Shakespeare Study Programs; The Comedies • Charlotte Porter and Helen A. Clarke
... of delight, giving it a more conscious welcome, but presaging for it an inexorable flight. And 'rarely, rarely comest thou,' sighed Shelley, not to Delight merely, but to the Spirit of Delight. Delight can be compelled beforehand, called, and constrained to our service—Ariel can be bound to a daily task; but such artificial violence throws life out of metre, and it is not the spirit that is thus compelled. That flits upon an orbit elliptically or parabolically or hyperbolically curved, keeping no man knows what trysts ...
— The Rhythm of Life • Alice Meynell
... expulsion was postponed to another season; and before that season arrived, poor Jesse had secured the goodwill of an advocate far more powerful than Venus—an advocate who, contrasted with himself, looked like Ariel by the side of Caliban, or Titania ...
— Jesse Cliffe • Mary Russell Mitford
... not some distant country to which we can never hope to travel. It is here in the midst of us, only our eyes must be opened or we cannot see it. Ariel and Puck did not live in some unknown region. On ...
— The Fairy-Land of Science • Arabella B. Buckley
... there are no such gripping fairy tales as those of the Brethren Grimm. During this vacation, too, I discovered the "Leprachaun," the little Irish fairy with the hammer. He was not at all like the English fairies in Shakespeare's "Midsummer Night's Dream," and, leaving out Ariel, I think I liked him best ...
— Confessions of a Book-Lover • Maurice Francis Egan
... however, "that Shakespeare himself in the Tempest hath translated some expressions of Virgil: witness the O Dea certe." I presume we are here directed to the passage where Ferdinand says of Miranda, after hearing the Songs of Ariel, ...
— Eighteenth Century Essays on Shakespeare • D. Nichol Smith
... with Mahatmas [great spirits] in Thibet, the Buddhist land, now robbed of its mystery by the British expedition of 1904. Madame Blavatsky claimed to be receiving letters carried straight from Thibet by some air-borne Ariel. The discovery in 1884 of Madame Blavatsky's trickery ended the exhibition of "psychical powers," and also apparently the Buddhist period of the society. That the society itself survived the exposure is proof ...
— New Ideas in India During the Nineteenth Century - A Study of Social, Political, and Religious Developments • John Morrison
... glossy black- plumaged bird, which lives in small societies in grassy places, would come in from the campos, one by one, calling to each other as they moved from tree to tree. Or a Toucan (Rhamphastos ariel) silently hopped or ran along and up the branches, peeping into chinks and crevices. Notes of solitary birds resounded from a distance through the wilderness. Occasionally a sulky Trogon would be seen, with its brilliant ...
— The Naturalist on the River Amazons • Henry Walter Bates
... they are unseen by the human characters, whose likes and dislikes they control, save in the instance where {119} Bottom is "translated" (that is, becomes mad) and has sight of the invisible world. So in the Tempest, Ariel is the spirit of the air and Caliban of the earth, ministering, with more or less of unwillingness, to ...
— Brief History of English and American Literature • Henry A. Beers
... speculation gave great energy to this branch of the art, as well as employment to many of our best artists and engravers, and among the former to Fuseli, who executed eight large and one small picture for the gallery. The following were the subjects: 'Prospero,' 'Miranda,' 'Caliban,' and 'Ariel,' from the Tempest; 'Titania in raptures with Bottom, who wears the ass's head, attendant fairies, &c.;' 'Titania awaking, discovers Oberon at her side, Puck is removing the ass's head from Bottom' (Midsummer Night's Dream); 'Henry V. with the Conspirators' (King Henry ...
— Old and New London - Volume I • Walter Thornbury
... poetry may be said to be made up of it, metaphor indeed being the common coin of discourse. Of imaginary creatures, none out of the pale of mythology and the East are equal, perhaps, in point of invention, to Shakespeare's Ariel and Caliban; though poetry may grudge to prose the discovery of a Winged Woman, especially such as she has been described by her inventor in the story of Peter Wilkins; and in point of treatment, the Mammon and Jealousy of Spenser, some of the monsters in Dante, particularly ...
— English Critical Essays - Nineteenth Century • Various
... of Tinian, and other places he had visited in his travels. At last I could not help being interested in what he said, and by degrees I felt the greatest desire to go to sea. I owned a sailboat called the Ariel, and worth about seventy-five dollars. She had a half-deck or cuddy, and was rigged sloop-fashion—I forget her tonnage, but she would hold ten persons without much crowding. In this boat we were in the habit of going on some of the ...
— The Works of Edgar Allan Poe - Volume 3 (of 5) of the Raven Edition • Edgar Allan Poe
... him, and he stepped into a new world, a childish Ferdinand roaming an Isle of Voices. He resigned Miranda to the grown-up prince, for whom (as he saw at a glance, being wise in the ways of story-books) she was eminently fitted. It was in Ariel, perched with harp upon the shrouds of the king's ship, that he recognised the unseen familiar of his own voyaging. "O spirit, be my friend—speak to me often!" As children will, he gave Prospero's island a local habitation in the tangled cliff-garden, tethered Caliban in the tool-shed, and watched ...
— The White Wolf and Other Fireside Tales • Arthur Thomas Quiller-Couch
... songs is most brilliantly developed. Here are seven or eight lyrics, and among them are some of the loveliest things that any man has written. What was ever composed more liquid, more elastic, more delicately fairy-like than Ariel's First Song? ...
— Some Diversions of a Man of Letters • Edmund William Gosse
... one of the undying names in literature would hardly be extravagant. Not that I would endow Ariel with the stature and sinews of a Titan; this were to miss his distinctive qualities: delicacy, elegance, charm. He belongs to a category of writers who are more read and probably will ever exercise greater influence than some of greater name. The latter ...
— The Red Lily, Complete • Anatole France
... there is no servant at all in the little house! Oh, the reaction, the impulse to sing and dance, and the positive quick obedience to that impulse! Convention alone has forced me to be anywhere a master. Ariel and Caliban, had I been Prospero on that island, would have had nothing to do and nothing to complain of; and Man Friday on that other island would have bored me, had I been Crusoe. When I was a king in ...
— And Even Now - Essays • Max Beerbohm
... Ariel was always called Ary. When he grew to manhood he adopted this pet name his mother had playfully given him. He used to call her "Little Mother." Shortly after reaching Paris, Ary was placed in the studio of M. Guerin. Arnold showed a liking for the Oriental languages, ...
— Little Journeys to the Homes of the Great, Volume 4 (of 14) - Little Journeys to the Homes of Eminent Painters • Elbert Hubbard
... England Historical Genealogical Society, President Wilder in the chair. The historiographer announced the decease of members, of which information had been received, viz.: Ashael Woodward, M.D., at Franklin, Conn., December 30, 1885; Ariel Low, at Boston, January 5, 1886; Nahum Capen, LL.D., at Dorchester, January 8; Francis Walker Bacon, at Boston, January 17; Edmund Batchelder Dearborn, at Boston, January 22; Henry Perkins Kidder, at New York, January 28. The corresponding secretary made a statement as to some of the more valuable ...
— The New England Magazine Volume 1, No. 3, March, 1886 - Bay State Monthly Volume 4, No. 3, March, 1886 • Various
... water? Whither? Cape Cod at once loomed up; Nantucket, and Martha's Vineyard. "And why not the Bermudas?" said a voice within me; "the enchanted Islands of Prospero, and Ariel, and Miranda; of Shakspeare, and Raleigh, and Irving?" And ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... vain, however, repeat Ariel's "Come unto these yellow sands," which he can say very prettily; he began, and the princess, who knew it, prompted him to go on —but a fit of shame came suddenly across him-or of capriciousness-and ...
— The Diary and Letters of Madame D'Arblay Volume 3 • Madame D'Arblay
... sweet— As when on isle uncharted beat 'Gainst coral at the palm-tree's root, With brine-clear, snow-white foam afloat, The wailing, not of water or wind— A husht, far, wild, divine lament, When Prospero his wizardry bent Winged Ariel to bind.... ...
— Georgian Poetry 1920-22 • Various
... vintager, The wine-press of the purple-foamed east; Or round the nodding sun, flush-faced and sunken, His wild bacchantes drunken Reel, with rent woofs a-flaunt, their westering rout. - But lo! at length the day is lingered out, At length my Ariel lays his viol by; We sing no more to thee, child, he and I; The day is lingered out: In slow wreaths folden Around yon censer, sphered, golden, Vague Vesper's fumes aspire; And glimmering to eclipse The long laburnum drips Its honey of wild flame, ...
— Sister Songs • Francis Thompson
... story was told to the people of the ARIEL, the schooner awaiting Kennedy's party at Port Albany, sail was made for Shelburne Bay to rescue the three men left there. A canoe was captured which contained articles that left little doubt of the fate of the unfortunates. The camp, however, was too far ...
— The History of Australian Exploration from 1788 to 1888 • Ernest Favenc
... the mouth of the Zambesi, Dr. Livingstone was fortunate in falling in, on the 13th February, with H.M.S. "Orestes," which was joined on the 14th by the "Ariel." The "Orestes" took the "Pioneer" in tow, and the "Ariel" the "Lady Nyassa," and brought them to Mozambique. The day after they set out, a circular storm passed over them, raging with the utmost fury, and creating the greatest danger. Often as Dr. ...
— The Personal Life Of David Livingstone • William Garden Blaikie
... interpretation of the curse of Canaan is without warrant of Scripture, and at war with the broad and catholic teachings of the New Testament. It is a sad commentary on American civilization to find even a few men like Helper, "Ariel," and the author of "The Adamic Race" still croaking about the inferiority of the Negro; but it is highly gratifying to know that they no longer find an audience or readers, not even in the South. A man never hates his neighbors ...
— History of the Negro Race in America From 1619 to 1880. Vol 1 - Negroes as Slaves, as Soldiers, and as Citizens • George W. Williams
... aloud. The black-and-gold horse was beautiful and plainly of good breeding. That he was also a runner was not out of the question. But that Oro could best Gray Eagle-Ariel stock on the track, Drew doubted. There were unbroken records set on eastern tracks by horses in Shiloh's direct blood line. And the local talent that had been matched against Oro in the past had probably not been much competition. The Kentuckian began to speculate about a match ...
— Rebel Spurs • Andre Norton
... palm, which sprouted forth into men and women,[224-1] while the Yurucares, much of whose mythology was perhaps borrowed from the Peruvians, clothed this crude tenet in a somewhat more poetic form, fabling that at the beginning the first of men were pegged, Ariel-like, in the knotty entrails of an enormous hole, until the god Tiri—a second Prospero—released them ...
— The Myths of the New World - A Treatise on the Symbolism and Mythology of the Red Race of America • Daniel G. Brinton
... Uranus. These two are now known as Oberon and Titania. They were not seen again till some forty years after, when his son, Sir John Herschel, reobserved them. And in 1847, Mr. Lassell, at his house, "Starfield," near Liverpool, discovered two more, called Ariel and Umbriel, making the number four, as now known. Mr. Lassell also discovered, with a telescope of his own making, an eighth satellite of Saturn—Hyperion—and ...
— Pioneers of Science • Oliver Lodge
... to Berne, Lausanne, and Geneva, where he settled for a time at the Hotel Secheron, on the western shore of the lake. Here began the most interesting literary relationship of his life, for here he first came in contact with the impassioned Ariel of English verse, Percy Bysshe Shelley. They lived in proximity after they left the hotel, Shelley's headquarters being at Mont Alegre, and Byron's for the remainder of the summer at the Villa Diodati; and their acquaintance rapidly ripened into an intimacy which, with some interruptions, ...
— Byron • John Nichol
... Still he made me no answer. I proceeded—"Stop, let me see what merchant ships are about sailing. Loading for Liverpool, the John Gladstone, Peter Ponderous master;" and after it, again in pencil "Only sugar: goes through the gulf.—Only sugar," said I, still fishing; "too bulky, I suppose.—Ariel, Jenkins Whitehaven;" remark—"sugar, coffee, and logwood. Nuestra Senora de los Dolores, to sail for Chagres on 7th proximo;" remark—"rich cargo of bale goods, but no chance of overtaking her." "El Rayo to sail ...
— Tom Cringle's Log • Michael Scott
... and water, and turns too, like you was goin' round in rings. But I could—I bin acrost, right over to the Ariel Club." He pointed to a small white square on the opposite side. "That's where. The railroad's a ways beyont that, but ...
— Treasure and Trouble Therewith - A Tale of California • Geraldine Bonner
... were, trooping down to the boathouse. There lay the boat; a pretty new boat, painted dark blue, with a little red flag floating at her bows, and her name, "Ariel," written in large white letters on the stern. And all around the boathouse stretched the beautiful blue water, so clear and sunny and sparkling that it dazzled Milly's eyes to look at it. She and Olly were lifted into the boat beside Aunt Emma ...
— Milly and Olly • Mrs. Humphry Ward
... at dinner the evil things of life, and to have found pleasure in their company. But then, from the point of view through which I, as an artist in life, approach them they were delightfully suggestive and stimulating. The danger was half the excitement. . . . My business as an artist was with Ariel. I set myself to wrestle with Caliban. . ...
— De Profundis • Oscar Wilde
... this. Orange red, pale blue, E flat minor, acrobatic, Ariel-like in its changes. Sometimes it made her careen heavily toward the curb—that was the time it made her head seem big and her feet very far away. Sometimes she could walk but she wanted to scream, sometimes she felt like a volcano, a ...
— Little Miss By-The-Day • Lucille Van Slyke
... absolute contempt. It was not likely that the cold methodical student, the mechanical versifier, and the political turncoat, who had outlived all his earlier illusions, should retain the good-will of such an Ariel as Shelley, in whose brain "Queen Mab" was already simmering. Life at Keswick began to be monotonous. It was, however, enlivened by a visit to the Duke of Norfolk's seat, Greystoke. Shelley spent his last ...
— Percy Bysshe Shelley • John Addington Symonds
... Ariel's song is heavenly-pure, His tones are sweet and rare ones: Though ugly faces he allure, Yet he allures ...
— Faust • Johann Wolfgang Von Goethe
... that hung on her eyelashes, and looked at him with such a bright alluring yet elusive smile as might have flitted across the face of Ariel. ...
— The Invader - A Novel • Margaret L. Woods
... I appear the most so. I am like Prospero in his desert island, and surround myself with spirits. A spell trembles upon the leaves; every wave comes fraught to me with its peculiar music: and an Ariel seems to whisper the secrets of every breeze, which comes to my forehead laden with the perfumes of the West. But do not think, Mounton, that it is only good spirits which haunt the recesses of my solitude. To push the metaphor to exaggeration—Memory is my Sycorax, and Gloom is the ...
— Falkland, Complete • Edward Bulwer-Lytton
... alighted. This finial figure has a pretty wistfulness that suggests the whimsical firefly fairies of Peter Pan more than the conventional gauzy creatures of ordinary fairy tale, and is more like a female counterpart of Shakespeare's "delicate Ariel" who sucks "where the bee sucks" than any other creature of fancy. The curving antennae increase this impression. She carries in her hand a whirling star. The silhouette of the figure is attractive and the halo of sky behind the head framed within the circle of the wings, lends a distinct ...
— The Sculpture and Mural Decorations of the Exposition • Stella G. S. Perry
... Rudge and Humber. For the benefit of my younger readers, and perhaps, so feeble is human memory, for the benefit of their elders too, let me state that Rudge and Humber were rival makers of bicycles, that Hilary Maltby was the author of 'Ariel in Mayfair,' and Stephen Braxton of ...
— Seven Men • Max Beerbohm
... country? And, can we mention no instance in which this system has made such men useless, or worse than useless, to the country of which their talents were the ornament, and might, in happier circumstances, have been the salvation? Ariel, the beautiful and kindly Ariel, doing the bidding of the loathsome and malignant Sycorax, is but a faint type of genius enslaved by the spells, and employed in the drudgery ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 4 (of 4) - Lord Macaulay's Speeches • Thomas Babington Macaulay
... Deeped-mouthed bass, rolling along the ground; rich joyful tenor; wild wistful alto; and leaping up here and there above the throng of sounds, delicate treble shrieks and trills of trembling joy. I know not whether you can fit it into your laws of music, any more than you can the song of that Ariel sprite who dwells in the Eolian harp, or the roar of the ...
— Prose Idylls • Charles Kingsley
... virtue of his art, released many good spirits that Sycorax had imprisoned in the bodies of large trees, because they had refused to execute her wicked commands. These gentle spirits were ever after obedient to the will of Prospero. Of these Ariel ...
— Young Folks Treasury, Volume 3 (of 12) - Classic Tales And Old-Fashioned Stories • Various
... this incident to me, added that the expression was felicitous, for this "limpidite delicate" had never been equalled. Such indeed were the lightness, delicacy, neatness, elegance, and gracefulness of Chopin's playing that they won for him the name of Ariel of the piano. The reader will remember how much Chopin admired these qualities in other artists, notably in Mdlle. Sontag and ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... in the advertisements of her additional Works, 1727. The B.M. copy, catalogued under "Ariel," contains only a fragment ...
— The Life and Romances of Mrs. Eliza Haywood • George Frisbie Whicher
... present, most of these visionaries are occupied with electricity. They intend to make the lightning a domestic slave in every house, and to turn Ariel into a common carrier. But, from the aspect of Winter's den in Paterson's Rents, it was easy to read that his heart was set on a more ancient foible. The white deal book-shelves, home-made, which ...
— The Mark Of Cain • Andrew Lang
... (Ariel as Capellmeister in the air) are splendid. He must paint your portrait for ...
— Correspondence of Wagner and Liszt, Volume 2 • Francis Hueffer (translator)
... haze, and mark That shadowy island floating dark Amidst the seas serene: It seems some fair enchanted isle, Like that which saw Miranda's smile When Ariel ...
— Leading Articles on Various Subjects • Hugh Miller
... inclusive. I shall also forward to your Excellency, if the bearer can take them, all the newspapers we have on hand. The whole will be committed to the care of Captain Jones, who will sail in the Ariel. ...
— The Diplomatic Correspondence of the American Revolution, Vol. VIII • Various
... contiguous chapters:—"Woe to the crown of pride, to the drunkards of Ephraim, whose glorious beauty is a fading flower, which are on the head of the fat valleys of them that are overcome with wine!"—"Woe to Ariel, to Ariel, the city where David dwelt! Add ye year to year; let them kill sacrifices; yet I will distress Ariel."—"Woe to the rebellious children, saith the Lord, that take counsel, but not of me; and that cover with a covering, ...
— What's Mine's Mine • George MacDonald
... it of the breakfast equipage, of the children and of the servants, and here, with pen and ink, with wrapping-paper and twine, with telegraph blanks and with the directory, and with Venty as her Ariel messenger—not so airy and quick as Ariel, but quite as willing—Matty worked her wonders, and gave her audiences, whether to vassals from without ...
— The Brick Moon, et. al. • Edward Everett Hale
... If Ariel 'put a girdle round the earth' in forty, you should be able to put one round your waist in three—I suppose that is included in a feminine 'getting rid of ...
— Say and Seal, Volume II • Susan Warner
... disordered evening sky; but he has reared no complete 'bow of God.' Moore's 'Lalla Rookh' is an elegant and laborious composition—not a shapely building; it is put together by skilful art, not formed by plastic power. Byron's poems are, for the most part, disjointed but melodious groans, like those of Ariel from the centre of the cloven pine; 'Childe Harold' is his soliloquy when sober—'Don Juan' his soliloquy when half-drunk; the 'Corsair' would have made a splendid episode in an epic—but the epic, where is it? and 'Cain,' his most creative work, though ...
— The International Monthly, Volume 3, No. 2, May, 1851 • Various
... And Ariel, Shakspeare's child of fancy, who on Prospero's island constantly gave forth melodies of ever-varied, ever-enchanting sweetness, filling all the air with delicious harmony,—that musical spirit was but an anticipation of the coming of this actual wonder in music. Of him an eloquent ...
— Music and Some Highly Musical People • James M. Trotter
... her indescribably charming. As she grew stronger she frolicked with every human being and every living thing. When the spring first opened and she could be out of doors, she seemed more like a divine mixture of Ariel and Puck than like a ...
— Saxe Holm's Stories • Helen Hunt Jackson
... I, who thy protection claim, A watchful sprite, and Ariel is my name. Late, as I ranged the crystal wilds of air, In the clear mirror of thy ruling star I saw, alas! some dread event impend, Ere to the main this morning sun descend, 110 But heaven reveals not what, or how, or where: ...
— The Poetical Works Of Alexander Pope, Vol. 1 • Alexander Pope et al
... slave of thee; And teach it all the harmony In which thou canst, and only thou, Make the delighted spirit glow, Till joy denies itself again And, too intense, is turn'd to pain; For by permission and command Of thine own Prince Ferdinand, Poor Ariel sends this silent token Of more than ever can be spoken; Your guardian spirit, Ariel, who From life to life, must still pursue Your happiness, for thus alone Can Ariel ever find his own; From Prospero's enchanted cell, As the mighty verses tell, To the throne of Naples he Lit you ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... the disaster which befell one of the fleets of the London Company on the Island of Bermuda reached England, it inspired Shakespeare to write his incomparable sea idyl, The Tempest. If so, this lovely drama was Shakespeare's unconscious apostrophe to America, for in Ariel—seeking to be free—can be symbolized her awakening spirit, while Prospero, with his thaumaturgic achievements, suggests a constructive genius, which in a little more than a century has made one of the least of the nations to-day one of ...
— The Constitution of the United States - A Brief Study of the Genesis, Formulation and Political Philosophy of the Constitution • James M. Beck
... the sunken ship, lying slant and open to the sun, has been long enough submerged to be crusted with barnacles, hydropores, crustacea and the labored constructions of the microscopic existences and vegetation that fill the sea. The song of Ariel becomes vivid and realistic ...
— Lippincott's Magazine Of Popular Literature And Science, No. 23, February, 1873, Vol. XI. • Various
... earth, it softens the heat of day and the cold of night, covers us overhead with a glorious arch of blue, and lights up the morning and evening skies with fire. It is so exquisitely soft and pure, so gentle and yet so useful, that no wonder Ariel is the most delicate, lovable and fascinating ...
— The Girl Wanted • Nixon Waterman
... cheeks that make bitter the envious rose; She has trunks upon trunks of the costliest clothes; She has jewels that shine as the stars do at night; And she dances as Ariel dances—or might. ...
— When hearts are trumps • Thomas Winthrop Hall
... dear Jane, I never regretted my ignorance of swimming so much as I do this moment. The truth is, I cannot swim a stroke, otherwise I would save poor little Ariel for your sake." ...
— Jane Sinclair; Or, The Fawn Of Springvale - The Works of William Carleton, Volume Two • William Carleton
... it in a barrel up garret, and grandma gave it to me," said Mara, unrolling her handkerchief; "it's a beautiful book,—it tells about an island, and there was an old enchanter lived on it, and he had one daughter, and there was a spirit they called Ariel, whom a wicked old witch fastened in a split of a pine-tree, till the enchanter got him out. He was a beautiful spirit, and rode in the curled clouds and hung in flowers,—because he could make himself big or ...
— The Pearl of Orr's Island - A Story of the Coast of Maine • Harriet Beecher Stowe
... us regretted that we had not brought our color boxes with us. Sometimes we seemed to catch a glimpse of the heather-clad Highlands of Scotland. Then a twist in the khor we were traversing suggested the rugged passes of Afghanistan. Gazelle and ariel stole among the foot hills or stood gazing at us as near as a stone's throw. One of our party, Mr. Gwynne, commenced stalking a gazelle, but, darkness setting in, the beast got away. For the rest of the journey to Suakim, however, ...
— Scientific American Supplement, No. 1157, March 5, 1898 • Various
... heard. Enter divers spirits in the shape of hounds, and hunt them about: PROSPERO and ARIEL setting them on. ...
— Eight Illustrations to Shakespeares Tempest - Designed by Walter Crane • Walter Crane
... plain choral; but with a noble movement, by Henry Smart, is the English music to this fine lyric, but Dr. Mason's "Ariel" is the American favorite. It justifies its name, for it has wings—in both full harmony and duet—and its melody feels the glory of the hymn at ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... Puck halts, and Ariel swaggers— And Caesar's murder'd o'er again, Though not by Roman daggers. Great Charlemagne is four feet high— Sad Stuff has Bacon spoken— Queen Mary's waist is all awry, And Psyche's nose ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 12, - Issue 345, December 6, 1828 • Various
... independent. By a sort of law of nature, too, his tarred repute attracted to it every floating feather of suspicion, no less than of guilt, as to its natural seat; and thus it happened that the lofty genius of Mirabeau, under the "grand hests" of a hateful necessity, like the "too delicate spirit," Ariel, tasked to the "strong biddings" of the "foul witch Sycorax," was condemned for a while to pander rather than teach, to follow rather than lead, to please rather than patronize, and to halloo others' opinions rather than ...
— Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. • Various
... scarce a play of Shakespeare's in which there is such variety of character, none in which character has so little to do in the carrying on and development of the story. But consider for a moment if ever the Imagination has been so embodied as in Prospero, the Fancy as in Ariel, the brute Understanding as in Caliban, who, the moment his poor wits are warmed with the glorious liquor of Stephano, plots rebellion against his natural lord, the higher Reason. Miranda is mere abstract Womanhood, as truly so before she sees Ferdinand as Eve before she was wakened to consciousness ...
— Among My Books - First Series • James Russell Lowell
... completed, Sir James hastened back to the Baltic, and, arriving off Carlscrona, received additional intelligence of the position of the Russian fleet. Taking along with him the Mars, Goliath, and Africa, Salsette, Rose, and Ariel, he proceeded to the northward; and, passing between Gothland and Sweden, made for the Gulf of Finland, expecting to fall in with the Centaur and Implacable at certain places of rendezvous. He was not a little disappointed at not finding them, even at Hango Udd. On the 30th of August he fell ...
— Memoirs and Correspondence of Admiral Lord de Saumarez. Vol II • Sir John Ross
... no doubt, but of what use would it have been to any one who was not ready to use it? Kate, though only about nineteen at this time, was a finished actress. She had been a perfect Ariel, a beautiful Cordelia, and had played at least forty other parts of importance since she had appeared as a tiny Robin in the Keans' production of "The Merry Wives of Windsor." She had not had her head turned by big salaries, and she had never ceased working since she was ...
— The Story of My Life - Recollections and Reflections • Ellen Terry
... there a memory of Harlequin in that delicate figure? Something of the subservient immortality, of the light indignity, proper to Pantaleone, Brighella, Arlecchino, Colombina, and the Clown, hovers away from the stage when Ariel is released from ...
— Essays • Alice Meynell
... man mad!" exclaimed the young officer in the whale-boat, when his men had ceased rowing; "does he think that the bottom of the Ariel is made of iron, and that a rock can't knock a hole in it! or does he think she is manned with alligators, who ...
— The Pilot • J. Fenimore Cooper
... delicious setting of Ariel's song in the 'Tempest,' with a taste and feeling completely thrown away on the greater part of the audience. That she was beautiful—in my eyes at least—I needn't say. That she had descended to a sphere unworthy of her and new to her, nobody could doubt. Her modest dress, ...
— Little Novels • Wilkie Collins
... so that the children might not be diverted from their lessons by any sight of occasional passers-by. As though children could study better in a prison! As though you could shut in a child's mind, traveling in its vagrant fancies like Prospero's Ariel round about the earth in twenty minutes! The dull sound of a horse's hoofs would come in now and then from the road, and the children, longing for some new sight, would spend the next half hour in mental debate whether it could have ...
— Duffels • Edward Eggleston
... imbibed by the thirsty roots of forests in sight of the very walls from which it parted. And who can say that parts of it do not now adorn the necks of some Venetian dames, in coral, or more costly pearls? What says Ariel to the orphaned Ferdinand? ...
— Atlantic Monthly, Vol. 4, No. 21, July, 1859 • Various
... Will Ladislaw's smile was delightful, unless you were angry with him beforehand: it was a gush of inward light illuminating the transparent skin as well as the eyes, and playing about every curve and line as if some Ariel were touching them with a new charm, and banishing forever the traces of moodiness. The reflection of that smile could not but have a little merriment in it too, even under dark eyelashes still moist, as Dorothea ...
— Middlemarch • George Eliot
... this moment, 'Ariel sleeps in this posture, does he not, Auntie?' Suiting the action to the word she flung out her arms behind her head as she lay in the green silk hammock, idly closed her pink eyelids, and swung herself to ...
— A Laodicean • Thomas Hardy
... face with your hands—and then shut your ears. "Sir John Suckling, a professed admirer of our author, has followed his footsteps in his 'Goblins;' his Regmella being an open imitation of Shakspeare's Miranda, and his spirits, though counterfeit, yet are copied from Ariel." But Sir William D'Avenant, "as he was a man of quick and piercing imagination, soon found that somewhat might be added to the design of Shakspeare, of which neither Fletcher nor Suckling had ever thought;" "and this excellent contrivance," ...
— Blackwood's Edinburgh Magazine - Volume 57, No. 352, February 1845 • Various
... by a name; Weareth at whiles for an enchanter's robe The eyed skin of a supple oncelot; And hath an ounce sleeker than youngling mole, A four-legged serpent he makes cower and couch, Now snarl, now hold its breath and mind his eye, And saith she is Miranda and my wife: 160 'Keeps for his Ariel a tall pouch-bill crane He bids go wade for fish and straight disgorge; Also a sea-beast, lumpish, which he snared, Blinded the eyes of, and brought somewhat tame, And split its toe-webs, and now pens the drudge In a hole o' the rock, and calls him Caliban; A bitter heart that bides ...
— Browning's Shorter Poems • Robert Browning
... was extended beyond it fifteen cubits in the north, and fifteen in the south; and this space was called, "the house of the instruments of slaughter," because the knives were there deposited. And the Sanctuary was narrow behind and broad in the front, and it was like a lion, as is said, "Ho! Ariel, the city where David dwelt,(589) as a lion is narrow behind and broad in front, so the Sanctuary is narrow ...
— Hebrew Literature
... depths of space with a soft and solemn splendour. Not a branch moved on the great trees behind us, folded now in the universal mystery of the night. The little stretch of beach, over whose yellow sands the song of the invisible Ariel once floated, lay in the soft light fit for the feet of fairies, or the gentle advance and retreat of the sea. The very air, suffused through all that vast immensity with a mysterious light, seemed like a ...
— Under the Trees and Elsewhere • Hamilton Wright Mabie
... yet I must agree with most critics that it is admirable after its kind. Pope's sylphs, as Mr. Elwin says, are legitimate descendants from Shakespeare's fairies. True, they have entered into rather humiliating bondage. Shakespeare's Ariel has to fetch the midnight dew from the still-vexed Bermoothes; he delights ...
— Hours in a Library, Volume I. (of III.) • Leslie Stephen
... island of the still-vexed Bermoothes. The world lay wrecked behind him: Raynham hung in mists, remote, a phantom to the vivid reality of this white hand which had drawn him thither away thousands of leagues in an eye-twinkle. Hark, how Ariel sang overhead! What splendour in the heavens! What marvels of beauty about his enchanted brows! And, O you wonder! Fair Flame! by whose light the glories of being are now first seen....Radiant Miranda! Prince ...
— The Shaving of Shagpat • George Meredith
... need, letters that would go farther than the sword, that carried more execution in them than the great seal. Banished from the state in that isle to which he was banished, he found not the base-born Caliban only, to instruct, and train, and subdue to his ends, but an Ariel, an imprisoned Ariel, waiting to be released, able to conduct his masques, able to put his girdles round the earth, and to 'perform and ...
— The Philosophy of the Plays of Shakspere Unfolded • Delia Bacon
... like Caliban, No runner of errands like Ariel, He comes in the shape of a fat old man, Without rap of knuckle or pull of bell; And whence he comes, or whither he goes, I know as I do ...
— The Wit and Humor of America, Volume X (of X) • Various
... are not conductors to the imagination. There is infinite truth and feeling in Richardson; but it is extracted from a caput mortuum of circumstances: it does not evaporate of itself. His poetical genius is like Ariel confined in a pine-tree, and requires an artificial process to let ...
— Lectures on the English Poets - Delivered at the Surrey Institution • William Hazlitt
... its halls? That garden, wherein he wandered and hung upon her accents; that wood, among whose shadowy boughs she glided like an antelope, that pensive twilight, on which he had gazed with such subdued emotion; that moonlight walk, when her voice floated, like Ariel's, in the purple sky: were these all phantoms? Could it be that this morn, this very morn, he had beheld Henrietta Temple, had conversed with her alone, had bidden her a soft adieu? What, was it this day that she had given him ...
— Henrietta Temple - A Love Story • Benjamin Disraeli
... gates of Paradise. It was The Tempest, and he hardly understood. It broke over him in overpowering sound and colour. He was dazed and blinded. He forgot Francey. He sat with his gaunt white face between his bands and watched them pass: Prospero, Miranda, Ferdinand, Ariel—figures of a noble, glittering company—and wretched, uncouth Caliban crouched on the outskirts of their lives, pining for his lost kingdom. But in the interval he was silent, awkward and heavy with an emotion that could not ...
— The Dark House • I. A. R. Wylie
... The resemblance of this song, in rhythm and rhyme, to the song of Ariel in the Tempest, v. 1. 88-94, has been frequently pointed out: "Where the bee sucks, there suck I," etc. Compare also the song of Johphiel in The Fortunate Isles (Ben Jonson): "Like a lightning from the sky," etc. The ...
— Milton's Comus • John Milton
... companions, in spite of some false alarms of detection, remained in the dubious condition in which Herschel had left them. At last, on October 24, 1851,[237] after some years of fruitless watching, Lassell espied "Ariel" and "Umbriel," two Uranian attendants, interior to Oberon and Titania, and of about half their brightness; so that their disclosure is still reckoned amongst the very highest proofs of instrumental power and perfection. ...
— A Popular History of Astronomy During the Nineteenth Century - Fourth Edition • Agnes M. (Agnes Mary) Clerke
... while Williams fancied himself as a navigator, Trelawny was really at home on the water. A certain Captain Roberts was commissioned to get a boat built at Genoa, where Byron also was fitting out a yacht, the 'Bolivar'. When the 'Ariel'—for so they called her—arrived, the friends were delighted with her speed and handiness. She was a thirty-footer, without a deck, ketch-rigged. (1) Shelley's health was good, and this June, passed in bathing, sailing, reading, and hearing Jane sing simple melodies to her guitar ...
— Shelley • Sydney Waterlow
... then, ye spirits; to your charge repair, The fluttering fan be Zephyretta's care; The drops to thee, Brillante, we consign, And, Momentilla, let the watch be thine; Do thou, Crispissa, tend her favourite lock, Ariel himself shall be the guard ...
— Practical Education, Volume II • Maria Edgeworth
... Elliot, and Lewis was kind and good and in every way delightful, but compared with Richard Plantagenet—In this pedestrian world her Biddy had something of the old cavalier grace. Also, he had more than a streak of Ariel. Would he be content always to be settled at home? He thought so now, but—Anyway, she wouldn't try to bind him down, to keep him to domesticity, making an eagle into a barndoor fowl; she would go with him where she could go, and where she would be a burden she would send him alone and keep ...
— Penny Plain • Anna Buchan (writing as O. Douglas)
... This Ariel of the fine arts sends its messages to the human soul by virtue of a fourfold capacity: Firstly, the imitation of the voices of Nature, such as the winds, the waves, and the cries of animals; secondly, its potential delight as melody, modulation, ...
— The Great German Composers • George T. Ferris
... of a bird, and partly propped, as the aiguilles by those rock promontories at their bases which I have always called their spurs, this observance of the pine's strength and animal-like grasp being the chief reason for his choosing it, above all other trees, for Ariel's prison. Again: ...
— Modern Painters, Volume IV (of V) • John Ruskin
... Ariel's songs are of course known to everybody—"Full fathom five" and "Come unto these yellow sands," both great immortal melodies (in the second Shakespeare's words are doctored and improved). The first I have mentioned as a specimen ...
— Purcell • John F. Runciman
... snow-drop, but an exquisite genius. He played to me, and I liked his talking scarcely less. Madame S. loved Liszt before him; she has thus been intimate with the two opposite sides of the musical world. Mickiewicz says, "Chopin talks with spirit, and gives us the Ariel view of the universe. Liszt is the eloquent tribune to the world of men, a little vulgar and showy certainly, but I like the tribune best." It is said here, that Madame S. has long had only a friendship for Chopin, who, perhaps, on his side prefers to be a ...
— Memoirs of Margaret Fuller Ossoli, Vol. II • Margaret Fuller Ossoli
... stateliness of its verse, and for its rare bits of poetic beauty; but in dramatic instinct, in wide knowledge of human life, in humor, in delineation of woman's character, in the delicate fancy which presents an Ariel as perfectly as a Macbeth,—in a word, in all that makes a dramatic genius, Shakespeare stands alone. Marlowe simply prepared the way for the master who ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... leads, As in a dream, through an enchanted land, Here, with Macbeth, in the dread cavern hails The weird sisters, and the dismal deed Without a name; there sees the charmed isle, The lone domain of Prospero; and, hark! Wild music, such as earth scarce seems to own, 150 And Ariel o'er the slow-subsiding surge Singing her smooth air quaintly! Such repose Steals o'er her spirits, when, through storms at sea, Fancy has followed some nigh-foundered bark Full many a league, in ocean's ...
— The Poetical Works of William Lisle Bowles, Vol. 1 • William Lisle Bowles
... sky is clouded, the air is still; a grateful coolness comes up from acre after acre of gardens climbing the steep slope; a fluttering breeze, that seems to have lost his way in the dusk, comes timidly and whimsically past, like Ariel, singing as soft as a far-off falling sea in the great pine overhead, making a little sudden flutter in the dry leaves of the thick creeper; like Ariel comes that dainty spirit of the air, laden with balmy scents and cool dew. A few lights twinkle in the plain below. Opposite, ...
— At Large • Arthur Christopher Benson
... long ago, you see! Men were untravelled then, but we, Like Ariel, post o'er land and sea With careless parting; He found it quite enough for him To smoke his pipe in "garden trim," And watch, about the fish tank's ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... erects its battlements bravely; my Anecdotes of Painting thrive exceedingly: thanks to the gout, that has pinned me to my chair: think of Ariel the sprite in a ...
— The Letters of Horace Walpole Volume 3 • Horace Walpole
... shaping mood, might give to thee, To the forsaken Primrose, thou would'st say, 'Come, live with me, and we two will rejoice:— Nor want I company; for when the sea Shines in the silent moonlight, elves and fays, Gentle and delicate as Ariel, That do their spiritings on these wild bolts— Circle me in their dance, and sing such songs As human ear ne'er heard!'"—But cease the strain, Lest Wisdom, ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 13, - Issue 350, January 3, 1829 • Various
... timeless houri's knees, His turban that is woven of the sunsets and the seas. He shakes the peacock gardens as he rises from his ease, And he strides among the tree-tops and is taller than the trees; And his voice through all the garden is a thunder sent to bring Black Azrael and Ariel and Ammon on the wing. Giants and the Genii, Multiplex of wing and eye, Whose strong obedience broke the sky ...
— Modern British Poetry • Various
... exceeding, so poorly mimics the reality, that it can never realize the effect which the poet designs, and with which the reader is impressed. So is it with supernatural and fanciful creations, especially of the more delicate and subtle kind. The Ariel of the "Tempest," the fairies of the "Midsummer Night's Dream," and the Oceanides of the "Prometheus," are not to be represented by human shapes. We cannot say that they are not dramatic, but they are not theatrical. We can sympathize with the poet, ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... sometimes reminds me of Ariel—the subtle spirit who, observing from aloof, as it were (that is, from the infinite distance of his own unmoral, demoniacal nature), the follies and sins and sorrows of humanity, understands them all and sympathizes with none of them; and describes, with equal indifference, the drunken, ...
— Records of a Girlhood • Frances Anne Kemble
... Gareth-Lawless incredible good luck. He only drifted into her summer by merest chance because a friend's yacht in which he was wandering about "came in" for supplies. A girl Ariel in a thin white frock and with big larkspur blue eyes yearning at you under her flapping hat as she answers your questions about the best road to somewhere will not be too difficult about showing the way herself. And there you are at ...
— The Head of the House of Coombe • Frances Hodgson Burnett
... and the piano, when he touches it, becomes a joyous, disembodied thing, a voice and nothing more, but a voice which is music itself. To reduce music to terms of human intelligence or even of human emotion is to lower it from its own region, where it is Ariel. There is something in music, which we can apprehend only as sound, that comes to us out of heaven or hell, mocking the human agency that gives it speech, and taking flight beyond it. When Pachmann plays a Prelude of Chopin, all that Chopin was ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... the dairy of Heaven," replied the Captain; "if I always said it when I loved you, I should be sayin' it every minute of time, as well you know. But you are my delicate Ariel, so you are, and there ain't nothin' in the hull book as suits you better. So!" and his supper ended, the good man turned his chair again to the fire, and took the child, once ...
— Captain January • Laura E. Richards
... all are linked to thee, By Romeo's ardour, Juliet's constancy He sets the peasant in the royal rank, Shows, under mask and paint, Kinship of knave and saint And plays on stolid man with Prospero's wand and Ariel's prank. ...
— Romance of Roman Villas - (The Renaissance) • Elizabeth W. (Elizbeth Williams) Champney
... the American flagship, eighty-three were killed or wounded. These figures sufficiently indicate the carnage; but Perry fought on. "Can any of the wounded pull a rope?" cried Perry, and mangled men crawled out to help in training the guns. For nearly three hours the Lawrence with the schooners Ariel and Scorpion, fought the British fleet. Then Master-Commandant Elliott, of the Niagara, fearing Perry had been killed, undertook, notwithstanding Perry's previous orders, to go out of line to the help of the Lawrence. Perry then changed his flag to the Niagara, leaving orders with First ...
— The Land We Live In - The Story of Our Country • Henry Mann
... were among the distinguished people whom he photographed. The first time he saw the latter actress was, I think, in 1858, when she was playing in "The Tempest" at the Princess's. "The gem of the piece," he writes, "was the exquisitely graceful and beautiful Ariel, Miss Kate Terry. Her appearance as a sea-nymph was one of the most beautiful living pictures I ever saw, but this, and every other one in my recollection (except Queen Katherine's dream), were all outdone by the concluding scene, ...
— The Life and Letters of Lewis Carroll • Stuart Dodgson Collingwood
... the defeat of the sorcerer, and now arguing and suggesting in ways which gave perpetually fresh stimulus to the mother's inventiveness. He could see her dressing up with him on wet days, reciting King Henry to his Prince Hal, or Prospero to his Ariel, or simply giving free vent to her own exuberant Irish fun till both he and she would sink exhausted into each other's arms, and end the evening with a long croon, sitting curled up together in a big armchair in front of the fire. He could see himself as a child of many crazes, eager ...
— Robert Elsmere • Mrs. Humphry Ward
... forth, times out of number; but those characters were stale. Miss Priest had a form of supple rounded grace, nor had Diana shapelier limbs. A great inspiration came to her as she sauntered pondering on the Mall. Let her go as Ariel, all gauze, flesh-tints, and natural curves. She hailed the happy thought and invested in countless yards of gauze. She had the tights ...
— Camps, Quarters, and Casual Places • Archibald Forbes
... beseeching you! I have been very well—downstairs seven or eight times; lying on the floor in Papa's room; meditating the chair, which would have amounted to more than a meditation except for this little contrariety. In a day or two more, if this cool warmth perseveres in serving me, and no Ariel refills me 'with aches,' I shall fulfil your kind wishes perhaps and be out—and so, ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... nobly from his lips, that we could wish its employment were forbidden henceforth to voices which vulgarize it. But his special, constitutional, word is "fine," meaning something like dainty, as Shakespeare uses it,—"my dainty Ariel,"—"fine Ariel." It belongs to his habit of mind and body as "faint" and "swoon" belong to Keats. This word is one of the ear-marks by which Emerson's imitators are easily recognized. "Melioration" is another favorite word of Emerson's. A clairvoyant ...
— Ralph Waldo Emerson • Oliver Wendell Holmes
... violence in supposing such a being as this to have existed, while the elementary spirits were believed in; but it was more difficult to describe or imagine its attributes and principles of action. Shakespeare, the first of authorities in such a case, has painted Ariel, that beautiful creature of his fancy, as only approaching so near to humanity as to know the nature of that sympathy which the creatures of clay felt for each other, as we learn from the expression—"Mine would, if I were human." The inferences from ...
— The Monastery • Sir Walter Scott
... the familiar spirit spoke, was by "peeping," "muttering," whispering out of the dust, &c. God said to Ariel, "And thou shalt be brought down, and shalt speak out of the ground, and thy speech shall be low out of the dust, and thy voice shall be as of one that hath a familiar spirit, out of the ground, and thy speech shall whisper out of the dust," ...
— A Brief Commentary on the Apocalypse • Sylvester Bliss
... and through its mazy ringlets, Titania may have led her elfin rout, Or Ariel fanned it with his gauzy winglets, Or Puck danced in the bowl to put ...
— Pipe and Pouch - The Smoker's Own Book of Poetry • Various
... Caliban, fashionable and magnificent, would distance Ariel, poor. Lord David was handsome, so much the better. The danger in being handsome is being insipid; and that he was not. He betted, boxed, ran into debt. Josiana thought great things of his horses, his dogs, his ...
— The Man Who Laughs • Victor Hugo
... the fort which they occupy, which with too hasty consideration has usually been regarded as friendly to the human race. Religions, laws, sciences, arts, theories, and histories, instead of passing Ariel-like into the elements when their task is done, are made perpetual prisoners in the alcoves of dreary libraries. They have a fossil immortality, surviving themselves in covers, as poems have survived minstrels. The memory of man is made omni-capacious; its burden increases with every generation; ...
— The Atlantic Monthly, Volume 14, No. 83, September, 1864 • Various
... to the dwellers in that home three years ago. A pretty, wilful child of fifteen, who had grown up impatient of all needful home restraint, finding rebellion easier because there was no mother to control her—with a love of motion, color, sunshine, sound, and laughter that made her an Ariel of Venice, as full of frolic as a kitten and as irresponsible, choosing in her latest caprice one from the many lovers who were ready for the wooing with the seriousness with which she would have chosen a partner for a festa, since to-morrow, if something else seemed better, this ...
— A Golden Book of Venice • Mrs. Lawrence Turnbull
... the Millennium, anticipative of a life to come—and he plunged deep into the controversy on Matter and Spirit, and, as an escape from Dr. Priestley's Materialism, where he felt himself imprisoned by the logician's spell, like Ariel in the cloven pine-tree, he became suddenly enamoured of Bishop Berkeley's fairy-world, and used in all companies to build the universe, like a brave poetical fiction, of fine words—and he was deep-read in Malebranche, and in Cudworth's Intellectual System (a huge ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... ARIEL and LEXINGTON are smaller towns, all prospering and being built up into substantial business centers by the steadily increasing development of the latent resources of ...
— A Review of the Resources and Industries of the State of Washington, 1909 • Ithamar Howell
... was as Ariel that she made her real conquest of London. "So pretty and winning in pouting wilfulness, so caressing, her voice having the flowing sweetness of music, she bounded along with so light a foot that it scarcely seemed to rest ...
— Love Romances of the Aristocracy • Thornton Hall
... Challengers The Man of the Desert Coming Through the Rye More Than Conqueror Daphne Deane A New Name The Enchanted Barn The Patch of Blue Girl from Montana The Ransom Rose Galbraith The Witness Sound of the Trumpet Sunrise Tomorrow About This Time Amorelle Head of the House Ariel Custer In Tune with Wedding Bells Chance of a Lifetime Maris Crimson Mountain Out of the Storm Exit Betty Mystery Flowers The Prodigal Girl Girl of the Woods Re-Creations The White Flower Matched Pearls Time of the Singing of Birds Ladybird The Substitute Guest Beauty for Ashes Stranger ...
— Exit Betty • Grace Livingston Hill
... any notice of the variation. Mr. Theobald substitutes no foil, and Mr. Pope follows him. To come so near the right, and yet to miss it, is unlucky: the author probably wrote no soil, no stain, no spot: for so Ariel tells, ...
— Johnson's Notes to Shakespeare Vol. I Comedies • Samuel Johnson |
