"Architrave" Quotes from Famous Books
... grandest remains of Rome. The building is a thousand feet square, and its massive walls look as if built by a race of giants. These Titan remains are covered with green shrubbery, and long, trailing vines sweep over the cornice, and wave down like tresses from architrave and arch. In some of its grand halls the mosaic pavement is yet entire. The excavations are still carried on; from the number of statues already found, this would seem to have been one of the most gorgeous edifices ... — Views a-foot • J. Bayard Taylor
... capitals of the great columns of his temples, and he shone on the moss. Grain by grain the dust of his temples crumbled and fell, and was borne off on the wind, and still he shone on crumbling column and architrave. The roof fell crashing on the pavement, and he shone in on the Holy of Holies with unchanging rays. It was not strange ... — Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry • Albert Pike
... Windows of carved Oak and splendid stained Glass, exhibiting old Armorial Bearings, and forming a Bow Window, handsome Chimney Piece of yellow and white marble, and Recesses fitted up with Gothic Book Cases, and the Doors and Architrave of old carved Oak. ... — The "Ladies of Llangollen" • John Hicklin
... his curiosity by gazing around him for a few minutes, Waverley applied himself to the massive knocker of the hall-door, the architrave of which bore the date 1594. But no answer was returned, though the peal resounded through a number of apartments, and was echoed from the courtyard walls without the house, startling the pigeons from the venerable rotunda which they occupied, and alarming anew even the distant village curs, ... — Waverley • Sir Walter Scott
... and turned; and found herself alone with that flock of enormous companions, the hog-backed mountains, like cattle feeding about her. Above, uniting craggy horn to horn, was an architrave ... — The Happy Foreigner • Enid Bagnold
... sill stone of the window is one of the largest in the eastern gable. Its flat lintel stone projects externally in an angled or sharpened form beyond the plane of the gable, like a rude attempt at a moulding or architrave, but probably with the more utilitarian object of preventing entrance of the common eastern showers into the interior of the cell. The thin single flat sandstones composing the jambs are each large enough ... — Archaeological Essays, Vol. 1 • James Y. Simpson
... the upper floor. It came so close to the blind that the exact position of the flame could be perceived from the outside. Remaining steady for an instant, the blind went upward from before it, revealing to thirty concentrated eyes a young girl, framed as a picture by the window architrave, and unconsciously illuminating her countenance to a vivid brightness by a candle she held in her left hand, close to her face, her right hand being extended to the side of the window. She was wrapped in a white robe of some kind, whilst down her shoulders fell a twining profusion of marvellously ... — Under the Greenwood Tree • Thomas Hardy
... size, is the frequent combination in a single mass of distinct architectural members; for instance, of the shaft and capital of pillars, of entire pediments with a portion of the wall below them, and of the walls of monuments with the cornice and architrave. M. Renan has made some strong remarks on this idiosyncrasy. "In the Grecian style," he says, "the beauty of the wall is a main object with the architect, and the wall derives its beauty from the divisions between the stones, which observe symmetrical laws, and are in agreement with ... — History of Phoenicia • George Rawlinson
... while they explain all the parts and proportions of a pillar. They talk of the cornice, and frieze, and base, and entablature, and shaft, and architrave; and give the description and position of each of these members. But should you ask the description and position of its beauty, they would readily reply, that the beauty is not in any of the parts or members of a pillar, but results from the whole, when that complicated figure ... — An Enquiry Concerning the Principles of Morals • David Hume
... such as one often finds in statues of the Greek Hermes. Two colossal statues of red granite discovered in the ruins of Hadrian's villa, at Tivoli, represent him in like manner with the usual Egyptian head-dress. They seem to have been designed for pillars supporting the architrave of some huge portal; and the wands grasped firmly in both hands are supposed to be symbolical of the genii called Dii Averrunci. Von Levezow, in his monograph upon Antinous in art, catalogues five statues of a similar description to the three already mentioned. From the indistinct character of ... — Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... of Medusa in Argolis is said to have been the work of the [593]Cyclopians. This seems to have been an antient hieroglyphical representation upon the temple of Caphisus. It was usual with the Egyptians, and other Amonians, to describe, upon the Architrave of their temples, some emblem of the Deity, who there presided. This representation was often an eagle, or vulture; a wolf, or a lion; also an heart, or an eye. The last, as I have shewn, was common to the temples of [594]Osiris, and was ... — A New System; or, an Analysis of Antient Mythology. Volume II. (of VI.) • Jacob Bryant
... entablature of the Corinthian order, and the upper of as many with entablament of the Composite order, besides twenty columns at the west and four at the east end, and those of the porticoes and spaces between the arches of the windows; and the architrave of the lower order, &c., are filled with great variety of curious enrichments, consisting of cherubims, festoons, volutas, fruit, leaves, car-touches, ensigns of fame, as swords and trumpets in saltier crosses, with chaplets ... — London in 1731 • Don Manoel Gonzales
... Coventry; and everywhere squares of marble, and lemon and blue tiles showed shimmering surfaces between the costly rugs, and fur robes scattered lavishly about the rooms. Surrounded by a gilded wreath of olive leaves, and incised on an architrave fronting the vestibule, the golden "Salve" greeted visitors; just beneath it, on an antique shaped table of topaz-veined onyx, stood a Vulci black bowl or vase, decorated in vermilion with Bacchanal figures; and this Leo filled in summer with creamy roses, ... — At the Mercy of Tiberius • August Evans Wilson |