"Transpose" Quotes from Famous Books
... positive law of our nature, the necessity of mental intercourse with our fellow-creatures, in order to the full developement of the individual, we are far from implying that any thing which is actually taken from others can by any process become our own, that is, original. We may reverse, transpose, diminish, or add to it, and so skilfully that no scam or mutilation shall be detected; and yet we shall not make it appear original,—in other words, true, the offspring of one mind. A borrowed thought will always be borrowed; as it will be felt as such ... — Lectures on Art • Washington Allston
... analogy with {misbug}] n. A {feature} that superficially appears to be a {wart} but has been determined to be the {Right Thing}. For example, in some versions of the {EMACS} text editor, the 'transpose characters' command exchanges the character under the cursor with the one before it on the screen, *except* when the cursor is at the end of a line, in which case the two characters before the cursor are exchanged. While this behavior is perhaps surprising, ... — THE JARGON FILE, VERSION 2.9.10
... some inconsistency. I am aware that B flat does not agree with the rest of the somewhat high-lying part, and a singer who has the voice for the whole part cannot make much effect in B flat, for which reason I was compelled at Dresden to transpose the piece to C. But this C major is altogether out of relation to the other songs of the singers' contest, and more especially it destroys the transition to the bright tone of the ensuing song of "Tannhauser," who, with his C major, is supposed ... — Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... the ineffable pleasure of finding that all-important nothing which had come to be a king of monomania? Very good. Now, spread that fury of search over five years; put a woman, put a heart, put love in the place of the trifle; transpose the monomania into the key of high passion; and, furthermore, let the seeker be a man of ardent temper, with a lion's heart and a leonine head and mane, a man to inspire awe and fear in those who come in contact ... — The Thirteen • Honore de Balzac
... littered my desk. Out of the past appeared clerks on high stools wielding quill pens and inscribing beautiful script for me to transpose into the story of one of America's most romantic and historic towns. It has been impossible to write about every house in Alexandria—even about every historic house. I tried to recall the old town ... — Seaport in Virginia - George Washington's Alexandria • Gay Montague Moore
... an anarchist," he cried. "You might transpose the words anywhere. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist ... — The Man Who Was Thursday - A Nightmare • G. K. Chesterton
... discovered to be perfect; but the poems of Homer we yet know not to transcend the common limits of human intelligence, but by remarking that nation after nation, and century after century, has been able to do little more than transpose his incidents, new name his ... — Eighteenth Century Essays on Shakespeare • D. Nichol Smith
... refuse to sing Forms of humane Composure tho the Sense be never so divine, generally allow it lawful to take any Parts of Scripture and alter and transpose the Words into a Form fit for Singing; But to take a mere Parable or Story out of the Bible, and put Some Rhimes onto the End of every Line of it, without giving it a new and pathetic Turn, is but a dull way of making spiritual Songs, and ... — A Short Essay Toward the Improvement of Psalmody • Isaac Watts
... theatre programs names that please you, but transpose the first and last names as recommended above. If you choose a French Christian name from one of Henri Bernstein's plays, do not take the surname of another character in the same cast to go with it. ... — Writing the Photoplay • J. Berg Esenwein and Arthur Leeds
... sufficient in itself, dispensed him from exhibiting his nature in so articulate a thing as actual vocal utterance. This he was quite opposed to: he would never even try a hymn in church. But he could accompany; he could improvise; he could modulate; he could transpose any simple air. The ease and readiness with which he did all this made less obvious—indeed, almost imperceptible—his fundamental unwillingness to abandon himself before others (especially if members of his own circle) to any manifestation that might be taxed with even a remote emotionalism. And ... — On the Stairs • Henry B. Fuller |