"Titian" Quotes from Famous Books
 ... and in The Harvest after Giulio Romano (B. XII). Most other Italian chiaroscurists made frequent use of this method which had the virtue of simplicity. Outstanding exponents included Niccolo Boldrini, who worked chiefly after drawings by Titian, and in the early 17th century the brothers Bartolomeo and G. B. Coriolano. Andreani's prints were usually in a more independent style which employed a clear outline in gray or soft brown with three tints blocks. While technical procedures were identical in Italian and German chiaroscuros ...
— John Baptist Jackson - 18th-Century Master of the Color Woodcut • Jacob Kainen
... believe Theocritus is one of the poets who will never die. He sees men and things, in his own light way, truly; and he describes them simply, honestly, with little careless touches of pathos and humour, while he floods his whole scene with that gorgeous Sicilian air, like one of Titian's pictures; with still sunshine, whispering pines, the lizard sleeping on the wall, and the sunburnt cicala shrieking on the spray, the pears and apples dropping from the orchard bough, the goats clambering from crag to crag after the cistus and the thyme, the brown youths and wanton lasses ...
— Alexandria and her Schools • Charles Kingsley
... illustrious, I cannot be an ordinary mortal; the honor of the family is concerned, and must be consulted. I am, therefore, resolved to become either a great composer, like Haydn, Mozart, and Beethoven; a renowned painter, like Titian, Carrache, or Veronese; or a great poet, like Homer, Virgil, Shakspeare, Dante, Milton, Goethe, ...
— Willis the Pilot • Paul Adrien
... spring, and very near the close of the sixteenth century, that a handsome youth, of slender form and patrician aspect, was seated and drawing before an easel in the studio of the aged cavaliere Giovanni Contarini—the last able and distinguished painter of the long-declining school of Titian. The studio was a spacious and lofty saloon, commanding a cheerful view over the grand canal. Full curtains of crimson damask partially shrouded the lofty windows, intercepting the superabundant light, and diffusing tints resembling the ruddy, soft, and melancholy hues of autumnal foliage; while ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various
... of hues Such as surround God's golden throne, descend In Titian's skies the boundaries ...
— Poems • Denis Florence MacCarthy
... cattle were loafing in the pastures. Subsequently, when it appeared that there was then no readily available English version of the Roman agronomists, this translation was made, in the spirit of old Piero Vettori, the kindly Florentine scholar, whose portrait was painted by Titian and whose monument may still be seen in the Church of Santo Spirito: in the preface of his edition of Varro he says that he undertook the work, not for the purpose of displaying his learning, but to aid others in the ...
— Roman Farm Management - The Treatises Of Cato And Varro • Marcus Porcius Cato
... ever. His face, a little elongated, had gained in calm dignity what it had lost in feverish excitement. His hand, always wonderfully beautiful and strong, was set off by a ruffle of lace, like certain hands by Titian and Vandyck. He was less stiff than formerly. His long, dark hair, softly powdered here and there with silver tendrils, fell elegantly over his shoulders in wavy curls; his voice was still youthful, as if belonging ...
— Twenty Years After • Alexandre Dumas, Pere
... little faces hanging from the vines, and moving in the wind, to scare the birds. That garland of ivy, the aesthetic value of which is so great in the later imagery of Dionysus and his descendants, the leaves of which, floating from his hair, become so noble in the hands of Titian and Tintoret, was actually worn on the head for coolness; his earliest and most sacred images were wrought in the wood of the vine. The people of the vineyard had their feast, the little or country Dionysia, which still lived on, side by side with the greater ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... of this sketch, who raised his art to an independent national existence, and made it rank with sculpture and painting, which had already reached their zenith in Leonardo Da Vinci, Raphael, Correggio, Titian, and Michel Angelo. Henceforth Italian music was to be a ...
— Great Italian and French Composers • George T. Ferris
... without form and without life, when compared with these embryos, which wanted not spirit enough to preserve them; so that I cannot help thinking, that, if some of them were to come abroad, they would be as highly valued by the poets, as the sketches of Julio and Titian are by the painters; though there is nothing in them but a few outlines, as to ...
— Lives of the Poets, Vol. 1 • Samuel Johnson
... you into some other character; 305 brings back the whole Rigi tramp to me at a glance; at 185 and 186 are specimens of my art; and the frontispiece is the combination which I made by pasting one familiar picture over the lower half of an equally familiar one. This fine work being worthy of Titian, I have shed the credit of it upon him. Well, you'll find more reminders of things scattered through here than are printed, or could have been printed, in ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... and a lady past middle age entered, and approaching Harley, as he still stood musing by the window, laid her hand on his shoulder. What character there is in a hand! Hers was a hand that Titian would have painted with elaborate care! Thin, white, and delicate, with the blue veins raised from the surface. Yet there was something more than mere patrician elegance in the form and texture. A true physiologist would have said at once, "There are intellect and ...
— My Novel, Complete • Edward Bulwer-Lytton
... myself as playing a great game; and instead of beginning to save money, I laid it out faster than I got it, in purchasing the best examples of art that could be procured, for I even borrowed money for this purpose. The possession of pictures by Titian, Vandyke, Rembrandt, &c., I considered as the best ...
— Rembrandt and His Works • John Burnet
... herself and all her points. Aline West's and Basil Norman's photographs, taken together or apart, for newspapers and magazines, were extremely effective, and were considered by publishers to help the sale of their books. Norman might have sat for Titian's Portrait of a Gentleman: and there were those who thought Mrs. West not unlike Lady Hamilton. Since the first expression of this opinion in print, she had changed the fashion of her hair, and at fancy-dress balls, of which she was fond, she generally ...
— The Heather-Moon • C. N. Williamson and A. M. Williamson
... sounds a martial strain, And Samuel sings, "The King shall have his ain": Two Georges in his loyal zeal are slur'd,[64] A gracious pension only saves the third!— By Nature's gifts ordain'd mankind to rule, He, like a Titian, form'd his brilliant school; And taught congenial spirits to excel, While from his lips impressive wisdom fell. Our boasted GOLDSMITH felt the sovereign sway; From him deriv'd the sweet yet nervous lay. ...
— A Poetical Review of the Literary and Moral Character of the late Samuel Johnson (1786) • John Courtenay
... there was a woman in an ermine wrap, with Titian hair under a jewelled net; and Virginia's eyes were suffused with pleasure as she gazed at her. "I never saw any one so beautiful!" she exclaimed to Oliver, as they stepped out into the hall; but he merely replied indifferently: "Was she? ...
— Virginia • Ellen Glasgow
... without that to impress them so much that Reynolds gave the credit of whatever was best in his Discourses to the "education" he had had under Johnson: and Hogarth declared that his conversation was to the talk {248} of other men "like Titian's painting compared to Hudson's." This outer circle includes also distinguished architects like Sir William Chambers who built Somerset House, and Gwynn who built Magdalen Bridge at Oxford and the English bridge ...
— Dr. Johnson and His Circle • John Bailey
... like some strange god, by chance incarnate here, and I revered him above all the saints in the calendar. Yes, I wished in a vague sort of way that he might prove to be Christ, for then I, should know what to believe. For it may be very fine to manifest, as Giotto and Fra Angelico, and Rafael and Titian, how beautiful human nature is and can be imagined; but yet there is more comfort and salvation in revealing how in the unlovely, mean and ugly the divine life dwells, and is beautiful and can be ...
— The Bride of Dreams • Frederik van Eeden
... by Robey Skelton Mackenzie, D.C.L., author of "Titian: an Art Novel" (London, Henry Colburn, publisher, 1850), a book which contains a collection of twenty-six short stories supposed to have been told by people stopping at Matlock, there is an interesting ...
— The King's Post • R. C. Tombs
... acquainted with all manner of arts and sciences of which he knew little or nothing. It is true, as has been said already, that he had had some practice in the art of painting, and was an enthusiastic admirer of the masterpieces of Raphael, Titian, Guido, Domenichino, and others; but he could never have been called a painter; for music he had considerable feeling; I think he must have known thorough-bass, but it was hard to say what he did or did not know. Of science he was almost entirely ignorant, yet he had assimilated a quantity ...
— The Fair Haven • Samuel Butler
... all that I could: the Houses of Parliament, Westminster Hall and Abbey, the Tower and the theatres, the Picture Gallery at Dulwich with Rembrandt's Girl at the Window, the one at Hampton Court, with the portrait of Loyola ascribed to Titian, sailed down the river to Greenwich and lingered in the lovely Gardens at Kew, which gave me a luxuriant impression of English scenery. I also saw the Queen's model farm. Every animal was as splendid a specimen ...
— Recollections Of My Childhood And Youth • George Brandes
... out, on the customary travellers' pilgrimage to the shrines of Titian and Tintoret. After some hours of absence, he found a letter waiting for him when he got back to the hotel. It was written by his brother Henry, and it recommended him to return to Milan immediately. The proprietor of a French theatre, recently arrived from Venice, was trying to induce the ...
— The Haunted Hotel - A Mystery of Modern Venice • Wilkie Collins
... vices; but to charming vices, vices in good taste, such as those indulged in by Alcibiades and sung by Catullus. Leo X died after having assembled under his reign, which lasted eight years, eight months, and nineteen days, Michael Angelo, Raffaelle, Leonardo da Vinci, Correggio, Titian, Andrea del Sarto, Fra Bartolommeo, Giulio Romano, Ariosto, ...
— The Cenci - Celebrated Crimes • Alexandre Dumas, Pere
... and at sight of the new costume she cried, "Shade of Titian, what a picture!" During dinner she mentioned that she had met Mr. Drake, who had said that the Prince was likely to be present at the production, having asked for the ...
— The Christian - A Story • Hall Caine
... shapes of cloud, and still it cuts the sky up till it looks like 'random-rubble' masonry." Therefore large spaces of pale sky are "taboo," they will not do for glass, and you must modify your whole outlook, your whole composition, to suit what will do. If you must have sky, it must be like a Titian sky—deep blue, with well-defined masses of cloud—and you must throw to the winds resolutely all idea of attempting to imitate the softness of an English sky; and even then it must not be in a large mass: ...
— Stained Glass Work - A text-book for students and workers in glass • C. W. Whall
... is principally composed of works by Spanish masters, though also containing many other fine works of art. Here we may see forty examples by the hand of Murillo, sixty-four from Velasquez, sixty by Rubens, twenty-five from Paul Veronese, thirty-four by Tintoretto, and many by Andrea del Sarto, Titian, Vandyke, and others of similar artistic fame. It is believed that Murillo appears at his best in this collection. Being a native of Seville, he is seen, as it were, at home; and artists declare that his works here show more power and expression than anywhere else. So ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... painting. Gazing at Michael Angelo's prophets in the Sistine Chapel, we are indeed in contact with ideas originally religious. But the treatment of these ideas is purely, broadly human, on a level with that of the sculpture of Pheidias. Titian's Virgin received into Heaven, soaring midway between the archangel who descends to crown her and the apostles who yearn to follow her, is far less a Madonna Assunta than the apotheosis of humanity conceived as a radiant mother. Throughout the picture there is nothing ascetic, nothing ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... Scott's novel so called 'Antony and Cleopatra,' observations on the play of Apollo Belvidere Arethusa, fountain of, Lord Byron's visit to Argenson, Marquis d', his advice to Voltaire Argyle Institution Ariosto, Lord Byron's imitation of his portrait by Titian Measure of his poetry spared by the robber who had read his 'Orlando Furioso' his courage Aristides Aristophanes, Mitchell's translation of 'Armageddon,' Townshend's poem so called Armenian Convent of St. Lazarus Language Grammar Art, not inferior to nature, for poetical purposes Arts, gulf of ...
— Life of Lord Byron, Vol. 6 (of 6) - With his Letters and Journals • Thomas Moore
... over the medals and rarities, M. de V. was for conducting me to the Armenian convent, but I begged to be excused, and went to S. Giovanni e Paolo's, a church ever celebrated in the annals of painting, since it contains that masterpiece of Titian, "The Martyrdom of St. Peter." It being a festival, the huge Gothic pillars were covered with red damask, and the shrines of saints and worthies glimmered with tapers. The dim chapels on each side the nave received a feeble light, and discovered the tombs of ancient Doges, ...
— Dreams, Waking Thoughts, and Incidents • William Beckford
... practised; nor is there a Duty without a certain Decency accompanying it, by which every Virtue tis join'd to will seem to be doubled. Another may do the same thing, and yet the Action want that Air and Beauty which distinguish it from others; like that inimitable Sun-shine Titian is said to have diffused over his Landschapes; which denotes them his, and has been always ...
— The Spectator, Volume 2. • Addison and Steele
... requires not only the power of a vates sacer, but the heart of a loving friend. Few men live great and good lives; still fewer can write them; nay, often, when they have been lived and have been written, the world passes by unheeding, as crowds will pass without a glance by the portraits of a Titian or a Van Dyke. Now and then, however, a biography takes root, and then acts, as a lesson, as no other lesson can act. Such biographies have all the importance of an Ecce Homo, showing to the world what man can be, and permanently raising the ideal of human life. It was so in England with the ...
— Chips From A German Workshop. Vol. III. • F. Max Mueller
... gentlest breed, Yet strong, like every goodly thing; The discipline of arms refines, And the wave gives tempering. The damasked blade its beam can fling; It lends the last grave grace: The hawk, the hound, and sworded nobleman In Titian's picture for a king, Are of hunter ...
— John Marr and Other Poems • Herman Melville
... arrested by a beautiful girl stationed in one of the private boxes. She was the most perfect blonde I had ever seen. Her hair was a glossy auburn, and shaded a face that might have served for the model of Titian's Venus. Her features were regular, her eyes a deep blue, shaded by long eyelashes which gave a dreamy expression to her lovely countenance. Her lips were full and sensuous; a lovely carnation hue, evidently nature's own coloring, ...
— The Life and Amours of the Beautiful, Gay and Dashing Kate Percival - The Belle of the Delaware • Kate Percival
... power. In one room are five of Raphael's Madonnas, but only one of them is in his better style. "The collection of pictures in the Old Museum," wrote George Eliot in 1855, "has three gems which remain in the imagination,—'Titian's Daughter,' Correggio's 'Jupiter and Io,' and his 'Head of Christ on a Handkerchief.' I was pleased, also, to recognize among the pictures the one by Jan Steem which Goethe describes in the 'Wahlverwandschaften' as the model of a tableau vivant presented by Lucian and her friends. It is ...
— In and Around Berlin • Minerva Brace Norton
... afterwards at Cambridge, Massachusetts, where he died on the 9th of July 1843. He was elected an associate of the Royal Academy in 1819. In colour and the management of light and shade Allston closely imitated the Venetian school, and he has hence been styled the "American Titian.'' Many of his pictures have Biblical subjects, and Allston himself had a profoundly religious nature. His first considerable painting, "The Dead Man Revived,'' executed shortly after his second visit to England, and now at the Pennsylvania Academy of Fine Arts in Philadelphia, gained a prize ...
— Project Gutenberg Encyclopedia
... only once took me with him to see the Academy of Arts, a building which on my former visit to Venice I had only known from the outside. In spite of all my indifference, I must confess that the 'Assumption of the Virgin' by Titian exercised a most sublime influence over me, so that, as soon as I realised its conception, my old powers revived within me, as though by a sudden ...
— My Life, Volume II • Richard Wagner
... perhaps obscure the significance of OEnone's "I will not die alone," which in the earlier volume directly refers to the foreseen end of all as narrated in Tennyson's late piece, The Death of OEnone. The whole poem brings to mind the glowing hues of Titian and the famous Homeric lines on the divine wedlock of ...
— Alfred Tennyson • Andrew Lang
... Elaine. The hat and mustache of her disguise were gone and her beautiful Titian hair was spread out on the water as it carried her now this way, now that, while she struck out with all her strength to keep afloat. I did not stop to think how or why she was there. I swung over the bridge rail, ...
— The Romance of Elaine • Arthur B. Reeve
... the picture-gallery by the chancellor (although Duke George cared little about such matters), where there was a costly collection of paintings by Perugino, Raphael, Titian, Bellini, &c.—item, statues, vases, coins, and medals, all of which his Grace had brought lately from Italy. Here also there was a large book, covered with crimson velvet, lying open, in which his Grace the Duke had written down many extracts ...
— Sidonia The Sorceress V2 • William Mienhold
... there might not be a single tuber left in Ireland, and prevailing dearth elsewhere, but you would still find potatoes at Flicoteaux's. Not once in thirty years shall you miss its pale gold (the color beloved of Titian), sprinkled with chopped verdure; the potato enjoys a privilege that women might envy; such as you see it in 1814, so shall you find it in 1840. Mutton cutlets and fillet of beef at Flicoteaux's represent black game ...
— A Distinguished Provincial at Paris • Honore de Balzac
... Apollino; the spotted Faun; the Remouleur or figure which is in the act of whetting a sickle. All these were in Paris, and are now restored to this Gallery. In this chamber two pictures struck me in particular: the one the Venus of Titian, a most voluptuous figure; the other a portrait of the mistress of Rafaello, called "La Fornarina," from her ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... work in eight or ten volumes, and show me engravings after pictures by great masters in the Louvre, explaining them to me as we went along, painting in words the glow and glory of the absent colour, and steeping my childish imagination in golden dreams of Raphael and Titian, and Paulo Veronese. ...
— Monsieur Maurice • Amelia B. Edwards
... popular minions, absolutely court you, lay themselves out to strike you at first smack, like one of David's pictures (they call him Darveed), compared with the plain russet-coated wealth of a Titian or a Correggio, as I illustrated above. Such are the obvious glaring heathen virtues of a corporation dinner, compared with the reserved collegiate worth of brawn. Do me the favour to leave off the business which you may be at present upon, and go immediately to the kitchens of Trinity and Caius, ...
— The Best Letters of Charles Lamb • Charles Lamb
... was pleased by the effect of the black—it was just THAT note which brought the rest together. "Ah, one may learn to paint at fifty! There's Titian..." and so, having found the right tint, up he looked and saw to his horror a cloud ...
— Jacob's Room • Virginia Woolf
... say that Agnes ought to feel set up because Pong has a nice coat. By the way, I have a compliment for you—no, not one of their beastly trade-lasts! Browne says your hair is more beautiful than Pong's. That's quite a compliment, Titian never even dreamed of ...
— The Man From Brodney's • George Barr McCutcheon
... for liking your Paul Veronese (what an impudence to talk so to a man who has just purchased a real Titian!) does not quite disprove my theory. You like the picture because you like the verses you once made upon it: you associate the picture (naturally enough) with them: and so shall I in future, because ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... which I had marveled at in private European collections and art exhibitions. The various schools of the old masters were represented by a Raphael Madonna, a Virgin by Leonardo da Vinci, a nymph by Correggio, a woman by Titian, an adoration of the Magi by Veronese, an assumption of the Virgin by Murillo, a Holbein portrait, a monk by Velazquez, a martyr by Ribera, a village fair by Rubens, two Flemish landscapes by Teniers, three little genre paintings by Gerard Dow, Metsu, and Paul ...
— 20000 Leagues Under the Seas • Jules Verne
... Margaret McFadden, a Titian, profusely toothed, muscular, and President of the Hair Dressers' Union of ...
— Police!!! • Robert W. Chambers
... was an old haunt of mine, she very excusably expected me to act as cicerone to her, and allowed me but little rest between the hours of breakfast and of the table d'hote. At last, however, she conceived the modest and felicitous idea of making a copy of Titian's "Assumption"; and, having obtained the requisite permission for that purpose, set to work upon the first of a long series of courageous attempts, all of which she conscientiously destroyed when in a half-finished state. At that rate ...
— Stories By English Authors: Italy • Various
... Or Titian's little maiden on the stair White as her own sweet lily and as tall, Or Mona Lisa smiling through her hair,— Ah! somehow life is bigger after all Than any painted angel, could we see The God that is within us! ...
— Poems • Oscar Wilde
... do not know how well he painted. But he cared for nothing else, except his wife. When he spoke at all it was to her of Raphael, and of Titian, and particularly of our Benjamin West, who had his first three colours of the Indians, ...
— The Hidden Children • Robert W. Chambers
... anything; but the other two were chatting like birds. And what about? About the blond tint used by Venetian painters! Yes, about the "Venetian blond." That little serpent of a Gelis was telling Jeanne the secret of the dye with which, according to the best authorities, the women of Titian and of Veronese tinted their hair. And Mademoiselle Jeanne was expressing her opinion very prettily about the honey tint and the golden tint. I understood that that scamp of a Vecellio was responsible—that they had been bending over the book together, and that they had ...
— The Crime of Sylvestre Bonnard • Anatole France
... "the Little Virgin" and showed signs already of a fine figure and great delicacy of complexion. Her Madonna-like face—for the popular voice had well named her—was surrounded by a wealth of fair hair, which brought out the purity of her features. Whoever has seen the sublime Virgin of Titian in his great picture of the "Presentation" at Venice, will know that Veronique was in her girlhood,—the same ingenuous candor, the same seraphic astonishment in her eyes, the same simple yet noble attitude, the same majesty ...
— The Village Rector • Honore de Balzac
... imposing in their gildings and sculpture, while the walls sustained countless works on which the highest geniuses of Italy had lavishly diffused their power. Among these relics of an age more happy in this respect than that of which we write, the connoisseur would readily have known the pencils of Titian, Paul Veronese, and Tintoretto—the three great names in which the subjects of St. Mark so justly prided themselves. Among these works of the higher masters were mingled others by the pencils of Bellino, and ...
— The Bravo • J. Fenimore Cooper
... impossible to distinguish further of the priest's figure and features beyond the circumstance of his height, which was remarkable, until he had reached the carriage window, when, raising his hat, he disclosed a head that Titian might have painted, and which, arising from the dark drapery, looked not unlike the visage of some grave and saturnine Venetian. There was a venerable expanse of forehead, thinly scattered with hair, towering over black pent-house-like ...
— Rookwood • William Harrison Ainsworth
... course she's up on pictures— Passes for a connoisseur. On free days at the Institute You'll always notice her. She qualifies approval Of a Titian or Corot; But— She throws a fit of rapture ...
— A line-o'-verse or two • Bert Leston Taylor
... should not have published the very first paragraph in her book, which presents an inaccuracy and shallowness of thought quite amazing in a person of her fine perceptions, talent and culture. We allude to the contrast she attempts to establish between Raphael and Titian, in placing mind in contradistinction to beauty, as if beauty were merely physical. Of course she means no such thing; but the passage means this or nothing, and, as an opening to a paper on art, is ...
— Woman in the Ninteenth Century - and Kindred Papers Relating to the Sphere, Condition - and Duties, of Woman. • Margaret Fuller Ossoli
... adjoining, contain several chefs d'oeuvre amid a fairly representative collection of French art. The fine Albert Duerer—an altarpiece in wood—the Moro portraits, the Bronzino—Descent from the Cross—all veritable gems, lastly the portrait of Cardinal Granvelle by Titian. This is a noble work; there are also two canvases attributed to Velasquez, "Galileo," and a "Mathematician." Seeing that Besancon was under Spanish protection during the great painter's lifetime, and that all kinds of art-treasures were amassed by the Granvelles in their superb palace, ...
— Holidays in Eastern France • Matilda Betham-Edwards
... as she did in bygone days, laughing, to set herself off, in spite of me. This woman who tries to keep a good likeness of herself through passing time, to be fixed upon herself, who paints herself, she is, to that extent like what Rembrandt the profound and Titian the bold and exquisite did—make enduring, and save! But this time, a few tears have washed ...
— Light • Henri Barbusse
... broad middle tone which was divided again into half dark and half light tones, and these, added to the accents of light and dark made five distinct tones. The Venetian painters attracted him most and, he says, speaking of Titian, Paul Veronese and Tintoret, "they appeared to be the first painters who reduced to a system what was before practised without any fixed principle." From these painters he declares Rubens extracted his scheme of composition which was soon understood and adopted by his countrymen, even to the minor ...
— Pictorial Composition and the Critical Judgment of Pictures • Henry Rankin Poore
... part of the attention from the subject, and the solemn effect of that twilight which seems diffused over his pictures, appear to me to correspond with grave and dignified subjects, better than the more artificial brilliancy of sunshine which enlightens the pictures of Titian. Though Tintoret thought that Titian's colouring was the model of perfection, and would correspond even with the sublime of Michael Angelo; and that if Angelo had coloured like Titian, or Titian designed like Angelo, the world would once ...
— Seven Discourses on Art • Joshua Reynolds
... wearied with examination and debate—I had gone there on a special errand—I turned into the Salle Carree for relaxation, and there wandered about, waiting to be attracted. Long ago the Mona Liza was my adventure, and I remember how Titian's "Entombment" enchanted me; another year I delighted in the smooth impartiality of a Terbourg interior; but this year Rembrandt's portrait of his wife held me at gaze. The face tells of her woman's life, her woman's weakness, and she seems conscious ...
— Memoirs of My Dead Life • George Moore
... his descriptions; we smell the sweets of the bloomy haws, and hear the music of the feathered choir, whenever we take a forest walk with him. The hour of the day is not easier to be discovered from the reflection of the sun in Titian's paintings, than in Chaucer's morning landscapes. . . . His reading was deep and extensive, his judgement sound and discerning. . . In one word, he was a great scholar, a pleasant wit, a candid critic, a sociable companion, a steadfast friend, ...
— The Canterbury Tales and Other Poems • Geoffrey Chaucer
... one is like a drawing where the pencil has indicated by harsh and stiff lines all that the rule demands, and which could, if necessary, serve for a student to learn the elements of art. The life of a noble soul, on the contrary, is like a painting of Titian; all the harsh outlines are effaced, which does not prevent the whole face being more ...
— The Works of Frederich Schiller in English • Frederich Schiller
... caught it, having been a cricketer when young. Well, she's gone now, and no doubt heaven's a tidier place than it used to be—that is, if they will stand her rummagings there, which I doubt. Look at that Venus, ain't she a beauty? Might have been done by Titian when his paints ran out, and he had to take to a hot iron to express his art. What, you can't see her well? Wait a bit and I'll get a lantern. Can't have a naked candle here—things too valuable; no money could buy them again. ...
— The Virgin of the Sun • H. R. Haggard
... flesh. You see the form of a face, neck, arm, hand in shadow, but not flesh in shade; and were that portion of the form sundered from its connection with the body, it could never be told, by its color alone, what it was designed to be. Allston's wonderful merit is, (and it was Titian's,) that the hue of life and flesh is the same in the shadow as in the light. It is not only shadow or dark, but it is flesh in shadow. The shadows of most artists, even very distinguished ones, are green, or brown, or black, or lead color, and have some strong and decided tint other than ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various
... old time? The fault does not lie in any want of raw material: nor yet does it lie in want of taking pains. The modern Italian painter frets himself to the full as much as his predecessor did—if the truth were known, probably a great deal more. I am sure Titian did not take much pains after he was more than about twenty years old. It does not lie in want of schooling or art education. For the last three hundred years, ever since the Caraccis opened their academy at Bologna, there has been no lack of art education ...
— Selections from Previous Works - and Remarks on Romanes' Mental Evolution in Animals • Samuel Butler
... great painter Titian must have thought, Charlie; for he has painted him playing with a white rabbit,—not such a pretty one ...
— The Seaboard Parish Volume 1 • George MacDonald
... with the reiteration, Luigi falters, for he recollects that in this June they were to see together "the Titian at Treviso." . . . His mother has almost won, when a "low noise" outside, which Luigi has first mistaken for the cuckoo, next for the renowned echo in the turret . . . that low noise is heard again—"the ...
— Browning's Heroines • Ethel Colburn Mayne
... a painting which a great Italian master left unfinished. The work was taken up and completed by a disciple. The finished picture bears this inscription: 'What Titian left unfinished, Palma reverently completed, and dedicated to God.' So may our beloved Republic find always, when one servant leaves his work unfinished, another who will take it up and dedicate it to ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... of the series, not increasing to the end, as it should do if it depended in any way on the transmission of acquired skill. Gauss was not the son of a mathematician, nor Handel of a musician, nor Titian of a painter, and there is no proof of any special talent in the ancestors of these men of genius, who at once developed the most marvellous pre-eminence in their respective talents. And after showing that such great men only appear at certain stages of human development, and that ...
— Darwinism (1889) • Alfred Russel Wallace
... the Sieurs Primatice and Leonardo da Vinci, to whom he sent large sums of money. She obtained from her family—who had the pick of these works, because at that time the Duke of the Medicis governed Tuscany —a precious picture, painted by a Venetian named Titian (artist to the Emperor Charles, and in very high flavour), in which there were portraits of Adam and Eve at the moment when God left them to wander about the terrestrial Paradise, and were painted their full ...
— Droll Stories, Complete - Collected From The Abbeys Of Touraine • Honore de Balzac
... soon acquired, and then comes the difficulty of judging honestly of the effect upon one's self of a picture which bears so great a name. Yet all Tintoretto's paintings are no more equal than Sir Walter Scott's novels or Byron's poems: Titian trips as Homer nods. Of course we cannot expect to distinguish between the good and the bad of a great master, but there is no reason for our admiring everything from his hand. A great step is gained when we know whether we are pleased ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... Nazaro e Celso, at Brescia, is certainly a religious—a great, religious painter. The famous Gabriel of the Annunciation, aflight, in all the effortless energy of an angel indeed, and Sebastian, adapted, it was said, from an ancient statue, yet as novel in design as if Titian had been the first to handle that so familiar figure in old religious art—may represent for us a vast and varied amount of work—in which he expands to their utmost artistic compass the earlier religious dreams of Mantegna and the Bellini, affording sufficient ...
— Miscellaneous Studies: A Series of Essays • Walter Horatio Pater
... and tramples like a wild beast; and practically lives, every soul of it that can, on other people's labor. Briefly, the constant duty of every man to his fellows is to ascertain his own powers and special gifts; and to strengthen them for the help of others. Do you think Titian would have helped the world better by denying himself, and not painting; or Casella by denying himself, and not singing! The real virtue is to be ready to sing the moment people ask us; as he was, even in purgatory. The very word "virtue" means not "conduct" ...
— The Ethics of the Dust • John Ruskin
... of harmony with the spirit and ritual of a Catholic convent. But monastic life had its poetical aspects also; and through these it was that its significance first successfully appealed to her. An evening in the chapel, a Titian picture representing Christ on the Mount of Olives, a passage chanced upon in the "Lives of the Saints," brought impressions that awoke in her a new fervor, and inaugurated a period of ardent Catholicism. All vagueness was gone from ...
— Famous Women: George Sand • Bertha Thomas
... was so—though with men of less original genius—in the Augustan Rome of Virgil, Horace and Livy. It was so in the rich and ardent cities of Renaissance Italy, where Da Vinci, Raphael, Michel Angelo, and Titian flourished in the same space of thirty years. It was so in the France of Louis Quatorze, when Corneille, Racine, Moliere, Pascal, and numbers of others of hardly smaller note, were writing side by side. And it was ...
— Platform Monologues • T. G. Tucker
... a princess of the House of Mantua. Their portraits, painted by Titian, adorn the Venetian room of the Uffizzi. Of their son, Guidobaldo II., little need be said. He was twice married, first to Giulia Varano, Duchess by inheritance of Camerino; secondly, to Vittoria Farnese, daughter of the Duke of Parma. Guidobaldo spent a lifetime in ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... physical proportions that, when we see a woman made as a woman ought to be, she strikes us as a monster. Our willowy girls are afraid of nothing so much as growing stout; and if a young lady begins to round into proportions like the women in Titian's and Giorgione's pictures, she is distressed above measure, and begins to make secret inquiries into reducing diet, and to cling desperately to the strongest corset-lacing as her only hope. It would require one to be better educated than most of our girls are, to be willing to look like ...
— Household Papers and Stories • Harriet Beecher Stowe
... (1499-1546), Italian painter, was born at Calcar, in the duchy of Cleves. He was a disciple of Titian at Venice, and perfected himself by studying Raphael. He imitated those masters so closely as to deceive the most skilful critics. Among his various pieces is a Nativity, representing the angels around the infant Christ, ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... have depicted the manners, the events, and the characters of a former age,—never by any accident dull, but fatiguing, if at all, only by his wealth of illustration and the over-brilliancy of his coloring. He is the Titian of word-painting, and as such will live like that immortal colorist. Critics may say what they please about his rhetoric, about his partial statements, about his want of insight into deep philosophical questions; but as ...
— Beacon Lights of History, Volume XIII • John Lord
... scene understood, we must observe that the young sculptor's words referred to that Duchess of Ferrara whom Titian painted in the primitive costume of Mother Eve, and it stung the young painter to the heart when he heard Carmen confess that she had heard the story before—who could have told ...
— The Son of Monte-Cristo, Volume II (of 2) • Alexandre Dumas pere
... would possess, were it not for a fear of Mrs. Sanders and a tender love of the little Sanderses. There is young Smooch,—he who smashed the Fly-Gallery in "The Mahlstick" newspaper, and was not for a moment taken in by the new Titian. There is Crosshatch, who has the marvellous etching by Rembrandt, of which there are only three copies in the world, and which he will not sell,—no, Sir,—not to the British Museum. There is Mr. Brevier Lead, who has in my time successively and successfully smitten and smashed all ...
— Atlantic Monthly, Volume 3, Issue 15, January, 1859 • Various
... was quite possible to be sincerely in love with two people at the same time, although perhaps on different planes with each individual, and deceiving them both. But that brought Mrs. Goopes down on him with the lesson Titian teaches so beautifully in his "Sacred and Profane Love," and became quite eloquent upon the impossibility of any ...
— Ann Veronica • H. G. Wells
... the Grande Galerie, despite its treasures, or perhaps because of them, is the least popular part of the Louvre. Artists haunt it; but the Parisian, the provincial, the globe trotter, gape once in their lives at Andrea del Sarto, Titian, Salvator Rosa, Murillo of course, and the rest of the mighty dead, and then ask with a yawn, ...
— A Son of the Immortals • Louis Tracy
... Carlos,—named in honor of Carlos III. of Spain,—which contains three or four well-filled apartments of paintings, with one and, in some instances, two pictures each of such masters as Leonardo da Vinci, Velasquez, Titian, Van Dyck, Rubens, Perugino, and others. There is also a large hall of sculpture attached, which presents casts of many well-known and classic originals. This department, however, does not compare well with the rest of the institution. The art gallery will be sure to greatly interest the stranger, ...
— Aztec Land • Maturin M. Ballou
... a painting by Vincenzio Catena, representing Judith carrying the head of Holofernes in one hand, and a sword in the other. In the same volume, p. 182., a portrait of Zattina by Palma il Vecchio, holding in her hand "una zampina dorata;" and at p. 263. several sacred subjects by Titian among which is specified one of the Virgin surrounded by Saints, and another of the woman taken in adultery, with "multi ritratti" by the same. Again, at p. 288., a head of a lady, supposed to be the mother of the artist Nadelino da Murano, one of the most talented pupils of Titian; and ...
— Notes and Queries, Number 74, March 29, 1851 • Various
... tranquilly enjoying his dinner, or exchanging remarks with some other guest, secretly delighted with the skill which Katie showed in making herself agreeable to bores. Her bright brown hair would have gleamed in the sunlight without the gold-dust it was powdered with. Her complexion, one of Titian's warm blondes, was at its perfection; her eyes were grave enough for steady expression, and at times for a touch of pathos; it was at the sudden curving of her lips they filled with light, which was gone again directly, making the beholder feel that the ...
— The Bay State Monthly, Volume 3, No. 2 • Various
... Andrea del Sarto. The clear ethereal beauty and tenderness of the one, the solemn thoughtfulness of the other: these were things that filled her mind with a mysterious gladness, as if something had been added to her own life. Rubens she cordially hated. Of Titian she had as yet ...
— The Beautiful Wretch; The Pupil of Aurelius; and The Four Macnicols • William Black
... of Utica. Judge Hunt had recently been appointed a Justice of the Supreme Court, and I immediately renewed my associations of former days with his family. Next door to the Hunts lived Mr. and Mrs. Titian J. Coffey, the former of whom had accompanied ex-Governor Andrew G. Curtin of Pennsylvania upon his mission to Russia; and the adjoining residence, the old "Hill house," was the home of Mr. and Mrs. James C. Kennedy, the latter of whom was Miss Julia Rathbone of ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... to consider them. But the number is prodigious, being a very long gallery filled on both sides, and five large rooms. There is a vast quantity of paintings, amongst which are many fine miniatures; but the most valuable pictures, are a few of Corregio (sic), those of Titian being ...
— Letters of the Right Honourable Lady M—y W—y M—e • Lady Mary Wortley Montague
... that can forget to blush at the Venus and Cupid by Titian, at Leda and her Swan, at Jupiter and Io, and others of equally evil intent, ought never to pretend to blush at any thing. Such pictures are a disgrace to the artists that painted, to the age that tolerates, ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... low down, gentlemen. The Miserere of the manicurist. Peewee, the Titian-haired Aphrodite of the Thousand Nails has been inveigled into submitting her lipstick ...
— A Thousand and One Afternoons in Chicago • Ben Hecht
... does not aim at learning from his pupils, he hardly can, but the old masters did. See how Giovanni Bellini learned from Titian and Giorgione who both came to him in the same year, as boys, when Bellini was 63 years old. What a day for painting was that! All Bellini's best work was done thenceforward. I know nothing in the history of art so ...
— The Note-Books of Samuel Butler • Samuel Butler
... two conspicuous dimples, almost atoned for it. The brown hair was brushed and waved and its consequent state of new glossiness was a very distinct improvement on the former elf locks. In the sunshine it took tones of warm burnt sienna, like the hair of the Madonna in certain of Titian's great pictures. Lessons, alack! were uphill work. Rona was naturally bright, but some subjects she had never touched before, and in others she was hopelessly backward. The general feeling in the school was that "The Cuckoo", as they nicknamed her, was ...
— For the Sake of the School • Angela Brazil
... the waters they span; the loveliest creations of ancient art, rescued from the grave of ages again to enchant the world; the breathing marbles of Michael Angelo, the glowing canvas of Raphael and Titian, museums filled with medals and coins of every age from Cyrus the younger, and gems and amulets and vases from the sepulchers of Egyptian Pharaohs coeval with Joseph, and Etruscan Lucumons that ...
— The Uses of Astronomy - An Oration Delivered at Albany on the 28th of July, 1856 • Edward Everett
... forget everything, when he had once taken his brush in his hand, and could not tear himself from it except as from a delightful dream. His taste perceptibly developed. He did not as yet understand all the depths of Raphael, but he was attracted by Guido's broad and rapid handling, he paused before Titian's portraits, he delighted in the Flemish masters. The dark veil enshrouding the ancient pictures had not yet wholly passed away from before them; but he already saw something in them, though in private he did not agree with the professor that the secrets ...
— Taras Bulba and Other Tales • Nikolai Vasilievich Gogol
... these before the unseen and eternal, was the only possible inspiration of Art. The extreme of this direction we see in the Iconoclasm of the eighth century, but it has never completely died out. Gibbon tells us of a Greek priest who refused to receive some pictures that Titian had painted for him, because they were too real:—"Your scandalous figures," said he, "stand quite out from the canvas; they are as bad as a group of statues." It is a tenderness towards the idea, lest it should be dishonored by actuality. Matter is gross, obscure, evil, an obstacle ...
— The Atlantic Monthly, Vol. 13, No. 76, February, 1864 • Various
... Venetian Period. Deserving mention only for its notably negative character. None of the great Venetian painters, Tintoret, Titian, Veronese, Bellini, Giorgione, Bonifazio, ever introduce a ship if they can help it. They delight in ponderous architecture, in grass, flowers, blue mountains, skies, clouds, and gay dresses; nothing comes amiss to them but ships ...
— The Harbours of England • John Ruskin
... graceful! And that Cardinal Beaufort at Dulwich!—it frightens me so, I daren't look at it. Wasn't Reynolds a clipper, that's all! and wasn't Rubens a brick! He was an ambassador, and Knight of the Bath; so was Vandyck. And Titian, and Raphael, and Velasquez?—I'll just trouble you to show me better gentlemen than them, ...
— The Newcomes • William Makepeace Thackeray
... also, several choice specimens of Titian, Holbein, and Domenichino; with a few cabinet pictures in the Dutch school, by Teniers, Ostade, &c. In this palace are Raphael's celebrated cartoons, which are too well known to need describing in ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 10, Issue 285, December 1, 1827 • Various
... seen a more wonderful face?" asked Mrs. Vanderbridge. "Doesn't he look as if he might have been painted by Titian?" ...
— The Best Short Stories of 1921 and the Yearbook of the American Short Story • Various
... Suzette, but sent secretly for his baggage, and was well pleased with the consciousness that he could forget her. After three months he set out for Florence and studied the masterpieces of Andrea del Sarto, and tried his hand at the Flora of Titian. ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend
... other, that he was a parvenu, not at home even amongst his second-rate splendor. So far there was nothing to distinguish Mr. W—'s papers from the papers of other triflers. But in this point there was, viz., that in his judgments upon the great Italian masters of painting, Da Vinci, Titian, &c., there seemed a tone of sincerity and of native sensibility, as in one who spoke from himself, and was not merely a copier from books. This it was that interested me; as also his reviews of the chief Italian engravers, Morghen, Volpato, ...
— Biographical Essays • Thomas de Quincey
... exclaimed. "Your Majesty is painting her portrait in words exactly, feature by feature. Her hair is like that of Titian's daughter." ...
— Uarda • Georg Ebers
... traceable, while of the "Redentore" Madonna at Venice, of about five years later, Mr Bernhard Bernson says that, "As a composition no work of the kind by Giovanni Bellini even rivals it." In 1498 he had advanced so far as to be spoken of as anticipating Giorgione and Titian, in the effect of light and in the roundness and softness of the figures of the Resurrection, at Bragora. His last work, the altar-piece at the Frari, was completed after his death in 1504 by his pupil Basaiti. Bartolommeo Montagna, Jacopo da Valenza and Lorenzo Lotto were ...
— Six Centuries of Painting • Randall Davies
... and I think the curls much nicer than a boughten switch," said Becky, quite unconscious that her own luxuriant locks were of the true Titian red, and would be ...
— A Garland for Girls • Louisa May Alcott
... especially when he added, with glowing eloquence, that it was astonishing how so small an insect, a mere mosquito, should be able to produce an eruption of this magnitude and in colours, moreover, which would have made Titian or Peter ...
— South Wind • Norman Douglas
... the sort—never smoked a cigar in her life—I mean, that is, well, something entirely different. But she was a beauty! Golden bronze hair—Titian never painted anything like it; the bluest eyes behind the most wonderful dark lashes, ...
— Officer 666 • Barton W. Currie
... civic rights, whose object is the abolition of filth and the maintenance of chastity. To that end it recently broke into one of the famous clubs of the New York jeunesse doree and destroyed a number of irreplaceable art treasures, masterpieces, among them even a Venus by Titian." ...
— Atlantis • Gerhart Hauptmann
... girl to return to Agamemnon—a fine picture, of deserved celebrity. There, too, was beheld the lovely Venus which Gell has not hesitated to compare, as to form, with the Medicean statue, or for color, to Titian's painting. It will be remembered that she plays a conspicuous part in the poem. A little further on we see Jupiter and Juno meeting on ...
— The Wonders of Pompeii • Marc Monnier
... City. So at any rate reported young Mr. Wyndham, who had travelled with me from Milan to Venice. I lay the first night at Pieve, where Titian had the fortune to be born, and the landlord at the inn displayed a set of villainous daubs which he swore were the early works of that master. Thence up a toilsome valley I journeyed to the Ampezzan country, valley where indeed I saw my white mountains, but, alas! ...
— The Moon Endureth—Tales and Fancies • John Buchan
... shapely. Her hair was the auburn that Titian loved to paint, with a golden gleam in it, as if a sunbeam had become entangled and failed to escape. Her complexion, innocent of powder or cosmetics, was clear and delicate as a rose-leaf but with the faintest tinge ...
— Bandit Love • Juanita Savage
... working seven long years decorating the Sistine Chapel with his matchless "Creation" and the "Last Judgment," refusing all remuneration therefor, lest his pencil might catch the taint of avarice; a Titian, spending seven years on the "Last Supper;" a Stephenson, working fifteen years on a locomotive; a Watt, twenty years on a condensing engine; a Lady Franklin, working incessantly for twelve long years to rescue her husband from the polar seas; a Thurlow Weed, walking ...
— How to Succeed - or, Stepping-Stones to Fame and Fortune • Orison Swett Marden
... polyanthuses, and passion-flowers, in ruby, amethyst, and smaragd. The drops of dew which the artificer had sprinkled on the flowers were diamonds. The hangings were overhung by pictures yet more costly. Giorgione the gorgeous, Titian the golden, Rubens the ruddy and pulpy (the Pan of Painting), some of Murillo's beatified shepherdesses, who smile on you out of darkness like a star, a few score first-class Leonardos, and fifty of the master-pieces of the patron of Julius and Leo, the Imperial genius of Urbino, ...
— Burlesques • William Makepeace Thackeray
... to be in Rome again. Venice is beautiful, but it does not inspire me. It has no associations for me. What do I care for the Doges, or for Titian's fat, golden-haired women with their sore eyes—Caterina Cornaro and the rest. Rome is a crystal in which I seem to see faces of dear women, women who lived and loved and saw the sun set behind that rampart of low hills—Virginia, the Greek slave Acte, Agnes, Cecilia, ...
— Olive in Italy • Moray Dalton
... conscientiously fig-leaved by this fastidious generation. You enter, and proceed to that most-visited little gallery that exists in the world.... and there, against the wall, without obstructing rag or leaf, you may look your fill upon the foulest, the vilest, the obscenest picture the world possesses—Titian's Venus. It isn't that she is naked and stretched out on a bed—no, it is the attitude of one of her arms and hand. If I ventured to describe the attitude, there would be a fine howl—but there the Venus lies, for anybody to gloat over that ...
— Innocents abroad • Mark Twain
... the girl would have presumed to stamp her foot at one of the Misses Stone. If Rose had dropped her pencil in the course of her work, the highly-born pupil, by force of example, if for no other reason, would immediately have risen and picked it up, though she might not have made the speech about a Titian being worthy to be served by a Caesar. In fact Rose was in danger of being killed with kindness. Soon she was conscious of something choking, crushing, dwarfing in this artificial system. This was made more conspicuous to her by the ...
— A Houseful of Girls • Sarah Tytler
... Palma, done with Titian's brush and manner. As we turn the leaves where favorite passages lie brilliantly athwart the faded politics of an old story, we are tempted to try spinning its thread again for the sake of holding up these lines, which are among the most delicate and sumptuous that Mr. Browning ever wrote. But room ...
— The Atlantic Monthly, Vol. 13, No. 79, May, 1864 • Various
... 15: "I believe the world may see another Titian, and another Raffaelle, before it sees another ...
— The Gentle Art of Making Enemies • James McNeill Whistler
... means whereby Tintoretto obtained his power. They constituted, however, his habitual method of determining the effect and general grouping of his compositions. He moulded with extreme care small models of his figures in wax and clay. Titian and other painters as well as Tintoretto employed this method as the means of determining the light and shade of their design. Afterwards the later stages of their work were painted from the life. But in Tintoretto's compositions the position and arrangement of his figures ...
— The Art Of The Moving Picture • Vachel Lindsay
... that this feeling manifests itself; for at Venice, in the splendid temple of Santa Maria Gloriosa dei Frari, beside the tombs of doges and condottieri of the fifteenth century there stands that wretched monument upon which the great name of Titian has been traced. This is evidently the result of an inevitable law to which humanity is subject. Genius comes into the world, grows, spreads, and covers the earth with its shadow; then slowly the sap runs back from the verdant ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... cut off limbs that might have been saved—hey? God knows, they often might! and that there's haste and waste enough!—Here's Sam, bringing in a visitor. A general, too—looks like a Titian I saw once." ...
— The Long Roll • Mary Johnston
... was having. She rode over to New York one day and went to Henry B. Harris's office to get a position. As she sat waiting among a score of applicants, Harris came out. He was so much taken with her striking Titian beauty and unaffected girlish charm that he immediately asked her to come in ahead of the rest, and gave her a small part in one of "The Lion and the Mouse" road companies. When Harris saw her act he took her out of the cast and put her in ...
— Charles Frohman: Manager and Man • Isaac Frederick Marcosson and Daniel Frohman
... the Wentworth household could not explain it. The sisters sat up brushing their hair, and looking very pretty in their dressing-gowns, with their bright locks (for the Wentworth hair was golden-brown of a Titian hue) over their shoulders, discussing the matter till it was long past midnight; but they could make nothing of it, and the only conclusion they came to was, that their two clergymen brothers were occupied in negotiating with the Squire about some secret not known to the rest of the ...
— The Perpetual Curate • Mrs [Margaret] Oliphant
... wandering around the Academia of Venice, taking in for the fiftieth time Titian's masterpiece, I came across an Englishman who had paused in his walk and was adjusting his long-distance telescope—a monocle glued just under his left eyebrow. Mistaking my red-backed sketch-book for a Baedeker, he said, in an ...
— Outdoor Sketching - Four Talks Given before the Art Institute of Chicago; The Scammon Lectures, 1914 • Francis Hopkinson Smith
... Titian's colours whilst Adonis glows, See fairest Bristol more than Venus shows; View well the valu'd piece, how nice each part; Yet nature's hand surpasses Titian's art! Such had his Venus and Adonis been, The standard beauty had from thence been seen! Whose arbitrary laws had ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. IV • Theophilus Cibber
... having been gradually abstracted to adorn those Palaces which Royalty still condescends to inhabit, while worse and worst are removed from those and deposited here; yet it was interesting to me to gaze at undoubted originals by Raphael, Titian, Poussin, Rembrandt, Teniers, Albert Durer, Leonardo da Vinci, Tintoretto, Kneller, Lely, &c., though not their master-pieces. The whole number of pictures, &c. here exhibited is something over ...
— Glances at Europe - In a Series of Letters from Great Britain, France, Italy, - Switzerland, &c. During the Summer of 1851. • Horace Greeley
... here and not see the whole place," he remarked. "I wonder if you would excuse me while I drop downstairs to look over things there—perhaps ingratiate myself with that Titian? Tell Miss Kendall about our visit to Langhorne's office ...
— The Ear in the Wall • Arthur B. Reeve
... the sky like a frog into the water, to deliver the tortured slave; Insarov in his turn fell into raptures over the back and legs of the sturdy man in the green cloak, who stands in the foreground of Titian's Ascension and holds his arms outstretched after the Madonna; but the Madonna—a splendid, powerful woman, calmly and majestically making her way towards the bosom of God the Father—impressed both Insarov and Elena; they liked, too, the austere and reverent painting of the elder ...
— On the Eve • Ivan Turgenev
... like those of ancient statuary, are always smaller than life, to give them an aristocratic, high-bred air, and the bodies are larger. The expression of countenance, too, was benignity itself,—just such as Titian would have been delighted with,—calm, clear, passionless, without a prevailing characteristic of any strength. "Felix trembled," they say. Whatever Felix may have done, I do not believe that Lord Eldon would have trembled till he had put on his night-cap and ...
— The Atlantic Monthly, Volume 18, No. 106, August, 1866 • Various
... pedigrees of powers which they cannot re-establish, and of virtues no more to be revived: the scholar is early acquainted with every department of the Impossible, and expresses in proper terms his sense of the deficiencies of Titian and the errors of Michael Angelo: the metaphysician weaves from field to field his analogies of gossamer, which shake and glitter fairly in the sun, but must be torn asunder by the first plow that passes: geometry measures out, by line ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... work of art and needs a master hand to bring out its noblest qualities. We have good and bad tea, as we have good and bad paintings—generally the latter. There is no single recipe for making the perfect tea, as there are no rules for producing a Titian or a Sesson. Each preparation of the leaves has its individuality, its special affinity with water and heat, its own method of telling a story. The truly beautiful must always be in it. How much do we not suffer through the constant ...
— The Book of Tea • Kakuzo Okakura
... tremulous with expression; his brown eyes were quick, restless, and glittering; and he had a grand head, full of thought. Leigh Hunt said that "he had a head worthy of Aristotle." Hazlitt calls it "a fine Titian head, full of dumb eloquence." I knew that, before he had attained the age of twenty years, he had to make his way in the world, and that his lines had not been cast in pleasant places. I had heard, indeed, that his family had at one time consisted ...
— Charles Lamb • Barry Cornwall
... The Art of the Romans; Chardin; Donatello; Florentine Sculptors of the Renaissance; George Romney; Ghirlandaio; Lawrence; Michelangelo; Raphael; Rembrandt's Etchings; Rubens; Tintoretto; Titian; Turner's Sketches and ...
— More Science From an Easy Chair • Sir E. Ray (Edwin Ray) Lankester
... well." Promptly foregoing the will to gather data concerning Reddy's too-oft maligned Titian locks, Hippy began a lively warbling which had nothing in common with the tinkling melody of the mandolin. As a result the patient instrument immediately ceased its complaining tinkle. Hippy, however, lilted on, undisturbed, for a matter of five seconds, ...
— Grace Harlowe's Golden Summer • Jessie Graham Flower
... coffer of frosted silver, set off with small figures in jewelry and precious stones, and supported on four feet of gilt bronze, contained various necessaries for the toilette; two frosted Psyches, decorated with diamond ear-rings; some excellent drawings from Raphael and Titian, painted by Adrienne herself, consisting of portraits of both men and women of exquisite beauty; several consoles of oriental jasper, supporting ewers and basins of silver and of silver gilt, richly chased ...
— The Wandering Jew, Complete • Eugene Sue
... very sad-looking objects, and as they don't get regularly washed, they often have large sores and abscesses, poor little things. But there are many others—clean- skinned, reddish brown, black-eyed, merry little souls among them. The colour of the people is just what Titian and the Venetian painters delighted in, the colour of their own weather-beaten Venetian boatmen, glowing warm rich colour. White folks look as if they were bleached and had all the colour washed ...
— Life of John Coleridge Patteson • Charlotte M. Yonge
... a very noble colourist; and in his peculiar feeling for breadth of hue resembled Titian more than any other of the Florentine school. That is to say, had he been born two centuries later, when the art of painting was fully known, I believe he would have treated his subjects much more like Titian than like Raphael; in fact, the frescoes ...
— Giotto and his works in Padua • John Ruskin
... which he imagines her—indeed, so intensely that, if we have lost interest in that world, she fails to interest us. The Venetians have done this much better, we think; and why, if Poussin was going to paint like Titian, did he not use Titian's colour? The answer is, Because his mood was very far from Titian's, because he makes a comment that Titian never makes upon his Venuses and Bacchanals. Rubens makes no comment at all: his attitude towards the classical is that of the wondering parvenu. Titian through ...
— Essays on Art • A. Clutton-Brock |
