"Tempo" Quotes from Famous Books
 ... compositions. The Minuet, in its older form, was a stately dance; the derivation of the term (French menu) referring to the dainty steps of the dancers, always in 3/8 or 3/4 metre and beginning on the first beat of the measure. By Haydn the character of the Minuet was considerably changed; the tempo becomes much faster, the music begins on the third beat of the measure instead of the first and the mood is one of playful humor—at times even of downright jollity. In the Minuets of Mozart the peculiar characteristics are grace and tenderness rather than rollicking fun, e.g., the charming ...
— Music: An Art and a Language • Walter Raymond Spalding
... not." He set off swiftly toward the point indicated, but on reaching it cast about vainly for anything in the nature of a handkerchief. In the midst of which futile quest a change of tempo in the motor's ...
— The Brass Bowl • Louis Joseph Vance
... olezzano sui verdi margini, cantan le allodole tra i mirti in fior; tempo si mormori da ognuno il tenero canto che i palpiti ...
— Zanetto and Cavalleria Rusticana • Giovanni Targioni-Tozzetti, Guido Menasci, and Pietro Mascagni
... near my tent. He stood beside a great birch tree, one hand resting against the bark that he would claim next winter for his new canoe; the other hand still grasped his axe, which he had picked up a moment before to quicken the tempo of the bean kettle's song. His dark face peered behind the tree with a kind of childlike intensity written ...
— Secret of the Woods • William J. Long
... Destructivity was lifted to new levels of efficiency by electronic communication, the tank and the airplane. It was further escalated by atomic fission and nuclear fusion. Advances in science and technology had made dramatic increases in the tempo of production and construction. Utilization of atomic energy had stepped up destructivity to ...
— Civilization and Beyond - Learning From History • Scott Nearing
... of Naval Personnel also stepped up the tempo of its reforms. In March 1944 it had already made black cooks and bakers eligible for duty in all commissary branches of the Navy.[3-110] In June it got Forrestal's approval for putting all rated cooks and stewards in chief ...
— Integration of the Armed Forces, 1940-1965 • Morris J. MacGregor Jr.
... conversation with redoubled energy, to pause in his turn, however, when the landau took, a little beyond the Tomb of Caecilia, a transverse road in the direction of the Ardeatine Way. It was there that 'l'Osteria del tempo perso' was built, upon the ground belonging to Cibo, on which the duel was to ...
— Serge Panine • Georges Ohnet
... not bother over it any more," he said, "not if we live on hominy all winter. Have you ever been in Mexico? Well, Hawaii was called the land of poco tempo, but Mexico was the land of manana. There isn't any work there for the work's sake. I mean there wasn't, and we can take a lesson from them. We need not hurry; the legislature will not meet this winter, and there will be no grand opera before spring. Daisy and Lily shall do our work for us. We will ...
— The Master-Knot of Human Fate • Ellis Meredith
... Scrofes, dove per l'impeto dei venti fu gettata sopra i scogli: tutti i marinari dell' equipaggio saltarono a terra per salvare la loro vita: Milord solo col di lui Medico Dottr. Bruno rimasero sulla nave che ognuno vedeva colare a fondo: ma dopo qualche tempo non essendosi visto che cio avveniva, le persone fuggite a terra respinsero la nave nell' acque: ma il tempestoso mare la ribasto una seconda volta contro i scogli, ed allora si aveva per certo che la nave coll' illustre personaggio, una grande quantita ...
— Life of Lord Byron, Vol. 6 (of 6) - With his Letters and Journals • Thomas Moore
... moment he raised his baton and the celli began to sigh the mournful phrase which ushers in the symphony. Milton leaned back luxuriously as the woodwind commenced the next phrase; and then, while the introduction ended with a sweeping crescendo and the tempo suddenly increased, Elkan sat up and his eyes became fixed on ...
— Elkan Lubliner, American • Montague Glass
... thin mouth like that of a greyhound merely flashed now and then in the wild tempo of the waltz she was performing. She danced with such temperament and skill that a storm of applause greeted her. Someone even threw her a bouquet. She picked it up and, retreating from the stage, smiled coquettishly ...
— The Comedienne • Wladyslaw Reymont
... "A Serenade in the Royal Pear Garden," begins with a luxurious tone-poem of moonlight and shadow, out of which, after a preliminary tuning of the Chinese lute (or sam-yin), wails a lyric caterwaul (alternately in 2-4 and 3-4 tempo) which the Chinese translate as a love-song. Its amorous grotesque at length subsides into the majestic night. A part of this altogether fascinating movement came to ...
— Contemporary American Composers • Rupert Hughes
... directives bespoke a quickened tempo in the fight for equal treatment and opportunity in the armed forces, they did not herald a substantive reinterpretation of policy. The Defense Department continued to limit its actions to matters obviously and directly within its purview. ...
— Integration of the Armed Forces, 1940-1965 • Morris J. MacGregor Jr.
... was simple, but formal: a herald sounds a trumpet—another herald knocks—a parley—the gates are thrown open and the lord mayor, pro tempo., hands over the sword of the City to the sovereign. It was thus in Elizabeth's time, and it had changed but ...
— Dickens' London • Francis Miltoun
... authors of the first decade of the last century we find the remark that the fashionable taste in music had at that time suddenly veered around; a short time before, the greatest effects had been produced with the fastest possible tempo, the most animated rhythm and figures; now slow, solemn music was the order of the day. In the seventeenth century the twelve-eighths time was mainly employed for dance music and, in general, for quick movements; ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VIII • Various
... Maisie more serenely than Mrs. Prichard, per contra, could mention Phoebe. But, then, think how differently the forty-five years had been filled out in either case. Maisie had been forced to ricordarsi del tempo felice through so many years of miseria. Phoebe's journey across the desert of Life had paused at many an oasis, and their images remained in her mind to blunt the tooth of Memory. The two ladies at least heard nothing in the old woman's voice that ...
— When Ghost Meets Ghost • William Frend De Morgan
... and enjoy Mantegna and Michael Angelo whilst millionaires were yawning miserably over inept gluttonies; because I could suffer more by hearing a movement of Beethoven's Ninth Symphony taken at a wrong tempo than a duchess by losing a diamond necklace, I was indifferent to the repulsive fact that if I had fallen in love with the duchess I did not possess a morning suit in which I could reasonably have expected her to ...
— The Irrational Knot - Being the Second Novel of His Nonage • George Bernard Shaw
... flee from the sight of fellow creatures, than to the kind of graduated passion which begins with conversation, proceeds to a public engagement with staring people all about you, and ends with the still more measured tempo of a Church wedding. All the waiting, all the temporising, all the toadlike deliberation that these various slow steps involved, ran counter to her deepest feeling, that her love must be a matter of touch and go, a sudden kindling of two fires, the burning ...
— Too Old for Dolls - A Novel • Anthony Mario Ludovici
... novelli amori, Tu torni ben; ma teco Non tornano i sereni E fortunati di de le mie gioje: Tu torni ben, tu torni, Ma teco altro non torna Che del perduto mio caro tesoro La rimembranza misera e dolente: Tu quella sei, tu quella, Ch'era pur dianzi si vezzosa e bella; Ma non son io gia quel ch'un tempo fui, Si caro a ...
— Primavera - Poems by Four Authors • Stephen Phillips, Laurence Binyon, Manmohan Ghose and Arthur Shearly Cripps
... ceased. There was the rumble of the stable door, a pause, and Jonathan's voice in conversational tones. Next came the flashing of Hiram's lantern, and the tromp, tromp, tromp, in much quicker tempo than usual, of Hiram's heavy boots. Hiram's theory was a good deal like Jonathan's, so this also gave me pleasure. Finally, there came the flash of another lantern, and I recognized the quick, short ...
— More Jonathan Papers • Elisabeth Woodbridge
... did a little later); and he told me that I was the man to wind up these tedious affairs. They were not nearly so difficult and complicated as they seemed to him—they were now largely routine matters, in fact; and I hope I carried things along at a tempo which satisfied him. This is not to deny that Raymond seemed to have days when he found even me dilatory and exasperating; but old Brand would probably have driven ...
— On the Stairs • Henry B. Fuller
... a back corner he brought out a small machine with an especially meditative tempo in its standby-lamp flicker. The tempo accelerated a little when he put it on ...
— The Machine That Saved The World • William Fitzgerald Jenkins
... and luminous as possible. Contrast it with the slow, solemn tempo of the opening of Act I, Sc. 7—Macbeth's "If it were ...
— An Essay Toward a History of Shakespeare in Norway • Martin Brown Ruud
... The Turpeian.] Protinus, abducto patuerunt temple Metello. Tunc rupes Tarpeia sonat: magnoque reclusas Testatur stridore fores: tune conditus imo Eruitur tempo multis intactus ab annnis Romani census populi, &c. Lucan. Ph. ...
— The Divine Comedy • Dante
... The tempo quickened and the rhythm; and the tones grew higher and richer, ringing, more passionate. Such acting—such singing! It was as if the Walkuere herself had come out of the trance back to life, and the audience saw Bruennhilde in the flesh. The House reverberated to the sound ...
— The Black Cross • Olive M. Briggs
... has been sometimes sung to "Pisgah," an old revival piece by J.C. Lowry (1820) once much heard in camp-meetings, but it is a pedestrian tune with too many quavers, and a headlong tempo. ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... keep an eye open for me. Thank you, sir. I am glad to see that men of letters are still considerate of their fellow craftsmen. Ah, you would have liked Jack London. Did you know him? You know, we live in an age of jazz. Yes, sir, the tempo is fast. Life has lost its andante. Materialism has triumphed. There is no longer room for the spirit to expand. Machines are in the way. Noises invade ...
— A Thousand and One Afternoons in Chicago • Ben Hecht
... long tones upon which we linger make a deeper and more lasting impression; while the light and short tones in contrast become points of mere passing and transition. If, moreover, we include the element of tempo, then all the temporal feelings are introduced into melody—the excitement of rapid motion, the calmness of the slow; the agony of delay, of waiting and postponement, with the triumph and relief when the expected note arrives at last. Finally, the effects of shading must be added, the contrasts ...
— The Principles Of Aesthetics • Dewitt H. Parker
... had done away with it. Youth, in the wake of commerce, had ebbed from Kings Port, had flowed out from the silent, mourning houses, and sought life North and West, and wherever else life was to be found. Into my revery floated a phrase from a melodious and once favorite song: O tempo passato ...
— Lady Baltimore • Owen Wister
... why the many can get along with maples when elms and beeches are to be had, why one man will exchange a roomful of man-fired porcelain for one bowl of sunlit alabaster. No chance anywhere. We call unto ourselves that which corresponds to our own key and tempo; and so long as we live, there is a continual re-adjustment without, the more unerringly to meet the ...
— Child and Country - A Book of the Younger Generation • Will Levington Comfort
... The tempo was increasing to its highest pitch for the day. That highly complicated organism, a daily newspaper, which is apparently conceived in the wildest disorder, was about to "go to bed." Twenty typewriters were hammering out their finishing touches and concluding ...
— Death Points a Finger • Will Levinrew
... would not tolerate. He, as well as his great compeers, was brought up in the school of Wagner, the essence of which lies in correctness, in rendering the work as the composer intended it, with conscientious attention to every detail, not only of notes, but of rhythm, tempo, phrasing, dynamics, instead of the slovenly muddling which then passed for breadth of style, and the substitution of the conductor's own subjectivity for that of the composer. It has been well expressed in a few incisive words by one of the greatest of the school: "The ...
— Wagner's Tristan und Isolde • George Ainslie Hight
... a new sound—a multiple throbbing, at a quick, snarling tempo that hinted at enormous power, growing louder each second. Hradzka stiffened and drew his blaster; as he did, five more aircraft swooped over the crest of the mountain and came rushing down toward him; not aimlessly, but as though they knew exactly where he was. ...
— Flight From Tomorrow • Henry Beam Piper
... look after itself, and not complaining if a few notes fell under the desks at the back of the orchestra. Lamoureux had laboriously rehearsed every inch of his repertory until it was note-perfect, and each of his men knew the precise bowing, phrasing, degree of piano or forte, and tempo of every minutest phrase. Now I do not mean by this that the orchestras on which Richter and Mottl performed played many wrong notes, while the Lamoureux orchestra played none; and still less do I mean that Lamoureux got finer results than Richter or Mottl. So far as the mere notes ...
— Old Scores and New Readings • John F. Runciman
... Arnolfo's building of the Florentine Duomo, he proceeds: "In questo Architetto si vide qualche leggiero barlume di buona Architettura, come di Pittura in Cimabue suo contemporaneo. Ma in tutte le cose e fisiche e morali i passaggi si fanno per insensibili gradagioni; onde per lungo tempo ancora si mantenne il corrotto gusto, che ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds
... The balls began at six, and took place every Tuesday and Friday, private balls filling up the vacant nights. About the commencement of his reign, a theatre was built, and whatever it may have been, it afterwards became celebrated as the nursery of the London stage, and now, O tempo passato! is almost abandoned. It is needless to add that the gaming-tables were thronged in ...
— The Wits and Beaux of Society - Volume 1 • Grace Wharton and Philip Wharton
... spirit of Nature was even as God's Spirit, and he sang: 'Laudato sia Dio mio Signore, con tutte le creature, specialmente messer lo frate sole; per suor luna, e per le stelle; per frate vento e per l'aire, e nuvolo, e sereno e ogni tempo.' Half the value of this hymn would be lost were we to forget how it was written, in what solitudes and mountains far from men, or to ticket it with some abstract word like Pantheism. Pantheism it is not; but an acknowledgment of that brotherhood, beneath the love of God, by which ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... Midi, renamed Quai des Etats-Unis in the short-lived burst of enthusiasm of 1918. At least, the aldermen of Nice were more cautious than those of most French cities, and did not call it Quai du President-Wilson nel dolce tempo de la prima etade! Following the quay and keeping the Old Town on the left, you come to the castle hill, still called the Chateau, although the great fortress of the Savoyards was destroyed by the Duke of Berwick in the siege of 1706. The hill is now a park, surmounted ...
— Riviera Towns • Herbert Adams Gibbons
... spell, season, interval, interim, lapse, interregnum, period; season, opportunity, leisure; tense; (Mus.) measure, tempo; perpetuity; usance; age, date, eon, epoch, era, term. Associated Words: horology, horography, horometry, chronology, chronological, anachronism, anachronistic, synchronology, synchronal, synchronous, synchronism, synchronize, ...
— Putnam's Word Book • Louis A. Flemming
... the tempo so as to include the rhythmic beat of the hammer with the other instruments in his band. The blacksmith looked, smiled and let his hammer fall in consonance with the beat of the boy's hand, and for some moments ...
— The Major • Ralph Connor
... copies, so there will be no difficulty in finding them. The second movement, if played in a very singing but not dragging manner, will be found enjoyable, although by no means sensational. The ideas are musical and the spirit earnest. The finale, in the tempo of a minuet, is very pleasing indeed. Here, also, the purely musical idea rules everything. The problem with the composer is to treat an idea which pleased him, and to carry it through all the changes and modifications which occurred to him ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... probably have had recourse to a long and elaborately worked-up "messenger-speech," a pathetic recitation. That was the method best suited to the conditions, and to what may be called the prevailing tempo, of the Greek theatre. I am far from saying that it was a bad method: no method is bad which holds and moves an audience. But in this case it would have had the disadvantage of concentrating attention on the narrator instead of on the child's parents, ...
— Play-Making - A Manual of Craftsmanship • William Archer
... at about 11 P.M. From midnight till the evening of the 11th, they continued without intermission. After that time their violence moderated, and they were heard only at intervals; but the explosions did not cease entirely until the 15th of July. Of all the villages of Tomboro, Tempo, containing about forty inhabitants, is the only one remaining. In Pekate no vestige of a house is left; twenty-six of the people, who were at Sumbawa at the time, are the whole of the population who have escaped. From the most particular inquiries I have been ...
— The San Francisco Calamity • Various
... confidently, wafting into the air strong, powerful tones, which sounded like blows. And suddenly, changing the tempo of the song and striking a higher pitch, she began to sing, as slowly as her sister, voluptuous and ...
— Foma Gordyeff - (The Man Who Was Afraid) • Maxim Gorky
... Mr. Arthur Symons has recently said: "'Christabel' is composed like music; you might set at the side of each section, especially of the opening, 'largo vivacissimo', and as the general expressive signature, 'tempo rubato'." Tennyson realized the musical effect of "Paradise Lost" when he spoke of Milton as "England's God-gifted organ-voice"; and he himself in such lyrics as those in the "Princess" and the eighty-sixth canto of "In Memoriam" wrought musical effects ...
— Sidney Lanier • Edwin Mims
... banks and green trees; clouds and twinkling stars in the heavens; forms of fairies sitting about like humming birds, or resting in nodding fern leaves. They sing in quick, short rhymes, suiting the tempo to their actions:— ...
— Shakespeare's Christmas Gift to Queen Bess • Anna Benneson McMahan
... waiting around till they could be photographed. Every day the tempo and confusion were increasing ...
— The Report on Unidentified Flying Objects • Edward Ruppelt
... interest you; they play with a snap and fire and a tempo that is irresistible. They have played together so long that they have become known as the best of all ...
— The Real Latin Quarter • F. Berkeley Smith
... Lorenzo de Medici in 1500, within a month after his return from the voyage he had actually made to Paria, and apologizes for his long silence, by saying that nothing had occurred worthy of mention, ("e gran tempo che non ho scritto a vostra magnifizensa, e non lo ha causato altra cosa ne nessuna salvo non mi essere occorso cosa degna di memoria,") and proceeds eagerly to tell him the wonders he had witnessed in the expedition from which he had but just returned. It would be a singular forgetfulness ...
— The Life and Voyages of Christopher Columbus (Vol. II) • Washington Irving
... Bianca and Pizzicato repaired to their father's brother-in-law, who was well known as a lavish entertainer. He was one Rapidamente Tempo di Valse, a widower, living with his two sons, Lento and Comprino, handsome lads both in the first flush of manhood, and both destined to fall victims to Bianca's compelling attractions. Contemporary history informs us that Bianca stayed in the Palazzo Tempo di Valse for ...
— Terribly Intimate Portraits • Noel Coward
... Venetian accounts (Dispaccio di Spagna, Marzo 1584) the King had sent an experienced soldier as a spy to England to investigate the possibility of a landing, 'havendo pensato di concertarsi bene con il re di Scotia, perche ancora egli a un tempo medesimo ...
— A History of England Principally in the Seventeenth Century, Volume I (of 6) • Leopold von Ranke
... war-drums and two fifes. They knew eight bars of one tune, and were proud of it, the fifers blowing with beef and pluck and the drummers thundering native fashion, which means that the only difference between their noise and a thunder-storm was in the tempo. ...
— The Ivory Trail • Talbot Mundy
... tricks, sir. I saw the idea coming into his head as he stood there, thinking what new joke he'd have with me. Yes, sir: that's the sort he is: very pleasant, ve—ry off hand and affable indeed, sir. (Again changing his tempo to say to Valentine, who is putting his stick down against the corner of the garden seat) If you'll allow me, sir? (Taking Valentine's stick.) Thank you, sir. (Valentine strolls up to the luncheon table and looks at the menu. The waiter turns ...
— You Never Can Tell • [George] Bernard Shaw
... Jenkins's banjo, whereto Mr. Stevens sang in a high-pitched and rather shaky tenor the latest musical success yclept "Sammy." Thus, Mr. Jenkins strummed, Mr. Stevens trilled, and Mr. Brimberly alternately beat the tempo with a plump white finger and sipped his master's champagne until, having emptied his glass, he turned to the bottle on the table beside him, found that empty also, crossed to the two bottles on the mantel, found them likewise void and had tried the two upon the piano with no better success, when, ...
— The Definite Object - A Romance of New York • Jeffery Farnol
... splendore; de te, altissimo, porta significatione. Laudato si, mi signore, per sora luna e le stelle, in celu l' ai formate clarite et pretiose et belle. Laudato si, mi signore, per frate vento et per aere et nubilo et sereno et onne tempo, per le quale a le tue creature dai sustentamento. Laudato si, mi signore, per sor acqua, la quale e multo utile et humele et pretiosa et casta. Laudato si, mi signore, per frate focu, per lo quale ennallumini la nocte, ed ello e bello et jucundo et robustoso et forte. Laudato ...
— Life of St. Francis of Assisi • Paul Sabatier
... in questo mondo aver tesoro, O diletto, e piacere, honore, e stato, Ponga la mano a questa chioma d'oro, Ch'lo porto in fronte, e lo faro beato; Ma quando ha in destro si fatto lavoro Non prenda indugio, che'l tempo passato Perduto e tutto, e non ritorna mai, Ed io mi volto, ...
— The History Of The Conquest Of Peru • William H. Prescott
... risposero gli Dei: Il nostro terrore. O Visnu, nasce da un Racsaso per nome Ravano, spavento dell' universo. Vestendo umano corpo, tu debbi esterminar costui. Nessuno fra i Celesti, fuorche tu solo, e valevole ad uccidere quell' iniquo. Egli, O domator de' tuoi nemici, sostenne per lungo tempo acerbissime macerazioni: per esse fu di lui contento l'augusto sommo Genitore: e un di gli accordo propizio la sicurezza da tutti gli esseri, eccettutine gli uomini. Per questo favore a lui concesso ...
— The Ramayana • VALMIKI
... represents a very diligent attempt. Nietzsche, always under the influence of French models, wrote a German that differs materially from any other German that I know. It is more nervous, more varied, more rapid in tempo; it runs to more effective climaxes; it is never stodgy. His marks begin to show upon the writing of the younger Germans of today. They are getting away from the old thunderous manner, with its long sentences and its tedious grammatical complexities. In the course of time, I ...
— The Antichrist • F. W. Nietzsche
... supposed Lady Cathcart, and was asked if she accompanied Colonel Maguire to Ireland of her own free will. "Perfectly so," said the woman. Whereupon the attorney set out again for London, and the Colonel resumed his journey with Lady Cathcart to Ireland, where, on his arrival at his own house at Tempo, in Fermanagh, his wife was imprisoned for many years." During this period the Colonel was visited by the neighbouring gentry, "and it was his regular custom at dinner to send his compliments to Lady Cathcart, informing her that the company ...
— Strange Pages from Family Papers • T. F. Thiselton Dyer
... "Quicker! My God, can't they pick it up?" Like an echo came LaChaise's "Plus vite! Stringendo, jusque au bout!" and with a gasp the composer greeted the quickened tempo. Then as the song swept to its first tempestuous climax he clutched Mary's arm. "That's it," he cried. "Can't you ...
— Mary Wollaston • Henry Kitchell Webster
... "[Symbol: cross]MCCCLXII de Settembrio in lo tempo del nobele Miser Andrea Contarini Doxe di Vanesia e Miser Francesco Contarini Conte de' Grado fo fatta questa palla e Donado Macalorso da Vinesia me fece." It is of silver-gilt, 4 ft. 7 in. high and 7 ft. 4 ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... way on Italian railroads of making no provision for you to eat. We did not know this, and our knowledge of Italian was limited to Quanto tempo? (How much time?) and Quanto costa? (How much is it?) So we punctuated the lovely journey among the Italian hills, and between their admirable waterways, by hopping off the train for coffee every time they said "Cinque ...
— As Seen By Me • Lilian Bell
... time, the melody being that of an old Spanish song by Tradier, called "El Aveglito." A serious duet between Michaela and Don Jose ("Mia madre io la rivedo") follows, which is very tender in its character. The next striking number is the dance tempo, "Presso il bastion de Seviglia," a seguidilla sung by Carmen while bewitching Don Jose. In the finale, as she escapes, the Havanaise, which is the ...
— The Standard Operas (12th edition) • George P. Upton
... pointed out how quickly the tempo of modern warfare could bring into our very midst the physical attack which we must eventually expect if the dictator ...
— Complete State of the Union Addresses from 1790 to the Present • Various
... singers on this record, both men with bass voices. One seems to be the leader, the accompanying singer dragging along behind. As the tempo is very slow and many of the tones long drawn out, this uncertainty on the part of the second performer is not so noticeable, except on the quick runs as the leader passes to another ...
— The Tinguian - Social, Religious, and Economic Life of a Philippine Tribe • Fay-Cooper Cole
... seems to attach itself to all shades of theory. Hanslick always contrasts intellectual activity as attaching to the form, and emotion as attaching to the sensuous material (that is, the physical effects of motion, loud or soft sound, tempo, etc.). He speaks of the aesthetic criterion of INTELLIGENT gratification. "The truly musical listener" has "his attention absorbed by the particular form and character of the composition," "the unique position which the INTELLECTUAL ELEMENT in music occupies in relation ...
— The Psychology of Beauty • Ethel D. Puffer
... finest teeth in Europe. A story told me this morning struck my fancy much; of an herb-woman, who kept a stall here in the market, and who, when the people ran out flocking to see the Queen of Naples as she passed, began exclaiming to her neighbours—"Ah, povera Roma! tempo fu quando passo qui prigioniera la regina Zenobia; altra cosa amica, robba tutta diversa ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi
... a fraternal order, with a crepe rosette. In the gloom they are indistinguishable; all of them talk in the same strained, throaty whisper. Between their remarks they pause, clear their throats, blow their noses, and shuffle in their chairs. They are intensely uncomfortable. Tempo: Adagio lamentoso, with occasionally a rise to andante ...
— A Book of Burlesques • H. L. Mencken
... fabrica of the church (the corporate body who administered its temporalities, consisting of the cura and churchwardens), four for the parrocos (parish priests) and lower clergy, one and one-half for the hospitals, and two for the King—all but this last being variable. See Baluffi's America en tempo Spagnuola (Ancona, 1844) ii, p. 41.—Rev. T. C. Middleton, ...
— The Philippine Islands, 1493-1803 • Emma Helen Blair
... to the vexed question of the interpretation of music by children. An interesting point can be noted about the practice of the early classical composers. They were accustomed to give the minimum amount of indication as to tempo and general detail for the ...
— Music As A Language - Lectures to Music Students • Ethel Home
... one movement leads naturally into the next, and scrappiness is avoided, and the music is of a high quality and full of vitality. Purcell frequently set a double bar at the end of a section, and makes two or more numbers where a modern composer would simply change the tempo and key-signature and go straight on, so that the scrappiness is only apparent. In this ode an instance occurs. There are fourteen numbers, but the last three are in reality one—a chorus, a quartet and a chorus repeating the opening bars of the first chorus. In a modern composition all would ...
— Purcell • John F. Runciman
... [on the coast of Caracas], I saw many Spaniards who had no doubt that the island would shortly be the property of the blacks."* (* "Vi sono molti Spagnuoli che tengono per cosa certa, che quest' isola (San Dominico) in breve tempo sara posseduta da questi Mori di Guinea." (Benzoni Istoria del Mondo Nuovo ediz. 2da 1672 page 65.) The author, who is not very scrupulous in the adoption of statistical facts, believes that in his time there were at St. Domingo seven thousand fugitive negroes (Mori cimaroni), with whom Don ...
— Equinoctial Regions of America • Alexander von Humboldt
... itself waited for nothing. It seemed to take new strength from the indignities inflicted upon it and it increased, if anything, its tempo of growth. It plunged into the ocean in a dozen spots at once. It swarmed over sand which had never known anything but cactus and the Sierra Madres became great humps of green against the skyline. This last conquest shocked those who had thought the mountains immune in their inhospitable ...
— Greener Than You Think • Ward Moore
... limousine with the two Japs sitting so straight and immobile in front, like twin Nipponese gods. But she did. She told herself she didn't mind when the director said: "Miss Fuller, if you'll just watch Miss Lissome work. She has perfect picture tempo." But she did. The director was the new-fashioned kind, who spoke softly, rehearsed you almost privately, never bawled through a megaphone. A slim young man in a white shirt and flannel trousers and a pair of Harvard-looking glasses. Everybody was young. ...
— Gigolo • Edna Ferber
... speaks of the inferiority of the Roman Church in this respect. I would allude to the medieaval prohibition "to sell time" as one of the chief grounds of the prohibition of usury. (See Roscher, Gesch. der N. OEk. in Deutschland, 7.) Economia di tempo equivale a prolungamento di ...
— Principles Of Political Economy • William Roscher
... Marks the glad soil, the tender clusters grow With purple ripeness, and invest each hill As with the blushes of an evening sky? Or wilt thou rather stoop thy vagrant plume, Where gliding through his daughters honour'd shades, The smooth Peneus from his glassy flood Reflects purpureal Tempo's pleasant scene? Fair Tempe! haunt beloved of sylvan Powers, Of Nymphs and Fauns; where in the golden age 300 They play'd in secret on the shady brink With ancient Pan: while round their choral steps Young Hours and genial Gales with constant hand Shower'd blossoms, odours, shower'd ambrosial ...
— Poetical Works of Akenside - [Edited by George Gilfillan] • Mark Akenside
... to receive the impressions of despotism. The chapter [xxvi.] bears for title, "Esortazione a liberare l'Italia da' Barbari," and concludes with a libertine excitement to the future redemption of Italy. "Non si deve adunque lasciar passare questa occasione, acciocche la Italia vegga dopo tanto tempo apparire un suo redentore. Ne posso esprimere con quale amore ei fusse ricevuto in tutte quelle provincie, che hanno patito per queste illuvioni esterne, con qual sete di vendetta, con che ostinata fede, con que pieta, con ...
— The Works of Lord Byron, Volume 2 • George Gordon Byron
... naivega. Simpleton naivegulo. Simpleness simpleco. Simplicity simpleco. Simplify simpligi. Simply (adv.) simple, nur. Simultaneous samtempa. Sin peko. Sin peki. Sinapis sinapo. Sinapism sinapa kataplasmo. Since (conjunction) tial ke, cxar. Since then de tiu tempo. Since (adv.) antaux ne longe. Sincere sincera. Sincerity sincereco. Sinecure senlaborofico. Sinew tendeno. Sinful pekema. Sing kanti. Singing (the art) kantarto. Single (alone) sola. Single unuobla. Singe ...
— English-Esperanto Dictionary • John Charles O'Connor and Charles Frederic Hayes
... Societe Archeologique d'Alexandrie(1898 foll.); O. Puchstein in Pauly- Wissowa, Realencyclopadie, s.v. "Alexandria''; U. Wilcken, Observationes ad historiam Egypti Provinciae Romanae (1885); G. Lumbroso, L'Egitto al tempo dei Greci e dei Romani (1882); H. Kiepert, Zur Topographie des alten Alexandria ...
— Project Gutenberg Encyclopedia
... donna, onde sia colto Nella sua rete alcun novello amante; Ne con tutti, ne sempre un stesso volto Serba; ma cangia a tempo atto e sembiante." Tasso, Jerus. Del., c. iv., ...
— Emile • Jean-Jacques Rousseau
... seen under the clear wave, and shooting round the crumbs thrown to them. They made an Arcadia of the dull road up to their dread Thermopylae, the war against the million that waited them on the other side of their pass through Tempo. ...
— My Novel, Complete • Edward Bulwer-Lytton
... senses dulled by the potent "wine of China." And watching her closely, Victor permitted himself a smile of satisfaction as he noted the rapidity with which she yielded to the hypnogenic spell of the translucent quartz; how her breathing quickened, then took on a measured tempo like that of a sleeper; how a faint flush warmed the unnatural pallor of her cheeks, how her dilate eyes grew fixed in an unwinking ...
— Red Masquerade • Louis Joseph Vance
... the man who uses alcohol, even moderately, dies slightly sooner than the teetotaler—these proofs merely show that this man is one who leads an active and vigorous life, and so faces hazards and uses himself up—in brief, one who lives at high tempo and with full joy, what Nietzsche used to call the ja-sager, or yes-sayer. He may, in fact, die slightly sooner than the teetotaler, but he lives infinitely longer. Moreover, his life, humanly speaking, is much more worth while, to himself and to the race. He does the hard and dangerous work ...
— Damn! - A Book of Calumny • Henry Louis Mencken
... music. The orchestrelle added to the Island something he needed soulfully. Experimenting with the rolls, the stops and the power, he found there was nothing he could not do in time. Music answered—trombone, clarionet, horn, bassoon, hautboy, flute, 'cello answered. Volume and tempo were mere lever matters. On the rolls themselves were suggestions. Reaching this point, his exaltation knew no bounds. He looked upon the great array of rolls—symphonies, sonatas, concertos, fantasies, rhapsodies, overtures, prayers, requiems, meditations, minuets—and something of ...
— Fate Knocks at the Door - A Novel • Will Levington Comfort
... returned, the Dona was placed in the monastery of Aughadurcher (now Aughalurcher). But at the time, when Cromwell was in this country, the monastery was destroyed, and this Ark of the Covenant hid by some of the faithful at a small lake, named Lough Eye, between Lisbellaw and Tempo. It was removed thence when peace was restored, and again placed in some one of the neighboring chapels, when, as before in Aughalurcher, the oaths were administered with all the superstition that a depraved imagination could, invent, as "that their thighs might rot off," "that they ...
— The Hedge School; The Midnight Mass; The Donagh • William Carleton |
