"Stylist" Quotes from Famous Books
... him consider the Queen's English. Newman achieved a useful purging; the style that remained was ready for Flaubert. From the author of "L'Education Sentimentale," I daresay, came the deciding influence, with Nietzsche's staggering brilliance offering suggestions later on. Thus Huneker, as stylist, owes nearly all to France, for Nietzsche, too, learned how to write there, and to the end of his days he always wrote more like a Frenchman than a German. His greatest service to his own country, indeed, was not ... — A Book of Prefaces • H. L. Mencken
... through Washington's letters and substituted for the originals words which he decided were more seemly. Again the public came to know George Washington, not by his own words, but by those attributed to him by an overzealous stylist-pedant. Well might the Father of his Country pray to ... — George Washington • William Roscoe Thayer
... occupies a very curious position in English literature and a very enviable one. He is, perhaps, the most widely known, and widely spoken of, of any stylist we possess, and the least understood. It was his humour, while living, to create misunderstanding, and he creates it still. And yet he is recognized on all sides as a Classic of the unapproachable breed. Charles Lamb has among his admirers more uninteresting people than ... — Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... instance, there will be found among these tales the detective story by the inimitable Conan Doyle; the true story of adventure, with an animal for the central figure, by Katherine Mayo; the fanciful story by the great stylist Hawthorne; tales of humor or pathos; of simple human love; of character; of nature; of realism; and of idealism. The settings give glimpses of the far West, the middle West, the East, of several foreign countries, of great cities, of little ... — Short Stories of Various Types • Various
... that, just as he wrote and as he spoke in public, his style, if style it can be called, being the most simple, direct, and colloquial ever written. And for this reason, when we are aweary of the style of the stylist, where the living breathing body becomes of less consequence than its beautiful clothing, it is a relief, and refreshment, to turn from the precious and delicate expression, the implicit word, sought for high and low and at last found, the balance of every sentence and perfect harmony of ... — Afoot in England • W.H. Hudson
... visits from Bok, having grown accustomed to him, Stevenson would discuss some sentence in an article, or read some amended paragraph out loud and ask whether Bok thought it sounded better. To pass upon Stevenson as a stylist was, of course, hardly within Bok's mental reach, so he kept discreetly silent ... — The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok (1863-1930)
... from me with my little finger, I drewe him to me with my whole hand[28]." Other little delicate turns of phrase may be found in the mine of Euphues—for the digging. Our author was no genius, but he had a full measure of that indefinable quality known as wit; and, though the stylist's mask he wears is uncouth and rigid, it cannot always conceal the twinkle of his eyes. Moreover a certain weariness of this sermonizing on the stilts of antithesis is often visible; and we may suspect that he half sympathises ... — John Lyly • John Dover Wilson
... thinker Solomon Maimon, published only his exegetical works and his ingenious commentary on Maimonides in Hebrew. Another Polish writer, Solomon Dubno (1735-1813), one of the first to co-operate with Mendelssohn in his Biur, was a remarkable grammarian and stylist. Among other things he wrote an allegorical drama and a number of poetic satires. Of the latter, the "Hymn to Hypocrisy", published in Bikkure To'elet, is ... — The Renascence of Hebrew Literature (1743-1885) • Nahum Slouschz
... that a student at such pains to discover the fact as to a wrong done should have used barbed words in the portrayal of injustice? Strong convictions spurred on his pen, already taught to shape vigorous and incisive sentences. Not a stylist, as measured by the highest Elizabethan standards of charm and mellifluence, he possessed a clearness and directness which win the modern reader. By his methods of analysis he displayed a quality of mind akin to and probably influenced by that of Calvin, ... — A History of Witchcraft in England from 1558 to 1718 • Wallace Notestein |