"Shakespearean" Quotes from Famous Books
 ... the list of the great writers she has known. We are almost as much pleased by the authoress's confident expectation that we shall be thrilled to learn any new fact about Miss Aldrich, who wrote "one of the most exquisite lyrics in the language"; about Rhoda Hero Dunn, "a genius" with "an almost Shakespearean quality in her verse," or about Elsa Barker, whose poem The Frozen Grail, "dedicated to Peary and his band, is an epic of august beauty," and whose sonnet When I am Dead "ranks with the great sonnets of the world," ...
— Since Cezanne • Clive Bell
... tower which has borrowed some traits from the octagon "Globe" theatre of Shakespeare's day; a Shakespeare library and portrait gallery are forming; and in due time these buildings, of stately dimensions and built solidly of brick, will constitute a Shakespearean centre which will attract to itself many mementoes now scattered about in various parts of ...
— Our Hundred Days in Europe • Oliver Wendell Holmes
... house we sat and talked in the first reception-room we entered, I noticed that outside the lattice a company of villagers was listening with no consciousness of intrusion, in full view of our host, to the sound of foreign speech. It was a Shakespearean scene. ...
— The Foundations of Japan • J.W. Robertson Scott
... in London, England. The theatre being too small for this undertaking, we leased the Temperance Hall, largest in the city, and built our own stage. The programme was soon ready and contained the following, which was purely Shakespearean. An orchestra of thirty pieces played the overture and accompanied the several numbers. The Rialto, Bargain, and Trial scenes from the Merchant of Venice, four glees, a reading, and Locke's music to Macbeth's witches in ...
— A Soldier's Life - Being the Personal Reminiscences of Edwin G. Rundle • Edwin G. Rundle
... it remains, with its noble public library in its midst, and with Harvard University on its outskirts, a great centre of culture. I shall always remember a luncheon party at Harvard, where I was the guest of an eminent Shakespearean critic, and had for my fellow guests a very learned Dante scholar (one of the most delightful talkers imaginable), a famous psychologist, a political economist, and a lecturer on English literature. The talk fell upon the depopulation of New England, or rather the substitution ...
— America To-day, Observations and Reflections • William Archer
... and that it is hardly worth while to search out their good passages amid a welter of repulsive details. If they are to be read at all, the student will find enough of their work for comparison with the Shakespearean drama in a book of selections, such as Lamb's Specimens of English Dramatic Poetry or ...
— Outlines of English and American Literature • William J. Long
... culture of a club of aesthetics. The New Learning might have been as democratic as the old learning in the old days of mediaeval Paris and Oxford. The exquisite artistry of the school of Cellini might have been but the highest grade of the craft of a guild. The Shakespearean drama might have been acted by workmen on wooden stages set up in the street like Punch and Judy, the finer fulfilment of the miracle play as it was acted by a guild. The players need not have been "the king's servants," but their own masters. The ...
— A Short History of England • G. K. Chesterton
... Shakespeare which was deservedly praised for its learning and research. His critical acumen led him to doubt the genuineness of Chatterton's Rowley Poems, and he was one of the first to expose Ireland's Shakespearean forgeries in 1796. Among other services to literature he wrote a Life of Sir Joshua Reynolds and edited Dryden. He also left a quantity of materials afterwards utilized for the "Variorum Shakespeare" by James ...
— The Glories of Ireland • Edited by Joseph Dunn and P.J. Lennox
... had them set far over back—wide-awake men, who wanted a clear prospect; while careless men, who did not know, or care, how their hats sat, had them shaking about in all directions. The various hats, in fact, were quite a Shakespearean study. ...
— Uncle Tom's Cabin • Harriet Beecher Stowe
... been cast as farm hands to fill in the background of the play. When the former Shakespearean player learned that he was to wear overalls and carry a hoe over his shoulder, ...
— The Moving Picture Girls at Oak Farm - or, Queer Happenings While Taking Rural Plays • Laura Lee Hope
... Cake heard Noyes say. "Such training as only he could give. Years of it, that's plain. And then to send her to me. A Shakespearean actress for me! To ...
— O. Henry Memorial Award Prize Stories of 1921 • Various
... Meeting, headed by Francis Daniel Pastorius, came in 1688 the first protest against slavery in this country. In Philadelphia was published the first American medical book in 1740; here was given the first Shakespearean performance in this country in 1749; the first lightning rod was erected here in 1752; from Philadelphia the first American Arctic expedition set forth in 1755; on the Schuylkill River in 1773 were made the first steamboat experiments; the earliest abolition society in the world ...
— The Colonial Architecture of Philadelphia • Frank Cousins
... Library contains the manuscript copy of Charles Macklin's COVENT GARDEN THEATRE, OR PASQUIN TURN'D DRAWCANSIR in two acts (Larpent 96) which is here reproduced in facsimile.[1] It is an interesting example of that mid-eighteenth-century phenomenon, the afterpiece, from a period when not only Shakespearean stock productions but new plays as well were accompanied by such farcical appendages.[2] This particular afterpiece is worth reproducing not only for its catalogue of the social foibles of the age, but as an illustration of satirical ...
— The Covent Garden Theatre, or Pasquin Turn'd Drawcansir • Charles Macklin
... visiting at his father's house in Canada, he bought up all the stove-pipe wire in the town, and tacked it to a rail fence between the house and a telegraph office. Then he went to a village eight miles distant and sent scraps of songs and Shakespearean quotations over the wire. ...
— The History of the Telephone • Herbert N. Casson
... from this story, for I wished to convey a notion of the author's pulsating, vibrant, and impassioned style. There is more of the drama here than of the novel, and an elemental fierceness like that of Shakespearean drama. It would be well if these pages, so profound in the bitterness of their injustice, were to become widely known. It would be well if the poor women who, in all love as a rule, adopt a superhuman ...
— The Forerunners • Romain Rolland
... don't forget Judge Tracer's dinner to-morrow night. You will have to come home earlier than usual, for it is such a long drive, and it will never do to keep his mulligatawny waiting. And, by the way, I made a new engagement for you to-day. Mrs. General Leighton has invited us to join the Shakespearean Club which she is getting up. It is to be very select. Will meet at the different houses, you know, with a choice little supper at the close. She says the one she belonged to in Atlanta was a brilliant affair. ...
— A Beautiful Possibility • Edith Ferguson Black
... one—not quite entire but substantive—prose tale in Anglo-Saxon, the version of the famous story of Apollonius of Tyre, which was to be afterwards declined by Chaucer, but attempted by his friend and contemporary Gower, and to be enshrined in the most certain of the Shakespearean "doubtfuls," Pericles. It most honestly gives itself out as a translation (no doubt from the Latin though there was an early Greek original) and it deals briefly with the subject. But as an example of narrative style it is very far indeed from being contemptible: and in passages ...
— The English Novel • George Saintsbury
... soliloquizes in stilted terms about the instability of fortune and the advantages of a humble lot. Then there comes to him somehow into the very place on the heath where he is, his father, the blinded Gloucester, led by an old man. In that characteristic Shakespearean language,—the chief peculiarity of which is that the thoughts are bred either by the consonance or the contrasts of words,—Gloucester also speaks about the instability of fortune. He tells the old man who leads him to leave him, but the old man points out to him that ...
— Tolstoy on Shakespeare - A Critical Essay on Shakespeare • Leo Tolstoy
... India. In India, at the beginning of the Christian era, there was a development of drama of a high character. The one called the Clay-waggon (a child's toy) is described as of very great literary merit,—realistic, graphic, and Shakespearean in its artistic representation of life.[2078] Every drama which has that character must be in and of the mores. In the Clay-waggon the story is that of a Brahmin of the noblest character, who marries a courtesan, she having great love for him. The courtesan gives ...
— Folkways - A Study of the Sociological Importance of Usages, Manners, Customs, Mores, and Morals • William Graham Sumner
... clear what I feel about the Shakespearean attitude? At bottom, it is absolutely sceptical. Deep yawns below Deep; and if we cannot read "the writing upon the wall," the reason may be that there is no writing there. Having lifted a corner of the Veil of Isis, having glanced once into that ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... hearkening to a note which is not Shakespearean at all, not practical, not English. And we want a ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... plays for study are: Abraham and Isaac (Riverside L. S. vol., p. 7); The Deluge or others in the Everyman Library vol., pp. 29-135 (but the play 'Everyman' is not a Mystery play and belongs to the next assignment); or any in Manly's 'Specimens of the Pre-Shakespearean Drama,' vol. I, pp. 1-211. The Towneley Second Shepherds' Play (so called because it is the second of two treatments of the Nativity theme in the Towneley manuscript) is one of the most notable plays, but is very coarse. ...
— A History of English Literature • Robert Huntington Fletcher
... never knew anybody, save one woman and a little girl, who read Shakespeare in the original. I know a deal of Shakespeare, although I never read one of his plays, and never could witness a Shakespearean performance without having the fidgets. All the Shakespeare I have, I caught from being exposed to people who have ...
— Little Journeys to the Homes of the Great, Vol. 13 - Little Journeys to the Homes of Great Lovers • Elbert Hubbard |
