"Schumann" Quotes from Famous Books
 ... foolish taboos, and prejudices. A savage lives entirely in his senses, hence sensual love is the only kind he can know. His love is as coarse and simple as his music, which is little more than a monotonous rhythmic noise. Just as a man, unless he has musical culture, cannot understand a Schumann symphony, so, unless he has intellectual culture, he cannot love a woman as Schumann ...
— Primitive Love and Love-Stories • Henry Theophilus Finck
... we shall not care whether or not we understand the meaning of the words, and what we shall value in the song will be only the peculiar intimacy which it derives from its instrument, the voice. Only rarely is it otherwise, as in some of the songs of Schumann, when the poetic interpretation is so beautiful and so completely at one with the musical feeling, that we prefer to accept it rather than substitute our own interpretation for the poet's. But even so, the music, if genuine, will have value without the words. At the opposite pole are those ...
— The Principles Of Aesthetics • Dewitt H. Parker
... same country-house. It is raining outside. A drawing-room with a grand piano. Tnya has just finished playing a sonata of Schumann's and is sitting at the piano. Stypa is standing by the piano. Bors is sitting. Lyba, Lisa, Mitrofn Ermlych and the young Priest are all ...
— The Light Shines in Darkness • Leo Tolstoy
... the piano in the corner. It was a tall Collard, shaped, above the key-board, like a cupboard. After touching the notes softly, to be sure they were in tune, she drew over a chair, and fell to playing Schumann's "Warum?" very tenderly. It was a tinkling instrument, but perhaps her playing gained pathos thereby, before such an audience. At the end she turned round: there were tears in ...
— Noughts and Crosses • Arthur Thomas Quiller-Couch
... have Spohr's "Faust," with new recitatives, and shall give Schumann's "Manfred" at the beginning of June. Of the Ballenstedt Musical Festival, with the "Tannhauser" overture, and the "Liebesmahl der Apostel," you ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)
... the shining thought into action. She bustled to the kitchen, stoked the wood-range, sang Schumann while she boiled the kettle, warmed up raisin cookies on a newspaper spread on the rack in the oven. She scampered up-stairs to bring down her filmiest tea-cloth. She arranged a silver tray. She proudly carried it into the living-room and set it on the long ...
— Main Street • Sinclair Lewis
... Schumann, and Brahms; and the air, as it could not be changed, was the same. The very microbes were musical, and the walls were smudged with snatches of motives, ...
— The Black Cross • Olive M. Briggs
... deserted. He dropped into a chair, and was still breathless from the rapid climb up-hill, when stray notes from the piano reached his ears; a chord, a carefully played bit of bass; then a chord again. Then slowly, but with dainty accuracy and even feeling, Cherry began to play a strange little study of Schumann. Peter knew that it was Cherry, because Alix's touch was always firm and sure; more than that, he himself had played this same bit no longer ago than last night, and he remembered now that Cherry had asked him ...
— Sisters • Kathleen Norris
... in his great carved chair. His eyes were closed. The wheezy little organ in the choir loft at the rear of the temple began the opening bars of Schumann's Traumerei. And then, above the cracked voice of the organ, rose the clear, poignant wail of a violin. Theodore Brandeis had begun to play. You know the playing of the average boy of fifteen—that nerve-destroying, uninspired scraping. There was nothing of this in the ...
— Fanny Herself • Edna Ferber
... was a mulatto boy, who assisted them in translating into the Arawack a life of Christ. I cannot learn that this is extant. Between 1748 and 1755 one of the missionaries, Theophilus Schumann, composed a dictionary, Deutsch-Arawakisches W[oe]rterbuch, and a grammar, Deutsch-Arawakische Sprachlehre, which have remained in manuscript in the library of the Moravian community at Paramaribo. Schumann died in 1760, and as he was the first to compose such works, the manuscript dictionary ...
— The Arawack Language of Guiana in its Linguistic and Ethnological Relations • Daniel G. Brinton
... September, when he will begin his series of one hundred organ recitals, to continue till the Exposition closes in December. A unique episode of the Exposition music must not be overlooked in the recital by Madame Schumann-Heink, whose graciousness found another expression in her concert given exclusively and gratuitously to the children. More than three thousand of the little folk were in Festival Hall when the grandest of singers sang for them alone. The visit already accomplished ...
— The Jewel City • Ben Macomber
... in connection with Venice, the mixture having a special roundness of tone or flavour. Similarly, I once heard Bach's Magnificat, with St. Mark's of Venice as a background in my imagination. Again, certain moonlight songs of Schumann have blended wonderfully with remembrances of old Italian villas. King Solomon, in all his ships, could not have carried the things which I can draw, in less than a second, from one tiny convolution of my brain, from one ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... with a vivace Schumann piece. Everybody listened in sanctified silence, trying to seem to like it. When suddenly our Colonel began to spring and bounce in his chair, slinging his loose leg with a kind of rapture up and down in the air, and capering upon ...
— Aaron's Rod • D. H. Lawrence
... either dramatic or lyric. Even when one of these subdivisions of voice is able to enter the range of another, it cannot do the same things with the same ease as the one which naturally belongs there. An alto of extraordinary range, like Schumann-Heink, may be able to achieve high soprano in the head register. It is a valuable accomplishment, insuring ease in singing of roles that lie in the balance between high alto and mezzo-soprano, but it does not make the singer a soprano. A dramatic soprano may be able to sing florid roles, ...
— The Voice - Its Production, Care and Preservation • Frank E. Miller
... tend to eliminate many of the great geniuses of the world who were not only "Bohemian," but actually and pathologically abnormal—men like Rousseau, Dostoevsky, Chopin, Poe, Schumann, Nietzsche, Comte, Guy de Maupassant,—and how many others? But such considerations should not lead us into error of concluding that such men were geniuses merely because they were pathological specimens, ...
— The Pivot of Civilization • Margaret Sanger
... to Hermann. "I hope it may bring you happiness; I know it will bring me rest." A few minutes before midnight he opened the piano, and played with solemnity, and as if it had been a chorale, a song of Schumann's, entitled "To the Drinking-cup of a Departed Friend." Then, on the first stroke of midnight, he filled two glasses with some old Rhenish wine, and raised his own glass slowly. He was very pale, and his eyes were shining with feverish light. He was in a ...
— Stories by Foreign Authors: German • Various
... the authentic modes, inasmuch as in the latter a melody might end either on the upper or lower tonic or keynote. Thus the melody itself was said to be either authentic or plagal, according to whether it had one or two tonics. The theme of Schumann's "Etudes symphoniques" is authentic, and the first ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... At Andenne, Colonel Schumann, in command of the Potsdam Rifles, organised a grand concert in the evening at the Place des Tilleuls. The entertainment ended ...
— Their Crimes • Various
... about me, and in their midst, as the sunny kernel of joy, the wavy, golden hair of her whom I loved best, and who only lent the true radiance to all this summer glory. I read Heine and listened to Schumann, and I breathed the subtle penetrating fragrance of the linden blossoms, the wonderful fragrance full of poignant melancholy and sweet longing that does not touch our senses ere love has deeply nestled in our Heart. I had travelled through so many lands and yet had never smelled ...
— The Bride of Dreams • Frederik van Eeden
... shall try to get from her just what Beethoven, say, and Chopin, mean to her. She has not read Shaw's Perfect Wagnerite, nor had she ever heard of Nietzsche's Case of Wagner. She likes Mozart, and old Boccherini, and Leonardo Leo. Likewise she is partial to Schumann, especially Forest Scenes. And she played his Papillons most brilliantly. When I closed my eyes I could have sworn it was a ...
— The Mutiny of the Elsinore • Jack London
... composers fall into this category not a consoling notion, but an unavoidable. Richard Wagner has his epigones; the same is the case with Haydn, Mozart, Beethoven. Mendelssohn was a delightful feminine variation on Bach, and after Schumann came Brahms. ...
— Ivory Apes and Peacocks • James Huneker
... Mount Pitt Cuyamaca Lake, Near Pine Hills El Cajon Valley, San Diego County, from Schumann-Heink Point, Grossmont In San Diego County San Diego Mountain Scene Fern Brake, Palomar Mountain The Margarita Ranch House San Diego and Coronado Islands from Grossmont Grade on Palomar Mountain Pelican Bay, Klamath Lake On Klamath River Klamath Lake and Link River ...
— Out of Doors—California and Oregon • J. A. Graves
... being aggregated in conventional tone-masses, but developed vigorously after the sense of the text,—are distinguished from those in the works of recent composers." Unfortunately for Marx, the public preferred the solos and choruses of such recent composers as Meyerbeer, Mendelssohn, and Schumann to his. A few songs and hymns completed the list of his works at ...
— The Atlantic Monthly, Volume V, Number 29, March, 1860 - A Magazine Of Literature, Art, And Politics • Various
... practically all the forty-seven themes in The Meistersingers. He raved about Ternina in Tristan. He had worshipped the Joachim quartet. He was acquainted with all the popular symphonies of Beethoven, Schubert, Schumann, Mozart, Glazounov, and Tschaikovsky. He even frequented the Philharmonic Concerts, which were then conducted by a composer of sentimental drawing-room ballads, and though he would not class this conductor with Richter or Henry J. Wood, he yet believed that somehow, by the ...
— The Roll-Call • Arnold Bennett
... Dolly: I come straight out of the heart of the whole people. If I were middle-class I should turn my back on my father's business; and we should both live in an artistic drawingroom, with you reading the reviews in one corner, and I in the other at the piano, playing Schumann: both very superior persons, and neither of us a bit of use. Sooner than that, I would sweep out the guncotton shed, or be one of Bodger's barmaids. Do you know what would have happened if you ...
— Major Barbara • George Bernard Shaw |
