"Schiller" Quotes from Famous Books
 ... will always approach as close as its own conditions permit to the powers of music. Some poets are inclined more powerfully to music than others. Burns composed with definite melodies in mind; Shelley often began with a little tune which he gradually crystallized into words; Schiller tells us that inspiration often came to him first in the form of music. Tennyson, Swinburne, and others, have chanted rather than read their poetry aloud. And even Browning, who sometimes appears to prefer discord to music, is found ...
— The Principles of English Versification • Paull Franklin Baum
... one of her new master. This face was not handsome, for, true to his fatherland, the Professor had an eminent nose, a blonde beard, and a crop of "bonny brown hair" long enough to have been gathered into a ribbon, as in the days of Schiller and Jean Paul; but Dolly liked it, for its strength was tempered with gentleness; patience and courage gave it dignity, and the glance that met her own ...
— On Picket Duty and Other Tales • Louisa May Alcott
... we soon came to Rolandseck, a lofty eminence, where are the remains of a baronial fortress and a celebrated ruin of an arch. I should judge that the access to this place was by a charming road. The ruins of Rolandseck are immortalized by the ballad of Schiller. Tradition relates that the castle was destroyed by the Emperor Henry V., in the twelfth century. At the foot of the mountain is the sweet little Island of Nonnenwoerth, of about one hundred acres, and the ruins of a convent. The rock here is basaltic, and ...
— Young Americans Abroad - Vacation in Europe: Travels in England, France, Holland, - Belgium, Prussia and Switzerland • Various
... most impressive mountain I have yet seen; for mountains, as a rule, are disappointing, the height being generally attained by gradations. It is only to Fusiyama, and such as it, that rise alone in one unbroken pyramid, that one can apply Schiller's grand line, ...
— Round the World • Andrew Carnegie
... open air to the tender mercies of crows, foxes and wolves. The weapons and other personal effects of the decedent are placed near by, probably with something of the same sentiment that causes us to use chaplets of flowers and immortelles as funeral offerings—a custom that Schiller has commemorated in "Bringet hier die ...
— The First Landing on Wrangel Island - With Some Remarks on the Northern Inhabitants • Irving C. Rosse
... Russia, and Italy were one great succession of triumphs; by her brilliancy, her wonderful gift of conversation, and her quickness of comprehension, she everywhere baffled and astounded those with whom she conversed. Schiller declared that when she left he felt as though he were just convalescing after a long spell of illness. One day she abruptly asked the staid old philosopher Fichte: "M. Fichte, can you give me, in a ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... that both historical and poetic truth shall be the result. To those, however, who so very severely judge Historical Romance, and would deny its historical worth, I now, in conclusion, answer with the following significant quotation from Schiller: ...
— Old Fritz and the New Era • Louise Muhlbach
... to remind those who are conversant with Herodotus or Schiller of the legend of King Polycrates, which dates back five or six centuries before the present era. Polycrates, the king of Samos, was one of the most fortunate of men, and everything he took in hand was fabled to prosper. This unbroken series of successes caused disquietude to his ...
— Hebraic Literature; Translations from the Talmud, Midrashim and - Kabbala • Various
... Goethe poured forth, in his voluminous writings, a mass of criticism even more illuminating and appreciative than Schlegel's. {345} Although Goethe deemed Shakespeare's works unsuited to the stage, he adapted 'Romeo and Juliet' for the Weimar Theatre, while Schiller prepared 'Macbeth' (Stuttgart, 1801). Heine published in 1838 charming studies of Shakespeare's heroines (English translation 1895), and acknowledged only one defect in ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... the signature, with the rest of the letter covered, and without hesitation acknowledged it for his own writing. However, when the letter was uncovered and shown to him, his surprise and horror were such as would require the pen of a Goethe or a Schiller to describe, and he denied categorically ever having seen the ...
— He Walked Around the Horses • Henry Beam Piper
... scholarship. Amongst his other literary works are a Tableau de la litterature francaise au dixhuitieme siecle, of which several editions were published; Des communes et de l'aristocratie (1821); a French translation of the dramatic works of Schiller; Questions constitutionnelles (1850); Histoire de la Convention Nationale, which appeared in six volumes between 1851 and 1853; Histoire du Directoire de la Republique francaise (1855); Etudes historiques et ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... season when the little Court sheds its mild light about; but out of the season, especially at this time of the year, when there is nothing but dried and fluttering leaves, students, and dogs in the streets, I found it woeful. It was reeking of Schiller and Goethe. For two marks you can have a pretty good idea of how these great men lived and had their being. Everywhere we turned, and we turned everywhere, there were statues, busts, autographs, writing-desks, beds, and wash-stands which had belonged to them. I admired everything until my vocabulary ...
— In the Courts of Memory 1858-1875. • L. de Hegermann-Lindencrone
... chivalry away," sang Byron; and if Gay did not extinguish the failing flame of our night errantry—unlike the "Robbers" of Schiller, which is said to have inflamed the Saxon youth with an irrepressible mania for brigandage—, the "Beggar's Opera" helped not to fan the dying fire. That laugh was fatal, as laughs generally are. Macheath gave the ...
— Rookwood • William Harrison Ainsworth
... of white-sheeted ghosts hurrying deliriously through the one too-narrow entrance of the lower world," said Kennedy. "Doesn't it remind one of Schiller's line— ...
— Julian Home • Dean Frederic W. Farrar
... Strasburg,—what is it but a striving upward of the soul to lose itself in God? A symphony of Beethoven,—what is it but the same unbounded longing and striving toward the Infinite and Eternal? The poetry of Wordsworth, of Goethe, Schiller, Dante, Byron, Victor Hugo, Manzoni, all partake of the same element. It is opposed to classic art and classic poetry in this, that instead of limits, it seeks the unlimited; that is, it believes in spirit, which alone is the unlimited; the infinite, that which is, not that which appears; ...
— Ten Great Religions - An Essay in Comparative Theology • James Freeman Clarke
... were exterminated; many resolutely met the death they preferred to the renunciation of their ancient faith. Some few escaped by flight to the recesses of the lofty mountains, where they still live in seclusion, faithful to the gods of their ancestors. Schiller's exclamation—"Furchtbar ist der Mensch in ...
— A New Voyage Round the World in the Years 1823, 24, 25, and 26. Vol. 1 • Otto von Kotzebue
... can raise; would the praise of them raise it, they who praised Mr. Mackay's own, own 'Dead Pan,' quite his own, the other day?—By the way, Miss Cushman informed me the other evening that the gentleman had written a certain 'Song of the Bell' ... 'singularly like Schiller's; considering that Mr. M. had never seen it!' I am told he writes for the Athenaeum, but don't know. Would that sort of praise be flattering, or his holding the tongue—which Forster, deep in the mysteries of the craft, corroborated my own notion ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... was at that time much in vogue among the educated classes. My mother told me, among other things, that he took her to Lauchstadt for the first performance of the Braut von Messina, and that on the promenade he pointed out Schiller and Goethe to her, and reproved her warmly for never having heard of these great men. He is said to have been not altogether free from a gallant interest in actresses. My mother used to complain jokingly that she often had to keep ...
— My Life, Volume I • Richard Wagner
... well remember the first cultivated grape vine which produced fruit in Hermann. It was an Isabella, planted by a Mr. FUGGER, on the corner of Main and Schiller streets, and trained over an arbor. It produced the first crop in 1845, twenty years ago, and so plentifully did it bear, that several persons were encouraged by this apparent success, to plant vines. In 1846, the first wine was made here, and ...
— The Cultivation of The Native Grape, and Manufacture of American Wines • George Husmann
... lamentations were heard, as of Nature herself expressing her grief. The epoch of the story coincides with the enactment of that grim, and the world's greatest tragedy on the hill of Golgotha, and the end, and the beginning of a new world. Rabelais, Milton, Schiller, and also Mrs. Browning, have allusions to this ...
— A History of Pantomime • R. J. Broadbent
... Company-Serjeant-Major. His place in "A" Company was taken by Serjeant Wardle, of "C" Company. As soon as they were relieved Companies marched to Loisne Chateau, where they were to entrain. Trains were not ready, but after a long wait, the well-nigh frantic efforts of Captain Schiller produced them, much to everybody's delight, and somewhere about midnight we marched back to ...
— The Fifth Leicestershire - A Record Of The 1/5th Battalion The Leicestershire Regiment, - T.F., During The War, 1914-1919. • J.D. Hills
... plunged and replunged like Schiller's diver into seas of the unknown. But, unlike the doomed hero, he returns triumphant, grasping the priceless truth that his mind is not crippled, not limited to the infirmity of his senses. The world of the eye and the ear becomes to him a subject of fateful interest. He seizes every ...
— The World I Live In • Helen Keller
... this visionary, see in the dark? What is the secret that tormented his soul? What did this painter of the air mean to tell us in this eternal conflict of light and shadow? It is said that the contrasts of light and shade corresponded in him to moods of thought. And truly it seems that as Schiller, before beginning a work, felt within himself an indistinct harmony of sounds which were a prelude to his inspiration, so also Rembrandt, when about to paint a picture, beheld a vision of rays and shadows which had some meaning to him before he animated them with his figures. ...
— Holland, v. 1 (of 2) • Edmondo de Amicis
... thousand arms, whose grasp was so extensive that it included pages, scenes, acts, and whole dramas in its embrace. We cannot say that French writers have ever tried to write in the style of Goethe or Schiller; but French composers have tried and are still trying to write music after the manner of ...
— Musicians of To-Day • Romain Rolland
... same kind in the Frankfurter Zeitung. It was not Gussiter this time, but one Weissmann, but his game was identical—'deep breathing'. The Hun style was different from the English—all about the Goddess of Health, and the Nymphs of the Mountains, and two quotations from Schiller. But the principle ...
— Mr. Standfast • John Buchan
... the plan started by Mr. Booth remains largely unaffected. For them no drums have beat, no trombones brayed; no sanctified buffoonery, after the model of the oration of the Friar in Wallenstein's camp dear to the readers of Schiller, has tickled the ears of the groundlings on their behalf. Sadly behind the great age of rowdy self-advertisement in which their lot has fallen, they seem not to have advanced one whit [250] beyond John the Baptist and the Apostles, 1800 years ago, in their notions of the way in which ...
— Evolution and Ethics and Other Essays • Thomas H. Huxley
... and unpopular names and impossible loyalties! what example could ever so inspire us to keep down the Philistine in ourselves, what teacher could ever so save us from that bondage to which we are all prone, that bondage which Goethe, in his incomparable lines on the death of Schiller, makes it his friend's highest praise ... to have left miles out of sight behind him: the bondage of 'was ...
— Matthew Arnold's Sohrab and Rustum and Other Poems • Matthew Arnold
... no elaborate effort of the imagination to liken the lightning to a serpent. It does not require any remarkable acuteness to guess the conundrum of Schiller:— ...
— The Myths of the New World - A Treatise on the Symbolism and Mythology of the Red Race of America • Daniel G. Brinton
... enough of action in it; but that Lessing was the most chaste of their writers. He spoke favourably of Goethe; but said that his SORROWS OF WERTER was his best work, better than any of his dramas: he preferred the first written to the rest of Goethe's dramas. Schiller's ROBBERS he found so extravagant, that he could not read it. I spoke of the scene of the setting sun. He did not know it. He said Schiller could not live. He thought DON CARLOS the best of his dramas; but said that the plot ...
— Biographia Literaria • Samuel Taylor Coleridge
... the most eminent modern authors seems to have imitated the passage of Shakspeare's Henry IV. Schiller, in his Jungfrau von ...
— Notes and Queries, 1850.12.21 - A Medium of Inter-communication for Literary Men, Artists, - Antiquaries, Genealogists, etc. • Various
... Constitutions were promised, and the promises shamefully violated, sometimes ostensibly conceded, but really never acted upon. The oaths of kings were synonymous for falsehood throughout the great fatherland. Schiller ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... translation of Schiller's AESTHETIC LETTERS, which we read together, as well as the second part of FAUST, in Gladstone Terrace, he helping me with the German. There is no keepsake I should more value than the MS. of that translation. They were the best days I ever had with him, ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson
... up to a knowledge of my spiritual condition, as she calls it. Ah, Beulah, it is all dark before me; black, black as midnight! I am going down to an eternal night; down to annihilation. Yes, Beulah; soon I shall descend into what Schiller's Moor calls the 'nameless yonder.' Before long I shall have done with mystery; shall be sunk into unbroken rest." A ghastly smile parted her lips ...
— Beulah • Augusta J. Evans
... of the same result much nearer our own times. Schiller's Raeuber, that wonderful play, written by a green youth, perverted the taste and imagination of all the young men in Germany. An accomplished critic of our own country (Hazlitt), speaking of this play, says it was the ...
— Memoirs of Extraordinary Popular Delusions and the Madness of Crowds • Charles Mackay
... and last movements are in F minor, the third in F major. Schumann, in a brief notice of the work, describes it as excellent. The sonata (Op. 46) entitled "The Maid of Orleans" commences with an Andante pastorale in A flat, above which are written the following lines from Act iv. Scene 1 of Schiller's play, Die ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... original and priceless civilization. She holds clearly formulated ideals. To the future she has all this to bequeath and, in addition, the intellectual wealth of her present stage of development. Consider Germany's contributions to the arts, the poetical achievements of the period of Schiller and Goethe, the music of Handel, Bach, Haydn, Mozart, and Beethoven; the thought systems of Kant, Fichte, Schelling, ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... ancient and modern, naive and sentimental, classic and romantic, have been shibboleths of culture from Jean Paul, Schiller, and Hegel, to Vischer. Jean Paul, in his Vorschule zur Aesthetik, compares the ideally simple Greek poetry, with its objectivity, serenity, and moral grace, with the musical poetry of the romantic period, and ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... The mind of the performer must be sympathetic with that of the author; it must be cast in the same mould with the original conceiver of the piece. To form an adequate and correct conception of the proper representation of the leading characters in the masterpieces of Sophocles, Shakspeare, or Schiller, requires a mind of the same cast as that of those poets themselves. The performer must throw himself, as it were, into the mind of the author; identify himself with the piece to be represented; conceive the character in reality, as the poet had portrayed it in words, and then convey by acting ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 363, January, 1846 • Various
... patterns to quite realize the symphony based on an extra-musical scheme. His symphonic poems reveal how difficult it was for him to make his music follow the curve of his ideas. In "Die Ideale," for instance, for the sake of a conventional close, he departed entirely from the curve of the poem of Schiller which he was pretending to transmute. The variations in which he reproduced Lamartine's verse are stereotyped enough. When was there a time when composers did not deform their themes in amorous, rustic and warlike variations? The relation between the pompous and somewhat empty "Lament and Triumph" ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... eminently favourable towards what is usually termed the pleasures of life; but I never was a votary at the shrine of luxury or fashion. A round of company, a routine of pleasure, were to me sources of weariness, if not of disgust. "There's nothing in all this to satisfy the heart," says Schiller; and I admit ...
— The Backwoods of Canada • Catharine Parr Traill
... of the preparation of the dead Indian warrior for the tomb, a translation of Schiller's beautiful burial song is here given. It is believed to be by Bulwer, and for it the writer is indebted to the kindness of Mr. ...
— A Further Contribution to the Study of the Mortuary Customs of the North American Indians • H.C. Yarrow
... compromise and a failure, is one of the greatest sources of its charm, for each condition must be met as if the other did not exist, and when both are so met, we derive the same satisfaction as from any other combination of strength and grace, such as Schiller celebrates in his "Song of ...
— The Booklover and His Books • Harry Lyman Koopman
... under different names in "Titan." His previous popularity did not penetrate far within the circle of scholars and thinkers, and never knocked at the charmed threshold of the Weimar set, whose taste was controlled by Goethe and Schiller. But "Hesperus" made a great noise, and these warders of the German Valhalla were obliged to open the door just a crack, in order to reconnoitre the pretentious arrival. Goethe first called the attention of Schiller to the book, sending him a copy while he ...
— Atlantic Monthly, Vol. 11, No. 63, January, 1863 - A Magazine Of Literature, Art, And Politics • Various
... the poet's father, which consists of three lyres, as if to prefigure the destiny of the genius who first saw the light within its walls. Goethe's room is a garret, wherein his portrait, his autograph, and his washstand are exhibited. His statue stands near the theatre, and one of Schiller in front of the guard-house. From the house of the poet, the party went to the Staedel Museum, filled with fine pictures, mostly by Dutch and German artists, which is named for its founder, a liberal banker, who gave four hundred thousand ...
— Down the Rhine - Young America in Germany • Oliver Optic
... riddles, however, approaches grand old Donne, who said in one of his fine discourses that "the Devil himself is only concentrated stupidity." What a magnificent flash of insight! Yes, the great enemy of mankind is stupidity; and, alas, against that, as Schiller said, the gods themselves fight in vain. Yet time fights against it, and time is greater than the gods; so there is hope ...
— Flowers of Freethought - (First Series) • George W. Foote
... and gardens that were distant copies of those of that famous suburb. This spirit lasted well down to 1789, although the masterpieces of Lessing were already twenty years old, and those of Goethe and Schiller ...
— The Eve of the French Revolution • Edward J. Lowell
... of 1913 which had no poor, which took better care of its workmen than any nation in the world; the nation, which was considered in the advance of all countries in dealing with economic and industrial problems, no longer exists. The Germany which produced Bach, Beethoven, Schiller, Goethe and other great musicians and poets has disappeared. The musicians of to-day write hate songs. The poets of to-day pen hate verses. The scientists of to-day plan diabolical instruments of death. The educators teach suspicion of and disregard for everything which is not German. ...
— Germany, The Next Republic? • Carl W. Ackerman
... he was appointed Professor of Philosophy in the University of Basel. In 1874 he received a "call" to succeed the late Kuno Fischer as Professor of Philosophy in the renowned University of Jena. It is here, in the "little nest" of Goethe and Schiller, that Eucken has remained in spite of "calls" to universities situated in larger towns and carrying with them larger salaries. It is fortunate for Jena that Eucken has thus decided. He, along with his late colleague Otto Liebmann, has kept up the philosophical tradition of Jena. ...
— An Interpretation of Rudolf Eucken's Philosophy • W. Tudor Jones
... France and Italy. The stirring times aroused a new taste in music, as well as in politics and literature. The dramas of Racine and the operas of Lulli were akin. No less did the stormy genius of Schiller find its counterpart in Beethoven and Cherubini. The production of "Lodoiska" was the point of departure from which the great French school of serious opera, which has given us "Robert le Diable," "Les Huguenots," and "Faust," got its primal value ...
— Great Italian and French Composers • George T. Ferris
... when Heine sang, and Beethoven made music, and Goethe and Schiller wrote and Schopenhauer thought! If ever a land had the philosophy and the poetry of democracy Germany had it. Democracy tried to bloom in the revolutionary days of the forties, but Germany strangled her voices. ...
— The Martial Adventures of Henry and Me • William Allen White
... said a sage, "who has not suffered?" Schiller produced his greatest tragedies in the midst of physical suffering almost amounting to torture. Handel was never greater than when, warned by palsy of the approach of death, and struggling with distress and suffering, he sat down to compose the great works which ...
— Architects of Fate - or, Steps to Success and Power • Orison Swett Marden
... remember once, In particular, having this feeling in reading Schiller's Don Carlos, where there is a description of death, in a degree that almost ...
— Table-Talk - Essays on Men and Manners • William Hazlitt
... for Coleridge's translation of "The Piccolimini," the first part of Schiller's "Wallenstein," in 1800—Coleridge supplying a prose paraphrase (for Lamb knew no German) for the purpose. The original is Thekla's song in Act ...
— The Works of Charles and Mary Lamb IV - Poems and Plays • Charles and Mary Lamb
... sitting before the fire with Wallenstein's Lager on his knee, but with eyes bent upon the flames that burst with tiny explosions from the logs, and with mind wandering far from thoughts of Schiller,—von Rittenheim was waiting with what patience he could ...
— A Tar-Heel Baron • Mabell Shippie Clarke Pelton
... smile, denoted a fondness for the juice of the grape, and seitel after seitel disappeared with rapidity. By-the-bye, old father Danube is as well entitled to be represented with a perriwig of grapes as his brother the Rhine. Hungary in general, has a right merry bacchanalian climate. Schiller or Symian wine is in the same parallel of latitude as Claret, Oedenburger as Burgundy, and a line run westwards from Tokay would almost touch the vineyards of Champagne. Csaplovich remarks in his quaint way, that ...
— Servia, Youngest Member of the European Family • Andrew Archibald Paton
... most ludicrously in many cases with the simple, almost childlike, honesty which is typical of all early Teutonic literature. Had a Charles Lamb, a Leigh Hunt, or an Edgar Allan Poe recast these tales, how different would have been their treatment! Before the time of Schiller and Goethe French models prevailed in German literature. These wizards of the pen recovered the German spirit of mystery, and brought back to their haunts gnomes, kobolds, and water-sprites. But the mischief ...
— Hero Tales and Legends of the Rhine • Lewis Spence
... has been written upon this subject of Free Will in the past; the point has been bitterly disputed for years. It may be said, however, that, at the present day, practically all philosophers and scientists, with few exceptions (e.g., James, Schiller, Bergson, etc.), believe in Determinism. The arguments for that doctrine are certainly weighty, and may ...
— The Problems of Psychical Research - Experiments and Theories in the Realm of the Supernormal • Hereward Carrington
... resumed my courage, on seeing, through the difficulties of the language, the immense intellectual riches which existed out of France. I learned to read German; I listened attentively to Goethe and Wieland, who, fortunately for me, spoke French extremely well. I comprehended the mind and genius of Schiller, in spite of the difficulty he felt in expressing himself in a foreign language. The society of the duke and duchess of Weimar pleased me exceedingly, and I passed three months there, during which ...
— Ten Years' Exile • Anne Louise Germaine Necker, Baronne (Baroness) de Stael-Holstein
... manuscript-book still, filled with these youthful efforts. I even undertook to put German verse into English verse, not wincing at the greatest—Goethe and Schiller. These studies were pursued in the pleasant days of cloth-room leisure, when my work claimed me only seven or eight ...
— A New England Girlhood • Lucy Larcom
... the mind to which my attention has been called by an able paper read this spring to the Cambridge Moral Science Club by my friend Miss Amber Reeves. In this she has developed a suggestion of Mr. F.C.S. Schiller's. The current syllogistic logic rests on the assumption that either A is B or it is not B. The practical reality, she contends, is that nothing is permanent; A is always becoming more or less B or ceasing to be more or less ...
— First and Last Things • H. G. Wells
... I'm glad of it ... because they're looking on you as my protege ... holding me responsible for you. Munday, in the Schiller class, tells me you sometimes bring in your daily lesson in Wilhelm Tell, translated into blank verse ... and good stuff, too.... And King says he turns over the most difficult lines in Horace in class for ...
— Tramping on Life - An Autobiographical Narrative • Harry Kemp
... named Gessler to have occupied the castle at the date assigned, the ruins of which have so long been pointed out as being those of his former abode. So, also, the celebrated Tell's Chapel on the Vier Waldstaette See, at Kuesnach, was certainly not built to commemorate the exploits of Schiller's ...
— The Great Events by Famous Historians, Volume 07 • Various
... Englishmen, as they fought with them at Aljubarrota, side by side with Frenchmen, who fought with them at Montes Claros. Were it necessary to appeal to a motive less disinterested than the noble ideal proclaimed by Schiller, we have this: the payment of an ancient debt to which our honor binds us. Let us go forward to defend territories of those who defended ours, let us maintain the independence of nations who contributed to the salvation ...
— Defenders of Democracy • Militia of Mercy
... indication of "spirits," he records it, whatever it may be, and is willing to fit his conception to the facts, however grotesque the latter may appear, rather than to blot out the facts to suit his conception. But, as was long ago said by our collaborator, Mr. Canning Schiller, in words more effective than any I can write, if any conception should be blotted out by serious lovers of Nature, it surely ought to be classic academic Sunday-school conception. If anything is unlikely in a world ...
— Memories and Studies • William James
... A young grazier of their neighbouring town, of an aspiring mind and remarkable poetic talents, engrossed the Duchesse's platonic affections at this juncture. When he had sold his beasts at market, he would ride over and read Rousseau and Schiller with Madame la Duchesse, who formed him. His pretty young wife was rendered miserable by all these readings, but what could the poor little ignorant countrywoman know of Platonism? Faugh! there is more than ...
— The Newcomes • William Makepeace Thackeray
... concert-room the feeling ought not to leave us, that, just by our conscientious and persevering striving, we stand somewhat higher than the public, and that we have to represent our portion of "Menschheits-Wurde," [Manhood's dignity] as Schiller says. Let us not err through false modesty, and let us hold fast to the true, which is much more difficult to practice and much more rare to find. The artist—in our sense— should be neither the servant nor the master of the public. He remains the bearer of the Beautiful ...
— Letters of Franz Liszt, Volume 1, "From Paris to Rome: - Years of Travel as a Virtuoso" • Franz Liszt; Letters assembled by La Mara and translated
... of Brussels, and esteemed ourselves rich with a fragment of its tapestry, or a rifle of Namur; we had honored the vast manufacturing interest of the Netherlands, their commercial prosperity and noble enterprise; but here all thought of them had ended. Schiller had not taught us that the ancestors of the miners of Mons, the artisans of Brussels, the seamen of Antwerp, the professors of Leyden, were heroes, worthy to stand beside Leonidas and Bozzaris; Strada had failed to rouse us to enthusiasm at the thought of their long, noble battle for ...
— Continental Monthly - Volume 1 - Issue 3 • Various
... walked in his courtyard. He made friends with a mouse who, 'judging from her swelled-out appearance', was a lady, and came and ate out of his plate. The cranes that flew over Khartoum in their thousands, and with their curious cry, put him in mind of the poems of Schiller, which few ever read, but which he admired highly, though he only knew them in Bulwer's translation. He wrote little disquisitions on Plutarch and purgatory, on the fear of death and on the sixteenth chapter of the Koran. ...
— Eminent Victorians • Lytton Strachey
... allied chiefs, and defends himself against the charge of connivance at the escape of the Persian prisoners), I should have been tempted to say that they could not have been written without personal experience of political life; if the interview between Wallenstein and the Swedish ambassadors in Schiller's great trilogy did not recur to my recollection as I write. The language of the ambassadors in that interview is a perfect manual of practical diplomacy; and yet in practical diplomacy Schiller had no personal experience. There are, indeed, no limits to the creative ...
— Pausanias, the Spartan - The Haunted and the Haunters, An Unfinished Historical Romance • Lord Lytton
... them a turn between sentences as I read or wrote. They seemed to have a higher flavor, being seasoned with thoughts; but it was not equally sure if the thoughts were better for being seasoned with apple. However, one must not count herself so recherche as Schiller, who could only write when his desk ...
— The Atlantic Monthly, Volume 17, No. 102, April, 1866 • Various
... more than sixty years ago since Mr. Carlyle took occasion to observe, in his Life of Schiller, that, except the Newgate Calendar, there was no more sickening reading than the biographies ...
— Obiter Dicta - Second Series • Augustine Birrell
... literature (despite the great figure he played in it during his day) must be regarded as having consisted in giving romanticism a chance to establish itself firmly on Russian soil; and in having, by his splendid translations, among them Schiller's "Maid of Orleans," Byron's "The Prisoner of Chillon," and de la Mott Fouque's "Undine," brought Russian literature into close relations with a whole mass of literary models, enlarged the sphere of literary criticism, and definitively deprived pseudo-classical theories and models of ...
— A Survey of Russian Literature, with Selections • Isabel Florence Hapgood
... anecdotes about Frederick the Great, all of them, of course, revealing him as a good king and a popular character; eight anecdotes about Beethoven, Mozart, Schiller, and Lessing, and the remainder of the book is made up of one anecdote about Queen Louise, one about Field Marshal Bluecher, eighteen anecdotes about Bismarck, three about the Emperor William I, and three about ...
— Face to Face with Kaiserism • James W. Gerard
... an unmixed blessing to have the wider sight of the astral plane, for upon one in whom that vision is opened the sorrow and misery, the evil and the greed of the world press as an ever-present burden, until he often feels inclined to echo the passionate adjuration of Schiller: "Why hast thou cast me thus into the town of the ever-blind, to proclaim thine oracle with the opened sense? Take back this sad clear-sightedness; take from mine eyes this cruel light! Give me back my blindness—the ...
— The Astral Plane - Its Scenery, Inhabitants and Phenomena • C. W. Leadbeater
... were crowned; and then, in succession, the poet Boerne's birthplace, the Judengasse, the original home of the Rothschilds, the Ariadneum (named from Daennecker's marble group of Ariadne and the lioness), the Art Museum, the Goethe and Schiller monuments, and the beautiful sylvan resort for popular recreation, known as "The Wald." General Grant visited also, by invitation, some of the great wine-cellars of Frankfort, and was conducted through the immense ...
— Lippincott's Magazine, October 1885 • Various
... that memorable year which gave to the world those philosophers, warriors, and statesmen who have changed the face of science and the condition of affairs in our century. It was in that year that Cuvier also and Schiller were born; and among the warriors and statesmen, Napoleon, the Duke of Wellington, and Canning are children of 1769, and it is certainly a year of which we can say that its children have revolutionized the world. Of the early life of Humboldt I know nothing, ...
— Great Men and Famous Women. Vol. 4 of 8 • Various
... In Germany the movement took the philosophical and literary shape. Lessing's critical writings had heralded the change. Goethe, after giving utterance to passing phases of thought, was rising to become the embodiment of a new ideal of intellectual culture. Schiller passed through the storm and stress period and developed into the greatest national dramatist. Kant had awakened from his dogmatic theory, and the publication of the Critique of Pure Reason in 1781 had awakened the philosophical world ...
— English Literature and Society in the Eighteenth Century • Leslie Stephen
... and aspiration to play the part of Schiller to this Goethe: and he was at times so strong and joyful—his body so active, and his intellect so clear—as to suggest to me the thought that he, like Goethe, would see the younger man laid low. Destiny ruled otherwise, and now he is but a ...
— Faraday As A Discoverer • John Tyndall
... his arm, not willing to be behindhand, quoted two verses of Schiller, most of it remaining in his flowing beard. Then the ladies exclaimed, and for a time ...
— Tartarin On The Alps • Alphonse Daudet
... just mentioned. He might never have heard that the earth goes round the sun; that England underwent a great revolution in 1688, and France another in 1789; that there once lived certain notable men called Chaucer, Shakespeare, Milton, Voltaire, Goethe, Schiller. The first might be a German and the last an Englishman for anything he could tell you to the contrary. And as for Science, the only idea the word would suggest to his mind ...
— Science & Education • Thomas H. Huxley
... the public regarding the Barbizon school. Never was a group composed of such dissimilar spirits. Yet people talk about Millet and Breton, Corot and Daubigny, Rousseau and Dupre. They still say Goethe and Schiller, Beethoven and Mozart, Byron and Shelley. It is the result of mental inertia, this coupling ...
— Promenades of an Impressionist • James Huneker
... no theories of play in Froebel's day, but he had certainly read Levana, and in all probability he knew what Schiller had said in his Letters on Aesthetic Education. The play theories are now too well known to require ...
— The Child Under Eight • E.R. Murray and Henrietta Brown Smith
... failure to produce anything perfect in form, except a few lyrics, proves the irresistible expansion of the modern spirit, and the inadequateness of the Greek type to modern needs of activity and expression. Greatly prefers Schiller in all respects; turning to him from Goethe is like going into the fresh air ...
— Critical Miscellanies, Vol. 3 (of 3) - Essay 2: The Death of Mr Mill - Essay 3: Mr Mill's Autobiography • John Morley
... Irish yews across the luminous water of a lake that picks up their outline like a Renaissance picture. Statuary, classic and modern, arrests interest at every turn in the park. Among the figures and busts are those of Junipero Serra, General Grant, Goethe, Schiller, Cervantes, General Pershing ...
— Fascinating San Francisco • Fred Brandt and Andrew Y. Wood
... not unlikely that the Customs' Union may lower our estimate of Weimar; a five years' war with Austria and Prussia, especially if we were assisted by the French, would make us rank Schiller himself—the greatest of German names—on the same humble level where we now place Victor Hugo. But there are thousands, of people in this good realm of England, who actually consider such beings a Spindler and Vandervelde superior ...
— Blackwood's Edinburgh Magazine, Volume 54, No. 337, November, 1843 • Various
... to give a trustworthy account of Schiller and his works on a scale large enough to permit the doing of something like justice to his great name, but not so large as in itself to kill all hope and chance of readableness. By a trustworthy account I mean one that is accurate in the matters of fact ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... lecture of Victor Cherbuliez in a state of bewildered admiration. As a lecture it was exquisite: if it was a recitation of prepared matter, it was admirable; if an extempore performance, it was amazing. In the face of superiority and perfection, says Schiller, we have but one resource—to love them, which is what I have done. I had the pleasure, mingled with a little surprise, of feeling in myself no sort of ...
— Amiel's Journal • Mrs. Humphry Ward
... is so deep that the sunshine never touches the larger part of the floor of the inner abyss, and a peak on its eastern wall rises 24,000 feet sheer above the tremendous pit. Other enormous walled plains are Longomontanus, Wilhelm I, Schiller, Bailly, and Schickard. The latter is one hundred and thirty-four miles long and bordered by a ring varying from 4,000 to 9,000 feet in height. Wargentin, the oval close to the moon's southeast limb, beyond Schickard, ...
— Pleasures of the telescope • Garrett Serviss
... bodies have been found. The excavations since the discovery, have been continued by the government, up to the present time, with more or less interruptions. For the antiquary and the archaeologist, antiquity seems here to revive and awaken the sensations which Schiller has so beautifully described in his poem of Pompeii and Herculaneum. The ancient streets and buildings are again thrown open, and in them we see, as it were, the domestic life of the ancient Romans. We had never before such an opportunity of becoming acquainted with the disposition ...
— Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, (Vol. 2 of 3) • Shearjashub Spooner
... precepts of Horace and Boileau, and held that among the works of Shakespeare there was not one veritable tragedy. The romanticists, on the other hand, showed by their criticisms and works that their sympathies were with Schiller, Goethe, Burger, Byron, Shukovski, &c. Wilna was the chief centre from which this movement issued, and Brodziriski one of the foremost defenders of the new principles and the precursor of Mickiewicz, the appearance of whose ballads, romances, "Dziady" and "Grazyna" (1822), decided the ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... lifting up a volume of Schiller, and turning to the fly-leaf he read, "Helen Lennox, from Cousin Morris," just as Katy returned and with her Helen, whom she ...
— Family Pride - Or, Purified by Suffering • Mary J. Holmes
... Fall (prejudiced against the Christian Empire, but narrative still unrivalled); Schiller Geschichte der roemischen Kaiserzeit, Bd. ii. (church matters a weak point); Ranke, ...
— The Arian Controversy • H. M. Gwatkin
... true as to be almost intolerable—and yet so beautiful? The characters have art necessities. Schiller said Art has its categorical Imperatives—its must, and Shakespeare's characters fulfil them. We feel how inevitable is their fate. They make their own tragedy. The Poet compresses a Life Tragedy into a few pages of manuscript. He, with the great sense and Idea of ...
— Cobwebs of Thought • Arachne
... bookshelf, triumphant over a dreary jungle of theological literature, might have been found the works of Goethe, Schiller, Lessing and Freiligrath, and in a secret receptacle behind his little drug cabinet reposed a complete edition of Heine. He was very well read in English theological literature. He thought Luther the greatest of all theologians, but his ...
— Kafir Stories - Seven Short Stories • William Charles Scully
... the music which the Greeks appear to have realized, and for which Goethe and Schiller hoped, musicians must have acquired experience of physical movements; this, however, is certainly not the case to-day, for music has become beyond all others an intellectual art. While awaiting this ...
— The Eurhythmics of Jaques-Dalcroze • Emile Jaques-Dalcroze
... before eleven I turned up at the Schiller Platz in my short serge dress and cycling jacket. The great square was thronged with spectators to see us start; the police made a lane through their midst for the riders. My backer had advised me to come to the post as late as possible, 'For I have entered your ...
— Miss Cayley's Adventures • Grant Allen
... be "a forgetfulness of evils, and a truce from cares": and it is not enough that the poet should add to the knowledge of men, it is required of him also that he should add to their happiness. "All art," says Schiller, "is dedicated to joy, and there is no higher and no more serious problem, than how to make men happy. The right art is that alone, ...
— Selections from the Prose Works of Matthew Arnold • Matthew Arnold
... he know," asks the sage, "who has not suffered?" Did not Schiller produce his greatest tragedies in the midst of physical suffering almost amounting to torture? Handel was never greater than when, warned by palsy of the approach of death, and struggling with distress and suffering, he sat down to ...
— An Iron Will • Orison Swett Marden
... twenty-one, with high cheek-bones, a broad, low, Greek brow above straight eyebrows, a prominent nose, and lips nervous with an extraordinary energy. The German narrator says he played the part "abominably, shrieking, roaring, unmannerly to a laughable degree." It was the young Schiller, wild as a pythoness upon her tripod, with the Robbers, which became ...
— The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America - and Europe • James Kendall Hosmer
... language, conjured France not to soil its noble young freedom by the dreadful murder of an innocent man, who had committed no other offence than that he was the son of his fathers, the heir of their crown and their remissness. It was written by a German poet, Frederick Schiller. [Footnote: Schiller's defence of the king is preserved in the national archives—See ...
— Marie Antoinette And Her Son • Louise Muhlbach
... some eight volumes. The whole course of the recent Boer War has been related in five substantial volumes. Neither of these wars lasted more than two years, yet both histories are many times larger than Schiller's History of the Thirty Years' War in Germany. The only edition of Schiller's work that I have found in the library of this University is in ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... been surprised, when perusing Dr. Forbes's highly amusing narrative of his holiday in Switzerland (pp. 28-9.), to find that he identifies Roland with the hero of Schiller's beautiful ballad, who rejoiced in the unromantic appellation of Ritter Toggenburg. That unhappy lover, according to the poet, being rejected by his fair one, who could only bestow on him a sister's affection, sought the Holy Land in ...
— Notes and Queries, Number 234, April 22, 1854 • Various |
