"Romeo" Quotes from Famous Books
 ... wished for this suffering, they wanted to experience the incomparable sensations of it, and they got enjoyment and profit from this. They knew that they were working for posterity. "Posterity will repeat our names like those of the immortal lovers whose two names are only one at present, like Romeo and Juliette, like Heloise and Abelard. People will never speak of one of us without speaking of ...
— George Sand, Some Aspects of Her Life and Writings • Rene Doumic
... Phil were almost uproarious in their merriment now, and, as they devoured cold baked ham, pickles, cheese, beaten biscuit, and cake, they had a fencing-match with carving-knives, and gave a ridiculous parody of the balcony scene in "Romeo and Juliet." Mary, looking on with a sandwich in each hand, almost choked with laughter, although she, too, was borne down by the same feeling that depressed Lloyd, of ...
— The Little Colonel: Maid of Honor • Annie Fellows Johnston
... no; for, long ago, Ere time could sear, or care could fret, There was a youth called Romeo, There ...
— An Anthology of Australian Verse • Bertram Stevens
... Miss Kemble on the stage was on the evening of the 5th October, 1829, at Covent Garden, and was hazarded with the view of redeeming the fortunes of the theater. The play was "Romeo and Juliet," and the heroine was sustained by the debutante with unexpected power. Her Siddonian countenance and expressive eyes were the general theme of admiration; while the tenderness and ardor of her action went to the soul of the spectator, and her well-instructed elocution satisfied the ...
— International Miscellany of Literature, Art and Science, Vol. 1, - No. 3, Oct. 1, 1850 • Various
... eastern coal-mines to be, incombustible. These negroes all went by the patronymic of Clawbonny, there being among them Hector Clawbonny, Venus Clawbonny, Caesar Clawbonny, Rose Clawbonny—who was as black as a crow—Romeo Clawbonny, and Julietta, commonly called Julee, Clawbonny; who were, with Pharaoh, Potiphar, Sampson and Nebuchadnezzar, all Clawbonnys in the last resort. Neb, as the namesake of the herbiferous king of Babylon was called, was about my own age, and had been a sort of humble ...
— Afloat And Ashore • James Fenimore Cooper
... is one of those intensely snobbish, sickening, self-conscious essays on 'Gentility,' which none but a Southerner is capable of writing. The innate vulgarity of its author, 'J. T. Wiswall, of Alabama,' is shown in such expressions as 'a pretty Romeo of seventeen, that looks as charming as sweet sixteen, gallused up in tight unmentionables,' and in artless confessions that he—J. T. Wiswall—belongs to a class above the snob, but still to one 'whose ...
— The Continental Monthly, Vol. 2 No 4, October, 1862 - Devoted To Literature And National Policy • Various
... were, logical sequence of emotional and intellectual changes; but how different from trains of thought proper! how entirely beyond the reach of symbols!—Think of human passions as compared with all phrases! Did you ever hear of a man's growing lean by the reading of "Romeo and Juliet," or blowing his brains out because Desdemona was maligned? There are a good many symbols, even, that are more expressive than words. I remember a young wife who had to part with her husband for a time. She did not write a mournful poem; indeed, ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... if he liked it he read it aloud. It did not matter who else liked it. At first Mr. Polly was disposed to be suspicious of this literature, but was carried away by Parsons' enthusiasm. The Three Ps went to a performance of "Romeo and Juliet" at the Port Burdock Theatre Royal, and hung over the gallery fascinated. After that they made a sort of password of: "Do you bite your thumbs at ...
— The History of Mr. Polly • H. G. Wells
... healthful exercises. In winter, the lads had their debating club, the lasses a dramatic ditto. At the former, astonishing bursts of oratory were heard; at the latter, everything was boldly attempted, from Romeo and Juliet to Mother Goose's immortal melodies. The two clubs frequently met and mingled their attractions in a really entertaining manner, for the speakers made good actors, and the young actresses were most appreciative ...
— Jack and Jill • Louisa May Alcott
... Servites, in the same city he painted in fresco, also in conjunction with Bernardo, the chapel of the family of the Cresci, and in S. Pier Maggiore in a picture of considerable size, the Coronation of the Virgin, and another picture in S. Romeo near the ...
— The Lives of the Painters, Sculptors & Architects, Volume 1 (of 8) • Giorgio Vasari
... little too small for him, in a dapper, jaunty manner. He was getting something of a paunch, and sorrow had no effect on it. He looked more than ever like a prosperous bagman. It is hard that a man's exterior should tally so little sometimes with his soul. Dirk Stroeve had the passion of Romeo in the body of Sir Toby Belch. He had a sweet and generous nature, and yet was always blundering; a real feeling for what was beautiful and the capacity to create only what was commonplace; a peculiar delicacy of sentiment and gross manners. He could exercise tact when dealing with ...
— The Moon and Sixpence • W. Somerset Maugham
... Smelts," by Kinde Kit of Kingstone, circa 1603, reprinted by the Percy Society. It is on the same plan as Boccaccio's "Decamerone," except that the story-tellers are fish-wives going up the Thames in a boat. Imitations of the Italian tales may be found in Hazlitt's "Shakespeare's Library," notably "Romeo and Julietta." Most of these are modernized versions of old tales. I may here add, as undeserving further mention, such stories as "Jacke of Dover's Quest of Inquirie," 1601, Percy Soc.; "A Search for Money," by William Rowley, ...
— A History of English Prose Fiction • Bayard Tuckerman
... to give a ball, uncle, a brilliant ball merely to celebrate this irrepressible efflux and panorama of her emotions. Watch me at that ball, uncle! Mark the rising Romeo of the firm when Marguerite, the youthful Juliet ...
— The Mettle of the Pasture • James Lane Allen
... measure of our journals. When the great names are those of Miguel Moya, Romeo, Rocamora and Don Pio, what are we to think of the ...
— Youth and Egolatry • Pio Baroja
... Her performance in "Romeo e Giulietta" was so fine that Napoleon sprang to his feet, forgetting his marble coldness, and shouted like a school-boy, while Talma's eyes streamed with tears; for, as the latter afterward confessed, he had never ...
— Great Singers, First Series - Faustina Bordoni To Henrietta Sontag • George T. Ferris
... is common enough. You may remember that Romeo was not the only gentleman that Juliet noticed at her debut: there was the young Petruchio; and the son and heir of old Tiberio; and I do not question that she had a kind glance or so for County Paris. Beyond doubt, there were many with whom my lady had danced; with whom she had ...
— The Eagle's Shadow • James Branch Cabell
... well as more graceful, on her part, to leave the affair to die down, as love-affairs unopposed are so very apt to do. Instead of which she needs must begin endeavouring to frustrate what at the time of her first interference was the merest flirtation between a Romeo who was tied to a desk all day, and a Juliet who was constantly coming into contact with other potential Romeos—plenty of them. Our own private opinion is that if the Montagus and Capulets had ...
— Somehow Good • William de Morgan
... heavens! I never saw till this moment - but of course nobody but myself would ever understand Mill-Race, they would think of a quarter-mile. So - I am nameless again. My melancholy young man is to be quite a Romeo. Yes, I'll name the book from him: DYCE OF ...
— Vailima Letters • Robert Louis Stevenson
... of the best authorities, "Hamlet" represents the work of many years. I make no conjectures, but content myself with Mr. Dowden's statement of the case:—"Over 'Hamlet,' as over 'Romeo and Juliet,' it is supposed that Shakespeare laboured long and carefully. Like 'Romeo and Juliet,' the play exists in two forms, and there is reason to believe that in the earlier form, in each instance, ...
— The Contemporary Review, January 1883 - Vol 43, No. 1 • Various
... SHAKSPEARE. It was not the first time I had looked at it, but before I had been deterred from attempting to read, by the broken appearance along the page, and preferred smooth narrative. But this time I held in my hand "Romeo and Juliet" long enough to get my eye fastened to the page. It was a cold winter afternoon. I took the book to the parlor fire, and had there been 'seated an hour or two, when my father looked up and asked what I was reading so intently. ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli
... at night, stifling my sighs lest they should disturb your peaceful slumber. You are afraid, perhaps, to let yourself be touched, at a first meeting, by a poor wretch who adores you. Alas! Juliet was young and beautiful like you, and she did not need many entreaties to take pity on Romeo." ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere
... ignores altogether Italian temperament; save for the fact that he occasionally mentions the Tyrant of Rimini, Pesaro and Florence, and that he adheres to historic names, there is more of the English hamlet romance in the piece, than Italian passion. And that cannot be said of Shakespeare's "Romeo and Juliet." Perhaps one may claim for Phillips some of the simplicity of Dante, but there is not the humanity. Undeniably, the English poet is happy in phrase and imagery, but his genius is not so dramatic as it is poetic; he has some of the great lyrical ...
— Representative Plays by American Dramatists: 1856-1911: Francesca da Rimini • George Henry Boker
... the harbinger of spring, recalling the hopes of my youth, whispers thy name and peace together in my ear. I was reading something about Mr. Macready to-day, and this put me in mind of that delicious night, when I went with your mother and you to see Romeo and Juliet. Can I forget it for a moment—your sweet modest looks, your infinite propriety of behaviour, all your sweet winning ways—your hesitating about taking my arm as we came out till your mother did—your laughing about nearly losing your cloak—your stepping into the coach without my being ...
— Liber Amoris, or, The New Pygmalion • William Hazlitt
... will, kid. Don't get peevish. I guess Mrs. Braddock knows her business. Has it ever occurred to you that there might be another Romeo lookin' at Christie? Five years is quite a spell. ...
— The Rose in the Ring • George Barr McCutcheon
... of Natural History. But alas! since the revolution it exhibits a frightful picture of decay, devastation, and confusion. To my eye, it was little better than the apothecary's shop described by Romeo. It contained a number of portraits in oil, of eminent Naturalists; which are palpable copies, by the same hand, of originals ... that have probably perished. The museum had been gutted of almost every ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... and that Chretien's source, as he himself claims, was literary (cf. Gaston Paris in "Journal des Savants", 1902, pp. 641-655). The scene where Fenice feigns death in order to rejoin her lover is a parallel of many others in literary history, and will, of course, suggest the situation in Romeo and Juliet. This romance well illustrates the drawing power of Arthur's court as a literary centre, and its use as a rallying-point for courteous knights of whatever extraction. The poem has been termed an "Anti-Tristan", because of its disparaging ...
— Four Arthurian Romances - "Erec et Enide", "Cliges", "Yvain", and "Lancelot" • Chretien de Troyes
... 25. Romeo and Juliet's parting at daybreak. The lark's song suggests musical metaphors ...
— Shakespeare and Music - With Illustrations from the Music of the 16th and 17th centuries • Edward W. Naylor
... Z. The fishing village that has rapidly grown into one of the most important "resorts" of the Riviera claims distinction on historical grounds. Napoleon landed at St. Raphael on his return from Elba. Gounod composed Romeo and Juliet here. General Gallieni was cultivating his vineyard here when the war of 1914 broke out, and the call to arms sent him from his seclusion to become the savior of Paris. But when ruins became fashionable ...
— Riviera Towns • Herbert Adams Gibbons
... before noticed, that with all his tender and impassioned apostrophes to beauty and love, Byron has in no instance, not even in the freest passages of Don Juan, associated either the one or the other with sensual images. The extravagance of Shakespeare's Juliet, when she speaks of Romeo being cut after his death into stars, that all the world may be in love with night, is flame and ecstasy compared to the icy metaphysical glitter of Byron's amorous allusions. The verses ...
— The Life of Lord Byron • John Galt
... St. Mary's Kirk, was more fortunate than Romeo in the vault of the Capulets; for when he rent the shroud from the face the blood rushed back to the cheeks and lips, 'like blood-draps in the snaw,' and the 'leeming e'en' laughed back ...
— The Balladists - Famous Scots Series • John Geddie
... poetical kind which had been the property of his late father, including "Mr. Drayton's Poems," "Euphues's Golden Legacy," Meres's "Witt's Commonwealth," and also "Hamblett, a Play," "The Taming of the Shrew," "Romeo and Juliet," and "Love's Labour's Lost." This transaction, however, hardly implied that these books were in demand, but only that Smethwick wanted to secure his interest in them on succeeding to his father's business. Afterwards, while the war was actually raging, it is not till December 1644 ...
— The Life of John Milton Vol. 3 1643-1649 • David Masson
... the words of my text," Doc began, "in the revised version of the works of William Shakespeare, in the book—I mean play—of Romeo and Juliet, Act Two, Scene Two: 'Parting is such sweet sorrow that I shall say good-night till it be morrow,'" and while the audience was pulling itself together he laid out that text in four heads, each with six subheads. Began on partings, and went on a still hunt through history ...
— Old Gorgon Graham - More Letters from a Self-Made Merchant to His Son • George Horace Lorimer
... him to a dose of deadly nightshade. Yet why should it, in company with many other poisonous exotics, be found so frequently around the ruins of monasteries? Did the holy fathers—but no, the thought is too irreverent. Let us keep our illusions, and forget the friar and the apothecary in 'Romeo ...
— Falling in Love - With Other Essays on More Exact Branches of Science • Grant Allen
... largely featured at any other time. Some lesser scribe on Barlow's staff had been assigned to this minor item of news. He had gotten hold of the unfortunate Moody, and under the caption, "Der Jail Is Oudt" he had written a racy, humorous account of a Lady-Fair with Knockout Drops, a Resourceful Romeo and a hoodwinked Jailer. It ended with the statement that Romeo and the Lady were still missing, and that a ticket agent on night duty at the railroad station had seen two muffled figures unostentatiously board the last car ...
— The Monk of Hambleton • Armstrong Livingston
... low-heeled slippers. The rich folk in the chancel wear their own slippers and draw on over them, socks dyed to match the tights; these socks if rolled down at the top make a very passable substitute for the Romeo shoe of the ...
— Why the Chimes Rang: A Play in One Act • Elizabeth Apthorp McFadden
... the symptoms of the novice. Every beginner had these illusions, like the measles; then, as one got older in the "perfesh" one became immune. Had they not had many such attacks themselves? They had dreamed of playing Brutus, Macbeth and Romeo before crowded houses, and having their names spelled out in blazing electric letters over the entrance of Broadway theatres, yet here they were to-day, just where they stood twenty years before, playing general utility at forty dollars ...
— The Easiest Way - A Story of Metropolitan Life • Eugene Walter and Arthur Hornblow
... burned with a desire to play in one of the great bard's plays. Charles Frohman knew this. Then, as always, one of his supreme ambitions in life was to gratify her every wish, so he announced that he would present her in a special all-star production of "Romeo and Juliet." ...
— Charles Frohman: Manager and Man • Isaac Frederick Marcosson and Daniel Frohman
... 'Cymbeline', 2, 3; "But look the morn in russet mantle clad Walks o'er the dew of yon high eastern hill," in 'Hamlet', 1, 1; "Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain-tops," in 'Romeo and Juliet', 3, 5; and "Full many a glorious morning have I seen" ...
— Select Poems of Sidney Lanier • Sidney Lanier
... sized her up as a cold, hard proposition. And when I work up feelin's like that I'm apt to show 'em. I couldn't help thinkin' but maybe I had. Here I was, though, cartin' a strange gent up to her front door, on his guess that he's her long lost Romeo. ...
— Shorty McCabe on the Job • Sewell Ford
... threatened to hide him from view, he would stop, drop the sample case, wave his hand just once, pick up the sample case and go on, proceeding backward for a step or two until Schroeder's house made good its threat. It was a comic scene in the eyes of the onlooker, perhaps because a chubby Romeo offends the sense of fitness. The neighbors, lurking behind their parlor curtains, had laughed at first. But after a while they learned to look for that little scene, and to take it unto themselves, as if it were a personal thing. ...
— One Basket • Edna Ferber
... while, as we look at the world, how absolutely, how inordinately, the Isabel Archers, and even much smaller female fry, insist on mattering. George Eliot has admirably noted it—"In these frail vessels is borne onward through the ages the treasure of human affection." In "Romeo and Juliet" Juliet has to be important, just as, in "Adam Bede" and "The Mill on the Floss" and "Middlemarch" and "Daniel Deronda," Hetty Sorrel and Maggie Tulliver and Rosamond Vincy and Gwendolen Harleth have to be; with that much of firm ground, that much of bracing air, at the disposal all ...
— The Portrait of a Lady - Volume 1 (of 2) • Henry James
... stern relief. The passion and crime there faintly discerned in the background of ideally beautiful figures are here his absorbing theme. The curious technicalities of the chemist's workshop, taken for granted in Paracelsus, are now painted with a realism reminiscent of Romeo's Apothecary and The Alchemist. And the outward drama of intrigue, completely effaced in Paracelsus by the inward drama of soul, sounds delusive scorn and laughter in the background, the more sinister because it is not seen. These lyrics and romances are ...
— Robert Browning • C. H. Herford
... Its principal personage is entirely unlike any other created by Shakespeare. The play is all Hamlet: the other personages are mere occasions for his presence and means of his development. But Polonius is something the same kind of man as old Capulet in "Romeo and Juliet;" and although there were opportunities enough for the noble Veronese father to utter sententiously the knowledge of the world which he had gained by living in it, see how comparatively meagre and superficial ...
— The Galaxy - Vol. 23, No. 1 • Various
... face with a woman like Sally Madeira the thought of a woman like Miss Gossamer must necessarily stay hazy in a man's brain. As with another Romeo, Rosaline had but laid the velvet up which came the surer feet of Juliet. "Well," said Steering happily, "all this is going to make us acquainted, ...
— Sally of Missouri • R. E. Young
... be welcome, then, where'er thou art, And gladden thee, and play as prompt a part As Romeo play'd with Juliet at his breast. Who loves not love, who hates to be caress'd, Is Nature's bane; and I'll denounce him, too. For he's a foe to all that's just and true In earth and Heaven; and when he seeks a joy, His quest shall fail,—his ...
— A Lover's Litanies • Eric Mackay
... several tales, serious and humorous Poems, Irish Melodies, Maxims of Mr. O'Doherty, Miscellaneous Papers, The Tobias Correspondence, a translation of Lucian's Timon, Shakspere Papers on Sir John Falstaff Jaques, Romeo, Bottom the Weaver, Lady Macbeth, and Timon; a Translation of the Batrachomyomachia, and three or four of ...
— Notes & Queries,No. 31., Saturday, June 1, 1850 • Various
... face was found boldly executed on the underside of the moulding board, and Bacchus on the head of a beer barrel. A chanting cherub adorned the cover of the sugar bucket, and attempts to portray Romeo and Juliet supplied kindling ...
— Little Women • Louisa May Alcott
... I will tell a story which drew me one day past the Public Gardens to the metropolitan Church of Venice, San Pietro di Castello. The novella is related by Bandello. It has, as will be noticed, points of similarity to that of "Romeo and Juliet." ...
— New Italian sketches • John Addington Symonds
... praising roses under the allegory of a young lady. "My love is an arbutus" does not mean that the author was a botanist so pleased with a particular arbutus tree that he said he loved it. "Who art the moon and regent of my sky" does not mean that Juliet invented Romeo to account for the roundness of the moon. "Christ is the Sun of Easter" does not mean that the worshipper is praising the sun under the emblem of Christ. Goddess or god can clothe themselves with the spring or summer; but the body is more than raiment. ...
— A Miscellany of Men • G. K. Chesterton
... snapdragons and iris among fig-trees sprouting from the riven stones. There are terraces over-rioted with pergolas of vine, and houses shooting forward into balconies and balustrades, from which a Romeo might launch himself at daybreak, warned by the lark's song. A sudden angle in the road is turned, and we pass from airspace and freedom into the old town, beneath walls of dark brown masonry, where wild valerians light their torches of red bloom in immemorial shade. Squalor and splendour ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... Bartlett's, and had at first not been sure that she liked him. He had seemed then a little superior and condescending, and had evidently considered her too young to be interesting. But the next time they met there Aunt Flo had made her do the balcony scene from "Romeo and Juliet," and since then all ...
— Quin • Alice Hegan Rice
... fairies'—locomotives and the broad or narrow gauge must keep the very ghosts of them away. But how the fashion of this world passes; the forms its beauty and truth take; if we have the making of such! I went last night, out of pure shame at a broken promise, to hear Miss Cushman and her sister in 'Romeo and Juliet.' The whole play goes ... horribly; 'speak' bids the Poet, and so M. Walladmir [Valdemar] moves his tongue and dispenses with his jaws. Whatever is slightly touched in, indicated, to give relief to something actually ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... looks." Perhaps it might be from the over-tenderness and clemency of Miss Jemima's nature; perhaps it might be that, as yet, she had only experienced the villainy of man born and reared in these cold northern climates; and in the land of Petrarch and Romeo, of the citron and myrtle, there was reason to expect that the native monster would be more amenable to gentle influences, less obstinately hardened in his iniquities. Without entering farther into these hypotheses, it is sufficient to say, that on Signor Riccabocca's ...
— Harper's New Monthly Magazine, Vol. 2, No. 8, January, 1851 • Various
... came—a serious young man with a ready-made necktie, who had escaped the city's brand of frivolity—an electrician earning 30 dollars per week who looked upon Lou with the sad eyes of Romeo, and thought her embroidered waist a web in which any fly ...
— The Trimmed Lamp and Others • O Henry
... date, may be also inferred from the multitude of rhyming couplets throughout. And if we are right, from the internal evidence, in pronouncing this one of Shakespeare's early dramas, it affords a strong instance of the fineness of his insight into the nature of the passions, that Romeo is introduced already love-bewildered. The necessity of loving creates an object for itself in man and woman; and yet there is a difference in this respect between the sexes, though only to be known by a perception of it. It would have displeased us if Juliet had been represented as already ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... here quote Mrs. Peregrine]. He can't a-bear to have anything a-wrong with him; yet he don't mind killing any animal." He made a tremendous fuss about a sore finger he had at one time; and when the doctor exclaimed, like Romeo, "Courage, man; the hurt cannot be much," Tom Peregrine replied, with much the same humour as poor Mercutio: "No, 'tis not so deep as a well, nor so wide as a church door; but 'tis enough." I do not mean ...
— A Cotswold Village • J. Arthur Gibbs
... the late fray at Russi, a town not far from this. It is exactly the fact of Romeo and Giulietta—not Romeo, as the Barbarian writes it. Two families of Contadini (peasants) are at feud. At a ball, the younger part of the families forget their quarrel, and dance together. An old man of one of them enters, and reproves the ...
— Life of Lord Byron, With His Letters And Journals, Vol. 5 (of 6) • (Lord Byron) George Gordon Byron
... an injustice in being forced into a conspiracy of silence about the figure or face of a lady who would catch cold at kiss-in-the-ring, yet is supposed at first sight to set Romeo's pulses throbbing madly, and when the dear creatures whom we loved a quarter of a century ago appear to us unsuitable for ingenue parts we feel that it is a terrible breach of duty not to say so, yet it ...
— Our Stage and Its Critics • "E.F.S." of "The Westminster Gazette"
... as yet capable of appreciating in a hand. Before she got back to her seat, he was very nearly in love with her. I suspect that those generally who fall in love at first sight have been in love before. At least such was Romeo's case. And certainly it was not Alec's. Yet I must confess, if he had talked stupidly before, he talked worse now; and at length went home with the conviction that he had made a great donkey ...
— Alec Forbes of Howglen • George MacDonald
... Romeo Augustus, who shared his chamber, spied the cord. Philemon waited till they were sound asleep ...
— Harper's Young People, July 13, 1880 - An Illustrated Weekly • Various
... Margaret leaned back in her chair, crossed her hands behind her golden head, and looked dreamily at the opposite wall. "You know I think one ought to love the man one marries—don't you think so? I have always thought of loving once and once only—like Paul and Virginia, you know, or even Romeo and Juliet—and of giving all for ...
— A True Friend - A Novel • Adeline Sergeant
... told of Rose's engagement, he sighed wearily, still he was most kind and sympathetic—though he could not help saying, in an aside to Mrs. Otway, "I should never have thought Rose would become the heroine of a Romeo and Juliet affair! They both seem to me so very young. Luckily there's no hurry. It looks as if this war was going to be a long, long war——" and he had shaken his ...
— Good Old Anna • Marie Belloc Lowndes
... to suppose that the plot of Romeo and Juliet may be borrowed from a COMEDY of Lopes de Vega. But the Spaniard, who was certainly acquainted with Bandello, hath not only changed the Catastrophe, but the names of the Characters. Neither Romeo nor Juliet, neither Montague nor Capulet, appears in this performance: and how came they to the knowledge of Shakespeare?—Nothing is more certain than that he chiefly followed the Translation by Painter from the ...
— Eighteenth Century Essays on Shakespeare • D. Nichol Smith
... defiance of his authority, many ingenious subterfuges being resorted to, so that the penalties imposed by the Act might be evaded. One of the advertisements ran—"At Cibber's Academy, in the Haymarket, will be a concert, after which will be exhibited (gratis) a rehearsal, in form of a play, called Romeo and Juliet." Macklin, the actor, opened the theatre in 1744, and under the pretence of instructing "unfledged performers" in "the science of acting," gave a variety of dramatic representations. It was expressly announced that no money would be taken at the ...
— A Book of the Play - Studies and Illustrations of Histrionic Story, Life, and Character • Dutton Cook
... that this young Speranza's father was Speranza, the opera baritone. You remember him? And his mother was the daughter of a Cape Cod sea captain. How's that? Spain, Cape Cod, opera, poetry and the Croix de Guerre. And have you looked at the young fellow's photograph? Combination of Adonis and 'Romeo, where art thou.' I've had no less than twenty letters about him and his poetry already. Next Sunday we'll have a special 'as is.' Where can I get hold of a lot of ...
— The Portygee • Joseph Crosby Lincoln
... examined by the Royal Commission on Vegetable Products in Victoria, 1889, admitted that cuttings ultimately produced a better vine. But, as in some of the preceding points at issue, may it not be that climate and soil have a great deal to do with the results? Signor Romeo Bragato, the Expert to the Board of Viticulture in Victoria, in his HINTS TO INTENDING VINE-GROWERS, recommended cuttings, not only for cheapness, but because if planted in the vineyard at the first they ...
— The Art of Living in Australia • Philip E. Muskett (?-1909)
... and with a beauty-giving touch that Phidias might be proud of. I know not how I quote; such is my best memory of the stanza, and here, that is more important than the stanza itself. And that other stanza, "The Chatelaine and the Page;" and that other, "The Doves;" and that other, "Romeo and Juliet," and the exquisite cadence of the line ending "balcon." Novelists have often shown how a love passion brings misery, despair, death, and ruin upon a life, but I know of no story of the good or evil influence awakened by the chance ...
— Confessions of a Young Man • George Moore
... fairies are represented as employing nuts for their mode of conveyance, in allusion to which Shakespeare, in "Romeo and Juliet," makes Mercutio speak of Queen Mab's arrival in a nut-shell. Similarly the fairies selected certain plants for their attire. Although green seems to have been their popular colour, yet the fairies of the moon ...
— The Folk-lore of Plants • T. F. Thiselton-Dyer
... in town for the dinner to Sir Jacob Rowley. I begged him to come back in—How did do! How did do! Yes, very. Mr. Raleigh, do tell the opera people not to put on Romeo too often this season. Of course Melba's splendid in it, and all ...
— The Woman With The Fan • Robert Hichens
... You, Romeo Bellmaus, look out for the little women. I see more fluttering curls and waving kerchiefs there than are good for your ...
— The German Classics Of The Nineteenth And Twentieth Centuries, Volume 12 • Various
... escaped our hero lips when a young fellow garbed as Romeo, alighting from a hansom, dashed ...
— The Missing Link • Edward Dyson
... gentleman who had been shot. It was really a very flat story; so like a thousand others of its sort as scarcely to claim narration-space. Youth, beauty, high spirits, the London season, first love—warranted the genuine article—parental opposition to the union of Romeo and Juliet, on the vulgar, unpoetical ground of Romeo having no particular income and vague expectations; the natural impatience of eighteen and five-and-twenty when they don't get their own way in everything; misunderstandings, ups-and-downs, ...
— When Ghost Meets Ghost • William Frend De Morgan
... once brave and naif, sensuous and spiritual, is as much the type of the perfect medieval lover as Romeo, with his ardour and his vitality, is of the Renaissance one. But the poem—for in spite of the prose passages, the little work is in effect simply a poem—is not all sentiment and dreams. With admirable art the author has interspersed ...
— Landmarks in French Literature • G. Lytton Strachey
... trees begin To heap their hills of blossoms.—Oh, that they Were Romeo ladders, whereby I might win Her chamber's sanctity!—where dreams must pray About her ...
— Poems • Madison Cawein
... say that Devine rose to the occasion? He recited to me a portion of the reply which he made to the aggrieved parent, and I can fully believe that that worthy man was surprised. "The Rivals," "The Hunchback," "Romeo and Juliet," and other dramatic works were ransacked for phrases, and the stately periods flowed on until Mr. Billiter gasped, "Damn it, gal!—do you mean to say you've deceived your father so you might git out along of a blanked ...
— The Chequers - Being the Natural History of a Public-House, Set Forth in - a Loafer's Diary • James Runciman
... diminishing edge of blackness is rather a cynical witness of a graduated forgetfulness, were not for a real grief like his. As if sorrow, while it may and will change, can ever end! Why, in the world of faithful hearts, men and women have not yet dried their tears for Romeo and Juliet! ...
— The Romance of Zion Chapel [3d ed.] • Richard Le Gallienne
... the Apennines, Shakespeare, from heaven came thy creative breath! 'Mid citron grove and overarching vines Thy genius wept at Desdemona's death: In the proud sire thou badest anger cease, And Juliet by her Romeo sleep in peace. Then rose thy voice above the stormy sea, And Ariel flew from Prospero ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various
... of double meaning and licentious conceits than his own pages offer. But since it was out of the fullness of world-wisdom that Shakespeare penned those phrases for Mercutio, and set them as pendants to the impassioned descants upon love and death which he poured from the lips of Romeo, they pass condoned ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... not have analyzed the instinct which sent him back to Becky. It was not in the least to spy upon her, nor upon Dalton. He only knew that he could not sleep, that something drew him on and on, as Romeo was ...
— The Trumpeter Swan • Temple Bailey
... stated to us, is of minor importance: one thing is certain, some thoughtful friend, in 1782, seems to have extricated the impulsive Horatio from the 'tangles of Neaera's hair' in the port of Quebec: the hand of fate had marked the future Captain of the Victory, not as the Romeo of a Canadian Juliet, but as the paramour of Lady Emma Hamilton. Alas! for his fair fame! It seems certain that the Commander of the Albemarle, during his repeated visits to our port, in July, September ...
— Picturesque Quebec • James MacPherson Le Moine
... and I proceed towards the church. The long-bearded papa, surprised at my sudden apparition, enquires whether I am Romeo (a Greek); I tell him that I am Fragico (Italian), but he turns his back upon me and goes into his house, the door of which he shuts without condescending ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt
... not chess. You see these two snails. They are Romeo and Juliet. Juliet is on her balcony, waiting the arrival of her love; but Romeo has been dining, and forgets, for the life of him, the number of her house. The squares represent sixty-four houses, and the amorous swain visits every house ...
— The Canterbury Puzzles - And Other Curious Problems • Henry Ernest Dudeney
... authorities to relax the laws that might hinder them from doing so. The boasted compliance with legal requisites in the mode of preparing "Martinuzzi" for the stage is not a new idea, and we only hope it may be carried out one-half as well as in the instances of "Romeo and Juliet as the Law directs," and "Othello according to Act of Parliament." There is a vaster amount of humbug in the play-bill of this new concern, than in all the open puffs that have been issued for many years past from all the regular establishments. ...
— Punch, or the London Charivari, Vol. 1, August 28, 1841 • Various
... and look down-nothing else." To mount the schoolroom table in the dimness and standing with her hands on the back of a draped chair to gaze down at Romeo's upturned face. ...
— Pointed Roofs - Pilgrimage, Volume 1 • Dorothy Richardson
... are numerous. Among them are "St. Louis," "Sappho," "Petrarch and Laura," "Romeo and Juliet," "Hagar and Ishmael in the Desert," "A Devotee of the Virgin," exhibited at Turin in 1884; a series illustrating the "Seasons," and four others ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... ten-thousand-dollar bull. It's a pretty vanity. All the Fifth Avenue farmers indulge in it. Some slap them on the back and some poke them in the ribs with the point of a parasol, but the correct thing is to pat them on the head and say: Dear old Romeo! ...
— 'Charge It' - Keeping Up With Harry • Irving Bacheller
... They picture an ideal; they fall in love with some one who does not return their love, which is sometimes even unknown to him who is their hero. Then, suddenly, they have to return to a reality. They find themselves face to face with a husband who is not the expected Romeo, but who is a good man, devoted, loving, and ready to heal the wounds he has not made. They are afraid of this husband; they mistrust him, and will not follow him. It is wrong, because it is near him, in honorable and right existence, that they find ...
— Serge Panine, Complete • Georges Ohnet
... Manchester warehouseman to be polished and gentlemanly? It is only acting after all, and gives us no insight into his real character, or the character of his class, any more than Mr Coates' anxiety to be Romeo enlightened us as to his disposition in other respects. The Manchester warehouseman, though he fails in his attempt at fashionable parts, may be a very estimable and pains-taking individual, and, with the single exception of that foible, offers nothing to the most careful observer ...
— Blackwood's Edinburgh Magazine, No. CCCXXIX. - March, 1843, Vol. LIII. • Various
... pearl, that now encloseth us, Shines Romeo's light, whose goodly deed and fair Met ill acceptance. But the Provencals, That were his foes, have little cause for mirth. Ill shapes that man his course, who makes his wrong Of other's worth. Four daughters were there born To Raymond Berenger, and every one Became a queen; and ...
— The Divine Comedy, Complete - The Vision of Paradise, Purgatory and Hell • Dante Alighieri
... of running a mile or two across the hills, and leaping from some cliffs into the sea; so that, whichever way this suspense ended, she might be safely dead beforehand—dead, too, in the same ocean, washed by the same wave. All the foolish Romeo-and-Juliet-like traditions of people killing themselves on some beloved's tomb, seemed to her now perfectly real, possible, and natural. Nothing ...
— Agatha's Husband - A Novel • Dinah Maria Craik (AKA: Dinah Maria Mulock)
... loved. From what Peters tells me, the episode of Romeo and Juliet sinks into insignificance by the side of the story of their love. With leisure and with opportunity to love, for several months these young people enjoyed an earthly heaven which it is rarely indeed the lot of a young couple to enjoy. But alas! ...
— A Strange Discovery • Charles Romyn Dake
... Juliet and her Romeo,' Dear Heart of mine, for though yon budding sky Yearns o'er Verona, and so long ago That kiss was kissed; yet surely Thou and I, Surely it is, whom morning tears apart, As ruthless men tear tendrilled ivy down: Is not Verona warm within thy gown, And Mantua all ...
— English Poems • Richard Le Gallienne
... took Lucy to see "Romeo and Juliet." The confidence and enthusiasm of Romeo merely threw him into a deeper despair of his own ability as a suitor, and made him even more taciturn and stumbling of speech than ever. His silence grew heavier and heavier, until at last ...
— The Wit and Humor of America, Volume IX (of X) • Various
... of which it made one dizzy to contemplate. Perhaps, under cover of night, the now ruinous steps have been boldly trodden in a sally for surprising the enemy, or stealthily mounted by emissaries from without, conveying intelligence to the beleaguered party. Perhaps, in the Genoese times, some Romeo and Juliet, of rival families, found the means of elopement by this sequestered staircase. One could imagine shrouded figures gliding from the convent church close by—the perilous descent, the light skiff tossing beneath, with its white sails a-peak, waiting to bear off the lovers ...
— Rambles in the Islands of Corsica and Sardinia - with Notices of their History, Antiquities, and Present Condition. • Thomas Forester
... impregnation thrills in fatal summons to hell or heaven, and resistlessly drags a spirit into the appointed receptacle. Shakspeare, whose genius seems to have touched every shape of thought with adorning phrase, makes Juliet, distracted with the momentary fancy that Romeo ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... touched with pity for so noble a hero, that has long ago been overcome, or only remains as a distant memory of something long past and gone. It has been truly observed that Tristan and Isolde are not like Romeo and Juliet, two children scarcely conscious of what they are doing. Both are in the full maturity of life and in the vigour of their ...
— Wagner's Tristan und Isolde • George Ainslie Hight
... the forepart of the stage. The balcony was pressed into the service when the text of the play indicated that the speakers were not actually standing on the same level. From the raised platform Juliet addressed Romeo in the balcony scene, and the citizens of Angers in King John held colloquy with the English besiegers. This was, indeed, almost the furthest limit of the Elizabethan stage-manager's notion of scenic realism. The boards, which were bare save for ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... due to a greater sincerity of expression, but to the strength derived from dramatic situation. Where speech spends itself on its subject, drama stands idle; but where the dramatic stress is at its greatest, three or four words may enshrine all the passion of the moment. Romeo's apostrophe from under ...
— Style • Walter Raleigh
... first place, there was an old gentleman, of the age of sixty-three, in a bob-wig, and inclined to be stout, who always played the lover. He was equally excellent in the pensive Romeo and the bustling Rapid. He had an ill way of talking off the stage, partly because he had lost all his front teeth: a circumstance which made him avoid, in general, those parts in which he had to force a great deal of laughter. Next, there was a little girl, ...
— Godolphin, Complete • Edward Bulwer-Lytton
... of stage representation reduces everything to a controversy of elocution. Every character, from the boisterous blasphemings of Bajazet to the shrinking timidity of womanhood, must play the orator. The love-dialogues of Romeo and Juliet, those silver-sweet sounds of lovers' tongues by night; the more intimate and sacred sweetness of nuptial colloquy between an Othello or a Posthumus with their married wives, all those delicacies which are so delightful ...
— English Critical Essays - Nineteenth Century • Various
... home boiling drunk with his hat smashed and his necktie hanging. He longed to kick the front door in and see his wife cower before him. The mental orgies in which he indulged while sitting placidly in the bow window automatically snapping his Romeo against the heel of his foot by a muscular contraction of the toes—would have curdled the ...
— The Fighting Shepherdess • Caroline Lockhart
... of the Servites in the same city he painted in fresco, also with Bernardo, the Chapel of the family of Cresci; with a Coronation of Our Lady on a very large panel in S. Pietro Maggiore, and a panel in S. Romeo, close to the side-door. In like manner, he and his brother Bernardo painted the outer facade of S. Apollinare, with so great diligence that the colours in that exposed place have been preserved marvellously vivid and beautiful up to our ...
— Lives of the Most Eminent Painters Sculptors and Architects - Volume 1, Cimabue to Agnolo Gaddi • Giorgio Vasari
... pretending all the time he didn't know there was anybody picking posies in the garden. I didn't know that she'd so much as noticed him until one night in the spring when we were rehearsing for a special oratorio. Some night!" The fat man sighed reminiscently. "All to the Romeo and Juliet! Choir forming on the outside, old Brownly having a tempermental fit as usual and Dud and I stationed over by the wall ready to split our epiglottises; on our marks, set all ready to go when Dud tosses up his cap, just as he used to when he was a little shaver and Bing! Cap lands on top ...
— Little Miss By-The-Day • Lucille Van Slyke
... genuine cowboys, just as they really exist. Spirited action, a range feud between two families, and a Romeo and Juliet courtship make this a bright, jolly, entertaining story, ...
— The Price • Francis Lynde
... wished that "Romeo and Juliet" should have ended happily, or that Othello should have discovered the perfidy of his Ancient in time to ...
— The Hand of Ethelberta • Thomas Hardy
... "Why should every creature make books but I?" After a passage concerning George Burnett, Lamb describes Godwin and his courtship of his second wife—"a very disgusting woman." "You never saw such a philosophic coxcomb, nor any one play the Romeo so unnaturally." ...
— The Works of Charles and Mary Lamb, Vol. 5 • Edited by E. V. Lucas
... Dabney failing; and the aftermath of these storm-tossed musings made for Vincent Farley's cause. Romance also, in the eternal feminine, is a constant quantity, and if it be denied the Romeo-and-Juliet form of expression, will find another. Vincent Farley, as man or as lover, presented obstacles to any idealizing process, but Ardea set herself resolutely to overcome them. Distance and time have other potentialities besides ...
— The Quickening • Francis Lynde
... "No, Romeo," she murmured. "Your missis isn't going to be thrown at any man's head if she knows it. But it's a difficult world, old boy; almost an impossible world, I sometimes think. Froggy, I know you can be sentimental when you try. What should you do if you fell ...
— The Swindler and Other Stories • Ethel M. Dell
... may trust the flattering eye of sleep, My dreams presage some joyful news at hand: My bosom's lord sits lightly on his throne, And all this day, an unaccustomed spirit Lifts me above the ground with cheerful thoughts. Romeo and Juliet. ...
— The Antiquary, Complete • Sir Walter Scott
... her breath and gave a little gasp. "Well, upon my word! You don't seem to have lost any time, my young Romeo. What ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... which are so sweet and touching, like the flowers of this country of melody. The voice of Aminta found an echo in the heart of Maulear, and his ecstasy was at its height, when Gaetano joined her and sang the charming duo from Romeo e Julietta, the chef-d'oeuvre of Zingarelli. The jealous Maulear, as he heard this passionate music, could not believe that art alone inspired the singer. He trembled when he thought, that as Julietta loved ...
— The International Magazine, Volume 2, No. 2, January, 1851 • Various
... Though past my majority, my placid nature had never before been thoroughly aroused in this direction. Now, by reason of the tact and knowledge of my nature, possessed by the invisible party, and still more because of my state of mesmeric subjection, I was sighing like a furnace or a Romeo. Not Ulysses, Circe tempted—not Sintram seeking his Undine—not the hapless sailor wight pursuing the maiden of the mer, was more utterly enamored than was I. As a proof that I was no bad specimen of the ...
— Continental Monthly , Vol V. Issue III. March, 1864 - Devoted to Literature and National Policy • Various
... round you? The Herr Leutnant has not been able to sleep since." So I suppose he knows him. Still, I'm quite sure that he has not lost his sleep on my account, though very likely he said so. If I only knew what his name is, perhaps Leo or Romeo; yes, Romeo, that would ...
— A Young Girl's Diary • An Anonymous Young Girl
... we know Because the clouds of hawthorn keep So short a state, and kisses go To tombs unfathomably deep, While Rameses and Romeo And little Ariadne sleep. ...
— Georgian Poetry 1916-17 • Various
... the world," said McTurk. "A lot of chaps thought that Romeo-Romeo woman was a bore. I didn't. I liked her! 'Member when she began to hiccough in the middle of it? P'raps he'll hiccough. Whoever gets into the Gym first, bags seats for ...
— Stalky & Co. • Rudyard Kipling
... did not love her. Oh dear no, not in the least. Love he thought was very different from mere admiration. It was a plant of slower growth. He was no believer in love at first sight. He was an infidel as to Romeo and Juliet, and he had firmly resolved if ever he did fall in love, it ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... whatever you said," she cried. "I, too, have forgotten what it was; but you must never say so again. But had you really no engagement for to-night that you took that fancy for going to 'Romeo'?" ...
— Phyllis of Philistia • Frank Frankfort Moore
... Romeo and Juliet, of Faust and Marguerite, or King Cophetua and the beggar maid. All she knew was that she loved, was conscious only that for a kind word from the lips of the man who had befriended her, for a glance from those dark eyes; ...
— Adrien Leroy • Charles Garvice
... I felt when I first read Shakespeare. I expected to receive a powerful esthetic pleasure, but having read, one after the other, works regarded as his best: "King Lear," "Romeo and Juliet," "Hamlet" and "Macbeth," not only did I feel no delight, but I felt an irresistible repulsion and tedium, and doubted as to whether I was senseless in feeling works regarded as the summit of perfection ...
— The Best of the World's Classics, Restricted to Prose, Vol. VIII (of X) - Continental Europe II. • Various
... such a thing. Do you know if it is true? I have seen one worse affair down in Arizona. He killed his little child as well as his wife but such things should not be put down in fine language for the public. I have read Romeo and Juliet. That is beautiful language but Romeo is no man. I like his friend Mercutio that gets killed. He is a man. If he had got Juliet there would have been ...
— The Virginian - A Horseman Of The Plains • Owen Wister
... an imitation of the balcony scene from Romeo and Juliet. If Juliet talked like that dame did no wonder ...
— You Should Worry Says John Henry • George V. Hobart
... often imperceptible, it is always present on the stage, even when it says nothing, even when it keeps out of sight. Thanks to it, there is no thought of monotony. Sometimes it injects laughter, sometimes horror, into tragedy. It will bring Romeo face to face with the apothecary, Macbeth with the witches, Hamlet with the grave-diggers. Sometimes it may, without discord, as in the scene between King Lear and his jester, mingle its shrill voice with the most sublime, ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... spoils the toutensemble, as that young Melrose tenderfoot used to say—kinder as if a bald-haided guy was playing Romeo and had lost his wig in the ...
— The Sheriff's Son • William MacLeod Raine
... They were to Flamma as Juliet to Romeo. Romeo's love, indeed, rushed up like straw on fire, a great blaze of flame; he perished in it as the straw; perhaps he might not have worshipped Juliet next year. Flamma had loved his wild flowers close upon forty years, ever since he could remember; most likely longer, ...
— Amaryllis at the Fair • Richard Jefferies
... more so, for education has a greater chance of moderating the passion than increasing it; and so, notwithstanding of what Plutarch says of the awfully consuming love between Phrygius and Picrea, and also what Shakespeare has sung or said about a certain Romeo and a lady called Juliet, we are certain that the affection between these grand personages was not more genuine, tender, and true, than that which bound the simple and unsophisticated hearts of Will ...
— Wilson's Tales of the Borders and of Scotland, Vol. XXIII. • Various
... Compare Romeo and Juliet, Act II. Scene 3: "The gray-eyed morn smiles," etc.—It should be added that three lines, which appeared hopelessly misprinted, have been omitted ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... sense. A plan, a motive with a logical conclusion, is as necessary to a novel or a romance as it is to a drama. A group of skillfully made-up men and women lounging in the green-room or at the wings is not the play. It is not enough to say that this is Romeo and that Lady Macbeth. It is not enough to inform us that certain passions are supposed to be embodied in such and such persons: these persons should be placed in situations developing those passions. A series of unrelated scenes and dialogues leading ...
— Ponkapog Papers • Thomas Bailey Aldrich
... imagine that the 'powerful rhyme' of the second line refers to the sonnet itself, is to mistake Shakespeare's meaning entirely. It seemed to me that it was extremely likely, from the general character of the sonnet, that a particular play was meant, and that the play was none other but Romeo and Juliet. ...
— Lord Arthur Savile's Crime and Other Stories • Oscar Wilde
... well paid to-night. There is a great deal to be learned in witnessing one such performance. I can read Shakspeare now with more interest and profit than ever. I want to hear 'The Tempest' played now, and 'King Lear,' and 'Hamlet,' and 'Romeo and Juliet,' and I mean to the first chance ...
— The Bobbin Boy - or, How Nat Got His learning • William M. Thayer
... strangely. It was still beautiful; it had even a beauty the other had not, the beauty of youth and passion. The devotee was gone; in his place was a face that, in spite of the ascetic cast of feature, was so lighted up with the fire of love and longing that it might have stood for a Leander or a Romeo. It expressed an eager yearning, that made it seem to be craning out of the picture in the effort to reach that unknown object on which the eyes were fixed with such ...
— Father Stafford • Anthony Hope
... a notebook out of his pocket and consulted it. "Let's see, Nineteen's got Flight 180, he's due here at the spotel tomorrow. Well, we'll be here too, only Nineteen won't know it. We'll let Romeo put his plastic Juliet together and catch him red-handed—right in the middle of ...
— The Love of Frank Nineteen • David Carpenter Knight
... hair and rather prominent, melancholy eyes of the traditional Elliott stock, yet physically much more closely resembles Edgar Allan Poe. If you press him hard, he will confess that he began life by studying for the stage, and "almost played Romeo," before painting drew him away. Reaching Italy, he aspired to enter the studio of Don Jose di Villegas, now director of the Prado Museum in Madrid, but then in Rome. Villegas took no pupils. But ...
— Stories from Everybody's Magazine • 1910 issues of Everybody's Magazine
... tender, even more real, than all the laboured realism of these photographic days. And here before us is of all pretty love-stories perhaps the prettiest. Idyllic as Daphnis and Chloe, romantic as Romeo and Juliet, tender as Undine, remote as Cupid and Psyche, yet with perpetual touches of actual life, and words that raise pictures; and lightened all through with a dainty playfulness, as if Ariel himself had hovered ...
— Aucassin and Nicolette - translated from the Old French • Anonymous
... fool, but I do like a little more romance in a young man than he seems to have more warmth and enthusiasm, you know. Bless the boy! He might be forty instead of three or four and twenty, he's so sober, calm, and cool. I'm younger than he is, and could go a-wooing like a Romeo if I had any heart ...
— Rose in Bloom - A Sequel to "Eight Cousins" • Louisa May Alcott
... sinks with their utterances of despair. The device of introducing voices before the disclosure of visible action in an opera is not new, and in this case is both uncalled for and ineffective. Gounod made a somewhat similar effort in his "Romeo et Juliette," where a costumed group of singers presents a prologue, vaguely visible through a gauze curtain. Meyerbeer tried the expedient in "Le Pardon de Ploermel," and the siciliano in Mascagni's "Cavalleria Rusticana" and the prologue in Leoncavallo's "Pagliacci" ...
— A Second Book of Operas • Henry Edward Krehbiel
... of Mrs. Davenport in the character of the Nurse in "Romeo and Juliet." James Holmes. Almost speakingly characteristic. You may imagine the actress drawling out, "awear—y," and her attitude admirably accords with "Fie, how my ...
— The Mirror of Literature, Amusement, and Instruction - Vol. XIX. No. 540, Saturday, March 31, 1832 • Various
... know." He came to a stand-still and winced. "Oons, my old wound again," he said, with a sharp cry, followed as quickly by a laugh. His eyes still wandered along the balustrade, as eagerly as some young Romeo at the balcony of his Juliet. "I wish she'd walk her terrace to-night," he sighed, "where we could ...
— Mistress Nell - A Merry Tale of a Merry Time • George C. Hazelton, Jr.
... The native women are kept in strict seclusion. One never sees a native woman except heavily veiled under her chudder, much less can a European talk to her. The laws of Persia are so severe that anything in the shape of a flirtation with a Persian lady may cost the life of Juliet or Romeo, or both, and if life is spared, blackmail is ever after levied by the police or by the ...
— Across Coveted Lands - or a Journey from Flushing (Holland) to Calcutta Overland • Arnold Henry Savage Landor
... she speaks like that! Signorina, or I should say, Miss Grosvenor, you have the most beautiful voice in the world. Some day, and we are all out of jail, I expect to hear you in the balcony scene with some famous tenore robusto as Romeo. You will be getting three thousand a week. You needn't bother about the telegram; but I'll have to have a new suit," touching the frayed cuffs of his coat. "Now, if we go to ...
— The Lure of the Mask • Harold MacGrath
... indeed, a deadly feud Of class and creed and race; But, yet, there was a Romeo And a Juliet in the case; And more than once across the flats, Beneath the Southern Cross, Young Robert Black was seen to ride With ...
— In the Days When the World Was Wide and Other Verses • Henry Lawson
... figure. So perfect and complete is this lifelike unity, that we can scarcely think of one of his leading characters without recalling all those with whom it is associated. If we name Juliet, for instance, not only is her idea inseparable from that of Romeo, but the whole train of Montagues and Capulets, Mercutio, Tybalt, the garrulous nurse, the lean apothecary, the lonely friar, sweep by. What an exquisite trait of the poetic temperament, tenderness, and human sympathies of this same lonely friar is ...
— The Continental Monthly, Vol. IV. October, 1863, No. IV. - Devoted to Literature and National Policy. • Various
... she sez...An' then she sighs, An' clasps 'er little 'ands, an' rolls 'er eyes. "A rose," she sez, "be any other name Would smell the same. Oh, w'erefore art you Romeo, young sir? Chuck yer ole ...
— The Songs of a Sentimental Bloke • C. J. Dennis
... Dram. Ass., they have engaged This pet of the P. R.; As Charles the Wrestler he's to be A bright, particular star. And when they put the programme out, Announce him thus they did: Orlando ... Mr. Romeo Jones; Charles ... Mr. ...
— Humour of the North • Lawrence J. Burpee
... fantastical composer, there was always another, greater man. The history of the art of Berlioz is the history of the gradual incarnation of that calm and majestic being, the gradual triumph of that grander personality over the other, up to the final unclosing and real presence in "Romeo" and the "Mass for the Dead." The wild romanticist, the lover of the strange and the lurid and the grotesque who created the "Symphonic Fantastique," never, perhaps, became entirely abeyant. And some of the salt and flavor of Berlioz's ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... Fools-there-was and the rest of it, and what a mug a feller was to let a female into 'is cosy home, who'd only make him spend his days hooking her up, and his nights wondering how to get back the blankets without waking her. My, he was crisp! Enough to have given Romeo the jumps, you'd have thought. But, lor! It's no good talking to them when ...
— The Man Upstairs and Other Stories • P. G. Wodehouse
... too. In fact, he was a mighty critical youth, only bein' able to entertain a good opinion of but one certain party. At any other time I expect he'd have given me an earache; but I'd been handed so much silence by our double Romeo-Juliet bunch that most any kind of conversation was welcome just then. So ...
— Odd Numbers - Being Further Chronicles of Shorty McCabe • Sewell Ford
... Ferrari froze to its very foundations—and in its place there rose up, not hate, but pitiless, immeasurable contempt. A stern disdain of myself also awoke in me, as I remembered the unreasoning joy with which, I had hastened—as I thought—home, full of eager anticipation and Romeo-like ardor. An idiot leaping merrily to his death over a mountain chasm was not more fool than I! But the dream was over—the delusion of my life was passed. I was strong to avenge—I would be swift to accomplish. So, darkly musing for an hour or ...
— Vendetta - A Story of One Forgotten • Marie Corelli
... a good dinner he proceeded to show him the sights of Verona, at the same time telling him interesting tales about the Arena, the beautiful gardens, and the palaces of olden time. But Andrea remained listless, only rousing when his proposed a visit to the tomb of Romeo and Juliet which was the one place his mother had charged him ...
— Chico: the Story of a Homing Pigeon • Lucy M. Blanchard
... stock of the very matchlock with which Shakespeare shot the deer, on his poaching exploits. There, too, was his tobacco-box; which proves that he was a rival smoker of Sir Walter Raleigh; the sword also with which he played Hamlet; and the identical lantern with which Friar Laurence discovered Romeo and Juliet at the tomb! There was an ample supply also of Shakespeare's mulberry-tree, which seems to have as extraordinary powers of self-multiplication as the wood of the true cross; of which there is enough extant to build a ...
— Seeing Europe with Famous Authors, Volume I. - Great Britain and Ireland • Various
... the passions they essayed, And where the tears they made to flow? Where the wild humours they portrayed For laughing worlds to see and know? Othello's wrath and Juliet's woe? Sir Peter's whims and Timon's gall? And Millamant and Romeo? Into the ...
— The Palmy Days of Nance Oldfield • Edward Robins
... Protean. Sir John Falstaff, who appears in Shakspere's King Henry IV, and again in the Merry Wives of Windsor, is generally regarded as the greatest comic character in literature.... Mercutio, the friend of Romeo; one of the most marvellous of all Shakspere's gentlemen. He is the Hotspur of comedy, and his taking off by Tybalt "eclipsed the gaiety of nations."... Sir Toby Belch is the genial character in Twelfth Night, fond of ...
— Essays of Robert Louis Stevenson • Robert Louis Stevenson
... the friendly shadow of their urban oak-tree as were ever Romeo and Juliet on the balcony of the Capulets. I may not tell you what I saw in my one quickly repented-of glance. That would be vulgarising something that was already a little profaned by my ...
— Penelope's English Experiences • Kate Douglas Wiggin
... Mark's; and then imagine the whole flooded with a sea that seems only intended to reflect sunsets, and you still have no idea of the place I stopped in for more than 48 hours. Thence we went to Verona, where Romeo and Juliet languished and Dante wrote most of "Hell." The principal products (1) tombs: particularly those of the Scala, a very good old family with an excellent taste in fratricide. Their three tombs (one ...
— Gilbert Keith Chesterton • Maisie Ward
... about yesterday's eggs and the toughness of Saturday's meat are conducted fortissimo between cheerful youths in the road and satirical young women in print dresses, who come out of their kitchen doors on to little balconies. The whole thing has a pleasing Romeo and Juliet touch. Romeo rattles up in his cart. 'Sixty-four!' he cries. 'Sixty-fower, sixty-fower, sixty-fow—' The kitchen door opens, and Juliet emerges. She eyes Romeo without any great show of affection. 'Are you Perkins and Blissett?' ...
— The Man with Two Left Feet - and Other Stories • P. G. Wodehouse
... year produced the History and Fall of Caius Marius; much of which is borrowed from the Romeo and ...
— Lives of the Poets, Vol. 1 • Samuel Johnson
... Ball peered out of his private smoking-room, at the far end of the hall. He started forward; then, seeing how I was accompanied, stopped with mouth ajar. He had on a ragged smoking-jacket, a pair of shapeless old Romeo slippers, his ordinary business waistcoat and trousers. He was wearing neither tie nor collar, and a short, black pipe was between his fingers. We had evidently caught the household stripped of "lugs," and sunk in the down-at-the-heel ...
— The Deluge • David Graham Phillips
... Liszt's stormy and often incoherent playing. It is also pleasant to find how cordially Mendelssohn received Berlioz there, as told in the "Memoirs" of the latter, spending ungrudgingly long days in aiding in rehearsals for his "Romeo et Juliette," though Mendelssohn never sympathized much with Berlioz's ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... beside Victoria's mehari, when good-byes had been said, blessings exchanged, and the little caravan had started. Looking out between the haoulis which protected her from sun and wind, the handsome Arab on his Arab horse seemed far below her, as Romeo must have seemed to Juliet on her balcony; and to him the fair face, framed with dazzling hair was like a ...
— The Golden Silence • C. N. Williamson and A. M. Williamson
... to win gold and glory which it offered were fascinating to a spirit like his, and he was prevented from taking part in an expedition when but seventeen years of age only by an unlucky accident. As he was scaling a wall one night, in an adventure like that of Romeo and Juliet, the stones gave way and he was thrown violently to the ground and buried under the ruins. Before he got out of bed from his ...
— Historical Tales - The Romance of Reality - Volume III • Charles Morris
... the titles of the scenes, while my memory swiftly recalled their characteristics:—the First Duet between Lucia and Edgardo, a passionate burst of youthful love, as delicious as the tender dialogues between Romeo and his Juliet;—the Sextette, that masterly pyramidal piece of vocal harmony, in which the voices group around those of the two lovers, and all mount up glowingly like a flame on a sacrificial altar;—the heart-rending passage where Lucia's spirit, frantic through woe, ...
— The Atlantic Monthly, Volume 15, No. 92, June, 1865 • Various
... the common traditions and of the poets—some such fairies as Shakspeare describes for us in several of his plays, especially in "Midsummer-Night's Dream," "The Merry Wives of Windsor," "The Tempest," and "Romeo ...
— Fairy Tales; Their Origin and Meaning • John Thackray Bunce
... sanguine period, showing the exuberance of youthful love and imagination. Among the plays that are typical of these years are The Comedy of Errors, A Midsummer Night's Dream, Romeo and Juliet, Richard II., and Richard III. These were ...
— Halleck's New English Literature • Reuben P. Halleck
... P. A. Daniel, in his edition of Painter's "Romeo and Juliet," in the New Shakespere Society's Originals and Analogues, i., 1876, gives the few passages in which Painter has misunderstood Boaistuau. For lexicographical use, however, it would be well to consult Painter's original for any ...
— The Palace of Pleasure, Volume 1 • William Painter |
