"Romanticist" Quotes from Famous Books
 ... than they dreaded Wagner, he was not the man they said he was. He had not a great matter to utter; what he had he could not utter in the classical form; yet he tried to write in classical form. If ever a musician was born a happy, careless romanticist, that musician was Brahms—he was even a romanticist in the narrower sense, inasmuch as he was fond rather of the gloomy, mysterious, and dismal than of sunlight and the blue sky; and whenever his imagination warmed he straightway began breaking the bonds in which he had ...
— Old Scores and New Readings • John F. Runciman
... could never get up much enthusiasm for the writings of Scott. His praise of Quentin Durward is about the only approval he ever accorded to the works of the great romanticist. ...
— Innocents abroad • Mark Twain
... themes of which the interest is all-absorbing, but which are too entirely horrible for the purposes of legitimate fiction. These the mere romanticist must eschew, if he do not wish to offend or to disgust. They are with propriety handled only when the severity and majesty of Truth sanctify and sustain them. We thrill, for example, with the most intense of "pleasurable pain" over the ...
— The Works of Edgar Allan Poe - Volume 2 (of 5) of the Raven Edition • Edgar Allan Poe
... "Madame Chrysantheme"; "Madame Chrysantheme" begat John Luther Long's "Madame Butterfly," a story; "Madame Butterfly," the story, begat "Madame Butterfly," a play by David Belasco; "Madame Butterfly," the play, begat "Madama Butterfly," the opera by Giacomo Puccini. The heroine of the roving French romanticist is therefore seen in her third incarnation in the heroine of the opera book which L. Illica and G. Giacosa made for Puccini. But in operatic essence she is still older, for, as Dr. Korngold, a Viennese critic, pointed out, Selica is her grandmother ...
— A Second Book of Operas • Henry Edward Krehbiel
... invaded music to the same extent as the literary and pictorial arts. Berlioz is the only French composer who can be called in the fullest sense of the word a romanticist, and whose genius entitles him to a position in his art similar to those occupied by V. Hugo and Delacroix in literature and painting. But in 1831 his works were as yet few in number and little known. Having in the preceding year obtained the prix de Rome, he ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... manliness blushes with shame and annoyance, Scott suffers Rose Bradwardine to reveal with a sensitive shyness. But Scott, of course, had even less in common with the peeper and botanizer on maidens' hearts than with the wildest romanticist. He considered that "a want of story is always fatal to a book the first reading, and it is well if it gets a chance of a second." From him "Pride and Prejudice" got a chance of three readings at least. ...
— Waverley, Or 'Tis Sixty Years Hence, Complete • Sir Walter Scott
... has never imagined. Thus Chautauqua pulls and Greenwich Village pushes. In the middle ground there proceeds the pedantic effort to dispose of him by labelling him. One faction maintains that he is a realist; another calls him a naturalist; a third argues that he is really a disguised romanticist. This debate is all sound and fury, signifying nothing, but out of it has come a valuation by Lawrence Gilman[29] which perhaps strikes very close to the truth. He is, says Mr. Gilman, "a sentimental mystic ...
— A Book of Prefaces • H. L. Mencken
... immoral who were all about him, even in the pietists' own university. He laid the foundations for his future philosophical construction. He bathed in the sentiments and sympathies, poetic, artistic and humanitarian, of the romanticist movement. In his early Berlin period he was almost swept from his feet by its flood. He rescued himself, however, by his rationalism and romanticism into a breadth and power of faith which made him the prophet of the new age. By ...
— Edward Caldwell Moore - Outline of the History of Christian Thought Since Kant • Edward Moore
... surpassingly genuine and spontaneous. Almost his only theme was the passion of love, in some form or degree. But what he lacked in breadth he made up in the directness and intensity of his accent, and these eminently lyric qualities give his lyrics a distinction among those of his country. He began as a Romanticist, but soon grew away from the school of Hugo as it developed. With his negligence of form and his surrender to the passion of the moment, he is the opposite of Gautier; and the poets of the later school which derives from Gautier have ...
— French Lyrics • Arthur Graves Canfield
... disguise, a constable who had a warrant for his arrest spoke to him and inquired if he knew that devil Bunyan. "Know him?" said Bunyan. "You might call him a devil if you knew him as well as I once did." We have in these anecdotes a key to the nature of Bunyan's genius. He was a realist, a romanticist, and a humourist. He was as exact a realist (though in a different way) as Mr. Pepys, whose contemporary he was. He was a realist both in his self-knowledge and in his sense of the outer world. He had the acute eye of the artist which was aware of the stones of the street ...
— The Art of Letters • Robert Lynd
... Mater has seen as bad hexameters since. But then the matter was serious. There is a story (I know not how true) that Spenser was half bullied into re-writing the "Faerie Queene" in hexameters, had not Raleigh, a true romanticist, "whose vein for ditty or amorous ode was most lofty, insolent, and passionate," persuaded him to follow his better genius. The great dramatists had not yet arisen, to form completely that truly English school, of which Spenser, unconscious of his own vast powers, ...
— Westward Ho! • Charles Kingsley
... ever found color and form for his canvas; the romanticist, theme and character for his story. In the deep-voiced caverns of these towering cliffs lived the Pirates of Penzance. The solitude of yonder St. Malo inspired Chateaubriand with his immortal "Monks of the West"; and Morlix, just east of Brest, was, in days ...
— The Greater Love • George T. McCarthy
... stories of their own, and to use in them the machinery and vocabulary of the old Sagas. Hence arose various orders of romantic Saga, cut off from the original sources of vitality, and imitating the old forms very much as a modern romanticist might intimate them. One of the best, and one of the most famous, of these romantic Sagas is the story of Frithiof the Bold, which was chosen by Tegnr as the groundwork of his elegant romantic poem, a brilliant example of one particular kind of modern medievalism. The significance of ...
— Epic and Romance - Essays on Medieval Literature • W. P. Ker
... power of dealing with material such as the elder Dumas would have delighted in with a restraint and a logic the younger Dumas would have admired. Plot and counter-plot, bravery, treachery, death,—these are elements for a romanticist farrago; and in Daudet's hands they are woven into a tapestry almost as stiff as life itself. The stuff is romantic enough, but the treatment is unhesitatingly realistic; and "Kings in Exile," better than any other novel of Daudet's, explains his vogue with readers ...
— The Nabob, Volume 1 (of 2) • Alphonse Daudet
... who was a romanticist and fed his brain on pabulum from the pen of Mr. Fergus Hume and other ingenious concocters of peripatetic mystery, wondered as he gave his horse a meaning lash with his whip—a tribute to the beauty of the fare—"Wot the dickens she was h'up ...
— The Halo • Bettina von Hutten
... my reputation as—as a romanticist on that! I'd like mighty well to stay and solve the mystery with you, but I'll have to jump for that early train. I wish, though, that you'd drop me a line and tell me the outcome. ...
— Left Guard Gilbert • Ralph Henry Barbour
... elements have been arranged into a colossal theme of exceptional harmony, into which the interwoven planting and the mirror lake have been incorporated in a masterly way. The entire composition bespeaks the mind of a romanticist, whose productions are swayed more by nature's glories than by ...
— The Architecture and Landscape Gardening of the Exposition • Louis Christian Mullgardt |
