"Phidias" Quotes from Famous Books
 ... who has any reverence left in him for the TRUTH of Art CAN mix with those whose profession of it is a mere trade and hypocritical sham. Such dunderheads would see no artistic difference between Phidias and the man of to-day who hews out and sets up a common marble mantel- piece! I'm not a fellow to moan over the 'good old times,'—no, not a bit of it, for those good old times had much in them that was ...
— Ardath - The Story of a Dead Self • Marie Corelli
... cost, to sleep in Grecian bedrooms, and to sit by German hearths. On the other hand, though sensible of the honor attached to being bit by a flea lineally descended from an Athenian flea that in one day may possibly have bit three such men as Pericles, Phidias, and Euripides, many quiet unambitious travellers might choose to dispense with 'glory,' and content themselves with the view of Greek external nature. To these persons we would recommend the plan ...
— Theological Essays and Other Papers v2 • Thomas de Quincey
... regal state sits Pericles, president of the assembly, soldier, statesman, orator, ruler, and "sole master of Athens." By his side sits his beautiful partner, the learned and queenly Aspasia. Phidias, one of the greatest sculptors, if not the greatest the world has known, who "formed a new style characterized by sublimity and ideal beauty," is there. Near him is Sophocles, the greatest of the tragic poets. Yonder we catch a glimpse of a face and form ...
— Eclectic School Readings: Stories from Life • Orison Swett Marden
... —He spoke, &c. "When a friend inquired of Phidias what pattern he had formed his Olympian Jupiter, he is said to have answered by repeating the lines of the first Iliad in which the poet represents the majesty of the god in the most sublime terms; thereby signifying that the genius of Homer had inspired him with it. Those ...
— The Iliad of Homer • Homer
... bequeath for eyes of ages hence to inherit Him, the Master, whom love knows not if it know? Scarcely perfect praise of men man's work might merit, Scarcely bid such aim to perfect stature grow, Were his hand the hand of Phidias who shall rear it, And his soul ...
— Studies in Song, A Century of Roundels, Sonnets on English Dramatic Poets, The Heptalogia, Etc - From Swinburne's Poems Volume V. • Algernon Charles Swinburne
... the new marble buildings of the Parthenon, rich with the statues and bas-reliefs of Phidias and his scholars, gleaming white against the blue sky, with the huge bronze statue of Athene Promachos, fifty feet in height, towering up among the temples and colonnades. In front, and far below, gleams the blue ...
— Lectures Delivered in America in 1874 • Charles Kingsley
... base: but, even so, the extraordinary delicacy of this unique carving was utterly wasted, since the technical treatment of the marble was wholly unsuited to its emplacement. The amazing beauty of the sculpture and the unsurpassed skill of Phidias were never fully revealed until its home had been changed from Athens ...
— Donatello • David Lindsay, Earl of Crawford
... not yet. One here and there cannot change the Iron to a Golden Age, and it is to thoughts rather than their great embodiments that earnest art-worshippers now bow. And yet men fancy they are artists, dream of a fame glorious as that of Phidias! Why there's young Acajou, who chiselled a very respectable hound out of a stray lump of marble, stealthily, by a candle, or more probably a spirit lamp, in his father's cellar—was discovered and straightway heroized. ...
— Continental Monthly, Vol. III, No IV, April 1863 - Devoted to Literature and National Policy • Various
... snow. If she had no time to scramble through a volume of a new poet, she could still learn line by line some favorite old poem, and let it sink into her heart, so that it did its work thoroughly. If she could not find time to learn the history of all the artists from the time of Phidias to the last New York exhibition, yet when a beautiful picture was before her she could look at it thoughtfully without feeling that she must hurry on to the next. In this way, perhaps, she gained a more absolute culture than in the way she would have chosen, a culture of thought and character ...
— Girls and Women • Harriet E. Paine (AKA E. Chester}
... to admire them (viz., in any English sense of that word known to Entick's Dictionary), yet in a Grecian or Roman sense we may say that [Greek: thaumazomen], admiramur, both of these nations: we marvel, we wonder at them exceedingly. Greece we shall omit, because to talk of the arts, and Phidias, and Pericles, and 'all that,' is the surest way yet discovered by man for tempting a vindictive succession of kicks. Exposed to the world, no author of such twaddle could long evade assassination. But Rome is entitled to some separate notice, even after all ...
— The Posthumous Works of Thomas De Quincey, Vol. II (2 vols) • Thomas De Quincey
... lamp guards the flame, so the bare, marble halls Of the Parthenon keep, in their desolate space, The memory of Phidias enshrined in their walls. And Praxiteles' child, the young Venus, yet calls From the altar, where, smiling, she still holds her place, The centuries conquered to worship ...
— Records of a Girlhood • Frances Anne Kemble
... fifty-six years it was overthrown by an earthquake and after nearly a thousand years the metal was used for other purposes. The other ancient wonders were the Statue of Jupiter that was made of ivory and gold by Phidias, and the Mausoleum of Artemisia. Both of these have long ...
— Birdseye Views of Far Lands • James T. Nichols
... arguments from analogies which are mere illustrations, analogies like that which Bishop Butler so ably pointed out, between natural and revealed religion, from analogies like that which Addison discovered, between the series of Grecian gods carved by Phidias and the series of English kings painted by Kneller. This want of discrimination has led to many strange political speculations. Sir William Temple deduced a theory of government from the properties of the pyramid. Mr. Southey's whole ...
— Critical and Historical Essays Volume 2 • Thomas Babington Macaulay
... magnificent temple of Zeus (Olympian Jove). It contained a colossal statue of the god, seated, and holding the globe and the sceptre as emblems of his power. The work was by the celebrated sculptor Phidias, and was ...
— The Two Great Retreats of History • George Grote
... so in England the mystery-players haunted the wakes and fairs, and in barns or taverns, tap-rooms, or in the farm-house kitchen, played at saints and angels, and transacted on their petty stage the entire drama of the Christian Faith. We allow ourselves to think of Shakespeare or of Raphael or of Phidias as having accomplished their work by the power of their own individual genius; but greatness like theirs is never more than the highest degree of an excellence which prevails widely round it, and forms the environment in which it grows. No single mind ...
— Shakespeare: His Life, Art, And Characters, Volume I. • H. N. Hudson
... if it's Botticelli or Cellini I mean, but one of that school, at any rate.' And the worst of all are the ones who know—up to a certain point: have the schools, and the dates and the jargon pat, and yet wouldn't know a Phidias if it stood ...
— Tales Of Men And Ghosts • Edith Wharton
... stone which the sculptor carves becomes a fit vehicle for his thought through its resistance to his chisel; it sustains the impress of his imagination solely through its unwillingness to receive the same. Not chalk, not any loose and friable material, does Phidias or Michel Angelo choose, but ivory, bronze, basalt, marble. It is quite the same whether we seek expression or uses. The stream must be dammed before it will drive wheels; the steam compressed ere it will compel the piston. In fine, Potentiality combines with Hindrance to constitute active ...
— Atlantic Monthly, Vol. 9, No. 55, May, 1862 • Various
... aloud. The preceding speaker said to you that he believed M. de Sallenauve was employed in collecting his means of defence; well, I do not say to you "I believe," I tell you I know that a rich stranger succeed in substituting his protection for what which Phidias, our colleague, was bestowing on his handsome model, an Italian woman —[Fresh interruption. ...
— The Deputy of Arcis • Honore de Balzac
... said a great woman, "is neither nature nor art. The question involves the whole difference between Phidias and Mme. Tussaud." Let us never forget that the chief business of college teachers and college taught is the giving and receiving of ideals, and that the ideal is a burning and a shining light, not now only, or now and a year or two more, but for all ...
— Public Speaking • Irvah Lester Winter
... of the Olympian Jupiter by Phidias was considered the highest achievement of this department of Grecian art. It was of colossal dimensions, and was what the ancients called "chryselephantine;" that is, composed of ivory and gold; the parts representing flesh being of ivory laid on a core of wood or stone, ...
— Bulfinch's Mythology • Thomas Bulfinch
... no use trying to be a Greek," said Gloriani. "If Phidias were to come back, he would recommend you to give it up. I am half Italian and half French, and, as a whole, a Yankee. What sort of a Greek should I make? I think the Judas is a capital idea for a statue. ...
— Roderick Hudson • Henry James
... staff of Peter the Hermit stood in a corner with that of good old Bishop Jewel, and one of ivory, which had belonged to Papirius, the Roman senator. The ponderous club of Hercules was close at hand. The virtuoso showed me the chisel of Phidias, Claude's palette, and the brush of Apelles, observing that he intended to bestow the former either on Greenough, Crawford, or Powers, and the two latter upon Washington Allston. There was a small vase of oracular gas from Delphos, which I trust ...
— A Virtuoso's Collection (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... a shapeless mythology and a rude tradition, Homer emerges as the first artist in European poetry, giving clear outline and beautiful form to types of godhead and heroism. The successor to schools which had rather combated than conquered their material, Phidias, is recalled as the first poet in European art, creating a visible embodiment for the Homeric vision of those imperial brows which made Olympus to tremble ...
— Modern Eloquence: Vol II, After-Dinner Speeches E-O • Various
... establishing the existence of a law of aesthetics among the Greeks, he simply remarks upon the extreme simplicity of their beginnings, and shows by what gropings they came from Hermes to the most perfect works of Phidias and Praxiteles. ...
— Delsarte System of Oratory • Various
... painting. Gazing at Michelangelo's prophets in the Sistine Chapel, we are indeed in contact with ideas originally religious. But the treatment of these ideas is purely, broadly human, on a level with that of the sculpture of Phidias. Titian's "Virgin Received into Heaven," soaring midway between the archangel who descends to crown her and the apostles who yearn to follow her, is far less a Madonna Assunta than the apotheosis of humanity conceived as a radiant mother. Throughout the picture there is nothing ...
— The Great Events by Famous Historians, Volume 07 • Various
... those old Greek bathers, into whose hands were delivered Pericles, and Alcibiades, and the perfect models of Phidias. They had daily before their eyes the highest types of Beauty which the world has ever produced; for of all things that are beautiful, the human body is the crown. Now, since the delusion of artists has been overthrown, and we know that Grecian ...
— The Lands of the Saracen - Pictures of Palestine, Asia Minor, Sicily, and Spain • Bayard Taylor
... away and rambles along | artists are mentioned, | the last lecture. The for the period, | and their many works | rest of the hour is touching on every | confuse us. We memorize| spent in explanation of subject. We never | Praxiteles, Phidias, | difficult points and in complete a chapter or | Myron, the ancient | the application of what topic. The succeeding | cairns, the parts of an| we learned of industry hour we take the next | Egyptian temple. | and physiology. It is chapter, which ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... the Assyrians and Egyptians used colour, but not in the sense of the modern easel painter. We are also informed, rather less than more reliably, that a gentleman by the name of Apelles, in the days of Phidias, painted still-lifes so naturally that birds were tempted to peck at them, and we know much more accurately of the many delightful bits of wall-painting the rich man of Pompeii and Herculaneum used to have put on his walls, but the easel painting is ...
— The Galleries of the Exposition • Eugen Neuhaus
... term we use principally in two meanings: in the first place, in the Arts we ascribe it to those who carry their arts to the highest accuracy; Phidias, for instance, we call a Scientific or cunning sculptor; Polycleitus a Scientific or cunning statuary; meaning, in this instance, nothing else by Science than an excellence of art: in the other sense, we think some to be Scientific in a general way, not in any ...
— Ethics • Aristotle
... occupations produces, in the very pains he takes about things of little or no use, an evidence against himself of his negligence and indisposition to what is really good. Nor did any generous and ingenuous young man, at the sight of the statue of Jupiter at Pisa, ever desire to be a Phidias, or, on seeing that of Juno at Argos, long to be a Polycletus, or feel induced by his pleasure in their poems to wish to be an Anacreon or Pliletas or Archilochus. But virtue, by the bare statement of ...
— The Boys' and Girls' Plutarch - Being Parts of The "Lives" of Plutarch • Plutarch
... the cost and labor were consumed in a moment; the soul of genius evaporated in smoke; and the remnant of base metal was coined into money for the payment of the troops. Bronze is not the most durable of monuments: from the marble forms of Phidias and Praxiteles, the Latins might turn aside with stupid contempt; [99] but unless they were crushed by some accidental injury, those useless stones stood secure on their pedestals. [100] The most enlightened of the strangers, above the gross and sensual pursuits of their countrymen, ...
— The History of The Decline and Fall of the Roman Empire - Volume 6 • Edward Gibbon
... made her market, so it does not signify. The Greeks seem to me to have regarded form without expression. I doubt whether Phidias would have done much with your Miss Fay. To my eyes she is the ...
— Marion Fay • Anthony Trollope
... a wondrous sculptor once, a genius in his way, Named Phidias Praxiteles Canova Merryday. He sat within his studio and said, "I really must Begin a ...
— The Jingle Book • Carolyn Wells
... precocious Infant. He wrote the Song of Moses in the year of his birth. Nay, he built pyramids,—had a Literature, Arts, and Sciences,—ages before he was born!... While yet an infant, he sang with Homer, and carved with Phidias, and philosophized with Aristotle,—as none have ever sung, or carved, or philosophized since. Times and fashions have altered, truly; but these three men are still our Masters in Philosophy, in Sculpture, and in Song. Awkward ...
— Inspiration and Interpretation - Seven Sermons Preached Before the University of Oxford • John Burgon
... Phidias, more beautiful than any living human race has ever actually been, have still brought us joy and inspiration after a miserable barbaric Christian world bad mutilated and neglected them, - but the beautiful figure of Jesus, which as a work of art might have been ...
— The Bride of Dreams • Frederik van Eeden
... precisely that part he could not borrow. Shakspeare will never be made by the study of Shakspeare. Do that which is assigned you, and you cannot hope too much or dare too much. There is at this moment for you an utterance brave and grand as that of the colossal chisel of Phidias, or trowel of the Egyptians, or the pen of Moses or Dante, but different from all these. Not possibly will the soul, all rich, all eloquent, with thousand-cloven tongue, deign to repeat itself; but if you can hear what ...
— Essays, First Series • Ralph Waldo Emerson
... are often as good as anything that can be imagined. We know of nothing like them in any past age or country. This is the one kind of art—and it is a very good one—in which we excel as distinctly as the age of Phidias excelled in sculpture. Leonardo da Vinci would never have succeeded in getting his drawings accepted at 85 Fleet Street, any more than one of the artists on the staff of "Punch" could paint a fresco which should hold its ...
— Alps and Sanctuaries of Piedmont and the Canton Ticino • Samuel Butler
... by Paul, and that, nevertheless, both are now honored as saints and prayed to as such. I mean, that Socrates was not damned because he lived before Christ, and so could not be acquainted with his religion; and that Horace and Julius Caesar, Phidias and Plato, must yet be called great and noble spirits, even though they were heathen. Yes, my lord and husband, I mean that it behooves us well to exercise gentleness in matters of religion, and that faith is not to be obtruded ...
— Henry VIII And His Court • Louise Muhlbach
... his brain, look glorious when prospectively beheld from the distant brain of ox, crocodile, and fish. It seems as if nature, in regarding the geologic night behind her, when, in five or six millenniums, she had turned out five or six men, as Homer, Phidias, Menu, and Columbus, was nowise discontented with the result. These samples attested the virtue of the tree. These were a clear amelioration of trilobite and saurus, and a good basis for further proceeding. ...
— Representative Men • Ralph Waldo Emerson
... Building, Foulkes and Hogue of Portland, architects, imitates, though it does not reproduce, the Parthenon of the Athenian Acropolis. (p. 191.) Doric marble is replaced by the natural columns of the great trees of Oregon, and the frieze of Phidias, by the fretwork of the bark of pine and fir. There are forty-eight of the great columns, the same number as in the outer colonnade of the Parthenon, and, coincidentally, one for each State of the Union. They were cut from among the largest ...
— The Jewel City • Ben Macomber
... however, the outlines became more and more distinct, and he fancied that the form was actually naked. Then the truth became apparent: it was a native of the forest, in his summer garb, who had thrown aside his blanket, and stood in his leggings, naked. Phidias could not have cut in stone a more faultless form; for active, healthful youth had given to it the free and noble air of ...
— The Lake Gun • James Fenimore Cooper
... people must possess at least the sense and appreciation of virtue in order to such national greatness. When that sense is lost, the nation is undone and become impotent, for art no less than for empire. Thus the Greece of Pericles and of Phidias fell, to be "living ...
— Moral Philosophy • Joseph Rickaby, S. J.
... archaistic conundrums; the influences of Assyria and Asia Minor; the conflicting attributions and the wrangles of the erudite—still slumbered in the bosom of the future "scientific critic." Greek art in those days began with Phidias and ended with the Apollo Belvedere; and a child could travel from one to the other without danger ...
— The Greater Inclination • Edith Wharton
... arose the English drama, represented in its final completeness by the creations of a poet who, it now begins to be supposed, stands alone among mankind. We allow ourselves to think of Shakspeare or of Raphael or of Phidias, as having accomplished their work by the power of their own individual genius; but greatness like theirs is never more than the highest degree of an excellence which prevails widely round it, and forms ...
— The Reign of Henry the Eighth, Volume 1 (of 3) • James Anthony Froude
... deed, Hippocrates was unable to produce any parchment showing his title to the vale. And when he was unable to do that, Hipparchus would not pay down his silver, until he could make further inquiry. The next day, we all, meeting at the house of Phidias, fell to debating whether Hippocrates owned the land and could sell it to Hipparchus. And some said one thing and some another, and in the end we agreed that when some of us were next together, we would go to the house of Socrates, and if he ...
— The Inhumanity of Socialism • Edward F. Adams
... gleaming for a moment amongst thick clouds of impossibility that had gathered through three-and-twenty centuries—for seeing a Grecian tragedy presented on a British stage, and with the nearest approach possible to the beauty of those Athenian pomps which Sophocles, which Phidias, which Pericles created, beautified, promoted. I protest, when seeing the Edinburgh theatre's programme, that a note dated from the Vatican would not have startled me more, though sealed with the seal of the fisherman, and requesting the favor of my company to take coffee with the Pope. ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... to the profoundest rules of art. You may take a string or a yard measure and go all over her, you won't find her out of the way a fraction. The figure is six times the length of the foot; this was the way Phidias worked, and I agree with him. Them were splendid old fellows, them Greeks. There was art for ...
— Continental Monthly, Vol. I., No. IV., April, 1862 - Devoted To Literature And National Policy • Various
... rows of pearl-like teeth. Her chin was pear-shaped, and revealed decision of character. Her whole appearance gave one the impression of intelligence, purity, and benevolence. She was of medium height, and her figure would have served as a model for the skill of a Phidias. Her greatest accomplishment was music. Her voice was a high soprano, and its naturally pure tone was improved by cultivation under ...
— The Kentucky Ranger • Edward T. Curnick
... why could not the Romans, etc., make a grandeur for their Gods? Not being able to make them grand, they daubed them with finery. All that people imagine in the Jupiter Olympus of Phidias—they themselves confer. But an apostle is ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey
... himself up alone in the chapel. He was the only man who could do the work to his satisfaction; so he did it, alone and unaided, as to the actual painting, and produced a work unequalled in perfection since Phidias worked ...
— Michael Angelo Buonarroti • Charles Holroyd
... to the core, and out of place and puzzled and very lonely in a sordid, bustling world; and he assured Patricia—she did not object if he called her Patricia?—that her own soul possessed all the beauty and purity and calm of an Aphrodite sculptured by Phidias. It was such a soul as Horace might have loved, as Theocritus might have hymned in glad Greek song. Patricia flushed, ...
— The Rivet in Grandfather's Neck - A Comedy of Limitations • James Branch Cabell
... still lives in its marble demi-gods; the vivifying chisel of Phidias was thought worthy to typify the sublimity of Jupiter; the master-hand of Canova wrought the Parian block into the semblance of the sea-born goddess, giving to insensate stone the warmth and etheriality of the Paphian paragon; and Stultz, with his grace-bestowing shears, has fashioned West of ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... barbarians; at their worst, slaves. The average intelligence among them was low; and the idea that they were such a wonderful people has gained a foothold simply because they are so far off. The miracle of it all is that such sublimely great men as Pericles, Phidias, Socrates and Anaxagoras should have sprung from such a barbaric folk. The men just named were as exceptional as was Shakespeare in the reign of Elizabeth. That the masses had small appreciation of these men is proven in the fact that Phidias and Anaxagoras died in prison, probably defeating ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... Acropolis, with its snow-white temples and propylaeum, fair and chaste as though they had been built in heaven and gently lowered to this Attic mound by the hands of angels. There in the Parthenon are the sculptures of Phidias, and yonder in the temple of the Dioscuri, the paintings of Polygnotus,—ideal beauty bodied forth to lure the souls of men to unseen and eternal worlds. If they turn to the east, the isles of the AEgean look up to them like virgins who welcome happy lovers; to the west, Mount ...
— Education and the Higher Life • J. L. Spalding
... for Greece? Which of them could, like Iphigenia, dwell for years beside the melancholy sea, keeping a true heart for an absent brother? Which of them could raise his fellows nearer to the source of all Deity, as Socrates and Plato had raised men? Who could portray himself as Phidias had portrayed Athene? Could the Muses speak with their own voices as they had spoken by Sappho's? He was especially pleased to see his own moral superiority to Zeus so eloquently enforced by AEschylus, and delighted in criticising the sentiments ...
— The Twilight of the Gods, and Other Tales • Richard Garnett
... teens, come under a mightier spell. Though few Englishmen had yet learnt to value their treasures, the Elgin Marbles had been resting there for twenty years. But now, two years before Queen Victoria's accession, there might be seen, standing rapt in admiration before the works of Phidias, a boy of slender figure with high forehead, delicately moulded features, and disordered hair, one who, as we can see from the earliest portrait which Mrs. Watts has preserved in her biography, had something of the unearthly beauty ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... vain or shallow thought His awful Jove young Phidias brought; Never from lips of cunning fell The thrilling Delphic oracle; Out from the heart of nature rolled The burdens of the Bible old; The litanies of nations came, Like the volcano's tongue of flame, Up from the burning core below,— The canticles of love and ...
— Selections From American Poetry • Various
... making the sacrifice to humanity of pursuing an occupation that depresses me so. I have a riotous imagination. Perhaps I could be a writer. But I am determined to become a sculptor. While I was sick, especially at the end of the second week, I remodelled all the works of Phidias and Michael Angelo. Don't misunderstand me, Eva. In becoming a sculptor, I am no longer ambitious of distinction. I shall merely be rendering homage to the greatness of art. While remaining a faithful workman asking ...
— Atlantis • Gerhart Hauptmann
... the Doric order at Athens, dedicated to Athena, and constructed under Phidias of the marble of Pentelicus, and regarded as the finest specimen of Greek architecture that exists; it is 228 ft. in length and 64 ft. in height. Parthenon means the chamber of the maiden ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... going to Paris and thence to London, and sets out in a few days. I cannot, of course, resist his request for a letter to you, nor let pass the occasion of a greeting. Health, Joy, and Peace be with you! I hope you sit still yet, and do not hastily meditate new labors. Phidias need not be always tinkering. Sit still like an Egyptian. Somebody told me the other day that your friends here might have made a sum for the author by publishing Sartor themselves, instead of leaving it with a bookseller. Instantly ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, - 1834-1872, Vol. I • Thomas Carlyle and Ralph Waldo Emerson
... existing in the uncultivated savage of the north, and when they are found in the darling of an enlightened people, who has added the height of gymnastic skill to the most distinguished natural qualities, such as we can now only see in the works of Phidias and Praxiteles—or in our living model of the gymnastic champions ...
— Waverley Volume XII • Sir Walter Scott
... are the only hours that are not wasted—these hours that absorb the soul and fill it with beauty. This is real life, and all else is illusion, or mere endurance. Does this reverie of flowers and waterfall and song form an ideal, a human ideal, in the mind? It does; much the same ideal that Phidias sculptured of man and woman filled with a godlike sense of the violet fields of Greece, beautiful beyond thought, calm as my turtle-dove before the lurid lightning of the unknown. To be beautiful and to be calm, without mental fear, is the ideal of nature. If I cannot achieve it, ...
— The Life of the Fields • Richard Jefferies
... Not in education, for our schools produce no such thinkers or universal scholars as Plato and his teacher; not in eloquence, for our orators still ponder the periods of the oration "On the Crown;" not in sculpture or architecture, for the broken fragments of Phidias are still models for our youth. The nature of our superiority is suggested when we speak of the doing away with the exposure of children, the building of homes, hospitals and asylums for the poor and weak; the caring for the sick ...
— The Investment of Influence - A Study of Social Sympathy and Service • Newell Dwight Hillis
... that visit to Kurn Hattin shaped all his future. His Master's countenance had seemed to him more wonderful than any face which the gifted Phidias had ever carved in stone. But never in after days could he worthily tell to Lucretia the vision he had seen. Only in one poor sentence could he sum it up: "I have seen for myself the ...
— An Easter Disciple • Arthur Benton Sanford
... business it is to have ink in his pen, to listen to the gentleman on the bench, and take down the sayings of each witness in this case. He is responsible for workmanship, Nature for the rest, since from the Venus of Phidias the Athenian, down to the little old fellow, Godenot, commonly called the Sieur Breloque, a character carefully elaborated by one of the most celebrated authors of the present day, everything is studied from the eternal model of human imitations which belongs to all. ...
— Droll Stories, Volume 2 • Honore de Balzac
... chafing-dish party I gave in honor of Balzac, and, worst of all, he had marked it 'Please remit.' Even Antony, when he wrote a sonnet to my eyebrow, wouldn't let me have it until he had heard whether or not Boswell wanted it for publication in the Gossip. With Rubens giving chalk-talks for pay, Phidias doing 'Five-minute Masterpieces in Putty' for suburban lyceums, and all the illustrious in other lines turning their genius to account through the entertainment bureaus, it's impossible ...
— The Pursuit of the House-Boat • John Kendrick Bangs
... the monks of old. But marking our approach, all changed. A pair of potentates, who had been playfully trifling, hurriedly adjusted their diadems, threw themselves into attitudes, looking stately as statues. Phidias turned not ...
— Mardi: and A Voyage Thither, Vol. I (of 2) • Herman Melville
... remain at Megara where he was the ornament of his birthplace. He had been banished from Athens for speaking against their gods, and for saying that the colossal Minerva was not the daughter of Jupiter, but of Phidias, the sculptor. His name as a philosopher stood so high that when Demetrius, in his late wars with Ptolemy, took the city of Megara by storm, the conqueror bid spare the house of Stilpo, when temple and tower went ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 10 (of 12) • S. Rappoport
... of this generation is fair and bright still. Greece lies outspread fair and sunshiny in floods of light, for there is the sun and daylight in her literature and art. Homer does not allow us to forget that the sun shone,—nor Phidias, nor the Parthenon. Yet no era has been wholly dark, nor will we too hastily submit to the historian, and congratulate ourselves on a blaze of light. If we could pierce the obscurity of those remote years, we should find it light enough; only there is not our day. Some creatures are made ...
— A Week on the Concord and Merrimack Rivers • Henry David Thoreau
... the Majestick Air that appeared in one of [Lysippus's [3]] Statues of Alexander, tho' no bigger than the Life, than he might have been with Mount Athos, had it been cut into the Figure of the Hero, according to the Proposal of Phidias, [4] with a River in one Hand, and ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... divinity, certainly Titian has succeeded. Unlimited power and imperishable youth radiate from that white-bearded face that need only nod for the snows of eternity to fall: not since the Olympian Jove of Phidias has the lord of heaven and earth ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... spirit. Humanity cannot carry with it through time the memory of all its deeds and imaginations, and it burdens itself only in a new era with what was highest among the imaginations of the ancestors. What is essentially noble is never out of date. The figures carved by Phidias for the Parthenon still shine by the side of the greatest modern sculpture. There has been no evolution of the human form to a greater beauty than the ancient Greeks saw and the forms they carved are not strange to us, and if this is true of the outward form it is true ...
— The Coming of Cuculain • Standish O'Grady
... Athena and Hermes, in the types attained about the time of Phidias; but, of course, rudely drawn on the vase, and still more rudely in this print from Le Normant and De Witte. For it is impossible (as you will soon find if you try for yourself) to give on a plane surface the grace of figures drawn on one of solid curvature, and ...
— Lectures on Art - Delivered before the University of Oxford in Hilary term, 1870 • John Ruskin
... indignation being kindled by the irreverence with which he mentioned the Greeks, he called him blasphemer, Goth, Boeotian, and, in his turn, asked with great vehemence, which of those puny moderns could match with Panaenus of Athens, and his brother Phidias; Polycletus of Sicyon; Polygnotus, the Thracian; Parrhasius of Ephesus, surnamed Abrodiaitos, or the Beau; and Apelles, the prince of painters? He challenged him to show any portrait of these days that could vie with the Helen of Zeuxis, the Heraclean; or ...
— The Adventures of Peregrine Pickle, Volume I • Tobias Smollett
... his precious sceptre wield, His beard was gray, his looks severe and grave, And from his eyes, not yet made dim with eild, Sparkled his former worth and vigor brave, His gestures all the majesty upheild And state, as his old age and empire crave, So Phidias carved, Apelles so, pardie, Erst painted Jove, ...
— Jerusalem Delivered • Torquato Tasso
... ago I heard a discussion in Germany among three art-teachers,—two of them with a world-wide fame,—that was as new to me as it was amazing. They seemed to agree that the art of the sculptor reached its height in the Age of Phidias; that never again would men give shape to figures fit to be put, let us say, beside the Elgin Marbles. As some nineteen centuries passed by, another art came to its finest flowering in the Italian Cinquecento, when Raphael, Da Vinci, and Michael Angelo added ...
— The Conflict between Private Monopoly and Good Citizenship • John Graham Brooks
... delivery of a glowing speaker before an audience heated to attentive enthusiasm. So in preparing your speech you must not err on the side of mild statement—your audience will inevitably tone down your words in the cold grey of afterthought. When Phidias was criticised for the rough, bold outlines of a figure he had submitted in competition, he smiled and asked that his statue and the one wrought by his rival should be set upon the column for which the sculpture was destined. When this was done ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein
... of every great sculptor, painter, writer, composer, architect, a distinctive and individual manner so marked and unmistakable as to identify the man whenever and wherever a bit of his work appears. If a statue of Phidias were to be found without any mark of the sculptor upon it, there would be no delay in determining whose work it was; no educated musician would be uncertain for a moment about a composition of Wagner's if he heard it for the first time without knowledge ...
— Essays On Work And Culture • Hamilton Wright Mabie
... retrospect, he is transported back to the interesting moment; he counts the fearful odds of the contending hosts; his interest for the result overwhelms him; he trembles, as if it were still uncertain, and seems to doubt whether he may consider Socrates and Plato, Demosthenes, Sophocles, and Phidias, as secure, yet, to ...
— The Great Speeches and Orations of Daniel Webster • Daniel Webster
... ourselves. In comparison with the men who carried Aryan civilization throughout the world, the Hindoo of to-day is as far removed as is the modern Greek from the Greek of the time of Pericles and Phidias. Yet he shows all the signs of race in clear-cut features and in ...
— The Critic in the Orient • George Hamlin Fitch
... said Phidias. "I have just returned from a tour of the world. I have seen the things they call sculpture in these degenerate days, and I must confess—who shouldn't, perhaps—that I could have done better work with a baseball-bat for a chisel and ...
— A House-Boat on the Styx • John Kendrick Bangs
... pouerty nor doulour, nor any other thing which turneth back the unskilfull, and driuest them headlong, hindereth them. Hast thou rather he should be pressed? He maketh use of it. Not only of iuorie did Phidias know how to make images: he made them of brasse. If marble were unto him, if thou hadst offered baser matter, he would haue made such a one thereof, as could be made of that which ...
— The Best of the World's Classics, Restricted to prose. Volume II (of X) - Rome • Various
... is ascribed to Phidias and Alcamenes. Phidias is said to have formed the images of gods and men most perfectly, and to have far surpassed his rivals, especially in ivory. One would form this judgment even if he had designed nothing else than the ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... Understanding this principle, nations guard the manuscript of the sage, the sword of the general, the flag stained with heroes' blood. Memorable forever the little room where Milton wrote, the cottage where Shakespeare dwelt, the spot where Dante dreamed, the ruin where Phidias wrought. But no building ever showed such comely handiwork as the temple built by divine skill. God hath made the soul's house fair to look upon. Death may close its doors, darken its windows, and pull down its pillars; still, its very ruins are precious, to be guarded with ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... service of the gods. We have only paintings on vases, or work on gems, which, though graceful, is conventional and might represent any other heroine, Polyxena, or Eriphyle. No Helen from the hands of Phidias or Scopas has survived to our time, and the grass may be growing in Therapnae over the shattered remains ...
— Adventures among Books • Andrew Lang
... heart and head From manliest stock inherited— New England's stateliest type of man, In port and speech Olympian; Whom no one met, at first, but took A second awed and wondering look (As turned, perchance, the eyes of Greece On Phidias' unveiled masterpiece); Whose words, in simplest home-spun clad, The Saxon strength of Caedmon's had, With power reserved at need to reach The Roman forum's loftiest speech, Sweet with persuasion, eloquent In passion, cool in argument, Or, ponderous, falling on thy foes ...
— Poems Teachers Ask For, Book Two • Various
... civilization; the designs of Flaxman on Wedgwood ware redeem the economical art of England; the Bears at Berne and the Wolf in the Roman Capitol are the most venerable local insignia; the carvings of Gibbons, in old English manor-houses, outrival all the luxurious charms of modern upholstery; Phidias is a more familiar element in Grecian history than Pericles; the moral energy of the old Italian republics is more impressively shadowed forth and conserved in the bold and vigorous creations of Michel Angelo than in ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various
... empty name: Where Titian's glowing paint the canvas warm'd, And Raphael's fair design with judgment charm'd, Now hangs the bellman's song, and pasted here The colour'd prints of Overton appear; Where statues breath'd the work of Phidias' hands, A wooden pump or lonely watch-house stands; There Essex's stately pile adorn'd the shore, There Cecil's, ...
— The Strand District - The Fascination of London • Sir Walter Besant
... that muffled his slight indifference to a function familiar from many repetitions. Little O'Grady wore his plaster-flecked blue blouse over his shabby brown suit and hardily announced himself as Phidias. Medora walked with a languid grace as a Druid priestess, and Miss Wilbur, the miniaturist, showed forth as Madame Le Brun, without whose presence no fancy-dress ball could ...
— Under the Skylights • Henry Blake Fuller
... shall all men praise you for your talk.[116] And you must not despise this rude serviceableness of my body, neither this meanness of my dusty dress; for, pushing on in their strength from such things as these, that great Phidias revealed Zeus, and Polyclitus wrought out Hera, and Myron was praised, and Praxiteles marvelled at: therefore are these men worshipped ...
— The Crown of Wild Olive • John Ruskin
... secret been known to the ancients! We should not be left to conjecture the merits of Apollodorus, Zeuxis, Parrhasius, Timanthes, Apelles. We might have had outlines—first thoughts—"etched thoughts," by Phidias himself. And, as the art of design was earlier than any of those names—even coeval with, or prior to, Homer himself—those who engraved and worked in metal their shields, might have handed down to us etchings of Troy itself, ...
— Blackwood's Edinburgh Magazine — Vol. 56, No. 346, August, 1844 • Various
... further application, extension, or variation? Have we conceived the utmost limits of its abstractions? Have we examined the powers of all its terms with equal care? In one sense, we may never get beyond a Phidias or a Canova—in another, beyond a Woollet or a Bartolozzi—or, in a third, beyond a Corregio or a David;—but have we sufficiently examined and husbanded the abstractions of Thoth or Cadmus?—Ought not the signs of ideas, ere this, ...
— A Morning's Walk from London to Kew • Richard Phillips
... not so impressed with their idiosyncrasy as the countrymen of Pericles and Phidias. They do not fully comprehend the position which they occupy. It is the philosopher alone who can conceive the grandeur of Manchester, and the immensity of its future. There are yet great truths to tell, if we had either ...
— Coningsby • Benjamin Disraeli
... a slovenly person or dirty clothes repel you; such were the conditions of that Phidias who produced the Zeus, of Polyclitus who created the Hera, of the much-lauded Myron, of the admired Praxiteles; and all these are worshipped with the Gods. If you should come to be counted among them, you will surely have fame enough for yourself through all the world, you ...
— Works, V1 • Lucian of Samosata
... brilliant passages. The analogies which the undisturbed development of the fine arts among the Greeks everywhere furnishes, will enable us, throughout to compare the epochs of tragic art with those of sculpture. Aeschylus is the Phidias of Tragedy, Sophocles her Polycletus, and Euripides her Lysippus. Phidias formed sublime images of the gods, but lent them an extrinsic magnificence of material, and surrounded their majestic repose with images of the most violent struggles in strong relief. Polycletus carried ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... called the school of Michael Angelo, I had not time to consider it attentively; nor taste enough to perceive its beauties at first sight. The famous horses on Monte Cavallo, before the pope's palace, which are said to have been made in emulation, by Phidias and Praxiteles, I have seen, and likewise those in the front of the Capitol, with the statues of Castor and Pollux; but what pleased me infinitely more than all of them together, is the equestrian statue of Corinthian brass, standing in the middle of this Piazza ...
— Travels Through France and Italy • Tobias Smollett
... as confined to literary productions in rhyme and metre. The written poem is only poetry talking, and the statue, the picture, and the musical composition are poetry acting. Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at his easel, or deaf Beethoven bending over his piano, inventing and producing strains which he himself could ...
— Pearls of Thought • Maturin M. Ballou
... question through the shield and heart of falsehood—was present when the great man drank hemlock and met the night of death tranquil as a star meets morning. He has followed the peripatetic philosophers, and has been puzzled by the sophists. He has watched Phidias, as he chiseled shapeless stone to forms of love and awe. He has lived by the slow Nile, amid the vast and monstrous. He knows the very thought that wrought the form and features of the Sphinx. He has heard great ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... part of the 5th century B.C. He was specially noted for his statues of Olympic victors (of 520, 516, 508 B.C.); also for a statue at Messene of Zeus, copied on the coins of that city. Ageladas was said to have been the teacher of Myron, Phidias and Polyclitus; this tradition is a testimony to his wide fame, though historically doubtful. We have no work of Ageladas surviving; but we have an inscription which contains the name ...
— Project Gutenberg Encyclopedia
... sleeves; and her charming legs were also half visible, crossed one over the other, and clothed in neat white stockings, and boots. A black silk cravat formed the girdle which fastened the shirt round the wasp-like waist of Rose-Pompon, just above those hips, worthy of the enthusiasm of a modern Phidias, and which gave to this style of dress a ...
— The Wandering Jew, Complete • Eugene Sue |
