"Orchestral" Quotes from Famous Books
 ... Beethoven, as well as pieces by Weber, Hummel and Czerny, were played almost daily. The greatest ecstasy was caused by the arrival of a Steck piano at the Schumann home, which showed that father Schumann endeavored to further his boy's taste for music. About this time Robert found by chance, the orchestral score of an old Italian overture. He conceived the bold idea of performing it. So a bit of an orchestra was gathered among the boys he knew, who could play an instrument. There were two violins, two flutes, a clarinet and two horns. Robert, who conducted ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... A well-known orchestral leader states that there is a serious movement afoot to popularise "The Dear Home Land" as an ...
— Punch, or the London Charivari, Vol. 156, April 16, 1919 • Various
... lovely ornament, when every village church had its Madonna and Child, when, in a word, art and life and religion went hand in hand, not sharply sundered by castes and professions. But we may not put back the clock, and, if by differentiation we lose something, we gain much. The old choral dance on the orchestral floor was an undifferentiated thing, it had a beauty of its own; but by its differentiation, by the severance of artist and actors and spectators, we have gained—the drama. We may not cast reluctant eyes backwards; the world goes forward to new forms of life, and the Churches of to-day ...
— Ancient Art and Ritual • Jane Ellen Harrison
... one evening discussing the talents of a certain orchestral conductor, who also played the violin. I was talking to a member of his orchestra, a very genuine artist. We agreed that he had conducted badly; but, I said in his defence, "Anyhow his intentions are good. ...
— Books and Persons - Being Comments on a Past Epoch 1908-1911 • Arnold Bennett
... is consorted with this oracular utterance. The words are set to an old German church melody—"Ach Gott, vom Himmel sieh darein"—around which the orchestral instruments weave a contrapuntal web of wondrous beauty. At the gates Pamina joins her lover and accompanies him on his journey, which is happily achieved with the help of the flute. Meanwhile Papageno is pardoned his loquacity, ...
— A Book of Operas - Their Histories, Their Plots, and Their Music • Henry Edward Krehbiel
... has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed advantageously, powerfully stimulated all composers later than himself, nevertheless exerted this influence at second-hand, so to say, never having written purely instrumental movements, ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... is lack of solemnity in a service outside of a church and lacking the accompaniment of the organ. It is almost impossible to introduce orchestral music that does not sound either dangerously suggestive of the gaiety of entertainment or else thin and flat. A quartet or choral singing is beautiful and appropriate, if available, otherwise there is usually no music at a ...
— Etiquette • Emily Post
... boil his "Tea-kettle," or stir his "Mush-pot," or whirl his "Grist-mill," let him do it in his own territory. Meanwhile, let the water and the fire and the vapor, at the lift of David's orchestral baton, ...
— Around The Tea-Table • T. De Witt Talmage
... above orchestral undertone, The plaining wail of muted violin, The hushed oboe and the distant din, Of muffled drum or viol's raucous groan— Sudden arises one pure voice-like tone, A silver trumpet's tongue that stirs the soul To feel the theme, and the harmonious whole A sonant setting seems for ...
— The Path of Dreams - Poems • Leigh Gordon Giltner
... orchestral crash bursts upon the ear in that all-shattering question! And one syllable of apologetic preparation, so as to meet the suggestion of Horace, would have the effect of emasculating the whole tremendous alarum. The passage in Phaedrus differs thus far from that in "Macbeth," ...
— Autobiographic Sketches • Thomas de Quincey
... produced by her first appearance. Mlle. Lind is accompanied by M. Benedict, the well known composer, and by Signer Belletti, whose voice is the finest baritone probably ever heard in New York, and whose style is described by the Albion as "near perfection." The orchestral arrangements for her concerts have never been surpassed here. Many were deterred from being present at her first appearance by a fear of crowds and tumults, but so perfect were Mr. Barnum's appointments that all the vast assemblies at the Castle have been as orderly ...
— International Miscellany of Literature, Art and Science, Vol. 1, - No. 3, Oct. 1, 1850 • Various
... handbook cannot be doubted. Its pages are packed full of these fascinating renderings. The accounts of each composer are succinct and yet sufficient. The author has done a genuine service to the world of music lovers. The comprehension of orchestral work of the highest character is aided efficiently by this volume. The mechanical execution of the volume is in harmony with its subject. No worthier volume can be found to put into the hands of an amateur or a friend of ...
— Education and the Higher Life • J. L. Spalding
... its own weird harmony—for I have often heard a low, whistling hum as the air rushed through the cordage mesh. In a sudden tropical gale every taut strand of my hamaca has seemed a separate, melodious, orchestral note, while I was buffeted to and fro, marking time to some rhythmic and reckless tune of the wind playing fortissimo on the woven strings about me. The climax of this musical outburst was not without a mild element of danger—sufficient to create that enviable state of mind wherein the ...
— Edge of the Jungle • William Beebe
... perceptible in a less degree in the cults which claim the allegiance of the lower leisure class and of the middle classes. There is a reversion to the use of colored lights and brilliant spectacles, a freer use of symbols, orchestral music and incense, and one may even detect in "processionals" and "recessionals" and in richly varied genuflexional evolutions, an incipient reversion to so antique an accessory of worship as the sacred dance. This reversion to spectacular ...
— The Theory of the Leisure Class • Thorstein Veblen
... my song, and we decided on Alabieff's "Rossignol," for which he had written the cadenza. He composed a chorus for a few amateurs and all the orchestral parts. ...
— In the Courts of Memory 1858-1875. • L. de Hegermann-Lindencrone
... a gallant display of autumnal colors we had on that morning. Our little friends of the summer time are flitting here and there through the naked branches in silent confusion. There are no green boughs behind which to conceal their orchestral moods. Besides, their inspiration is gone, their singing hearts are benumbed by the cold. But for your letter thrust somewhere I could not have escaped the ghost of sadness that seemed to haunt the earth and sky. Suddenly, as I stood in the midst of ...
— The Jessica Letters: An Editor's Romance • Paul Elmer More
... by newly arriving chests of books, so that by the New Year it contained 18,000 volumes, which did not by any means meet the demand for reading, particularly during the hot midday hours; several new singing and orchestral societies; reading or debating circles; and two dozen pianos—these were all that had been added to the original stock of means of recreation. But there was frequent hunting in the splendid woods; and excursions to the more accessible points of view were the order of the day. In short, the ...
— Freeland - A Social Anticipation • Theodor Hertzka
... pyrotechnical display have been heaped up; it is from these that the rockets will ascend, it is here the blue and red Catherine wheels will revolve. The vaulted ceiling of the cavern is so high that the rockets in their highest flight will not graze it. An orchestral-like balustrade has been provided for the musicians. The shareholders themselves will do their best to enliven the festivities with fiddles, flutes and bagpipes. The guests are already appearing, singly and ...
— The Poor Plutocrats • Maurus Jokai
... the legal firm of Beale, Marigold, and Beale. Mr. Beale's chief public service was rendered in connection with the General Hospital and the Musical Festivals. He was for many years a member of the Orchestral Committee of the Festivals, and in 1870 he succeeded Mr. J.0. Mason as chairman; retaining this position until after the Festival of 1876. His death took place in July, 1880, he then ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... Prague for the orchestra! It begins with a drum, a bugle-call follows; a march—and what march do you think? "Malbrook." Imagine me, a fervid worshipper of Beethoven, rushing in the crowd to hear a symphony wherein, with all orchestral force, the old song, L-a-w, Law, was banged into my ears. I sat in motionless dismay, while there followed another trumpeting and drumming and marching and imitations of musketry by some watchman's rattle. Then came some good passages, which confounded me only the more. Then, ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... set on snowy cloths. Here and there a lobster struck a note of colour, or a ray of sunlight striking through the red or gold translucencies of wine in a glass: which distracted my attention from my orchestral duties and caused an ...
— The Beloved Vagabond • William J. Locke
... indicated his tempi a little more clearly," I remarked as I finished Sarka for the third time. "It matters, because he really has something to say. An orchestral accompaniment would be better, ...
— Youth and the Bright Medusa • Willa Cather
... prelude to a grand orchestral performance. Beginning somewhat softly, Hodge fires away with a gravity and emotion which do him infinite credit, each succeeding repetition of the word "stwuns" being rendered with ever-increasing pathos and emphasis, until, ...
— A Cotswold Village • J. Arthur Gibbs
... in respect of the changes of key, the changes of time, the changes of timbre of the voice, and the many other modifications of expression. While between the old monotonous dance-chant and a grand opera of our own day, with its endless orchestral complexities and vocal combinations, the contrast in heterogeneity is so extreme that it seems scarcely credible that the one should have been the ancestor ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... naked men, with long hair piled up on their heads in feminine fashion. Gradually, as we advanced farther up the green channel, the perfumes became more penetrating, and the monotonous chirp of the cicalas swelled out like an orchestral crescendo. Above us, against the luminous sky, sharply delineated between the mountains, a kind of hawk hovered, screaming out, with a deep, human voice, "Ha! Ha! Ha!" its melancholy call prolonged ...
— Madame Chrysantheme Complete • Pierre Loti
... the hall was filled to overflowing, and ushers were appointed to seat the crowd. Naturally there was much chattering and scraping of feet until suddenly a strain of music, an orchestral selection, began to come out of the horn and there was instant quiet. After its conclusion came ...
— Radio Boys Cronies • Wayne Whipple and S. F. Aaron
... travelling. Obliquely we were nearing the sea upon our left, which also must, under the present circumstances, be repeating the general state of halcyon repose. The sea, the atmosphere, the light, bore an orchestral part in this universal lull. Moonlight, in the first timid tremblings of the dawn, were now blending: and the blendings were brought into a still more exquisite state of unity, by a slight silvery mist, motionless and dreamy, ...
— Miscellaneous Essays • Thomas de Quincey
... a first performance to take in everything with both eye and ear, and I shall excuse myself from attempting to do justice to M. RAVEL'S music. But I was free (the curtain being down) to listen to one long orchestral passage which followed the capture of Chloe. It was of the nature of a dirge, and it seemed to me to suggest very cleverly the sorrows of a poultry-yard. I suppose Chloe must have been in the habit of feeding them and they ...
— Punch, or the London Charivari, Vol. 146, June 17, 1914 • Various
... rest. And yet the present might have seemed more emphatic and more poignant. One felt, rather than saw, an audience of several hundred persons in the dim rows of chairs. And laughing at the broad witticisms of the niggers, or enjoying their choruses and orchestral accompaniments, one forgot just what that half-glimpsed audience consisted of; what it meant, and how it ...
— Observations of an Orderly - Some Glimpses of Life and Work in an English War Hospital • Ward Muir
... local warfare had gone on. Not for nothing had he said "crocodiles" to those orchestral scramblings in the bass of an imperially inspired oratorio; and Schafs-Kleider, receiving certain mysterious grants in aid (for its own funds were nil), had started to sink shafts at a lower level on the outskirts of the town; and after many failures had secured at one point a trickle of water ...
— King John of Jingalo - The Story of a Monarch in Difficulties • Laurence Housman
... date "September 12, 2000," and contained the longest programme of music I had ever seen. It was as various as it was long, including a most extraordinary range of vocal and instrumental solos, duets, quartettes, and various orchestral combinations. I remained bewildered by the prodigious list until Edith's pink finger-tip indicated a particular section of it, where several selections were bracketed, with the words "5 P.M." against them; then I observed that this prodigious programme was an all-day one, ...
— Looking Backward - 2000-1887 • Edward Bellamy
... have been steadily held even during this devastating war; the Workers' Educational Association carry on their work under our roof; mothers bring their babies to the Infant Welfare Center in the afternoon; there are orchestral and choral classes, boys' clubs and girls' clubs. Only one club has closed down—the Men's Club, which occupied the top floor of the Invalid Children's School before the war. Their members are scattered over France, Salonika, ...
— A Writer's Recollections (In Two Volumes), Volume II • Mrs. Humphry Ward
... a quarter-past seven, and on two evenings a week those who wish to join the orchestral or choral societies have the pleasure of meeting together and practising under the direction ...
— The Eurhythmics of Jaques-Dalcroze • Emile Jaques-Dalcroze
... is devoted to Coleridge-Taylor's achievement of success with his "Ballade in A Minor." How Sir Edward Elgar extended the promising composer a welcoming hand and arranged for him to write for a concert a short orchestral piece which turned out to be the artist's first great success is well described. The author emphasizes the barbaric strain and orchestral coloring, the prominently marked features which made the ...
— The Journal of Negro History, Vol. I. Jan. 1916 • Various
... drown the piercing and pathetic notes of the violin, the gentle wail of the guzla or the soft thrumming of the rude tambourine. Little poetry as a spectacled and frosty Austrian officer might have in his soul, that little must have been awakened by the songs and the orchestral performances of the Tsiganes as the sun sank low. The dusk began to creep athwart the lawn, and a cool breeze fanned the foreheads of the listeners. When the light was all gone, these men, as if inspired by the darkness, sometimes improvised most angelic melody. ...
— Lippincott's Magazine, Vol. 22, August, 1878 • Various
... Christmas; Costa's "Eli," or "Elijah"; the "Requiem" of Mozart, and the "Lobgesang" by Mendelssohn; and for the last, and we trust many last, "Israel in Egypt." All this will be but so much rehearsal for the grander Festival to follow. We have no organized orchestral or symphony society, as we should have; but we have with us always the elements of a good orchestra, who always work well together, and never better than last year under the enterprise and drill of Mr. Zerrahn. Then we had glorious symphonies ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... the power even now, and are looked upon with friendly contempt by their more cultured, and therefore more tortured, musical acquaintances, whose dream it is to be torn to very rags in the delirium of orchestral passion. ...
— Casa Braccio, Volumes 1 and 2 (of 2) • F. Marion Crawford
... her eyes, her hair, she emerged to a grand orchestral flare. The same obsequious hands that applauded her helped her from the gold coping. Waiters dared to smile behind their trays. Up to her knees her dark-cloth skirt clung dankly. Water glistened on her shoulders, spotted her blouse. Mr. Jimmie Fitzgibbons lay back in ...
— Every Soul Hath Its Song • Fannie Hurst
... fine vistas, among many, we should mention that from the Orchestral Niche in the Court of the Four Seasons, looking toward the bay, or from the same court toward the Fine Arts Palace - and many more. The natural background seems to have been considered always, even in the arrangements ...
— The Art of the Exposition • Eugen Neuhaus
... has she delivered her balsam to the faithful Gurnemanz, and thrown herself exhausted upon the grass—where she lies gnawing her hair morosely—than a change in the sound atmosphere, which never ceases to be generated in the mystic orchestral gulf, presages ...
— Parsifal - Story and Analysis of Wagner's Great Opera • H. R. Haweis
... not alone for reasons of thrift, but because we thought they ought to be left for old folks, "a leetle mite hard o' hearin'," or the unfortunates who were "not so fur-sighted" as we. So we seated ourselves in delight already begun, for was not Mr. Gad Greenfield performing one of the "orchestral pieces" which the programme had led us to expect? The piano was an antique, accustomed to serve as victim at Sudleigh's dancing-school and sociables. I have never heard its condition described, on its return to Sudleigh; I only know that, from some eccentric ...
— Meadow Grass - Tales of New England Life • Alice Brown
... heart are in solitude continually travelling. Obliquely upon our left we were nearing the sea; which also must, under the present circumstances, be repeating the general state of halcyon repose. The sea, the atmosphere, the light, bore each an orchestral part in this universal lull. Moonlight and the first timid tremblings of the dawn were by this time blending; and the blendings were brought into a still more exquisite state of unity by a slight silvery mist, motionless and dreamy, that covered the woods and fields, but with a veil of equable ...
— The English Mail-Coach and Joan of Arc • Thomas de Quincey
... lowest ebb. There were one or two ambitious orchestra conductors in America; one in Chicago trying to introduce the Wagnerian polyphonic school, and perhaps one or two in New York; but the public clamoured after divas, prima donnas and tenors with temperaments and vocal pyrotechnic skill. For orchestral music there was little demand. Wagner was as yet unknown to the public—certainly he was unheard except on the rarest occasions and the majority of musicians did not like him because ...
— The Music Master - Novelized from the Play • Charles Klein
... deepest sleep a thundering summons at his door aroused him. A dream which came between the first prelude to this orchestral drumming and his awaking had advised him of a fainter disturbance, but by the time he was fairly awake the knocking had grown so exigent that it bade fair ...
— Despair's Last Journey • David Christie Murray
... artiste, performer, player, minstrel; bard &c. (poet) 597; [specific types of musicians] accompanist, accordionist, instrumentalist, organist, pianist, violinist, flautist; harper, fiddler, fifer[obs3], trumpeter, piper, drummer; catgut scraper. band, orchestral waits. vocalist, melodist; singer, warbler; songster, chaunter[obs3], chauntress[obs3], songstress; cantatrice[obs3]. choir, quire, chorister; chorus, chorus singer; liedertafel[Ger]. nightingale, philomel[obs3], thrush; siren; bulbul, mavis; Pierides; sacred nine; ...
— Roget's Thesaurus • Peter Mark Roget
... their table commanding both the cross-way of Chareh Sultan el Osman, and the short, glaring vista of desert dust and starved young acacias which led to the black hulks of shipping in the Canal. From the Bar la Poste came orchestral strains—"Ai nostri monti"—performed by a piano indoors and two violins on the pavement. The sounds contended with a thin, scattered strumming of cafe mandolins, the tinkle of glasses, the steady click of dominoes and backgammon; then were ...
— Dragon's blood • Henry Milner Rideout
... sincerely (and a baron may well do such a thing) to give him a good box on the ear. How gladly would I work and work, if it were only left me to write always such music as I please, and as I can write; such, I mean to say, as I myself set some value upon. Thus I composed three weeks ago an orchestral symphony, and by to-morrow's post I write again to Hoffmeister (the music-seller) to offer him three pianoforte quatuors, supposing that he is able to pay. Oh heavens! were I a wealthy man, I would say, 'Mozart, compose what you please, and ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... room. The beautiful aluminum organ graced the center of the apartment, and the musicians gathered about it. Fred was surprised and delighted to find that the young Bartons were all really accomplished musicians, and their instruments blended in sweetest harmony. So they played a number of orchestral pieces that were received with great applause by the audience. Then solos, duets, trios, quartettes, choruses, etc., were sung, and it is not probable that the Barton family ever spent so delightful an evening in their lives. And let us just ...
— Doctor Jones' Picnic • S. E. Chapman
... they had reached the Inn of Monsieur Duchanel some time later that Hermia, having divested herself of the orchestral adjuncts of her costume, confided to Markham the stroke of good fortune which had put her into possession of this providential accoutrement. She had confessed her predicament to Madame Bordier, who, after assuring herself that Hermia was not an escaping ...
— Madcap • George Gibbs
... and similar thoughts crowded themselves into my brain, my attention was attracted by soft strains of music emanating from the room I had just left, and I stood still and listened. Arletta had evidently set the orchestral mechanism in motion again, and was accompanying it by tenderly singing her own requiem. With tremulous modulation, her vocal chords produced sounds such as I had never heard before, and of which I am powerless to give the faintest description. Like a statue, ...
— Born Again • Alfred Lawson
... sings the third triumphant stanza, andante, through staccato and fortissimo. The shout in the last adagio, on the four final bars, "O Death! O Death!" softening with "where is thy sting?" is quite in the style of old orchestral magnificence. ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... the instrument to rest in a too closely fitting case being often sufficient. Sometimes, on the reverse, it is from being in too large a one, getting well shaken while being taken home after some orchestral rehearsal; the joy of having mastered Mozart or battered Beethoven for an evening is turned in the morning to grief and vexation, when in response to the gentle persuasions of the bow there are but chatters and jarrings. Under such circumstances the treatment ...
— The Repairing & Restoration of Violins - 'The Strad' Library, No. XII. • Horace Petherick
... leaned back and watched the almost unbroken line that moved from the gate to the steps. There were a great many family groups, with here and there a chaperoned party from the suburbs. A sound of scraping and squealing and grunting from the stage announced the orchestral preliminaries. There was a scattering fusillade of applause as the tall conductor appeared. Looking through the trees, Harvey could see him rap his stand and raise both arms. The concert was on. Harvey's glance shifted back to the stairway, and he started. On the bottom step, ...
— The Short Line War • Merwin-Webster
... softly, and with a hushed air, as if they had been going into church; yet the firing of a cannon or two more or less would hardly have disturbed the performers at the two pianos, so tremendous was their own uproar. They were taking the overture in what they called orchestral time; though it is doubtful whether even their playing could have kept pace with the hurrying of excited fiddles in a presto passage, or the roll of the big drum, simulating distant thunder. Be that as it may, the four performers were pounding along at a breathless pace; ...
— The Golden Calf • M. E. Braddon
... remarkable performance. It is an epic in twelve books of blank verse, Drake (1908), a glowing pageant of the sea and England's drama upon it. It is a spirited echo of the maritime Elizabethans; a vivid and orchestral work interspersed with splendid lyric passages and brisk songs. The companion volume, an attempted reconstruction of the literary phase of the same period, is less successful; but these Tales of the Mermaid Tavern (which introduce Shakespeare, ...
— Modern British Poetry • Various
... first for me, and I still thought of those wine-skins in yielding to the claims of the cathedral on my wonder and reverence when now for the second time we came to it. The funeral ceremony of the dean was still in course, and after listening for a moment to the mighty orchestral music of it—the deep bass of the priests swelling up with the organ notes, and suddenly shot with the shrill, sharp trebles of the choir-boys and pierced with the keen strains of the violins—we left the cathedral to the solemn old ecclesiastics who sat confronting the bier, and once more deferred ...
— Familiar Spanish Travels • W. D. Howells
... spaces of mystery and dream. A universal music was swelling around him, a mighty concerto bursting full upon him from the stillness of infinite distances—the sobbing of violins, the blare of brazen instruments, an orchestral clash and clang. ...
— Cleo The Magnificent - The Muse of the Real • Louis Zangwill
... peoples with dislike and distrust. But perhaps the folk-ballad which most nearly resembles that just related is the Scottish ballad of The Demon Lover, which inspired the late Hamish MacCunn, the gifted Scottish composer, in the composition of his weird and striking orchestral piece, The Ship ...
— Legends & Romances of Brittany • Lewis Spence
... school of orchestral music might be built on the Negro idea that some of the performers sing a sentence or so here and there, both to assist the hearers to a clearer musical understanding and to heighten the general artistic finish. The old Negro performers generally sang lines of the Folk Rhymes ...
— Negro Folk Rhymes - Wise and Otherwise: With a Study • Thomas W. Talley
... the "Gypsy Archduke," who has done more than anyone else in Europe to place on record, both in writing and in print, the weird music and extraordinary quaint melodies of the Tziganes, melodies which he has arranged exquisitely for orchestral use. True, there is not a single archduke or archduchess in Austria and Hungary, who does not play with taste and feeling. Indeed, music seems to be inborn in them, and while the widowed crown princess is devoted to her piano, on which her performances are characterized ...
— The Secret Memoirs of the Courts of Europe: William II, Germany; Francis Joseph, Austria-Hungary, Volume I. (of 2) • Mme. La Marquise de Fontenoy
... delved into a moral morass, and the world grew weary of them. And then the faint, fading flowers of romanticism were put into albums where their purple harmonies and subtle sayings are pressed into sweet twilight forgetfulness. Berlioz, mad Hector of the flaming locks, whose orchestral ozone vivified the scores of Wagnerand Liszt, began to sound garishly empty, brilliantly superficial; "the colossal nightingale" is difficult to classify even to-day. A romantic by temperament he unquestionably was. But then his music, all color, nuance, and brilliancy, was not ...
— Chopin: The Man and His Music • James Huneker |
