"Meyerbeer" Quotes from Famous Books
 ... When they play Beethoven, Bach, or Meyerbeer, ach, I seem to live in another country. I hear music in everything, in the leaves, the rain, the wind, ...
— The Goose Girl • Harold MacGrath
... accent: the musical accent will fall on an unaccented syllable, or vice versa. Particularly is this the case when the composer is not perfectly familiar with the rules that govern the prosody of the language to which he is setting music. In the operas of Meyerbeer many passages occur in which it is necessary to readjust the syllables to the notes on account of their misplaced accent. Here is an illustration from Hoel's Grand Air in Le Pardon de Ploermel (Meyerbeer), Act II. (Note that the tonic ...
— Style in Singing • W. E. Haslam
... and, for the first time in America also, "Und ob die Wolke," from "Der Freischutz," by Jenny Lind. This was the first part. The second part began with Reissiger's overture, "Die Felsenmuhle;" Signor Belletti then sang the "Piff Paff," from Meyerbeer's "Huguenots;" Jenny Lind followed with the "Come per me sereno," from the "Sonnambula," for the first time in America; then Belletti with the "Miei rampolli," from Rossini's "Cenerentola;" and the concert ended with the "Dalecarlian Melody" and the "Mountaineer's ...
— From the Easy Chair, vol. 1 • George William Curtis
... with her over the threshold at parting; Rachel thought she gained her greatest successes immediately after she had met a funeral; Bellini would not permit a new work to be brought out if on the day announced he was first greeted by a man, and "La Somnambula" was several times thus postponed; Meyerbeer regularly washed his hands before beginning an overture; and a noted tragedienne never plays unless she has a white mouse ...
— The Mysteries of All Nations • James Grant
... year or two my health has been declining much, and I am just now thinking of taking a journey to Paris. My friend, Henry Chorley of the Athenaeum, the first musical critic of Europe, is going thither next month to assist at the production of Meyerbeer's Prophete at the French Opera, and another friend will accompany me and my little maid to take care of us; so that I have just hopes that the excursion, erenow much facilitated by railways, may do me good. I have always been a great admirer of the ...
— Yesterdays with Authors • James T. Fields
... was wondering whether the company of the fictitious Chrysantheme was more demoralizing than that of the actual Mme. Laroche Meyerbeer, with whom his wife had been that day for ...
— Kimono • John Paris
... of Charles X. to get the Chefs-d'Oeuvre of Rossini represented at the Opera. A little school of petty and backward ideas rushed, under pretext of patriotism, but really from jealousy, systematically to drive from the stage everything not French. For this coterie Rossini and Meyerbeer were suspects, intruders, who must be repulsed at any cost. The government had the good sense to take no account of this ridiculous opposition, which refused to recognize that art should be cosmopolitan. Before seeing his name on the bills ...
— The Duchess of Berry and the Court of Charles X • Imbert De Saint-Amand
... his gifts, and I began to envy Cornelia her treasure,—he was so tame, so bold, so intelligent. In that week, by whistling to him in my leisure hours, I taught him to perform almost perfectly that lively aria of Meyerbeer's, 'Folle e quei che l'oro aduna,' and also to mimic beautifully the chirping of a cricket. Well, I sent Don Juan out, and received due information of his safe arrival. The medicine acted like a charm. Cornelia wrote me a grateful letter, full of enthusiastic ...
— Atlantic Monthly Volume 7, No. 40, February, 1861 • Various |
