"Mendelssohn" Quotes from Famous Books
 ... myself thoroughly in those great works that so many fools in the towns can listen to half asleep and bored. Here I have, in this pile, the nine symphonies of the great man—his innumerable sonatas, his masses, and together with him, Haydn, Mozart, Mendelssohn, in fact all the great writers. I have even Wagner. I read them, and I play what is possible on the harmonium. But—it is just as if you were to describe the drawing and colours of a picture to a blind man, buried in this cloister. I know, blindly, that there are most beautiful things in this ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... hear that in this church Mendelssohn's Wedding March was first played at a wedding. The 'Midsummer Night's Dream' music had just been published as a pianoforte duet, when Mr Samuel Reay, of Tiverton, made an arrangement of it for the organ, and the first marriage at which the march was played was that of Mr Tom ...
— Devon, Its Moorlands, Streams and Coasts • Rosalind Northcote
... hardly adjusted himself to this when an old gentleman entered the room, and with only the most casual glance at the two pilgrims walked to the grand piano, shook back his cuffs, and began playing Mendelssohn's "Spring Song," as though that particular melody were the one great passion of his life. When he had concluded he rose ...
— The Madness of May • Meredith Nicholson
... Trumpets Sound." The rest of the work is mainly enchantments and the like. More fairy-like music has never entered a musician's dreams than Philidel's "Hither this way," and the chorus which alternates with the solo part is as elfin, will-o'-th'-wispish, as anything of Mendelssohn. Mendelssohn is Purcell's only rival in such pictures. At the beginning of the celebrated Frost Scene, where Cupid calls up "thou genius of the clime" (the clime being Arctic), we get a specimen ...
— Purcell • John F. Runciman
... account of this peculiarity, and the fresh sweet voices of the nuns and their pupils, many people flock to hear them singing the Ave Maria at sunset, on Sundays and on great festivals, the singers themselves being invisible behind a curtain in the organ gallery. Mendelssohn found their vespers charming, though his critical ear detected many blemishes in the playing and singing. I visited the church one day. As it is shut after matins, I was admitted at a side door by one of the nuns, who ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... confesses that he pauses with feelings of reverence while contemplating the mighty genius and divinely approximating achievements of Haydn, Mozart, Beethoven, Spohr, and Mendelssohn, fearing that his unskilful pen might fail in an attempt at description. Nor does he feel much less embarrassed when he contemplates the accomplishments of those wonderful interpreters of the works of the noble masters, who have, either through the enchanting modulations of their voices ...
— Music and Some Highly Musical People • James M. Trotter
... and fascinating as a young Ulysses on a sufficient acquaintance—one whom nature seemed to have first made generously and then to have added music as a dominant power using all the abundant rest, and, as in Mendelssohn, finding expression for itself not only in the highest finish of execution, but in that fervor of creative work and theoretic belief which pierces devoted purpose. His foibles of arrogance and vanity did not exceed such as may be found in the ...
— Daniel Deronda • George Eliot
... like manner as of old. The composers of the sixteenth and seventeenth centuries practised their elaborate artifices upon it. The supreme genius of Sebastian Bach made it the subject of study.7 And in our own times it has been used with conspicuous effect in Mendelssohn's Reformation Symphony, in an overture by Raff, in the nobleFestouverture of Nicolai, and in Wagner's Kaisermarsch; and is introduced with recurring emphasis in ...
— The Hymns of Martin Luther • Martin Luther
... instantly begin. These colonists are, and will be, in want of funds for the development and increase of their cultivated territories, and when we consider the names of the prominent financiers in the Central Empires, Mendelssohn, Hirsch, Goldsmid, Bleichroeder, Speyer, to name only a few, we cannot be in much doubt as to the quarter from which that financial assistance will be forthcoming, on extremely favourable terms. It is safe to prophesy that, if Palestine is given independence without protectorate, ...
— Crescent and Iron Cross • E. F. Benson
... was acted in Athens in that year—440 B.C.— which you, I doubt not, know well—"Antigone," that of Sophocles, which Mendelssohn has resuscitated in our own generation, by setting it to music, divine indeed, though very different from the music to which it was set, probably by Sophocles himself, at its first, and for aught we know, its only representation; for pieces had not then, as now, a run of a hundred nights ...
— Literary and General Lectures and Essays • Charles Kingsley
... Mendelssohn is said to have so much admired this song, that he composed for it what Chambers pronounces an air of ...
— Robert Burns • Principal Shairp
... another moment. Harp and violins burst into the joyful notes of Mendelssohn's march, and Stuart and Eugenia turned from the altar to pass through the rose gate together. Lloyd and Phil followed, then the other attendants in the order of their entrance. On the wide porch, screened and canopied with smilax and roses, a cool green out-of-doors reception-room ...
— The Little Colonel: Maid of Honor • Annie Fellows Johnston
... enough, to maintain its position anywhere but in the theatre and before the masses; from the beginning it was second-rate music, which was little thought of by genuine musicians. It was different with Felix Mendelssohn, that halcyon master, who, on account of his lighter, purer, happier soul, quickly acquired admiration, and was equally quickly forgotten: as the beautiful EPISODE of German music. But with regard to Robert Schumann, who took things seriously, ...
— Beyond Good and Evil • Friedrich Nietzsche
... that he had been spoilt by the facility with which he produced. Men who feel their strength within them need not fear to encounter adverse opinions; they have far greater reason to fear undue praise and too friendly criticism. When Mendelssohn was about to enter the orchestra at Birmingham, on the first performance of his 'Elijah,' he said laughingly to one of his friends and critics, "Stick your claws into me! Don't tell me what you like, but ...
— Self Help • Samuel Smiles
... slim and dark, clearly a Jew, ascended the platform, and sat down at the piano; the bashful Hempel, still blushing and laughing, was induced to follow; together they sung, amidst comparative silence, a duet of Mendelssohn's, set for tenor and barytone, and sung it very well indeed. There was great applause, but Hempel insisted on retiring. Left to himself, the young man with the handsome profile and the finely-set head played a few bars of prelude, and then, ...
— Sunrise • William Black
... more accurate phrase. "There won't be time enough to do all we'll try to do, all we'll have to do. There's living. That takes a lot of time and energy. And I'll have the chorus as usual. I'm going to try some Mendelssohn this year. The young people who have been singing for five or six years are quite capable of the 'Elijah.' And then any of the valley children who really want to, come to me for lessons, you know. The people in North Ashley have asked me to start a chorus there ...
— The Brimming Cup • Dorothy Canfield Fisher
... them, though both were literary and musical, could endure German literature and music, had got beyond the stale sarcasms of the Anti-Jacobin, or could admit that there is glory for such men as Weber, Beethoven, and Mendelssohn, as well as for Cimarosa and Paisiello.... Her familiar conversation was a series of brilliant, egotistic, shrewd, and genial sallies, and she could be either caressing or impudent. In the matter of ...
— Little Memoirs of the Nineteenth Century • George Paston
... performed at Rome in Holy Week, Allegri's Miserere included, has been issued at Leipzig by Breitkopf and Hartel. Interesting accounts of the impression produced by the performance at Rome may be found in the first volume of Mendelssohn's letters and in Miss Taylor's Letters ...
— Project Gutenberg Encyclopedia
... two hours of Schumann and Mendelssohn at high pressure is too much for one man. But I say, Marechal, what do you think of Mademoiselle Herzog's being at Cayrol's soiree. It is a little ...
— Serge Panine, Complete • Georges Ohnet
... her hand, the Bishop's benediction had been given, the bridesmaids were a-poise to resume their place in the procession, and the organ was showing preliminary symptoms of breaking out into the Mendelssohn March, without which no newly-wedded couple had ever emerged ...
— The Age of Innocence • Edith Wharton
... into the jury-box? Still less was it compulsory to return a verdict if, as the vulgar were apt to think, the acceptance of any one "'ism" precluded the acceptance of another, so that to be an Ibsenite was synonymous with detesting the dramas of Sardou, and to be a Wagnerite involved a horror of Mendelssohn. It was only the uncultured who held their artistic and political creeds with the narrowness of Little Bethel, importing into thought and aesthetics the zealotry they had lost in religion. The book of Experience, thought I, is not an Encyclopaedia, with every possible topic ...
— Without Prejudice • Israel Zangwill
... bestow upon her would be too great. Pasdeloup, the orchestral director, was present and then and there invited her to play with his famous orchestra. So it was that the doors of fashionable and artistic Europe were thrown open at one wave of the magic bow. Our artist played the great Concerto in E by Mendelssohn with Pasdeloup's magnificent orchestra at the hall of the Conservatory and won a splendid triumph on the very spot where in the days of her poverty-tinted childhood she first drew her bow before her severe old masters who had tried ...
— Camilla: A Tale of a Violin - Being the Artist Life of Camilla Urso • Charles Barnard
... "God's Will be Done." The author was a well-known high-church divine, Father Rowton. To him, then, Henry Chichester betook himself for comfort. The piano stood open. On it was music. Malling looked and saw, "Oh, for the wings, for the wings of a dove!" by Mendelssohn. The little room seemed full of pious orthodoxy. Surely its atmosphere was utterly changed since Malling last was in it. The melody of "Oh, for the wings!" went through his brain. That the Henry Chichester he had recently known, that cruel searcher after and expounder of truth, that he should ...
— The Dweller on the Threshold • Robert Smythe Hichens
... preferred giving his money for walking-sticks—this degenerate Beer enjoyed Hegel's most confidential society; he was the philosopher's bosom friend, his Pylades, and accompanied him everywhere like his shadow. The equally witty and gifted Felix Mendelssohn once sought to explain this phenomenon, by maintaining that Hegel did not understand Heinrich Beer. I now believe, however, that the real ground of that intimacy consisted in this—Hegel was convinced that no word of what ...
— The Essays of "George Eliot" - Complete • George Eliot
... blackmail, but ignominious, may divert the reader." The Greeks were neither deceived nor diverted by such bad art; their sympathies were chilled, and they called the thing "frigid." Meanwhile the special art of the Hebrews is, perhaps, the art of Mendelssohn and Meyerbeer, music which is so often joined to profound emotional susceptibility. They had no statuary, their architecture does not remain for us to criticise it, their literature alone supplies us with material for comparison, ...
— Platform Monologues • T. G. Tucker
... he had laid down that the sum of motive forces in the physical world is constant. His disciples proceeded to the inference that the sum of morality in the ethical world is constant. This dogma obviously eliminates the possibility of ethical improvement for collective humanity. And so we find Mendelssohn, who was the popular exponent of Wolf's philosophy, declaring that "progress is only for the individual; but that the whole of humanity here below in the course of time shall always progress and perfect itself seems to me not to have been the purpose of Providence." ...
— The Idea of Progress - An Inquiry Into Its Origin And Growth • J. B. Bury
... fountainheads of this literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed advantageously, powerfully stimulated all ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... into his Grande Fantaisie sur des airs polonais, Op. 13, a theme of Kurpinski's. Two younger men, both born in 1800, must yet be mentioned to compete the picture. One of them, Moritz Ernemann, a pupil of Mendelssohn's pianoforte-master, L. Berger, played with success in Poland and Germany, and has been described by contemporaries as a finished and expressive, but not brilliant, pianist. His pleasing compositions are of an instructive ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... one at the Music Hall, except that the faces on the pipes are beautiful, and do not look as if it hurt them to pipe. The world may be too small; but the organ cannot possibly be too large. Malibran, Jenny Lind, or Mrs. Mott usually sings to it of an evening, accompanied by Franz, Schubert, or Mendelssohn; or Beethoven drops in to play one of his symphonies. Sunday nights, Handel performs upon it regularly for a choir composed of Vaughan, Herbert, the minister who chants 'Calm on the listening ear ...
— The Continental Monthly, Vol. 6, No 3, September 1864 - Devoted To Literature And National Policy • Various
... melancholy yews—in place of all this costly piled-up woe, I would have liked a pretty, mediaeval chapel scene, with illuminated stained-glass windows, and trim acolytes holding lighted candles, and the great green curtain slowly descending to the first few bars of the Wedding March of Mendelssohn. ...
— A Midnight Fantasy • Thomas Bailey Aldrich
... choice was one of Mendelssohn's "Songs without Words," a quieter measure this time, sweet and flowing, and giving opportunity for a world of delicate phrasing. It was one of the pieces which she had practised with a master, and with which she felt most completely at home; and if the audience found it agreeable to ...
— The Independence of Claire • Mrs. George de Horne Vaizey
... on "Genevieve" every one must be curious who has at all followed the journals of Young Germany in the recent crusades which they nave made, not so much to establish Schumann as a great composer, as to prove him greater than Mendelssohn. ...
— The International Weekly Miscellany, Volume I. No. 9. - Of Literature, Art, and Science, August 26, 1850 • Various
... but softer and with a rare sweetness as pure and clear as a thrush's vesper bell. Again a short pause and we heard them higher, fainter, sweeter, until they died away among the hills; too fine for our mortal ears to catch. It seemed as if some sylvan deity, some Mendelssohn or Chopin of this vast forest solitude heard those harsh notes and putting a golden cornet to his lips, sent back the melodies the bugler meant to make. As the last reverberations died away among the hills we thought of those ...
— See America First • Orville O. Hiestand
... possessed in a magnified degree certain qualities which had distinguished his father. He was more retiring, more reticent, more inclined to find the full joy of life only among intimates. He became a patron of art and music, and himself an amateur in singing. He built Mendelssohn Hall, in New York, for the use of a musical organization to which he belonged. Of books he was not only a lover, but a student, devoted to the classics, and well versed in modern languages. In the ...
— The Story of Cooperstown • Ralph Birdsall
... The Sacred Music Society of New York City, gave a performance of Mendelssohn's oratorio "St. Paul," two years after it had ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... audience and the footlights. Upon the sound ocean of "wind" the "Take, eat," or "Love-feast" motive floats. Presently the strings pierce through it, the Spear motive follows, and then, full of heavy pain, "Drink ye all of this," followed by the famous Grail motive—an old chorale also used by Mendelssohn in the Reformation Symphony. Then comes the ...
— Parsifal - Story and Analysis of Wagner's Great Opera • H. R. Haweis
... Stampe decided to go there with his family, Thorwaldsen travelled with them. They went through Germany, and were everywhere received as honorably as if he were a royal person: he was invited to visit royal families; court carriages were at his service; Mendelssohn gave a musical fete for him; in all the great cities he was shown the places and objects worthy of his attention; poets and orators paid him respect, and nothing that could be done to show appreciation of his genius and his ...
— A History of Art for Beginners and Students - Painting, Sculpture, Architecture • Clara Erskine Clement
... own words:—"The musical state of Germany, at that time, was not very encouraging. On the stage Rossini yet reigned, and on the piano Herz and Huenten excluded all others. And yet how few years had passed since Beethoven, Weber, and Schubert lived among us! True, Mendelssohn's star was ascending, and there were wonderful whispers of a certain Pole, Chopin; but it was later that these gained their lasting influence. One day the idea took possession of our young and hot heads,—Let us not idly look on; take hold, and reform it; take hold, and the Poetry ...
— Atlantic Monthly, Vol. XII. September, 1863, No. LXXI. - A Magazine Of Literature, Art, And Politics • Various
... together with descriptions of several works which are not oratorios in the strict sense, but at the same time are sacred compositions written upon a large scale and usually performed by oratorio societies, such as Bach's "Passion Music" and "Magnificat," Berlioz's, Mozart's, and Verdi's Requiems, Mendelssohn's "Hymn of Praise," Handel's "Dettingen Te Deum," Schumann's "Paradise and the Peri," and Rubinstein's ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... exceptional pianist, her interpretation of items by Schumann and Mendelssohn being little short of a revelation. She was pretty, too, and her scarlet dress with its white pompons, and her pierrot's hat to match, suited ...
— The Master Detective - Being Some Further Investigations of Christopher Quarles • Percy James Brebner
... going to Nicolai, Rammler, or Engel, or, as they should be named, the wise authors of Berlin. I shall visit the artist Chodowiecki, good Karschin, occasional poetess, and the philosopher Mendelssohn. Then, if it pleases you, we will set out this afternoon, shaking the sand of Berlin from ...
— Old Fritz and the New Era • Louise Muhlbach
... ourselves, away from our griefs and cares, instead of giving them a more intense and poignant expression, which at some moments is all the divinest music seems to do. Their influence is always benign and serene, and we may always have recourse to it, while the secrets of Beethoven, Mendelssohn, Chopin, Schumann lie hidden between leaves, in the keeping of crabbed little hieroglyphs, and a voice, an instrument, or perhaps an orchestra, is needed to reveal them. The picture, the statue, has no secrets but open secrets. You stand before it, and the very soul and essence of it ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... showing his contempt for other great composers like Beethoven, Mozart, and the like, was to conduct their music upon important occasions, without having given himself or any one else a rehearsal. He called Haydn a "pedantic old baby," and refused as long as he lived to hear Elijah (Mendelssohn). In short, he was one of the vastly disagreeable people of the earth, who believe that their own ...
— Operas Every Child Should Know - Descriptions of the Text and Music of Some of the Most Famous Masterpieces • Mary Schell Hoke Bacon
... with a great number of Christians, an intolerable tyranny; and when Clement the Ninth exempted them from it, he did not abolish the races of Christian boys and old men. The people detested the Jews, hooted them, hissed them, and maltreated them with and without provocation. Moses Mendelssohn, the father of the composer, wrote to a friend from Berlin late in the eighteenth century, complaining bitterly that in that self-styled city of toleration, the cry of 'Jew' was raised against him when he ventured into the streets with his little children by daylight, and that ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... years later in a conversation with young Felix Mendelssohn, "oh, if I could but write a fourth volume of my life! It should be a history of the year 1775, which no one knows or can write better than I. How the nobility, feeling itself outrun by the middle classes, began to do all it could not to be left behind in the race; ...
— The Great Events by Famous Historians, v. 13 • Various
... kill time some way or another that Wednesday afternoon, while the sun shone through the ancient windows, and the birds sang their springtime songs in the trees outside, the Countess having retired to the music room to hammer Beethoven,—or maybe it was Mendelssohn,—out of the piano. ...
— The Adventures of the Eleven Cuff-Buttons • James Francis Thierry
... English throne. From its poetry Cowper, Wordsworth, Tennyson, and Browning would catch the divine afflatus; from its statesmanship Burke, Romilly, and Bright would learn how to create and redeem institutions; from its melodies Handel, Bach, Mendelssohn, and Beethoven would write oratorios, masses, and symphonies; from its declaration of divine sympathy Wilberforce, Howard, and Florence Nightingale were to emancipate slaves, reform prisons, and mitigate the cruelties of war; from its prophecies Dante's hope ...
— The World's Great Sermons, Volume 10 (of 10) • Various
... a Bach and a Beethoven, the beautiful soul (even of a Mendelssohn) are wanting in Wagner. He is ...
— The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.
... back are vividly impressed on my mind. We went by steamer up the Rhine, and stopped at Ehrenbreitstein to visit old Frau Mendelssohn, our guardian's mother, at her estate of Horchheim. The carriage had been sent for us, and on the drive the spirited horses ran away and would have dashed into the Rhine had not my brother Martin, at that time eleven ...
— Uarda • Georg Ebers
... the standard works of great composers which started the new Philharmonic Society, which has just come into existence. The elder body stick stanchly to the safe courses of Bach, Gluck, Beethoven, Mozart, and Mendelssohn. The newly-created association proclaim that their mission is to look after aspirants, as well as to honour the veterans of the art; and accordingly they bring forward many compositions experimentally—a meritorious policy, but one not without its dangers. Few unprofessional ...
— Chambers's Edinburgh Journal, No. 436 - Volume 17, New Series, May 8, 1852 • Various
... each instrument represents a character to him. Ah! that remark of his about clarionets: "They typify beloved women." Ah! it has always made a shiver run down my back. And Chopin, so dandified in his Byronism; the dreamy poet of those who suffer from neurosis! And Mendelssohn, that faultless chiseller! a Shakespeare in dancing pumps, whose "songs without words" are gems for women of intellect! And after that—after that—a man should go ...
— His Masterpiece • Emile Zola
... have alluded above to his powers upon the violin. These were very remarkable, but as eccentric as all his other accomplishments. That he could play pieces, and difficult pieces, I knew well, because at my request he has played me some of Mendelssohn's Lieder, and other favourites. When left to himself, however, he would seldom produce any music or attempt any recognized air. Leaning back in his arm-chair of an evening, he would close his eyes and scrape carelessly at the fiddle which was thrown across his knee. Sometimes ...
— A Study In Scarlet • Arthur Conan Doyle
... still needing no music on the rack before her, played the "Miserere" from "Il Trovatore," a Hungarian "Czardas," Mendelssohn's "Fruehlingslied" and the overture from "William Tell." She followed these with the "Intermezzo" and the "Pizzicato" from "Sylvia," and then with "Narcissus" and "Sans Souci." And at the end of this, she paused again; for now her father had arisen and come close to her. With a hand on her ...
— The Air Trust • George Allan England
... clear, frosty autumn evening, crossing the lawn strewn with crackling dry leaves, he told himself that he must not hope to find things the same. But they were the same. The boys were lounging and smoking about the square table with the lamp on it, and Mrs. Erlich was at the piano, playing one of Mendelssohn's "Songs Without Words." When he knocked, Otto opened the ...
— One of Ours • Willa Cather
... study. It is proposed to give at least four Sunday-evening performances, consisting of "The Messiah," of course, at Christmas; Costa's "Eli," or "Elijah"; the "Requiem" of Mozart, and the "Lobgesang" by Mendelssohn; and for the last, and we trust many last, "Israel in Egypt." All this will be but so much rehearsal for the grander Festival to follow. We have no organized orchestral or symphony society, as we should have; but we have with us always the elements ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... take care not to say that "the handsome groom wearing the conventional black and the lovely bride arrayed in a charming creation of white satin consummated their sacred nuptial vows amid banks of fragrant lilies and beautiful, blushing roses to the melodious strains of Mendelssohn's entrancing ...
— News Writing - The Gathering , Handling and Writing of News Stories • M. Lyle Spencer
... previous study of the score and from hearing, the performance at Portland, that Mr. Paine's oratorio has fairly earned for itself the right to be judged by the same high standard which we apply to these noble works of Mendelssohn and Handel. ...
— The Unseen World and Other Essays • John Fiske
... evolution; aiding to increase breadth of view, toleration, indifference to unessentials, cooperation with good men and true of every faith. Melanchthon, St. Francis Xavier, Grotius, Thomasius, George Fox, Fenelon, the Wesleys, Moses Mendelssohn, Schleiermacher, Dr. Arnold, Channing, Phillips Brooks, and their like may well be our exemplars, despite ...
— Autobiography of Andrew Dickson White Volume II • Andrew Dickson White
... short development section of the Sonata in G (Collection No. 6) offers examples of the three methods of development just mentioned. Bach, like Scarlatti, was a master of his instrument, and even when—as was said of Mendelssohn—he had nothing particular to say, he always managed to say that little well. E. Bach has already much to suffer in the inevitable comparison with Beethoven; and the fact that we have the full message of the one, but not of the other, no doubt ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... her request immediately, and strains of Mendelssohn and Handel were soon filling the church. Clare was wandering dreamily round listening and enjoying it, when suddenly a harsh voice behind ...
— The Carved Cupboard • Amy Le Feuvre
... Petersburg; while her younger sister, Carlotta Baroni, shares the triumphs, and equals the renown, of a Taglioni and a Cerito. At this moment, Madame Baroni performs to enthusiastic audiences in the first opera of her brother Michel, who promises to be the rival of Meyerbeer and Mendelssohn; all delightful intelligence to meet the ear of the soft-hearted Alfred, who is painting the new chambers of the Papal palace, a Cavaliere, decorated with many orders, and the restorer of the once famous ...
— Tancred - Or, The New Crusade • Benjamin Disraeli
... acquaintance,—"not more than four or five glasses in an evening." This is indeed moderation, when we remember that sixteen glasses of beer is only two gallons. The orchestra playing that night was Gungl's; and it performed, among other things, the whole of the celebrated Third (or Scotch) Symphony of Mendelssohn in a manner that would be greatly to the credit of orchestras that play without the aid of either smoke or beer. Concerts of this sort, generally with more popular music and a considerable dash of Wagner, ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... Mary and Sir Philip Sidney. Catherine and Robert Boyle. Caroline and William Herschel. Letitia and John Aikin. Cornelia and Goethe. Lena and Jacobi. Lucile and Chateaubriand. Charlotte and Schleiermacher. Dorothy and Wordsworth. Augusta and Byron. Mary and Charles Lamb. Fanny and Felix Mendelssohn. Whittier and his Sister. Eugenie and Maurice ...
— The Friendships of Women • William Rounseville Alger
... on Jewish Literature open with the fall of Jerusalem in the year 70 of the current era, and end with the death of Moses Mendelssohn in 1786. Thus the period covered extends over more than seventeen centuries. Yet, long as this period is, it is too brief. To do justice to the literature of Judaism even in outline, it is clearly necessary ...
— Chapters on Jewish Literature • Israel Abrahams
... authorities which he had at hand. His style is bombastic and feeble; there is neither a logical nor a chronological progress to his narrative; moreover, he is not always trustworthy, even in matters personal to himself;—at all events, a very interesting account of a meeting between him and Mendelssohn, at the house of Moscheles in London,—apropos of nothing,—has called—out a letter from the latter in a Leipzig musical journal, in which the whole story is declared to be without foundation. In our references ...
— The Atlantic Monthly, Volume V, Number 29, March, 1860 - A Magazine Of Literature, Art, And Politics • Various
... associated with his two statements of remarkable devotion to Yorick, both of which, however, date from a period when he had already become acquainted with the Journey. At precisely what time Lessing first read Tristram Shandy it is impossible to determine with accuracy. Moses Mendelssohn writes to him in the summer of 1763:[31] "Tristram Shandy is a work of masterly originality. At present, to be sure, Ihave read only the first two volumes. In the beginning the book vexed me exceedingly. Irambled on from digression to digression without grasping the ...
— Laurence Sterne in Germany • Harvey Waterman Thayer
... classical pieces. You don't like that word "classical," it suggest heaviness, lack of tunefulness, the kind of thing that "may be all right for some people," but never, you think, would suit you. At last, however, you yield. You inquire for something of the kind and are advised to try Mendelssohn's "Spring Song." Much to your surprise you don't find it heavy at all. In fact you recall once having heard it played between the acts in a theatre and having thought it rather pretty. Its rhythm isn't as persistently emphatic as that of ragtime, nor does its melody ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... hit, except that you've left out the scent of honeysuckle and Old Mister Moon climbing up over the trees. Well, you're quite right. I'm all for the simple and domestic myself. If I could find the right man, and he didn't see me coming and duck, I'd become one of the Mendelssohn's March Daughters right away. Are you going, George? There's a rehearsal at ...
— A Damsel in Distress • Pelham Grenville Wodehouse
... prayers are breathed in song. His whole life is an expression in music. These songs are treasured down through the ages, and old age teaches youth the import of the melody so that nothing is lost, nothing forgotten. Haydn wrote his "Creation," Beethoven his "Symphonies," Mendelssohn his "Songs Without Words," Handel gave the world his "Dead March in Saul," Mozart was commissioned by Count Walsegg to pour his great soul into a requiem; during its composition he felt that he was writing the dead march of his soul. For generations it has been sung in the ...
— The Vanishing Race • Dr. Joseph Kossuth Dixon
... them; I only go to a shilling affair that comes off every Saturday at what they call the Pump Room. On these occasions there is sometimes some Good Music if not excellently played. Last Saturday I heard a fine Trio of Beethoven. Mendelssohn's things are mostly tiresome to me. I have brought my old Handel Book here and recreate myself now and then with pounding one of the old Giant's Overtures on my sister's Piano, as I used to do on that Spinnet at ...
— A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury
... no private history in them; and even of Thoreau's beloved science of Natural History, very little. He does, indeed, begin one letter with "Dear Mother, ... Pray have you the seventeen-year locust in Concord?" which recalls Mendelssohn's birthday letter to his mother, opening with two bars of music. But even such mundane matters as these occur rarely in the book, which is chiefly made up of pure thought, and that of the highest and often of the ...
— The Atlantic Monthly, Volume 16, No. 96, October 1865 • Various
... round the room, his eyes fell on his violin, lying upon the table with the bow beside it just as he had laid it down that morning after he had been improvising, in a fit of mad spirits, some variations on the theme of Mendelssohn's Wedding March. ...
— The Hermit of Far End • Margaret Pedler
... of age, in the noon of his fame and the full maturity of his genius. Already as a boy of fourteen he composed an opera, which was played with much success at Berlin; he is now the first living composer of Germany. Moses Mendelssohn, the celebrated Jewish philosopher, was his grandfather; and his father, now living, is accustomed to say that in his youth he was spoken of as the son of the great Mendelssohn; now he is known as the father ...
— Views a-foot • J. Bayard Taylor
... were spoken; and the husband, stooping proudly to the not-averted face of his blushing wife, gave her the first kiss. And at the same instant a little band of musicians, with chosen instruments, secretly stationed in the library, of which the door was now thrown open, struck up Mendelssohn's divine Wedding March. As its jubilant notes floated through the house, the ...
— Round the Block • John Bell Bouton
... soon as Sykes began with any of his sonatas. After a long while I began to like some of the slow movements and then some entire sonatas, several of which I could play once fairly well without notes. I used also to play Bach and Mendelssohn's Songs without Words and thought them lovely, but I always liked Handel best. Little by little, however, I was talked over into placing Bach and Beethoven on a par as the greatest and I said I did not know which was the best man. I cannot tell now ...
— The Note-Books of Samuel Butler • Samuel Butler
... literary honours. By means of three critical journals (the Literatur-Briefe, the Bibliothek der Schoenen Wissenschaftern, and the Allgemeine Deutsche Bibliothek,) which he conducted with the powerful cooperation of Lessing, and of his intimate friend Mendelssohn, and to which he contributed largely himself, he became very considerable in the German world of letters, and so continued for the space of twenty years. Joerdens, in his Lexicon, speaks highly of the effect of Nicolai's writings in promoting freedom of thought, enlightened ...
— The Prose Works of William Wordsworth • William Wordsworth
... 2: The Bibliothek der schnen Wissenschaften, a magazine conducted by Nicolai and Mendelssohn. 3: Caroline Neuber was a famous actress, who between 1727 and 1748 coperated with Gottsched for the improvement of the Leipzig stage. 4: The 'Swiss critic' is Bodmer. 'Darius,' the 'Oysters,' etc., are the titles of plays included in ...
— An anthology of German literature • Calvin Thomas
... of visiting at desire a realm of music that led through the world of tone, through the spheres of matchless harmony in which the great masters of music abide,—Beethoven, Mendelssohn, Mozart, and to the ...
— The Arena - Volume 18, No. 92, July, 1897 • Various
... and good sense, clear power of thought, and determined perseverance, will be a good foundation to start with. Good sense and attention have more to do with the good music of ordinary persons (as opposed, we mean, to remarkably clever ones) than people are apt to think. It was said of Mendelssohn that music was the accident of his being; and there are many of whom the same could be said, with this meaning—i.e., that the powers which make them succeed in music would enable them to succeed in other ...
— The Girl's Own Paper, Vol. VIII: No. 353, October 2, 1886. • Various
... her vanish past the curtain, thought: 'What a lovely thing she is!' And he got up too, but instead of following, went to the piano, and began to play Mendelssohn's Prelude and Fugue in E minor. He had a fine touch, and played with a sort of dreamy passion. It was his way out of perplexities, regrets, and longings; a way which ...
— Forsyte Saga • John Galsworthy
... always remember the noble human traits; for the universal regard in which his work is held could never have come merely from profound skill in workmanship, but is due chiefly to the manly sincerity and emotional depth which are found therein. The revival of his works, for which the world owes to Mendelssohn such a debt, has been the single strongest factor in the development of music during the 19th century; and their influence[42] is by no means yet at an end, as may be seen from the glowing tributes paid to him by such modern composers ...
— Music: An Art and a Language • Walter Raymond Spalding
... Purcell, Doctor Arne, Greene, Mendelssohn. I know the choruses to those anthems by heart. Foundling Chapel Collection. Why shouldn't we learn ...
— No Thoroughfare • Charles Dickens and Wilkie Collins
... great power over the girl; she listens to them, I might almost say, devoutly, and is never weary. Madge is delighted with Rossini; but Lois gives her adherence to the German classics, and when I play Haydn or Mozart or Mendelssohn, stands rapt in her delighted listening, and looking like—well, I will not tantalize you by trying to describe to you what I see every day. I marvel only where the girl got these tastes and susceptibilities; it must be blood; I believe in inheritance. She has had until now no training or ...
— Nobody • Susan Warner
... but no description will produce the effect which the painting will produce. So neither music, nor painting, nor both combined, can produce the same effect on the soul as poetry. The "Midsummer Night's Dream" enacted in pantomime, with Mendelssohn's music, would no more produce the same effect on the auditors which would be produced by the interpretation of the play in spoken words, than would the reading of the play at home produce the same effect as the enacting of the play with what are miscalled the accessories ...
— The World's Best Poetry, Volume 3 - Sorrow and Consolation • Various
... hate the prudent applications of that: being unacquainted, except as they chance here and there to pick up a broken piece of information, with either grammar, rhetoric, music, [Footnote: Being able to play the piano and admire Mendelssohn is not knowing music.] astronomy, or geometry; and are not only unacquainted with logic, or the use of reason, themselves, but instinctively antagonistic to its use by ...
— Mornings in Florence • John Ruskin
... had danced and laughed, had quarrelled and wept, and fought and made friends again, to the tune of the silver chimes high up in the Dom—chimes that were sometimes old Nederlandsche hymns, sometimes Mendelssohn's melodies and tender "Lieder ...
— Stories By English Authors: Germany • Various
... and acting. Some of the most free, acute, learned, wise, and powerful thinkers of the world have been champions of this doctrine; especially among the moderns may be named Leibnitz, Herbart, Goethe, and Hartenstein. Jacobi most earnestly maintained it both against Mendelssohn and against Fichte. ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... very much in earnest: that speaks well for you, and for Mr. Buffalo. But what pieces are you studying with the Etudes? Hummel, Mendelssohn, Chopin, or Schumann? ...
— Piano and Song - How to Teach, How to Learn, and How to Form a Judgment of - Musical Performances • Friedrich Wieck
... went to Chicago and studied harmony and counterpoint under Clarence Eddy, and the piano under Ledochowski. It is interesting to note that Kelley was diverted into music from painting by hearing "Blind Tom" play Liszt's transcription of Mendelssohn's "Midsummer Night's Dream" music. I imagine that this idiot-genius had very little other influence of this sort ...
— Contemporary American Composers • Rupert Hughes
... all other pianists, was a German. A German, like the eminent Liszt and the great Mendelssohn, and Steibelt, and Dussek, and Meyer, and Mozart, and Doelher, and Thalberg, and Dreschok, and Hiller, and Leopold Hertz, Woertz, Karr, Wolff, Pixis, and Clara Wieck—and all Germans, generally speaking. Schmucke was a great ...
— Cousin Pons • Honore de Balzac
... taking such a task upon myself! If I could play the organ like a Mendelssohn, and send the folks into ecstasies, I'd never saddle myself with the worry of doing it morning and afternoon. You'll soon be sick of the ...
— The Channings • Mrs. Henry Wood
... —Mendelssohn was a jew and Karl Marx and Mercadante and Spinoza. And the Saviour was a jew and his father was a ...
— Ulysses • James Joyce
... knowledge of classic music to bear and, in so doing, achieved some novelties which pleased and even astonished my listeners. It was I who first made ragtime transcriptions of familiar classic selections. I used to play Mendelssohn's "Wedding March" in a manner that never failed to arouse enthusiasm among the patrons of the "Club." Very few nights passed during which I was not asked to play it. It was no secret that the great increase in slumming visitors was due to my playing. By mastering ragtime I gained several ...
— The Autobiography of an Ex-Colored Man • James Weldon Johnson
... two men shook hands, and Valentine's fingers were almost crushed in the cold hard grip of Mr. Sheldon's muscular hand. And now there came upon Valentine's ear the sound of one of Mendelssohn's Lieder ohne Worte, tenderly played by the gentle hands he knew so well. And the lover began to feel that he could no longer sit sipping the stockbroker's port with a hypocritical pretence of appreciation, ...
— Birds of Prey • M. E. Braddon
... look a little less than clandestine. Barrett acted as usher in one aisle and Gifford, very much out of his element but doggedly faithful, did his part in the other. There was even a bit of music; the Wagner as we went in, and a few bars of the Mendelssohn to speed us as we went out. The good-byes were said at the church-door, and the only abnormal thing about the leave-taking was Barrett's gift to the bride, pressed into her hand as we were getting into the carriage to go to the railroad station—a silver filigree hand-bag stuffed heavy with ...
— Branded • Francis Lynde
... tastes in music and in art (tastes in some respects a little primitive, but singularly fine and true, in spite of their want of training), and played his favorite airs for him on the piano—some of Mendelssohn's plaintive Lieder, the quainter and statelier measures of Corelli and Scarlatti, snatches of Schumann and Grieg, and several older and simpler melodies, for most of which he had to ask by humming a few bars which had ...
— Name and Fame - A Novel • Adeline Sergeant
... down upon the Swanee River"—"played in ragtime"—for a musical punch in "Alexander's Ragtime Band," was not the first free use of a theme of an old favorite for a punch, but it was one of the first honestly frank uses. The way he took Mendelssohn's "Spring Song" and worked it into as daring a "rag" as he could achieve, is perhaps the most delightfully impudent, "here-see-what-I-can-do," spontaneously and honestly successful "lift" ever perpetrated. Berlin ...
— Writing for Vaudeville • Brett Page
... 'Art is long.' The virtuoso comes to a great metropolis and plays a Moszkowski concerto of great difficulty. The next day the music stores exhaust their stocks of this work, and a dozen misses, who might with difficulty play a Mendelssohn Song With Words, are buried in the avalanche of technical impossibilities that ...
— Great Pianists on Piano Playing • James Francis Cooke
... sturdy oak, Frederic the tender ivy. I poured out my heart's blood for him, poured it into his music. He was a mere girl, I tell you—a sensitive, slender, shrinking, peevish girl, a born prudish spinster, and would shiver if any one looked at him. Liszt always frightened him and he hated Mendelssohn. He called Beethoven a sour old Dutchman, and swore that he did not write piano music. For the man who first brought his name before the public, the big-hearted German, Robert Schumann—here's to his memory—Chopin had an intense dislike. He ...
— Melomaniacs • James Huneker
... influence has also been international. Books have been devoted to the history of Shakespeare's music, and such surveys include nearly every English composer of note, and also Schubert, Schumann, Mendelssohn, Berlioz, Ambroise Thomas, Saint Saens, Rossini, and Verdi. In painting as well, the persons and scenes of the play have excited the efforts of English, German, ...
— The Facts About Shakespeare • William Allan Nielson
... Fuller. "Well, well! To think as her and Mr. Gold should ha' kep' single one for another. Here's a bit of a treeho, lads, as I bought in Brummagem the day afore yesterday. It's by that new chap as wrote 'Elijah' for the festival. Let's see. What's his name again? Mendelssohn. Shall us have a ...
— Aunt Rachel • David Christie Murray
... height of Jefferson's praise was reached when he said: "Charles Burke was to acting what Mendelssohn was to music. He did not have to work for his effects, as I do; he was not analytical, as I am. Whatever he did came to him naturally, as grass grows or water runs; it was not talent that ...
— Representative Plays by American Dramatists: 1856-1911: Rip van - Winkle • Charles Burke
... cyclone and a simoom in a tin-plate mining camp, in fact, but, nevertheless, marvellous. I tried to remember it afterwards, and jotted down a few notes, but I found the first bar took up seven sheets of fool's-cap, and so gave it up. Then Mozart tried his hand on a banjo for my amusement, Mendelssohn sang a half-dozen of his songs without words, and then Gottschalk played one of Poe's ...
— The Water Ghost and Others • John Kendrick Bangs
... this studied mechanism; it seemed to her that Sibyl did not, in her heart, feel the spirit of the music which her fingers played. Coming in from the kitchen, this morning, after setting in motion the household wheels for the day, she again noticed this automatic execution in the strains of Mendelssohn's "Spring-Song," and it grated on her ear as she tended the hanging baskets on the piazza. Continuing her round from her plants to her birds and gold-fish, Aunt Faith kept listening to the monotonous sound of the piano. "I wonder if Sibyl has a heart?" she ...
— The Old Stone House • Anne March
... stringed instruments; twelve thousand trained voices! The masterpieces of all ages rendered, hour after hour, and day after day—Handel's "Judas Maccabaeus," Spohr's "Last Judgment," Beethoven's "Mount of Olives," Haydn's "Creation," Mendelssohn's "Elijah," Meyerbeer's "Coronation March," rolling on and up in surges that billowed against the heavens! The mighty cadences within were accompanied on the outside by the ringing of the bells of the city, and cannon on the common, in exact time with the music, discharged by ...
— T. De Witt Talmage - As I Knew Him • T. De Witt Talmage
... hesitatingly up the center aisle, eager for good seats but afraid to go too far, the organist wipes his palms upon his trousers legs, squares his shoulders, and plunges into the program that he has played at all weddings for fifteen years past. It begins with Mendelssohn's Spring Song, pianissimo. Then comes Rubinstein's Melody in F, with a touch of forte toward the close, and then Nevin's "Oh, That We Two Were Maying" and then the Chopin waltz in A flat, Opus 69, No. 1, and then the Spring Song again, and then a free fantasia upon "The Rosary" and then a Moszkowski ...
— A Book of Burlesques • H. L. Mencken
... much for Hohenfels. The effect was, contrarily, rather stimulating to Charles, who has made a match with Josephine, and with her assistance is now listening, the tear of sensibility in his eye, to Mendelssohn's "Wedding March" as ...
— Lippincott's Magazine of Popular Literature and Science Vol. XV., No. 85. January, 1875. • Various
... when we were thus promenading, and I was trying to look like a prize St. Bernard, and the old man was trying to look like he wouldn't have murdered the first organ-grinder he heard play Mendelssohn's wedding-march, I looked up at him ...
— The Four Million • O. Henry
... is Professor Mendelssohn Bartholdy, who writes on reprisals in the Juristenblatt of July, 1916. It should be borne in mind that he is a professor of law and that he is writing in a book which is read by legal minds and not by the general public; all the more reason that ...
— The Land of Deepening Shadow - Germany-at-War • D. Thomas Curtin
... Mendelssohn again about this same Tribune on which Mr Pontifex felt so safe in staking his reputation as a man of taste and culture. He feels no less safe and writes, "I then went to the Tribune. This room is so delightfully small you can traverse it in fifteen paces, yet it contains a ...
— The Way of All Flesh • Samuel Butler
... speak again the language of Mendelssohn, Beethoven, Chopin, Schumann, and are worthy interpreters of their great thoughts. The poetry and novels of the century are theirs, and they have touched the keynote of reform in religion, politics and social life. They fill the editor's ...
— The History of Woman Suffrage, Volume IV • Various
... when youth listens to the fancied strains of Mendelssohn's Spring Song. He was surprised, presently, to note a strange hush settling down over the woods. A chill vapor seemed to arise from the water. There was a melancholy note in the tweet of the low-flitting ...
— The Wit and Humor of America, Volume V. (of X.) • Various
... father, for she is getting entirely beyond my control. If I attempt to make her study she writes poetry instead of her exercises, draws caricatures instead of sketching properly, and bewilders her music teacher by asking questions about Beethoven and Mendelssohn, as if they were personal friends of his. If I beg her to take exercise, she rides like an Amazon all over the Island, grubs in the garden as if for her living, or goes paddling about the bay till I'm distracted lest the tide should carry her out to sea. She is so wanting in moderation ...
— Moods • Louisa May Alcott
... similar pressure was put upon passengers; for every effort was made to hurry forward the mails. In a family letter written by Mendelssohn in 1829, he describes a mail-coach journey from Glasgow to Liverpool. Among other things he mentions that the changing of horses was done in about forty seconds. This was not the language of mere hyperbole, for where the stoppage was one for the purpose of changing ...
— A Hundred Years by Post - A Jubilee Retrospect • J. Wilson Hyde
... information concerning hotels and pensions, apartments and restaurants, families offering German home life with the language, instructors, and courses of lectures, doctors, dentists, dressmakers, milliners, the most direct way to Mendelssohn's grave in the Alte Dreifaltigkeits-Kirchhof, how to find lodgings in Baireuth during the Wagner festival, where to stay in Oberammergau, if it happened to be the year of the Passion Play, and so ...
— Shapes that Haunt the Dusk • Various
... As Mendelssohn composed songs without words, so may the schoolmaster give lessons of the most powerful import without a word being spoken. A beautiful interior in a schoolroom is a silent lesson in order and good taste. Beauty and order have a most valuable influence on the emotions and the character. It ...
— Literary Tours in The Highlands and Islands of Scotland • Daniel Turner Holmes
... regularly kept in rehearsal. 'Othello,' 'Hamlet,' 'Romeo and Juliet,' and 'The Taming of the Shrew' usually prove most attractive. Of the many German musical composers who have worked on Shakespearean themes, Mendelssohn (in 'Midsummer Night's Dream'), Schumann, and Franz Schubert (in setting separate songs) have ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... Preludes and Fugues, the precious 'forty-eight'; here are the Beethoven Sonatas, every bar of which is familiar; here are—yes, the Mozart, Schubert, and Schumann Sonatas [you notice that I am beginning to bracket the batches]; here are Mendelssohn's works, highly glazed as to technical surface, pretty as to sentiment, Bach seen through the lorgnette of a refined, thin, narrow nature. And here are the Chopin compositions." The murder is out—I have jumped from Bach and Beethoven to Chopin without a twinge of my critical conscience. Why? ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker
... St. Paul's Cathedral, London, on which Sir John Goss played, and which had felt the magic touch of Mendelssohn, had 13 stops on the Great, 7 on the Swell, 8 on the Choir and only one on the Pedal. It stood in a case on the screen between the choir and the nave of the Cathedral. We have noted elsewhere in this book how Willis had this screen removed, and rebuilt the organ on each side in 1872. ...
— The Recent Revolution in Organ Building - Being an Account of Modern Developments • George Laing Miller
... had hitherto been enveloped; here he learned that Bach and Beethoven were giants, and made uncertain efforts at appreciation; learnt that Gluck was a great composer, Mozart a genius of many parts, Mendelssohn the direct successor in this line of kings. Sonatas, symphonies, operas, were hammered out with tremendous force and precision on the harsh, scrupulously tuned piano; and all were dominated alike by the hoarse voice of the old man, who never wavered, ...
— Maurice Guest • Henry Handel Richardson
... notice the criticism on music itself, but added in a soft, disapproving way: "That man has no music in him. Do you know that was one of Mendelssohn's delicious dreams. This is how it should have been rendered," and he went impulsively to the piano and then the sweet monotonous cadences and melodious reveries slipped from his long white fingers ...
— The Man Between • Amelia E. Barr
... lately he has been made to suffer have driven him into retirement and seclusion. Although seeking neither converts nor political power and influence, he has been hunted down, massacred, and chased about as a dangerous beast. As the children of the great Rabbi Moses Mendelssohn asked of their father: "Is it a disgrace to be a Jew? Why do people throw stones at us and call us names?" It may well be asked, why? These actions have forced them into the social and retired habits for which they are noted; although it cannot be said that it is from ...
— History of Circumcision from the Earliest Times to the Present - Moral and Physical Reasons for its Performance • Peter Charles Remondino
... old-fashioned Continental hats, the advancing army showing faintly in the background. How gorgeously they are arrayed! We will use this frame for the excellent, large copy you have of 'The Doctor' and the pictured faces of the German composers—Beethoven, Wagner, Mendelssohn, Haydn, Schubert and Mozart, which I have on a card with a shaded brown background, will exactly fit into this plain frame of narrow molding, from which I have just removed the old cardboard motto, 'No place like home,' done ...
— Mary at the Farm and Book of Recipes Compiled during Her Visit - among the "Pennsylvania Germans" • Edith M. Thomas
... or move his lips—they were barely parted, in a kind of plaintive, sad little smile—and the notes came out; that was all. Of course I can't tell you what the thing meant word for word or sound for sound; but, in general, it said youth, youth and spring: and I tell you it had those compositions of Mendelssohn, and Grieg, and Sinding lashed to the mast. Well, the leaves rustled again, a little lower in the scale, I think, but wouldn't swear to it, and the first little soft throaty whistle was twice repeated—and there was a little, tiny whisper of a human moan. And that was ...
— The Spread Eagle and Other Stories • Gouverneur Morris
... poetry of nature compare the faultless English and elegant sweetness of the Idylls of the King with the vigorous and expressive, but often ungrammatical, prose of Mallory, or compare Virgil with Homer, Horace with Sappho, a chorale by Mendelssohn with a chorale by Bach. Or compare a modern refrain dragged in for no other reason than because the poet has felt that the form requires a refrain of some kind and has tried to find one that is suitable—compare such a refrain by Morris ...
— Wagner's Tristan und Isolde • George Ainslie Hight
... It was Mendelssohn who first invested old and seemingly worn-out forms of instrumental music (especially for the pianoforte) with the new poetic license of speech, which was essentially the spirit of the age of ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... back to the drawing-room, and, sitting down to the piano, played "Il Bacio," Mendelssohn's "Bells," and Weber's "Last Thought." I had not come to the end of this last melody when I stopped, suddenly hearing in the street cries ...
— My Double Life - The Memoirs of Sarah Bernhardt • Sarah Bernhardt
... have already learned that thought from the heart, expressed in tones, is good music. On the other hand, a thought with the heart not in it, expressed in tone, makes poor or common music. Mendelssohn wrote in one of his letters: "When I have composed a piece just as it springs from my heart, then I have done my duty toward it."[28] But in writing thoughts, whether in words or in tones, there is a very important thing to add to the bidding of the heart. It is the training ...
— Music Talks with Children • Thomas Tapper
... machine-made music, the day is coming the sooner when we shall behold, as neighbors in the ordinary bookcase, such pairs of counterparts as Milton and Bach, Beethoven and Shakespeare, Loeffler and Maeterlinck, Byron and Tschaikowsky, Mendelssohn and Longfellow, Nietzsche and Richard Strauss. Browning will stand up cheek by jowl with his one true affinity, Brahms. And the owner will sit by the quiet hearth reading to himself with equal fluency and ...
— The Joyful Heart • Robert Haven Schauffler
... Mendelssohn well enough to satisfy Mr. Bevan. I wonder Lady Price does keep her on here, but in the meantime we can only make ...
— The Pillars of the House, V1 • Charlotte M. Yonge
... inclined to the severely classical, but we disinterred from the heap a few lighter works of an old-fashioned kind, including a volume of Mendelssohn's Lieder ohne Worte, and with one of these Miss Bellingham made trial of her skill, playing it with excellent taste and quite adequate execution. That, at least, was her father's verdict; for, as to me, I found ...
— The Vanishing Man • R. Austin Freeman |
