"Madrigal" Quotes from Famous Books
... your bower of bone Are you! turned for an exquisite smart, Have you! make words break from me here all alone, Do you!—mother of being in me, heart. O unteachably after evil, but uttering truth, Why, tears! is it? tears; such a melting, a madrigal start! Never-eldering revel and river of youth, What can it be, this glee? the good you ... — Poems of Gerard Manley Hopkins - Now First Published • Gerard Manley Hopkins
... cares for things that have no more point in them than a dumpling! give us a madrigal, or one of the devil's ... — The Golden Dog - Le Chien d'Or • William Kirby
... America as it is in France and Germany, I would not be surprised if some American Legouve or Strakosch were to add to his repertoire such productions of prose as this humorously poetic "Zeus's Sentence," or that mystic madrigal, "Be Blessed." ... — So Runs the World • Henryk Sienkiewicz,
... After a madrigal or two, and an Italian song of Master Frank's, all which went sweetly enough, the ladies rose, and went. Whereon Will Cary, drawing his chair close to Frank's, put quietly into ... — Westward Ho! • Charles Kingsley
... something of Campion's for a collection of the finest work. For an historical book of representative poetry the question would be easy enough, for there Campion should appear by his glorious lyric, Cherry Ripe, by one or two poems of profounder imagination (however imperfect), and by a madrigal written for the music (however the stanzas may flag in their quibbling). But the work of choosing among his lyrics for the sake of beauty shows too clearly the inequality, the brevity of the inspiration, and the poet's absolute disregard of the moment of its flight and departure. A few splendid ... — Flower of the Mind • Alice Meynell
... Gabriel de Spinosa, a native of Toledo. This man resembled Sebastian, was naturally bold and unscrupulous, and was easily persuaded to undertake the task of personating the missing monarch. The monk, Dos Santos, who was confessor to the nunnery of Madrigal, introduced this person to one of the nuns, Donna Anna of Austria, a niece of King Philip, and informed her that he was the unfortunate King of Portugal. The lady, believing her father-confessor, loaded the pretender with valuable gifts; presented him with her jewels; and was so attracted ... — Celebrated Claimants from Perkin Warbeck to Arthur Orton • Anonymous
... was a madrigal by the choir, and a glee for four male voices, and a duet for soprano and mezzo, and then came the item ... — A harum-scarum schoolgirl • Angela Brazil
... Thyrsis! whose artful strains have oft delayed The huddling brook to hear his madrigal, And sweetened every musk-rose of the dale. How camest thou here, good swain? Hath any ram Slipped from the fold, or young kid lost his dam, Or straggling wether the pent flock forsook? How couldst thou find this ... — Milton's Comus • John Milton
... how ill the novel harmonies of which he was the discoverer accorded with the severe purity of the older school But in the new art he found the field his genius required. What had been weakness and license in the madrigal became strength and beauty in the opera. The new wine was put into new bottles, and both were preserved. Monteverde produced his 'Arianna' in 1607, and his 'Orfeo' in 1608, and with these two works started opera upon the path of development which ... — The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... mass, consisting of Kyrie, Sanctus, and other prescribed numbers, much as at the present day. More free in form was the motet, in which religious subjects were treated in contrapuntal fashion. The madrigal differed from this only in dealing with secular subjects. That these old madrigals, with their flowing parts and melodic imitations, are not unpleasing to modern ears, has been often proven. Their progressions are at times strange to ... — Woman's Work in Music • Arthur Elson
... spurious, why should I be dastard, A man is a man though he should be a bastard. Why sure 'tis some comfort that heroes should slay us, If I fall, I would fall by the hand of Aeneas; And who by the Drapier would not rather damn'd be, Than demigoddized by madrigal Namby."[1] ... — The Prose Works of Jonathan Swift, D. D., Volume IV: - Swift's Writings on Religion and the Church, Volume II • Jonathan Swift
... Madame de Villegry. "However, in return for your madrigal, accept the advice of a friend. The Nailles seem to me to be prosperous, but everybody in society appears so, and one never knows what may happen any day. You would not do amiss if, before you go on, you were to talk with Wermant, the 'agent de change', who has ... — Jacqueline, v2 • Th. Bentzon (Mme. Blanc)
... terrenely-celestial descriptions, did as much with me as the lady: they fired my imagination, and set me upon a desire to become a goddess-maker. I must needs try my new-fledged pinions in sonnet, elogy, and madrigal. I must have a Cynthia, a Stella, a Sacharissa, as well as the best of them: darts and flames, and the devil knows what, must I give to my cupid. I must create beauty, and place it where nobody else could find it: and many a time have ... — Clarissa, Volume 1 (of 9) • Samuel Richardson
... tenderness of a father about to start his children in life, he candidly interrogated himself whether the public would find these offspring of his imagination sufficiently elegant and graceful; and so, in order to make his mind easy on the subject, M. de Saint-Aignan recited to himself the madrigal he had composed, and which he had repeated from memory to the king, and which he had promised to write out for him on his return. All the time he was committing these words to memory, the comte was engaged in undressing himself more completely. He had just taken off his coat, and was putting on ... — The Vicomte de Bragelonne - Or Ten Years Later being the completion of "The Three - Musketeers" And "Twenty Years After" • Alexandre Dumas
... to mention here in the preface those under-headed poets, retainers to seven shares and a half; madrigal fellows, whose only business in verse is to rime a poor sixpenny soul, a subburb sinner ... — Notes and Queries, Number 227, March 4, 1854 • Various
... Stage-Driver's Story Aspiring Miss de Laine California Madrigal St. Thomas Ballad of Mr. Cooke Legends of the Rhine Mrs. Judge Jenkins: Sequel to Maud Muller Avitor A White Pine Ballad Little Red Riding-Hood The Ritualist A ... — East and West - Poems • Bret Harte
... of one of them. The Scribler had not Genius enough in Verse to turn my Age, as indeed I am an old Maid, into Raillery, for affecting a youthier Turn than is consistent with my Time of Day; and therefore he makes the Title to his Madrigal, The Character of Mrs. Judith Lovebane, born in the Year [1680. [1]] What I desire of you is, That you disallow that a Coxcomb who pretends to write Verse, should put the most malicious Thing he can say in Prose. This I humbly conceive will ... — The Spectator, Volume 2. • Addison and Steele
... St. Bride's.—The first meetings of the Madrigal Society (established in 1741) were held at a public-house in this ... — Notes & Queries, No. 25. Saturday, April 20, 1850 • Various
... call Pixies in their madrigal, Fancy's children, here we dwell: Welcome, Ladies! to our cell. Here the wren of softest note 5 Builds its nest and warbles well; Here the blackbird strains his throat; Welcome, Ladies! to ... — The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... "Guirlande de Julie," which he dedicated and presented to her, still exists, as the unique memorial of his patient and enduring love. This beautiful volume, richly bound, decorated with a flower exquisitely painted on each of the twenty-nine leaves and accompanied by a madrigal written by the Marquis himself or by some of the poets who frequented her house, was a remarkable tribute to the graces of the woman whose praises were so delicately sung. The faithful lover, who was a Protestant, ... — The Women of the French Salons • Amelia Gere Mason
... the performances of such organizations as "The Sacred Harmonic Society," "The Philharmonic Society," "The Musical Union," and the "Glee and Madrigal Societies," "The ... — Dickens' London • Francis Miltoun
... we look upon, Friend Croesus, hill and vale and lawn. Mine every woodland madrigal, And mine thy singing waterfall That ... — Dreams and Dust • Don Marquis
... is ever altering! Farthingales, patches, were the thing, And courtier, fop, and usurer Would once in powdered wig appear; Time was, the poet's tender quill In hopes of everlasting fame A finished madrigal would frame Or couplets more ingenious still; Time was, a valiant general might Serve who could neither ... — Eugene Oneguine [Onegin] - A Romance of Russian Life in Verse • Aleksandr Sergeevich Pushkin
... in the mountains some seven miles long. It is, I think, Nature's boudoir. Its tall, steep walls are hung with foliage—a trembling, precious arras, which spring will so emblazon with her spruce heraldry that every blowing rod breathes a refreshing madrigal. Its floor is a busy torrent—fretting its everlasting way by wet, grey rocks, the vivid green of ferns, and now and again a little patch of greensward—a tender lawn for baby elves to play on. Here is a green shelf, ladies, stuck all with cowslips; and there, another—radiant with peering ... — Jonah and Co. • Dornford Yates
... Wit as you will, or you can, in a Madrigal, in little light Verses, in the Scene of a Comedy, which is neither passionate or simple, in a Compliment, in a little Story, in a Letter where you would be merry yourself to ... — Essays on Wit No. 2 • Richard Flecknoe and Joseph Warton
... very few instances—as Haydn's 'Seasons,' e.g.—Oratorios, from some conventional idea of Lent, we may suppose, seem obligated to concern matters sacred. Of course, every body is aware of the prayerful meaning of the name; but we know also that a madrigal has long ago put off its monkish robe of a hymn to the Virgin, and worn the more laic habit of a love song. Now, it is a fact, that very many good men who delight in Handel's melody, and of course cannot object to psalms and anthems, entertain conscientious ... — The Complete Prose Works of Martin Farquhar Tupper • Martin Farquhar Tupper
... ne'er invent. Some judge of authors names not works, and then Nor praise nor blame the writing, but the men. Of all this servile herd the worst is he That in proud dullness joins with quality A constant critic at the great man's board, To fetch and carry nonsense for my lord What woful stuff this madrigal would be, In some starved hackney sonnetteer, or me! But let a lord once own the happy lines, How the wit brightens! how the style refines! Before his sacred name flies every fault, And each exalted stanza teems ... — An Essay on Criticism • Alexander Pope
... song in more regular pace. The tempest grows wilder and more masterful, still following the lines of the song, rising to towering height. And now in the strains, slow and faster, sounds the sigh above and below, all in a madrigal of woe. The whole is surmounted by a big descending phrase, articulate almost in its grim dogma, as it runs into the line of the first legend in full tumult of gloom. It is followed by the doom slowly proclaimed in thundering tones of the brass, in midst of a tempest of surging harmonies. ... — Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp
... on life's deep sea Will be the salts of this chemistry, And the lisp of the infantile A, B, C Be the refrain of this madrigal. ... — Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
... welcoming-cup of wine (i.e. a long slender glass with a beautifully twisted stem), responded to friendly inquiries about his relatives at home, and acknowledged the healths that were drunk in honour of their names; after which Lady Walsingham begged that Mr. Sidney would sing the madrigal he had before promised: afterwards a glee was sung by Sidney, one of the gentlemen, and Lady Walsingham; and it was discovered that Mr. de Ribaumont had a trained ear, and the very voice that was wanting to the Italian song they were practising. And so sped a happy ... — The Chaplet of Pearls • Charlotte M. Yonge
... a system of suppers, and after supper was a great time for convivial songs and sentiments. This of course induced drinking to a late hour. Most drinking songs imply the night as the season of conviviality—thus in a popular madrigal:— ... — Reminiscences of Scottish Life and Character • Edward Bannerman Ramsay
... What is Love" Walter Raleigh Wooing Song, "Love is the Blossom where there blows" Giles Fletcher Rosalind's Madrigal, "Love in My bosom" Thomas Lodge Song, "Love is a sickness full of woes" Samuel Daniel Love's Perjuries William Shakespeare Venus' Runaway Ben Jonson What is Love John Fletcher Love's Emblems John Fletcher ... — The Home Book of Verse, Vol. 2 (of 4) • Various
... history, Louis dwelt on few with more pleasure and enthusiasm than the social musical evenings, and said so much on them, that Hamilton's curiosity was at length aroused, after hearing Louis sing two or three times, to wonder what a madrigal could be like. Louis tried to satisfy this craving by singing the treble part, and descanting eloquently on the manner in which the other parts ought to come in; but all in vain he repeated, "There now, Hamilton, you see this is the contralto part; and when ... — Louis' School Days - A Story for Boys • E. J. May
... a heap like a tea-kettle when she's renderin' this yere madrigal, an' that, an' the words, an' all the rest, makes me gloomy an' dejected. I'm shore pinin' away onder these yere malign inflooences, when my old gent notes I ain't recooperatin', an' so he guesses the cause; an' with that he gives Aunt Tilly a ... — Wolfville Days • Alfred Henry Lewis
... kinds of music: and so clear His singing was, and such a heaven to hear, Men might not speak during his madrigal. Amphion, king of Thebes, that put a wall About the city with his melody, Certainly sang not half so well as he. And add to this, he was the seemliest man That is, or has been, since the world began. What needs describe his beauty? since there's none With which to make ... — Playful Poems • Henry Morley
... vended by ordinary grocers. He was the milliner of rural belles. He was the purveyor for village songsters, having ever in his pack the most modern and captivating lace and ribbons, and the newest song and madrigal. He was competent by his experience to advise in the adjustment of top-knots and farthingales, and to show rustic beaux the last cock of the hat and the most approved method of wielding a cane. He was an oral 'Belle Assemblee.' He was full of "quips and cranks and wreathed smiles." ... — Old Roads and New Roads • William Bodham Donne
... rural life to be depicted and the level of the style to be adopted. All agreed that the poem should be brief and simple in its fable, characters, and style. But it was therefore a poetic exercise, no more significant, Purney complained, than a madrigal. He was intent upon investing the pastoral with all the major poetic elements—extended, worthy fable; moral; fully-drawn characters; and appropriate expression. For in his mind the poem best incorporates one of the only two true styles, the tender, and therefore warrants a literary status ... — A Full Enquiry into the Nature of the Pastoral (1717) • Thomas Purney
... remarks on and illustrative quotations of, 101; translation of a madrigal found in ... — Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... member of the Academie des Inscriptions. He smiled and turned a madrigal for the Countess Martin with that hereditary harsh, coarse voice with which the Jews, his fathers, pressed their creditors, the peasants of Alsace, of Poland, and of the Crimea. He dragged his phrases heavily. This great philologist knew ... — The Red Lily, Complete • Anatole France |