"Last Supper" Quotes from Famous Books
 ... such hopes flowing over the top of their sorrow, like oil on troubled waters, the little group went back to the upper room, hallowed by memories of the Last Supper, and there waited in prayer and supplication during the ten days which elapsed till Pentecost. So should we use the interval between any promise and its fulfilment. Patient expectation, believing prayer, harmonious association with our ...
— Expositions of Holy Scripture: The Acts • Alexander Maclaren
... you to know the disciples of Jesus just as Leonardo da Vinci painted them four hundred years ago. Leonardo spent months among the men of Milan, Italy, looking into their faces and talking with them. When he began to paint "The Last Supper" he had gathered men together so like these twelve disciples that we feel we can know them as Jesus knew them. For three years those men of old walked with Jesus and talked with him as they went up and down Palestine; and at last, on that wonderful night, they met with Him ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant
... motive alone? Was he perhaps embittered because he had staked his ambition on the Galilean Messiah and Jesus failed to act the part assigned to him? Was he hoping to force him to revolutionary action? We may be sure that Judas was no slinking thief only. In Rubens' picture of the Last Supper at Milano Judas has a strong and noble face, but troubled and restless eyes, telling of a hurt soul. The other disciples were deeply impressed by his betrayal of the Master and of the common cause. Judas is the type of the lost leader. "Just for a handful of silver he left us, just ...
— The Social Principles of Jesus • Walter Rauschenbusch
... work at the Scalzo was the "Birth of the Baptist'' (1526), executed with some enhanced elevation of style after Andrea had been diligently studying Michelangelo's figures in the sacristy of S. Lorenzo. In the following year he completed at S. Salvi, near Florence, a celebrated "Last Supper,'' in which all the personages seem to be portraits. This also is a very fine example of his style, though the conception of the subject is not exalted. It is the last monumental work of importance which Andrea del Sarto lived to execute. ...
— Project Gutenberg Encyclopedia
... alone. As the more thoughtful remarked, Samson was scarce a worthy likeness for one who had had grace to triumph. No, Samson, whose life always seems like a great type in shattered fragments, must be set in juxtaposition with the great Antitype. His conflict with Satan, His Last Supper, His pointing out the Water of Life, His Death and His victory over death, shine forth, giving their own lesson of Who hath won ...
— My Young Alcides - A Faded Photograph • Charlotte M. Yonge
... of the Lord's supper I felt a repetition of the happiness I had while obeying the command of my Saviour and following him into a watery grave. How vividly the last supper which Christ partook of with his disciples presented itself to my mind! and then I looked forward with joyful hope to the day when all the saints of God shall eat bread in his glorious kingdom,—when all of every age and clime ...
— Canadian Wild Flowers • Helen M. Johnson
... phrase, denoting style which eliminates specific and characteristic qualities from objects, replacing them by so-called 'ideal' generalities, had already made its appearance in Raphael, Correggio, and Buonarroti We even find it in Da Vinci's Last Supper. Yet in Raphael it comes attended with divine grace; in Correggio with faun-like radiancy of gladness; in Buonarroti with Sinaitic sublimity; in Da Vinci with penetrative force of psychological characterization. The Caracci and ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... is such as Jesus might have shown as he turned to Judas at the Last Supper. The gentleness in it is of the quality so attractive to children. There is, too, something of the sympathetic element in it ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll
... shiver. "I like to think of the Last Supper, and the Holy Grail—mother used to read about it all to me—she used to tell me all about Parsifal and the ...
— Captivity • M. Leonora Eyles
... 30. a certain precious little tablet: "The 'little tablet' was a famous 'Last Supper', mentioned by Vasari, and gone astray long ago from the Church of S. Spirito: it turned up, according to report, in some obscure corner, while I was in Florence, and was at once acquired by a stranger. I saw it, genuine or ...
— Introduction to Robert Browning • Hiram Corson
... the Jacobite, dared to confess so much to himself; and not solely for Paula's sake. A violent clanging on a cracked metal plate roused him from his meditations by its harsh clamor; the sacrament of the Last Supper was about to be administered: the invariable conclusion of the Jacobite service. The bishop came forth from behind the screen of the inner sanctuary, poured some wine into a silver cup and crumbled into it two little cakes stamped with the Coptic cross. ...
— Uarda • Georg Ebers
... to the mythology of the Romancers, the Sangreal, or Holy Grail, was the cup out of which Jesus partook of the Last Supper with his disciples. It was brought into England by Joseph of Arimathea, and remained there, an object of pilgrimage and adoration, for many years in the keeping of his lineal descendants. It was incumbent upon those who had charge of it to be chaste in thought, word, ...
— What All The World's A-Seeking • Ralph Waldo Trine
... the impulse of love to bite and devour is presented in the following passage from a letter by a lady who associates this impulse with the idea of the Last Supper: "Your remarks about the Lord's Supper in 'Whitman' make it natural to me to tell you my thoughts about that 'central sacrament of Christianity.' I cannot tell many people because they misunderstand, and a clergyman, ...
— Studies in the Psychology of Sex, Volume 3 (of 6) • Havelock Ellis
... new. Note the effigy in stone lying in the recess of the first window of the N. aisle, believed to be that of Bernard de Baliol, founder of the Preceptory of Knights Templars at Temple Dinsley (3 miles S.), and the mosaics of the reredos, representing the Last Supper, Christ and the woman of Samaria, Moses striking the rock, and other subjects from Scripture. The screens of carved oak, between the aisles and chancel aisles, are among the finest in the county. Memorials are numerous; some ancient brasses having been brought to light during restoration. ...
— Hertfordshire • Herbert W Tompkins
... of optics, for example, that all straight lines having a common direction if sufficiently prolonged appear to meet in a point, i.e., radiate from it (Illustration 31). Leonardo da Vinci employed this principle of perspective in his Last Supper to draw the spectator's eye to the picture's central figure, the point of sight toward which the lines of the walls and ceiling converge centering in the head of Christ. Puvis de Chavannes, in his Boston Library decoration, leads the eye by a system of triangulation to the small figure ...
— The Beautiful Necessity • Claude Fayette Bragdon
... and taketh bread, and giveth them, and fish likewise." And with this association was connected, as we learn from the pictures in the catacombs, a still deeper symbolic meaning, in which it represented the body of our Lord as given to his apostles at the Last Supper. In the Cemetery of Callixtus, very near the recently discovered crypt of Pope Cornelius, are two square sepulchral chambers, adorned with pictures of an early date. Those of the first chamber have almost utterly perished, but on the wall of the ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various
... Lord's Passion are somewhat indeterminate. Krummacher begins with the Triumphal Entry into Jerusalem, Tauler with the Feet-washing before the Last Supper, and Rambach with Gethsemane; most end with the Death and Burial; but Grimm, a Roman Catholic, the latest writer on the subject, means to extend his Leidensgeschichte to the end of the Forty Days. Taking the word "passion" in the strict sense, ...
— The Trial and Death of Jesus Christ - A Devotional History of our Lord's Passion • James Stalker
... figures of Christs and Marys,—and Juan de Juanes, the founder of the Valentian school, who brought back from Italy the lessons of Raphael's studio, that firmness of design and brilliancy of color, and whose genuine merit has survived all vicissitudes of changing taste. He has here a superb Last Supper and a spirited series of pictures illustrating the martyrdom of Stephen. There is perhaps a little too much elaboration of detail, even for the Romans. Stephen's robes are unnecessarily new, and the ground where he is stoned is profusely covered with convenient round missiles ...
— Castilian Days • John Hay
... sacramental bread; for all the people of the east use butter, or oil, or fat from a sheeps tail, in their bread, instead of leaven. They pretend also to have of the flour of which the bread was made which was consecrated by our Lord at his Last Supper, as they always keep a small piece of dough from each baking, to mix up with the new, which they consecrate with great reverence. In administering this to the people, they divide the consecrated loaf first into twelve portions, after the number of the apostles, which they ...
— A General History and Collection of Voyages and Travels, Vol. 1 • Robert Kerr
... deceive yourselves, my dear brothers in Epicurus!" said the superintendent; "I will not make a comparison between the most humble sinner on the earth and the God we adore, but remember, he gave one day to his friends a repast which is called the Last Supper, and which was nothing but a farewell dinner, like that which we are making ...
— The Vicomte de Bragelonne - Or Ten Years Later being the completion of "The Three - Musketeers" And "Twenty Years After" • Alexandre Dumas
... the Gladiator in the Louvre may be cited as the exponent of corporeal beauty; the face of the Apollo Belvedere as that of intellectual and physical; and the Santo Sisto Madonna of Raphael, and the Christ of the Last Supper by Leonardo da Vinci, for spiritual. Through these radiant creations we look into the transcendent minds of their artists with a chastened, exalting joy, not unmingled with pride in our brotherhood with such beauty-lifted co-workers ...
— Essays AEsthetical • George Calvert
... shabby S. Marcuola, her campo, traghetto, and steamer station. S. Marcuola, whose facade, having never been finished, is most ragged and miserable, is a poor man's church, visited by strangers for its early Titian and a "Last Supper" by Tintoretto. The Titian, which is dark and grimy, is quite pleasing, the infant Christ, who stands between S. Andrew and S. Catherine on a little pedestal, being very real and Venetian. There are, however, who deny Titian's authorship; Mr. Ricketts, ...
— A Wanderer in Venice • E.V. Lucas
... quartern loaf was also given to each, and the contents rapidly disappeared. As the fragrant steam mounted provokingly from the soup-basins up to the gallery, Mr. Wright took occasion to mention that at the last supper Mr. Clark, of the New Cut, furnished the soup gratuitously—a fact which he thought deserved to be placed ...
— Mystic London: - or, Phases of occult life in the metropolis • Charles Maurice Davies
... the following meditations with the short history of the Last Supper given in the Gospel will discover some slight differences between them. An explanation should be given of this, although it can never be sufficiently impressed upon the reader that these writings have no pretensions whatever to add an iota to Sacred Scripture ...
— The Dolorous Passion of Our Lord Jesus Christ • Anna Catherine Emmerich
... and a golden goblet with wine in it and a golden patten with a thin slice of bread on it were placed on a little round ebony table. It was the Holy Sacrament of the Lord's Supper, the last supper such as the sick unto death ...
— A Hungarian Nabob • Maurus Jokai
... hand at this time than this one sentence; for it will be enough for us to consider this well, and to bear it away with us. "This I command unto you, that ye love one another." Our Savior himself spake these words at His last supper: it was the last sermon that He made unto His disciples before His departure; it is a very long sermon. For our Savior, like as one that knows he shall die shortly, is desirous to spend that little time that He has with His ...
— The World's Great Sermons, Volume I - Basil to Calvin • Various
... the cup from which our Saviour drank at his last supper. He was supposed to have given it to Joseph of Arimathea, who carried it to Europe, together with the spear with which the soldier pierced the Saviour's side. From generation to generation, one of the descendants of Joseph of Arimathea ...
— Bulfinch's Mythology • Thomas Bulfinch
... illustrate his books. Art was beautiful, of course—it brought in an income, made friends and brought him close to people who saw nothing unless you made a picture of it. He made pictures for recreation and to amuse folks, and his threat to put the peeping Prior into the "Last Supper," posed as Judas, revealed his contempt for the person to whom a picture was just a picture. The marvel to Leonardo was the mind that could imagine, the hand that could execute, and the soul that ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... seriously ill because he had been seen with a lady. In the long-run he is saved by a young man—rightly called a "fool"—who cannot tolerate the sight of a woman. What it all means—the grotesque parody of the Last Supper, the death of the last woman in the world, the spear which has caused the Abbot's wound and then cures it—these are not matters to be entered into here. Some of the music ...
— Wagner • John F. Runciman
... of March, Caesar was at a "Last Supper" at the house of Lepidus. The conversation turned on death, and on the kind of death which was most to be desired. Caesar, who was signing papers while the rest wore talking, looked up and said, "A sudden one." When great men die, imagination insists that ...
— Caesar: A Sketch • James Anthony Froude
... steel steamships, growing in grace and beauty as I watch, and I say, "They couldn't do that then, old man!" Just as the physical energy in this universe is a definite totality, so is the intellectual or spiritual energy. The Da Vinci of to-day leaves his Last Supper undepicted; but he drives a Tube through the London clay. Cellini no longer casts a Perseus and alternates a murder with a Trattato; he builds engines and railroads and ships. Michael Angelo smites no sibyls from the living stone, but he has carved the face of the very earth ...
— An Ocean Tramp • William McFee
... out of controversy; for Bellarmine acknowledgeth(1230) that the apostles could not externally adore Christ by prostrating themselves in the last supper, quando recumbere cum eo illis necesse erat; where we see he could guess nothing of the change of their gesture. Intelligendum est, saith Jansenius,(1231) dominum in novissima hac coena, discubuisse ...
— The Works of Mr. George Gillespie (Vol. 1 of 2) • George Gillespie
... its incongruities." His genius was shown in the design of the cartoon intended for the council-chamber at Florence, which he capriciously abandoned, wherein the group of horsemen might fairly rival the greatness of Michael Angelo himself; and in the well-known "Last Supper," in the refectory of the Dominicans at Milan, best known, however, from the copies which remain of it, and the studies which remain. Fra Bartolomeo, "the last master of this period, first gave gradation ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various
... the appearance of being really intended for the Last Supper than most of the paintings of this class. The central figure has a certain dignity about it. Upon the round plates on the table are fishes, and the eight baskets are full of bread. It may be a Christian painting of a bad period, and intended ...
— Museum of Antiquity - A Description of Ancient Life • L. W. Yaggy
... said—at my first and last supper—that money and station are the mere veneer of life, the central reality is love. That is true, if by love you read the love of God, of Christ. Do you remember my going one day over the works with your poor father? ...
— The Grey Wig: Stories and Novelettes • Israel Zangwill
... and the Good Book, which is always Itself in the cheapest and commonest company. The father of the family with his hand in the breast of his coat, the mother of the same in a wide-bordered cap, sometimes a print of the Last Supper, by no means Morghen's, or the Father of his Country, or the old General, or the Defender of the Constitution, or an unknown clergyman with an open book before him,—these were the usual ornaments of the walls, the first two a matter of rigor, the others according ...
— The Atlantic Monthly, Volume V, Number 29, March, 1860 - A Magazine Of Literature, Art, And Politics • Various
... I was givin a descripshun of my Beests and Snaiks in my usual flowry stile what was my skorn disgust to see a big burly feller walk up to the cage containin my wax figgers of the Lord's Last Supper, and cease Judas Iscarrot by the feet and drag him out on the ground. He then commenced fur to pound him ...
— The Complete Works of Artemus Ward, Part 1 • Charles Farrar Browne
... stating that Jesus celebrated the ordinary Jewish passover on the evening between the 14th and 15th of the month Nisan; they therefore represent the crucifixion as taking place on the 15th, after the passover had been eaten. (2) The fourth Gospel places the Last Supper on the evening between the 13th and the 14th of Nisan. It therefore represents the crucifixion as taking place on the 14th, and tacitly denies that Christ ate the usual Jewish passover. (3) The Churches of the province of Asia, which were founded by St. John, were accustomed in the 2nd ...
— The Books of the New Testament • Leighton Pullan
... viz., the Veni Creator in the Ordination Service. Still, metrical hymns have been sung in the Church from Apostolic times, the words of some of which are extant. The "hymn" sung by our Lord and his disciples at the Last Supper was ...
— The Church Handy Dictionary • Anonymous
... said Merlin. "Ah, little knowest thou, Sir Balin, what thou hast done; for in this castle and that chamber which thou didst defile, was the blood of our Lord Christ! and also that most holy cup—the Sangreal—wherefrom the wine was drunk at the last supper of our Lord. Joseph of Arimathea brought it to this land, when first he came here to convert and save it. And on that bed of gold it was himself who lay, and the strange spear beside him was the spear wherewith the soldier Longus smote our Lord, which evermore had dripped with ...
— The Legends Of King Arthur And His Knights • James Knowles
... blood. If there was a change, our sense would give us evidence of that change. The bread remains bread, and the wine, wine. But more than this, I see no authority in Scripture for this belief. Christ told us to take bread and wine in remembrance of the last supper He took with His disciples on earth, or rather, of the great sacrifice which He was about to offer up, the last, the only one which God would ever accept, all previous ones being types of this; promising us the same support to our spiritual nature ...
— The Ferryman of Brill - and other stories • William H. G. Kingston
... Prime Minister, the founder of a long line of statesmen, foremost as champions of Church and Book, suggested the getting rid of O'Neill by some "poisoned Hosts." This proposal to use the Blessed Sacrament as a veritable Last Supper for the last great Irish chief remains on record, was ...
— The Crime Against Europe - A Possible Outcome of the War of 1914 • Roger Casement
... Primate's express directions to "repair and new make the broken crucifix." The holy table was set altar-wise against the wall, and a cloth of arras hung behind it embroidered with the history of the Last Supper. The elaborate woodwork of the screen, the richly-embroidered copes of the chaplains, the silver candlesticks, the credence-table, the organ and the choir, the genuflexions to the altar, recalled the elaborate ...
— Stray Studies from England and Italy • John Richard Green
... when Dick paused to rest and did nothing, Crusoe looked mild for a moment, and yawned vociferously. Presently Dick moved—up went the ears again and Crusoe came—in military parlance—"to the position of attention!" At last supper was ready and ...
— The Dog Crusoe and his Master • R.M. Ballantyne
... in connection with the great annual festivals, as well as in connection with other great national and religious events. Our Lord, Himself, observed a most solemn preparatory service with His disciples before He instituted the Last Supper. He not only spoke very comforting words to them, but He also plainly pointed out to them their sins, e.g., their pride, their jealousy, their quarrels, their coming defection, the fall of Peter and the treachery ...
— The Way of Salvation in the Lutheran Church • G. H. Gerberding
... invasion of Italy by Charles VIII. of France, and the subsequent invasion of Milan by Louis XII., which ended in the destruction of the Duke Ludovico. The greatest work of all, and by far the grandest picture which, up to that time, had been executed in Italy, was the "Last Supper," painted on the wall of the refectory, or dining-room, of the Dominican convent of the Madonna delle Grazie. It occupied Leonardo about two ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... the bridegroom, offereth himself at his last supper, which he had with his disciples, his body to be eaten, and his blood to be drunk. And to the intent that it should be done to our great comfort; and then again to take away all cruelty, irksomeness, and horribleness, he sheweth unto us how we shall ...
— Sermons on the Card and Other Discourses • Hugh Latimer
... follows: At a time when the pure faith of Christ was in danger from the power and craft of His enemies, there came to its defender, Titurel, angelic messengers of the Saviour's, and gave into his keeping the Chalice from which He had drunk at the Last Supper and into which the blood had been gathered from His wounds as He hung upon the Cross; likewise the Spear with which His side had been pierced. Around these relics Titurel built a temple, and an order of knighthood grew. The ...
— The Wagnerian Romances • Gertrude Hall
... Vinci would walk across Milan to change a single tint or the slightest detail in his famous picture of the Last Supper. "Every line was then written twice over by Pope," said his publisher Dodsley, of manuscript brought to be copied. Gibbon wrote his memoir nine times, and the first chapters of his history eighteen ...
— Pushing to the Front • Orison Swett Marden
... there are three windows, filled in with stained glass, of sweet design, but defective in representative effect. The colours are nicely arranged; but with the exception of a very small medallion in the centre, referring to the Last Supper, they give you no idea of anything living, or dead, or yet to be made alive. The windows were put in by the late T. Miller, Esq;, C. R. Fletcher Lutwidge, Esq.; and J. Bairstow, Esq., and they Cost 90 ...
— Our Churches and Chapels • Atticus
... afternoon in the Gallery of the Louvre in Paris, a vision of the perfect adjustment of our seemingly conflicting relations to Caesar and to God shone forth to me, in the divine gesture of the Master in Da Vinci's wonderful painting of the Last Supper, where the hand turned downward lays hold of the things of earth, and the hand turned upward grips the things which are eternal, both of which obligations are glorified in those later words of the Saviour spoken out of the agony of the Cross: ...
— Masterpieces of Negro Eloquence - The Best Speeches Delivered by the Negro from the days of - Slavery to the Present Time • Various
... perhaps had even a greater influence on dramatic literature than his master. Matteo Bandello was born at the end of the fifteenth century at Castelnuovo di Scrivia near Tortona. He lived mainly in Milan, at the Dominican monastery of Sta. Maria delle Grazie, where Leonardo painted his "Last Supper." As he belonged to the French party, he had to leave Milan when it was taken by the Spaniards in 1525, and after some wanderings settled in France near Agen. About 1550 he was appointed Bishop of Agen by Henri II., and he died some time after 1561. To do him justice, ...
— The Palace of Pleasure, Volume 1 • William Painter
... Duke was a married man, and the good wife must be placated. She had turned to religion when her lover's love grew cold, just as women always do; and for her Leonardo painted the "Last Supper" in the dining-room of the monastery which was under her especial protection, ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... Melancholia Detail from "The Agony in the Garden" Angel with Sudarium The Small Horse The Great Fortune, or Nemesis Silver-point Drawing St. Michael and the Dragon Detail from "The Meeting at the Golden Gate" Detail from "The Nativity" Duerer's Armorial Bearings Christ haled before Annas The Last Supper Saint Antony, Metal Engraving "In the Eighteenth Year" "Una Vilana Wendisch" ...
— Albert Durer • T. Sturge Moore
... from him (conf. p. 285 with note on 2 Cor. xii. 14 and xiv. 1); he attributes the words, "It is good for a man not to touch a woman" (1 Cor. vii. 1) to St. Paul, not to those who wrote to him; and he thinks the history of the Last Supper was revealed to the Apostle directly in a trance—as to which he might be corrected by Professor Plumptre's explanation of St. Paul's "going up to Jerusalem by revelation" in the note on Acts xv. 2. But these are comparatively small blots, ...
— The Contemporary Review, Volume 36, September 1879 • Various
... family. He is a Canaanite. He is, unquestionably, greater than Abraham. Of his origin, his ancestry and his descendants, we have no account. He brought forth bread and wine. So did his antitype at the Last Supper. The priesthood of Melchizedek was before that of Aaron. Aaron was a Levite, and Levi paid tithes to Melchizedek in Abraham, his ancestor. And the author of the Epistle to the Hebrews argues most conclusively ...
— The Theology of Holiness • Dougan Clark
... we have only a lifeless relic in the hand; the soul is gone. It is the white wafer of the sacrament, but how shall that rouse in us the emotions of the beloved disciple lying on the Lord's breast on the night of the Last Supper? ...
— Life of St. Francis of Assisi • Paul Sabatier
... complete absence of reserve and a disregard of pedantic accuracy, about the lives and adventures of the actresses who figure there. She can tell you, and does, who presented LOTTIE A. with a diamond star, and who was present at the last supper-party in honour of TOTTIE B. Nor is she averse to being seen and talked about in a box at a Music-Hall, or at one of the pleasure-palaces in Leicester Square. She allows the young men who cluster round her to suppose that she knows all about their lapses from strict propriety, and that she commends ...
— Punch, or the London Charivari, Vol. 98, March 15, 1890 • Various
... remarkable conversation of the Last Supper, as recorded in the Gospels. Then also was performed that first celebration of the Holy Communion, the Mystic significance of which shall be explained in a later lesson. Then Jesus chanted the ...
— Mystic Christianity • Yogi Ramacharaka
... of those vivid scenes of crowded movement, which occur so often at this period of the master's development—a group of excited soldiers pressing round the Cross, with fluttering pennons and prancing steeds. The predella hung just below, contains four subjects—"Christ in Gethsemane," "The Last Supper," "The Betrayal," and "The Flagellation." Unfortunately, both pictures are so badly lighted that it is almost impossible except on a very bright day to appreciate the colour. The scenes in this predella are nearly the same as in that of the Florence ...
— Luca Signorelli • Maud Cruttwell
... According to legend, the Holy Grail is the cup or bowl from which Christ drank at the Last Supper, and which was used by Joseph of Arimathea to receive the blood from Christ's wounds when his body was removed from the cross. The Grail was taken to England by Joseph of Arimathea, and at his death it remained in the keeping of his descendants. But ...
— Narrative and Lyric Poems (first series) for use in the Lower School • O. J. Stevenson
... the woman anointing the feet of Jesus. The next number is an aria for soprano, "Only bleed, Thou dearest Heart," which follows the acceptance by Judas of the thirty pieces of silver, and which serves to intensify the grief in the aria preceding it. The scene of the Last Supper ensues, and to this number Bach has given a character of sweetness and gentleness, though its coloring is sad. As the disciples ask, "Lord, is it I?" another chorale is sung, "'Tis I! my Sins betray me." Recitative of very impressive character, conveying the divine injunctions, ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... essentially Cymric. [Footnote: See the excellent discussion of this interesting problem in the introduction to "Contes populaires des anciens Bretons" (pp. 181 et seq.).] In the eighth century a Breton hermit had a vision of Joseph of Arimathea bearing the chalice of the Last Supper, and wrote the history called the Gradal. The whole Celtic mythology is full of the marvels of a magic caldron under which nine fairies blow silently, a mysterious vase which inspires poetic genius, gives wisdom, reveals the future, ...
— Literary and Philosophical Essays • Various
... lives in his times, the more he is impelled to create. In the midst of his best years of painting, Lionardo da Vinci was called off to build canals, and Caesar Borgia kept him busy for two years in planning and constructing fortifications. Immediately before that time he had finished his famous Last Supper, in Milan, and immediately afterwards he painted the Battle of Anghiari—now lost—which was the picture of his that most strongly impressed ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... explains, was followed by war in heaven and by the expulsion of the rebel angels. During his fall from the heights of heaven to the depths of hell, the emerald, dropping out of Satan's crown, fell upon earth. There it was fashioned into the cup or dish which Our Lord used during the Last Supper, and in which Joseph of Arimathea caught a few drops of blood which flowed from His side. After the Crucifixion the Jews walled Joseph alive in a prison, where he was sustained in good health and spirits by the Holy Grail, which ...
— The Book of the Epic • Helene A. Guerber
... feelings:—'After I had propounded to the church that my desire was to walk in the order and ordinances of Christ with them, and was also admitted by them: while I thought of that blessed ordinance of Christ, which was his last supper with his disciples before his death, that scriptures, "this do in remembrance of me," was made a very precious word unto me; for by it the Lord came down upon my conscience with the discovery of his death for ...
— The Works of John Bunyan • John Bunyan
... such a rage, like the brutal man that he was, that he jumped down and ran after him as far as the Canto de' Pazzi. In the cemetery of S. Maria Nuova, also, below the Ossa, he painted a S. Andrew, which gave so much satisfaction that he was afterwards commissioned to paint the Last Supper of Christ with His Apostles in the refectory, where the nurses and other attendants have their meals. Having acquired favour through this work with the house of Portinari and with the Director of the hospital, he was appointed to paint a part of the principal chapel, of which another ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 3 (of 10), Filarete and Simone to Mantegna • Giorgio Vasari
... him and St. Cecilia, stands the evangelist St. John. Painters and scholars alike have always seen in this figure the beloved disciple, the one who leaned on the Lord's breast at the last supper, and they delight to show him as a young man of refined and beautiful countenance. His hand, with the parted fingers, seems to make a gesture bidding one listen, and his face has a look of rapture. It was natural indeed ...
— Raphael - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... remains there (miraculously comforted, so that the time seems to him but as a day or two) till delivered by Titus. Then he and certain more or less faithful Christians set out in charge of the Holy Graal, which has served for the Last Supper, which holds Christ's blood, and which is specially under the guardianship of Joseph's son, the Bishop "Josephes," to seek foreign lands, and a home for the Holy Vessel. After a long series of the wildest adventures, in which the personages, whose ...
— The Flourishing of Romance and the Rise of Allegory - (Periods of European Literature, vol. II) • George Saintsbury
... Madonna dell' Orto there are more distinguished single examples of Tintoretto's realising faculty. The 'Last Supper' in San Giorgio, for instance, and the 'Adoration of the Shepherds' in the Scuola di San Rocco illustrate his unique power of presenting sacred history in a novel, romantic framework of familiar things. The commonplace circumstances of ordinary life ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... selection of paintings which may be considered one of the most recherchee in Paris; a landscape by Dominichino is quite a gem, and he has scarcely a painting in his numerous collection but must be admired; his copy of the Last Supper by Leonardo da Vinci is perhaps the best that has ever been executed, and affords a most exact idea of the original, which is now, alas! nearly if not entirely defaced. To see these, as well as many other very excellent ...
— How to Enjoy Paris in 1842 • F. Herve
... their God before the fall. But this is certain, that one of our Lord's last acts of social worship on earth was to sing a hymn with his disciples. Few, therefore, can be slow to understand, that if Christ and his disciples broke forth in holy song, immediately after the solemnities of the Last Supper, and just before the Shepherd was smitten, and the sheep were scattered; and if Paul and Silas sung praises unto God in their prison-house, congregational worship may always be the better for such helps. Add to ...
— The Mirror of Literature, Amusement, and Instruction, No. 565 - Vol. 20, No. 565., Saturday, September 8, 1832 • Various
... jump a great deal of the time: she was runner of errands and maid of all work to set the table and clear it was only a trifle in the list of her every-day duties and they were not ended till the last supper dish was put away and the hearth swept up. Miss Fortune never spared herself, and never spared Ellen, so long as she had any ...
— The Wide, Wide World • Elizabeth Wetherell
... he knew nothing, and when at last supper was announced, and he followed his cousin to the dining room, he started in surprise as his eye fell on the dark-eyed girl who, with a heightened bloom upon her cheek, presided at the table with so much grace and dignity. Whether intentionally or not, we cannot say, but Nellie failed ...
— Cousin Maude • Mary J. Holmes
... solitude of the grove, where, in a twilight rustling with streams, the chapels lifted their white porches. Peering through the grated door of each little edifice, Odo beheld within a group of terra-cotta figures representing some scene of the Passion—here a Last Supper, with a tigerish Judas and a Saint John resting his yellow curls on his Master's bosom, there an Entombment or a group of stricken Maries. These figures, though rudely modelled and daubed with bright colours, yet, by a vivacity ...
— The Valley of Decision • Edith Wharton
... voyage across the Atlantic, or a rough journey under torrid suns to the consecrated places,—why are these endurable, and even pleasant? It is because the sentiments which prompt them are full of sweet and noble inspiration. The Last Supper, and Bethany, and the Sepulchre are immortal, because they testify eternal love. Leonidas lives in the heart of the world because he sacrificed himself to patriotism. The martyrs are objects of unfading veneration, because they died ...
— Beacon Lights of History, Volume VII • John Lord
... style, although they do not possess the graceful power of Nanteuil and Edelinck, and are without variety. He was scholar and son-in-law of Volpato, of Rome; himself scholar of Wagner, of Venice, whose homely round faces were not high models in art. The AURORA, OF GUIDO, and the LAST SUPPER, OF LEONARDO DA VINCI, stand high in engraving, especially the latter, which occupied Morghen three years. Of his two hundred and one works, no less than seventy-three are portraits, among which are the Italian poets DANTE, PETRARCH, ARIOSTO, ...
— The Best Portraits in Engraving • Charles Sumner
... above his head, or by bending his arms only to the level of his face. The flat palms are directed towards the person who causes this feeling, and the straightened fingers are separated. This gesture is represented by Mr. Rejlander in Plate VII. fig. 1. In the 'Last Supper,' by Leonardo da Vinci, two of the Apostles have their hands half uplifted, clearly expressive of their astonishment. A trustworthy observer told me that he had lately met his wife under most unexpected circumstances: "She started, opened her mouth and eyes very widely, ...
— The Expression of Emotion in Man and Animals • Charles Darwin
... very pleasant supper together. It was the last supper in the old room, and they determined that it should be a good one. Rufus went out and got some sirloin steak, and brought in a pie from the baker's. This, with what they had already had, ...
— Rufus and Rose - The Fortunes of Rough and Ready • Horatio Alger, Jr
... little dining-room, which was curiously furnished with a green marble dining-table, narrow, as in the pictures of the Last Supper, at which the guests could sit on one side only to be waited on from the other. On it as decoration (it was laid for two, side by side) were some curious straw mats, a few laurel leaves, a little marble statuette of Pan, and ...
— Tenterhooks • Ada Leverson
... any one was unlucky, a sign of an impending quarrel between the parties; but if the person who spilled the salt carefully lifted it up with the blade of a knife, and cast it over his or her shoulder, all evil consequences were prevented. In Leonardo de Vinci's celebrated painting of the Last Supper, the painter has indicated the enmity of Judas by representing him in the act of upsetting the salt dish, with the right hand resting on ...
— Folk Lore - Superstitious Beliefs in the West of Scotland within This Century • James Napier
... Spirit, that growing by little and little in the Increase of Graces, I may be made a fit Member of his mystical Body, which is the Church; nor may ever fall from that holy Covenant that he made with his elect Disciples at the last Supper, when he distributed the Bread, and gave the Cup; and through these, with all who are engraffed into his Society by Baptism. And if I find my Thoughts to wander, I read some Psalms, or some pious Matter, that may keep my ...
— Colloquies of Erasmus, Volume I. • Erasmus
... (though sometimes two or three guilds or two or three plays might be combined), and sometimes, though not always, there was a special fitness in the assignment, as when the watermen gave the play of Noah's Ark or the bakers that of the Last Supper. In this connected form the plays are called the Mystery or Miracle Cycles. [Footnote: 'Miracle' was the medieval word in England; 'Mystery' has been taken by recent scholars from the medieval French usage. It is not connected with our usual word 'mystery,' but possibly ...
— A History of English Literature • Robert Huntington Fletcher
... one of the vaults, "The Last Supper" is sculptured in solid stone; on another, "The Ordination of the Shepherd." Within the church there are several chapels. The first in the southern aisle contains a magnificent fresco by M. Duval, representing Christ ...
— Paris: With Pen and Pencil - Its People and Literature, Its Life and Business • David W. Bartlett
... against transubstantiation, contends that the latter part of the sixth chapter of St. John's Gospel has no reference to the eucharist. If so, St. John wholly passes over this sacred mystery; for he does not include it in his notice of the last supper. Would not a total silence of this great apostle and evangelist upon this mystery be strange? A mystery, I say; for it is a mystery; it is the only mystery in our religious worship. When many of the disciples left our Lord, and apparently on the very ground that this saying was hard, he ...
— Specimens of the Table Talk of S.T.Coleridge • Coleridge
... had finished My last Supper with My disciples, when I had offered Myself to My enemies on the mount, and had resigned Myself to bear a terrible death, and knew that it was approaching very near, so great was the oppression of My tender heart and all My body, that I sweated ...
— Light, Life, and Love • W. R. Inge
... sat without danger to his life; and all who saw it said, one to another: "Surely this is he that shall achieve the Holy Grail." Now the Holy Grail was the blessed dish from which Our Lord had eaten the Last Supper, and it had been brought to the land of Britain by Joseph of Arimathea; but because of men's sinfulness, it had been withdrawn from human sight, only that, from time to time, it appeared ...
— The Junior Classics, V4 • Willam Patten (Editor)
... Christ and the apostles were sitting at the supper-table as in Leonardo's fresco in Milan; not that they were imitating Leonardo, the early mosaics and the miracle plays, influencing and counter-influencing one another, must have determined the composition of the representations of the Last Supper before Leonardo's time; he was not inventing, he was giving the people something they were accustomed to see and the marionettes were similarly following their own traditions. I do not think the apostles were all in their usual places, S. John was next to Christ, but Judas was at one ...
— Castellinaria - and Other Sicilian Diversions • Henry Festing Jones
... attempt was made to depict an uncertain and antiquated custom. It would have been extremely unsuitable in this place to permit the holy company to recline upon cushions. No! it should be made contemporary. Christ should take His Last Supper with the ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... the Langue d'oui. Of all the Round Table traditions, none became so popular in Germany as that of the "San Graal," or "Sang Real" (the real blood). By this was understood a cup or charger, supposed to have served the Last Supper, and to have been employed in receiving the precious blood of Christ from the side-wound given on the cross. This relic is stated to have been brought by Joseph of Arimathea into northern Europe, and to have been intrusted by him to the custody of Sir Parsifal. Wolfram of Eschenbach, in his ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... At last supper was ready,—a great dish of spiced beef and cabbage in the centre of the table; a tureen of thick soup, with force-meat balls and red peppers in it; two red earthen platters heaped, one with the boiled rice and onions, the other with the delicious frijoles ...
— Ramona • Helen Hunt Jackson
... Paymaster Sands, who was also returning to the vessel. He had been traveling all day in the woods, but did not shoot a squirrel. We all proceeded to the Valley City, and had the squirrels cooked for supper, of which we ate heartily, for we were very hungry. This was the last supper I ...
— Reminiscences of Two Years in the United States Navy • John M. Batten
... a word are sometimes determined by accident. Glamour (see p. 145) was popularised by Scott, who found it in old ballad literature. Grail, the holy dish at the Last Supper, would be much less familiar but for Tennyson. Mascot, from a Provencal word meaning sorcerer, dates from Audran's operetta La Mascotte (1880). Jingo first appears in conjurors' jargon of the 17th century. It has ...
— The Romance of Words (4th ed.) • Ernest Weekley
... a sigh. "To think that this is pretty nigh the last supper you'll ever eat in this house, Derette! I could cry with the best when I think ...
— One Snowy Night - Long ago at Oxford • Emily Sarah Holt
... mischief thou wouldst do, with thy passionless ghost of a creed. It is the artists who have brought back joy to the world, who have perceived the soul of beauty in all things. And though they have feigned to paint the Holy Family and the Crucifixion and the Dead Christ and the Last Supper, it is the loveliness of life that has inspired their art. Yea, even from the prayerful Giotto downwards, it is the pride of life, it is the glory of the human form, it is the joy of color, it is the dignity of man, it is the ...
— Dreamers of the Ghetto • I. Zangwill
... paragraphs in which were related, in detail, the doings of the demi-monde, the last supper given by some well-known viveur, the details of some large party in such and such a fashionable club, the result of a shooting match, or of a fencing match between celebrated fencers! There were ...
— Cosmopolis, Complete • Paul Bourget
... lake scenery; but this quiet holiday with her son came to an end, and they had to think of turning homewards. Before doing so, they passed by Milan, enjoyed the opera there, and went to see Leonardo da Vinci's "Last Supper," which Mary naturally much admires; she mentions the Luinis without enthusiasm. While here, the non-arrival of a letter caused great anxiety to Mary, as they were now obliged to return on account of Percy's term commencing, and there was barely enough money for him to travel without her; however, ...
— Mrs. Shelley • Lucy M. Rossetti
... said upon our earth, and the most comprehensive thing, that seems to sweep into itself all the commonplace experience of mankind. Do you remember when He was sitting with His disciples, at the last supper, how He lifted up His voice and prayed, and in the midst of His prayer there came these wondrous words: "For their sakes I sanctify myself, that they also might be sanctified"? The whole of human life is there. Shall a man cultivate himself? ...
— Addresses • Phillips Brooks
... Columbus had no sooner set foot on a new shore than he named it San Salvador, Holy Saviour; and thus he laid his great discovery, America, at the feet of Jesus. Leonardo da Vinci swept the golden goblets from the table of his "Last Supper" because he feared their splendor would distract attention from and dim the glory of the Master himself. The hand that rounded St. Peter's dome reared it in adoration to Christ, and Raphael in painting the Transfiguration laid his masterpiece at the ...
— A Wonderful Night; An Interpretation Of Christmas • James H. Snowden
... precious little tablet. Mr. Browning wrote to Professor Corson that this was a lost "Last Supper" praised by Vasari. The stanza in which this line occurs ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... Pierre was observing these things, and that there was something forced in the half-breed's cheerfulness. But D'Arcambal and Otille seemed completely oblivious of any change. Their happiness overflowed. Philip thought of his last supper at Churchill, with Eileen Brokaw and her father. Miss Brokaw had acted strangely then, and had struggled to hide some secret grief or excitement, as Jeanne was ...
— Flower of the North • James Oliver Curwood
... Like all the heresies which have troubled the Christian church to the present day, they consisted essentially in false views respecting our Saviour's person and office. The beloved disciple who followed Jesus through the whole of his ministry and leaned on his bosom at the last supper, has given us an authentic record of the Redeemer's words and works, in which, as in a bright untarnished mirror, we see both the divine dignity of his person and the true nature of his office as the Redeemer ...
— Companion to the Bible • E. P. Barrows
... considered the rarity of the hands more than the excellence. Three-The, Magi's Offering, by Carlo Maratti, as it is called, and two supposed Paul Veronese,-are very indifferent copies, and yet all are roundly valued, and the first ridiculously. I do not doubt of another picture in the collection but the Last Supper, by Raphael, and yet this is set down at 500 pounds. I miss three pictures, at least they are not set down, the Sir Thomas Wharton, and Laud and Gibbons. The first is most capital; yes, I recollect I have had some doubts on the Laud, though ...
— Letters of Horace Walpole, V4 • Horace Walpole
... an apricot given to her, she leant towards me and said: "We will not eat it, I will give it to Mamma." Alas! our beloved Mother was now too ill to eat any earthly fruit; she would never more be satisfied but by the glory of Heaven. There she would drink of the mysterious wine which Jesus, at His Last Supper, promised to share with us in the Kingdom of ...
— The Story of a Soul (L'Histoire d'une Ame): The Autobiography of St. Therese of Lisieux • Therese Martin (of Lisieux)
... given. Satan gives Judas a dream, and then enters the heart of Caiaphas. Bk. iv. The council in the palace of Caiaphas decree that Jesus must die; Jesus sends Peter and John to prepare the Passover, and eats His Last Supper with His apostles. Bk. v. The three hours of agony in the garden. Bk. vi. Jesus, bound, is taken before Annas, and then before Caiaphas. Peter denies his Master. Bk. vii. Christ is brought before Pilate; Judas hangs himself; Pilate sends Jesus to Herod, ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... At last supper was over, and, as was their custom, the men helped her wash the dishes. Thus the task became a short one. The men settled down to their smoking about the crackling camp fire, and as light still remained at this high altitude, Jo decided on a stroll ...
— The She Boss - A Western Story • Arthur Preston Hankins
... Eycks were certainly before him, though he increased the significance of landscape painting and shewed knowledge of aerial perspective and gradations of tone. Landscape was a distinct entity to him, and could excite the mood that suited his subject, as, for instance, in the side picture of the Last Supper, where the foreground is drawn with such exactness that every plant and even the tiny creatures crawling on the grass ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... corporations of that city, and the reader may smile at the ludicrous combinations. "The Creation" was performed by the Drapers; the "Deluge" by the Dyers; "Abraham, Melchisedech, and Lot," by the Barbers; "The Purification" by the Blacksmiths; "The Last Supper" by the Bakers; the "Resurrection" by the Skinners; and the "Ascension" by the Tailors. In these pieces the actors represented the person of the Almighty without being sensible of the gross impiety. So unskilful were they ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... were extinguished about the time the Christian company said their farewells after the last supper in the Very High Residence, and the hordes themselves appeared to be at rest, leaving Night to reset her stars serenely bright over the city, ...
— The Prince of India - Or - Why Constantinople Fell - Volume 2 • Lew. Wallace
... think of him as a mere individual, eating and drinking, living and competing, on equal terms with other men. We see him magnified by his own legend from the first, with people standing aside to watch and whisper as he passed through the streets of Florence or Milan. "There he goes to paint the Last Supper," they said to each other; and we think of it as already the most famous picture in the world before it was begun. Every one knew that he had the most famous picture in his brain, that he was born to paint it, to initiate the High Renaissance; from Giotto onwards all the painters ...
— Essays on Art • A. Clutton-Brock
... discourse with Satan; death's eve spent in 'singing' and 'sallies of gaiety,' with 'discourses on the happiness of peoples:' these things, and the like of these, we have to accept for what they are worth. It is the manner in which the Girondins make their Last Supper. Valaze, with bloody breast, sleeps cold in death; hears not their singing. Vergniaud has his dose of poison; but it is not enough for his friends, it is enough only for himself; wherefore he flings it from him; presides at ...
— The French Revolution • Thomas Carlyle
... of his staff on Wearyall Hill, the rod took root and became a thorn tree, which blossomed every year as surely as the Feast of the Nativity came round. The "Holy Grail" (the cup of blessing from the Last Supper), which Joseph brought with him, he buried at the foot of Glastonbury Tor, and from the place of its sepulchre gushed forth the Bloody Spring, which may be duly inspected to this day. The pilgrims made more friends ...
— Somerset • G.W. Wade and J.H. Wade
... kinship with the temper of a mountain people. It is as if the living actors in the "Passion Play" of Oberammergau had been transformed into almost illusive groups in painted terra-cotta. The scenes of the Last Supper, of the Martyrdom of the Innocents, of the Raising of Jairus' daughter, for instance, are certainly touching in the naive piety of their life-sized realism. But Gaudenzio Ferrari had many [94] helpmates at the Sacro Monte; ...
— Miscellaneous Studies: A Series of Essays • Walter Horatio Pater
... incident in the Gospel, I should find it difficult to lay my finger on anything more apt for my purpose than the transaction described in St. John xiii. 21-25. It belongs to the closing scene of our Saviour's Ministry. 'Verily, verily, I say unto you,' (the words were spoken at the Last Supper), 'one of you will betray Me. The disciples therefore looked one at another, wondering of whom He spake. Now there was reclining in the bosom of Jesus ([Greek: en de anakeimenos en to kolpo tou 'I.]) one of His disciples whom Jesus loved. To him therefore Simon ...
— The Causes of the Corruption of the Traditional Text of the Holy Gospels • John Burgon
... repast or a triumphant feast, according to the verdict of acquittal or condemnation. Their friend kept his word. Soon after the prisoners were remanded to their cell, a table was spread, and preparations were made for their last supper. There was a large oaken table in the prison, where those awaiting their trial, and those awaiting their execution, met for their coarse prison fare. A rich cloth was spread upon that table. Servants entered, bearing brilliant lamps, which illuminated the dismal vault with an ...
— Madame Roland, Makers of History • John S. C. Abbott
... remain apart and keep their separate identity. I have a fainter recollection, sometimes, of the relics; of the fragment of the pillar of the Temple that was rent in twain; of the portion of the table that was spread for the Last Supper; of the well at which the woman of Samaria gave water to our Savior; of two columns from the house of Pontius Pilate; of the stone to which the sacred hands were bound, when the scourging was performed; of the grid-iron of Saint Lawrence, and ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... buried Sir Adam de Athol, Lord of Jesmond, and Mary, his wife. It is supposed that this Sir Adam gave the Town Moor to the people of Newcastle, though this has been disputed. A fine picture of the "Last Supper," by Giordano, presented by Major Anderson in 1804, hangs in ...
— Northumberland Yesterday and To-day • Jean F. Terry
... first who had a full and right conception of the principle which I wish to inculcate, and he has shown it in his picture of the Last Supper. But it is necessary to distinguish what parts of the picture deserve consideration. It is the decision, the appropriate character of the apostles to the subject; the significance of expression in their several ...
— The Life, Studies, And Works Of Benjamin West, Esq. • John Galt
... of ability, and lived to carry on his traditions of painting in the north of Italy. Leonardo himself had been so erratic, produced so little, and so few of his pictures survive, that many know him best in his pupils' work, or through copies and engravings of his great 'Last Supper'—a picture that became an almost total wreck upon the walls of the Refectory in Milan, for which it was painted. His influence upon his contemporaries at Milan was very great, so that during some years hardly a picture was painted there which did not show a ...
— The Book of Art for Young People • Agnes Conway
... The Last Supper had been treated a hundred times before him, now as a eucharistic sacrament, now as a monastic meal, now as a gathering of friends. What did Leonardo make of it? A study of character. Jesus has just said, "One of you will betray me," and his divine head has sunk ...
— The Age of the Reformation • Preserved Smith
... person to be painted stands before the artist like a world to discover. Michael Angelo said, "one paints, not with one's hands, but with one's brain." Leonardo shocked the prior of the convent delle Grazie by standing for days together opposite the "Last Supper" without touching it with the brush. He remarked of this attitude "that men of the most lofty genius, when they are doing the least work, are then the most active, seeking invention with their minds." The painter is a painter, ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... Helen, that we should shun it, even to rebelling against the Lord of Life? Is it not the door which opens to us immortality? and in that blest moment who will regret that he passed through it in the bloom of his years? Come, then, sister of my soul, and share with thy Wallace the last supper of his Lord; the pledge of the happy eternity to which, by His ...
— The Scottish Chiefs • Miss Jane Porter
... to remember dates," is a familiar cry. There is about as much sense in such a statement as the announcement: "There is no use trying to remember who wrote Henry Esmond, composed the Fifth Symphony, or painted the Last Supper." There is a lot of use in trying to remember anything. The people who argue to the contrary are ...
— The "Goldfish" • Arthur Train
... you know how they stay when they get here," she answered; "I don't believe they ever sleep. Don't you remember the last supper you gave me before we were married, when Mrs. Starr and you all were discussing Mr. Seldon's play? She didn't make a move to go until half-past two, and I was that sleepy I couldn't ...
— The Exiles and Other Stories • Richard Harding Davis
... leading to where the pleasant flowers grow among the cozy moss. Or did she mean to go to the green velvety haughs of the winding river to get her fishing-rod and tackle into working order at the little boat-house, and try to tempt some unwary trout to eat his last supper, as she and her brother Walter used to do in sunny summer evenings ...
— Geordie's Tryst - A Tale of Scottish Life • Mrs. Milne Rae
... number of visiters, both from that country and Italy. In 1014, some monks, on their return from a pilgrimage to Jerusalem, brought with them a part of the napkin with which our Saviour wiped the feet of the apostles at the Last Supper; and, in order to prove its authenticity, they passed it uninjured through the flames. This kind of miracles, which were in such favour with the ignorant multitude in those days, produces no effect, ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 19, Issue 551, June 9, 1832 • Various
... a big wedding-cake. "Last Supper" in the barracks—did not "thrill;" tried to, but couldn't, as the picture is so dim it can hardly be seen. Ambrosian Library.—Lock of L. Borgia's hair; tea-coloured and coarse. Don't believe in it a bit. Jolly old books, but couldn't touch 'em. Fine window to Dante. ...
— Shawl-Straps - A Second Series of Aunt Jo's Scrap-Bag • Louisa M. Alcott
... momentarily expect, is the son of Titurel, the founder of the temple erected on Mount Salvat for the reception of the Holy Grail, a vessel in which Joseph of Arimathea caught a few drops of blood from the dying Redeemer's side, after it had served as chalice during the Last Supper. Titurel, feeling too old to continue his office as guardian of the Grail, appointed Amfortas as his successor, giving him the sacred lance which pierced the Saviour's side, and told him that none could resist him as long as he wielded it ...
— Stories of the Wagner Opera • H. A. Guerber
... remarkable carvings, as exhibited upon the facade, has two graceful towers and is elaborately finished within. The church contains a half dozen oil paintings by Antonio de Torres, which bear the date 1720. The finest of these is that of "The Last Supper." The very elegant interior of the chapel of the Purisima was not completed until so late as 1886, and is justly considered the finest modern church structure in Mexico. As one passes out into the surrounding squalor and obtrusive poverty, it is impossible not to ...
— Aztec Land • Maturin M. Ballou
... adventures caused by the military control of strangers, I reached Milan, where I allowed myself to stay three days to see the sights. Without any official guide to help me, I contented myself with following up the simplest directions I could obtain to the Brera, the Ambrosian Library, the 'Last Supper' of Leonardo da Vinci, and the cathedral. I climbed the various roofs and towers of this cathedral at all points. Finding, as I always did, that my first impressions were the liveliest, I confined my attention in the Brera chiefly ...
— My Life, Volume II • Richard Wagner |
