"Illustrator" Quotes from Famous Books
 ... said, both of Tennyson and another current leading literary illustrator of Great Britain, Carlyle—as of Victor Hugo in France—that not one of them is personally friendly or admirant toward America; indeed, quite the reverse. N'importe. That they (and more good minds than theirs) cannot span the vast revolutionary arch thrown ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... genius, but he does not know the art of "effect" so well as Monsieur Daumier; and, if we might venture to give a word of advice to another humorous designer, whose works are extensively circulated—the illustrator of "Pickwick" and "Nicholas Nickleby,"—it would be to study well these caricatures of Monsieur Daumier; who, though he executes very carelessly, knows very well what he would express, indicates perfectly the attitude and identity of his figure, and is quite aware, beforehand, ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... of Neeland's Mills, who has had years more study than you have, more years of advantage, and who now is an illustrator without anything in particular to distinguish him from the ...
— The Dark Star • Robert W. Chambers
... while Mr. Stockton was in Bok's office, A. B. Frost, the illustrator, came in. Frost had become a full-fledged farmer with one hundred and twenty acres of Jersey land, and Stockton had a large farm in the South which was a financial burden ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok (1863-1930)
... artificial aid from the government the illustrator has a wide popular support and works for the public in a normal way; and, therefore, illustration has been one of the healthiest and most vigorous forms of modern art. The portrait-painter, too, is producing something he knows to be wanted, ...
— Artist and Public - And Other Essays On Art Subjects • Kenyon Cox
... should never have attempted the representation of Irving as a mummer, nor literally as Irving disguised as this one or that one, but as Irving—the artistic exponent of other great artists' conceptions—Irving, the greatest illustrator of the greatest men's creations—he himself being ...
— The Story of My Life - Recollections and Reflections • Ellen Terry
... was the creating not only of a new school of wood-engraving, but of an entirely distinct department for art workers, the school of the illustrator; and so we have Abbey, Reinhart, Quartley, and, later, Church, Smedley, Dana Gibson, and dozens of others whose names will readily come to your minds and of whose ...
— Outdoor Sketching - Four Talks Given before the Art Institute of Chicago; The Scammon Lectures, 1914 • Francis Hopkinson Smith
... of six or eight feet of poster that they had brought to show J. and that needed a great deal of manipulation to bring in at all, they looked as if the stable, not the studio, was their workshop. And one young genius of an illustrator, who could not afford to ride, and who I do not believe had ever been on a horse in his life, could not mount the bus in his near suburb without putting on riding breeches. But Phil May's dress was as essentially ...
— Nights - Rome, Venice, in the Aesthetic Eighties; London, Paris, in the Fighting Nineties • Elizabeth Robins Pennell
... book is to be illustrated, an illustrator must be engaged, and furnished with a set of early proofs of the book from which to select the points or situations to illustrate. When the drawings are finally approved they are carefully looked over, marked to ...
— The Building of a Book • Various
... Alma laughingly. "Just as if the cook didn't like her handiwork praised! Why, when I draw a picture—oh, and I haven't told you!" she broke off excitedly. The next instant she was on her feet. "Alma Mead Kelsey, Illustrator; at your service," she announced with a low bow. Then she dropped into her seat again ...
— Across the Years • Eleanor H. Porter
... Laer, Asselyn. But the palm remains with the landscapists of Holland; with Wynants the painter of morning, with Van der Neer the painter of night, with Ruysdael the painter of melancholy, with Hobbema the illustrator of windmills, cabins, and kitchen gardens, and with others who have restricted themselves to the expression of the enchantment of nature ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... Lambs', the Players', the Friars', the Coffee-House, the Pen-and-Ink,—and the other resorts of the artist, the author, the actor, and the Bohemian. It was in these that Archie spent most of his time, and it was here that he made the acquaintance of J. B. Wheeler, the popular illustrator. ...
— Indiscretions of Archie • P. G. Wodehouse
... is the distinct office of fiction, which, while free in many respects, should still be essentially true. The poetry and fiction of a country should be the worthy companion to its history. The true poet should be the interpreter and illustrator of life. While the historian describes events and the outward lives of men, the poet penetrates into the inner life, and portrays the spirit that moves them. The historian records facts; the poet records feelings, thoughts, hopes, and desires; the historian keeps ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... the very "mark and figure" of this spaniel, the late able illustrator of so many topographical works (Mr James Storer) published in his "Rural Walks of Cowper"[49] a figure of Beau, from the stuffed skin in the possession of Cowper's kinsman, the ...
— Heads and Tales • Various
... admit. No attempt is made to represent all the sides of the painter's art; his portraits are ignored and his Madonnas inadequately represented, in order to give place to pictures which awaken as many points of interest as possible. Within these narrow limits Raphael, as an illustrator and a composer, is even in these few ...
— Raphael - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... decorators there is, of course, that odd little world sometimes called Bohemia, about which very little need be said. Every master, be he academician, New Englisher, or comic illustrator, is followed by a tail of lads and lasses whose business it is to sing the great man's praises and keep up, in the face of disheartening indifference, the pathetic tradition of British immorality. ...
— Pot-Boilers • Clive Bell
... gauloiserie that are the more esteemed. Rops the artist, with the big and subtle style, the etcher of the Sataniques, of Le Pendu, of La Buveuse d'Absinthe and half a hundred other masterpieces, is set aside for the witty illustrator, with the humour of a Rabelais and the cynicism of Chamfort. And even on this side of his genius he has never been excelled, the Japanese alone being his equals in daring of invention, while he tops them in ...
— Promenades of an Impressionist • James Huneker
... Culture a desideratum in her choice of work. Daughters as assistants of their fathers. In law. In medicine. As scientific farmers. Preparation for speaking or writing. Steps in the career of a journalist. The editor. The Advertising writer. The illustrator. ...
— Practical Suggestions for Mother and Housewife • Marion Mills Miller
... Every critic, who has or has not made a collection of black letter books—in itself a useful and respectable amusement,—puts on the seven-league boots of self-opinion, and strides at once from an illustrator into a supreme judge, and blind and deaf, fills his three-ounce phial at the waters of Niagara; and determines positively the greatness of the cataract to be neither more nor less than his three-ounce phial has been ...
— Literary Remains, Vol. 2 • Coleridge
... Rabelais, or his wild illustrator Gustave Dore, must have had something to do with the designing of the things called flats in England and America. There is something entirely Gargantuan in the idea of economising space by piling houses on top of each other, front doors and all. And in the chaos and complexity of those perpendicular ...
— The Club of Queer Trades • G. K. Chesterton
... Thackeray. At heart he was much more in sympathy with the pre-Raphaelites and the love of early romance, whatever his pretence to the contrary in his satire, A Legend of Camelot. But there was no illustrator of his time with a greater gift for the romantic novel of any period; and inevitably, he became, in due course, ...
— George Du Maurier, the Satirist of the Victorians • T. Martin Wood
... of genre subjects, chiefly from English rural life and landscapes. She has also been successful as an illustrator for the Graphic, the Cornhill Magazine, and other publications. Her water-color portraits of Carlyle in his later years are well known. She introduced his cat "Tib" into a portrait ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... was, like Bertha, a book illustrator, and had brought work to show her friend. Warburton glanced at the drawings with a decent show of interest. Presently he inquired after Mrs. Cross, and learnt that she was out of town for a week or so; at once his countenance brightened, and so shamelessly that Bertha had to look ...
— Will Warburton • George Gissing
... things a poetical painter, blending the charm of story and sentiment, the medium of the art of poetry, with the charm of line and colour, the medium of abstract painting. So he becomes the illustrator of Dante. In a few rare examples of the edition of 1481, the blank spaces, left at the beginning of every canto for the hand of the illuminator, have been filled, as far as the nineteenth canto of the Inferno, with impressions of engraved plates, ...
— The Renaissance - Studies in Art and Poetry • Walter Pater
... saints, especially the St. Mark, still recall the Paduan period. They have festoons of grapes and apples hung from the architectural ornaments, and the cast of drapery, showing the form beneath, reminds us of Mantegna's figures. But Gentile soon becomes an illustrator and portrait painter. Much of his work was done in the Scuola of St. Mark, where his father had painted, and this was destroyed by fire in 1485. Early, too, is the fine austere portrait of Lorenzo Giustiniani, in the Academy. In 1479 an ...
— The Venetian School of Painting • Evelyn March Phillipps
... objects of high interest, there is a most excellent library, giving every possible information regarding the contents of this delightful establishment; a statue of the great illustrator of the wonders of nature, Buffon, is here most appropriately placed, as also some paintings of plants and animals. Hence it may be easily imagined that persons who have much leisure, and are fond of the study ...
— How to Enjoy Paris in 1842 • F. Herve
... touch of the pen, to transform "battle'' into "bottle''; for "conquests'' one could substitute a word for which not even Macaulay's school-boy were at a loss; and the result, depicted with rude vigour in his margin, fixed the name of at least one ancient fight on the illustrator's memory. But this plodding and material art had small charm for me: to whom the happy margin was a "clear sky'' ever through which I could sail away at will to more gracious worlds. I was duly qualified by a painfully acquired ignorance of dead languages cautiously to approach my ...
— Pagan Papers • Kenneth Grahame
... engineer. How can one write of these things for a generation which rather admires that inconvenient and gawky muddle of ironwork and Flemish architecture, the London Tower Bridge. When before this, temerarious anticipators have written of the mighty buildings that might someday be, the illustrator has blended with the poor ineffectual splutter of the author's words, his powerful suggestion that it amounted simply to something bulbous, florid and fluent in the vein of the onion, and L'Art Nouveau. But here, it may be, the ...
— A Modern Utopia • H. G. Wells
... either of the latter it is different, for there the canvas or the metal is an integral portion of the object. For instance, take the better parts of Tennyson. Is it not sufficient to read them in a modest foolscap octavo? Do we require external aids? The poet is his own best illustrator, and if we purchase a pictorial edition, we are apt to find that the author and the artist are ...
— The Book-Collector • William Carew Hazlitt
... is copiously illustrated with engravings, some of which are very nice when viewed with the pdf version of the book, but which are not always so good in the html version. Although the name of the illustrator is not given on the title page, the word "Riou" appears on most of the engravings, along with a second, longer, name, which most probably is ...
— Saved from the Sea - The Loss of the Viper, and her Crew's Saharan Adventures • W.H.G. Kingston
... feared is the horse. Nimrod as he is, and the happiest illustrator of the hunting-field that ever was, he seems for ever haunted by a terror of the heels of that noble animal he drew so well—and ...
— Social Pictorial Satire • George du Maurier
... young men who studied it. He soon lost his fortune, partly by gambling and speculation, partly by unsuccessful attempts at running a newspaper, and at twenty-two began for the first time to earn his own living, as an artist and illustrator. An interesting meeting between Thackeray and Dickens at this time (1836) suggests the relative importance of the two writers. Seymour, who was illustrating the Pickwick Papers, had just died, and Thackeray called upon Dickens with a few drawings and ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... Every illustrator has his special predilections in the matter of materials, just as he has in the matter of methods. The purpose of this chapter is, therefore, rather to assist the choice of the student by limiting it than to choose for him. It would be advisable for him to ...
— Pen Drawing - An Illustrated Treatise • Charles Maginnis
... is seen reading a magazine and there is a dance of cover girls. If you have any favorite illustrator you could be one ...
— We Can't Have Everything • Rupert Hughes
... vitality and reality also, "Phiz" rather suggests a famous foreign illustrator, Chodowiecki, who a century ago was in enormous request for the illustration of books of all kinds, and whose groups and figures, drawn with much spirit and roundness, arrested the eye at once and told the situation. Later "Phiz" fell off in ...
— Pickwickian Manners and Customs • Percy Fitzgerald
... door, unless you have them in plenty and can spare them, in which case Take all your guineas with you would be a better one. For you can here get their equivalent, and more than their equivalent, in the choicest products of the press and the finest work of the illuminator, the illustrator, and the binder. You will be sorely tempted. But do not be surprised when you ask the price of the volume you may happen to fancy. You are not dealing with a bouquiniste of the Quais, in Paris. ...
— Our Hundred Days in Europe • Oliver Wendell Holmes
... like this. Miss Hastings' bent on being an illustrator, pays better than teaching, I suppose, or—well, at any rate, that's what she's aiming for,—and she has an idea that if she can only get a series of pictures,—several of them on the same subject, you understand,—accepted by one of those Eastern magazines, she can soon work in with some big publisher ...
— Their Mariposa Legend • Charlotte Herr
... of Castilian Days it has been thought advisable to omit a few chapters that appeared in the original edition. These chapters were less descriptive than the rest of the book, and not so rich in the picturesque material which the art of the illustrator demands. Otherwise, the text is reprinted without change. The illustrations are the fruit of a special visit which Mr. Pennell has recently made ...
— Castilian Days • John Hay
... "March to Finchley." To return, however, to History Painting. According to Rouquet, its leading exponent[19] under George the Second was Francis Hayman of the "large noses and shambling legs," now known chiefly as a crony of Hogarth, and a facile but ineffectual illustrator of Shakespeare and Cervantes. In 1754, however, his pictures of See-Saw, Hot Cockles, Blind Man's Buff, and the like, for the supper-boxes at Vauxhall Gardens, with Sayer's prints therefrom, had made his name familiar, although he had not yet painted those more elaborate compositions ...
— De Libris: Prose and Verse • Austin Dobson
... portraits, made three or four years later, possess almost a Rembrandt strength, unfortunately passion for the grotesque and the fanciful often lending a touch of caricature. Downright ugliness must have had an especial charm for the future illustrator of the Inferno, his unconscious models sketched by the way being uncomely as the immortal Pickwick and his fellows of Phiz. A devotee of Gothic art, he reproduced the mediaeval monstrosities adorning cornice and pinnacle in human types. Equally devoted to nature ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... a bird courtship and marriage with its attendant feast and tragedy, all followed by the long dirge of No. 142, constitutes one of the longest nursery novels. Its opportunities for the illustrator are very marked, and a copy illustrated by the children themselves would be an addition to the joy ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... pale, bright-eyed young Hoosier, was a frequent visitor at Field's. George had just begun to make a place for himself as the author of a column in the News called "Stories of the Street and of the Town"; and John T. McCutcheon, another Hoosier of the same lean type was his illustrator. I believed in them both and took a kind of elder brother interest in ...
— A Daughter of the Middle Border • Hamlin Garland
... interest of most of his works, and will display his varied and vast talent in the portraiture of character and the invention of incident. He is as intent as ever Mr. Cooper was, upon making the novel a teacher and illustrator of opinions. ...
— The International Magazine, Volume 2, No. 3, February, 1851 • Various
... The learned illustrator of the Curiosities of Literature would find the information he desires in the Vorrath zur Geschichte der deutschen dramatischen Dichtkunst of the formerly celebrated J. Christoph Gottsched (Leipzig, 1767-69, ...
— Notes & Queries, No. 42, Saturday, August 17, 1850 • Various
... succeeds so well. He puts before us in chronological order the flowers, birds, and beasts we meet on our highway and byway travels, tells us how to recognize them, what they are really like, and gives us at once charming drawings in words and lines, for Mr. Mathews is his own illustrator."—Boston Journal. ...
— The Farringdons • Ellen Thorneycroft Fowler |
