"Gothic architecture" Quotes from Famous Books
 ... for these gems of monumental art—cost seven millions of francs, and the combined labours of the best living architects and artists of the time, may be considered as the last efflorescence of Gothic architecture, for the spirit of the Renaissance was already making itself felt. It is less, however, the church, in spite of its rich exterior and elegant proportions, that travellers will come to see than ...
— Holidays in Eastern France • Matilda Betham-Edwards
... into a cathedral, which they effected in part by the erection of a dome, and by clearing an open space for a choir. As it at present exists, the temple appears to belong partly to Mahomet, and partly to the Nazarene; and though this jumbling together of massive Gothic architecture with the light and delicate style of the Arabians produces an effect somewhat bizarre, it still remains a magnificent and glorious edifice, and well calculated to excite feelings of awe and veneration within the bosoms of those who ...
— The Bible in Spain • George Borrow
... eminently true of his work On the Language and Wisdom of the Indians (1808). In 1804 he removed to Cologne, where he entered with great eagerness into the work of re-discovering the medieval Lower Rhenish School of religious art and Gothic architecture. In 1808 he, with his wife Dorothea (the daughter of Moses Mendelssohn, who years before this time had left her home and family to become his partner for life), entered the Roman Catholic church, the interests of which engaged much of his energies for the remainder ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. IV • Editor-in-Chief: Kuno Francke
... remained until the suppression, when it passed to the Dean and Chapter of Canterbury. It was not, however, the Abbey of Leeds that rebuilt it as we see it, a poor example it must be confessed in spite of the nobility of the tower, of the latest style of English Gothic architecture, the Perpendicular. It was Sir John Fogge, who for this and other reasons, is the father of the town. He lies in a great tomb in the chancel. As for the Smyths, who lie in the south transept, Thomas, and Alicia his wife held the manor ...
— England of My Heart—Spring • Edward Hutton
... our subject we will quit with one significant anecdote. A certain rural church was somewhat famous for its picturesque Gothic architecture, and equally famous for its sleepy atmosphere, the rules of Gothic symmetry requiring very small windows, which could be only partially opened. Everybody was affected alike in this church; minister and people complained that it was like the enchanted ground in the Pilgrim's ...
— Household Papers and Stories • Harriet Beecher Stowe
... old church of the Templars, dedicated to St. Dominic, of fine Gothic architecture, full of interest for its armorial and other memorials of the knightly defenders of the faith, and of noble Genoese families. Over the edge of the cliff towers the massive Torrione, the original fortress of the Marquis Bonifacio, consecrated in memory as long ...
— Rambles in the Islands of Corsica and Sardinia - with Notices of their History, Antiquities, and Present Condition. • Thomas Forester
... thick woods in the midst of which Senlis sleeps away the modern day. There are other curious and beautiful examples of Gothic building in Senlis: indeed, just here, the experts find the first workings of the principles of pure Gothic architecture, transforming the round-arched, thick-walled Norman building. If for nothing more Senlis would have amply earned its right to live always as ...
— The World Decision • Robert Herrick
... to deliberate as to our future movements. Here we were at Cologne, in Prussia, with the wide world before us, uncertain whither to proceed. It was soon decided, however, that a first duty was to look again at the unfinished cathedral, that wonder of Gothic architecture; to make a pilgrimage to the house in which Rubens was born; to pay a visit to the eleven thousand virgins, and to buy some Cologne water: after which it would be time enough to ...
— A Residence in France - With An Excursion Up The Rhine, And A Second Visit To Switzerland • J. Fenimore Cooper
... went on here; which he fancied to be owing to some temporary and local cause. He did not at that time see that mediaevalism was as dead as a fern-leaf in a lump of coal; that other developments were shaping in the world around him, in which Gothic architecture and its associations had no place. The deadly animosity of contemporary logic and vision towards so much of what he held in reverence was not yet revealed ...
— Jude the Obscure • Thomas Hardy
... The fact that an art which springs from such a marshy soil may, like certain paludal plants, be "wonderful," "gorgeous," and "overwhelming," cannot be denied; but true art it is not. It is so just as little as Gothic architecture is,—that style which, in its efforts to escape beyond the tragic contradiction in its mediaeval heart, yelled its hysterical cry heavenwards and even melted the stones of its structures into a quivering and fluid jet, in order ...
— The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.
... Strasbourg, near the Cathedral. About 1841 his father removed to Bourg, in the Department of Ain, where he was chief government engineer of the department. These two residences of the young artist are supposed to account for the mastery of Gothic architecture and of mountain scenery which his admirers find in his mature work. He showed very early in life a passion for drawing, and, as a small child, had always a pencil in his hand, which he begged to have "sharpened at both ends," that he might work longer without interruption. His ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... public places which I have visited at Lisbon is the Convent of San Geronymo, the church of which is the most beautiful specimen of Gothic architecture in the Peninsula, and is furnished with the richest shrines. Since the expulsion of the monks from the various religious houses in Portugal, this edifice has served as an asylum for orphans, and at present enjoys the particular ...
— Letters of George Borrow - to the British and Foreign Bible Society • George Borrow
... she says, "although there are some fine buildings still left. The old cathedral of St. Sophia, now used as a mosque, is superb in the richness of its design and tracery, and the purity of its Gothic architecture. Opposite the cathedral is the Church of St. Nicholas, now used as a granary. The three Gothic portals are among the finest I have ever seen. Every house in Nikosia possesses a luxuriant garden, and the bazaars are festooned with vines; but the whole place wears, notwithstanding, ...
— Celebrated Women Travellers of the Nineteenth Century • W. H. Davenport Adams
... advice was taken, and the fine tower remains in all its stupendous grandeur, with its flying buttresses, crocketed pyramids and arches, unique in their form; it is said to be one of the largest in Europe, and one of the finest specimens of the decorated style of Gothic architecture. ...
— Barn and the Pyrenees - A Legendary Tour to the Country of Henri Quatre • Louisa Stuart Costello
... centuries this form of Gothic architecture was the highest expression of the sincere feeling for art which inspired the whole northern continent. From a previous chapter, you will remember how the people of the late Middle Ages lived. Unless they were peasants and dwelt in villages, they were citizens of ...
— The Story of Mankind • Hendrik van Loon
... said, communicated with Notre Dame by means of a wooden gallery. This gallery, covered with slate, and hung with magnificent tapestry, ended in a platform, also of wood, erected before the principal entrance, and made to harmonize perfectly with the gothic architecture of this handsome metropolitan church. This platform rested upon four columns, decorated with inscriptions in letters of gold, enumerating the names of the principal towns of France, whose mayors had been deputized to attend the coronation. Above these columns was a ...
— The Memoirs of Napoleon Bonaparte • Bourrienne, Constant, and Stewarton
... this period, that of Saint Louis and the apotheosis of Gothic architecture, that France was at the head of European civilization, therefore in no way can her preeminence ...
— Royal Palaces and Parks of France • Milburg Francisco Mansfield
... crossed by a nave and transepts. Notwithstanding the lapse of ages, and although its beauties were for centuries hidden beneath a variety of hideous excrescences, it remains to-day one of the best specimens of early Gothic architecture extant. In 1682, 1695, 1706, 1737, and 1811 extensive repairs were made. In 1828 the exterior was thoroughly restored and recased with stone, and several unsightly structures that impeded the view of the church were removed. All of these so-called restorations ...
— Lippincott's Magazine Of Popular Literature And Science, Old Series, Vol. 36—New Series, Vol. 10, July 1885 • Various
... gigantic cypress, and the stately and ever-green laurel, streaming with moss, and linking their opposite arms, inflexibly locked in the embrace of centuries, group together, with elaborate limbs and leaves, the chief and most graceful features of Gothic architecture. To these recesses, through the massed foliage of the forest, the sunlight came as sparingly, and with rays as mellow and subdued, as through the painted window of the old cathedral, falling upon aisle and chancel. Scattered around were the forms ...
— The Life of Francis Marion • William Gilmore Simms
... condition then than it now is—I enjoyed them all with an intensity, a freshness or love, which passeth all belief. I had attended Professor Dodd's lectures more than once, and illuminated manuscripts, and had bought me in Marseilles Berty's "Dictionary of Gothic Architecture," and got it by heart, and began to think of making a profession of it, which, if I had known it, was the very wisest thing I could have done. And that this is no idle boast is clear from this, that I in after years ...
— Memoirs • Charles Godfrey Leland
... descent began. Gothic architecture is juggling in stone and glass. It is the convoluted road that ends in a bridecake or a cucumber frame. A Gothic cathedral is a tour de force; it is also a melodrama. Enter, and you will be impressed by the incredible skill of the constructor; perhaps you will be impressed ...
— Art • Clive Bell
... man who wrote the exquisite and wholly unfettered naturalism of the Heart of Midlothian, for instance, thought himself continually bound to seem to feel ashamed of, and to excuse himself for, his love of Gothic Architecture: he felt that it was romantic, and he knew that it gave him pleasure, but somehow he had not found out that it was art, having been taught in many ways that nothing could be art that was not done by a named man under ...
— Hopes and Fears for Art • William Morris
... recollected as the finest specimen extant of pointed Gothic architecture, and termed by the Milanese, the eighth wonder of the world. It is entirely of white marble, and its highest point four hundred feet from the base. A better idea of its minute as well as vast beauty will be afforded by the ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 19, - Issue 552, June 16, 1832 • Various
... The forms of life had become more elaborate—the surface of it more polished—but the life itself remained essentially the same; it was the development of the same conception of human excellence; just as the last orders of Gothic architecture were the development of the first, from which the idea had worked its way till the force of it ...
— The Reign of Henry the Eighth, Volume 1 (of 3) • James Anthony Froude
... along the beautiful gallery that led to the palace. The palace itself, whose apartments had been adorned and furnished with royal magnificence, was entered by a very elegant porch. The grand feasting-hall, with its Gothic architecture, its colored glass, its high chimney-piece covered with escutcheons and surmounted by a statue of Saint-Remi, its portraits of all the kings of France, was resplendent. Three tables were to be set in the royal feasting-hall,—that of the King, that of the Dauphiness, and that of the ...
— The Duchess of Berry and the Court of Charles X • Imbert De Saint-Amand
... prose-poem, is one of the happiest illustrations possible of the language, manners, modes of thought and expression prevalent in England in the fifteenth century. Chivalry was not yet dead, ideals were still cherished, the feudal system still obtained, Gothic architecture had not yet said its last word, Englishmen were papal to the backbone, and religion was a potent factor in their live, in spite of much that was harsh, crude, and violent. "Herein," said Caxton, "may be seen noble chivalry, courtesy, humanity, friendliness, ...
— Studies from Court and Cloister • J.M. Stone
... equally obvious to the traveller or the resident. The beauty and elegance of the cathedral have been celebrated for ages, and I only remind you of it to indulge my national vanity in the reflection that one of the most splendid monuments of Gothic architecture in France is the work of our English ancestors. The edifice is in perfect preservation, and the hand of power has not yet ventured to appropriate the plate or ornaments; but this forbearance will most probably ...
— A Residence in France During the Years 1792, 1793, 1794 and 1795, • An English Lady
... staircase well aired, and, though narrow, it was neither ruinous nor long, but speedily admitted them into a narrow gallery contrived to run within the side wall of the chancel, from which it received air and light through apertures ingeniously hidden amid the florid ornaments of the Gothic architecture. ...
— The Antiquary, Complete • Sir Walter Scott
... are thus quite free from undergrowth, and the noble trees with their smooth ash-coloured stems can be seen in perfection, giving a cathedral aisle effect, which is erroneously said to have suggested the massive columns and groined roofs of Gothic architecture. ...
— Grain and Chaff from an English Manor • Arthur H. Savory
... pitch.—A figured cornice, upon which it rests, is boldly sculptured with foliage.—The chimneys are ornamented by angular buttresses.—All these portions of the building assimilate more or less to our Gothic architecture of the sixteenth century; but a most magnificent oriel window, which fills the whole of the space between the centre and the left-hand divisions, is a specimen of pointed architecture in its best and purest style. The arches are lofty and acute. Each ...
— Architectural Antiquities of Normandy • John Sell Cotman
... by The Seven Lamps of Architecture, in which Ruskin expounded his radical views on this kindred art; The Stones of Venice, an eloquent book enforcing the argument that Gothic architecture sprang from a pure national faith and the domestic virtues; King's Treasuries, a noble plea for good books; Fors Clavigera, a series of ninety-six parts published in eight volumes, the record of his social experiments; Preterita, one of the most ...
— Modern English Books of Power • George Hamlin Fitch
... Looking upward to its lofty summit,—where angels might alight, lapsing downward from heaven, and gaze curiously at the bustle of men below,—I could not but feel that there is a moral charm in this faithful minuteness of Gothic architecture, filling up its outline with a million of beauties that perhaps may never be studied out by a single spectator. It is the very process of nature, and no doubt produces an effect that we know not of. Classic architecture is nothing but an outline, and affords ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... Gothic could be built as high and on as grand a scale as the antique orders of this Michel Angelo." And with this spirit they built a wonderful pyramid over the cross of their cathedral. But, alas! it fell in the fifth year of its arrogant pride, and this is the last we hear of Gothic architecture in those times. Over the wild and picturesque ruins the spirits of the old conquerors of Gaul once more strode with measured tread, and began to set up their prevailing standards in the very strongholds of Gothic supremacy. These conquerors ...
— Atlantic Monthly, Volume 8, Issue 45, July, 1861 • Various
... massive yet graceful pillars to which they are attached, throw the rest of the interior into deeper gloom, brought into sharp contrast with the illuminated portions, by intersecting arch, clustered shaft, and all the endless intricacies of Gothic architecture; exuberant with profusely decorated spandrils, sculptured bosses, light flying buttresses, and delicate fan-like tracery. How beautiful and hushed is all around! Now the stillness is broken by approaching footsteps, and the white-robed ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 364, February 1846 • Various
... . It was strange, perhaps, that I liked his dirty, drunken society; it was stranger still, perhaps, that he liked my society. For hours of the day he would talk with me about Milton or Gothic architecture; for hours of the night he would go where I have no wish to follow him, even in speculation. He was a man with a long, ironical face, and close red hair; he was by class a gentleman, and could walk like one, but preferred, for some reason, to walk like a groom carrying two pails. ...
— Gilbert Keith Chesterton • Maisie Ward
... in the town of Lincoln, I suffered an optical illusion which accidentally revealed to me the strange greatness of the Gothic architecture. Its secret is not, I think, satisfactorily explained in most of the discussions on the subject. It is said that the Gothic eclipses the classical by a certain richness and complexity, at once lively and mysterious. This is true; but Oriental decoration is equally rich and complex, yet it awakens ...
— A Miscellany of Men • G. K. Chesterton
... unfinished. The lateral entrances are sheltered by tympana and arches profusely decorated with statuettes. The plan consists of a nave, with aisles and lateral chapels, transept and choir, with a deambulatory at a slightly lower level. Beneath the choir, which is a fine example of early Gothic architecture, extends a crypt of the 11th century with mural paintings of the 12th century. The church has some fine stained glass and many pictures and other works of art. The ancient episcopal palace, now used as prefecture, stands behind the cathedral; it preserves a Romanesque ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 1 - "Austria, Lower" to "Bacon" • Various
... taste for the beauties of nature and landscape." It was symptomatic of the change in literary taste that the natural or English school of landscape gardening now began to displace the French and Dutch fashion of clipped hedges, regular parterres, etc., and that Gothic architecture came into repute. Horace Walpole was a virtuoso in Gothic art, and in his castle, at Strawberry Hill, he made a collection of ancient armor, illuminated MSS., and bric-a-brac of all kinds. Gray had been Walpole's traveling companion in France and ...
— Brief History of English and American Literature • Henry A. Beers
... the Egyptians were familiar from very early times with the principle of the arch, and although examples of its use occur often enough under the New Empire, we do not find columns or piers used, as in Gothic architecture, to carry a vaulting. In fact, the genuine vault is absent from Egyptian temple architecture, although in the Temple of Abydos false or corbelled vaults (cf. page ...
— A History Of Greek Art • F. B. Tarbell
... the unity and harmony of narrative, which shall comprehend this period of social disorganization, must be ascribed entirely to the skill and luminous disposition of the historian. It is in this sublime Gothic architecture of his work, in which the boundless range, the infinite variety, the, at first sight, incongruous gorgeousness of the separate parts, nevertheless are all subordinate to one main and predominant idea, that Gibbon is unrivalled. We cannot but admire the manner in ...
— The History of The Decline and Fall of the Roman Empire - Volume 1 • Edward Gibbon
... arches are formed by the intersection of two arches crossing at any angle, forming a ribbed vault; a characteristic feature of Gothic architecture. ...
— The Vision of Sir Launfal - And Other Poems • James Russell Lowell
... for whatever is striking, characteristic, and peculiarly national in foreign ways is a romantic note. The eighteenth century disliked "strangeness added to beauty"; it disapproved of anything original, exotic, tropical, bizarre for the same reason that it disapproved of mountains and Gothic architecture. ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... visit to the Great Cathedral of Cologne, the most complete piece of Gothic architecture anywhere to be found. We mounted the steps of one of the gigantic towers which lift their sublime heads to a height of five hundred two feet, the exact length of the cathedral. Here we gazed out over the level plain that ...
— See America First • Orville O. Hiestand
... Mohammedan architecture in the East, and embraces all the buildings of Western Europe, from the time of the First Crusade to the revival of art in the fifteenth century. This great series of buildings constitutes what is known as Pointed, or, more commonly, as Gothic architecture. ...
— Architecture - Classic and Early Christian • Thomas Roger Smith
... unhallowed soil, and their deeds of valor are well-nigh forgotten, and their chivalrous Tournaments and their Courts of Love are smiled at by a wiser generation. But much that is noble and heroic in the feelings of the nineteenth century has its hidden roots in the thirteenth. Gothic architecture and Gothic poetry are the children of the same mother; and if the true but unadorned language of the heart, the aspirations of a real faith, the sorrow and joy of a true love, are still listened to by the nations of Europe; and if what is called the Romantic school is strong ...
— Chips From A German Workshop. Vol. III. • F. Max Mueller
... were the gold-workers of all time. Like shawls of Cashmere, Greek statuary, Gothic architecture, and Saracenic tracery, Etruscan gold-work stands absolutely alone,—the result of an artistic instinct deeper than any rules or any instruction, and therefore not to be improved or repeated. It is characterized by the most subtile and lovely use of decorative ...
— The Atlantic Monthly, Volume 18, No. 108, October, 1866 • Various
... the name of the Rococo City, intrenched in a period of time equally remote from early Christianity and modern Protestantism. Out of her sixty thousand souls, only ten thousand are now of the reformed religion, and these bear about the same relation to the Catholic spirit of the place that the Gothic architecture bears to ...
— Henry James, Jr. • William Dean Howells
... thought a sufficient explanation to say either that the man was an ass or that it was all those Ritualists. But gradually it became apparent that the pervert was not always an ass, and that the Ritualists had nothing whatever to do with it. If a man's tastes run in the direction of Gothic Architecture, free seats, daily services, frequent communions, lighted candles and Church millinery, they can all be gratified, not to say glutted, in the ...
— Obiter Dicta • Augustine Birrell
... to comprehend the whole, and encourages the habit of scientific tolerance. We are saved by it from uselessly fretting ourselves because of the ungodly and the inevitable; from mourning over the decline of Gothic architecture into Perpendicular aridity and flamboyant feebleness, over the passage of the scepter from Sophocles to Euripides or from Tasso to Marino, over the chaos of Mannerism, Eclecticism and Naturalism into which Italian painting plunged from the height of its maturity. ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... a little outside the camp. No one, the cross being disproportionately large, could possibly mistake it for anything but a church. In front of it was a notice board, a nice black notice board with a suggestion of Gothic architecture about it. On the board, in bright white letters, was a list of services and the name of the ...
— Our Casualty And Other Stories - 1918 • James Owen Hannay, AKA George A. Birmingham
... a quiet place, with fine trees growing in its pleasant garden. In it is Christ Church, the work of Vulliamy, date 1833. It is of Gothic architecture, and is prettily finished with buttresses and pinnacles, in spite of the ugly material used—namely, white brick. It was at first designed to call the Square Rothesay Square, but it was eventually named Woburn, after the seat ...
— Holborn and Bloomsbury - The Fascination of London • Sir Walter Besant
... ideas they express. The glitter of gold and the sparkle of diamonds, the strength of marble, the sturdiness of oak—we hardly can think of these materials without thinking of the associations which go with them. Similarly the symmetry of the colonnades of a temple, the multiplicity and variety of Gothic architecture, even so simple a form as a circle, provoke a great or slight characteristic emotional reaction. Likewise, a staccato or a fluent rhythm in music, a march, or a dance movement, have, even apart from their unconscious or intentional expressiveness, specific emotional values. ...
— Human Traits and their Social Significance • Irwin Edman
... at the stars and knows Lord Kelvin's theory of vortices and the nebular hypothesis and the direction of ocean currents and the qualities of kelp and the direction the codfish go in Iceland waters when the northeast wind blows; that he knows about Gothic architecture and Byzantine painting, the social movement in Jerez and the exports of Patagonia, the wall-paper of Paris apartment houses and the red paste with which countesses polish their fingernails ...
— Rosinante to the Road Again • John Dos Passos
... capital of Picardy, on the Somme, with a cathedral begun in 1220, described as the "Parthenon of Gothic architecture," and by Ruskin as "Gothic, clear of Roman tradition and of Arabian taint, Gothic pure, authoritative, unsurpassable, and unaccusable"; possesses other buildings of interest; was the birthplace of Peter the Hermit, and is celebrated ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... killed the edifice, in form as in the symbol, in its consistency as well as in its beauty. And then they have made it over; a presumption of which neither time nor revolutions at least have been guilty. They have audaciously adjusted, in the name of "good taste," upon the wounds of gothic architecture, their miserable gewgaws of a day, their ribbons of marble, their pompons of metal, a veritable leprosy of egg-shaped ornaments, volutes, whorls, draperies, garlands, fringes, stone flames, bronze clouds, pudgy cupids, chubby-cheeked cherubim, which begin to devour ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... which was burned down in 1116. The foundations of the Saxon church can be seen in the crypt. The new Norman building was consecrated in 1237, and has remained with few alterations to the present day. While the interior of St. Albans Cathedral shows every phase of Norman and Gothic architecture, that of Peterborough is remarkable as showing practically one style throughout the entire building. The west front has been described as the "grandest portico in Europe." It is Early English in style, and the finest feature of the cathedral. ...
— What to See in England • Gordon Home
... schoolmen Paris and Oxford The mendicants at Oxford Roger Bacon and Duns Scotus Academic influence in public life Beginnings of colleges Intellectual characteristics of thirteenth century Literature in Latin and French Literature in English Art Gothic architecture ...
— The History of England - From the Accession of Henry III. to the Death of Edward III. (1216-1377) • T.F. Tout
... village was built and practically owned by Baron Rothschild, and just adjoining it was the estate which he had laid out. The gentleman of whom we inquired courteously offered to take us into the great park, and we learned that he was the head landscape gardener. The palace is modern, of Gothic architecture, and crowns an eminence in the park. It contains a picture gallery, with examples of the works of many great masters, which is open to the public on stated days ...
— British Highways And Byways From A Motor Car - Being A Record Of A Five Thousand Mile Tour In England, - Wales And Scotland • Thomas D. Murphy
... documents and facts; he sees the Parliaments arising not from some imaginary "Teutonic" root—a figment of the academies—but from the very real and present great monastic orders, in Spain, in Britain, in Gaul—never outside the old limits of Christendom. He sees the Gothic architecture spring high, spontaneous and autochthonic, first in the territory of Paris and thence spread outwards in a ring to the Scotch Highlands and to the Rhine. He sees the new Universities, a product of the soul of Europe, re-awakened—he sees the marvelous ...
— Europe and the Faith - "Sine auctoritate nulla vita" • Hilaire Belloc
... century, Gothic architecture had already fallen into utter disrepute. Sir Henry Wotton, fresh from his embassies in Venice, had declared that such was the 'natural imbecility' of pointed arches, and such 'their very uncomeliness,' that they ought to be 'banished from judicious eyes, among the reliques of a barbarous age.'[844] ...
— The English Church in the Eighteenth Century • Charles J. Abbey and John H. Overton
... to the merits of Strawberry Hill, as a building, it is perhaps unfair, in the present age, when the principles of Gothic architecture have been so much studied, and so often put in practice, to criticise it too severely. Walpole himself, who, in the earlier part of his life, seems to have had an unbounded admiration for the works of his own hands, appears in later times to have ...
— The Letters of Horace Walpole, Volume 1 • Horace Walpole
... exterior of Canterbury Cathedral is the central Angel or Bell Tower. This is one of the most perfect structures that Gothic architecture, inspired by the loftiest purpose that ever stimulated the work of any art, has produced. It was completed by Prior Selling, who held office in 1472, and has been variously called the Bell Harry Tower from the mighty Dunstan bell, weighing three tons and three hundredweight, ...
— The Cathedral Church of Canterbury [2nd ed.]. • Hartley Withers
... was then canon in the Cathedral. By way of illustration he showed me a beautiful little church which had been built by the last slave-trading merchant in Bristol, who had been much disapproved of by his fellow townsmen and had hoped by this transmutation of ill-gotten money into exquisite Gothic architecture to reconcile himself both to God and man. His impulse to build may have been born from his own scruples or from the quickened consciences of his neighbors who saw that the world-old iniquity of enslaving men must at length come to an end. The Abolitionists may ...
— Twenty Years At Hull House • Jane Addams
... diary—"Shakespeare, Drayton, and Ben Jonson had a merie meeting and it seems drank too hard, for Shakespeare died of a feavour there contracted." The old sanctuary in which he was buried is a noble specimen of decorated gothic architecture, a cruciform structure of yellowish-gray stone, with low eaves and broad sheltering roof, from the midst of which rises a square battlemented tower with slender pointed spire. It is approached by ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... regions where the earth is firm-set. The people generally learn that where their buildings must meet the trials of earthquakes they have to be low and strong, framed in the manner of fortifications, to withstand the assault of this enemy. We observe that Gothic architecture, where a great weight of masonry is carried upon slender columns and walls divided by tall windows, though it became the dominant style in the relatively stable lands of northern Europe, never gained a firm ...
— Outlines of the Earth's History - A Popular Study in Physiography • Nathaniel Southgate Shaler
... civilized Europe, at the close of the so-called Dark Ages, the word Gothic became a term of unmitigated contempt, not unmixed with aversion. From that contempt, by the exertion of the antiquaries and architects of this century, Gothic architecture has been sufficiently vindicated; and perhaps some among us, in our admiration of the magnificent science of its structure, and sacredness of its expression, might desire that the term of ancient reproach should be withdrawn, and some other, of more ...
— Selections From the Works of John Ruskin • John Ruskin
... this. The book I called 'The Seven Lamps' was to show that certain right states of temper and moral feeling were the magic powers by which all good architecture, without exception, had been produced. 'The Stones of Venice,' had, from beginning to end, no other aim than to show that the Gothic architecture of Venice had arisen out of, and indicated in all its features, a state of pure national faith, and of domestic virtue; and that its Renaissance architecture had arisen out of, and in all its features indicated, a state of concealed ...
— The Crown of Wild Olive • John Ruskin
... the pointed arch associated with the cupola is spoken of as a "fop interrupting the meditations of a philosopher"; at page 65, the "earlier contemplative style of the Lombards" is spoken of; at page 114, Giottesque art is "the expression of that Activity of the Imagination which produced Gothic Architecture"; and, throughout, the analogy is prettily expressed, and ably supported; yet it is one of those against which we must warn the reader: it is altogether superficial, and extends not to the minds of those whose works it ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin |
