"Da Vinci" Quotes from Famous Books
 ... of parade in everything he said and did, in everything about him and his home. The only ornaments on his walls were a few engravings in black frames: one after Leonardo da Vinci; one after Titian; and four, I think, by Hogarth, about whom he has written so well. Images of quaint beauty, and all gentle, simple things (things without pretension) pleased him to the fullest ...
— Charles Lamb • Barry Cornwall
... nautical instruments. He was made a bishop, and summoned to Rome to reform the calendar. There was one Italian who possessed the scientific spirit, without help from books, by the prerogative of genius; that was Leonardo da Vinci. But he confided his thoughts to diaries and remained unknown and ...
— Lectures on Modern history • Baron John Emerich Edward Dalberg Acton
... art—a criticism which, in the face of this accurate version, must fall to the ground. The pictures were sent by him to Paris merely to preserve them, and, as he himself said, a propos of the famous Da Vinci, beneath which horses and men alike were quartered: "I'd have sent that too, but to do it I'd have had to send the whole chapel or scrape the picture off the wall. These Italians should rather thank than condemn me for leaving it where it was. Mine ...
— Mr. Bonaparte of Corsica • John Kendrick Bangs
... retold by Firdausi in the Shaknameh, of Kavi Usan, who "essayed the sky To outsoar angels" by fastening four eagles to his throne. The Iranian motif was adopted in the romances of Alexander the Great and so passed into European literature. The researches of Leonardo da Vinci upon the muscles of birds and the principles of the flight of birds brought over to the realm of science ideas long familiar in tale and legend. Francis Bacon did not hesitate to suggest in his Natural History (Experiment 886) that there are possibilities of human flight ...
— A Voyage to Cacklogallinia - With a Description of the Religion, Policy, Customs and Manners of That Country • Captain Samuel Brunt
... from the household cares, the daily direction of a little peasant-servant, to her drawing-board. A cast from Leonardo da Vinci of a woman's hand is her model, and for an hour she has been happily working. She has failed; but that has not ...
— Browning's Heroines • Ethel Colburn Mayne
... sixteenth century the art of the Renaissance reached its highest development. Among all the great artists of this period three stand out in heroic proportions—Leonardo da Vinci, Michael Angelo, and Raphael. The first two not only practiced, but achieved almost equal distinction in, the three arts of architecture, sculpture, and painting.[240] It is impossible to give in a few lines any idea of the beauty and ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... road leading from Dizy to Ay we pass a vineyard called Le Lon, which tradition asserts to be the one whence Pope Leo the Magnificent, the patron of Michael Angelo, Raffaelle, and Da Vinci, drew his supply of Ay wine. The village of Ay lies right before us at the foot of the vine-clad slopes, with the tapering spire of its ancient church rising above the neighbouring hills and cutting sharply against the bright blue sky. The vineyards, which spread themselves over a calcareous ...
— Facts About Champagne and Other Sparkling Wines • Henry Vizetelly
... scenery; but this quiet holiday with her son came to an end, and they had to think of turning homewards. Before doing so, they passed by Milan, enjoyed the opera there, and went to see Leonardo da Vinci's "Last Supper," which Mary naturally much admires; she mentions the Luinis without enthusiasm. While here, the non-arrival of a letter caused great anxiety to Mary, as they were now obliged to return on account of Percy's ...
— Mrs. Shelley • Lucy M. Rossetti
... reconciliation, enthroned as the glorified mother of all things. The delicate plaiting of the tunic about the throat, the formal curling of the hair, and a certain weight of over-thoughtfulness in the brows, recall the manner of Leonardo da Vinci, a master, one of whose characteristics is a very sensitive expression of the sentiment of maternity. It reminds one especially of a work by one of his scholars, the Virgin of the Balances, in the Louvre, a picture which has been thought to represent, under a veil, the blessing ...
— Greek Studies: A Series of Essays • Walter Horatio Pater
... satisfaction to think that a part of me will remain long after I have returned to dust. In any event, I feel that one is not truly dead if a part of his personality remains. Many of the ancients such as Homer, Phidias, Confucius, Christ, da Vinci, Lincoln, Einstein, Churchill—and many others—live on through their works when otherwise they would long since have been forgotten and thus be truly dead. Earth's history is full of such examples. And while I have no expectation ...
— The Issahar Artifacts • Jesse Franklin Bone
... this morning was to see the pencil drawings by eminent artists. Of these the Louvre has a very rich collection, occupying many apartments, and comprising sketches by Annibale Caracci, Claude, Raphael, Leonardo da Vinci, Michel Angelo, Rubens, Rembrandt, and almost all the other great masters, whether French, Italian, Dutch, or whatever else; the earliest drawings of their great pictures, when they had the glory of their pristine idea directly before their minds' eye,— that idea ...
— Passages From the French and Italian Notebooks, Complete • Nathaniel Hawthorne
... which have been made of many of its most capital pictures. In the works of Correggio it stands preeminent above all others; and although some of these have suffered by injudicious cleaning, still they are by Correggio. In the works of Titian, Raffaelle, Lionardo da Vinci, Parmiggiano, Andrea del Sarto, the Caracci, Guido, &c., it holds also a high place; while it is rich in the works of the Flemish and Dutch masters. Of the works of Reubens there are, 30; of Vandyck, 18; of Rembrandt, 15; of Paul Potter, 3; of David Teniers, ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... Muzzio's return, Fabio had begun a portrait of his wife, depicting her with the attributes of Saint Cecilia. He had made considerable advance in his art; the renowned Luini, a pupil of Leonardo da Vinci, used to come to him at Ferrara, and while aiding him with his own counsels, pass on also the precepts of his great master. The portrait was almost completely finished; all that was left was to add a few strokes to the face, and Fabio might well ...
— Dream Tales and Prose Poems • Ivan Turgenev
... see the reservoir of pictures at M. de Marigny's. They are what are not disposed of in the palaces, though sometimes changed with others. This refuse, which fills many rooms from top to bottom, is composed of the most glorious works of Raphael, L. da Vinci, Giorgione, Titian, Guido, Correggio, etc. Many pictures, which I knew by their prints, without an idea where ...
— The Letters of Horace Walpole Volume 3 • Horace Walpole
... of sufficient imagination to realize the unknown quantity of chance, the inevitable mistake of military scientists who are loath to admit the artist to their counsels, exemplified by men of genius, such as Napoleon and Leonardo da Vinci, who were both ...
— Witch-Doctors • Charles Beadle
... Caretto," one said; "this is Giacomo Da Vinci; this Pietro Forzi: all knight commanders of the Order, and now for six years prisoners in the hands of these corsairs. Assuredly no one would know us, so changed are we." He looked round inquiringly for a familiar face. "Your commander must ...
— A Knight of the White Cross • G.A. Henty
... was provincial, local, distorted. His Christ is the Christ of morbid Seminarists and ascetic undergraduates; not the Christ that Leonardo da Vinci saw breaking bread with his disciples; not the Christ that Paolo Veronese saw moving among the crowds of the street like a ...
— Suspended Judgments - Essays on Books and Sensations • John Cowper Powys
... views of the property of the Crown. The Queen behaved most kindly and liberally on the occasion of the late Exhibition of Mediaeval Art: but that is a very different thing from calling for a transfer of the Holbein or Da Vinci drawings to some ...
— Notes and Queries, Number 64, January 18, 1851 • Various
... a Turkish bath. {119} As a writer Mr. Collier is no less interesting. It is true that he is not eloquent, but then he censures with just severity 'the meaningless eloquence of the writers on aesthetics'; we admit that he is not subtle, but then he is careful to remind us that Leonardo da Vinci's views on painting are nonsensical; his qualities are of a solid, indeed we may say of a stolid order; he is thoroughly honest, sturdy and downright, and he advises us, if we want to know anything about art, to study ...
— Reviews • Oscar Wilde
... have not seen the book in French, but we venture to say that M. Guizot never wrote French which could answer to this version, awkward, careless, and sometimes obscure. A certain picture of dull and ancient aspect, which had long passed for an original from the hand of Leonardo da Vinci, and, despite the raptures of sentimental people who sought to tickle their own vanity by pretending to perceive in it the marks of its high origin, had commonly awakened only a sigh of regret over the transitoriness of pictorial glory, fell at ...
— The Atlantic Monthly, Volume 14, No. 86, December, 1864 • Various
... and velocity. That man gave us a key to heaven. That man opened its infinite book, and we now read it, and he did more good than all the theologians that ever lived. I have not time to speak of the others—of Galileo, of Leonardo da Vinci, and of hundreds of others that I ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... honor. "The plastic arts are essentially athletic." An invalid, a half paralyzed man, might be a great poet, a celebrated musician, but to be a Michael Angelo or a Titian a man must have not merely a privileged soul, but a vigorous body. Leonardo da Vinci broke a horseshoe in his hands; the sculptors of the Renaissance worked huge blocks of marble with their titanic arms or chipped off the bronze with their gravers; the great painters were often architects and, covered with dust, moved huge ...
— Woman Triumphant - (La Maja Desnuda) • Vicente Blasco Ibanez
... American is an inartistic race!" But what about the shopkeeper from Huddersfield or Amiens? The shopkeeper from Huddersfield or Amiens will be flirting about on some entirely banal beach—Scarborough or Trouville—and for all he knows or cares Leonardo da Vinci might have been a cabman; and yet the loveliest things in the world are, relatively speaking, at his door! When the European shopkeeper gets as far as Lucerne in August, he thinks that a journey of twenty-four hours entitles him to rank ...
— Your United States - Impressions of a first visit • Arnold Bennett
... Sorel, and of the excellent influence of Gabrielle d'Estrees. The Duchesse d'Estampes, we are told, preserved Francis I. from the influence of the Italian renaissance, and prevented the subjugation of France 'by a Benvenuto or Da Vinci'; and in the same way, when Catherine de Medici was preparing to introduce other strange fashions, Diane came forward in her 'magical beauty' and saved ...
— The Great Book-Collectors • Charles Isaac Elton and Mary Augusta Elton
... but to charming vices, vices in good taste, such as those indulged in by Alcibiades and sung by Catullus. Leo X died after having assembled under his reign, which lasted eight years, eight months, and nineteen days, Michael Angelo, Raffaelle, Leonardo da Vinci, Correggio, Titian, Andrea del Sarto, Fra Bartolommeo, Giulio Romano, Ariosto, Guicciardini, ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere
... I know, a man named Leonardo da Vinci invented it, in the Sixth Century Pre-Atomic. How soon can you get me half a dozen ...
— Naudsonce • H. Beam Piper
... doubt disliked the turmoil of this garden, crowded with spirited youths; the tone of pagan art was not in accordance with his ideal, and so he learned from Masaccio and Lippi that love of true form and harmonious composition, which he perfected afterwards by a close study of Leonardo da Vinci, whose principles of chiaroscuro he seems to have completely carried out. With this training he rose to such great celebrity even in his early manhood, that Rosini [Footnote: Rosini, Storia della Pittura, chap. xvii. p. 48.] calls him "the star of the Florentine school in Leonardo ...
— Fra Bartolommeo • Leader Scott (Re-Edited By Horace Shipp And Flora Kendrick)
... in splendid attire, some of them wearing the bridal crown. It is altogether a curiosity, partaking, indeed, of the general bad taste of the times, but painted with great attention to nature in the minutiae, and resembling Lionardo da Vinci in many particulars, especially in the high finishing, the coloring of the carnations, and the grace, and beauty of some of the heads. The draperies, too, are rich ...
— Account of a Tour in Normandy, Vol. I. (of 2) • Dawson Turner
... Gods," Merezhkovsky has painted the first of these epochs, the different phases of which revolve about the principal hero, the emperor Julian the Apostate. In "The Resurrection of the Gods" he develops, in sumptuous frescoes, the age of the Renaissance, personified by Leonardo da Vinci, who best typifies the character and tendencies of that time. In "Peter and Alexis," he retraces Russian life in the beginning of the 18th century, when it was dominated by the extraordinary character of ...
— Contemporary Russian Novelists • Serge Persky
... sway the world's secret desire for mystery; and what in my father is the genius of curiosity—the very essence of all scientific genius—in me is the desire for beauty. Do you remember Pater's phrase about Leonardo da Vinci, "curiosity ...
— Figures of Several Centuries • Arthur Symons
... degree and distribution of light we may consult a great master of effect. Il lume grande, ed alto, e non troppo potente, sara quello, che rendera le particole de' corpi molto grate. Tratt. della Pittura di LIONARDO DA VINCI, c. xli. ...
— Poems • Samuel Rogers
... be properly applied to a book." Above all, you must beware of indirect expressions before a Caledonian. Clap an extinguisher upon your irony, if you are unhappily blest with a vein of it. Remember you are upon your oath. I have a print of a graceful female after Leonardo da Vinci, which I was showing off to Mr. ****. After he had examined it minutely, I ventured to ask him how he liked MY BEAUTY (a foolish name it goes by among my friends)—when he very gravely assured me, that "he had considerable respect for my character and talents" (so he was pleased ...
— The Works of Charles and Mary Lamb, Volume 2 • Charles Lamb
... fear. He knows that no gift or accomplishment is incompatible with true religion; for has not the Church intellects as many-sided and as high as Augustine and Chrysostom, Dante and Calderon, Descartes and Da Vinci, De Vega and Cervantes, Bossuet and Pascal, Saint Bernard and Gregory the Seventh, Aquinas and Michael Angelo, Mozart and Fenelon? Ah! I behold the youthful throng, happier than we, who here, in their own sweet country,—in ...
— Education and the Higher Life • J. L. Spalding
... late years have the manuscripts of Leonardo da Vinci seen the light and the many difficulties been overcome which long proved an obstacle to their publication. The labour of editing, deciphering and translating his many scattered and fragmentary codices was beyond the efforts of any single man. ...
— Thoughts on Art and Life • Leonardo da Vinci
... wind of freedom that had blown out of Italy, before which dogmas and slaveries had crumbled to dust. In contrast, the world today seemed pitifully arid. Men seemed to have shrunk in stature before the vastness of the mechanical contrivances they had invented. Michael Angelo, da Vinci, Aretino, Cellini; would the strong figures of men ever so dominate the world again? Today everything was congestion, the scurrying of crowds; men had become ant-like. Perhaps it was inevitable that the crowds should sink deeper and deeper in slavery. Whichever won, ...
— Three Soldiers • John Dos Passos
... is "The Pope's Poisoner, a Tale of the Borgias." That is a historical romance, I got it up out of Histories of the Renaissance. The hero (Lionardo da Vinci) is the Pope's bravo, and ...
— The Disentanglers • Andrew Lang
... at the Baccio Bandinelli portrait; you might place it beside Titian's Man with a Glove, or by that other Portrait of an Old Man in which Raphael's consummate skill blends with Correggio's art; or, again, compare it with Leonardo da Vinci's Charles VIII., and the picture would scarcely lose. The four pearls are equal; there is the same lustre and sheen, the same rounded completeness, the same brilliancy. Art can go no further than this. Art has risen above Nature, since Nature only ...
— Cousin Pons • Honore de Balzac
... of Leonardo da Vinci have equally suffered from his relatives. When a curious collector discovered some, he generously brought them to a descendant of the great painter, who coldly observed, that "he had a great deal more in the ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... engineer, like the poet, is born, not made. If to the power to conceive, is added the ability to execute, then have we one of those rare geniuses who not only give a decided impulse to civilization, but add new glory to humanity. Such men were Michael Angelo, Leonardo da Vinci, Watt, Wedgwood, Brunel, Stephenson and Bessemer; and such a man was John A. Roebling. It was his striking peculiarity, that while his conceptions were bold and original, his execution was always exact, and within the limits of cost which he assigned to the ...
— Opening Ceremonies of the New York and Brooklyn Bridge, May 24, 1883 • William C. Kingsley
... Renaissance period; and when he comes to modern times he fails to bring out clearly the decisive steps of its growth. And he does not seem to realise that a man might be "progressive" without believing in, or even thinking about, the doctrine of Progress. Leonardo da Vinci and Berkeley are examples. In my Ancient Greek Historians (1909) I dwelt on the modern origin of the idea (p. 253 sqq.). Recently Mr. R. H. Murray, in a learned appendix to his Erasmus and Luther, has developed the thesis that Progress was not grasped in antiquity (though he makes ...
— The Idea of Progress - An Inquiry Into Its Origin And Growth • J. B. Bury
... carbonaceous blacks mixed with white have a preserving influence upon colours, owing chemically to the bleaching power of carbon, and chromatically to the neutralizing and contrasting power of black with white. Leonardo da Vinci in his palette, the account of which is so unfortunately broken off for lack of paper, mentions the mixing every colour with black. Yet we have met with many painters who totally reject it, and fancy it makes their pictures black. This is very absurd, for black mixed with any other pigment ceases ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... the masterpieces of Michel Angelo, Guercino, Titian, Paul Veronese, Correggio, Albarro, the two Carracci, Raphael, and Leonardo da Vinci." [Footnote: This wonderful banner was hung up in the hall of the Directory while the members of the latter were occupying the Luxemburg. It afterward accompanied the three consuls to the Tuileries, and ...
— LOUISA OF PRUSSIA AND HER TIMES • Louise Muhlbach
... artists, whom he had commanded to the capital: Primaticcio brought with him, upon his arrival, more than a hundred antique statues. These art objects were first assembled at Fontainebleau and ornamented the apartments of the king. Among them were Da Vinci's "La Joconde" and Raphael's "Holy Family ...
— Royal Palaces and Parks of France • Milburg Francisco Mansfield
... Bolognese Academy coincides as nearly as may be with the complete decadence of Italian painting. The academic system trains boys to study other people's works rather than nature, and, as Leonardo da Vinci so well says, it makes them nature's grandchildren and not her children. This I believe is at any rate half the secret ...
— Selections from Previous Works - and Remarks on Romanes' Mental Evolution in Animals • Samuel Butler
... instructions for the building of suitable works of defence at that neglected point. After that I never saw him again in Dresden; but I presume that he carried out the strategic works entrusted to him by that committee with all the conscientiousness of a Michael Angelo or a Leonardo da Vinci. ...
— My Life, Volume I • Richard Wagner
... powers of science ought humbly, intelligently to co-operate towards achieving a grand and triumphant finale, perfect, harmonious in all its parts, and responsible to the academic dictates of its sacred title. Such a figure Raphael, Leonardo da Vinci, Titian, or Rubens would have painted and blessed our reasons with, for a certainty: bountifully inspiring us at once and for time with their divine interpretation of ...
— Original Letters and Biographic Epitomes • J. Atwood.Slater
... Windsor), and invited him to Balmoral. The heir-apparent, the late King, admired his talent and relished his society. By the clerical world he was especially esteemed, being looked upon as a second Leonardo da Vinci. And, in fine, Dore must be regarded as an anticipator of the Entente cordiale. "Gustave Dore," his compatriots would say, "he is half an Englishman!" Forty years ago our popular favourite might indeed have believed in the fulfilment of ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... ready-made clothing, Irish lace, artificial flowers, terra cotta, movie-films, telephones, and printed matter than those Florentines did, but we have, with our 100,000,000 inhabitants, yet to produce that little town, her Dante, her Andrea del Sarto, her Michael Angelo, her Leonardo da Vinci, her Savonarola, her Giotto, or the group who followed Giotto's picture. Florence had a marvelous energy—re-lease experience. All our industrial formalism, our conventionalized young manhood, our schematized ...
— An American Idyll - The Life of Carleton H. Parker • Cornelia Stratton Parker
... beings, those enigmatical men, predestined for conquering and circumventing others, the finest examples of which are Alcibiades and Caesar (with whom I should like to associate the FIRST of Europeans according to my taste, the Hohenstaufen, Frederick the Second), and among artists, perhaps Leonardo da Vinci. They appear precisely in the same periods when that weaker type, with its longing for repose, comes to the front; the two types are complementary to each other, and spring from the ...
— Beyond Good and Evil • Friedrich Nietzsche
... Fine Arts, generally spoken of as the Academy of San Carlos,—named in honor of Carlos III. of Spain,—which contains three or four well-filled apartments of paintings, with one and, in some instances, two pictures each of such masters as Leonardo da Vinci, Velasquez, Titian, Van Dyck, Rubens, Perugino, and others. There is also a large hall of sculpture attached, which presents casts of many well-known and classic originals. This department, however, does not compare well ...
— Aztec Land • Maturin M. Ballou
... gregarious instinct of all human beings, a sort of little ghetto. He had often strolled through the neighborhood, catching sight of and feeling a sort of sympathy with certain types of women with hollow cheeks, and full lips, and wide cheek-bones, a da Vinci smile, rather depraved, while the coarse language and shrill laughter destroyed this harmony that was in their faces when in repose. Even in the dregs of the people, in those large-headed, beady-eyed creatures with their bestial faces, their thick-set, squat bodies, those degenerate descendants ...
— Jean-Christophe, Vol. I • Romain Rolland
... in the collection of the Earl of Ellesmere a picture of the head of a girl which the connoisseurs of the nineteenth century ascribed to Leonardo da Vinci. The connoisseurs of the twentieth century ascribe it to Luini. But for the colour of the hair it might have been a portrait of Lady Loudwater, a faded portrait. It might also very well be a portrait of one of her actual ancestresses, ...
— The Loudwater Mystery • Edgar Jepson
... reproduced in 35 and 36. In spite of their familiarity it has seemed impossible to omit the set of capitals, with variants, by Albrecht Duerer, 37 and 38; for Duerer's letters were taken as a basis by nearly all such Renaissance designers of lettering as Geoffrey Tory, Leonardo da Vinci, etc. It should be observed in the Duerer [32] alphabet that among the variant forms of individual letters shown, one is usually intended for monumental use, while another exhibits pen treatment in the characteristic swelling ...
— Letters and Lettering - A Treatise With 200 Examples • Frank Chouteau Brown
... quickened our pace, making the branches fall off more than ever. Then—'The wheelbarrow,' said the professor, 'amazes us by its combined simplicity and perfection. The conception of a man of universal genius and vast erudition,—I allude to Leonardo da Vinci, the marvellous Florentine,—it has for upwards of three hundred years served mankind as a humble but valued ally. In every rank of life it finds its ...
— Hildegarde's Neighbors • Laura E. Richards
... Francia was not his own name, but that of his master the jeweller; and he signed his pictures almost always, "Francia, the goldsmith," for love of his master; Ghirlandajo was a goldsmith, and was the master of Michael Angelo; Verrocchio was a goldsmith, and was the master of Leonardo da Vinci. Ghiberti was a goldsmith, and beat out the bronze gates which Michael Angelo said might serve for gates of Paradise.[7] But if ever you want work like theirs again, you must keep it, though it should ...
— A Joy For Ever - (And Its Price in the Market) • John Ruskin
... enlarge the scheme," pursued Virgilia, waiving all considerations of trouble, effort and expense, "so as to include coining, money-changing and all that, why, think what you have then! The brokers at Corinth, the mensarii in the Roman Forum. And think of the ducats designed by Da Vinci and by Cellini! And all the Byzantine coins in Gibbon—the student's edition is full of them! Why, there are even the Assyrian tablets—you must have heard about the discovery of the records of that old Babylonian bank. Think of the costumes, the architecture, the square ...
— Under the Skylights • Henry Blake Fuller
... of scientific thought had been, for a considerable period before the time of Bacon, turned in the direction which he, perhaps, did more than any other single investigator to follow out and confirm. Leonardo da Vinci, the completest and most comprehensive genius of Modern Italy, had anticipated, by more than a century, several of the prominent features of the Baconian system. Too little of Leonardo's scientific writings has been published to ...
— Atlantic Monthly, Vol. 3, No. 18, April, 1859 - [Date last updated: August 7, 2005] • Various
... truth for himself. If he would convince himself that the deepest draughts of inspiration have ever been drawn by the highest artists from religious ideas, let him add to the names above given, those of Fra Angelico, Fra Bartolomeo, Tintoret, Corregio, Murillo, Raphael, Leonardo da Vinci, Michael Angelo, and, in our own days, Overbeck; let him gaze into that divine face of godlike sorrow given us by an untaught monk, Antonio Pesenti, in his marvellous crucifix of ivory, let him listen to the pure ethereal strains of Palestrina, ...
— The Continental Monthly, Vol III, Issue VI, June, 1863 - Devoted to Literature and National Policy • Various
... the Gallery of the Louvre in Paris, a vision of the perfect adjustment of our seemingly conflicting relations to Caesar and to God shone forth to me, in the divine gesture of the Master in Da Vinci's wonderful painting of the Last Supper, where the hand turned downward lays hold of the things of earth, and the hand turned upward grips the things which are eternal, both of which obligations are glorified in those later words of the Saviour spoken ...
— Masterpieces of Negro Eloquence - The Best Speeches Delivered by the Negro from the days of - Slavery to the Present Time • Various
... leaning back among the black velvet cushions, her face mellowed by the shade of a small parasol, was a young woman of nineteen or twenty, as beautiful as a da Vinci freshly conceived. The Englishman saw a pair of grave dark eyes which, in the passing, met his and held them. ...
— The Puppet Crown • Harold MacGrath
... to see only a few, five or six, carefully selected things—there was one wonderful day when he showed them nothing but the Da Vinci Saint Anne, and the Venus of Melos, comparing the dissimilar beauty of those two divine faces so vitally, that Sylvia for days afterwards, when she closed her eyes and saw them, felt that she looked on two living women. She told them this and, "Which one do you ...
— The Bent Twig • Dorothy Canfield
... proves, 'anticipated in the compass of a few pages the discoveries which made Galileo, Kepler, Maestlin, Maurolycus, and Castelli immortal,' it may well 'strike us,' he suggests 'with something like the awe of supernatural knowledge;' and in the presence of Leonardo da Vinci the modern scientist of highest rank ...
— The History of Dartmouth College • Baxter Perry Smith
... It can be read, re-read, learned by heart, and the more it is known the wider and more alluring are the avenues of imaginative thought which it discloses. It has, more than any other long composition by its author, that quality of symmetry, that symmetria prisca recorded of Leonardo da Vinci in the Latin epitaph of Platino Piatto; and, as might be expected, its mental basis, what Rossetti called fundamental brain-work, is as luminous, depth within depth, as the morning air. By its side, the more obviously ...
— Life of Robert Browning • William Sharp
... instructor of Leonardo da Vinci, accomplished several important pieces of jewelery in his youth: cope-buttons and silver statuettes, chiefly, which were so successful that he determined to take up the career of a sculptor. Ghirlandajo, as is well known, ...
— Arts and Crafts in the Middle Ages • Julia De Wolf Addison
... help being struck with the general resemblance of its plan to the more famous staircase which adorns the exterior of the wing of Francis I. at the great chateau of Blois in Touraine, which was built almost at the same time, from the designs (as I have attempted to prove elsewhere) of Leonardo da Vinci, and was decorated later on with statues by Jean Goujon. This sculptor was only born the year after St. Maclou's staircase was finished, but the main lines of the structure are so suggestive of the earlier work that I cannot but imagine this fine piece of French Renaissance ...
— The Story of Rouen • Sir Theodore Andrea Cook
... lonely figure in the mushrabiyeh chair. Madame blew a wreath of smoke from her lips, and, through half-closed eyes, watched it ascend, unbroken, toward the canopy of cloth-of-gold which masked the ceiling. A Madonna by Leonardo da Vinci faced her across the apartment, the painted figure seeming to watch the living one upon the divan. Madame smiled into the eyes of the Madonna. Surely even the great Leonardo must have failed to reproduce that smile—the great Leonardo whose supreme ...
— Tales of Chinatown • Sax Rohmer
... for years appeared to me in dreams; in that, considering the electric character of my dreams, and that they were far less like a lake reflecting the heavens than like the pencil of some mighty artist—Da Vinci or Michael Angelo—that cannot copy in simplicity, but comments in freedom, while reflecting in fidelity, there was nothing to surprise. But a change in this appearance was remarkable. Oftentimes, after eight years had passed, she appeared in summer dawn at a window. ...
— The Posthumous Works of Thomas De Quincey, Vol. 1 (2 vols) • Thomas De Quincey
... Islands. There are some pasture grounds at the farther end of the bay. We traced the sinuosities of this arm of the sea, which, like a river, has dug a bed between perpendicular rocks destitute of vegetation. This singular prospect reminded us of the fanciful landscape which Leonardo da Vinci has made the back-ground of his famous portrait of Mona Lisa, the wife ...
— Equinoctial Regions of America • Alexander von Humboldt
... the early part of this under the Medici and Pope Nicholas. Lorenzo de'Medici was the centre of its later development.[21] From his court went forth that galaxy of artists which the world of art unites in calling the unequalled masters of all ages—Da Vinci, Michelangelo, Raphael, and ...
— The Great Events by Famous Historians, Vol. 8 - The Later Renaissance: From Gutenberg To The Reformation • Editor-in-Chief: Rossiter Johnson
... the hour of eleven chimed, the door of the room where Teresa sat, was opened, and a servant, announcing Signor Da Vinci, ushered in the young stranger of the preceding night. He advanced with a puzzled, inquiring expression, and with a slightly ...
— The Duke's Prize - A Story of Art and Heart in Florence • Maturin Murray
... Court surpassed our expectations. Poussin's famous "Land Storm;" "St. John," by Domenichino, the most striking, with a divine head of our SAVIOUR, by Leonardo da Vinci, and many others too tantalising to mention. Mr. King, Emmeline, Mr. Elton, and ourselves, filled the coach. Mr. King in high spirits, talked all the way there and back, and was exceedingly entertaining and instructive. ...
— The Life and Letters of Maria Edgeworth, Vol. 2 • Maria Edgeworth
... and founder of the Florentine school, which ranked among its members such artists as Michael Angelo, Raphael, and Leonardo da Vinci; was the first to leave the stiff traditional Byzantine forms of art and copy from nature and the living model, though it was only with the advent of his great disciple Giotto that art found beauty in reality, and Florence ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... famous artist in mosaic Rafaelli is well worth inspecting; and here I had an opportunity of beholding a copy in mosaic and nearly finished of the celebrated picture of Leonardo da Vinci representing the Caena Domini. What a useful as well as admirable art is the mosaic to perpetuate the paintings of the greatest masters! I recollected on beholding this work that Eustace, in his Tour thro' Italy,[55] relates with a pious ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... yellow locks, I suspect the face of my 'Espendermad' might easily be matched among the maidens of the Caucasus, who furnish the most perfect types of Circassian beauty. You know there is a tradition that when Leonardo da Vinci chanced to meet a man with an expression of character that he wished to make use of in his work, he followed him until he was able to delineate the face on canvas; but, on the contrary, the countenances I paint present themselves to my ...
— Vashti - or, Until Death Us Do Part • Augusta J. Evans Wilson
... at a true knowledge of the inventions and compositions of Rembrandt, it is necessary, in the first instance, to examine those of Albert Durer, the Leonardo da Vinci of Germany. The inventions of this extraordinary man are replete with the finest feelings of art, notwithstanding the Gothic dryness and fantastic forms of his figures. The folds of his draperies are more like creased ...
— Rembrandt and His Works • John Burnet
... On the Improvement of the Genius, illustrated in the characters of Lord Bacon, Mr. Boyle, Sir Isaac Newton, and Leonardo da Vinci.—We have not been able to learn, what papers in the Guardian were written by him, besides Number 37, Vol. I. which contains Remarks on ...
— The Lives of the Poets of Great Britain and Ireland (1753) - Vol. IV • Theophilus Cibber
... nature than to accept the necessary alternative, that all the inland regions and highlands, in the rocks of which marine shells had been found, had once been covered by the ocean. It is not so surprising, therefore, as it may at first seem, that although such men as Leonardo da Vinci and Bernard Palissy took just views of the nature of fossils, the opinion of the majority of their contemporaries set strongly the other way; nor even that error maintained itself long after the scientific grounds of ...
— The Rise and Progress of Palaeontology - Essay #2 from "Science and Hebrew Tradition" • Thomas Henry Huxley
... to have grown as a beautiful tendril grows, and every curve sways as mysteriously, and the perfection seems as divine. Beside it Duerer would seem crabbed and puzzle-headed; Holbein would seem angular and geometrical; Da Vinci would seem vague: and I hope that no critic by partial quotation will endeavour to prove me guilty of having said that Ingres was a greater artist than Da Vinci. I have not said any such thing; I have merely striven by aid of comparison ...
— Modern Painting • George Moore
... came into the world endowed with the greater possibilities of the two, if the tenement mother upon her mean bed bore into the world in her agony a spark of divine fire of genius, the soul of an artist like Leonardo da Vinci, or of a poet like Keats, is it less than a calamity that it should die—choked by conditions which only ignorance and greed ...
— The Common Sense of Socialism - A Series of Letters Addressed to Jonathan Edwards, of Pittsburg • John Spargo
... solution was false, but his achievement nevertheless great, in having posed the question clearly. No one before him, in antiquity, in the Middle Age, or in modern times, had seriously asked: What is the value of the distinctions between the arts? Which of them comes first? Which second? Leonardo da Vinci had declared his personal predilection for painting, Michael Angelo for sculpture, but the question had not been philosophically treated ...
— Aesthetic as Science of Expression and General Linguistic • Benedetto Croce
... new movement is at hand. Forerunners, it is true, had not been lacking. Roger Bacon (1214-94) had already sought to obtain an empirical knowledge of nature based upon mathematics; and the great painter Leonardo da Vinci (1452-1519) had discovered the principles of mechanics, though without gaining much influence over the work of his contemporaries. It was reserved for the triple star which has been mentioned to overthrow Scholasticism. The conceptions ...
— History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg
... complete treatment of all phases of Leonardo's work as a scientist as well as an artist. The older French work, Essai sur les ouvrages physico-mathematiques de Leonard de Vinci, by J. B. Venturi, Paris, 1797, is excellent. In German, H. Grothe's Leonardo da Vinci als Ingenieur und Philosophy ...
— A History of Science, Volume 5(of 5) - Aspects Of Recent Science • Henry Smith Williams
... picture with a reputation earned in a different branch of thaumaturgy. It does not much matter, however, what they thought, for experts in matters of art are the victims of such cast-iron prejudices that if once they fancy they see the influence of Leonardo da Vinci in a picture and take it into their heads that it comes from Piedmont, it will be found the most difficult thing in the world to persuade them that it really was painted in Egypt more ...
— Diversions in Sicily • H. Festing Jones
... self-consciousness in any artistic work, had a peculiar fascination. We find it in the mysticism of Plato and in the rationalism of Aristotle. We find it later in the Italian Renaissance agitating the minds of such men as Leonardo da Vinci. Schiller tried to adjust the balance between form and feeling, and Goethe to estimate the position of self-consciousness in art. Wordsworth's definition of poetry as 'emotion remembered in tranquillity' may be taken as an analysis of one of the stages through ...
— Miscellanies • Oscar Wilde
... great artist, architect, engineer, and musician, Leonardo da Vinci (1452-1519), who, among other great works, planned and executed some navigable canals in Northern Italy, and who was an observer of rare penetration and judgment, saw how fossil shells were formed, saying that ...
— Lamarck, the Founder of Evolution - His Life and Work • Alpheus Spring Packard
... neck and the ear from their attachment to her outspread and dimpled shoulders. We have already said that Adrienne was red-haired; but it was the redness of many of the admirable portraits of women by Titian and Leonardo da Vinci,—that is to say, molten gold presents not reflections more delightfully agreeable or more glittering, than the naturally undulating mass of her very long hair, as soft and fine as silk, so long, that, when let loose, it reached the floor; ...
— The Wandering Jew, Complete • Eugene Sue
... accordance with rational and seemly custom, or he must be brought to his senses. When a great man's ways are merely innocently different from those of ordinary people, by all means let him alone. For instance, Leonardo da Vinci used often to buy caged wild-birds from their captors and let them go free. What a lovely and lovable action! He hurt no one; he restored the joy of life to innocent creatures, and no one could find fault with his sweet ...
— The Ethics of Drink and Other Social Questions - Joints In Our Social Armour • James Runciman
... four-bar linkages before the 16th century, their widespread application by that time indicates that they probably originated much earlier. A tantalizing 13th-century sketch of an up-and-down sawmill (fig. 1) suggests, but does not prove, that the four-bar linkage was then in use. Leonardo da Vinci (1452-1519) delineated, if he did not build, a crank and slider mechanism, also for a sawmill (fig. 2). In the 16th century may be found the conversion of rotary to reciprocating motion (strictly speaking, an oscillation through ...
— Kinematics of Mechanisms from the Time of Watt • Eugene S. Ferguson
... on the other curious manuscripts which this library contains; nor have I anything to say of the numerous beautiful portraits and pictures with which its walls are adorned. The Cenacolo, or "Last Supper," by Leonardo da Vinci, in the refectory of the Dominican convent, is fast perishing. It has not yet "lost all its original brightness," and is mightier in its decay than most other pictures are in the bloom and vigour of their youth. I recollect ...
— Pilgrimage from the Alps to the Tiber - Or The Influence of Romanism on Trade, Justice, and Knowledge • James Aitken Wylie
... sway the world's secret desire for mystery; and what in my father is the genius of curiosity—the very essence of all scientific genius—in me is the desire for beauty. Do you remember Pater's phrase about Leonardo da Vinci, 'curiosity and the ...
— The Golden Threshold • Sarojini Naidu
... told me himself that much as he liked landscape painting he thought an artist—a real artist, he said—ought to be versed in ancillary sciences; in fortification, wood-carving, architecture, and so on. Leonardo da Vinci, you know. Well, one day they could not get into his bedroom. They broke open his door and discovered that he had constructed a perfectly-formed guillotine; the knife had fallen; his head lay on one side and his body on the other. You may well be surprised. I went carefully ...
— South Wind • Norman Douglas
... da Vinci, Raphael,—a magnificent volume illustrated by 167 drawings. Price, bound, ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... master gravity and navigate the air are worthy of brief mention if only to show how persistent were the efforts from the earliest historic ages to accomplish this end. Passing over the legends of the time of mythology we find that many-sided genius, Leonardo da Vinci, early in the sixteenth century, not content with being a painter, architect, sculptor, engineer and designer of forts, offering drawings and specifications of wings which, fitted to men, he thought would enable them to fly. The sketches are still preserved in a museum at ...
— Aircraft and Submarines - The Story of the Invention, Development, and Present-Day - Uses of War's Newest Weapons • Willis J. Abbot
... undoubtedly, but the composite result is exceedingly commonplace and reflects no credit upon any one. John Burnet, the etcher-author, has drawn attention to the fact that the figure of Christ in "Christ at Emmaus" (No. 282) is taken from one by Raphael, who is known to have borrowed it from da Vinci, and it is thought da Vinci, in his turn, got it from a former master. Rembrandt borrowed also from Rubens, Titian, Mantegna, his pupil Gerard Dou, Van de Velde and others. Many of his contemporaries and successors extended toward him the ...
— Rembrandt and His Etchings • Louis Arthur Holman
... will care little about this. He usually rushes in and out during the daylight, and recalls but little except the fascinating staircase of the chateau attributed, as to its spiral formation, to Da Vinci; the ornamental chimney-pieces; and the fact that historical events of the past have intermingled inextricably the gruesome stories of the royal houses which bore respectively the arms of hedgehog and salamander. This only, with perhaps ...
— The Cathedrals of Northern France • Francis Miltoun
... That head, as you must have noticed, is not Japanese. It's Jewish. Do you recall the head of Judas painted by Da Vinci in his Last Supper? Now isn't this old scoundrel's the exact duplicate—well, if not exact, there is a very strong ...
— Visionaries • James Huneker
... smoothness, and blackness, are the common characteristics of these supposititious heads of the Saviour. It will thus again be easily understood how opposite has been the practice of the Eastern and Western Churches; it is a striking fact that at the time when, in Italy, under Leonardo da Vinci, Raphael and others, the mystery of a God manifest in the flesh had been as it were solved by a perfected art, this Russian Church was still under bondage to the once accepted but now discarded notion that the Redeemer ought to be represented ...
— Russia - As Seen and Described by Famous Writers • Various
... Think of what Florence was at this time, and how an artist must have thrilled at its very name! Beautiful as a flower, with her marble palaces, her fine churches, her lily-like bell-tower! What a charm was added when within her walls Leonardo da Vinci was painting, Michael Angelo carving, Savonarola preaching. In the early years of Raphael's apprenticeship, the voice of the preacher had been silenced, but still, "with the ineffable left hand," Da Vinci painted, and ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... Man will be farther removed from the divine and the spiritual. The Great War proved that humanity must progress upward toward higher ideals; but then appeared that Curse which was seen and felt by Christ, the Apostle John, Buddha, the first Christian martyrs, Dante, Leonardo da Vinci, Goethe and Dostoyevsky. It appeared, turned back the wheel of progress and blocked our road to the Divinity. Revolution is an infectious disease and Europe making the treaty with Moscow deceived itself and the other parts of the world. The Great Spirit put at the threshold of our lives ...
— Beasts, Men and Gods • Ferdinand Ossendowski
... mountains, clustered together in large numbers, but yet not in contact with each other. The contour of their forms recalls to mind the beautiful landscape with which the rich imagination of Leonardi da Vinci has embellished the back-ground of ...
— COSMOS: A Sketch of the Physical Description of the Universe, Vol. 1 • Alexander von Humboldt
... principles of perspective, light and shade, and drawing, they are infinitely more ornamental to the page, owing to the vivid opposition of their bright colors and quaint lines, than if they had been drawn by Da Vinci himself: and so the Arena chapel is far more brightly decorated by the archaic frescoes of Giotti, than the Stanze of the Vatican are by those of Raffaelle. But how far it is possible to recur to such archaicism, or to make up for it by any voluntary ...
— The Stones of Venice, Volume I (of 3) • John Ruskin
... stone. The engineer transmutes his subconscious body into long buildings, into aisles of windows, into stories of thoughtful machines. Every great spiritual and imaginative genius is seen, sooner or later, to be the transmuted genius of some man's body. The things in Leonardo da Vinci that his unconscious, high-spirited, automatic senses gathered together for him, piled up in his mind for him, and handed over to him for the use of his soul, would have made a genius out of anybody. It is not as if he had had to work out every day all ...
— Crowds - A Moving-Picture of Democracy • Gerald Stanley Lee
... Vasari's life of Leonardo da Vinci as we now read it there are some variations from the first edition. There, the painter who has fixed the outward type of Christ for succeeding centuries was a bold speculator, holding lightly by other men's beliefs, setting philosophy ...
— The Renaissance: Studies in Art and Poetry • Walter Horatio Pater
... house of Albert Durer, one of the greatest artists who ever lived. He was a man of universal genius—a painter, sculptor, engraver, mathematician, and engineer. He was to Germany what Leonardo da Vinci was to Italy. His house is wonderfully preserved. You see his entrance hall, his exhibition room, his bedroom, his studio, and the opening into which his wife—that veritable Xantippe —thrust the food that was to sustain ...
— James Nasmyth's Autobiography • James Nasmyth
... than partiality. Dante himself is open to the suspicion of partiality: it is said, not without apparent ground, that he puts into hell all the enemies of the political cause, which, in his eyes, was that of Italy and God. A legend tells that Leonardo da Vinci was warned that his divine picture of the Last Supper would fade, because he had introduced his personal enemy as Judas, and thus desecrated art by making it serve personal hatred. The legend must be false, Leonardo had too grand a soul. A wretched woman in ...
— Lectures and Essays • Goldwin Smith |
