"Critic" Quotes from Famous Books
 ... we have the first-fruits of Wagner's walks amongst the Swiss mountains. When he sent the book of the Ring to Schopenhauer, that crotchety critic wrote in it that it seemed mainly concerned with clouds; and truly it very largely is. The Rhinegold ends with a storm, the flash of lightning and the roar of thunder; in each Act of the Valkyrie there is a storm; the Third Act of Siegfried opens with a storm; there ...
— Richard Wagner - Composer of Operas • John F. Runciman
... that time (1837); but Uhland was then no longer productive and was never a magnetic personality. Indeed, there was hardly more than one man, even in Vienna, who exerted a strong personal influence upon Grillparzer, and this was Josef Schreyvogel, journalist, critic, playwright, from 1814 to 1831 secretary of the Burgtheater. A happy chance gained for Grillparzer in 1816 the friendship of this practical theatre manager, and under Schreyvogel's auspices he prepared his first ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... are birds of prey, have ever a natural inclination to carrion: and though such poor writers as I are but beggars, no beggar is so poor but he can keep a cur, and no author is so beggarly but he can keep a critic. I am far from thinking the attacks of such people any honour or dishonour even to me, much less to Mr. Dryden. I agree with you that whatever lesser wits have arisen since his death are but like stars appearing when the sun is set, that twinkle only ...
— Selected English Letters (XV - XIX Centuries) • Various
... parting kiss of that young wife must have tried, somewhat, the firmness of her husband, yet not enough to cloud his bright anticipations of the future. A different mood than that imagined by Mr. WEIR should have pervaded the group, if we are not widely in error. 'With all its faults,' adds our critic, however, 'The Embarkation of the Pilgrims,' although not indicative of great genius, yet regarded as to execution, does honor to Mr. WEIR. We should do injustice to the central group, did we omit to confess that the devotional grandeur of the face of the minister, raised to heaven in prayer, struck ...
— The Knickerbocker, or New-York Monthly Magazine, February 1844 - Volume 23, Number 2 • Various
... that crushed fragrance their own.—Oh! that all round the domains of genius should lie thus unhedged, for such cattle to uproot! Oh! that an eagle should be stabbed by a goose-quill! But at best, the greatest reviewers but prey on my leavings. For I am critic and creator; and as critic, in cruelty surpass all critics merely, as a tiger, jackals. For ere Mardi sees aught of mine, I scrutinize it myself, remorseless as a surgeon. I cut right and left; I probe, tear, and wrench; kill, burn, and destroy; and what's left after ...
— Mardi: and A Voyage Thither, Vol. II (of 2) • Herman Melville
... raiment." Through history and literature the Tuskegee student is brought to develop a criticism, an appreciation of life and the worthier ends of human striving. To such a discipline, however elementary, the critic will not, I take it, ...
— Tuskegee & Its People: Their Ideals and Achievements • Various
... the Knight, "that I have heard the songs of many countries, warbled by beauty to the accompanying sounds of divers instruments, from Spain to Persia, from the Andalusian guitar to the Turkish lute. But fear me not. I am no supercilious critic. Thy modesty hides merit. I will be bound now that thy ...
— The Knight of the Golden Melice - A Historical Romance • John Turvill Adams
... deference to the opinion of our illustrious critic, is by no means correct. Yeast has no action on malate of lime, or on other calcareous salts formed by vegetable acids. Liebig had previously, much to his own satisfaction, brought forward urea as being capable of transformation into ...
— The Harvard Classics Volume 38 - Scientific Papers (Physiology, Medicine, Surgery, Geology) • Various
... sir. But upon my word I don't understand it, and if this wasn't written by the best Art critic in the country I should feel inclined to say the writer was a fool. Why that little thing was a daub compared ...
— Moods • Louisa May Alcott
... sorts" which struck London while the writer was in that city a few years ago. Whence it came no one knew, but it was heard on every side. "She was a woman of sorts;" "he is a Tory of sorts;" "he had a religion of sorts;" "he was a critic of sorts." While it originally meant "of different or various kinds," as hats of sorts; offices of sorts; cheeses of sorts, etc., it is now used disparagingly, and implies something of a kind that is not satisfactory, or of a character that is rather poor. This, as Shakespeare might have said, ...
— Fifteen Thousand Useful Phrases • Grenville Kleiser
... hue, very degenerate souls, Rioting round with the rapture of palpitant ichorous ardour, But an immaculate maid, 'one,' you may say, 'of the best'! His, I repeat, is the anguish—my journalist, eulogist critic, Strachey, the generous judge, ...
— The Battle of the Bays • Owen Seaman
... I had not done so. The wretched Pamela, once my pride, was for some reason unpopular with the only critic about whose opinion I cared, and had fallen accordingly ...
— Love Among the Chickens • P. G. Wodehouse
... ennobled the language, the language was never allowed to degrade the themes. And there was no tongue and no people that he influenced more than the French. Calvin made Bossuet and Massillon possible; as a preacher he found his successor in Bourdaloue; and a literary critic who does not love him has expressed a doubt as to whether Pascal could be more eloquent or was so profound. And the ideal then realized in Geneva exercised an influence far beyond France. It extended into Holland, ...
— The Great Events by Famous Historians, Volume 9 • Various
... to hear some captious critic exclaim. I do not attribute Scottish birth to the particular sprig of shamrock which is to figure in these pages, dear reader. Like all true shamrock, it was grown in the Emerald Isle. Nevertheless, it was by its means that the subject of this ...
— Up in Ardmuirland • Michael Barrett
... who has never driven a machine is not qualified to speak concerning the things contained herein, while the critic who has will speak with the charity and chastened humility ...
— Two Thousand Miles On An Automobile • Arthur Jerome Eddy
... systematically. Even the vast number of Madonna pictures becomes manageable when studied by some method of classification. Several plans are possible. The historical student is naturally guided in his grouping by the periods in which the pictures were produced; the critic, by the technical schools which they represent. Besides these more scholarly methods, are others, founded on simpler and more obvious dividing lines. Such are the two proposed in the following pages, forming, respectively, Part I. and Part II. ...
— The Madonna in Art • Estelle M. Hurll
... say, "This has expressed what I meant it to convey." But the reader, who is not in the secret of the author's original design, usually views the work through a different medium; and is perhaps in this the wiser critic of the two: for the book that wanders the most from the idea which originated it may often be better than that which is rigidly limited to the unfolding and denouement of a single conception. If we accept this solution, we may be enabled to understand why an author ...
— Devereux, Complete • Edward Bulwer-Lytton
... do not believe (scribbled a critic, hurriedly jotting down his impressions, to be expanded when he got back to his office) that Donna Lola smiled once throughout her performance. As she withdrew, numbers of bouquets fell on to the stage. But the proud ...
— The Magnificent Montez - From Courtesan to Convert • Horace Wyndham
... an author," when ostensibly studying engineering, there are but two pamphlets, printed in his boyhood, which are not written when he had acquired his finished style. Louis' last creation, Weir of Hermiston, he himself thought was his master-piece, and he was always his own surest and severest critic. The portrait of the judge on whom he modelled Hermiston, i.e., Braxfield, was not in Stevenson's advocate days bequeathed to the Parliament House, but he had seen it in a Raeburn Exhibition he reviewed. He ...
— Robert Louis Stevenson • E. Blantyre Simpson
... you are paid for. Every one for himself," cried Random, insolently throwing the manuscript at Forester; and, as he flung out of the shop with his companions, he added, with a contemptuous laugh, "A printer's devil setting up for a critic! He may be a capital judge of pica and brevier, perhaps—but let not the compositor go beyond ...
— Tales And Novels, Volume 1 • Maria Edgeworth
... Jones was certainly good. I remember that once when I was lunching with Bob Seaver—that was Antoinette's father, you know—he told me his daughter was interested in a young artist of exceptional talent, and he took me to a gallery to show me what this man could do. I am not an art critic, as you are aware, my dear, but this landscape of Jason Jones appealed to me as delightful. Captain Bob knew art, and so did Antoinette, so it is evident that Jones could paint, but for some reason became dissatisfied with his work and abandoned it. ...
— Mary Louise Solves a Mystery • L. Frank Baum
... her history in MS. you thought well of "Stella Fregelius" and urged her introduction to the world. Therefore I ask you, my severe and accomplished critic, to accept the burden of a book for which you are to some extent responsible. Whatever its fate, at least it has pleased you and therefore has not been ...
— Stella Fregelius • H. Rider Haggard
... so strong and rooted in my father, that I observed, a few weeks ago, in a magazine, an original letter, written by him about this time to Dr. Vicesimus Knox, full of high-flown sentiments, reading indeed like a romance of Scudery, and entreating the learned critic to receive him in his family, and give him the advantage of his wisdom, his ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... power of poetic expression went hand in hand with an indomitable will. In the spring of 1770 the young poet went to Strassburg to complete his law course. There Herder happened to be, even then a famed critic and scholar, and he aroused in Goethe a love and understanding of what was really great and genuine in literature: especially Homer, the Bible, Shakspere, and the Volkslied i.e., the simple folksong. In the fall of the year ...
— A Book Of German Lyrics • Various
... written by him, of from one to three columns in length, presenting, in his own terse, humorous, glowing, vigorous, convincing way, all sides of this chameleon-hued question; now analyzing the amendment and the laws to enforce it, turning aside here to answer the cavil of some carping critic, then to demolish and bury some blatant political defender of the whisky element; arraigning the Governor, Senate and House of Representatives for their gingerly treatment of the great question, and sending a trumpet-call to the honest, brave, and sincere ...
— Personal Recollections of Pardee Butler • Pardee Butler
... circumstances under which they were written. The wonderful popularity of this author is well estimated by the millions of copies of his books that have been sold. This is also the greatest testimonial that can be given to the merit of his work. The great heart of the reading public is an unprejudiced critic. "Is not the greatest voice the one to which the greatest number of hearts ...
— The Re-Creation of Brian Kent • Harold Bell Wright
... more praise or a little more blame, and he would have suspected himself of genius; as it was, he was content to stand distinguished from the ruck of the popular and the respectable by virtue of that imagination which his critic had allowed to him. He was not a great painter, and he knew it; but he was a brilliantly clever one, and he knew that also, and in the fact and his intimate knowledge of it lay the secret of his success. ...
— The Return of the Prodigal • May Sinclair
... Thus from being her critic he grew to be her advocate. Cynical things he had uttered to himself about her; but no man can be always a cynic and live; and he withdrew them. The mistake of expressing them had arisen from his allowing himself to be influenced by general principles to the ...
— Tess of the d'Urbervilles - A Pure Woman • Thomas Hardy
... known the mamma for twenty years," said this judicious critic, "and if you ask any of the people who have been living here as long as I, you will find they remember her well. I have held the beautiful Christina on my knee when she was a little wizened baby with a very red face and no ...
— Roderick Hudson • Henry James
... very off-colored. An unkind critic might easily have misinterpreted that dim surface. It was a dull gray landscape, and as I gradually deciphered the details of it I realized that it represented a long and enormously high line of cliffs exactly like an immense cataract seen in the distance, ...
— The Lost World • Arthur Conan Doyle
... are now the museums, and there the larks sang and the hawthorn bloomed. After an early dinner we passed the afternoon in talk on art and artists. Pyne was one of the best talkers on art I ever knew, and a critic of very great lucidity; his art had great qualities and as great defects, but in comparison with some of the favorites of the public of that day he was a giant, and in certain technical qualities ...
— The Autobiography of a Journalist, Volume I • Stillman, William James
... have been the bitterest critic of Honora for her descent from the higher to the lesser life, but she loved the girl too well even to look displeasure. Having come to believe that Arthur would be hers alone forever, she regarded Honora's decision as a mistake. The whole world rejoiced at the union of these ideal creatures, ...
— The Art of Disappearing • John Talbot Smith
... and interesting English critic, [Footnote: Lord Howard Douglass, "Treatise on Naval Gunnery," p. 416.] whose remarks are generally very just, seems to me to have erred somewhat in commenting on this last sloop action. He says that the Avon was first crippled by dismantling ...
— The Naval War of 1812 • Theodore Roosevelt
... depends solely upon the physical construction; and a man who has it not in cookery, must want it in literature. Fried sole and potatoes!! If I had written a volume, whose merit was in elegance, I would not show it to such a man!—but he might be an admirable critic upon 'Cobbett's Register,' or ...
— Pelham, Complete • Edward Bulwer-Lytton
... from giving a look of sense to the most plausible nonsense they concocted. By Cooper, indeed, the preface was looked upon not as a place to conciliate the reader, but to hurl scorn at the reviewer. In his hands it became a trumpet from which he blew from time to time critic-defying strains, which more than made up in vigor for all they lacked in prudence. This characteristic was early manifested. In the short preface to the second edition of "The Spy," he could not refrain from referring to the friends ...
— James Fenimore Cooper - American Men of Letters • Thomas R. Lounsbury
... a keen critic," sighed the empress. "But suppose you were obliged to marry either one of the princesses, ...
— Joseph II. and His Court • L. Muhlbach
... perfect little poems; (2) two larger hymns; (3) three lacerated fragments of hymns, one lacking its beginning, the other wofully deprived of its end. Another savant detects no less than eight fragments, with interpolations; though perhaps no biblical critic ejusdem farinae has yet detected eight Isaiahs. There are about ten other theories of similar plausibility and value. Meanwhile Baumeister argues that the Pythian Hymn (our second part) is an imitation of the Delian; by a follower, not of Homer, but of Hesiod. Thus, the Hesiodic ...
— The Homeric Hymns - A New Prose Translation; and Essays, Literary and Mythological • Andrew Lang
... spirit of their founders. But they were also responsible for the insanely logical pretensions which characterise the Church's policy in the thirteenth and fourteenth centuries; and it was with reason that Wycliffe, the greatest medieval critic of the sacerdotal theory, attacked the Mendicant Orders as typifying all that was worst in the hierarchy of ...
— Medieval Europe • H. W. C. Davis
... solved at last by a native scholar, Babu Rajendralal, a curious instance of the reaction of European antiquarian research on the native mind of India. Babu Rajendralal reads Sanskrit of course with the greatest ease. He is a pandit by profession, but he is at the same time a scholar and critic in our sense of the word. He has edited Sanskrit texts after a careful collation of MSS., and in his various contributions to the 'Journal of the Asiatic Society of Bengal,' he has proved himself completely above the prejudices of his class, freed from the erroneous views on the ...
— Chips From A German Workshop - Volume I - Essays on the Science of Religion • Friedrich Max Mueller
... acceptance, for I believe in the Nobility of the Almanac; and it is certain that every man should believe in the Nobility of his work whatever it is—then he is sure of one ardent Admirer. It is sad to think that some carping critic had been riling the sweet soul of Nathan in the year 1732. It is all over now. Let us hope he is not damned for his Epicureanism, but is reaping his crop of praise in a better climate than Marblehead. He gives us more poetry in 1733, and a clear account of ...
— The Galaxy - Vol. 23, No. 1 • Various
... The clay tablet and inscribed stone are better witnesses to the truth than literary tact or critical scepticism. That Moses and his contemporaries could neither read nor write may have been proved to demonstration by the critic; yet nevertheless we now know, thanks to archaeological discovery, that it would have been a miracle if the critic were right. The Pentateuch is, after all, what it professes to be, and the records it contains are ...
— Patriarchal Palestine • Archibald Henry Sayce
... said, with a gracious tranquillity that was almost dignity, "I do not doubt you in the least!—I merely SUGGEST what all the world will SAY! There is not an art-critic alive who will accept this—this extraordinary production—as the work of a woman! It is the kind of thing which might have been produced hundreds of years ago by a great master setting his pupils to work at different sections of the canvas,—but ...
— The Master-Christian • Marie Corelli
... came into vogue afterwards when Garrick, Quin, Foote and others used it. The house stood at the north-east corner. It is described as a place of resort for critics. "Everyone you meet is a polite scholar and critic ... the merit of every production of the press is weighed and determined." Apparently a place where the conversation was a continual attempt at smartness; it must have been most fatiguing. The weak point, indeed, of this public life was the demand it created for conversational ...
— The Strand District - The Fascination of London • Sir Walter Besant
... Library at Boston nor the Congressional Library at Washington. These Confessions purport to give from Turner's own lips circumstances of his life. "Portions of it," says The Richmond Enquirer, "are eloquent and even classically expressed; but," continues the critic, more than sixty miles away, "the language is far superior to what Nat Turner could have employed, thereby giving him a character for intelligence which he does not deserve and should not receive." On the contrary, however, Mr. Gray, his attorney and confessor who did not write from long range, ...
— The Journal of Negro History, Volume 5, 1920 • Various
... at it dispassionately, I find it the extreme, ragged, outermost edge of the limit. Freddie had the correct description of it. He's a great critic." ...
— The Little Warrior - (U.K. Title: Jill the Reckless) • P. G. Wodehouse
... aside, that I include Marion Crawford of set purpose among "our own" late writers, while I count Mary Wilkins and Howells as Transatlantic aliens? Experience teaches me that I must; else shall I have that annoying animalcule, the microscopic critic, coming down upon me in print with his petty objection that "Mr. Crawford is an American." Go to, oh, blind one! And Whistler also, I suppose, and Sargent, and, perhaps, Ashmead Bartlett! What! have you read "Sarracinesca" ...
— Post-Prandial Philosophy • Grant Allen
... is a critic. He has pulled out his carving-knife and his tomahawk and is starting after a book which he is going to have for breakfast. This one's arms are put on wrong. I did not notice it at first, but I see it now. Somehow he has got his right arm on his left shoulder, and ...
— Innocents abroad • Mark Twain
... driver, and a relentless critic, he was just in his dealings with his subordinates and his students, very appreciative of kindness or thoughtfulness, and generous in his approbation of tasks well done. Three of the younger children of officers of ...
— Booker T. Washington - Builder of a Civilization • Emmett J. Scott and Lyman Beecher Stowe
... talk in mews at the word of command. I hear some genial critic exclaim that this cannot be true. I decline to argue with any critic that ever lived, and repeat, fearlessly, and in measured terms, that Peter talked to me. Of course he would not drop into conversation ...
— The Junior Classics Volume 8 - Animal and Nature Stories • Selected and arranged by William Patten
... shone from faithful brushing. He was almost aggressively clean. Even his blue eyes had the appearance of having just been washed, like a spring day after a shower. It was a frequent remark that he looked as if he had come out of a bandbox; and one critic even went so far as to assert that on Sundays he sandpapered his eyes and gave a little extra polish to his bones. But these were calumnies; though to-day his suit of home-made blue was quite speckless, and the checked gingham ...
— Tiverton Tales • Alice Brown
... marriage, Charlton sought Isa Marlay. She sat sewing in the parlor, as it was called—the common sitting-room of the house—by the west window. The whole arrangement of the room was hers; and though Albert was neither an artist nor a critic in matters of taste, he was, as I have already indicated, a man of fine susceptibility. He rejoiced in this susceptibility when it enabled him to appreciate nature. He repressed it when he found himself vibrating in sympathy with those arts that had, as ...
— The Mystery of Metropolisville • Edward Eggleston
... face glowing, until her beauty seemed more than mortal. "But we shall never reach it till we learn to master the senses, to cut the chains of worldly prejudice and conventionalism. They are bold teachers, these," and she tossed the magazine back to the still silent critic of its contents. "You would do well," she said, "to make yourself acquainted with some of these subjects. I think you would find them more interesting ...
— The Mystery of a Turkish Bath • E.M. Gollan (AKA Rita)
... critic's chef d'oeuvre, is considered, by competent judges, to be an Essay on Old Almanacks printed a few years ago in this annual, and supposed to be written with the view of surpassing a profound memoir on the same subject by James O. Halliwell,[263] ...
— A Budget of Paradoxes, Volume II (of II) • Augustus de Morgan
... author dare resist Historian, critic, bard, and novelist? 'To reach thy temple, honoured Fame,' he cried, 'Where, where's an avenue I have not tried? But since the glorious present of to-day Is meant to grace alone the poet's lay, My claim I wave to every art beside, And rest my plea upon the Regicide. * * * * * But if, ...
— Atlantic Monthly, Volume 3, No. 20, June, 1859 • Various
... of no use for breakfast, dinner, tea, or supper! Bites can neither be fried nor boiled, measured nor weighed. A bite, indeed!'—and once more the cynic loses himself in laughter. That is all he knows about it, and it merely supplies us with another evidence of the superficiality of cynicism. The critic is sometimes right, but the cynic is never right; and the roar of laughter that I hear from the cynic's chair, as he talks about bites, is, therefore, rightly translated and interpreted, a kind of thunderous applause. Why, in some respects, a bite is better than a fish. Only very occasionally ...
— Mushrooms on the Moor • Frank Boreham
... prey they grew, By love of food and contest led, Would haunt the spot where once they fed. Thus having with due circumspection Formed my professional connexion, My desks with precedents I strew'd, Turned critic, danc'd, or penn'd an ode, Suited the ton, became a free And easy man of gallantry; But if while capering at my glass, Or toying with a favorite lass, I heard the aforesaid Hawk a-coming, Or Buzzard on the staircase humming, At once the fair ...
— A Book About Lawyers • John Cordy Jeaffreson
... Let the critic deal gently with Donnegan. He loved Lou Macon with all his heart and his soul, and yet because another beautiful girl had looked at him, there he sat at his table with his jaw set and the devil in his eye. And while she and Landis were ...
— Gunman's Reckoning • Max Brand
... opened the door and descended the stairs, a picture of beauty and serenity—a trifle of extra color in the cheeks, perhaps, but it would be a captious critic who would object to the ...
— The Bondwoman • Marah Ellis Ryan
... great many translations of Lenore about, and except by Scott's friends, little notice was taken of the volume. There were some excuses for the neglect, the best perhaps being that English criticism at the time was at nearly as low an ebb as English poetry. A really acute critic could hardly have mistaken the difference between Scott's verse and the fustian or tinsel of the Della Cruscans, the frigid rhetoric of Darwin, or the drivel of Hayley. Only Southey had as yet written ballad verses with equal vigour and facility; and, I think, he had ...
— Sir Walter Scott - Famous Scots Series • George Saintsbury
... are truths of a higher kind than these in Franklin, and Sainte-Beuve, the great French critic, quotes, as an example of his occasional finer moods, the saying, "Truth and sincerity have a certain distinguishing native luster about them which cannot be counterfeited; they are like fire and ...
— Initial Studies in American Letters • Henry A. Beers
... brothers began the publication of a weekly magazine, Snap-Shots, to which Wilbur contributed a series of articles on local affairs that gave evidence of the incisive and often sarcastic manner in which he was able to express himself throughout his life. Dr Griffith Brewer describes him as a fearless critic, who wrote on matters of local interest in a kindly but vigorous manner, which did much to maintain the healthy public ...
— A History of Aeronautics • E. Charles Vivian
... epigrams, apart from the metaphors heaped up ad nauseam, and each of them harsh and absurd, a keen critic has noted another fault: namely, that nothing is more distant from the spirit of a man grieving and mourning for the death of a friend—and this is what Heinsius intended to depict—than such a wantonness of epithets. And so ...
— An Essay on True and Apparent Beauty in which from Settled Principles is Rendered the Grounds for Choosing and Rejecting Epigrams • Pierre Nicole
... to the university. He became a member of the great literary club, the Poker, where he associated with Hume, A. Carlyle, Adam Ferguson, Adam Smith and others, and enjoyed a high reputation as a preacher and critic. The lectures he published on style are elegantly written, but weak in thought, and his sermons share the same fault. They are composed with great care, and sometimes a single discourse cost him a week's labor, but they are formal ...
— The world's great sermons, Volume 3 - Massillon to Mason • Grenville Kleiser
... unknown life beyond. She touches these themes sometimes lightly, sometimes almost humorously, more often with weird and peculiar power; but she is never by any chance frivolous or trivial. And while, as one critic has said, she may exhibit toward God "an Emersonian self-possession," it was because she looked upon all life with a candor as unprejudiced ...
— Poems: Three Series, Complete • Emily Dickinson
... born in 1840, and received his musical education in the Conservatory at Milan, where he studied for nine years. In 1866 he became a musical critic for several Italian papers, and about the same time wrote several poems of more than ordinary merit. Both in literature and music his taste was diversified; and he combined the two talents in a remarkable ...
— The Standard Operas (12th edition) • George P. Upton
... separate form. One day, however, during his last illness, the talk happened to turn on George Eliot's Works, and he mentioned his long-forgotten paper. One of the friends then present—a competent critic and high literary authority—expressed a wish to see it, and his opinion was so favourable that its publication was determined on. The author then proposed to complete his work by taking up 'Middlemarch' and 'Deronda'; and if any trace of failing vigour is discernible ...
— The Ethics of George Eliot's Works • John Crombie Brown
... had neither paper nor ink? How did Friday come to know so intimately the habits of bears, the bear not being a denizen of the West Indian islands? On the ground of these and such-like trifles, one critic declared that the book seems calculated for the mob, and will not bear the eye of a rational reader, and that "all but the very canaille are satisfied of the worthlessness of the performance." Defoe, we may suppose, was not much moved by these strictures, as edition after ...
— Daniel Defoe • William Minto
... your music right enough. The artist in you has it. But the woman—so far, no. You're too introspective to surrender blindly. Artiste, analyst, critic first—only woman when those other ...
— The Moon out of Reach • Margaret Pedler
... isn't home neglecting If you spend your time selecting Seven blouses and a jacket and a hat; Or to give your day to paying Needless visits, or to playing Auction bridge. What critic could object to that? But to spend two precious hours At a lecture! Oh, my powers, The home is all a woman needs to learn. And an hour, or a quarter, Spent in voting! Why, my daughter, You could not find your home on ...
— Are Women People? • Alice Duer Miller
... is an instance of the "point of view." The five romances studied with a different purpose might have given different results, even with a critic so warmly interested in their favour. The great contemporary master of workmanship, and indeed of all literary arts and technicalities, had not unnaturally dazzled a beginner. But it is best to dwell on merits, for it is these that are most ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 3 (of 25) • Robert Louis Stevenson
... he had begun "Pariah," he had borrowed from Hansson a volume of tales by Edgar Allan Poe. It was his first acquaintance with the work of Poe, though not with American literature—for among his first printed work was a series of translations from American humourists; and not long ago a Swedish critic (Gunnar Castren in Samtiden, Christiania, June, 1912) wrote of Strindberg's literary beginnings that "he had learned much from Swedish literature, but probably more from Mark ...
— Plays by August Strindberg, Second series • August Strindberg
... of the night when work is done— how marvellously all these tone with the general sentiment. Shall it be maintained that they are arbitrary conventions, mere fanciful products of the association of ideas? Armed with triple brass must be the breast of the critic who could uphold such a view. For the common heart of humanity repudiates it, and intuitively feels that in such a picture there is more than a display of artistic skill embodying subtle symbols—it feels that there is a blending of elements which ...
— Nature Mysticism • J. Edward Mercer
... her sister-in-law, by inference and suggestion, about the affairs of the household. Hadria evaded the attempt, but rejoiced, for reasons of her own, that it was made. She began to find the occupation diverting, and characteristically did not hesitate to allow her critic to form most alarming conclusions as to the state of matters at the Red House. She was pensive, and mild, and a little surprised when Miss Temperley, with a suppressed gasp, urged that the question was deeply serious. ...
— The Daughters of Danaus • Mona Caird
... and 500 in the chorus to round out the society, we gave a great performance. The Boston Music Hall was crowded to the doors and the oratorio was as perfectly given as could be asked by the most exacting critic. This was but one of the beautiful oratorios that were given during my stay in Massachusetts. Instead of church service on the Sabbath evenings, the oratorios were given. In this way I was able to learn the music of all the most important works ...
— Sixty Years of California Song • Margaret Blake-Alverson
... masterpieces; and it was at its best far truer in an artistic sense than it was the fashion of its easy critics to allow. Whether Davis could or would have written a novel of the higher rank is a useless question now; he himself, who was a critic of his own work without illusions or affectation, used to say that he could not; but it is certain that in the early part of "Captain Macklin" he displayed a power really Thackerayan ...
— Appreciations of Richard Harding Davis • Various
... seemed pleased at her praise, and wrote on while she put away the tea-things with a contented expression as though he had passed a high critic, and need not fear any other. Once he looked up with a quizzical expression and made a jocose remark about "our article," taking her into a sort of partnership with him in it, which set her heart to beating happily, until it seemed as if she were really ...
— Marcia Schuyler • Grace Livingston Hill Lutz
... except for an abnormal self-confidence he would hesitate in the first step of criticism—a careful consideration of the value of the canvas as compared with that of the frame. It is therefore because Charlie is the only self-admitted art critic who knows nothing whatever of the subject, that his opinions are so interesting, for they are sure to be absolutely impartial and free from all bias of every kind. But where he heard of Alma Tadema is a puzzle to me, unless that name has been utilized by the manufacturer of some new ...
— White Ashes • Sidney R. Kennedy and Alden C. Noble
... more American in type than Carleton, though indefinably so. If a critic had been asked how he would know this person to be a New Yorker, even if met wrapped in bearskins at the North Pole, he might have been at a loss to explain. Nevertheless, the dark face with its twinkling, heavily black-lashed ...
— The Guests Of Hercules • C. N. Williamson and A. M. Williamson
... are called by children. Only once is the mallow mentioned in the Bible, and then as food for the most abject and despised poor (Job 30: 4); but as eighteen species of mallow grow in Palestine, who is the higher critic to ...
— Wild Flowers, An Aid to Knowledge of Our Wild Flowers and - Their Insect Visitors - - Title: Nature's Garden • Neltje Blanchan
... he cannot be rated very high. He was, I once heard a female critic remark, "of a lower order." He had not in any great degree the MENS DIVINIOR, the dignity of genius. Much, however, must be allowed to the author of a new species of composition, though it be not of the highest kind. We owe to Gay the ballad ...
— Lives of the Poets: Gay, Thomson, Young, and Others • Samuel Johnson
... did not derive their strength from any foreign hierarchy, and had no connection with Rome. Any reference, indeed, to the influence of a Roman pontiff, either actual or prospective, in the life of any of our early saints, will prepare the critic for finding that the life has been written centuries after the era of the saint, or has been tampered with. In Adamnan's Life of Columba, Rome is mentioned once or twice as a very great city, but there is no allusion throughout that remarkable biography to any spiritual central authority ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton
... much information.* (* It was "figuree assez grossierement et sans details.") These statements are useful as enabling us to understand why Baudin was so shy about showing his charts to Flinders. If they gave little satisfaction to the writer of the Moniteur article, we can imagine what a critic who had been over the ground himself ...
— Terre Napoleon - A history of French explorations and projects in Australia • Ernest Scott
... portion, while his companion placed himself on the sofa, beside Mrs. Penniman. Catherine had hitherto not been a harsh critic; she was easy to please—she liked to talk with young men. But Marian's betrothed, this evening, made her feel vaguely fastidious; he sat looking at the fire and rubbing his knees with his hands. As for Catherine, she scarcely even pretended to keep ...
— Washington Square • Henry James
... Company, and having signed a contract to supply them for seventeen years with the best Pine Pitch on favourable terms, I have not the slightest interest to subserve in writing this letter, which I think any quite impartial critic will allow, curtly, but honestly, ...
— Punch, or the London Charivari, Volume 98, January 18, 1890 • Various
... yields up its latent negation, passing on to its own contradiction—gives truer lights and shades than your pedantic Philistinism. Is Truth really in the cold white light, or in the shimmering interplay of the rainbow tints that fuse in it? Bah! Your Philistine critic will sum me up after I am dead in a phrase; or he will take my character to pieces and show how they contradict each other, and adjudge me, like a schoolmaster, so many good marks for this quality, and so many bad marks for that. Biographers will weigh me grocerwise, as Kant weighed the Deity. ...
— Dreamers of the Ghetto • I. Zangwill
... know, Tom," said this rather severe critic to his comrade confidentially, "there's one advantage in fast readin', that it gets the business soon over, which is some sort o' comfort to fellows that has got to attend whether they like it or not, hot or cold, fresh or tired, unless dooty prevents. But the hofficer that did dooty to-day ...
— Blue Lights - Hot Work in the Soudan • R.M. Ballantyne
... which the critic has to meet in dealing with the Italian Renaissance is the determination of the limits of the epoch. Two dates, 1453 and 1527, marking respectively the fall of Constantinople and the sack of Rome, ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... study of life, because poetry is the interpretation of life. Poetry is not a mere instrument for promoting enjoyment; it does not merely dazzle the imagination and excite the emotions. Through the emotions and the imagination it both interprets life and ministers to life. When the critic attempts to express that truth, that is, to interpret the interpreter, which he can do only by translating the poetry into prose, and the language of imagination and emotion into that of philosophy, he destroys ...
— The World's Best Poetry, Volume 3 - Sorrow and Consolation • Various
... stretches, this little trick of mine, from book to book, and everything else, comparatively, plays over the surface of it. The order, the form, the texture of my books will perhaps some day constitute for the initiated a complete representation of it. So it's naturally the thing for the critic to look for. It strikes me," my visitor added, smiling, "even as the thing for the critic ...
— Embarrassments • Henry James
... presence of the king, the royal family, and the court circle. The most celebrated singers of Italy, the most graceful Parisian dancers were now to be heard and seen in Berlin. These things assumed such vast importance, that the king himself appeared as a critic in the daily journals, and his articles were published in the foreign papers. While the king favored the strange actors with his presence and his grace, the German theatre, like a despised step-child, was given over to misery and contempt. Compelled to seek an ...
— Berlin and Sans-Souci • Louise Muhlbach
... beginning to end, is the work of Wilkie Collins. The actual writing is entirely his up to a certain point: from that point to the end it is partly his, but mainly mine. Where his writing ends and mine begins, I need not point out. The practised critic will, no doubt, at once lay ...
— Blind Love • Wilkie Collins
... ironic descriptions of his own work. If the irony is depreciatory, posterity is but too likely to say, "Many a true word is spoken in jest;" if it is encomiastic, the same ruthless and ungrateful critic is but too likely to take it as an involuntary confession of folly and vanity. But when Fielding, in one of his serio-comic introductions to Tom Jones, described it as "this prodigious work," he all unintentionally (for he was the least pretentious of men) anticipated the verdict ...
— Joseph Andrews Vol. 1 • Henry Fielding
... sin and unworthiness in the old life we, who look into our own hearts, need not doubt; but how much of sin, how much of unworthiness, happily we need not determine. Mr. Durant was probably his own severest critic. ...
— The Story of Wellesley • Florence Converse
... Benjamin Harrison. When Mr. Harrison was elected, he would have liked to put the young campaigner into the State Department. But Mr. Blaine, who became Secretary of State, did not care to have his plain-spoken opponent and critic under him. So the President offered Roosevelt the ...
— Theodore Roosevelt and His Times - A Chronicle of the Progressive Movement; Volume 47 in The - Chronicles Of America Series • Harold Howland
... tell how deep this adventure lay in Muroc's mind. He had a prodigious sense of humour, the best critic ...
— The Judgment House • Gilbert Parker
... round for something to throw at his critic and found a tolerably heavy book, but Bones dodged and fielded it dexterously. "And if you must chuck things at me, sir," he added, as he examined the title on the back of the missile, "will you avoid as far as possible ...
— Bones - Being Further Adventures in Mr. Commissioner Sanders' Country • Edgar Wallace
... critic has said [Footnote: Bernard Berenson, The Central Italian Painters of the Renaissance, pp. 60, et seq.] that "what with the almost numberless shapes assumed by an object. ... What with our insensitiveness and inattention, things scarcely would have ...
— Public Opinion • Walter Lippmann
... departure? It is clear that Shakspere must have thought much and critically of the methods and the utterance of his co-rivals in literary art, as he did of the methods of his fellow-actors. The author of the advice to the players in HAMLET was hardly less a critic than a poet; and the sonnet[109] which speaks of ...
— Montaigne and Shakspere • John M. Robertson
... this ingenious interpretation of his character, Ezekiel exhibited a dry gratification over it, and even conceived an unwholesome admiration of the fair critic; he haunted her presence and preoccupied her society far beyond Joan's most sanguine expectations. He sat in open-mouthed enjoyment of her at the table, he waylaid her in the garden, he attempted to teach her English. Dona Rosita received these extraordinary ...
— The Argonauts of North Liberty • Bret Harte
... the critic, Fancher, looking at me, "I understand that in Ireland the chastity of the women is so great that no child is born without a birthmark in the shape of the initials of ...
— The O'Ruddy - A Romance • Stephen Crane
... composite, admirably balanced natures which include most qualities and faculties, but no one in excess of another. Such make those engaging good women of the world, who are able to understand and sympathise with the most diverse interests and temperaments; as it is the characteristic of a good critic to understand all those various products of art, which it would be impossible for him to create. Thus Esther could have delighted a saint with her sympathetic comprehension, as she could have healed the wounds of a sinner by her comprehensive sympathy; but it was certain she ...
— Young Lives • Richard Le Gallienne
... his own great soul the canvass warms, Creates, inspires, impassions human forms, Spurns critic rules, and seizing safe the heart, Breaks down the former frightful bounds of Art; Where ancient manners, with exclusive reign, From half mankind withheld her fair domain. He calls to life each patriot, chief or sage, ...
— The Columbiad • Joel Barlow
... we may think of his judgment, was certainly a man of considerable learning. He was followed by his pupil, Hermippus, who was contemporary with Trajan and Hadrian, and obtained some reputation as a critic and grammarian.[14493] About the same time flourished Marinus, the writer on geography, who was a Tyrian by birth, and "the first author who substituted maps, mathematically constructed according to latitude and longitude, ...
— History of Phoenicia • George Rawlinson
... acquainted with the brightest poetical ornament of this country than any of ourselves; and that the admiration of the English nation for Shakspeare should first obtain a truly enlightened interpreter in a critic of Germany. ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... lines of thought, but resembles a plant, which in its own way works over and assimilates the nutritive elements taken up from the soil. Schleiermacher is attractive rather than impressive; he is less a discoverer than a critic and systematizer. His fine critical sense works in the service of a positive aim, subserves a harmonizing tendency; he takes no pleasure in breaking to pieces, but in adjusting, limiting, and combining. There is no one of the given views which entirely ...
— History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg
... about the theatre that the public does not know. A statement, at first blush, to be disputed. The press agent, the special writer, the critic, the magazines, the Sunday supplement, the divorce courts—what have they left untold? We know the make of car Miss Billboard drives; who her husbands are and were; how much the movies have offered her; what she wears, reads, says, thinks, and eats for breakfast. Snapshots ...
— Cheerful—By Request • Edna Ferber
... encomiums is not worthy of them, and to endeavour to excuse himself for them to the public. These are his words: 'I have seen your graces and talents unfold themselves from your infancy. At all periods of your life I have received proofs of your uniform and unchanging kindness. If any critic be found to censure the homage I pay you, he must have a heart formed for ingratitude. I am under great obligations to you, Madame, and these obligations it ...
— The Memoirs of Louis XV. and XVI., Volume 1 • Madame du Hausset, and of an Unknown English Girl and the Princess Lamballe
... up the next. Here the critic was more measured in his praise. The book he pronounced to be on the whole a good and very nearly a great one, a fine conception fairly worked out, but there was too strong a tendency in parts to a certain dreamy mysticism (here Mark began to regret that he had not ...
— The Giant's Robe • F. Anstey
... eminent critic has called Tacitus' account of this battle an 'historical nightmare', but those who do not suffer from a surfeit of military knowledge may find that it lies easy upon them. It is written for the plain man with an eye for situations and an ...
— Tacitus: The Histories, Volumes I and II • Caius Cornelius Tacitus
... A dramatic critic, still a well-known writer, lost his place because he would not get his hair cut. Bennett in Paris asked him why he wore his hair so long and was told because he liked it that way. An order sending him to Copenhagen followed. When his return was announced ...
— Best Short Stories • Various
... plot is divided into two almost equal parts, which we may call "before and after taking." A recent critic has said: "The actual forward movement of the plot does not begin until the sentence, 'In a long ramble of the kind on a fine autumnal day, Rip had unconsciously scrambled to one of the highest parts of the Kaatskill Mountains.'" The critic has missed, I think, the main structural ...
— Short Stories Old and New • Selected and Edited by C. Alphonso Smith
... delicate mission entrusted to him. This was nothing less than a bold manoeuvre to hasten Silviane's admission to the Comedie Francaise. The idea had occurred to her of making the Baron give a dinner at the Cafe Anglais in order that she might meet at it an influential critic, who, according to her statements, would compel the authorities to throw the doors wide open for her as soon as he should know her. However, it did not seem easy to secure the critic's presence, as he was noted ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... disabled the criticism of the audience, composed of the authoress and the reader, blinding perhaps both to not a little that was neither brilliant nor poetic. The lady wept at the sound of her own verses from the lips of one who was to her in the position of the hero toward the heroine; and the lover, critic as he was, could not but be touched when he saw her weep at passages suggesting his relation to her; so that, when they found the hand of the one resting in that of the other, it did not seem strange to either. When suddenly the lady snatched hers away, it was only because a mischievous ...
— Home Again • George MacDonald
... most absurd passage is that in which he tells Piso that, having lost his army—which he had done—he had brought back nothing in safety but that "old impudent face of his."[32] Altogether it is a tirade of abuse very inferior to Cicero's dignity. Le Clerc, the French critic and editor, speaks the truth when he says, "Il faut avouer qu'il manque surtout de moderation, et que la gravite d'un orateur consulaire y fait trop souvent place a l'emportement d'un ennemi." It is, however, full of life, ...
— The Life of Cicero - Volume II. • Anthony Trollope
... he called thirty years of slavery, he was able to resign his post of critic. "Thanks to 'The Trojans,' the wretched quill ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... no means of knowing whether Goldsmith got through his work with ease or with difficulty; but it is obvious, looking over the reviews which he is believed to have written for Griffiths' magazine, that he readily acquired the professional critic's airs of superiority, along with a few tricks of the trade, no doubt taught him by Griffiths. Several of these reviews, for example, are merely epitomes of the contents of the books reviewed, with some vague suggestion ...
— Goldsmith - English Men of Letters Series • William Black
... political economy (thirty, it is said) have been published in the last quarter of a century, a fact which has now and then been deplored by the pessimistic critic.[27] Few share this opinion, however. The textbooks have, to be sure, often served, not to unfold a consistent system of thought, but to reveal the lack of one. But they have afforded to the teachers and students, in a period of developing conceptions on the subjects, a wide choice of ...
— College Teaching - Studies in Methods of Teaching in the College • Paul Klapper
... to the memory of one from whose opinions he still widely dissents, but to whose talents and virtues he admits that he formerly did not do justice. Serious as are the faults of the Essay on Government, a critic, while noticing those faults, should have abstained from using contemptuous language respecting the historian of British India. It ought to be known that Mr Mill had the generosity, not only to forgive, but to forget the unbecoming acrimony ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 1 (of 4) - Contibutions to Knight's Quarterly Magazine] • Thomas Babington Macaulay
... been questioned, but by very few, and on no grounds that are perceptible to common sense. One critic imagines that it ascribes miraculous power to the Prophet in "its natural impression that the Prophet reproduces from memory and dictates all the words which the Lord has spoken to him."(34) There is no trace of miracle in the story. It is a straight tale of credible ...
— Jeremiah • George Adam Smith
... is every man of talent tried in London; this is his grand, his formal difficulty, to get the opportunity of showing what he can do, of being put into circulation, of having the chance of being tested, like a shilling, by the ring of the customer and the bite of the critic; for the opportunity, the chance to edge in, the chink to wedge in, the purchase whereon to work the length of his lever, he must be ever on the watch; for the sunshine blink of encouragement, the April shower of praise, he must await the long winter of "hope deferred" passing away. ...
— Blackwood's Edinburgh Magazine, No. CCCXXIX. - March, 1843, Vol. LIII. • Various
... Ihne, Hof-Architekt Sr. Maj. d. Kaisers; Dr. Reinhold Koser, Principal Director of the Prussian State Archives, and Prof. Dr. Fritz Schaper, sculptor; from Great Britain, Mr. William Archer, author and critic; Sir Robert S. Ball, Director of Cambridge Observatory; Dr. C. F. Moberly Bell, manager London "Times"; Sir Robert Cranston, late Lord Provost of Edinburgh; Sir Edward Elgar, composer; Mr. James Currie Macbeth, Provost of Dunfermline; Dr. ...
— A Short History of Pittsburgh • Samuel Harden Church
... part, the work of the mediaeval Empire and has had a measure of success where the other failed, it is because of the character of its individual citizens, because despite constant and heart-breaking failures in knowledge and imagination, we are a people who, in the words of a stern, if friendly, critic, 'with great self-assertion and a bull-dog kind of courage, have yet a singular amount of gentleness ...
— Progress and History • Various
... Gallio's humour, Acts xviii. 17, and cares for none of those things; the sensual Epicurean and riotous ruffian (go church matters as they will) eats and drinks, and takes his pleasure; the cynical critic spueth out bitter aspersions, gibeth and justleth at everything that can be said or done in the cause of religion; the acenical jester playeth fast and loose, and can utter anything in sport, but nothing in earnest; the avaricious worldling hath no tune but Give, give, and no anthem ...
— The Works of Mr. George Gillespie (Vol. 1 of 2) • George Gillespie
... perplexed beyond the reach of elucidation; and as to fine passages, they had all been amply praised by previous admirers; nay, so completely had the bard, of late, been overlarded with panegyric by a great German critic that it was difficult now to find even a fault that had not been argued into ...
— The Sketch Book of Geoffrey Crayon, Gent. • Washington Irving
... into her bedroom and gave a long, searching, anxious look at herself in the narrow panel mirror which she had fixed on to one of the cupboard doors. That there is no truer critic of herself, and of her appearance, than a very pretty woman, is generally true even of the vainest and most self-confident ...
— What Timmy Did • Marie Adelaide Belloc Lowndes
... I have the Honour to introduce to your Highness is the facetious Bob Smart, a professed Wit and Critic; no Man knows the Intrigues of the Court, the Theatres, or the City better, No Man has a finer Taste in the Belle' Letters, for he is deemed one of the best Gentlemen Harlequins in Europe, and is an Emminent Orator at ...
— The Covent Garden Theatre, or Pasquin Turn'd Drawcansir • Charles Macklin
... you're not a severe critic," said Judith, flushing with pleasure at Nancy's honest admiration, "but I want it to be ...
— Judy of York Hill • Ethel Hume Patterson Bennett
... illustrated profusely by pencils as eminent as those of Daniel Maclise, of Clarkson Stanfield, of Richard Doyle, of John Leech, of Sir Edwin Landseer. The charming little fairy tale, moreover, was inscribed to Lord Jeffrey. It was a favourite of his, as it still is of many another critic north and south of the Tweed, light, nay trivial, though the materials out of which the homely apologue is composed. It can hardly be wondered at, however, remembering how less than four years prior to its first publication, a literary reviewer, ...
— Charles Dickens as a Reader • Charles Kent
... one, from which I have been able to draw a description of the childhood of Fanny Stevenson is an article on early reminiscences written by my sister herself, which was found among her papers after her death. As she was always her own worst critic, she has dwelt on mischievous childish escapades and has said little of the sweetness and charm and warm generosity that even then drew all hearts to her. From this article, called A Backwoods Childhood, I quote the ...
— The Life of Mrs. Robert Louis Stevenson • Nellie Van de Grift Sanchez
... a perusal either of the original, or of the rendering in question: it is concerned almost exclusively with a summary of the glaring inaccuracies in the first nineteen pages of the work and with correct translations of the same; and it is in no sense of the word an appreciation of the book. The critic had read Shandy in the original, and had believed that no German hack translator[12] would venture a version in the language of the fatherland. It is a review which shows only the learning of the reviewer, ...
— Laurence Sterne in Germany • Harvey Waterman Thayer
... F. Keith once called "The Big Sister of Vaudeville," and who was Vaudeville Editor of the New York Morning Telegraph before becoming General Press Representative of the Orpheum Circuit, summed up her years of experience as a critic in these words: ...
— Writing for Vaudeville • Brett Page
... proceeds in the most subdued manner, and at the moment when the audience may be imagined to have comfortably settled for their nap a sudden explosive fortissimo chord is introduced. "There all the women will scream," said Haydn, with twinkling eyes. A contemporary critic read quite a different "programme" into it. "The 'Surprise,'" he wrote, "might not be inaptly likened to the situation of a beautiful shepherdess who, lulled to slumber by the murmur of a distant waterfall, starts alarmed ...
— Haydn • J. Cuthbert Hadden
... having your own troubles, little Char," he wrote. "Well, keep up a good heart and work hard. This is what I am doing just now. Things have not gone my way at all, but in spite of it I am going to try to do something worth while this winter. I often wish you were here to be my admiring critic." ...
— The Pleasant Street Partnership - A Neighborhood Story • Mary F. Leonard
... his reckoning, that he conceived the most serious disquietude as to the ruin of Montesquieu's reputation by the publication of such a work. Such was his alarm that he did not venture to write to the author on the subject, but gave the manuscript to another critic, Saurin, the author of a work entitled Spartacus, long since extinct, who passed the same judgment upon it. Both concurred in thinking that the reputation of Montesquieu would be entirely ruined by the publication of the new manuscript; ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... Albury Down is a residence of the Duke of Northumberland, Albury Park, laid out in the seventeenth century by John Evelyn, famous for his devotion to rural beauties, and the residence during the present century of Henry Drummond, the banker, politician, and theologian, the most caustic critic of his time in Parliament, and the great promoter of the Church of the ...
— England, Picturesque and Descriptive - A Reminiscence of Foreign Travel • Joel Cook
... quotable phrases and passages of humorous intellectuality. What is rarely found in connection with much humor, he had a sensitive dreaminess of nature, strongly poetic in feeling, whence resulted a large appreciation of the subtler classes of poetry; of which he was an acute and sympathizing critic. As part of this temperament, he had a strong bent toward mysticism,—in one essay he says flatly that "mysticism is true,"—which gave him a rare insight into the religious nature and some obscure problems of religious history; though ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... is obscure, but rather because energetic brevity of expression has fallen into disuse, and even a Norse public, long accustomed to the wordy diffuseness of latter-day bards, have in part lost the faculty to comprehend the genius of their own language. As a Danish critic wittily observed: "Bjoernson's language is but one ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen
... columns—that is, it thinks it lightens them up—with a profound, an abysmal, book criticism; a criticism which carries you down, down, down into the scientific bowels of the subject—for the German critic is nothing if not scientific—and when you come up at last and scent the fresh air and see the bonny daylight once more, you resolve without a dissenting voice that a book criticism is a mistaken way to lighten up a German daily. Sometimes, in place of the criticism, ...
— Innocents abroad • Mark Twain
... works of art depends on their having come as "real and intimate experiences to a large number of gifted men"—men who have some kinship to that "finely touched and gifted man, the [Greek heuphnaes] of the Greeks," to use the phrase of our greatest modern critic. And in so far as we are able to judge between works successfully making such an appeal, we must be governed by this sense of proportion, which measures how things stand in regard to reason; that is, not ...
— Albert Durer • T. Sturge Moore
... of amusement, Mr. Filey was following his critic up the steps, she still mocking at his 'drives' and the ...
— The Convert • Elizabeth Robins
... throwers. They succeeded in capturing Avocourt Wood, but in the advance on Hill 304 they were caught between two converging fires and suffered the most appalling losses. According to the figures given by a neutral military critic, Colonel Feyler, between March 20 and 22, 1916, the three regiments of this division lost between 50 and 60 ...
— The Story of the Great War, Volume V (of 8) • Francis J. (Francis Joseph) Reynolds, Allen L. (Allen Leon)
... from Herrick to Swinburne, seem hard and mechanical by comparison. But there is something more. I doubt, for one thing, if we are justified in the boast we sometimes make that the feeling for Nature is stronger in our poets than in those of other countries. The most scientific critic may be unable to pick a hole in Tennyson's botany and zoology; but the passion for, and feeling of oneness with Nature may exist without this modern minute accuracy. Be this as it may, it was not Tennyson, nor any other of our poets, that I ...
— Birds in Town and Village • W. H. Hudson
... men dexterous in practice, idle in thought; many of them compelled by ill-ordered patronage into directions of exertion at variance with their own best impulses, and regarding their art only as a means of life; all of them conscious of practical difficulties which the critic is too apt to under-estimate, and probably remembering disappointments of early effort rude enough to chill the most earnest heart. The shallow amateurship of the circle of their patrons early disgusts them with theories; they shrink back ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... the strongest men of his generation was such, that he puts forward the mere existence of night as a refutation of the undulatory theory?[15] What a wonderful gauge of his own value as a scientific critic does he afford, by whom we are informed that phrenology is a great science, and psychology a chimaera; that Gall was one of the great men of his age, and that Cuvier was "brilliant but superficial"![16] How unlucky ...
— Lay Sermons, Addresses and Reviews • Thomas Henry Huxley
... so rigidly reject critical restraints, and disdain to be bound by rule, as those excited by the fine arts. A man unimpressible and incapable of moods and tenses, is for that reason an incompetent critic; and the sensitive, excitable man, how can he know that he does not impose his peculiar mood as ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... responsible and receive the penalty of the wicked deed. Moreover, it is the fundamental law of criticism for the Odyssey; freedom and justice we are to see in it and unfold them in accord with the divine order; woe be to the critic who disobeys the decree of Zeus, and sees in his poem only an amusing tale, or ...
— Homer's Odyssey - A Commentary • Denton J. Snider
... youth, men much too freely prais'd, And then the cry of blame, too loudly rais'd. The fickle crowd, thy person loudly curs'd, And then thou fled, and dar'd them do their worst. Unfortunate in love, thy youthful heart Was pain'd, and likewise with the burning smart Thy vanity receiv'd from critic's pen, Which often makes sarcastic, stronger men. Let us be fair with thee, thy fate deplore, And grieve thy youthful death, if nothing more. Let us in mercy judge, for thus we can, E'en with thy faults, thou wert ...
— Canada and Other Poems • T.F. Young
... of the century a young Scotchman named Carlyle laid before the greatest of English scholars and critics a manuscript entitled Sartor Resartus. The great critic read the manuscript and pronounced it "the stupidest stuff that he ever set eyes on." He laughed at a manuscript that became one of the literary masterpieces of the century. A like experience had Milton, when he once said that he ...
— True to His Home - A Tale of the Boyhood of Franklin • Hezekiah Butterworth
... governed. This mythological and allegorical art, guided by dogmas and formulas which are imposed upon all pupils regardless of their temperament, is far more international than national. To an impartial critic this statement will show in an even more curious light the excommunication jealously issued by the academic painters against French artists, who, far from revolting in an absurd spirit of parti-pris against the genius of their race, ...
— The French Impressionists (1860-1900) • Camille Mauclair
... into the shadow. The schoolmaster stood in the light of the open shutter, towards which the painting was sloped, and Rufus sat by him on his haunches, and blinked with all the gravity of a critic; and in the half light between them and the stairs stood the fat little innkeeper, with his hands on his knees, crying, "There, Master Swift! Did 'ee ever see any thing to beat ...
— Jan of the Windmill • Juliana Horatia Ewing
... also desired to attend to what a celebrated critic* of a neighbouring nation says on the nature and design of tragedy, from the rules laid down by the ...
— Clarissa Harlowe, Volume 9 (of 9) - The History Of A Young Lady • Samuel Richardson |
