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Copyright   /kˈɑpɪrˌaɪt/   Listen
Copyright

noun
1.
A document granting exclusive right to publish and sell literary or musical or artistic work.  Synonym: right of first publication.



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"Copyright" Quotes from Famous Books



... produced from Analog Science Fact & Fiction June 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication ...
— The Sound of Silence • Barbara Constant

... I own the copyright," retorted Shirley, "this is one of the chapters of my life that isn't going to be typewritten, much less the subject ...
— The Voice on the Wire • Eustace Hale Ball

... into silence of a modified kind, merely whistling in a soft way his original copyright tune. As the travellers had never seen Kempenfeldt Bay before, they admired it very much, and forgot their little misunderstanding, while arm in arm they leaned over the bulwarks, and quoted little snatches ...
— Two Knapsacks - A Novel of Canadian Summer Life • John Campbell

... English book world, but L5 in Dutch currency presses heavily on the budget of a Dutch translation, of which only some hundred or so copies can be sold at a retail price of not quite five shillings, and is an almost prohibitive price to pay for the copyright of a novel which is only used as the feuilleton of a local paper with an edition of under a thousand copies a week. As a fact, many Dutch publishers pay royalties to their foreign colleagues as soon as the publication is important ...
— Dutch Life in Town and Country • P. M. Hough

... of providing for the preservation and growth of the Library of Congress is also one of national importance. As the depository of all copyright publications and records, this library has outgrown the provisions for its accommodation; and the erection, on such site as the judgment of Congress may approve, of a fireproof library building, to preserve the treasures and enlarge the usefulness of this valuable collection, is recommended. ...
— Messages and Papers of Rutherford B. Hayes - A Compilation of the Messages and Papers of the Presidents • James D. Richardson

... original owner, because a transcript is the offspring of the original work. Putnam, to whom I am indebted for this story, says: "As far as I have been able to ascertain, this is the first instance which occurs in the history of European literature of a contention for a copyright." The conflict for this copyright afterwards developed into a civil war. The copy of the Latin Psalter "was enshrined in the base of a portable altar as the national relic of the O'Donnell clan," and was preserved by that family for thirteen hundred years. It was placed ...
— A Short History of Monks and Monasteries • Alfred Wesley Wishart

... long eyelashes, and a dreamy look in his eyes, like Valentine?" asked Charlotte, secretly convinced that her lover had a copyright in these ...
— Charlotte's Inheritance • M. E. Braddon

... any more, I would issue another volume. The first was a red book, succeeded by a dark blue volume, after which I published a green book, all of which were kindly received by the American people, and, under the present yielding system of international copyright, greedily snapped up by ...
— Remarks • Bill Nye

... fifth Appendix was added by Einstein at the time of the fifteenth re-printing of this book; and as a result is still under copyright restrictions so cannot be added without the permission of ...
— Relativity: The Special and General Theory • Albert Einstein

... Love," published in Scribner's Magazine during the past year, and "The Lady of the Pool," both protected by American copyright, are here printed for the first time in book form. The four other stories appeared without their author's consent or knowledge, with their titles changed beyond recognition, and combined with other unauthorized material, in a small volume printed by an American firm. They are here given for the ...
— Comedies of Courtship • Anthony Hope

... steals gags and points bodily—can be pursued and punished under the copyright law, but the chooser is a kind of sneak thief who works gags and points around to escape taking criminal chances, making his material just enough different to evade the law. A chooser damages the originator of the material without himself getting very far. No one likes a chooser; ...
— Writing for Vaudeville • Brett Page

... perceive further,' said Mr. Snyder, growing sarcastic, 'that in case Mr. Onions Winter chooses to copyright the book in America, you are to have half-royalties on all copies sold over there. Now about America,' Mark continued after an impressive pause, at the same time opening a drawer and dramatically producing several paper-covered volumes therefrom. 'See this—and this—and ...
— A Great Man - A Frolic • Arnold Bennett

... of oysters, of children, dogs, and an international copyright. I remember his meeting me once on Broadway and he didn't recognize me. He never mentioned the incident afterward. It has been said that he was also fond of dress. I regret that I never asked him about this, though I recall the circumstance of my inquiring where he had his vests ...
— Punchinello, Vol. 2., No. 32, November 5, 1870 • Various

... at his cigar in the National Liberal Club, Willie Crampton discussing the care and management of the stomach over a specially hygienic lemonade, and Dr. Tumpany in his aggressive frock-coat pegging out a sort of copyright in Socialism, were the centre and wings of the angelic side. It was nonsense. But how was I to put the ...
— The New Machiavelli • Herbert George Wells

... these fugitive pieces were collected into a volume, the copyright of which was sold to one Macrone for L100, who published them under the first and best known title, "Sketches by Boz." The familiar story of "Pickwick," its early conception and its final publication, is well known. Its first publication (in ...
— Dickens' London • Francis Miltoun

... May. In 1819 Dr. Worcester began the publication of The Friends of Peace, a small quarterly magazine, a large part of the contents of which he wrote himself. After the first number, having obtained the assistance of several wealthy Friends, he relinquished the copyright; and the numbers were republished in several parts of the country, thus obtaining a wide circulation. He devoted himself almost wholly to this publication and the advocacy of the cause of peace until 1829, when he relinquished its editorship. ...
— Unitarianism in America • George Willis Cooke

... professional and amateur, are reserved in the United States, Great Britain, and all countries of the Copyright Union, by the author. Performances are forbidden and right ...
— Three Wonder Plays • Lady I. A. Gregory

... another has a coarser edition of it for 18 cents, in all thoroughfares.—What to do with my sealed parcel of manuscripts and proofs? No bookseller would in these perilous circumstances offer a dollar for my precious parcel. I inquired of the lawyers whether I could not by a copyright protect my edition from piracy until an English copy arrived, and so secure a sale of a few weeks. They said, no; yet advised the taking a certificate of copyright, that we might try the case if we wished. After much consulting and balancing for a few hours, I decided to print, as heretofore, ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, 1834-1872, Vol II. • Thomas Carlyle and Ralph Waldo Emerson

... circulation among those who called themselves the author's friends, as was the custom of the age, before he found a patron and a publisher.[6] The publisher was got at last in Francisco Robles, the King's printer, to whom the copyright was sold for ten years.[7] The patron appeared in the person of the Duque de Bejar, a nobleman described by a writer of that age—Cristobal de Mesa—as himself both a poet and a valiant soldier. The choice was not ...
— The Great Events by Famous Historians, Vol. 1-20 • Various

... given you, you somehow manage to succeed, to become wildly popular, you will still have reserved to yourself, by this ingenious clause, a chance of ineffable pecuniary failure. A plan generally approved of is to sell your entire copyright in your book for a very small sum. You want the ready money, and perhaps you are not very hopeful. But, when your book is in all men's hands, when you are daily reviled by the small fry of paragraphers, when the publisher is clearing a thousand a year ...
— How to Fail in Literature • Andrew Lang

... and his connection with York Street Independent Chapel, I am indebted to Mr F. Herbert Stead, Warden of "The Robert Browning Settlement," Walworth. I thank Messrs Smith, Elder and Co., as representing Mr R. Barrett Browning, for permission to make such quotations as I have ventured to make from copyright letters. I thank the general Editor of this series, the Rev. D. Macfadyen, for ...
— Robert Browning • Edward Dowden

... enough to undertake a venture of so novel a character; and so little faith in it had Francisco Robles of Madrid, to whom at last he sold it, that he did not care to incur the expense of securing the copyright for Aragon or Portugal, contenting himself with that for Castile. The printing was finished in December, and the book came out with the new year, 1605. It is often said that "Don Quixote" was at first received coldly. The facts show just the contrary. ...
— Don Quixote • Miguel de Cervantes Saavedra

... leading critics of this part of the State, that I think of having them printed in a volume. I am going to the city for that purpose. My mother has given her consent. I wish to ask you several business questions. Shall I part with the copyright for a downright sum of money, which I understand some prefer doing, or publish on shares, or take a percentage on the sales? These, I believe, are the different ways taken ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)

... written nearer thirty than twenty novels, of which at least half were much above the average and some quite capital.[26] Moreover, it is a noteworthy thing, and contrary to some critical explanations, that, as his works drop out of copyright and are reprinted in cheap editions, they appear to be recovering very considerable popularity. This fact would seem to show that the manners, speech, etc., represented in them have a certain standard quality which does not—like the manner, speech, etc., of novels such as those ...
— The English Novel • George Saintsbury

... by Bernadette; the amiable and smiling face, the extremely long veil, the blue sash, and the golden roses on the feet, there being, however, some slight modification in each model so as to guarantee the copyright. And there was another flood of other religious objects: a hundred varieties of scapularies, a thousand different sorts of sacred pictures: fine engravings, large chromo-lithographs in glaring colours, submerged beneath a mass ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola

... American continent, what would be the result of his visit, he came and passed like the wild Simoom. Soon after his return to England an edict came, forbidding in the British provinces of America publications containing reprints of English works. Of the deeper matters connected with the copyright question I know not, but this I do know, that our long winter nights seemed doubly long and drear, with nothing to read but dark details of horrid murder, or deadly doings of Rebeccaite and Chartist. As yet, ...
— Sketches And Tales Illustrative Of Life In The Backwoods Of New Brunswick • Mrs. F. Beavan

... speculator preferred cyanide of potassium. But if "mere self-interest" comprises fraudulent balance-sheets, it cannot claim any support from political economy. When Carlyle drew up a petition to the House of Commons for amending the law of copyright, he was guided by self- interest, but it was not a counsel of despair. The City Companies, says Froude, "are all which now remain of a vast organisation which once penetrated the entire trading life of England—an organisation set ...
— The Life of Froude • Herbert Paul

... course of this session, a bill for securing to authors, in certain cases, the benefit of international copyright passed the legislature, and which enabled her majesty in council to direct that the authors of books published abroad shall have a copyright here, provided there be a reciprocal protection in favour of this country ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan

... negotiations; but most and very eager to have the property of your works at almost any price. If you have not heard it from Cottle, why, you may hear it from me, that is, the arrangement of Cottle's affairs in London. The whole and total copyright of your "Joan," and the first volume of your poems (exclusive of what Longman had before given), was taken by him at three hundred and seventy pounds. You are a strong swimmer, and have borne up poor Joey with all his leaden weights about ...
— A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury

... brought forward a copyright bill; Mr. Foster, of Alabama, has introduced a bill to abolish the passport system—leaving ...
— A Rebel War Clerk's Diary at the Confederate States Capital • John Beauchamp Jones

... The copyright of the poem, which was purchased by Mr. Murray for 600l., he presented, in the most delicate and unostentatious manner, to Mr. Dallas[46], saying, at the same time, that he "never would receive money for his writings;"—a resolution, the mixed result of generosity and pride, which he afterwards ...
— Life of Lord Byron, Vol. II - With His Letters and Journals • Thomas Moore

... London with a volume of stories for the press, and sold the copyright to the Messrs. Simpkin Marshall & Co., for L70. The work appeared in December 1826, under the title of "Hollandtide Tales." It was well received. The style was original, graceful and easy. The three novels, which comprised the series, ...
— Donahoe's Magazine, Volume 15, No. 1, January 1886 • Various

... acquaintance of the great publisher Hachette, a granddaughter of whom was another of the trio. He had left his manuscript at the publishing-house, and after some time was informed that the firm would be happy to publish it, and to pay him in cash for the copyright eight hundred francs—an offer with which he closed immediately. A week or so later he was visited, to his astonishment, by the great publisher in person. "Sir," began the latter, "it is often said that publishers don't know how to read, and I myself know some ...
— Lippincott's Magazine, Vol. 22, September, 1878 • Various

... of the old Company of London Stationers, incorporated in 1557, who enjoyed till the Copyright Act of 1842 the sole right of having registered at their offices every pamphlet, book, and ballad published in the kingdom. Although no longer compulsory, the practice of entering books at Stationers' Hall is still found useful for copyright purposes. The register-rolls of books ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood

... the spirited imagination which a young writer always displays in the scheming of a first plot—he had not been spoiled, thought old Daddy Doguereau. He had made up his mind to give a thousand francs for The Archer of Charles IX.; he would buy the copyright out and out, and bind Lucien by an engagement for several books, but when he came to look at the house, the old fox ...
— A Distinguished Provincial at Paris • Honore de Balzac

... as if it could have added to his reputation. He worked with greater pleasure and some anticipation of success at his novel of "Wenderholme," the first volume of which had been sent to Mr. Blackwood, who agreed to give L200 for the copyright. Here are some passages from his letter, which of course was very welcome. After ...
— Philip Gilbert Hamerton • Philip Gilbert Hamerton et al

... well-known line, by an original setting for an old saw, or by a new and unlooked-for analogy, the stamp of the borrower is put upon the goods he borrows, and he becomes part owner. Plagiarism is a crime only where writing is a trade; expression need never be bound by the law of copyright while it follows thought, for thought, as some great thinker has observed, is free. The words were once Shakespeare's; if only you can feel them as he did, they are yours now no less than his. The best quotations, ...
— Style • Walter Raleigh

... fishing-tackle in Scott's cabinet. Tilneys, Thorpes, and Morlands consigned apparently to eternal oblivion! But when four novels of steadily increasing success had given the writer some confidence in herself, she wished to recover the copyright of this early work. One of her brothers undertook the negotiation. He found the purchaser very willing to receive back his money, and to resign all claim to the copyright. When the bargain was concluded and the money paid, but not till then, the negotiator had the satisfaction of informing ...
— Memoir of Jane Austen • James Edward Austen-Leigh

... however, remained in the old country until the summer of 1653, occupied with the business of his mission, with legal studies, taking the degree of doctor of laws at he University of Leyden, and with the preparation of his Beschryvinge van Nieus- Nederlant. The States General gave him a copyright for it in May, 1653, but the first edition was not published till 1655. In that year the author died, leaving to his widow his estate, or "colonie," which he called Colendonck. The name of Yonkers, where it ...
— Narrative of New Netherland • J. F. Jameson, Editor

... the late Commander Slidell Mackenzie, but observe simply that no one can read Mr. Cooper's volume upon the battle of Lake Erie and retain a very profound respect for that person's sagacity or sincerity. The proprietors of the copyright of Mr. Cooper's abridged Naval History offered it, without his knowledge, to John C. Spencer, then Secretary of the State of New-York, for the school libraries of which that officer had the selection. Mr. Spencer replied with ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various

... probably originally a series of columns in a newspaper or a magazine like Harper's, as the chapters on weddings in the different seasons refer to how the fashions have changed since the last one—by the original copyright, 1884, though the book version appeared in 1887. Notable features among the usual: how to dance the German, or Cotillon; remarks and four chapters on English, French, or others in contrast to American customs, making it a ...
— Manners and Social Usages • Mrs. John M. E. W. Sherwood

... Association voted in 1903 that it was desirable to establish a new appellate court to sit at Washington and take cognizance of patent and copyright cases. Such a measure would tend to relieve the Supreme Court of the United States of any undue pressure of business, and promote both uniformity and promptitude of decision in a class of actions in which ...
— The American Judiciary • Simeon E. Baldwin, LLD

... work was completed, Finian discovered it, and at once claimed the copy of his book as also his. The matter was submitted to an umpire, who gave the famous decision: "Unto every cow her calf; unto every book its copy"—the copy belonged to the owner of the book. This early decision of copyright was by no means acceptable to the student Colum. He disputed its justice, and the quarrel spread till it resulted in a battle. The discredit attaching to the whole episode resulted in the banishment of Colum, who sailed away northward and eastward ...
— Ireland, Historic and Picturesque • Charles Johnston

... equalled—no other than Ottocar—that particular friend, who, in the prologue, tried to get a finis put to his mortal career. The jocose ruffians here enliven the scene—one by being cast into a dungeon for asking Ottocar (evidently the Colburn of his day), an exorbitant price for the copyright of a certain manuscript; the other, by calling the courtier a man of genius, and being taken into his service, as no doubt, "first robber." To support this character, a change of apparel is necessary: and no wonder, ...
— Punch, or the London Charivari, Volume 1, Complete • Various

... Watteau ever try historical subjects? And as for Greuze, you know that his heads will fetch 1,000L., 1,500L., 2,000L.—as much as a Sevres "cabaret" of Rose du Barri. If cost price is to be your criterion of worth, what shall we say to that little receipt for 10L. for the copyright of "Paradise Lost," which used to hang in old Mr. Rogers's room? When living painters, as frequently happens in our days, see their pictures sold at auctions for four or five times the sums which they originally ...
— Roundabout Papers • William Makepeace Thackeray

... you, miss," he said. "And, besides, mine is copyright—Jolly Jack Jenkins. I make a fiver a ...
— The Grey Wig: Stories and Novelettes • Israel Zangwill

... Copyright, 1907, by Clinedinst. Washington, D. C. Theodore Roosevelt At his desk in the executive offices of the White House ...
— History of the United States, Volume 6 (of 6) • E. Benjamin Andrews

... place suggests the mention of another crying abuse connected with this subject. In the year 1811 or 1810 came under parliamentary notice and revision the law of copyright. In some excellent pamphlets drawn forth by the occasion, from Mr. Duppa, for instance, and several others, the whole subject was well probed, and many aspects, little noticed by the public, were exposed of that extreme injustice attached to the law as it then stood. The several monopolies ...
— Autobiographic Sketches • Thomas de Quincey

... books roughly bound in boards, the sides covered with paper. On the reverse of the title pages, two bear a copyright entry in the year 1836; the others were entered in 1837. They are the earliest editions of McGuffey's Eclectic Readers that have been found in a search lasting ...
— A History of the McGuffey Readers • Henry H. Vail

... by Archibald Constable and Company in 1893 being out of print but still in demand, Mr. Humphrey Milford, the present owner of the copyright, has requested me to revise the book and bring ...
— Rambles and Recollections of an Indian Official • William Sleeman

... dollars advance copyright for a book I sold to a publisher." The glory had not yet faded from the ...
— Henry James, Jr. • William Dean Howells

... at Berne in September, on the invitation of the Swiss Government. The envoy of the United States attended as a delegate, but refrained from committing this Government to the results, even by signing the recommendatory protocol adopted. The interesting and important subject of international copyright has been before you for several years. Action is certainly desirable to effect the object in view; and while there may be question as to the relative advantage of treating it by legislation or by specific treaty, the matured ...
— A Compilation of the Messages and Papers of the Presidents - Section 3 (of 3) of Volume 8: Grover Cleveland, First Term. • Grover Cleveland

... with a smile. "I'll respect your copyright. I'll give you a royalty on what I get for ...
— The Water Ghost and Others • John Kendrick Bangs

... of the copyright owners, we are enabled this year for the first time to include three works which have hitherto not been obtainable in this ...
— Mr. Edward Arnold's New and Popular Books, December, 1901 • Edward Arnold

... Each morning every part knows what every other part is thinking, contemplating, or doing. A discovery in a German laboratory is being demonstrated in San Francisco within twenty-four hours. A book written in South Africa is published by simultaneous copyright in every English-speaking country, and on the following day is in the hands of the translators. The death of an obscure missionary in China, or of a whisky smuggler in the South Seas, is served up, the world over, with the ...
— Revolution and Other Essays • Jack London

... Mrs. F. Kelley Wischnewetzky, and published in the following year in New York. The American edition being as good as exhausted, and having never been extensively circulated on this side of the Atlantic, the present English copyright edition is brought out with the full consent ...
— The Condition of the Working-Class in England in 1844 - with a Preface written in 1892 • Frederick Engels

... appeared in Germany in 1825, and another in Paris in 1828 ('Les Contes Irlandais, precedes d'une introduction par M. P. A. Dufau'), but it was not until 1834 that Murray published them in a condensed form in his 'Family Library,' the copyright of which edition, as revised by the author, was purchased of Murray by the late Mr. Tegg, and is now published by his son. In October, 1826, Croker was introduced to Sir Walter Scott at Lockhart's in Pall Mall. Sir Walter recorded the interview thus:—"At breakfast ...
— A Walk from London to Fulham • Thomas Crofton Croker

... Published entirely for, and at the expense of the Author, who thus retains the Property of the Work; that in which the Publisher takes all or part of the risk, and divides the profit; and that in which the Publisher purchases the Copyright, and thus secures to himself the entire proceeds. The First of these is the basis on which many First Productions are Published; the Second, where a certain demand can be calculated upon; and the Third, where an Author has become so popular as ...
— The Author's Printing and Publishing Assistant • Frederick Saunders

... sensation than any book since 'Jane Eyre'; but probably she is a little or a good deal too emphatic in her representation of the matter. At any rate, she advises that the sheets of any future book be sent to Moxon, and such an arrangement made that a copyright may be secured in England as well as here. Could this be done with the Wonder-Book? And do you think it would be worth while? I must see the proof-sheets of this book. It is a cursed bore; for I want to be done with it from this moment. Can't you arrange it so that two or three or more sheets ...
— Yesterdays with Authors • James T. Fields

... Magazine quoted in Chapters V-IX are inserted by express permission of the publishers, the Century Company. Acknowledgment is due, also, to the publishers of the Overland Monthly for courtesy in permitting the use of copyright material; and to D. Appleton & Co. for permission to insert ...
— History of California • Helen Elliott Bandini

... Robert Southey, Vol. I. This, the first volume of a new edition, which will be comprised in eight instead of fifteen volumes—cost twenty-eight instead of seventy-five shillings, and yet contain additional plates and matter,—is the new issue of Bohn's Standard Library.—The Laws of Artistic Copyright and their Defects, by D. R. Blaine, Esq. A little volume well calculated to instruct artists, sculptors, engravers, printsellers, &c., so that they may clearly understand their rights, their remedies for the infringement of those rights, and the proper ...
— Notes and Queries, Number 214, December 3, 1853 • Various

... printer, of the other parte," is among the curiosities of our literary history. The curiosity consists not so much in the illustrious name appended (not in autograph) to the deed, as in the contrast between the present fame of the book, and the waste-paper price at which the copyright is being valued. The author received 5 l. down, was to receive a second 5 l. when the first edition should be sold, a third 5 l. when the second, and a fourth 5 l., when the third edition should be gone. Milton lived to receive the second 5 l., and no more, 10 l. in all, for Paradise ...
— Milton • Mark Pattison

... former condition of abject dependence unless for a fortunate occurrence. This was no less than his being appointed joint-proprietor and editor of the newspaper by a wealthy individual, who, noticing the abilities of the young shopman, purchased the copyright with the view of placing the management entirely ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various

... produced from Astounding Science Fiction September 1951. Extensive research did not uncover any evidence that the copyright ...
— Day of the Moron • Henry Beam Piper

... sent up to me, till I wrung my hands because it was too late to insert them in "Red Pottage."[1] For they all fitted Mr. Gresley like a glove, and I should certainly have used them if it had been possible. For, as has been well said, "There is no copyright in platitudes." They are part of our goodly heritage. And though people like Mr. Gresley and my academic prig Wentworth have in one sense made a particular field of platitude their own, by exercising themselves ...
— The Lowest Rung - Together with The Hand on the Latch, St. Luke's Summer and The Understudy • Mary Cholmondeley

... time too that Haydn opened a correspondence with William Forster of London, who had added to his business of violin-maker that of a music-seller and publisher. Forster entered into an agreement with him for the English copyright of his compositions, and between 1781 and 1787 he published eighty-two symphonies, twenty-four quartets, twenty-four solos, duets and trios, and the "Seven Last Words," of which we have yet to speak. Nothing of the Forster ...
— Haydn • J. Cuthbert Hadden

... now clamors for the same thing, and I do not know but I shall have to gratify him and others at the risk of injury to this my vulgar hope of dollars,—that innate idea of the American mind. This I shall settle in a few days. No copyright can be secured here for an English book unless it contain original matter: But my moments are going, and I can only promise to write you quickly, at home and at leisure, for I have just been reading the History again with many, many thoughts, and I revere, ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, - 1834-1872, Vol. I • Thomas Carlyle and Ralph Waldo Emerson

... it appeared that the author was Robert Paltock of Clement's Inn, and that he received for the copyright 20L., twelve copies of the book, and "the cuts of the first impression"(proof impressions of the illustrations). The writer's name shows him to have been, like his hero, of Cornish origin; but the authors of the admirable and exhaustive "Bibliotheca ...
— Life And Adventures Of Peter Wilkins, Vol. I. (of II.) • Robert Paltock

... from a copy in the Fisk University Library Negro Collection Copyright (C)1969 Mnemosyne Publishing Co., Inc. Miami, Florida Library of Congress ...
— Political Recollections - 1840 to 1872 • George W. Julian

... carefully between sarcastic wit, which laughs at, and humor, which laughs with. In a book bearing the copyright date of 1849, the writer distinguishes between the two, in ...
— Essentials in Conducting • Karl Wilson Gehrkens

... these I have added the best tales scattered elsewhere. By this means I hope I have put together a volume, containing both the best, and the best known folk-tales of the Celts. I have only been enabled to do this by the courtesy of those who owned the copyright of these stories. Lady Wilde has kindly granted me the use of her effective version of "The Horned Women;" and I have specially to thank Messrs. Macmillan for right to use Kennedy's "Legendary Fictions," and Messrs. Sampson Low & Co., for the ...
— Celtic Fairy Tales • Joseph Jacobs (coll. & ed.)

... a brief outline, in faultless English, of your religious, political and police court convictions, your views on Mr. LLOYD GEORGE, and any ideas you may have about the Law of Copyright. ...
— Punch, Or The London Charivari, Vol. 146., January 14, 1914 • Various

... Provision Respecting Copyright Preface Chapter 1 - Subject Matter and Scope of Copyright Chapter 2 - Copyright Ownership and Transfer Chapter 3 - Duration of Copyright Chapter 4 - Copyright Notice, Deposit, and Registration Chapter 5 - Copyright Infringement and Remedies ...
— Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code, Circular 92 • Library of Congress. Copyright Office.

... Garfield, and a sentimental application that made the Vicar wince. He went on to point out, not unimpressively, that Armageddon ("as you, sir, have so aptly and so strikingly termed it") had actually broken upon the world. Farmer Best, flattered by this acknowledgment of copyright ...
— Nicky-Nan, Reservist • Arthur Thomas Quiller-Couch (Q)

... Copyright, 1918, by Doubleday, Page & Company All rights reserved, including that of translation into foreign languages, including ...
— Cleek, the Master Detective • Thomas W. Hanshew

... the Manchester Guardian have kindly allowed me to make use of their copyright in the letters written by me to that newspaper during the first half of the year. The substance of the letters has been reproduced in the hope that home-staying folk may find in them something of the atmosphere that surrounds the collision of armed forces. It is a strange and rude atmosphere; ...
— The Relief of Mafeking • Filson Young

... such difficulties in tempering down even the most chivalrous pride, than the necessity to which he found himself reduced in 1816, not only of departing from his resolution never to profit by the sale of his works, but of accepting a sum of money, for copyright, from his publisher, which he had for some time persisted in refusing for himself, and, in the full sincerity of his generous heart, had destined ...
— Life of Lord Byron, With His Letters And Journals, Vol. 5 (of 6) • (Lord Byron) George Gordon Byron

... in order come the great libraries of a nation, such as the British Museum. These are supplied by means of the Copyright Law, but the librarians are not from this cause exonerated from the troubles attendant on the formation of a library. There are old books and privately printed and foreign books to be bought, and it is necessary that the most catholic ...
— How to Form a Library, 2nd ed • H. B. Wheatley

... Publishers have endeavored to give full credit to every author quoted, and to accompany every citation with ample notice of copyright ownership. At the close of the work it is their purpose to express in a more formal way their sense of obligation to the many publishers who have so courteously given permission for this use of their property, and whose rights ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner

... the present, going, as he informed me, on an errand of mercy for his stomach. The magazine aboard ship being of dubious character, he had prevailed on himself to supply his concern with a limited number of first-class cereals with his own imprimatur,—copyright and profits to be in his own hands. As some consolation for his absence, I was favored with a brief oral treatise on Fats, considered both dietetically and ethically, with an appendix, somewhat a la Liebig, on the nature, use, and effects ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various

... Copyright, 1915, by Doubleday, Page & Company All rights reserved, including that of translation into foreign ...
— Quilts - Their Story and How to Make Them • Marie D. Webster

... object of a generous competition between rival Universities. In Utopia, any author has the option either of publishing his works through the public bookseller as a private speculation, or, if he is of sufficient merit, of accepting a University endowment and conceding his copyright to the University press. All sorts of grants in the hands of committees of the most varied constitution, supplemented these academic resources, and ensured that no possible contributor to the wide flow of the Utopian mind slipped into neglect. ...
— A Modern Utopia • H. G. Wells

... copyright" guarantees that "The Young Visiters" is the unaided effort in fiction of an authoress of nine years. "Effort," however, is an absurd word to use, as you may see by studying the triumphant countenance of the child herself, which is here reproduced as ...
— The Young Visiters or, Mr. Salteena's Plan • Daisy Ashford

... grey tweed suit,'" repeated Spargo. "Good line. You haven't any copyright in it, remember. It would ...
— The Middle Temple Murder • J.S. Fletcher

... in the United States and offered advice during a lively discussion of this subject. But uncertainty remains concerning the price of copyright in a digital medium, because a solution remains to be worked out concerning management and synthesis of copyrighted and out-of-copyright pieces ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly

... the theatre simply and solely for his own particular benefit, and with brutal disregard of other interests. He first insinuated himself as a collaborator in various ballets, plays, and vaudevilles; then he waited till the author wanted money and bought up the other half of the copyright. These after-pieces and vaudevilles, always added to successful plays, brought him in a daily harvest of gold coins. He trafficked by proxy in tickets, allotting a certain number to himself, as the manager's share, till he took in this way a tithe of the receipts. And Gaudissart had other ...
— Cousin Pons • Honore de Balzac

... for 2000 copies of his History,' and the whole of the profits of that book. Morland's History of the Evangelical Churches of Piemont, which appeared in the following year, was therefore a State publication the copyright of which was made over to the author. More munificent still was the reward of the services of MEADOWS in Portugal. His special mission having been successfully accomplished, and ordinary consular duty in Lisbon having been put into good hands, he too had returned to London, ...
— The Life of John Milton, Volume 5 (of 7), 1654-1660 • David Masson

... This impression grew as I watched the attitude of the countess toward her husband. What must a wife think of such a husband's views of marriage when she is the mother of thirteen of his children? What must she think of insincerity when he refuses to copyright his books because he thinks it wrong to take money for teaching, yet permits her to copyright them and draw the royalties for the support ...
— Abroad with the Jimmies • Lilian Bell

... from me to promise 6000 copies, he proposes they shall have the copyright forever. I will see their ...
— Memoirs of the Life of Sir Walter Scott, Volume V (of 10) • John Gibson Lockhart

... (typically on multiple pages of fan-fold paper) from user-specified text, e.g., by a program such as Unix's 'banner({1,6})'. 3. On interactive software, a first screen containing a logo and/or author credits and/or a copyright notice. ...
— The Jargon File, Version 4.0.0

... residence to the house of Peter Whitmer, who, with his sons, David, John, and Peter, Jr., lived at Fayette, Seneca County, New York, the Whitmers promising his board free and their assistance in the work of translation. There, Smith says, they resided "until the translation was finished and the copyright secured." ...
— The Story of the Mormons: • William Alexander Linn

... married Miss Catherine Hogarth when he was only twenty-four. He had just published his Sketches by Boz, the copyright of which he sold for one hundred pounds, and was beginning the Pickwick Papers. About this time his publisher brought N. P. Willis down to Furnival's Inn to see the man whom Willis called "a young paragraphist for ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr

... to Bok's plans arose from the soreness generated by the absence of copyright laws between the United States and Great Britain and Europe. The editor, who had been publishing a series of musical compositions, solicited the aid of Sir Arthur Sullivan. But it so happened that Sir Arthur's most famous composition, "The ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok (1863-1930)

... The copyright of Lord Braybrooke's edition was purchased by the late Mr. Henry G. Bohn, who added the ...
— Diary of Samuel Pepys, Complete • Samuel Pepys

... and tone reminding me of some beautiful verses in a book of poems I had recently read, called "Love-Letters of a Violinist," in which the poet [FOOTNOTE: Author of the equally beautiful idyl, "Gladys the Singer," included in the new American copyright edition just issued.] talks of his "loved Amati," and says: "I prayed my prayer. I wove into ...
— A Romance of Two Worlds • Marie Corelli

... all over with such phrases as "protection of property," "outraged majesty of the law," and "scum of civilization"— expressions which had been used so continuously by Mr. O'Flaherty, that he had come to think that he had a copyright in them, and loudly accused the London papers of plagiarism if he happened to see them in ...
— The Firm of Girdlestone • Arthur Conan Doyle

... Cowper should have done it. The author of "John Gilpin," and the "Retired Cat," would have put La Fontaine into every chimney-corner which resounds with the Anglo-Saxon tongue.... To you who have so generously enabled me to publish this work with so great advantages, and without selling the copyright for the promise of a song, I return my heartfelt thanks. A hatchet-faced, spectacled, threadbare stranger knocked at your doors, with a prospectus, unbacked by "the trade," soliciting your subscription to a costly edition of a mere translation. ...
— The Fables of La Fontaine - A New Edition, With Notes • Jean de La Fontaine

... lecture must, I think, have been his best. What he says about Sterne is true. His observations on literary men, and their social obligations and individual duties, seem to me also true and full of mental and moral vigour. . . . The International Copyright Meeting seems to have had but a barren result, judging from the report in the Literary Gazette. I cannot see that Sir E. Bulwer and the rest DID anything; nor can I well see what it is in their power to do. The argument brought forward about the damage accruing to American ...
— The Life of Charlotte Bronte • Elizabeth Cleghorn Gaskell

... to thank the contributors to this volume, and also their publishers, for the permission to reproduce copyright work. Special thanks are due to Mr. Richard Blakeborough, who has placed Yorkshiremen under a debt, by the great service which he has rendered in recovering much of the traditional poetry of Yorkshire and in giving it the permanence of the printed page. In compiling the so-called ...
— Yorkshire Dialect Poems • F.W. Moorman

... to receive, is robust like his body, and will not accept shackles. The propaganda should be of the best productions of the highest intellects, independent of creed and party. A practical difficulty arises from the copyrights; you cannot reprint a book of which the copyright still exists without injury to the original publisher and the author. But there are many hundred books of the very best order of which the copyright has expired, and which can be reprinted without injury to any one. Then there are the books which it may be presumed would be compiled on purpose ...
— The Life of the Fields • Richard Jefferies

... to relinquish possession; we part from a person or from something thought of with some sense of companionship; a traveler parts from his friends; he maybe said also to part from his native shore; a man parts with an estate, a horse, a copyright; part with may be applied to a person thought of in any sense as a possession; an employer parts with a clerk or servant; but part with is sometimes used by good writers as meaning simply ...
— English Synonyms and Antonyms - With Notes on the Correct Use of Prepositions • James Champlin Fernald

... From "Reminiscences of a Journalist." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884. Mr. Congdon was, for many years, under Horace Greeley, a leading editorial writer for the ...
— Seeing Europe with Famous Authors - Vol. II Great Britain And Ireland, Part Two • Francis W. Halsey

... His salary was at first L40, and he was passing rich on it; and it was soon raised to L79. We need trouble no further as to whether on such wages he was poor or rich: he evidently considered himself well-to-do. In fact, even in those days, when copyright practically did not exist, he continually made respectable sums by his compositions, and after he had been twice to England, ever the Hesperides' Garden of the German musician, he was a wealthy man, and was thankful for ...
— Haydn • John F. Runciman

... "Common Sense". Thus Paine was as lucky in his time of publication as in his choice of a subject. All contemporaries admit that the pamphlet produced a prodigious effect. Paine himself says,—"The success it met with was beyond anything since the invention of printing. I gave the copyright up to every State in the Union, and the demand ran to not less than one hundred thousand copies." The authorship was attributed to Dr. Franklin, to Samuel Adams, ...
— Atlantic Monthly, Vol. 4, No. 25, November, 1859 • Various

... contents proved to be a MS. play, by a young lady of New York, who kindly requested me to read and correct it, equip it with prologue and epilogue, procure for it a favorable reception from the manager of Drury Lane, and make Murray or Constable bleed handsomely for the copyright; and on inspecting the cover, I found that I had been charged five pounds odd for the postage. This was bad enough—but there was no help, so I groaned and submitted. A fortnight or so after, another packet, of not less formidable bulk, arrived, ...
— Memoirs of the Life of Sir Walter Scott, Volume V (of 10) • John Gibson Lockhart

... to public opinion, and signed the bills which made appropriations for the improvement of harbors and rivers, for the continuation of the Cumberland road, for the encouragement of the culture of the vine and olive, and for granting an extended copyright to authors. It was only during his second term that his hostility to tariffs became a passion,—not from any well-defined views of political economy, for which he had no adequate intellectual training, but because ...
— Beacon Lights of History, Volume XII • John Lord

... and in June of that year he sustained a severe bereavement by the death of his wife. Continuing his studies in the science of language, he published his Philological Grammar in 1854, drawing examples from more than sixty languages. For the copyright of this erudite work he received L5. The second series of dialect poems, Hwomely Rhymes, appeared in 1859 (2nd ed. 1863). Hwomely Rhymes contained some of his best-known pieces, and in the year of its publication he first began to give readings from his works. As their reputation grew he ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various

... emendations which the editor "would not hesitate to adopt it he should ever find an ancient MS. to confirm them" and a final leaf with colophon and anchor. The Scholia, 24 unnumbered leaves, have a separate title, with notice of copyright granted by Paul III. (the fourth pope to grant this privilege) and the Venetian senate; colophon and anchor repeated on last leaf. Italic letter, 30 lines to the page, five-line spaces with guide-letters left for initials. Renouard, ...
— Catalogue of the William Loring Andrews Collection of Early Books in the Library of Yale University • Anonymous

... pains with the text of A Voyage to Terra Australis. It was never meant to be a book for popular reading, though there is no lack of entertainment in it. It was a semi-official publication, in which the Admiralty claimed and retained copyright, and its author was perhaps a little hampered by that circumstance. Bligh asked that it should be dedicated to him, but "the honour was declined."* (* Flinders' Papers.) The book was produced under the direction of a committee appointed ...
— The Life of Captain Matthew Flinders • Ernest Scott

... brought him for sale, they had not been performed at the theatres nor Vauxhall, nor any other place, and Johnson would not print them." "The Thompsons, however, of St. Paul's Churchyard, published six ballads for me, which sold at three-halfpence a-piece, and for the copyright of which they generously gave me three guineas." Though we may not feel disposed to apply the term "generous" to a payment of half-a-guinea for a Dibdin ballad, yet in all probability we are indebted to the Thompsons for ...
— The Violin - Its Famous Makers and Their Imitators • George Hart

... little probability I know of remuneration from the sale) he purchased the poems, and the typographical elegance by which he endeavoured to recommend them, (or)—the liberal assistance which he afforded me, by the purchase of the copyright with little probability of remuneration from the sale of ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge

... of the best stories ever written by Harry Castlemon. But few of these titles have ever been published in low-priced editions, many of them are copyright titles which will not be found in any other publisher's list. We now offer them in this new low-priced edition. The books are printed on an excellent quality of paper, and have an entirely new and handsome cover design, with new style colored inlay on front cover, and stamped in ink. 12mo. Cloth. ...
— The Brighton Boys in the Radio Service • James R. Driscoll

... run of the Illustrated Midlands News, to which I had been a frequent contributor of verse, the late Richard Gowing, then editor of the School Board Chronicle, had officiated as Mr Joseph Hatton's assistant editor. He had just acquired the copyright in the Gentleman's Magazine, and I bethought me that here lay my opportunity. I took the article to him, and after turning the manuscript pages swiftly over, he decided to accept it. It ran, I think, to two and thirty pages, and I received his cheque for ten shillings ...
— Recollections • David Christie Murray

... you will read the copyright essay, you will discover that Judge Douglas himself says, a controversy between the American Colonies and the Government of Great Britain began on the slavery question in 1699, and continued from that time until the Revolution; and, while ...
— Abraham Lincoln, A History, Volume 2 • John George Nicolay and John Hay

... not talk, who were not more than three months old, and trained the nurses to work on his principles and by his methods. This will hardly be done in this country, at least at present; but to supply the place of such a class, a lady of Boston has prepared and published, under copyright, Froebel's First Gift, consisting of six soft balls of the three primary and the three secondary colors, which are sold in a box, with a little manual for mothers, in which the true principle and plan ...
— Atlantic Monthly, Vol. 10, No. 61, November, 1862 • Various

... father's Phantastes, my reasons are three. The first is to rescue the work from an edition illustrated without the author's sanction, and so unsuitably that all lovers of the book must have experienced some real grief in turning its pages. With the copyright I secured also the whole of that edition and turned ...
— Phantastes - A Faerie Romance for Men and Women • George MacDonald

... of impinging on Mr. Young's copyright that prevents me reprinting the graphic ballad of The Wanderer and the prologue of The Strollers, which reads like a page from the prelude to some Old-World miracle play. The setting of these things is frequently antique, but the thought ...
— Ponkapog Papers • Thomas Bailey Aldrich

... given the copyright to Allestry, the Royal Society's printer, Sylva brought no pecuniary profit to its author; and indirectly it was the cause of disappointment to him. How this came about may be seen from the following ...
— Sylva, Vol. 1 (of 2) - Or A Discourse of Forest Trees • John Evelyn

... From a letter written in 1789 and addrest to Mrs. Morris of Philadelphia. Copyright, ...
— The Best of the World's Classics, Restricted to Prose, Vol. IX (of X) - America - I • Various

... Mifflin Company The Riverside Press Cambridge Copyright, 1912 and 1913, by the Atlantic Monthly Company Copyright, 1913, by John Muir All Rights Reserved Including the Right to Reproduce This Book or Parts Thereof in Any Form Published March 1913 Fourteenth Impression The Riverside Press Cambridge . Massachusetts Printed ...
— The Story of My Boyhood and Youth • John Muir

... Sense" was published anonymously and without copyright, and was circulated at bare cost, Paine never received anything for the work, save the twenty-five hundred dollars voted to ...
— Little Journeys to the Homes of the Great, Volume 9 - Subtitle: Little Journeys to the Homes of Great Reformers • Elbert Hubbard

... acknowledgment to author and publisher for the use of Dr. George M. Price's valuable articles on sanitation. The following extracts are taken from Dr. Price's "Handbook on Sanitation," published by John Wiley & Son, and are covered by copyright. ...
— The Home Medical Library, Volume V (of VI) • Various

... | | | | Extensive search has failed to find any evidence that the | | U.S. copyright of this publication has been ...
— Unwise Child • Gordon Randall Garrett

... Pultock received twenty pounds, twelve copies of the work, and 'the cuts of the first impression,' that is, a set of proof impressions of the fanciful engravings that professed to illustrate the first edition, as the price of the entire copyright. This curious document was sold to John Wilks, Esq., M.P. on the ...
— Notes and Queries, Number 62, January 4, 1851 • Various

... weak in this manner, not so much for their own good as the good of the race. The state already puts literary property into a class apart by limiting its duration. At a certain point, which varies in different circumstances, copyright expires. It is possible for an author, whose fame comes late, to be present as a row of dainty volumes in half the comfortable homes in the world, while his grandchildren beg their bread. The author's blood is sacrificed to the need the whole world has of cheap access to his work. And since ...
— Mankind in the Making • H. G. Wells

... if you're going to lead the people. Nobody is so blind to the future as practical politicians and business men." He stopped, smiling quizzically. "But you're the orator of the family. I don't want to infringe on your copyright. Only you have the personality to be a real leader. Get started right. Remember that America faces forward, and that we're going to move with seven ...
— The Vision Spendid • William MacLeod Raine

... Copyright publications which cannot be obtained elsewhere. Books that will charm the hearts of the little ones, and of which they never will tire. Small 12mo. Handsomely printed and illustrated. Bound in ...
— The Outdoor Girls in Florida - Or, Wintering in the Sunny South • Laura Lee Hope

... as simple and inexpensive as it is tasty," prescribes The Complete Manual of Cookery, p. 48, "take one cup of thick molasses—" But why should I infringe a copyright when the culinary reader may acquire the whole range of kitchen lore by expending eighty-nine cents plus postage on 39 T 337? Banneker had faithfully followed the prescribed instructions. The result had certainly been simple and inexpensive; presumably it would ...
— Success - A Novel • Samuel Hopkins Adams

... of recitations from a text in princely halls was ending or ended; the age of a reading public was begun. The earlier condition of the jongleur who was his own poet, and carefully guarded his copyright in spite of all temptations to permit the copying of his MS., is regarded by Sir Richard Jebb as quite a possible feature of early Greece. He thinks that there was "no wide circulation of writings by numerous copies for a reading public" before the end of the fifth ...
— Homer and His Age • Andrew Lang

... to claim him as a compatriot through his mother, and a nautical drama from his pen—The Ocean Wolf, or the Channel Outlaw—was performed at New York with acclamation. He had some squabbles with American publishers concerning copyright, and was clever enough to secure two thousand two hundred and fifty dollars from Messrs Carey & Hart for his forthcoming Diary in America and The Phantom Ship, which latter first appeared in the New Monthly, 1837 and 1838. He evidently pleased the Americans ...
— Peter Simple and The Three Cutters, Vol. 1-2 • Frederick Marryat

... Lowell's Biglow Papers. Trumbull wrote his poem as a "weapon of warfare." The first part of M'Fingal passed through some forty editions, many of them printed without the author's consent. This fact is said to have led Connecticut to pass a copyright law in 1783, and to have thus constituted a landmark in ...
— History of American Literature • Reuben Post Halleck

... Williams, as they will call him, continually cropping out; but a conscientious man would not swear to one line of it, and I do not think Shakspeare would be justified in suing the French author for compensation under the National Copyright-Act. I speak of Shakspeare as existing, because it is my belief he does, in ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various

... exhilarating in the knowledge that we are in the outer court of one of King Champagne's many palaces. Mem. Grand idea for a scene in a Drury Lane Pantomime. Visit to Palace of POPPIN THE FIRST, king of the Champagne country. Register copyright and suggest ...
— Punch, Volume 101, September 19, 1891 • Francis Burnand

... much annoyed by the expression of that sentiment that he has constantly, I believe, in almost all his speeches since it was uttered, been referring to it. I find he alluded to it in his speech here, as well as in the copyright essay. I do not now enter upon this for the purpose of making an elaborate argument to show that we were right in the expression of that sentiment. In other words, I shall not stop to say all that might properly be said upon this point, but I only ask your attention to it for the ...
— The Papers And Writings Of Abraham Lincoln, Complete - Constitutional Edition • Abraham Lincoln

... strange thing happened. I know that I am infringing copyright in making that statement, but it so exactly suits the occurrence, that perhaps Mr Rider Haggard will not object. It was a ...
— The Gold Bat • P. G. Wodehouse

... "Miss Portia has a copyright on that. But before you begin, I'd like to know if the newspapers have it straight as far as they ...
— The Grafters • Francis Lynde

... made at BookLab. Inc. in compliance with copyright law. The paper meets the requirements of ANSI/NISO ...
— The Declaration of the Rights of Man and of Citizens • Georg Jellinek

... "Lyrical Ballads," was so slow, and the severity of most of the reviews so great, that their progress to oblivion, notwithstanding the merit which I was quite sure they possessed, seemed ordained to be as rapid as it was certain. I had given thirty guineas for the copyright, as detailed in the preceding letters; but the heavy sale induced me at length, to part with, at a loss, the largest proportion of the impression of five hundred, to Mr. Arch, a London bookseller. After this transaction ...
— Reminiscences of Samuel Taylor Coleridge and Robert Southey • Joseph Cottle

... magazine under the name of "Dorothea," and afterwards in book form as "Dolly." For reasons not necessary to state here, all control over the book had passed from my hands. It has been for some time out of print; but, having at last obtained control of the copyright, I have made such corrections as seemed advisable, given it the name I originally intended for it, and now issue it through ...
— Vagabondia - 1884 • Frances Hodgson Burnett

... U. S. seems to make as free with the reputations of English authors, as the northern with their copyright. The name of the South Carolina newspaper, which, with so much confirmatory evidence, ascribed The Calm to Shelley, is not given. If it was the Southern Literary Messenger, the editor has been at it again. The following began to appear in the English ...
— Notes and Queries, Number 234, April 22, 1854 • Various



Words linked to "Copyright" :   legal right, procure, copyright infringement, document, infringement of copyright, right of first publication, papers, secure, written document



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