"Classic" Quotes from Famous Books
 ... while he is reading it, let us briefly describe him. Hopeful is not a beauty, and he knows it; and though some of the rustic wits call him 'Beaut,' he is well aware that they intend it for irony. His countenance runs too much to nose—rude, amorphous nose at that—to be classic, and is withal rugged in general outline and pimply in spots. His hair is decidedly too dingy a red to be called, even by the utmost stretch of courtesy, auburn; dry, coarse, and pertinaciously obstinate in its resistance ...
— The Continental Monthly, Vol. 2, No 3, September, 1862 - Devoted to Literature and National Policy. • Various
... classic metres, "versifying," as it was called in contradistinction to rhyming, was becoming fast the fashion among the more learned. Stonyhurst and others had tried their hands at hexameter translations from the Latin and Greek epics, which seem to have ...
— Westward Ho! • Charles Kingsley
... charm. At one moment, as the flames flickered into stronger life, her beauty seemed to grow fuller and to have an oriental softness and warmth; the next, the light would die away, and in the cooler, grayer, fainter radiance, her perfect grace of classic outline made her seem a statue—Galatea just coming to life, more beautiful than the daughters of men, her great ...
— The Bacillus of Beauty - A Romance of To-day • Harriet Stark
... his private office, he was amazed to see Berene Dumont sitting in his chair fast asleep, her head framed by her folded arms, which rested on his desk. Against the dark maroon of her sleeve, her classic face was outlined like a marble statuette. Her long lashes swept her cheek, and in the attitude in which she sat, her graceful, perfectly-proportioned figure displayed each beautiful ...
— An Ambitious Man • Ella Wheeler Wilcox
... translations of the libretti, unless audiences return with one accord to the attitude of the amateurs of former days, who paid not the slightest attention to the plot of the piece, provided only that their favourite singers were taking part. Very often in that classic period the performers themselves knew nothing and cared less about the dramatic meaning of the works in which they appeared, and a venerable anecdote is current concerning a certain supper party, the guests at which had all identified ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... before the estate passed into the hands of strangers, we find the name and title holding a respectable place among the lists of chieftains that held a divided rule on the Borders. Those who have gratified themselves, as we have done, by a view of St. Mary's Loch, and the classic streams of the Ettrick and Yarrow, cannot fail to have seen the old property of Henderland, situated on the Megget, a small stream that runs into the loch. That was once the seat of the Cockburns; but there is a sad change there ...
— Wilson's Tales of the Borders and of Scotland, Volume III • Various
... Tancred, in reply, and rather earnestly, 'who is that?' And he directed the attention of Lord St. Patrick to a young lady, rather tall, a brilliant complexion, classic features, a profusion of light brown hair, a face of intelligence, and a figure rich and ...
— Tancred - Or, The New Crusade • Benjamin Disraeli
... their great heroes. And you must read about his slaying the Minotaur in Crete, and about the beautiful Ariadne who fell in love with him, and gave him the clue to the labyrinth where her father, Minos, kept the monster hid. These things about the classic little island have an especial ...
— The Great Round World and What Is Going On In It, Vol. 1, No. 25, April 29, 1897 - A Weekly Magazine for Boys and Girls • Various
... is the obvious fact that none of the arts, not even literature, and not all of them together, can furnish a wholly adequate representation of racial or national characteristics. It is well known to-day that the so-called "classic" examples of Greek art, most of which were brought to light and discoursed upon by critics from two to four centuries ago, represent but a single phase of Greek feeling; and that the Greeks, even in what we choose to call their ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry
... I am a serious person. The least thing amuses me. By the way, is Mademoiselle Jeanne fair or dark? Let me try to recollect. Why, fair, of course. I remember the glint of gold in the little curls about her temples, as she stood by the lamp. A pleasant face, too; not exactly classic, but rosy and frank; and then she has that animation which so many ...
— The Ink-Stain, Complete • Rene Bazin
... neighbourhood and to reading. The promontory on which Sorrento stands is barren enough, but southward rise pleasant cliffs viridescent with samphire, and beyond them purple hills dotted with white spots of houses. At no great distance, though hidden from view, stood the classic Paestum, with its temple to Neptune; and nothing was easier than to imagine, on his native sea as it were, the shell-borne ocean-god and old Triton blowing his wreathed horn. Capri, the retreat of Tiberius, was ...
— The Life of Sir Richard Burton • Thomas Wright
... Black Sea to Christendom. In Stamboul I shall erect the throne of my grandson, Constantine, while in Petersburg, Alexander extends the domains of Russia in Europe and in Asia. You do not know all that I have already done for classic Greece. From his birth, I have destined Constantine to the Greek throne. His nurses, his playfellows, and his very dress are Greek, so that his native tongue is that of his future subjects. Even now, two hundred boys are on their way from Greece, who are to be the future guards of the Emperor ...
— Joseph II. and His Court • L. Muhlbach
... out his usual classic," chuckled Nelson Haley. "I hear him at it morning, noon, and night. Seems to me 'Silver Threads Among the ...
— Janice Day at Poketown • Helen Beecher Long
... little bread. Will a coalition with the oborontsi furnish more? Between the peasants and Avksentiev, who ordered the arrest of the Land Committees, we choose the peasants! Our Revolution will remain the classic revolution of history.... ...
— Ten Days That Shook the World • John Reed
... the classic style of the painter David. Old-fashioned escritoire with chair. Folding doors across corner up stage. Window, with table beneath it. Fireplace, with picture of PAUL KAUVAR over it, and fire on andirons. Doors at the right ...
— Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy • Steele Mackaye
... perusal: (i.) The Odes of Horace, (ii.) The Sonnets of Shakespeare, (iii.) A French novel and a few copies of the Paris Matin, (iv.) A Greek book of some kind, (v.) Pope or Addison, (vi.) Some Victorian classic. The list is varied enough, and has furnished me with much of the material ...
— Literary Tours in The Highlands and Islands of Scotland • Daniel Turner Holmes
... Spain the title of "Hugo Grotius, auctor damnatus." At the age of twenty-nine he had completed his Latin history of the Netherlands from the period immediately preceding the war of independence down to the conclusion of the Truce, 1550-1609—a work which has been a classic ever since its appearance, although not published until after his death. A chief magistrate of Rotterdam, member of the States of Holland and the States-General, jurist, advocate, attorney-general, poet, scholar, historian, editor of the Greek and Latin ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... of classic pedantry, with only vague and narrow notions of ordinary instruction, lacking exact and substantial information, flow obscenities and enlarged commonplaces enveloped in a mythological gauze, spouting in long tirades ...
— The Origins of Contemporary France, Volume 3 (of 6) - The French Revolution, Volume 2 (of 3) • Hippolyte A. Taine
... Chicago, two weeks later, a small, nervous lady fluttered uncertainly from one door to another. She wore a short, brown coat suit of classic severity, and a felt hat which was fastened under her smoothly braided hair by a ...
— Miss Mink's Soldier and Other Stories • Alice Hegan Rice
... in those eyes, gazing now into space, there came the unutterably melancholy look—heavy-lidded from heartache, weary-wise from long, long and bitter, experiences. Yet she still looked young—girlishly young—but it was the youthful look the classic Greek sculptors tried to give their young goddesses—the youth without beginning or end—younger than a baby's, older than the oldest of the sons of men. He mocked himself for the fancies this queer creature inspired in him; but she none the less ...
— The Grain Of Dust - A Novel • David Graham Phillips
... capacity. It was not often, however, that he thus probed the past. The public, in taking possession of Mrs. Aubyn, had eased his shoulders of their burden. There was something fatuous in an attitude of sentimental apology toward a memory already classic: to reproach one's self for not having loved Margaret Aubyn was a good deal like being disturbed by an inability to admire the Venus of Milo. From her cold niche of fame she looked down ironically enough on his self-flagellations.... It was only when ...
— The Touchstone • Edith Wharton
... ago, whilst staying among the magnificent forests of Khroumiria, forests such as certainly never clothed these southern hills, I grew interested in this question of the old African water-supply. Comparing the accounts of classic authors with what has been written by modern students like Bourde, Carton and others, whose very names have faded from my memory, I remember coming to the conclusion—a very obvious one, no doubt—that ...
— Fountains In The Sand - Rambles Among The Oases Of Tunisia • Norman Douglas
... Hence they became thoroughly imbued with the spirit of the original, and gave an incomparably better version of the Hebrew and Greek Testaments than any or all of them together could have done of any classic. Had each of them left us translations of some classic, I hesitate not to say they would not now have been found in any library but as mere curiosities. Thirdly, the number of persons employed contributed very much to prevent any personal style from prevailing, and gave to the whole ...
— Choice Specimens of American Literature, And Literary Reader - Being Selections from the Chief American Writers • Benj. N. Martin
... D'Avencourt, both speakers illustrating their various points by thrusting their dessert-knives skillfully into the pulpy bodies of the peaches they had on their plates. Luziano Salustri lay back at ease in his chair, his classic head reclining on the velvet cushions, and recited in low and measured tones one of his own poems, caring little or nothing whether his neighbors attended to him or not. The glib tongue of the Marchese Gualdro ...
— Vendetta - A Story of One Forgotten • Marie Corelli
... minutes she sat motionless in her chair, her elbow leaning on the carved arm-piece, her chin supported upon the back of her half-closed hand, of which the heavy, perfect fingers were turned inwards, drooping in classic curves towards the lace about her throat. Her strangely mismatched eyes stared vacantly towards an imaginary horizon, not bounded by banks of flowers, nor obscured by the fantastic ...
— The Witch of Prague • F. Marion Crawford
... of criticism are no more than the apology for our personal preferences, no matter how gravely we back them. Sometimes it has happened that a book or a poem has succeeded in winning the approval of many generations, and so we may call it a classic. Yet what is the virtue of a classic, or of the deliberate and stately billows going with the wind when the world has sweep and is fair, or of a child with a flower, or of the little smile on the face of the dead boy in the muck when the guns were filling us with fear and horror ...
— Waiting for Daylight • Henry Major Tomlinson
... I do? I knew Latin and Greek as well as any man in France, but as far as anything else was concerned I was as ignorant as a schoolmaster. The same day I tried to make use of what I knew, and I went to a publisher of classic books, of whom I had heard my professor of Greek literature speak. After questioning me he gave me a copy of Pindar to prepare with Latin notes, and advanced me thirty francs, which lasted me a month. I came to Paris with the desire to work, but without having made up my mind what to do. I ...
— Serge Panine • Georges Ohnet
... looking at me, and my heart was in my mouth. "Blanket," he went on, "if you want to scratch your nose, step out here and scratch it. My blank!" My heart dropped back again. He must be talking to James behind me. I longed to look round and watch the generous waves of colour stealing over James's classic features, to fix with a reproachful eye that Roman proboscis which he had been grooming; but duty, or natural integrity of character, or fear of the Sergeant-Major, or ...
— Punch, or the London Charivari, Vol. 147, September 16, 1914 • Various
... says, "Milton's Comus is a creation of his own, for which he was as little indebted intrinsically to Puteanus as to Ben Jonson. For the purpose of his masque at Ludlow Castle he was bold enough to add a brand-new god, no less, to the classic Pantheon, and to import him into Britain." Bacchus, the god who taught men the preparation of wine. He is the Greek Dionysus, who, on one of his voyages, hired a vessel belonging to some Tyrrhenian pirates: these men resolved to sell him as a slave. Thereupon, ...
— Milton's Comus • John Milton
... originality (so it seems to us) in the peculiar charm of his strictly personal compositions; and, generally, in such touches as he gives us of the soul, the life, of the [114] nineteenth century. Far greater, we think, than the charm of poems strictly classic in interest, such as the "Praise of Dionysus," exquisite as that is, is the charm of those pieces in which, so to speak, he transforms, by a kind of colour-change, classic forms and associations into those—say! of Thames-side—pieces which, though in manner or subject promising a classic ...
— Essays from 'The Guardian' • Walter Horatio Pater
... bluish tinge to her skin. Sedentary life had made her extremely bulky, and her head was thrown backwards by the exuberance of her bosom. She had never been willing to renounce the fashions of her younger days, but still wore the flowered gown, the yellow kerchief, and turban-like head-gear of the classic fish-wife, besides retaining the latter's loud voice and rapidity of gesture as she stood with her hands on her hips, shouting out the whole abusive vocabulary ...
— The Fat and the Thin • Emile Zola
... The long quarrels of the Italian Republics, after having forced men to display their utmost energy, made them also feel the necessity of a period of repose ennobled and charmed by the occupations of the mind. The study of classic literature supplied the means; they were seized with ardour. Popes, cardinals, princes, nobles, and men of genius gave themselves up to learned researches; they wrote to each other, they travelled to communicate their mutual labours, to discover, to read, and to copy ancient ...
— Memoirs To Illustrate The History Of My Time - Volume 1 • Francois Pierre Guillaume Guizot
... visitors to a museum are like travellers in a foreign country, of whom Emerson truly says that when they leave it they take nothing away but what they brought with them. The finest wood carving, the most beautiful vase, the richest classic painting, produces on the uncultivated eye no more valuable or lasting impression than the sight of a sailing ship for the first time produces on the mind of a savage. That is to say, the impression at the best is of wonder, not of delight or curiosity at all. In the picture ...
— As We Are and As We May Be • Sir Walter Besant
... it was, perhaps, from economy of her charms that she hid the ankle in such flowing sables, that she bound the black locks straightly under a little widow's-cap, seldom parted the fine lips above the treasured pearls beneath, disdained to distort the classic features, and graved no wrinkles on the smooth, rich skin with any lavish smiling. She went about the house, a self-contained, silent, unpleasant little vial of wrath, and there was ever between her and Eloise a tacit feud, waiting, perhaps, only for occasion ...
— The Atlantic Monthly, Vol. 13, No. 79, May, 1864 • Various
... he seemed to them quite original, wildly eccentric, astonishingly gifted, and convulsingly droll, Adams could see; but what more he was, even Milnes hardly dared say. They could not believe his incredible memory and knowledge of literature, classic, mediaeval, and modern; his faculty of reciting a play of Sophocles or a play of Shakespeare, forward or backward, from end to beginning; or Dante, or Villon, or Victor Hugo. They knew not what to make of his rhetorical recitation of his own unpublished ballads — "Faustine"; the "Four ...
— The Education of Henry Adams • Henry Adams
... that of four conch shells united in one vessel, the bases being turned inward and the apexes outward. Now it is only necessary to suppose the addition of the spiral lines, always associated with the nodes, to have the result shown in b, and by a still higher degree of convention we have the classic scroll ornament given in c. Of course, no such result as this could come about adventitiously, as successful combination calls for the exercise of judgment and taste; but the initiatory steps could be taken—the motive could enter art—without ...
— Origin and Development of Form and Ornament in Ceramic Art. • William Henry Holmes
... from Virginia, the Carolinas, and Kentucky who also made the Ohio lands their goal? Of books they knew little; they did not name their settlements in honor of classic heroes. They were not "gentlemen"; many of them, indeed, had sought the West to escape a society in which distinctions of birth and possessions had put them at a disadvantage. They were not so pious as the New Englanders, though they were capable of great religious enthusiasm, and their morals were ...
— The Old Northwest - A Chronicle of the Ohio Valley and Beyond, Volume 19 In - The Chronicles Of America Series • Frederic Austin Ogg
... And billows lash the long-resounding shore; In pensive mood I roam the desert ground, And vainly sigh for scenes no longer found. Oh, whither fled the pleasurable hours That chased each care, and fired the muse's powers; The classic haunts of youth, for ever gay Where mirth and friendship cheer'd the close of day, The well-known valleys where I wont to roam, The native sports, the nameless joys of home? Far different scenes allure my wondering eye: The white wave foaming to the distant sky; The cloudy heavens, unblest by summer's ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... but their shining crowns of jet-black hair, and none at all for their tanned feet and ankles, though they carried shoes in their hands; black-robed priests; brown-robed monks; smart officers; soldiers with stiff, glittering shakos, and green gloves; oxen with pads of wool on their classic, biscuit-coloured heads. Nevertheless, Dick agreed with me in finding ...
— The Car of Destiny • C. N. Williamson and A. M. Williamson
... of the entrance, separated by a large, high mirror which faced the fireplace, two other canvases, signed by Geffroy, represent the foyer itself, in costumes of the classic repertoire, the greater part of the eminent modern 'societaires', colleagues and contemporaries of ...
— Zibeline, Complete • Phillipe de Massa
... Autobiographies. A collection of the most entertaining autobiographies, carefully edited, and with preliminary Critical and Biographical Essays. Little-Classic size. 8 vols. ...
— The Olden Time Series, Vol. 1: Curiosities of the Old Lottery • Henry M. Brooks
... the Anglo-Saxon word to designate the ALMIGHTY; signifying good, to do good, doing good, and to benefit; terms such as our classic borrowings ...
— The Sailor's Word-Book • William Henry Smyth
... countries, the erstwhile capitalist masters fought bitterly for their possessions. But the governments were taken away from them by the militant proletariat. At last was being realized Karl Marx's classic: "The knell of private capitalist property sounds. The expropriators are expropriated." And as fast as capitalistic governments crashed, cooperative commonwealths ...
— The Iron Heel • Jack London
... between classic and Christian poetry must needs be very great. But whatever may be said in favour of one as against the other, this at least cannot be controverted, that the history of literature shows no human development so ...
— Old Familiar Faces • Theodore Watts-Dunton
... laugh at. It was perfectly overwhelming. But if I could have partaken it with anybody who would have felt it as you would have done, it would have had quite another aspect; or would at least, like a "classic mask" (oh d—— that word!) have had one funny side to ...
— The Letters of Charles Dickens - Vol. 1 (of 3), 1833-1856 • Charles Dickens
... intellect; and now the pro-Italians, despairing to make anyone believe that the 97.5 per cent. of the people of Dalmatia are truly Italians who by some kink in their nature persist in calling themselves Slavs, have invented a brand new nationality, the Dalmatian, after the classic style of the late Professor Jagi['c] who at Vienna, under the pressure of the Austrian Government, began talking of the Bosnian language in order not to say that it is Serbo-Croat. He was drowned in laughter. With respect to the military reasons, the ...
— The Birth of Yugoslavia, Volume 2 • Henry Baerlein
... are angels and inscriptions. "Before man lyfe and death. In all thy workes remebre thy last, and never wilt thou offend." In the top corner on the left is represented the New Jerusalem. The architecture is classic in character. ...
— Bell's Cathedrals: The Cathedral Church of Gloucester [2nd ed.] • H. J. L. J. Masse
... etc., may be more particularly designated, rendered Munich the centre of German art. This sovereign also founded at Ratisbon the Walhalla, a building destined for the reception of the busts of all the celebrated men to whom Germany has given birth. The predilection of this royal amateur for classic antiquity excited within his bosom the warmest sympathy with the fate of the modern Greeks, then in open insurrection against their Turkish oppressors, and whom he alone, among all the princes of Germany, aided in the hour of their extremest need.—With the same spirit that dictated ...
— Germany from the Earliest Period Vol. 4 • Wolfgang Menzel, Trans. Mrs. George Horrocks
... [The classic legend of Prometheus underwent various changes in successive periods of Greek thought. In its main outline the story is the same: that Prometheus, whose name signifies Forethought, stole fire from Zeus, or Jupiter, or Jove, and gave it as a gift to man. For this, the angry god bound ...
— The Vision of Sir Launfal - And Other Poems • James Russell Lowell
... country much longer than he had expected. The new President, John Quincy Adams, gave him a farewell dinner at the White House, with a large party of notable men. The President's formal farewell to the country's guest is a classic ...
— Hero Stories from American History - For Elementary Schools • Albert F. Blaisdell
... diamond-like lustre. Beneath the bank of clouds, yet far enough in the foreground of this picture to partly emerge from obscurity, stood, on an eminence, a white marble building, with columns of porticos, like a Grecian temple. Projected against the dark background were its classic outlines, looking more like a vision of the days of Pericles ...
— The Good Time Coming • T. S. Arthur
... the Lake Lucrine. Averno and the Elysian Fields were there. The ruins of Caligula's Bridge dotted the surface of the sea. Yet the charms of all these classic scenes were eclipsed in the tourists' eyes by those of a number of pretty peasants girls who stood washing clothes in the limpid ...
— The Dodge Club - or, Italy in 1859 • James De Mille
... parallelism; bilateral symmetry, trilateral symmetry, multilateral symmetry; centrality &c. 222. arborescence[obs3], branching, ramification; arbor vitae. Adj. symmetrical, shapely, well set, finished; beautiful &c. 845; classic, chaste, severe. regular, uniform, balanced; equal &c. 27; parallel, coextensive. arborescent[obs3], arboriform[obs3]; dendriform[obs3], dendroid[obs3]; branching; ramous[obs3], ramose; filiciform[obs3], filicoid[obs3]; subarborescent[obs3]; ...
— Roget's Thesaurus
... Stanley Hall's initiative has led to elaborate inquiries, the principal periodical for the movement being the Pedagogical Seminary. The impetus to this study of the child's mind and capacities was given by the classic work of educationists like J.A. Comenius, J.H. Pestalozzi, and F.W.A. Froebel, but more recent writers have carried it much further, notably W.T. Preyer (The Mind of the Child, 1881), whose psychological studies stamp him as one of the chief pioneers in new methods of investigation. Other authorities ...
— Encyclopaedia Britannica, 11th Edition, Volume 6, Slice 2 - "Chicago, University of" to "Chiton" • Various
... valuable on account of the close, careful thinking which they contained, as contrasted with the more superficial charm of writings like those of Guevara. An Elizabethan scholar, indeed, might have hesitated if asked which was the more important, the Greek or Latin classic or the theological treatise. Nash praises Golding indiscriminately "for his industrious toil in Englishing Ovid's Metamorphoses, besides many other exquisite editions of divinity turned by him out of the French tongue into our own."[340] Golding himself, ...
— Early Theories of Translation • Flora Ross Amos
... same irresistible form which had won a certain November classic for Harvard, Richard Alden bucked and plunged through a double rank of startled guards and came running across the marble floor, his eyes lit with an ...
— Astounding Stories, February, 1931 • Various
... and accurate of observers, who laboured as a missionary among the natives for twenty-four years, from 1864 to 1887, and has given us a most valuable account of their customs and beliefs in his book The Melanesians, which must always remain an anthropological classic. In describing the worship of the dead as it is carried on among these islanders I shall draw chiefly on the copious evidence supplied by Dr. Codrington; and I shall avail myself of his admirable researches to enter into considerable details on the subject, since details recorded by an accurate ...
— The Belief in Immortality and the Worship of the Dead, Volume I (of 3) • Sir James George Frazer
... whose careful and impartial study of the state of affairs in Ireland under the Dublin Parliament has become a classic, speaks of the ...
— Against Home Rule (1912) - The Case for the Union • Various
... classic sea, whose shores have been the scene of the most interesting events of the world's history—that sea which leads to Italy, to Greece, to the Holy Land, to Egypt, with its wondrous Nile and grand old mysterious ruins—the Mediterranean, ...
— The Three Midshipmen • W.H.G. Kingston
... although not justified by any settled rule or authoritative precedent, nor by any clear analogy from such a rule or precedent. This is a view taken, though with less caution and qualification, in a work written by the same hand many years before, which is recognized as a legal classic on both sides of the Atlantic. In "The Common Law,"[Footnote: Pp. 35, 36.] after discussing some of the reasons which actuate judges in assuming to unfold the unwritten law, it is ...
— The American Judiciary • Simeon E. Baldwin, LLD
... all'Isola had been built, a century before Rahere's visit, within the ruined walls of the Temple of AEsculapius, on the island of the Tiber, and Saint had succeeded, in some measure, to the traditional healing-power of the God. In classic times, those who flocked to the shrine generally stayed there for one or two nights, when the healer appeared to them in a vision, and gave them directions for their cure. So, in mediaeval times, his successor and supplanter followed the same ...
— Memorials of Old London - Volume I • Various
... greyhounds true? O'er holt or hill there never flew, From slip or leash there never sprang, More fleet of foot, or sure of fang. Nor dull, between each merry chase, Passed by the intermitted space; For we had fair resource in store, In Classic and in Gothic lore: We marked each memorable scene, And held poetic talk between; Nor hill nor brook we paced along But had its legend or its song. All silent now—for now are still Thy bowers, untenanted Bowhill! No longer, from thy mountains dun, The yeoman hears the well-known gun, And while ...
— Marmion: A Tale of Flodden Field • Walter Scott
... man. Very probably he found his greatest happiness in the triumphs of such a life; but we must believe he also found great contentment in his retirement at Lindenwald. He did not possess the tastes and pleasures of a man of letters, nor did he affect the "classic retirement" that seemed to appeal so powerfully to men of the eighteenth century; but, like John Jay, he loved the country, happy in his health, in his rustic tastes, in his freedom from public cares, and in his tranquil occupation. Skilled in horticulture, he took pleasure ...
— A Political History of the State of New York, Volumes 1-3 • DeAlva Stanwood Alexander
... how she would look with their stately grace waving over her. Mrs. Sandford tried it. She arranged the plume on Daisy's head; and with a turn or two of a dark cashmere scarf imitated beautifully the classic folds of the drapery in the picture. Then she put Daisy in the attitude of the figure; and by that time Daisy felt so strange that her face was stern and grave enough to need no ...
— Melbourne House, Volume 2 • Susan Warner
... was that when Governor Smith and former Governor Whitman and Acting Mayor Moran and the other reviewers appeared behind a cavalcade of mounted policemen, the youngsters struck up that army classic, "Oh, How I Hate to Get Up in the Morning," no one could tell, but it gave the reviewers and the crowd ...
— History of the American Negro in the Great World War • W. Allison Sweeney
... do not always agree. What immediately feels most "good" is not always most "true," when measured by the verdict of the rest of experience. The difference between Philip drunk and Philip sober is the classic instance in corroboration. If merely "feeling good" could decide, drunkenness would be the supremely valid human experience. But its revelations, however acutely satisfying at the moment, are inserted into an environment which refuses to bear them out for any length of time. The ...
— The Varieties of Religious Experience • William James
... and rambling. It had none of the classic elegance of the old Colonial mansions, but it had a hall in the middle with the sitting-room on one side and on the other an old-fashioned parlor with a bedroom back of it. The dining-room was back of the sitting-room, and beyond that was the kitchen, and a ...
— The Trumpeter Swan • Temple Bailey
... capable of love, and she had never felt that way about Hilary Vane. And her mind was confused, and her heart was troubled and wrung. Insight flashed upon her of the terrible loneliness of a life surrounded by outstretched, loving arms to which one could not fly; scenes from a famous classic she had read with a favourite teacher at school came to her, and she knew that she was the witness of a retribution, of a suffering beyond conception of a soul prepared for suffering,—not physical suffering, but of that torture which is the meaning ...
— The Crossing • Winston Churchill
... of minor papers. For Newbery, by a happy recollection of the 'Lettres Persanes' of Montesquieu, or some of his imitators, he struck almost at once into that charming epistolary series, brimful of fine observation, kindly satire, and various fancy, which was ultimately to become the English classic known as 'The Citizen of the World'. He continued to produce these letters periodically until the August of the following year, when they were announced for republication in 'two volumes of the usual 'Spectator' size.' In this form they ...
— The Complete Poetical Works of Oliver Goldsmith • Oliver Goldsmith
... taken in) he has conveyed his meaning. "Deny" is here clearly equal to "withhold;" and the "it," quite in the genius of vehement conversation, which a syntaxist explains by ellipses and subauditurs in a Greek or Latin classic, yet triumphs over as ignorances in a contemporary, refers to accidental and artificial rank or elevation, implied in the verb "raise." Besides, does the word "denude" occur in any writer before, or of, ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... avail themselves of this mythic war between men and women, in which the heroes do not appear to have used their weapons lightly, in consideration of the sex of their opponents. The splendid group by Kiss, casts of which are now in many English homes, shows that the capacity to deal with the classic subject has not altogether faded from the world. The Amazons themselves bid fair to accomplish a resurrection across the Atlantic. Rumours reach us here in England of female societies associated to make war upon the tyranny ...
— How to See the British Museum in Four Visits • W. Blanchard Jerrold
... utmost value, his skill in marshalling facts and deducting legitimate inferences being unrivalled. His masterpiece is an immense work, with the general title of "History of the Ancient Peoples of the Classic East," divided into three parts, each complete in itself: (1) "The Dawn of Civilisation"; (2) "The Struggle of the Nations"; (3) ...
— The World's Greatest Books, Vol XI. • Edited by Arthur Mee and J.A. Hammerton
... saw it—is all that I can remember of Baerlaere. There was, I suppose, the usual church with its steeple where the streets forked and the usual town hall near it, with a flight of steps before the door and a three-cornered classic pediment; and the usual double line of flat-fronted, grey-shuttered houses; I do seem to remember these things as if they had really been there, but you couldn't see the bottom half of the houses for the troops that were crowded in front of them, or the top half for the shells ...
— A Journal of Impressions in Belgium • May Sinclair
... conspicuous features cannot be forgone. In the term conspicuous is included plants that attract general attention. Possibly the skilled botanist might disregard obvious and pleasing effects, and find classic joy in species and varieties unobtrusive ...
— The Confessions of a Beachcomber • E J Banfield
... have ever been told so often or listened to with so much pleasure as the classic tales of ancient Greece. For many ages they have been a source of delight to young people and old, to the ignorant and the learned, to all who love to hear about and contemplate things mysterious, ...
— Old Greek Stories • James Baldwin
... not a safe one to imitate. No doubt he wrought for effects, for he was a magician, and used exaggeration in high lights and low lights on his crowded canvas. Say what you will of all these defects, of his lack of classic literary training, of his tendency to melodrama, of his tricks of style, even of a ray of lime-light here and there, it remains that he is a great power, a tremendous force in modern life; half an hour of him is worth a lifetime of his self-conscious analyzers, and the world is a more cheerful and ...
— Library of the World's Best Literature, Ancient and Modern — Volume 11 • Various
... his classical and political studies, and, above all, instructed him with endless insistence as to his bearing in society, impressed upon him the importance of good breeding, the "graces," and the general deportment required of a person of quality. The letters are a classic of courtliness and worldly wisdom. They were prepared for the press by Philip Stanhope's widow, and were published in 1774, under the title of "Letters Written by the Earl of Chesterfield, together with Several other Pieces on Various Subjects." Since then many editions have appeared, ...
— The World's Greatest Books, Vol IX. • Edited by Arthur Mee and J.A. Hammerton
... father, and in 1750 was apprenticed to a wood-carver. In his spare time he worked at sculpture, and before 1772, when he obtained a travelling studentship and proceeded to Rome, he had already exhibited several fine works. Returning to England in 1779 he found that the taste for classic poetry, ever the source of his inspiration, no longer existed, and he spent two years in St Petersburg, being employed by the empress Catherine, who purchased his "Cupid tormenting a Butterfly." On his return he modelled his colossal "Achilles mourning the loss of Briseis," ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... have been one of the three plants which made the Virgin Mary's bed. Indeed, the European peasants have as many myths as there are quotations from the poets about this classic plant. Its very name denotes that it was used as an incense in Greek temples. No doubt it was the Common Thyme (T. vulgaris), an erect, tall plant cultivated in gardens here as a savory, that Horace says the Romans used so extensively ...
— Wild Flowers, An Aid to Knowledge of Our Wild Flowers and - Their Insect Visitors - - Title: Nature's Garden • Neltje Blanchan
... to their utmost, nothing will take the place of the Bible—that foundation of all culture and all education." Happily for the English-speaking world the translation into our tongue, standardized in the King James' Bible, is a universally acknowledged classic; and scarcely a man of letters has failed to bear witness to its charm and power. While most translations lose something of the beauty and meaning of the original, there are some parts of the English Bible which, as literature and as religion, excel the Hebrew ...
— Some Christian Convictions - A Practical Restatement in Terms of Present-Day Thinking • Henry Sloane Coffin
... poor man has been, ever since last April, so grief-stricken, so melancholy, so taciturn that you would not know him. There is no longer in him even a trace of that Attic humor, that decorous and classic joviality which made him so pleasing. He shuns every body; he shuts himself up in his house and receives no one; he hardly eats any thing, and he has broken off all intercourse with the world. If you were to see him now you would not recognize him, for he is ...
— Dona Perfecta • B. Perez Galdos
... aperture, and on a bank, formed of turf, covered with moss, and interspersed with roses and honeysuckles, sat this divinity of the oasis. She, too, was clad in the Highland dress, which gave an air of wildness and elegance to her figure that was in classic harmony with the surrounding scenery. At the moment of my appearance she was in the act of dressing the wounded shoulder of a stag, that had recently been shot; and from the broad tartan riband I perceived attached to its neck, ...
— Wacousta: A Tale of the Pontiac Conspiracy (Complete) • John Richardson
... Mayor of Dublin, induces Mr. W.C. Macready to make you an offer of engagement for the performance of Shakspere's heroic functionary in the forthcoming revival of Richard the Third, which is about to be produced under his classic management at the Theatre Royal Drury-lane, Mr. W.C. Macready offers to replace the breeches if cracked in stooping; also, to guarantee a liberal allowance of hair-powder to fall from the wig, and make the usual effective ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... grievance against the committee. He was amused and delighted at the commotion he had caused. He likened himself to the man who had sown the dragon's teeth, and while listening keenly to what was being said, he rummaged about in his memory for the name of that doughty classic hero. ...
— The Philistines • Arlo Bates
... scandal and a shame for them to show themselves bareheaded to men. Nowadays, however, they allow a slender braid to appear over their foreheads, and this improves their appearance very much. Yet I regret the classic head-dress of my time; its spotless laces next the bare skin gave an effect of pristine purity which seemed to me very solemn; and when a face looked beautiful thus it was with a beauty of which nothing can express the charm ...
— The Devil's Pool • George Sand
... white lace. Their aspect was also rendered more captivating and charmingly confused by ribbons, rings, and ringlets, for the reader must remember that we write of those good old times before the introduction of that severely classic style of hair-dressing which converts now nine-tenths of the fair sex into ...
— Wrecked but not Ruined • R.M. Ballantyne
... is the name, not of the bridge, but of the island from which it is called; and the Venetians say, Il ponti di Rialto, as we say Westminster Bridge. In that island is the Exchange; and I have often walked there as on classic ground.... 'I Sopportichi,' says Sansovino, writing in 1580 [Venetia, 1581, p. 134], 'sono ogni giorno frequentati da i mercatanti Fiorentini, Genovesi, Milanesi, Spagnuoli, Turchi, e d'altre nationi diverse del mondo, ...
— The Works of Lord Byron, Volume 4 • Lord Byron
... then about seventeen, though she looked at least three years older. She was a tall, slight, pale girl, with perfectly regular features—so classic in the mould, and so devoid of any expression, that she recalled the face one sees on a cameo. Her hair was of wondrous beauty—that rich gold colour which has reflets through it, as the light falls full or faint, and of an abundance that ...
— Lord Kilgobbin • Charles Lever
... work on the Balance of Power, Fragmente aus der neuesten Geschichte des politischen Gleichgevaichtes in Europa, Dresden, 1806, is still, not only from its environment, but from its conviction, the classic on this subject. It gained him the friendship of Metternich, and henceforth he became the constant and often reckless and violent exponent of Austrian principles. But he was sincere. To the charge of being the Aretino of the Holy Alliance, Gentz could retort ...
— The Origins and Destiny of Imperial Britain - Nineteenth Century Europe • J. A. Cramb
... Ezekiel and Daniel among the weeping exiles, that kept the heart of the nation warm with the vision of what was surely coming. The thrill of expectancy runs through the pages of this old Hebrew classic. Its light is never out of the eye, nor its alluring out ...
— Quiet Talks on the Crowned Christ of Revelation • S. D. Gordon
... boys of the Classes live a more liberal life, and here you find all varying shades of refinement. There is education, too, and a great respect for learning, and reverence for their classic literature and language, a language so ancient that we find certain Tamil words in the Hebrew Scriptures, and so rich, that while "nearly all the vernaculars of India have been greatly enriched from the Sanscrit, Sanscrit has borrowed from Tamil." Almost every Caste village has its ...
— Things as They Are - Mission Work in Southern India • Amy Wilson-Carmichael
... grows pretty nearly everywhere. It's one of the most classic wild flowers we know anything about. The ancient Egyptians dried its leaves to give flavor to their salad, and I remember being told at Luxor that the modern Copts and Arabs do the same. You see it's quite a friendly little beast ...
— The Dust Flower • Basil King
... Plea for Captain John Brown," should be a classic in American history. We do not always realize that the time of American history is now. The dates of the settlement of Jamestown, and Plymouth, and St. Augustine do not constitute our history. Columbus did not ...
— The Story of the Innumerable Company, and Other Sketches • David Starr Jordan
... meantime been offered the chair of history and astronomy at Fernbridge Seminary for Young Ladies at Lover's Leap in the State of New Jersey I have accepted and am departing on the morrow for my new post, trusting, in the classic shades and congenial atmosphere of that well-established academy of learning, to forget the unhappy memories now indissolubly associated in my mind with the first and last camping expedition of the ...
— Fibble, D. D. • Irvin Shrewsbury Cobb
... out of it ideas altogether foreign to its original intent. This method they call "Allegory." By means of this process they have been able to extract any meaning which suits their purposes, and by this method of juggling could prove anything. A classic example is that licentious piece of literature called the "Song of Solomon," in which it is claimed that a woman's breasts, thighs, and belly are the symbols of the union ...
— The Necessity of Atheism • Dr. D.M. Brooks
... love, it would be sweet to do it sort of Grecian," she cried in her sentimental fashion, "with a classic knot at the nape of your neck, and little curls hanging down ...
— Elsie Marley, Honey • Joslyn Gray
... his plum trees, too; the classic "ume," loved of all artists, poets, and decent-minded people generally. One tree, a superb specimen of the kind called "Crouching-Dragon-Plum," writhed and twisted near the veranda of the chamber of its name-child, Ume-ko, thrusting one leafy arm almost to the paper shoji ...
— The Dragon Painter • Mary McNeil Fenollosa
... popinjays, would have stared with contempt at both Faith and Dolly Darling in their simple walking-dress that day. Dowdies would have been the name for them, or frumps, or frights, or country gawks, because their attire was not statuesque or classic, as it should have been, which means that they were not ...
— Springhaven - A Tale of the Great War • R. D. Blackmore
... turned evil into ridicule rather than into a subject of serious rebuke. He was three years younger than his sister. Corona was a beautiful brunette, tall, like all the Rockharrts, with a superbly developed form, a fine head, adorned with a full suit of fine curly black hair, delicate classic features, straight, low forehead, aquiline nose, a "Cupid's bow" mouth, and finely curved chin. This was her wedding-day and she wore her bridal dress of pure white satin, with veil of thread lace and wreath of orange buds. ...
— For Woman's Love • Mrs. E. D. E. N. Southworth
... beautiful poems of his were printed in the early numbers of the Atlantic Monthly (in company with poems by LONGFELLOW, EMERSON, LOWELL, and HOLMES), and were well received. "At Sea" is a gem that has become classic. The poetic faculty has not been without use to the story-writer. The perception of beauty in nature and in human nature is always evident even in his realistic prose. But his poetic gift never leads him ...
— Four Young Explorers - Sight-Seeing in the Tropics • Oliver Optic
... after ten o'clock in any London suburb in these times of martial law. Walthamstow slept in heated but profound oblivion of its mean existence. Beyond the town lay, like a prostrate giant camel, the heat-blurred silhouette of the classic forest. Low over Walthamstow hung the festoons of flat, humid clouds, menacing ...
— World's War Events, Vol. I • Various
... very handsome, Cora thought. He was the type she always admired—a youth with a bronze complexion—a straight, athletic figure, almost classic, Cora decided. He cranked up for her, re-entered the car, and they rolled from the garage. Once out on the country road Cora threw in the high gear and fed the gasolene with a judicious ...
— The Motor Girls • Margaret Penrose
... itself is sufficient glory. In the department of historical geography, D'Anville exhibited unusual good sense in discussion, and a marvellous topographical instinct for identifications, but it is well to remember that he was neither a man of science, nor even well versed in classic authorities. His most beautiful work is his map of Italy, the dimensions of which, hitherto exaggerated, extended from the east to the west in accordance with the ideas of ...
— Celebrated Travels and Travellers - Part 2. The Great Navigators of the Eighteenth Century • Jules Verne
... made no attempt at resistance, but blindly and confidingly surrendered themselves into the care and custody of their conductors. Albert had already made seven or eight similar excursions to the Colosseum, while his less favored companion trod for the first time in his life the classic ground forming the monument of Flavius Vespasian; and, to his credit be it spoken, his mind, even amid the glib loquacity of the guides, was duly and deeply touched with awe and enthusiastic admiration of all he saw; and certainly ...
— The Count of Monte Cristo • Alexandre Dumas, Pere
... sixteenth century more disturbed and less formed than prose; Ronsard and his friends had received it from the hands of Marot, quite young, unsophisticated and undecided; they attempted, at the first effort, to raise it to the level of the great classic models of which their minds were full. The attempt was bold, and the Pleiad did not pretend to consult the taste of the vulgar. "The obscurity of Ronsard," says M. Guizot, in his Corneille et son Temps, "is not that of a subtle mind torturing itself to make something ...
— A Popular History of France From The Earliest Times - Volume V. of VI. • Francois Pierre Guillaume Guizot
... a tiny sphinx brought in—a sphinx carved from black marble and resting in the classic pose with outstretched paws and erect head. He also purchased a chimera of polychrome clay; it brandished its mane of hair, and its sides resembled a pair of bellows. These two images he placed in a corner of the room. ...
— Against The Grain • Joris-Karl Huysmans
... greatly surpassed. For delightful reading the lover of sea stories is referred to Best's account of Frobisher's second voyage—to Richard Chancellor's chronicle of the same period—to Hakluyt, an immortal classic—and to Purchas' "Pilgrimage." ...
— Great Sea Stories • Various
... to a prison? Have discontented movements stirred the troops? Or have no movements followed traitorous soups? Have Carbonaro[328] cooks not carbonadoed Each course enough? or doctors dire dissuaded Repletion? Ah! in thy dejected looks 510 I read all France's treason in her cooks! Good classic Louis! is it, canst thou say, Desirable to be the "Desire?" Why wouldst thou leave calm Hartwell's green abode, Apician table, and Horatian ode, To rule a people who will not be ruled, And love much ...
— The Works of Lord Byron - Poetry, Volume V. • Lord Byron
... heroines, or what were meant for such; all the little boys and girls running alongside of the chariot envied them; but they themselves were very much tired, and shivering with cold in their heroic pomp of classic clothing. All this Philip might have seen; did see, in fact; but heeded not one jot. Almost opposite to him, not ten yards apart, standing on the raised step at the well-known shop door, was Sylvia, ...
— Sylvia's Lovers — Complete • Elizabeth Cleghorn Gaskell
... flawless style, with a plot, and a climax, and a lot of little side surprises. But if it lacks that peculiar and convincing quality poetically known as the punch, it might as well never have been written. It can never be a six-best-seller, neither will it live as a classic. You will never see it advertised on the book review page of the Saturday papers, nor will the man across the aisle in the street car be so absorbed in its contents that he will be taken past ...
— Dawn O'Hara, The Girl Who Laughed • Edna Ferber
... mention it's my sovereign intention To revive the classic memories of Athens at its best, For my company possesses all the necessary dresses, And a course of quiet cramming will supply us with the rest. We've a choir hyporchematic (that is, ballet-operatic) Who respond to the CHOREUTAE of that cultivated ...
— Songs of a Savoyard • W. S. Gilbert
... Horror Stories The Vampire Lovers and Other Stories Ghost Stories and Mysteries The Hours After Midnight J.S. LeFanu: Ghost Stories and Mysteries Ghost and Horror Stones Green Tea and Other Ghost Stories Carmilla and Other Classic Tales of Mystery ...
— The Room in the Dragon Volant • J. Sheridan Le Fanu
... general regret, occurred in a few years after he had entered upon political life. Mr. Davis was a poet, although not of a high order; several specimens of good ballad composition are amongst his remains. He cultivated classic literature with success; as an antiquary and an historian acquired reputation; wrote energetically and fluently; spoke in public with earnestness and force, but had none of the graces of the finished orator, and ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... hardest, the cruellest, and the least-rewarded of all the wars that men have fought. They are a whole history and revelation of Rupert Brooke himself. Joyous, fearless, versatile, deeply instructed, with classic symmetry of mind and body, ruled by high, undoubting purpose, he was all that one would wish England's noblest sons to be in days when no sacrifice but the most precious is acceptable, and the most precious is that which ...
— The Collected Poems of Rupert Brooke • Rupert Brooke
... spent two years in making inquiries and writing his classic work on "Prostitution in Europe," is most emphatic on this point. The experience of the American troops in the Great War is further strong confirmation. The following is an extract from an article published by the American Red Cross in May, 1918: "During the months of August, ...
— Venereal Diseases in New Zealand (1922) • Committee Of The Board Of Health
... forget to think? At your age, Sir, home, fortune, friends, A dear girl's love,—but I took to drink;— The same old story; you know how it ends. If you could have seen these classic features,— You needn't laugh, Sir; I was not then Such a burning libel on God's creatures; I was ...
— Poems Teachers Ask For, Book Two • Various
... their knowledge directly from the Romans, and through them from the Greeks, but they also possessed a good deal of their own. The herbs they employed bespeak considerable acquaintance with botany and its application to medicine as understood at that day. The classic peony was administered as a remedy for insanity, and mugwort was regarded as useful in putting to flight what this Saxon book calls "devil sickness," that is, a mental malady arising from a demon. Here is a recipe for "a fiend-sick ...
— Chapters in the History of the Insane in the British Isles • Daniel Hack Tuke
... different ages strikes the eye; and curious sculptures. In niches on the wall of Saint Udalrich's chapel stand rows of knights in armour, all broken and dismembered; and on the front of Otho's Rittersaal, the heroes of Jewish history and classic fable. You enter the open and desolate chambers of the ruin; and on every side are medallions and family arms; the Globe of the Empire and the Golden Fleece, or the Eagle of the Cesars, resting on the escutcheons ...
— Hyperion • Henry Wadsworth Longfellow
... can be seat to the press, no new editions issued, no thought promulgated. Even the stone-carver is not permitted to use his chisel until they have decided how far love or pride may go in commemoration of the dead. They mutilate, with equal sovereignty of will, the printed pages of a classic and the manuscript of an unknown scribbler,—sit in judgment upon Botta and Laplace, as their predecessors sat in judgment upon Guicciardini and Galileo,—and, in the fervor of their undiscriminating zeal, condemn Robertson and Gibbon, Reid and Hume, the skeptic Bolingbroke and the ...
— Atlantic Monthly,Volume 14, No. 82, August, 1864 - A Magazine Of Literature, Art, And Politics • Various
... the South, cultivating the hot and fertile slope which descends from the central plateau to the Pacific Ocean, were an Aztec race of pure blood, speaking a dialect of Nahuatl, very little different from that heard in the schools of classic Tezcuco.[12-2] But the grammatical structure and stem-words of the Cakchiquel remained ...
— The Annals of the Cakchiquels • Daniel G. Brinton
... I begin to study Prospero that I find the introduction of the Masque in the fourth act extraordinarily interesting. Ben Jonson had written classic masques for this and that occasion; masques which were very successful, we are told; they had "caught on," in fact, to use our modern slang. Shakespeare will now show us that he, too, can write a masque with classic deities in it, and better Jonson's ...
— The Man Shakespeare • Frank Harris
... that they are in the mother tongue at several stages of its growth, and for the most part in the best Anglo-Saxon diction. We have, moreover, the very soil of the history under our feet, and this study would tend to invest our native land with all the charm of classic ground. ...
— Anglo-Saxon Literature • John Earle
... plucked these elegiac blooms, There where he rests 'mid comrades fit and few, And thence I bring this growth of classic tombs, An offering, friend, to you— You who have loved like me his simple themes, Loved his sincere large accent nobly plain, And loved the land whose mountains and whose streams Are lovelier ...
— The Poems of William Watson • William Watson
... When the classic words of "Hello, my Baby, Hello, my Honey," were repeated for my benefit, and I realized that not only had these Cebu natives picked up the air of the song, but the component parts of its speech as well, my disgust was complete, for it ...
— A Woman's Journey through the Philippines - On a Cable Ship that Linked Together the Strange Lands Seen En Route • Florence Kimball Russel
... French art: it would be impossible for him to express more with greater restraint of means." The music, which seems so complicated, is in reality very simple. It sounds so shadowy and impalpable, but it is really built up with as sure control as the most classic work. It is indeed music which appeals to refined and ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... the low wall, one has a magnificent view over the town and the great forest of Villers-Cotterets stretching away in front, a long blue line on the horizon. In the main street of La Ferte there is a statue of Racine, who was born there. It is in white marble, in the classic draperies of the time, and is also in very good preservation. The baptismal register of Jean Racine is in the ...
— Chateau and Country Life in France • Mary King Waddington
... to the southward of Kailua. As we stood in, Mr Callard told us that on the shore of Karakakooa Bay, which was before us, Captain Cook met his death, and that he would show us the very spot where that event happened. I felt as interested as if I were about to visit classic ground. Often and often as I had been reading through Cook's Voyages with delight, I little thought that I should see the very spots he describes, much less that one which has become sacred in our memory. Before us appeared a line of volcanic cliffs, of considerable ...
— A Voyage round the World - A book for boys • W.H.G. Kingston
... there survived among our people (you had evidently added a volume on folk-lore to that heap of half-cut, dog's-eared books that litter about among the Chineseries and mediaeval brocades of your rooms) any trace of Pagan myths. I explained to you then that all our fairy mythology, classic gods, and demons and heroes, teemed with fairies, ogres, and princes. Last night I had a curious proof of this. Going to see the Waldemar, I found Dionea seated under the oleander at the top of the old Genoese fort, telling stories to the two little blonde children who were making the falling ...
— Hauntings • Vernon Lee
... animate or inanimate, as entirely in contrast with what you have just left behind, as you might expect to find it, were you transported suddenly into some region of the earth, of the very existence of which you had previously been ignorant. I have passed through the classic regions of St. Giles, the Seven Dials, and Rag Fair. I have gone, in my youth, under the escort of a police officer, the round of all the most degraded corners of London; yet have I never beheld ...
— Germany, Bohemia, and Hungary, Visited in 1837. Vol. II • G. R. Gleig
... on modern art cannot hope to bestow a crown of laurels among living masters; it must be content with a view of active tendencies. The greatest classic has often come into the world amid least expectation. A critic in the year 1850 must need have omitted the Unfinished Symphony, which was then buried in a ...
— Symphonies and Their Meaning; Third Series, Modern Symphonies • Philip H. Goepp |
