"Cimabue" Quotes from Famous Books
 ... as it concerns pictures painted upon panel or canvas in tempera or oils, the history of painting begins with Cimabue, who worked in Florence during the latter half of the thirteenth century. That the art was practised in much earlier times may readily be admitted, and the life-like portraits in the vestibule at the National Gallery taken from Greek ...
— Six Centuries of Painting • Randall Davies
... scenery and costume among the Tuscan hills, and pour, if he can, the purple air of Italy over his canvas. He studies the old schools of art in the mountain towns where they were born, and where they are still to be seen in the faded frescos of Giotto and Cimabue, on the walls of many a church, or in the dark chapels, in which the sacristan draws aside the veil from a treasured picture of Perugino. Thence, the happy painter goes to walk the long, bright galleries of Florence, or to steal glowing colors from ...
— The Marble Faun, Volume II. - The Romance of Monte Beni • Nathaniel Hawthorne
... poured through the windows. The senor could still see the holes in the pictures, could he not? Penuelo restored the church in 1710, as could be read by the inscription carved upon the gallery beam. It would no doubt interest the senor to know that one of the paintings was by Cimabue, done in 1287, and that the seven hundred pound bell was cast in Spain during the year 1356 and had been dragged a thousand miles across the deserts of the new world by the devoted pioneer priests who carried the Cross to the ...
— A Daughter of the Dons - A Story of New Mexico Today • William MacLeod Raine |
