"Charles Lamb" Quotes from Famous Books
 ... married and straightway things began to go to the devil." And for my own part I have read enough of family quarrels. I am tired of the tune upon the triangle and I am ready for softer flutings. When I visit my neighbors, I want them to make a decent pretense. It was Charles Lamb who found his married friends too loving in his presence, but let us not go to extremes! And so, after I have read a few books of marital complication, I yearn for the old-fashioned couple in the older books who went hand ...
— Journeys to Bagdad • Charles S. Brooks
... could be more ready and willing to recognize his own failures than Motley. He was as honest and manly, perhaps I may say as sympathetic with the feeling of those about him, on this occasion, as was Charles Lamb, who, sitting with his sister in the front of the pit, on the night when his farce was damned at its first representation, gave way to the common feeling, and hissed and hooted lustily with the others around him. It was what might ...
— Memoir of John Lothrop Motley, Complete • Oliver Wendell Holmes, Sr.
... that, in some of the lighter annoyances of life, fellowship is decidedly preferable to solitude, ennui comes not within the number—every attempt to divide it with one's neighbours only makes it worse; as Charles Lamb has described the concert of silence at a Quakers' meeting, the intensity increases with the number, and every new accession raises the public stock of distress, which again redounds with a surplus ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 365, March, 1846 • Various
... magnificently. His orchestration covers a multitude of weaknesses with a flamboyant cloak of charity. [Now, here I go again; I could have just as easily written "flaming"; but I, too, must copy Berlioz!] He pins haughty, poetic, high-sounding labels to his works, and, like Charles Lamb, we sit open-mouthed at concerts trying to fill in his big sonorous frame with a picture. Your picture is not mine, and I'll swear that the young man who sits next to me with a silly chin, goggle-eyes ...
— Old Fogy - His Musical Opinions and Grotesques • James Huneker
... Charles Lamb indited one of his most pleasant essays upon the 'Decay of Beggars in the Metropolis.' In the rural districts vagrancy and mendicity still survive, in spite of constabulary forces and petty sessions. But the mendicity of the nineteenth century presents a very different ...
— Old Roads and New Roads • William Bodham Donne
... forty years, in this country, they have entered a hundred avenues of activity from which they were previously debarred by an unwritten law. They are found in the offices, the shops, the factories. Like Charles Lamb's fugitive pigs, they have run up all manner of streets. Does any one think that in that time there has been an advance in professional, commercial and industrial morality? Are lawyers more scrupulous, tradesmen more honest? When one has been served ...
— The Shadow On The Dial, and Other Essays - 1909 • Ambrose Bierce
... the readers of Charles Lamb who have striven to emulate him, Mr. Lucas comes nearest to being worthy of him. Perhaps it is because it is natural to him to look upon life and letters and all things with something of Lamb's gentleness, sweetness, ...
— A Wanderer in Venice • E.V. Lucas
... rising into the clouds and forming nuclei for the agglomeration into drops, and not by the mere explosion. If this be the case, if it was the smoke and not the sound that brought the rain, then by burning gunpowder and dynamite we are acting much like Charles Lamb's Chinamen who practised the burning of their houses for several centuries before finding out that there was any cheaper way of securing the coveted delicacy ...
— Side-lights on Astronomy and Kindred Fields of Popular Science • Simon Newcomb
... invulnerable to wet, especially snow water. Hardly could I go to bed for longing to look at them and to try them on for I know not how many times. By the wide hearth of stone or brick, one could whittle with impunity. Dirt is not common dirt in front of an open fire. Charles Lamb's clean hearth or that of the too fastidious modern house robs it of half its comfort and attractiveness. A little matter out of place, somebody's definition of dirt, is one of the most hospitable and cordial ...
— Confessions of Boyhood • John Albee
... admirably imitated; in their various ways, and with appropriate arguments, some of them urged Moray to take the crown for his life. By no people but the Scots, perhaps, could this jape have been taken seriously, but, with a gravity that would have delighted Charles Lamb, Knox denounced the skit from the pulpit as a fabrication by the Father of Lies. The author, the human penman, he said (according to Calderwood), was fated to die friendless in a strange land. The galling shaft came out of the Lethington quiver; it may have been composed by ...
— John Knox and the Reformation • Andrew Lang
... When the Bard himself moved back to Stratford after his years in London, what did he think about it? How did he get all his papers packed up, and did he, in mere weariness, destroy the half-done manuscripts of plays? Charles Lamb moved round London a good deal; did he never write of his experience? We like to think of Emerson: did he ever move, and if so, how did he behave when the fatal day came? Did he sit on a packing case and utter sepulchral aphorisms? ...
— Pipefuls • Christopher Morley
... edition are more pensive, even sombre. A life given to art wholly, without patriotism or religion or philosophy, does not prepare the greenest old age. There is a long and beautiful poem, "Le Chateau du Souvenir," which he fills, not exactly with Charles Lamb's "old familiar faces," but with portraits of his mistresses and of his old self. There is the "Last Vow"—to a woman he has pursued "for eighteen years," and whom he still accosts, though "the white ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 11, - No. 22, January, 1873 • Various
... I have often heard him say, he was first taken to the theatre at the very tenderest age. He could hardly, however, have been younger than Charles Lamb, whose first experience was of having seen Artaxerxes when six years old; and certainly not younger than Walter Scott, who was only four when he saw As You Like It on the Bath stage, and remembered having screamed out, Ain't they ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster
... who turned the church tower into a temporary fortress. Samuel Taylor Coleridge was a native of Ottery and the son of one of its vicars. The poet was only nine when his father died in 1781. He was then placed in the Bluecoat school and there met his lifelong friend, Charles Lamb. The theological studies that at first seemed to be his natural bent were no doubt a consequence of his early environment. Near the church is a house now occupied by Lord Coleridge. Thackeray spent his school holidays at Larkbeare, the house of his ...
— Wanderings in Wessex - An Exploration of the Southern Realm from Itchen to Otter • Edric Holmes
... with no mercy shown to his flattened, broken nose. A lady said to him: "There is only one thing about you I could never get over, your nose." "No wonder, madam, there is no bridge to it." The other was an invitation to supper in Charles Lamb's own writing, and at the bottom of the page, "Puns ...
— Memories and Anecdotes • Kate Sanborn
... discussion he was fond of asking permission to sing a comic song, or he would beg to be allowed to enliven the occasion by the instant introduction of a brief double-shuffle. Barry Cornwall told me that when he and Charles Lamb were once making up a dinner-party together, Charles asked him not to invite a certain lugubrious friend of theirs. "Because," said Lamb, "he would cast a damper even over a funeral." I have often contrasted the habitual qualities of that gloomy friend of theirs with ...
— Yesterdays with Authors • James T. Fields
... Wordsworth. His purity of heart, his kindness, his soundness of principle, his information, his knowledge, and the intense and eager feelings with which he pours forth all he knows, affect, interest, and enchant one" (Autobiog. i. 298, 384). The diary of Crabb Robinson, the correspondence of Charles Lamb, the delightful autobiography of Mrs. Fletcher, and much less delightfully the autobiography of Harriet Martineau, all help us to realise by many a trait Wordsworth's daily walk and conversation. Of all the glimpses that we get, from these and many other sources, none are more ...
— Studies in Literature • John Morley
... Series of Christmases, celebrated one year in this family, another year in that—none present but those whom Charles Lamb the Delightful calleth the "old familiar faces;" something in all features, and all tones of voice, and all manners, betokening origin from one root—relations all, happy, and with no reason either to be ashamed or proud of their neither high nor humble birth—their lot ...
— Recreations of Christopher North, Volume 2 • John Wilson
... Fletcher's, was pointed out to me several years ago by Alfred Tennyson (for I do not know why I should not mention his name); and long before that, the general distinctions between Shakspeare's manner and Fletcher's had been admirably explained by Charles Lamb in his note on the Two Noble Kinsmen, and by Mr. Spalding in his Essay. And in respect to this I had myself derived additional light, more, perhaps, than I am aware of, from Mr. Hickson himself, if he be (as I suppose he is) the S.H. of the Westminster Review. ...
— Notes & Queries, No. 50. Saturday, October 12, 1850 • Various
... as he talked in his wise and winsome manner about Charles Lamed and his writings, I could not refrain from forthwith procuring and reading Elia's famous and immortal essays. Since then I have been a constant reader of Elia, and a most zealous admirer of Charles Lamb the author and Charles Lamb the man. Thackeray, you remember, somewhere mentions a youthful admirer of Dickens, who, when she is happy, reads "Nicholas Nickleby,"—when she is unhappy, reads "Nicholas Nickleby,"—when she is in bed, reads "Nicholas Nickleby,"—when she has ...
— Atlantic Monthly, Volume 11, Issue 67, May, 1863 • Various
... boyhood in the Psalms, and Solomon, feeling (like many others since) that the paternal psaltery met all his need of literary stimulus, would turn wearily from the heaps of presentation copies of new verse sent by the rising poets of Judaea for their sovereign's inspection. When a new book came out, Charles Lamb re-read an old one,—an excellent practice and one which has the additional recommendation of economy. It is not an unpleasant thing to find yourself falling back on old favourites and losing interest ...
— Literary Tours in The Highlands and Islands of Scotland • Daniel Turner Holmes
... are many and various. Charles Lamb lived for some years is Sussex House, Ship Street. Paston House was the home of William Black before he removed to Rottingdean. Ainsworth produced a goodly portion of his historical novels at No. 5, Arundel ...
— Seaward Sussex - The South Downs from End to End • Edric Holmes
... the books that are books! Charles Lamb let his kind heart master him when he made that too brief list of books that aren't. Book is an honourable title, not to be conferred lightly. A volume is not necessarily, as Lamb would have had us think, a book because it can be read without difficulty. The test is, whether it was worth ...
— And Even Now - Essays • Max Beerbohm
... taste; and there is no sign that Purcell cherished any particular private passion for opera as opera. He did his best for his paymaster. If there is no evidence hinting at his despising posterity, like Charles Lamb, or at any determination, also like Lamb, to write for antiquity, there is in his anthems and odes very considerable evidence that he was ready to write what his paymaster wanted written. We must bear in mind that downright bad taste, such as our present-day taste for such artistic ...
— Purcell • John F. Runciman
... and upheld, in every form in which it came before him, womanhood.... What a woman should demand is respect for her as she is a woman. Let her first lesson be, with sweet Susan Winstanley, to reverence her sex." CHARLES LAMB: Essays of Elia. ...
— Sex in Education - or, A Fair Chance for Girls • Edward H. Clarke
... responsibility for lessening the misery of the world and for protecting even the sparrow from falling. It will cultivate precisely that side of human nature which stands most in need of development. To emphasize these points, Charles Lamb said, "Get the writings of John Woolman by heart," and Whittier wrote of Woolman's Journal, which he edited and made easily accessible, "I have been awed and solemnized by the presence of a serene and beautiful spirit redeemed of the Lord from all selfishness, and I have been ...
— History of American Literature • Reuben Post Halleck
... tried their hands at imitating its clever adaptation to the youthful intellect, but they have failed"—a verdict which, if true of authors when Charles Knight uttered it, is hardly true of the present time. After Goldsmith, Charles Lamb, to whom "Goody Two Shoes" is now attributed, was, perhaps, the most famous contributor to Newbery's publications; his "Beauty and the Beast" and "Prince Dorus" have been republished in facsimile lately by Messrs. Field ...
— Children's Books and Their Illustrators • Gleeson White
... incredible mare's-nest Goethe finds in looking for the origin of Byron's Manfred,—these are things from which no deliberate care or reflection can save a man; only an instinct can save him from them, an instinct that they are absurd; who can imagine Charles Lamb making Herr Gervinus's blunder, or Shakspeare making Goethe's? but from the sheer German nature this intuitive tact seems something so alien, that even genius fails to give it. And yet just what constitutes special power and genius ...
— Celtic Literature • Matthew Arnold
... "Newspapers," observed Charles Lamb, "always excite curiosity. No one ever lays one down without a feeling of disappointment." That was true a hundred years ago, and appears to ...
— If You Don't Write Fiction • Charles Phelps Cushing
... expressions of Lanier. One feels often that the worship of what he calls his "sweet masters" is overdone, and that he praises far too highly some obscure sonneteer; but there is in his work the spirit of the romantic critic — the zest of Charles Lamb and Hazlitt for the old masters. Lowell, speaking of a period in his own life when he was delivering his early lectures at Lowell Institute, said: "Then I was at the period in life when thoughts rose in covies, . . . a period of life when it doesn't seem as if everything has been said; when a man ...
— Sidney Lanier • Edwin Mims
... than intellect. Wherever he moved a light ne'er seen on land nor sea shone on man. It was more than eminent beauty or supreme genius. His scepter was not through cunning of brain or craft of hand; reality was his throne. "Therefore," said Charles Lamb, "if Shakespeare should enter the room we should rise and greet him uncovered, but kneeling meet the Nazarene." His gift cannot be bought nor commanded; but his secret and charm may be ours. Acceptance, obedience, companionship with him—these are the keys of power. The legend is, ...
— The Investment of Influence - A Study of Social Sympathy and Service • Newell Dwight Hillis
... work—the test of time. It is not a little curious that one so little realised in his own day, one so little lovable and so little loved, should now speak to us from his pages with something of the force of personal utterance, as if he were actually with us and as if we knew him, even as we know Charles Lamb and Izaak Walton, personalities of such a different calibre. And this man whom we realise does not impress us unfavourably; if he is without charm, he is surely immensely interesting and attractive; he is so strong in his intellectual convictions, he is so free from intellectual ...
— Essays of Schopenhauer • Arthur Schopenhauer
... from Charles Lamb is an illustration of how humor may save the utterly absurd from being unreadable. Lamb had absolutely nothing to say when he sat down to write this letter; and yet he contrived to be ...
— The Art Of Writing & Speaking The English Language - Word-Study and Composition & Rhetoric • Sherwin Cody
... Another Fireside and Sunshine Character and Comedy Old Lamps for New The Hambledon Men The Open Road The Friendly Town Her Infinite Variety Good Company The Gentlest Art The Second Post A Little of Everything Harvest Home Variety Lane The Best of Lamb The Life of Charles Lamb A Swan and Her Friends London Revisited A Wanderer in Venice A Wanderer in Paris A Wanderer in London A Wanderer in Holland A Wanderer in Florence The British School Highways and Byways in Sussex Anne's Terrible Good Nature The Slowcoach ...
— A Boswell of Baghdad - With Diversions • E. V. Lucas
... Holborn, backing upon Lincoln's Inn Fields, close to where the Inns of Court Hotel now stands, and not far from the spot which was destined to witness the terrible tragedy which was at once to darken and glorify the life of one of Milton's most fervent lovers, Charles Lamb. About this time he is supposed to have abandoned pedagogy. The habit of pamphleteering stuck to him; indeed, it is one seldom thrown off. It is much easier to ...
— Obiter Dicta - Second Series • Augustine Birrell
... among us since then! How were the thoughts of the heart, the hopes, the pursuits, the feelings changed; and, in almost every instance, it is to be feared, for the worse! As I gazed around me, and paused, I could not help reciting aloud to myself the lines of Charles Lamb, so touching ...
— The Life of Mansie Wauch - Tailor in Dalkeith, written by himself • David Macbeth Moir
... considered in this country as a disgusting animal, altogether unfit for the purposes of the kitchen; whereas, by the efforts of French cookery, the thighs of this little creature are converted into a delicate and estimable dish." So sings, too (save the mark!), our Charles Lamb, so far back as 1822, after his visit to Paris. It seems that in Elizabeth's reign a powdered, or pickled horse was considered a suitable dish by a French general entertaining at dinner some ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... of genius of the Old World who abused the use of alcohol and opium, were Coleridge, James Thomson, Carew, Sheridan, Steele, Addison, Hoffman, Charles Lamb, Madame de Stael, Burns, Savage, Alfred de Musset, Kleist, Caracci, Jan Steen, Morland Turner (the painter), Gerard de Nerval, Hartley Coleridge, Dussek, Handel, Glueck, Praga, Rovani, and the poet Somerville. This ...
— Religion and Lust - or, The Psychical Correlation of Religious Emotion and Sexual Desire • James Weir
... print, but his Household Verses published in 1845 secured him, on the recommendation of Sir Robert Peel, a Civil List pension of L100 a year, L1200 having already been raised for him by some members of the Society of Friends. Barton is chiefly remembered for his friendship with Charles Lamb, which arose, curiously enough, out of a remonstrance addressed by him to the author of Essays of Elia on the freedom with which the Quakers had been handled in that volume. When Barton contemplated resigning his bank clerkship and supporting ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... drank his hemlock, and that which Sir Philip Sidney put from his death-parched lips to bestow the draught upon a dying soldier. Next appeared a cluster of tobacco-pipes, consisting of Sir Walter Raleigh's, the earliest on record, Dr. Parr's, Charles Lamb's, and the first calumet of peace which was ever smoked between a European and an Indian. Among other musical instruments, I noticed the lyre of Orpheus and those of Homer and Sappho, Dr. Franklin's famous whistle, the trumpet of Anthony Van Corlear, and ...
— A Virtuoso's Collection (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... London a district around Charing Cross Road where almost every shop has books for sale. There is a continuous rack along the sidewalk, each title beckoning for your attention. You recall the class of street-readers of whom Charles Lamb wrote—"poor gentry, who, not having wherewithal to buy or hire a book, filch a little learning at the open stalls." It was on some such street that these folk practiced their innocent larceny. If one shopkeeper frowned at the diligence with ...
— There's Pippins And Cheese To Come • Charles S. Brooks
... his excellence made by Shelley's hand, Leigh Hunt cannot be forgotten. Counting among his friends the best men and women of his time, his name and fame are embalmed in their books as they were in their hearts. Charles Lamb, Keats, Shelley, and Mrs. Browning knew his worth, and prized it far above praising him; and there are those still living who held him very dear, and loved the sound of his voice like the tones of a ...
— Atlantic Monthly, Vol. 9, No. 55, May, 1862 • Various
... that underpinning. I am bewildered, and I say, helplessly, "What shall I admire and be a la mode?" But if it is so disheartening to me, who am only a passive listener, what must be the agonies of the dramatis personae? "Hang it!" says Charles Lamb, "how I like to be liked, and what I do to be liked!" And do Nancie, Harriette, and Herr Driesbach like it any less? What shall avenge them for their spretae injuria formae? What can repay the hapless performer, who has performed her very best, for learning by terrible, ...
— Gala-days • Gail Hamilton
... 'Charles Lamb, as I need not remind you,' says Swinburne in his dedicatory epistle to the collected edition of his poems, 'wrote for antiquity: nor need you be assured that when I write plays it is with a view to their being acted at the Globe, the Red Bull, or the Black Friars.' In another part of the ...
— Figures of Several Centuries • Arthur Symons
... of Elia. Those charming productions, now ranked among our dearly treasured classics, were not received at first with universal approbation. The long and justly forgotten Alaric A. Watts said of them: "Charles Lamb delivers himself with infinite pain and labour of a silly piece of trifling, every month, in this Magazine, under the signature of Elia. It is the curse of the Cockney School that, with all their desire to appear exceedingly off-hand ...
— Early Reviews of English Poets • John Louis Haney
... pardonable is his habit of disparaging other men, and especially other men of letters. His pen-pictures of Mill, Wordsworth, Coleridge, and others, are wonderfully vivid but too often sour in flavour; his sketch of Charles Lamb is an outrage on that generous and kindly soul. Too often he was unconscious of the pain given by such random words. When he was brought to book, he was honourable enough to recant. Fearing on one occasion to have offended even the ...
— Victorian Worthies - Sixteen Biographies • George Henry Blore
... case of the "Poetical Oblation"—a fine quarto, offered by Harvard College to George III. on his accession to the throne, the typography is exquisite. For the early binding but one word can be said—that of praise. All these old books had Charles Lamb's desideratum of a volume, were "strong backed and neat bound." Well dressed was the morocco, the leather, the vellum, parchment, or basil, firmly was it glued in place, well-sewed were the leaves—loudly can we sing the goodness and ...
— Customs and Fashions in Old New England • Alice Morse Earle
... Hazlitt calls it, "though an imperfect and unequal performance, Marlowe's greatest work." Mr. Hallam remarks,—"There is an awful melancholy about Marlowe's Mephistopheles, perhaps more impressive than the malignant mirth of that fiend in the renowned work of Goethe." Charles Lamb even preferred Marlowe's "Faustus," as a whole, to the latter! Mr. Collier calls it "a drama of power, novelty, interest, and variety." So, indeed, it is; but all that power, interest, novelty, and variety ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various
... is a very vast one, and is, I assure you, worthy of a careful study. Writers such as Voltaire, Schlegel, Goethe, Lessing, Charles Lamb, Hazlitt, and Schiller, have not disdained to treat it with that seriousness which Art specially demands—which anything in life requires whose purpose is not immediate and imperative. For my own part I can only bring you the experience of more than thirty years of hard and earnest work. Out of ...
— The Drama • Henry Irving
... 'Christmas Eve and Easter Day'; or at any period subsequent to that in which he accepted without questioning what he had learned at his mother's knee. He has repeatedly written or declared in the words of Charles Lamb:* 'If Christ entered the room I should fall on my knees;' and again, in those of Napoleon: 'I am an understander of men, and he was no man.' He has even added: 'If he had been, he would have been an impostor.' But the arguments, in great part negative, set forth in 'La Saisiaz' for the immortality ...
— Life and Letters of Robert Browning • Mrs. Sutherland Orr
... of Christopher North (Professor Wilson) are characterized by the quaintest humor and the most practical shrewdness combined with tender and passionate emotion (d. 1854). Those of Charles Lamb (d. 1835) it is impossible to describe intelligibly to those who have not read them. Some of his scenes are in sentiment, imagery, and style the most anomalous medleys by which readers were ever alternately perplexed and ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... Colonel Newcome, even Mr. Pickwick; than from a hundred copybook maxims concerning these virtues: all these figures indeed illustrating the tritest copybook maxim of all—that "Example is better than Precept." Thus Charles Lamb praises the Plays of Shakespeare as "enrichers of the fancy, strengtheners of virtue, a withdrawing from all selfish and mercenary thoughts, a lesson of all sweet and honourable thoughts and actions, to teach courtesy, benignity, generosity, humanity: for," say ...
— Poetry • Arthur Thomas Quiller-Couch
... faces catch a warmer tint from the free sunshine and fresh air. The languid step becomes elastic with that "springy motion of the gait" which Charles Lamb admired. Yet the general appearance of the city is that of quietude; the youthful multitude passes on calmly, its voices subdued to a lower and softened tone, as if fearful of breaking the repose of the day of rest. ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... all the bad people buried?" asks every man, with Charles Lamb, as he strolls among the rank grave-yard grass, and brushes it aside to read of the faithful husband, and the loving wife, ...
— Prue and I • George William Curtis
... Mr. Charles Lamb, now passing his declining years quietly on his farm, a dozen miles from Springfield, Illinois, was a compositor on the "Sangamo Journal" from 1836 to 1843, and it was he who put into type the poem by "Cathleen," which, with the "Lost Townships" letters, led General Shields to challenge Lincoln. ...
— McClure's Magazine, Vol. 6, No. 5, April, 1896 • Various
... Bisque, turbot au gratin, cotelettes a la What-do-you-call-'em, and a pint of St. Emilion; but ordered their beefsteak and pint of port from the "plump head-waiter at the Cock;" did not disdain the pit of the theatre; and for a supper a homely refection at the tavern. How delightful are the suppers in Charles Lamb to read of even now!—the cards—the punch—the candles to be snuffed—the social oysters—the modest cheer! Whoever snuffs a candle now? What man has a domestic supper whose dinner-hour is eight o'clock? Those little meetings, ...
— The Newcomes • William Makepeace Thackeray
... Charles Lamb was one of the best men that ever lived. He had his failings, but he never harmed anyone but himself. He was capable of astonishing generosity, and those acquainted with the inner tragedy of his life know that it was a long act of self-denial. He was also extremely ...
— Flowers of Freethought - (First Series) • George W. Foote
... apoplexy while charging the Grand Jury at Stafford. He wrote much for reviews, and in 1835 produced Ion, a tragedy, followed by The Athenian Captive (1838), and The Massacre of Glencoe, all of which were acted with success. T. was the friend and literary executor of Charles Lamb (q.v.), and pub. in two sections his Memoirs and Letters. In 1837 he introduced the Copyright Bill, which was passed with modifications ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... of Borrow. His command of facial expression—though he seemed to exercise it almost involuntarily and unconsciously—had, no doubt, much to do with this charm. Once, when he was talking to me about the men of Charles Lamb’s day—The London Magazine set—I asked him what kind of a man was the notorious and infamous Griffiths Wainewright. {32} In a moment Borrow’s face changed: his mouth broke into a Carker-like smile, his eyes became elongated to an expression that was at once fawning and sinister, ...
— Old Familiar Faces • Theodore Watts-Dunton
... long been known as the poor man's friend; whilst as for pork, apart from all other considerations, I can claim for it a distinct place in English literature. A greater essayist by far than the critic to whom I am referring, a certain Mr. Charles Lamb, of the India House, has left us an immortal page on the origin of roast pig and crackling. And, when everything is considered, I should much like to know why novels should be confined to the aspirations of the soul, and why they ...
— The Fat and the Thin • Emile Zola
... and did his chief work in their time and before the later group appeared. Except Wordsworth, all these were gone before Queen Victoria came to the throne in 1837. Three other names could be called: Keats, Robert Burns, and Charles Lamb. All would illustrate what we are studying. Keats least of all and Burns most. They are omitted here not because they did not feel the influence of the English Bible, not because they do not constantly show its influence, ...
— The Greatest English Classic A Study of the King James Version of • Cleland Boyd McAfee
... had formerly been managed by Henry Sass, but, in Butler's time, was being carried on by Francis Stephen Cary, son of the Rev. Henry Francis Cary, who had been a school-fellow of Dr. Butler at Rugby, and is well known as the translator of Dante and the friend of Charles Lamb. Among his fellow- students was Mr. H. R. Robertson, who told me that the young artists got hold of the legend, which is in some of the books about Lamb, that when Francis Stephen Cary was a boy and there was a talk at his father's house as to what profession he should take up, ...
— Samuel Butler: A Sketch • Henry Festing Jones
... stranger. As drawing out the people by whom one finds one's self surrounded in society will be treated in a forthcoming essay, I shall not deal with it here further than to tell how a famous pun of Charles Lamb's gave a thoughtful host not only the means of swaying the conversation of the entire table to a subject of universal interest, but as well the means of drawing out a well-informed yet timid girl. Guiding his talk with his near neighbor into a discussion ...
— Conversation - What to Say and How to Say it • Mary Greer Conklin
... way of a beginning, Page asked him what was his favourite character in fiction. She spoke of the beauty of Ruskin's thoughts, of the gracefulness of Charles Lamb's style. The conversation lagged a little. Landry, not to be behind her, declared for the modern novel, and spoke of the "newest book." But Page never read new books; she was not interested, and their talk, unable to establish itself upon ...
— The Pit • Frank Norris
... begin experimental reading with Charles Lamb. I choose Lamb for various reasons: He is a great writer, wide in his appeal, of a highly sympathetic temperament; and his finest achievements are simple and very short. Moreover, he may usefully lead to other and more complex matters, as will appear later. Now, your natural tendency ...
— LITERARY TASTE • ARNOLD BENNETT
... embarrassment received temporary relief. Though half the race of authors had been in similar straits, I would not, for all their success, undergo again such self-humiliation. It is enough to say that I obtained lodgings in Islington, close to the home of Charles Lamb, and near Irving's Canterbury tower; and that between writing articles on the American war, and strategic efforts to pay my board, two weeks ...
— Campaigns of a Non-Combatant, - and His Romaunt Abroad During the War • George Alfred Townsend
... a truly admirable literary taste, I cannot indeed say much in favor of my own motley collection of books just mentioned, for I was simply tumbled in among them and left to browse, in accordance with Charles Lamb's whimsical plan for Bridget Elia. More might have been added, and some taken away; but they had in them a world of instruction and illumination which children miss who read too exclusively those books written with rigid determination ...
— Children's Rights and Others • Kate Douglas Smith Wiggin
... long on the defects of the poem; but once recognized we should dismiss them altogether from mind and turn attention to the far more important beauties. The great qualities of 'The Faerie Queene' are suggested by the title, 'The Poets' Poet,' which Charles Lamb, with happy inspiration, applied to Spenser. Most of all are we indebted to Spenser's high idealism. No poem in the world is nobler than 'The Faerie Queene' in atmosphere and entire effect. Spenser himself ...
— A History of English Literature • Robert Huntington Fletcher
... called "Dash." This dog he gave to Charles Lamb. The ready-witted Elia often took the creature out with him when walking at Enfield. On one occasion, the dog dashed off to chase some young sheep. The owner of the muttons came out quite indignant ...
— Heads and Tales • Various
... would have done well to yield to the 'call' he had in his youth; teachers were positive that he would have made an inspiring teacher. No one, so far as I know, ever told him that in becoming a book-collector he had deprived the world of a great musician; for he was like Charles Lamb in that he was sentimentally inclined to harmony but organically incapable ...
— The Bibliotaph - and Other People • Leon H. Vincent
... "Probably, clerks who have taken Priest's orders." The pun is perfect, but the real proprietor is Mr. Poole, one of the best punsters as well as one of the cleverest comic writers and finest satirists of the day. It has also been attributed to Charles Lamb. ...
— Books and Authors - Curious Facts and Characteristic Sketches • Anonymous
... so lost in thought, is none other than Charles Lamb, a mere stripling, not yet grown to his black small-clothes and sober gaiters, a shrill squeak of a boy scarcely done with his battledore. And here he sits, his cheek upon his palm, and dreams ...
— Chimney-Pot Papers • Charles S. Brooks
... queer, she might as well not be "common" as well. Finally, because she was still, at fourteen, very much of a child, the scale was tipped by her thinking what fun it would be to go down-town on errands in school hours. Charles Lamb, lost in painful wonder at his own leisure after thirty-six years of incessant office-hours, could savor no more acutely than an American school-child the exquisite flavor of freedom at an ...
— The Bent Twig • Dorothy Canfield
... Hereafter is the image flung by the Now. Heaven and hell are the upward and downward echoes of the earth. Like the spectre of the Brocken on the Hartz Mountains, our ideas of another life are a reflection of our present experience thrown in colossal on the cloud curtains of futurity. Charles Lamb, pushing this elucidating observation much further, says, "The shapings of our heavens are the modifications of our constitutions." A tribe of savages has been described who hoped to go after death to their forefathers in an under ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger
... Negroes arrive, and European appetite creates American Slavery. Two hundred years after, the descendants of these slaveholders fancy that a like European demand for another plant will insure this Slavery a national sovereignty. Tobacco thus verifies Charles Lamb's unwilling execration. It is not Bacchus's only, but Slavery's "black servant, negro fine," and belongs, after all, to that Africa which he says "breeds no such prodigious poison." The Union lovers ...
— The Atlantic Monthly, Vol. 13, No. 78, April, 1864 • Various
... poet, and a writer of noble prose, was born at Ottery St Mary, in Devonshire, in 1772. His father, who was vicar of the parish, and master of the grammar-school, died when the boy was only nine years of age. He was educated at Christ's Hospital, in London, where his most famous schoolfellow was Charles Lamb; and from there he went to Jesus College, Cambridge. In 1793 he had fallen into debt at College; and, in despair, left Cambridge, and enlisted in the 15th Light Dragoons, under the name of Silas Tomkins Comberbatch. He was quickly discovered, and his discharge ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... lawsuit to be decided by precedents and parchments, and Carlyle cannot appreciate Cromwell's magnificent force of character without making him all but infallible and impeccable. Critics of the early drama are equally one-sided. The exquisite literary faculty of Charles Lamb revelled in detecting beauties which had been covered with the dust of oblivion during the reign of Pope. His appreciation was intensified by that charm of discovery which finds its typical utterance in Keats's famous sonnet. ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... National Recorder. It was founded in 1818 by E. Littell and S. Norris Henry. In July, 1821, it changed its name for the second time, and became the Saturday Magazine. De Quincey's "Confessions of an English Opium Eater" and the essays of Charles Lamb were published for the first time in America in the pages of the Saturday Magazine. In the following year (1822) the magazine became a monthly publication, and was called the Museum of Foreign Literature and Science. In this year (1822) it was edited by Robert Walsh. Toward the close ...
— The Philadelphia Magazines and their Contributors 1741-1850 • Albert Smyth
... Mr. Charles Lamb, indeed, attempted to set up a defence for this way of writing. The dramatists of the latter part of the seventeenth century are not, according to him, to be tried by the standard of morality which exists, and ought to exist, in real life. Their ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... far wandering over the fields of thought; from a boy he took intense delight in dreamy speculation on the mysteries that lie around the life of man. From a boy also he proved his subtleties of thought through what Charles Lamb called the "deep and sweet intonations" of such speech as could come ...
— Confessions of an Inquiring Spirit etc. • by Samuel Taylor Coleridge
... inconvenience which must result to themselves as well as to us from the indulgence in too great license of the pen. We know that when men write currente calamo, words and phrases are apt to escape, the full application of which is not observed, until, as Charles Lamb said, "print proves it;" but being conscious that, when treating on the subjects with which we deal, no one would willingly write anything with design to give offence, we shall in future "play the tyrant" on all such ...
— Notes and Queries, Number 192, July 2, 1853 • Various
... means contemptible. A sonnet, "To a Bird, that haunted the Water of Lacken, in the Winter," which Charles Lamb transcribed in one of Coleridge's note-books, should be set over against the absurd lines, "On ...
— The Works of Lord Byron, Vol. 7. - Poetry • George Gordon Byron
... write Greek much better than the Bishop, he meditated expostulation in that language. He did not expostulate, but he proceeds instead to consider the possible effect on the Bishop if he had. There was a contemporary writer whom we can imagine struck by a similar whimsy: but Charles Lamb would have given us the Bishop and himself "quite natural and distinct" in a dozen lines, and then have dropped the subject, leaving our sides aching with laughter, and our appetites longing for more. De Quincey tells us ...
— Essays in English Literature, 1780-1860 • George Saintsbury
... De Quincey, author of "Confessions of an English Opium Eater," etc. This is the second volume of Mr. De Quincey's writings, now in course of publication. It contains biographical sketches of Shakspeare, Pope, Charles Lamb, Goethe, and Schiller, accompanied by numerous notes, which, with the author's acknowledged taste, will give a new interest to ...
— Godey's Lady's Book, Vol. 42, January, 1851 • Various
... been in one of his early essays; for in his later and better, Sainte-Beuve was not wont to give way to the little flashes and crackles of conceit and epigram which many Frenchmen and some Englishmen think to be criticism. There was, however, some excuse for this. In the first place (as one of Charles Lamb's literal friends would have pointed out), Madame de Stael, like her heroine, did actually "ascend the Capitol," and received attentions there from an Academy. In the second, there can be no doubt that Corinne in a ...
— Corinne, Volume 1 (of 2) - Or Italy • Mme de Stael
... Charles Lamb, on being asked how he distinguished his "ragged veterans" in their tattered and unlettered bindings, answered, "How does a shepherd know his sheep?" It has been observed that, "Touch becomes infinitely more exquisite in men whose employment requires them to examine the polish of ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... was a great correspondent. As a banker's clerk, necessarily his journeys were few and far between. Once or twice he visited Charles Lamb. He once also met Southey at Thomas Clarkson's, at Playford Hall, perhaps the most picturesque old house in East Anglia, where the latter resided, and of which I have a distinct recollection, as, on the terrace before the moat with which it was surrounded, I once saw ...
— East Anglia - Personal Recollections and Historical Associations • J. Ewing Ritchie
... firmly conquered (James Fenimore Cooper). 2. Name honored (Nathaniel Hawthorne). 3. Bright humor (Bret Harte). 4. One wholesome humorist (Oliver Wendell Holmes). 5. Really lasting stories (Robert Louis Stevenson). 6. Cheerful laborer (Charles Lamb). 7. Tender, brilliant author (Thomas Bailey Aldrich). 8. Heroism wisely lauded (Henry Wadsworth Longfellow). 9. Just, gentle writer (John Greenleaf Whittier). 10. Poetry bridged skyward (Percy Bysche Shelley). 11. Clever delineator (Charles Dickens). 12. Rare ...
— Games for the Playground, Home, School and Gymnasium • Jessie H. Bancroft
... So Mr. Charles Lamb and Mr. Washington Irvine choose to designate themselves; and as their lucubrations under one or other of these noms de guerre have gained considerable notice from the public, we shall here attempt ...
— The Spirit of the Age - Contemporary Portraits • William Hazlitt
... oak, before they cut him down," added she, smiling, as she placed the drawing in her mother's hands. "I wish the forest belonged to some one who had not this cruel taste for turning knotted oak trees into fancy work-tables. It is as bad as what Charles Lamb said of the firs, 'which look so romantic alive, and die into desks.'—Die into desks!" repeated Hermione musingly, as she seated herself on the sofa, and took up a book that was before her on the table; mechanically removing her bonnet from her ...
— The Fairy Godmothers and Other Tales • Mrs. Alfred Gatty
... when I meet any of their people in my path. When I am ruled or disturbed by any occurrence, the sight or quiet voice of a Quaker acts upon me as a ventilator, lightening the air, and taking off a load from the bosom; but I cannot like the Quakers, as Desdemona would say, "to live with them."—Charles Lamb. ...
— Our Churches and Chapels • Atticus
... while the fifth consists of an invective against the evils of superstition, followed by a chorus of priests that does nothing to dispel [v.04 p.0644] the impression of scepticism contained in the first part. He tells us himself that the tragedies were not intended for the stage. Charles Lamb says they should rather be called political treatises. Of Brooke Lamb says, "He is nine parts Machiavel and Tacitus, for one of Sophocles and Seneca.... Whether we look into his plays or his most passionate love-poems, we shall find all ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 3 - "Brescia" to "Bulgaria" • Various
... to learn what he has learned and is learning every day: "the joy," as Charles Lamb so aptly put it upon his retirement, "of walking about and around instead of to ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... got into the bad habit of pouring out "precautions," "cautional expressions," "prophetic phrensies," "epistles at random," "personal contributions to the national humiliation," "passages," "raptures," and "allarums," until he really became the greatest bore in Christendom. It was Charles Lamb who swept away this whole tedious structure of Wither's later writings and showed us what a lovely poet he was in ...
— Gossip in a Library • Edmund Gosse
... Charles Lamb was certainly in error? when he described Vittoria's attitude as one of 'innocence-resembling boldness.' In the trial scene, no less than in the scenes of altercation with Brachiano and Flamineo, Webster clearly intended her to pass for a magnificent vixen, a beautiful and queenly termagant. ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... memories; gentlest name That ever clothed itself with flower-sweet fame, Or linked itself with loftiest names of old By right and might of loving; I, that am Less than the least of those within thy fold, Give only thanks for them to thee, Charles Lamb. ...
— Sonnets, and Sonnets on English Dramatic Poets (1590-1650) • Algernon Charles Swinburne
... mine, my dear Miss Bretherton; it's Shakespeare's first, Charles Lamb's afterwards. But look at him well—he's a heretic, a real, genuine heretic. Twenty years ago it would have been a thrilling sight; but now, alas! it's so common that it's not the victim but the persecutors who are ...
— Miss Bretherton • Mrs. Humphry Ward
... meekness, he seconds all that his beraters say of his idle ways. [Footnote: For verse dealing with the idle poet see James Thomson, The Castle of Indolence (Stanzas about Samuel Patterson, Dr. Armstrong, and the author); Barry Cornwall, The Poet and the Fisher, and Epistle to Charles Lamb on His Emancipation from the Clerkship; Wordsworth, Expostulation and Reply; Emerson, Apology; Whitman, Song of Myself; Helen Hunt Jackson, The Poet's Forge; P. H. Hayne, An Idle Poet Dreaming; Henry Timrod, They Dub Thee Idler; Washington ...
— The Poet's Poet • Elizabeth Atkins
... period of insanity, have strongly regretted it "as a state in which the soul, more exalted and more refined, perceives invisible relations and enjoys spectacles that escape the material eyes." Such was Gerard de Nerval. As for Charles Lamb, he would assert that he should be envied the days spent in an insane asylum. "Sometimes," he said in a letter to Coleridge, "I cast a longing glance backwards to the condition in which I found myself; for while it lasted I had many hours of pure happiness. Do not believe, Coleridge, ...
— Essay on the Creative Imagination • Th. Ribot
... Charles Lamb ('Biographical Essays') Despair ('Confessions of an English Opium-Eater') The Dead Sister (same) Levana and Our Ladies of Sorrow (same) Savannah-La-Mar (same) The Bishop of Beauvais and Joan of Arc ...
— Library of the World's Best Literature, Ancient and Modern — Volume 11 • Various
... with definitions and classifications, however, this distinction between wit and humor does not exactly represent the actual fact. Like all other species, Wit and Humor overlap and blend with each other. There are bon mots, like many of Charles Lamb's, which are a sort of facetious hybrids, we hardly know whether to call them witty or humorous; there are rather lengthy descriptions or narratives, which, like Voltaire's "Micromegas," would be more humorous if they were not so sparkling and antithetic, so pregnant with suggestion and ...
— The Essays of "George Eliot" - Complete • George Eliot
... adulterated butter. The candies, which we bought for our children, under chemical analysis, were found to be crystallised disease. Lozenges were of red lead. Coffees and teas were so adulterated that we felt like Charles Lamb, who, in a similar predicament, said, "If this be coffee, give me tea; and if it be tea, give me coffee." Even our medicines were so craftily adulterated that they were sure to kill. There was alum in our bread, chalk in our milk, glass in our sugar, Venetian red in our cocoa, and ...
— T. De Witt Talmage - As I Knew Him • T. De Witt Talmage
... and enjoyment. If these innocent creatures cannot move you for themselves, how can I possibly hope to move you in their name? The most delightful paper, the most charming essay, which the tender imagination of Charles Lamb conceived, represents him as sitting by his fireside on a winter night telling stories to his own dear children, and delighting in their society, until he suddenly comes to his old, solitary, bachelor self, and finds that they were but dream-children who might have ...
— Speeches: Literary and Social • Charles Dickens
... which in 1868 appeared in Moxon's edition of the "Letters of Charles Lamb", has through five successive editions and under many editors—including Fitzgerald, Ainger, and Macdonald—held its ground even to the present day; and this, notwithstanding the preservation of the true reading, clog, in the ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... Arcadia; to the hills near Edinburgh, where Ramsay's Gentle Shepherd loved and sang in a rather affected way; and to the main stream and the tributaries of the Tweed. He tells, with a humour like that of Charles Lamb in his account of his youthful search for the mysterious fountain-head of the New River, how he sought among the Pentland Hills for the source of the brook that flowed past his own garden. The wandering stream led him through many a scene renowned in Border history, ...
— Lost Leaders • Andrew Lang
... Defoe, always keenly alive to the general taste, had tried to supply the demand not only by his queer History of the Devil but by appending a set of moral reflections to Robinson Crusoe and other edifying works, which disgusted Charles Lamb by their petty tradesman morality, and which hardly represent a very lofty ideal. But the recognised representative of the moralists was the ponderous Samuel Johnson. It is hard when reading the Rambler to recognise ...
— English Literature and Society in the Eighteenth Century • Leslie Stephen
... opinion. Mrs. Barbauld and Mrs. Trimmer (who had contributed "Fabulous Histories" to the juvenile library, and for them had shared the approval which greeted Mrs. Barbauld's efforts) were the objects of Charles Lamb's particular detestation. In a letter to Coleridge, written ...
— Forgotten Books of the American Nursery - A History of the Development of the American Story-Book • Rosalie V. Halsey
... had it. Aunt Mary Moody Emerson has it and can write scrap letters. Who has it need never write anything but scraps. Henry Thoreau has it." His humor though a part of this wit is not always as spontaneous, for it is sometimes pun shape (so is Charles Lamb's)—but it is nevertheless a kind that can serenely transport us and which we can enjoy without disturbing our neighbors. If there are those who think him cold-hearted and with but little human sympathy, let them read his letters to Emerson's little ...
— Essays Before a Sonata • Charles Ives
... Lord Houghton described as (p. 226) "the finest piece of humoristic description that has been added to British literature since Charles Lamb." ...
— A Mother's List of Books for Children • Gertrude Weld Arnold
... worthies of their time, Mr. John Fletcher and Mr. William Shakespeare, gentlemen.' It was included in the folio of Beaumont and Fletcher of 1679. On grounds alike of aesthetic criticism and metrical tests, a substantial portion of the play was assigned to Shakespeare by Charles Lamb, Coleridge, and Dyce. The last included it in his edition of Shakespeare. Coleridge detected Shakespeare's hand in act I., act II. sc. i., and act III. sc. i. and ii. In addition to those scenes, act IV. sc. iii. and act V. (except sc. ii.) were subsequently placed to his credit. Some ...
— A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... when the author was barely twenty-four years of age. Van den Brink was a leading critic of the Romanticists; Hasebrock, author of a volume of essays called "Truth and Dream," has been likened to the English Charles Lamb. Vosmaer is another eminent figure in Dutch literature; he wrote a "Life of Rembrandt" which is a masterpiece of biography. Kuenen, who died but ten years ago, was a biblical critic of European celebrity. But the list of contemporary Dutch ...
— Holland - The History of the Netherlands • Thomas Colley Grattan
... Ford late in life, found "that the greater part of what [he] once took on trust as precious was really paste and pinchbeck," and that as far as the celebrated closing scene in "The Broken Heart" was concerned, Charles Lamb's comment on it was "worth more than all Ford ever wrote."[92] Hazlitt's dispassionate sanity in this instance forms an instructive contrast: "Except the last scene of the Broken Heart (which I think extravagant—others may think it sublime, and be right) they [Ford's plays] are merely ...
— Hazlitt on English Literature - An Introduction to the Appreciation of Literature • Jacob Zeitlin
... really care for literature or art, or for strenuous mental exercise of any kind, are relatively few. If we could procure a completely confidential statement of the number of persons to whom the names of Charles Lamb and Gainsborough have a distinct meaning, and still more of those who can summon up an impression of the essays of the one and of the pictures of the other, we should in all probability be painfully startled. Yet since these names enjoy what we call a universal celebrity, what ...
— Some Diversions of a Man of Letters • Edmund William Gosse
... for beauty of style and diction, passionate earnestness, effective contrasts, distinctness of plot, unity, and completeness, this novel is without a rival. It is a "midnight darling" that Charles Lamb would have exulted in, and perhaps the best as yet produced ...
— Moods • Louisa May Alcott
... it continued to be read for half a century afterwards. There are other better tests. Is it alive to-day? What do judges of literature say of it now? Nothing! They smile and that's all. The absurdity of his popularity was felt in his own day. Byron laughed at it; Crabbe growled and Charles Lamb said he had looked at the Farmer's Boy and it made him sick. Well, nobody wants ...
— Afoot in England • W.H. Hudson
... spirits have come as near happiness as they are like to get . . . for after all, happiness (as the mathematicians might say) lies on a curve, and we approach it only by asymptote. . . . The frequenters of this alley call themselves whimsically The Ludlow Street Business Men's Association, and Charles Lamb or Eugene Field would have been proud to preside at their annual dinners, at which the members recount their ...
— The Haunted Bookshop • Christopher Morley
... apple-green (the vert-pomme dear—as Gautier says—to the soft moderns)—a treatment which lends them a subdued but indefinable distinction, as of old china with a pedigree, and fully justifies the amiable enthusiasm of the phrase-maker who described their inventor as the "Charles Lamb of illustration." ...
— De Libris: Prose and Verse • Austin Dobson
... the Dead Ass is immortal; but few of the readers and admirers of Charles Lamb know that he, who wrote so eloquently and pathetically in defence of Beggars and of Chimney-Sweepers, and who so ably and successfully vindicated the little innocent hare from the charge—made "by Linnaeus perchance, or Buffon"—of ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... attack on New Orleans in 1777; he died at the age of forty-six, some four years later. Kempe, Cooper, and Clerke were promoted to Commanders; and Isaac Smith, Lieutenant. Mr. Wales was appointed Mathematical Master at Christ's Hospital, and Charles Lamb mentions him as having ...
— The Life of Captain James Cook • Arthur Kitson
... "This," said Charles Lamb, "is the greatest pleasure I know." "Money never yet made a man happy," said Franklin; "and there is nothing in its nature to produce happiness." To do good with it, makes life a delight to the giver. How happy, then, was the life of Jean Ingelow, since what she received from the sale of a hundred ...
— Cheerfulness as a Life Power • Orison Swett Marden
... late Mr. Charles Lamb's "Works" published in 1818, there is an account of the school, entitled "Recollections of Christ's Hospital." In 1823 there is a second essay on the same subject by Lamb, under the assumed title of "Elia,"—Elia supposed to be intimate with Lamb and Coleridge. This second account, ...
— The Life of Samuel Taylor Coleridge - 1838 • James Gillman
... conscious of a misfit somewhere in our experience, the actual study done to right it varies indefinitely with the individual. The savage follows a hit-and-miss method of investigation, and really makes his advances by happy guesses rather than by close application. Charles Lamb's Dissertation on Roast Pig furnishes a ...
— How To Study and Teaching How To Study • F. M. McMurry
... April 20, 1764, and March 20, 1778. Charles Lamb in a note to his Essay on the Tragedies of Shakespeare says of Davies, that he 'is recorded to have recited the Paradise Lost better than any man in England in his day (though I cannot help thinking there must be some mistake ...
— Life Of Johnson, Vol. 1 • Boswell
... each other in their studies, and the result was a number of enormous folios of poems, plays, speeches, and philosophical disquisitions. These volumes were, we are told, great favourites of Coleridge and Charles Lamb, for the sake, we presume, of the wild sparks of insight and genius which break irresistibly through the scholastic smoke and bewildered nonsense. When Charles II. was restored, the Marquis and his wife returned to England, and spent ...
— Specimens with Memoirs of the Less-known British Poets, Complete • George Gilfillan
... purpose of existence. While under the immediate spell of her fascinating book, it was of course very delightful to me to make Mrs. Jameson's acquaintance, which I did at the house of our friends, Mr. and Mrs. Basil Montagu. They were the friends of Coleridge, Hazlitt, Charles Lamb, Proctor (Barry Cornwall, who married Mrs. Montagu's daughter), and were themselves individually as remarkable, if not as celebrated, as many of their more famous friends. Basil Montagu was the son of the Earl of Sandwich and the beautiful ...
— Records of a Girlhood • Frances Anne Kemble
... national counsels, and oftentimes gave their starting point to the very primary movements of the state. Prophecies, omens, miracles, all worked concurrently with senates or princes. Whereas in our days, says Charles Lamb, the witch who takes her pleasure with the moon, and summons Beelzebub to her sabbaths, nevertheless trembles before the beadle, and hides herself from the overseer. Now, as to the witch, even the horrid Canidia of Horace, or the more dreadful Erichtho of Lucan, seems hardly to have ...
— Narrative And Miscellaneous Papers • Thomas De Quincey
... writer of genius, has had his Recoverer. A searchlight has flashed upon all that Charles Lamb said, did, or wrote. Every forerunner who inspired Keats, from the day when he took the Faerie Queene like a fever, and went through it "as a young horse through a spring meadow, romping," has been considered and analysed. You could bury Keats and Lamb in the ...
— Rembrandt • Mortimer Menpes
... tell you. It answers me to be found writing so, so anxious to prove I understand the laws of the game, when that game is only 'Thimble-rig' and for prizes of gingerbread-nuts—Prize or no prize, Mr. Dilke does shift the pea, and so did from the beginning—as Charles Lamb's pleasant sobriquet (Mr. Bilk, he would have it) testifies. Still he behaved kindly to that poor Frances ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... aromatic kind, but of an acrid, saline nature. This Marigold has always been grown, chiefly for its flowers, which were esteemed of old as a cordial to cheer the spirits, and when dried were put into broths as a condiment: Charles Lamb (Elia) says, in his Essay on Christ's Hospital: "In lieu of our half-pickled Sundays, or quite fresh boiled beef on Tuesdays (strong as caro equina), with detestable Marigolds floating in the pail to poison the broth." The strap-like florets of ...
— Herbal Simples Approved for Modern Uses of Cure • William Thomas Fernie
... digests, its quiddits and quillets, abstracts and briefs. But it was putting Pegasus in pound. Miles at a lawyer's task was as much out of place as Edgar Allan Poe was when mounting guard as a cadet at West Point, or Charles Lamb with a quill behind his ear balancing his ledger in India House. The Mountain and the Muses lured him back to Emmitsburg, where a short distance from the college gate, in the quiet retreat of Thornbrook, he settled to his books and a professor's tasks at the ...
— The Truce of God - A Tale of the Eleventh Century • George Henry Miles
... and the beginning of George I. were not a little beholden to Robert Burton" (Archbishop Herring). Dr Johnson deeply admired the work; and Sterne laid it heavily under contribution. But the noble and impassioned devotion of Charles Lamb has been the most powerful help towards keeping alive the memory of the "fantastic great old man." Burton's odd turns and quirks of expression, his whimsical and affectate fancies, his kindly sarcasm, his far-fetched conceits, his deep-lying pathos, descended ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... 331-332). Southey, in a note on a passage of the "Curse of Kehama," went so far as to say that Paltock's winged people "are the most beautiful creatures of imagination that ever were devised," and added that Sir Walter Scott was a warm admirer of the book. With Charles Lamb at Christ's Hospital the story was a favourite. "We had classics of our own," he says, "without being beholden to 'insolent Greece or haughty Rome,' that passed current among us—'Peter Wilkins,' the 'Adventures of the Hon. Captain Robert Boyle,' the 'Fortunate Blue-Coat Boy,' and the ...
— Life And Adventures Of Peter Wilkins, Vol. I. (of II.) • Robert Paltock
... is, I'm rather fond of noble lords: why shouldn't I be? I might have been one myself any day these last ten years; I might now, if I chose; but there! Charles Lamb knew a man who wanted to be a tailor once, but hadn't got the spirit. I find I haven't got the spirit to be a noble lord. Even Barty might have been a lord—he, a mere man of letters!—but he refused every honor and distinction that was ever ...
— The Martian • George Du Maurier
... the port of London. The latter appointment, to which the pitcher of wine was doubtless incident, was attended with a requirement that the new functionary should execute all the duties of his post in person,—a requirement involving as constant and laborious occupation as that of Charles Lamb, chained to his perch in the India House. These concessions, varied slightly by subsequent patents from Richard II. and Henry IV., form the entire foundation to the tale of Chaucer's Laureateship.[6] There is ...
— Atlantic Monthly, Volume 2, Issue 10, August, 1858 • Various
... Spring, where it was passed around and freely used by both men and women, now commands no respect except as an ancestral curio. Dryden, Dean Swift, Pope, Addison, Lord Chesterfield, Dr. Johnson, Garrick, Sir Joshua Reynolds, Keats, Charles Lamb, Gibbon, Walter Scott and Darwin were among the prominent worshipers of the snuff-box and its contents, while some of them indulged in the habit to the degree of intemperance. In describing his manner of using the snuff-box ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... seems, so unpicturesque as you might perhaps imagine. A strange horror of that lonely mountain graveyard came over me as I watched the little company wending wearily up to the solitary spot. The "sweet habitude of being"—not that I fear death, but that I love life as, for instance, Charles Lamb loved it—makes me particularly affect a cheerful burial-place. I know that it is dreadfully unsentimental, but I should like to make my last home in the heart of a crowded city, or, better still, in one of those social homes of the dead, which the Turks, with a philosophy ...
— The Shirley Letters from California Mines in 1851-52 • Louise Amelia Knapp Smith Clappe
... have you read Elia? If so, follow me, walking in the shadow of his mild presence, while I recount to you my vision of the Lost Ages. I am neither single nor unblessed with offspring, yet, like Charles Lamb, I have had my 'dream-children.' Years have flown over me since I stood a bride at the altar. My eyes are dim and failing, and my hairs are silver-white. My real children of flesh and blood have become substantial men and women, carving their own fortunes, ...
— Chambers's Edinburgh Journal, No. 419, New Series, January 10, 1852 • Various
... dating from the sentimental seclusion of Woburn Abbey, a song replete with all the grace and imagination of his "Ionian Hours."—Charles Lamb, the "deep-thoughted Elia," introducing us to the maidenly residence of his cousin Bridget; delighted with delighting; his fancy expatiating on a copious medley of subjects between the stiff Mandarins on the old fashioned ...
— The Mirror of Literature, Amusement, and Instruction - Volume 14, No. 396, Saturday, October 31, 1829. • Various
... than Charles Lamb, to whose memory Mr. Alfred Ainger has done such good service, the great and peculiar change which was begun at the end of the last century, and dominates our own; that sudden increase of the width, ...
— Essays from 'The Guardian' • Walter Horatio Pater
... Munden, in one of the most charming of his Essays, Charles Lamb has said, "I have seen him diffuse a glow of sentiment which has made the pulse of a crowded house beat like that of one man; when he has come in aid of the pulpit, doing good to the moral heart of a people." The words, applied thus emphatically to the humorous and often ...
— Charles Dickens as a Reader • Charles Kent
... that that is true. I know, too, another thing, and that is, that there will be times when you will feel tired-headed and wish you could rest. Did you ever read about Charles Lamb? You know what beautiful things Charles Lamb wrote. Some of you have read the jolly story of how roast pig was discovered by the young Chinaman. You have read that, and if you ever want a good laugh some time get the essays of Elia and turn to the paper on roast pig, and ...
— Silver Links • Various
... and when the man cried to the boys—'Who will go and be a devil, and he shall see the play for nothing?' then would he go in and be a devil upon the stage, and so get to see plays." In one of his most delightful papers, Charles Lamb has described his first visit to a theatre. He "was not past six years old, and the play was 'Artaxerxes!' I had dabbled a little in the 'Universal History'—the ancient part of it—and here was the Court of Persia. It was being admitted ...
— A Book of the Play - Studies and Illustrations of Histrionic Story, Life, and Character • Dutton Cook
... outward form, or stranger mode of reproduction to which this famed member of the Marsupialia belongs, could contain as much in little space as Charles Lamb's happy description in his letter to Baron Field, his "distant correspondent" in New South Wales? When that was written, and for long after, it may be necessary to tell some, Australia was chiefly known as ...
— Heads and Tales • Various
... a teacher of elocution, who compiled a dictionary, and who was related to the Sheridans. He moved to London when his son was eight years old, and there became acquainted with William Hazlitt and Charles Lamb. The son, after his school education, obtained a commission in the army, but gave up everything for the stage, and made his first appearance at the Crow Street Theatre, in Dublin. He did not become a great actor, and when he took to writing plays he did not prove himself a great poet, ...
— The Hunchback • James Sheridan Knowles
... after dawn. Poor Mrs. Lennox died in distress in 1804, at the age of eighty-three. Could Johnson but have lived he would have lent her his helping hand. He was no fair-weather friend, but shares with Charles Lamb the honour of being able to unite narrow means and ...
— In the Name of the Bodleian and Other Essays • Augustine Birrell
... those who had the insight and the power to restore Shakespeare in all his fulness to English readers were wholly free from this ignorance—conspicuously Charles Lamb and S.T. Coleridge. Coleridge was indeed the first of Englishmen to think out anything like a complete and satisfactory theory of poetry and the fine arts. The supreme value of his theory comes from the fact that he was ...
— Personality in Literature • Rolfe Arnold Scott-James
... ponies for the ascent of Helvellyn. The innkeeper saw them coming, and accosted Scott with "Eh, Sir! ye're come early for your draught to-day!"—a disclosure which was not likely to embarrass his host at all. Wordsworth was probably the least-discomposed member of the party.—Charles Lamb and his sister once popped in unannounced on Coleridge at Keswick, and spent three weeks in the neighborhood. We can all fancy the little man on the top of Skiddaw, with his mind full as usual of quips and pranks, and struggling ...
— Atlantic Monthly, Vol. 7, No. 43, May, 1861 • Various
... Coleridge's Poems on Various Subjects, 1796; in Charles Lloyd's ems on the Death of Priscilla Farmer, 1796; in Coleridge's Poems, second edition, 1797; in Blank Verse by Charles Lloyd and Charles Lamb, 1798; and in John Woodvil, 1802—with all their early readings; or whether to disregard chronological sequence, and wait until the time of the Works—1818—had come, and print them all together then. I decided, in the interests of their biographical value, to print them in the order ...
— The Works of Charles and Mary Lamb IV - Poems and Plays • Charles and Mary Lamb
... objects, of their ambitions. Above all, we need to enlarge our sympathies, to cultivate sympathy by knowledge; for our prejudices are born of ignorance, and we rarely dislike what we intimately know. As Charles Lamb said: "How can I dislike a man if I know him? Do we ever dislike anything if we know it very well?" With the growth of clubs the purely personal characteristics of them will disappear, or at least be subordinated to larger aims; and it is in the prosecution ...
— Memories of Jane Cunningham Croly, "Jenny June" • Various
... myself of a delightful saying of an Englishman of a past generation, Charles Lamb. He was with a group of friends and he spoke harshly of some man who was not present. I ought to say that Lamb stuttered a little bit. And one of his friends said, "Why, Charles, I didn't know that you knew So-and-so?" ...
— In Our First Year of the War - Messages and Addresses to the Congress and the People, - March 5, 1917 to January 6, 1918 • Woodrow Wilson
... Marcia did not tell the exact truth, and Violet's despairing face lightens. Marcia may have Charles Lamb's way of thinking the truth too precious to be wasted upon everybody, for she is sometimes extremely ...
— Floyd Grandon's Honor • Amanda Minnie Douglas
... necessary principles of the reading habit that no true and vital reading is possible except as the reader possesses and employs the gift of letting himself go. It is a gift that William Shakespeare and James Boswell and Elijah and Charles Lamb and a great many other happy but unimportant people have had in common. No man of genius—a man who puts his best and his most unconscious self into his utterance—can be read or listened to or interpreted for one moment without ...
— The Lost Art of Reading • Gerald Stanley Lee
... Griffiths Wainewright. De Quincey's account of him is in his essay on Charles Lamb ('Works,' ed. 1862, viii. 146). His career was the subject of a story by Dickens, called ...
— Letters of Edward FitzGerald to Fanny Kemble (1871-1883) • Edward FitzGerald
... expectant of the opening doors, troubled him with a sense of shame. To be sure, he was in the spiritual company of Charles Lamb, and of many another man of brains who has waited under the lamp. But contact with the pittites of Kingsmill offended his instincts; he resented this appearance of inferiority to people who came at their leisure, and took seats in the better parts of the house. When a neighbour addressed ...
— Born in Exile • George Gissing
... Charles Lamb used to say that babies had no right to our regard merely as babies, but that every child had a character of its own by which it must stand or fall in the esteem of disinterested observers. Theodosia ...
— Famous Americans of Recent Times • James Parton
... room I could picture to myself with a sense of certainty—the couch (a sofa by day), the cupboard, the writing-table with its student lamp, the litter of pamphlets and old quartos and octavos in tattered bindings, among which were scarce reprints of his beloved Charles Lamb, and perhaps—nay, surely—an ...
— Ponkapog Papers • Thomas Bailey Aldrich
... newspapers, and reported intelligence to her younger sisters which it is wonderful they could take an interest in. But I suspect that they had no "children's books," and their eager minds "browzed undisturbed among the wholesome pasturage of English literature," as Charles Lamb expresses it. The servants of the household appear to have been much impressed with the little Brontes' extraordinary cleverness. In a letter which I had from him on this subject, their father writes: "The servants often said they had never seen such a clever little child" ...
— Stories of Achievement, Volume IV (of 6) - Authors and Journalists • Various
... for he had, not without justice, said of himself "The same parts and application which have made me a poet might have raised me to any honors of the gown." Milton and Marvell neither lived by the Court, nor starved. Charles Lamb most ingeniously defends the Comedy of the Restoration as "the sanctuary and quiet Alsatia of hunted casuistry," where there was no pretence of representing a real world.[47] But this was certainly not so. Dryden again and again boasts of the superior advantage ...
— Among My Books - First Series • James Russell Lowell
... no-business beckoning me to the East-end of London, I had turned my face to that point of the metropolitan compass on leaving Covent-garden, and had got past the India House, thinking in my idle manner of Tippoo-Sahib and Charles Lamb, and had got past my little wooden midshipman, after affectionately patting him on one leg of his knee-shorts for old acquaintance' sake, and had got past Aldgate Pump, and had got past the Saracen's Head (with an ignominious rash ...
— The Uncommercial Traveller • Charles Dickens
... struggles were many and keen, and only his pen was the lever which rolled poverty away from his door. We can hear him, as we pause over this leaf, as we heard the old clock that night at sea. He tells us of his cherished companions, now all gone,—of Shelley, and Keats, and Charles Lamb, whom he loved,—of Byron, and Coleridge, and the rest. As we sit at his little table, he hands us a manuscript, and says it is the "Endymion," John Keats's gift to himself. He reads to us from it some of his favorite lines, and the tones of his voice are very tender ...
— Atlantic Monthly Volume 7, No. 40, February, 1861 • Various
... and the landlords at the stopping-places were sometimes, however, of a much more prosaic and solemn character. Charles Lamb has given us such a scene. "I was travelling," he says, "in a stage-coach with three male Quakers, buttoned up in the straitest nonconformity of their sect. We stopped to bait at Andover, where a meal, partly ...
— A Hundred Years by Post - A Jubilee Retrospect • J. Wilson Hyde
... and unsoundness sometimes adds to beauty. You know the delicate flush, the bright eyes, the long eyelashes, which we often see in a young girl on whom consumption is doing its work. You know the peachy complexion which often goes with undeveloped scrofula. And had Charles Lamb not been trembling on the verge of insanity, the Essays of Elia would have wanted great part of their strange, undefinable charm. Had Ford and Massinger led more regular lives and written more reasonable sentiments, what a caput mortuum their tragedies would ...
— The Recreations of A Country Parson • A. K. H. Boyd
... there will be ten stutterers, and ten more stutterers for one General Foy. Nevertheless, in earlier days, Camille Desmoulins stammered, and yet spoke but little at the Convention. It does not appear that Charles Lamb was a garrulous person, and in the familiar experience of daily life we rarely find stutterers to be rapid talkers. Still, this latter fact really helps M. Chervin's theory, since we may conclude it is ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII, No. 29. August, 1873. • Various
... deaf men generally dislike having their infirmity alluded to, and even endeavour to conceal it as much as possible. Charles Lamb, or some other noted wit, seeing a deaf acquaintance on the other side of the street one day while walking with a friend, stopped and motioned to him; then opened his mouth as if speaking in a loud tone, but saying not a word. "What are you bawling for?" demanded the deaf one. "D'ye think ...
— Flowers from a Persian Garden and Other Papers • W. A. Clouston
... or three selections obediently, but without enthusiasm. Were they from Herrick and Charles Lamb? I ...
— Cinderella in the South - Twenty-Five South African Tales • Arthur Shearly Cripps
... in the winter's gloamin', Mrs. Fleeming Jenkin, calling on his mother, was startled by his voice joining in the conversation. The visitor says, "I listened in perplexity and amasement. Who was this son who talked as Charles Lamb wrote? this young Heine with the Scotch accent? When I came away the unseen converser came down with me to the front door to let me out. As he opened it, the light of the gas lamp outside ('For we are very lucky with a lamp ...
— Robert Louis Stevenson • E. Blantyre Simpson |
