"Cellini" Quotes from Famous Books
 ... words have a uniform meaning, it is useless to declare that Pope cannot be a poet, if Lord Byron is, or that Moore is counterfeit, if Wordsworth be genuine. For the art of poetry is like all other arts. The casket that Cellini worked is not less genuine and excellent than the dome of Michel Angelo. Is nobody but Shakspeare a poet? Is there no music but Beethoven's? Is there no mountain-peak but Dhawalaghiri? ...
— The Atlantic Monthly, Vol. 12, No. 74, December, 1863 • Various
... is at work again," said she to herself, as she proceeded to dress her boy. "I see he is quite in the vein! Well, well, if we cannot have the glory of Michael Angelo, we may have that of Benvenuto Cellini!" ...
— Cousin Betty • Honore de Balzac
... conventions of the stage, and his attempts to blend the dramatic and symphonic elements, as in 'Les Troyens,' can scarcely be termed a success. Yet much may be pardoned for the sake of the noble music which lies enshrined in his works. 'Benvenuto Cellini' and 'Beatrice et Benedict,' which were thought too advanced for the taste of their day, are now perhaps a trifle old-fashioned for our times. The first is a picturesque story of Rome in Carnival time. ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... during the Renaissance that Palladio rebuilt the palaces of Italy,—beautiful beyond words, and that Benvenuto Cellini designed in gold, silver and bronze in a manner never since equalled. From that same period dates the world-famous Majolica of Urbino, Pesaro and Gubbio, shown in our museums. So far as house-furnishing went, aside from palaces, there was ...
— The Art of Interior Decoration • Grace Wood
... out of his desk a little old-fashioned ivory coffer, yellow with age; it was richly carved with antique figures and foliage; and had Kenyon thought fit to say that Benvenuto Cellini wrought this precious box, the skill and elaborate fancy of the work would by no means have discredited his word, nor the old artist's fame. At least, it was evidently a production of Benvenuto's school and century, and might ...
— The Marble Faun, Volume I. - The Romance of Monte Beni • Nathaniel Hawthorne
... of the Lilies. Then it had been the study of a Cardinal of the Middle Ages or of a mediaeval noble devoted to the arts. In what respect did it differ now? The massive table of cedar of Lebanon, figured in ivory and mother o' pearl with the Rape of Proserpine, the work of a pupil of Benvenuto Cellini, remained, as also did the prie-dieu, enriched with silver daisies, which Michelangelo had designed for Margaret of Navarre. The jewelled crucifix was gone, together with the old chain bible and ebony lectern from the Cistercian Monastery at La Trappe. The curious chalice, too, of ...
— The Orchard of Tears • Sax Rohmer
... me the following books in handy volume size:—Montaigne's Essays, Palgrave's Golden Treasury of English Verse, Lockhart's Life of Napoleon, Autobiography of Cellini, Don Quixote, The Three Musketeers, Lorna Doone, Prescott's Conquest of Mexico and The Conquest of Peru, Les Miserables, Vanity Fair, Life and Writings of Benjamin Franklin, Pepys' Diary, Carlyle's French Revolution, The ...
— An African Adventure • Isaac F. Marcosson
... who had broken into the shop of Cellini, the artist, and was breaking open the caskets in order to get at some jewels, was arrested in his progress by a dog, against whom he found it a difficult matter to defend himself with a sword. The faithful animal ran to the room where the journeymen slept, but as they did not seem ...
— Anecdotes of Animals • Unknown
... was fashioned in each part By him who wrought in gems and gold, Whose glory, trumpet-tongued, is told In fearful wars, in peaceful Art, Cellini of the ardent heart, ...
— Memories of Canada and Scotland - Speeches and Verses • John Douglas Sutherland Campbell
... competition with Leonardo da Vinci. The original is said to have been destroyed by Baccio Bandinelli; still there are the ancient prints and drawings which show the design, and there is a small copy at Holkham. Benvenuto Cellini—and could there be a better authority?—denies that the powers afterwards exerted in the Capella Sistina, arrive at half its excellence. Mr Fuseli's description is so good, that we give it entire. "It represents an imaginary moment relative to the war carried on by the Florentines ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various
... wonder at the halo of light around my shadow, and would fain fancy myself one of the elect. One who visited me declared that the shadows of some Irishmen before him had no halo about them, that it was only natives that were so distinguished. Benvenuto Cellini tells us in his memoirs, that, after a certain terrible dream or vision which he had during his confinement in the castle of St. Angelo a resplendent light appeared over the shadow of his head at morning and evening, whether he was in Italy ...
— Walden, and On The Duty Of Civil Disobedience • Henry David Thoreau
... great intrinsic merits of these paintings, the Brancacci chapel is especially interesting from the direct and unquestionable effect which it is known to have had upon younger painters. Here Raphael and Michel Angelo, in their youth, and Benvenuto Cellini passed many hours, copying and recopying what were then the first masterpieces of painting, the traces of which study are distinctly visible in their later productions; and here, too, according to Cellini, the famous punch in the nose befell Buonarotti, by which his ...
— The Atlantic Monthly, Volume 1, Issue 2, December, 1857 • Various
... richly embossed with gold. There was nothing gaudy, profuse, or prominent in the decorations or furniture; everything had evidently been selected and arranged by a person of very refined taste. Among the very beautiful works of art was a collection of cameos, including some of Cellini's from the antique, which were really entrancing to ...
— The Englishwoman in America • Isabella Lucy Bird
... figure supremely shapely and graceful; gentle, almost, in spite of his holding out with his light nervous arm the snaky head of the slaughtered Gorgon. His name is Perseus, and you may read his story, not in the Greek mythology, but in the memoirs of Benvenuto Cellini. Glancing from one of these fine fellows to the other, I probably uttered some irrepressible commonplace of praise, for, as if provoked by my voice, a man rose from the steps of the loggia, where he had been sitting in the shadow, and addressed me in good English—a ...
— The Madonna of the Future • Henry James
... he said, "in honor of this day—thy maiden sword. So far as the handiwork of Cellini may make it worthy of a son of our house, it hath been worthily chosen for thee. Yet, unless thou leavest it to those who come after thee, enriched by the name of a Giustinian who hath wrought of his best for Venice, it will be all unworthy of ...
— A Golden Book of Venice • Mrs. Lawrence Turnbull
... some three miles from Blois, on the outskirts of a forest, dwelt an innkeeper called Antonio Cellini, who, as the name suggests, was of Italian origin. Antonio had only one child, Beatrice, a very pretty girl, who at the time of this story was about nineteen years of age. As might be expected, Beatrice had many admirers; but none were so passionately ...
— Werwolves • Elliott O'Donnell
... are busy in circulating our memoirs in the Strada Santa Caterina, the Toledo, and the piazza of the silversmiths, we are preparing yours, gentlemen, in a work which shall leave those of Benvenuto Cellini far—very ...
— Blackwood's Edinburgh Magazine, Volume 59, No. 367, May 1846 • Various
... compare with the comyns of England, in riches, freedom, liberty, welfare, and all prosperity? What comyn folk is so mighty, and so strong in the felde, as the comyns of England?" They may have been fed on "great shins of beef," till they became, as Benvenuto Cellini calls them, "the English wild beasts." But they increased in numbers slowly, if at all, for centuries. Those terrible laws of natural selection, which issue in "the survival of the fittest," cleared off the less fit, in every generation, principally by infantile ...
— Health and Education • Charles Kingsley
... an altogether animal life, except that I have renewed my old love for Italian. At present I am rejoicing in the Autobiography of that delightful sinner, Benvenuto Cellini. I have some notion that there is such a thing as science somewhere. In fact I am fitting ...
— The Life and Letters of Thomas Henry Huxley Volume 2 • Leonard Huxley
... long, weary struggle, his succession of attempts and failures, his past dreams and disappointments, along with his sins of omission and commission, it would make one of those priceless human documents such as have been left by Benvenuto Cellini, ...
— Mark Twain, A Biography, 1835-1910, Complete - The Personal And Literary Life Of Samuel Langhorne Clemens • Albert Bigelow Paine
... before Corot's time there was a Fontainebleau school of artists, made up of the pathetic Andrea del Sarto, the wonderful Leonardo da Vinci, and Cellini. These painters had been summoned from their Italian homes by Francis I., to decorate the Palace of Fontainebleau. The second great group of painters who had studios in the forest and beside the stream were Rousseau, Dupre, Diaz, and Daubigny; Troyon, Van Marcke, Jacque; then Millet, the ...
— Pictures Every Child Should Know • Dolores Bacon
... probabilities and discussed both the good and the evil chances, striving to foresee the future and weighing its elements, Gabrielle was walking in the garden and gathering flowers for the vases of that illustrious potter, who did for glaze what Benvenuto Cellini did for metal. Gabrielle had put one of these vases, decorated with animals in relief, on a table in the middle of the hall, and was filling it with flowers to enliven her grandmother, and also, perhaps, to give form to her own ideas. ...
— The Hated Son • Honore de Balzac
... the world in general. His anxiety to explain, not to justify, himself was after all a kind of cowardice before his own conscience. He felt the silent voices within him too acutely to keep silence. Cellini wrote his autobiography because he heard within him such trumpeting voices of praise, exultation, and the supreme satisfaction of a violent man who has conceived himself to be always in the right, that it shocked him ...
— Figures of Several Centuries • Arthur Symons
... unconstrained. "This gold cup "—he held it up—"belonged to the Medici. Master Pory, who is a man of taste, will note the beauty of the graven maenads upon this side, and of the Bacchus and Ariadne upon this. It is the work of none other than Benvenuto Cellini. I pour for you, sir." He filled the gold cup with the ruby wine and set it before the Secretary, who eyed it with all the passion of a lover, and waited not for us, but raised it to his lips at once. My lord took up the other cup. "This ...
— To Have and To Hold • Mary Johnston
... possible to include in the present volume. For similar material from other writers of the time, see WHITCOMB, A Literary Source Book of the Italian Renaissance (Philadelphia, $1.00). The autobiography of Benvenuto Cellini is a very amusing and instructive book by one of the well-known artists of the sixteenth century. Roscoe's translation in the Bohn series (The Macmillan Company, $1.00) is to be recommended ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... persuaded by the praises and commendations of its author to imagine myself to be that which I am not, I must entreat you to convey to him some expressions from me appropriate to such love, affection, and courtesy."—Again, writing to Benvenuto Cellini, to express his pleasure in a portrait bust of his execution, which he had just seen, he says: "Bindo Altoviti took me to see it—I had great pleasure in it, but it vexed me much that it was put in a bad light." Mr. Harford renders: "Bindo Altoviti recently showed me his own portrait, ...
— Atlantic Monthly, Vol. 1, No. 4, February, 1858 • Various
... nurse was allowed to rebuke her or warn her, No governess put her to stand in a corner; At six she revealed a peculiar joy In the taste of old brandy, and dressed like a boy; At eight she had read CASANOVA, CELLINI, And driven a toasting-fork into a tweeny; At ten she indited and published a story Described by The Leadenhall News as "too gory." One governess after another was tried, But none of them stopped and one suddenly ...
— Punch, or the London Charivari, Volume 158, April 28, 1920 • Various
... they looked like colossal statues. I then strayed into the Piazza del Gran Duca. Here the rich moonlight, streaming through the arcade of the gallery, fell directly upon the fine Perseus of Benvenuto Cellini; and illuminating the green bronze, touched it with a spectral and supernatural beauty. Thence I walked round the equestrian statue of Cosmo, and so home over ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... also the "Lives of the Most Celebrated Artists," written by Vasari (1512-1574), himself a distinguished artist, a work highly interesting for its subject and style, and the Autobiography of Benvenuto Cellini (b. 1500), one of the most curious works which was ever written in ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... things not mentioned in the catalogue. I've read seventeen novels and bushels of poetry—really necessary novels like Vanity Fair and Richard Feverel and Alice in Wonderland. Also Emerson's Essays and Lockhart's Life of Scott and the first volume of Gibbon's Roman Empire and half of Benvenuto Cellini's Life—wasn't he entertaining? He used to saunter out and casually kill ...
— Daddy-Long-Legs • Jean Webster
... experience, if one have it not to begin with? There is no receipt which one can follow. Being a secret and a mystery, it often comes in mysteriously unexpected ways. It blossoms sometimes from out of the very grave wherein we imagined that our happiness was buried. Benvenuto Cellini, after a life all in the outer sunshine, made of adventures and artistic excitements, suddenly finds himself cast into a dungeon in the Castle of San Angelo. The place is horrible. Rats and wet and mould possess it. His leg is broken and his teeth fall out, apparently with ...
— Talks To Teachers On Psychology; And To Students On Some Of Life's Ideals • William James
... and homely dwelling. The pictures, many of which were the rarest originals in early Flemish and Italian art, were dusted with tender care, and hung from hasty nails upon the bare ghastly walls. Delicate ivory carvings, wrought by the matchless hand of Cellini-early Florentine bronzes, priceless specimens of Raffaele ware and Venetian glass—the precious trifles, in short, which the collector of mediaeval curiosities amasses for his heirs to disperse amongst the palaces of kings and the cabinets of nations—were dragged again to unfamiliar light. The ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... a tunnel, freshly blocked with snow, and Joan, having finished the "Life of Cellini," a writer she loathed, but whose gorgeous fabrications her master had forced her to read, now hurried to the book-shelves in search of something more to her taste. She had the gay air of a holiday-seeker, returned "Cellini" ...
— The Branding Iron • Katharine Newlin Burt
... from the "Life of Benvenuto Cellini," an Italian artist of the sixteenth century, written by himself: "When I was about five years of age, my father, happening to be in a little room in which they had been washing, and where there was a good fire of oak burning, looked into the flames and saw a ...
— Bulfinch's Mythology • Thomas Bulfinch
... so glad that you like my Cellini. The book has been a success; and I am pleased, though I am not interested in its sale. The publisher paid me L210 for my work, which ...
— Margot Asquith, An Autobiography: Volumes I & II • Margot Asquith
... he devoted himself to a study of the actual natures and ranges and qualities of the old, and wrote the celebrated treatise that has become the textbook of the science of instrumentation. The thinness of much of his work, the feebleness of the overture to "Benvenuto Cellini," for instance, results from his inexperience in the new tongue. But he had not to practise long. It was not long before he became the teacher of his very contemporaries. Wagner owes as much to Berlioz's instrumentation as he ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... the poets; she became tolerably familiar with the exploits of that engaging ruffian Cellini; she heard of the pathetic deafness of Beethoven; she was thrilled, saddened, exhilarated; and on the evening of the twelfth day she made bold ...
— The Ragged Edge • Harold MacGrath
... that it should be read just after one has finished for the second or third time the memoirs of Gouverneur Morris. Everybody feels it his duty to acclaim the charm of the confessions of Benvenuto Cellini, and I have known a young woman who read them reverently in the holy service of culture as a pendant to a textbook on the Renascence, and followed him by Jowett's translation of the "Republic of Plato." She may safely be left to her fate. The diaries of Gouverneur ...
— Confessions of a Book-Lover • Maurice Francis Egan
... goldsmiths and lapidaries for nothing. The accurate touch of the artificer in jewels and costly metals was one of the gifts transmitted to Robert Herrick. Much of his work is as exquisite and precise as the chasing on a dagger-hilt by Cellini; the line has nearly always that vine-like fluency which seems impromptu, and is never the result of anything but austere labor. The critic who, borrowing Milton's words, described these carefully wrought poems as ...
— Ponkapog Papers • Thomas Bailey Aldrich
... you, Dele," said Joe, attacking a can of peas with a carving knife and a hatchet, "but how about me? Do you think I'm going to let you hustle for wages while I philander in the regions of high art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or lay cobblestones, and bring in a ...
— The Four Million • O. Henry
... came, would have come as popular education and not the culture of a club of aesthetics. The New Learning might have been as democratic as the old learning in the old days of mediaeval Paris and Oxford. The exquisite artistry of the school of Cellini might have been but the highest grade of the craft of a guild. The Shakespearean drama might have been acted by workmen on wooden stages set up in the street like Punch and Judy, the finer fulfilment of the miracle play ...
— A Short History of England • G. K. Chesterton
... luminous, rose-colored firelight enveloping her in a soft haze, only broken by the golden glitter of her yellow hair—beautiful in herself, but made bewilderingly beautiful by the gorgeous surroundings which adorn the shrine of her loveliness. Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrain Marie-Antoinette, amid devices of rosebuds and true-lovers' knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers, and milkmaids; statuettes ...
— Lady Audley's Secret • Mary Elizabeth Braddon
... of wine, Burdon," Sir John says at last; "and we'll put it all away again. It's very beautiful. That's Cellini work— real," he says, as he took up a great golden bowl, all hammered and punched and engraved. "But the whole lot of it is an incubus, for I can't use it, and I don't want to make ...
— Begumbagh - A Tale of the Indian Mutiny • George Manville Fenn
... gloom close beneath one of the windows, to pick up after a moment's search what proved on being held up to the light to be a beautiful little golden cup covered with such repousse work as would most likely have been placed there by some Italian artist of the Benvenuto Cellini type. ...
— The King's Esquires - The Jewel of France • George Manville Fenn
... debonnaire King she owes Chambord, Fontainebleau, St. Germain and the smaller chateaux of Azay-le-Rideau, Anet and Villers-Cotterets. Although Francis I brought from Italy, to beautify his palaces, Leonardo Da Vinci, Primaticcio, Benvenuto Cellini, Florentin Rosso and other foreign artists, it has been decided by those who know more about the matter than we do, that Chambord owes more to its first architect, Maitre Pierre le Nepvue, dit Trinqueau, than to anyone else. ...
— In Chteau Land • Anne Hollingsworth Wharton
... are in very nauseous matter, and are made moreover in a very nauseous manner. There are some vices whose grotesqueness stirs us more deeply than downright atrocities, and we read of certain puerilities avowed by Rousseau, with a livelier impatience than old Benvenuto Cellini quickens in us, when he confesses to a horrible assassination. This morbid form of self-feeling is only less disgusting than the allied form which clothes itself in the phrases of religious exaltation. And there is not much of it. Blot out half a dozen pages from the Confessions, and the ...
— Rousseau - Volumes I. and II. • John Morley
... Cleopatra, which, it is said, made Caesar mad, though in repose the beauty of Egypt's queen left him cold. A robe of Kashmiri silk, fine with a phantom fineness, draped her exquisite shape as the art of Cellini draped the classic figures which he wrought in gold and silver; it seemed ...
— Tales of Chinatown • Sax Rohmer
... merriment around me? Then let the impression be forever blasted. I am not a virtuous man according to theological standards. I have been a hardened sinner since birth. I gamble. Beer is my favourite drink. It has been flatteringly whispered into my ear that I dance beautifully. I read Cellini and Rabelais and Boccaccio with unfeigned delight. I am enchanted by the music of Charpentier and Wolf-Ferrari. I smoke strong cigars. And I do not flee at the sight of beautiful women. In short, I am a man of sin. Born in iniquity (according to the moral fathers) I have never been regenerated. ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... hand, on a porphyry table, lay a golden bell—a marvel of Benvenuto Cellini's workmanship. The countess took ...
— Prince Eugene and His Times • L. Muhlbach
... Angelo, Titian, Raffaele Sanzio, Andrea del Sarto, Correggio, and many other great artists were raising up monuments of everlasting fame; Palladio was rebuilding the palaces of Italy, which were then the wonder of the world; Benvenuto Cellini and Lorenzo Ghiberti were designing those marvellous chef d'oeuvres in gold, silver, and bronze which are now so rare; and a host of illustrious artists were producing work which has made the sixteenth century famous for ...
— Illustrated History of Furniture - From the Earliest to the Present Time • Frederick Litchfield
... no answer except by a dry laugh and an assurance that the salamander was the very same which Benvenuto Cellini had seen in his father's household fire. He then proceeded to show me other rarities; for this closet appeared to be the receptacle of what he considered most valuable in ...
— A Virtuoso's Collection (From "Mosses From An Old Manse") • Nathaniel Hawthorne
... a semicircle of light on the grass, which continually moves before you; it is a halo on the grass-tips. I noticed this as a boy, and tried all sorts of experiments respecting it, but never met with any mention of it in books till quite lately, in Benvenuto Cellini's "Autobiography." He says, "There appeared a resplendent light over my head, which has displayed itself conspicuously to all I have thought proper to show it to, but those were very few. This shining light is ...
— The Life of the Fields • Richard Jefferies
... The Duke, when Alfonso arrived in Florence, was in the humour to have his portrait taken; for it had already been done on medals by Domenico di Polo, a gem-engraver, and by Francesco di Girolamo dal Prato, for the coinage by Benvenuto Cellini, and in painting by Giorgio Vasari of Arezzo and Jacopo da Pontormo, and he wished that Alfonso should likewise portray him. Wherefore he made a very beautiful portrait of him in relief, much better than the one executed by Danese da Carrara, ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 05 ( of 10) Andrea da Fiesole to Lorenzo Lotto • Giorgio Vasari
... windows are made of rubies, emeralds, and sapphires; conjure up in your mind's eye a sequence of city blocks whose sides are lined by massive and exquisitely proportioned buildings, every inch of whose facade was fashioned, not by stone-cutters and sculptors, but by goldsmiths, whose genius a Cellini might envy; picture to yourself a street paved with golden asphalt, and a sidewalk built from huge slabs of rolled silver, the curb and gutters being of burnished copper, and you'll gain some idea of the thoroughfare along which I ...
— Olympian Nights • John Kendrick Bangs
... destroyed them as the Vandals once did the treasures of the Goths. I bought them from one of our own people. And that is not all. I have a communion-service and an ostensorium for you, whose sculptures are worthy of Benvenuto Cellini. I purchased these also from a Jew, who bought them at one of the great church auctions. Ha, ha! He was going to melt them up—the vessels that Christian priests had blessed and ...
— Joseph II. and His Court • L. Muhlbach
... the superficial biography furnished by the newspapers—the old Hollander had done more than one piece of exquisite jewelry work for him. The old fellow was a character that beggared description, eccentric to the point of extravagance, and deaf as a post; but, in craftmanship, a modern Cellini. He employed no workmen, lived alone over his shop on one of the lower streets between Fifth and Sixth Avenues near Washington Square—and possessed a splendid contempt for such protective contrivances as safes and vaults. If his prospective patrons ...
— The Adventures of Jimmie Dale • Frank L. Packard
... Confessions of Saint Augustine can never die; Jean Jacques Rousseau's book was the favorite of such a trinity of opposites as Emerson, George Eliot and Walt Whitman; Pepys' Diary is so dull it is entertaining; and the Memoirs of Benvenuto Cellini have made a mediocre ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... stopped at Lieutenant Ziska. He heard vaguely that she was the head quartermaster officer. But mainly she was tall and blond and blue-eyed, with a bewitching dimple when she smiled, and filled her gown the way a Cellini Venus doubtless filled its ...
— Industrial Revolution • Poul William Anderson
... silver these pretty monograms and the lover's knot are very common. This was probably put upon the original wedding silver, and we know that the art was studied by such men as Albrecht Drer, Benvenuto Cellini, and Rubens, for we find among their drawings many monograms and such devices. It adds very much to the beauty of a piece of silver to bear such engraving, and it is always well to add a motto, or a "posy," as the ...
— Manners and Social Usages • Mrs. John M. E. W. Sherwood
... younger Pliny, of Petrarch, and of Erasmus, are expressed in the epistles, which they themselves have given to the world. The essays of Montaigne and Sir William Temple bring us home to the houses and bosoms of the authors: we smile without contempt at the headstrong passions of Benevenuto Cellini, and the gay follies of Colley Cibber. The confessions of St. Austin and Rousseau disclose the secrets of the human heart; the commentaries of the learned Huet have survived his evangelical demonstration; ...
— Memoirs of My Life and Writings • Edward Gibbon
... artist world now, to know who was dead and who alive, and Mr. Tom Taylor has done it admirably. I read the book twice over, so profound was my interest in it. In his early days, I used to be a sort of safety-valve to that ardent spirit most like Benvenuto Cellini both in pen and tongue and person. Our dear Mr. Bennoch was the providence of his later years. They tell me that that powerful work has entirely stopped the sale of Moore's Life, which, all tinsel and tawdry rags, might have been written by a court newsman or a court milliner. I wonder ...
— Yesterdays with Authors • James T. Fields
... contemporary with Tasso, met with much indignity in the service of Alphonso II.; while Panigarola and several other distinguished men were compelled to leave the service of the ducal family by persecution. Benvenuto Cellini, who resided at the court of Ferrara twenty-five years before Tasso, gives a very unfavourable account of the avarice and rapacity which characterised it; and Serassi, the biographer of Tasso, remarks that the court seems to have been extremely dangerous, especially to literary ...
— Roman Mosaics - Or, Studies in Rome and Its Neighbourhood • Hugh Macmillan
... yes, machinery has made me rich! It has given the proletariat the privilege of wearing yellow diamonds and riding about in flivvers. That must be admitted. But to have lived in those days when ambition thought only in beauty! To have been the boon companions of men like Da Vinci, Cellini, Michelangelo! Then there are the adventures of this concrete dream of the artist. I can trace it back to the bare studio in which it was conceived, follow its journeys, its abiding places, down to the hour it comes ...
— The Pagan Madonna • Harold MacGrath
... right!" said Hunt, gripping his hand in the darkness. "Listen, boy: if ever you're trapped and can get to a telephone, call Plaza nine-double-o-one and say 'Benvenuto Cellini.'" ...
— Children of the Whirlwind • Leroy Scott
... Judge, "possesses a family jewel, a ring of immense price, one of the chef-d'oeuvres of Benvenuto Cellini. This ring he rarely lays aside, as we learn from many witnesses, and a secret superstition induces him always to wear it. Did he hide it from the jailers at the time of his incarceration, or did he obtain possession of it on his ...
— The International Magazine, Volume 2, No. 3, February, 1851 • Various
... from fountains; of sacrificial libation, of Pan-athenaic treasure of oil, and sepulchral treasure of ashes,—and you have a resultant series of beautiful form and decoration, from the rude amphora of red earth up to Cellini's vases of gems and crystal, in which series, but especially in the more simple conditions of it, are developed the most beautiful lines and most perfect types of severe composition which have yet been attained ...
— Selections From the Works of John Ruskin • John Ruskin
... memoir of his life, partly written by himself, in the form of letters, and completed under his superintendence. It is a monument of the age of Smollett and Wesley, not less characteristic than is Cellini's memoir of the times in which he lived. His father was master of a vessel, and took him to sea when he was eleven. His mother was a pious Dissenter, who was at great pains to store his mind with religious thoughts and pieces. She died when he was young, and his stepmother ...
— Cowper • Goldwin Smith
... delightful of autobiographies for artists is that of Benvenuto Cellini; a work of great originality, which was not begun till "the clock of his age had ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... during eighteen hundred years has been to split them into a multitude of camps, and so set them to denouncing, damning, jailing and murdering one another. Again, consider the autobiography of Benvenuto Cellini. Ben wrote it to prove that he was an honest man, a mirror of all the virtues, an injured innocent; the world, reading it, hails him respectfully as the noblest, the boldest, the gaudiest liar that ever lived. Again, turn to "Gulliver's Travels." The thing was planned ...
— Damn! - A Book of Calumny • Henry Louis Mencken
... literature: "The Iliad"; a "Life of Francis of Assisi"; Speke's "Discovery of the Sources of the Nile"; the "Pickwick Papers"; "Mr. Midshipman Easy"; The Verses of Theocritus, in a very old translation; Renan's "Life of Christ"; and the "Autobiography of Benvenuto Cellini." The bottom shelf of all was full of books ...
— Forsyte Saga • John Galsworthy
... the Jesuits was not yet a year old; Michael Angelo's paint was not yet dry on the Last Judgment in the Sistine Chapel; Mary Queen of Scots was not yet born, but would be before the year closed. Catherine de Medici was a child; Elizabeth of England was not yet in her teens; Calvin, Benvenuto Cellini, and the Emperor Charles V. were at the top of their fame, and each was manufacturing history after his own peculiar fashion; Margaret of Navarre was writing the 'Heptameron' and some religious ...
— Innocents abroad • Mark Twain
... Easterling Steelyard, the quarters of the merchants of Allemagne, then traders in London. In addition to painting portraits Holbein designed dagger hilts, clasps, cups, as some say after a study of the goldsmith's work of Cellini. ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... Tasso, Berni, Sannazaro, Machiavelli, Bandello, Guicciardini. Below them were a hundred distinguished writers, among which must be cited Aretino, Folengo, Bembo, Baldi, Tansillo, Dolce, Benvenuto Cellini, Hannibal ...
— Initiation into Literature • Emile Faguet
... p. 202], if not actually the same machines, were similar to those erected in 1661-62 by Sir William Parkhurst and Sir Anthony St. Leger, wardens of the Mint, at a cost of L1400, Professor Roberts-Austen shows that Benvenuto Cellini used a similar press to that attributed to Blondeau, and he gives an illustration of this in his lecture (p. 810). In a letter to the editor the professor writes: "Pepys's account of the operations of coining, and especially of assaying gold and silver, is very interesting ...
— Diary of Samuel Pepys, Complete • Samuel Pepys
... with a passion for bric-a-brac is always stumbling over antique bronzes, intaglios, mosaics, and daggers of the time of Benvenuto Cellini; the bibliophile finds creamy vellum folios and rare Alduses and Elzevirs waiting for him at unsuspected bookstalls; the numismatist has but to stretch forth his palm to have priceless coins drop into it. My own weakness is odd people, and I am constantly encountering ...
— Miss Mehetabel's Son • Thomas Bailey Aldrich
... one of the chief subjects of inquiry in the following Lectures.] Thus Giotto, being primarily a figure painter and sculptor, is, secondarily, the richest of all designers in mere mosaic of coloured bars and triangles; thus Benvenuto Cellini, being in all the higher branches of metal work a perfect imitator of nature, is in all its lower branches the best designer of curve for lips of cups and handles of vases; thus Holbein, exercised primarily ...
— The Two Paths • John Ruskin
... Perugia helping his father, and six years later he undertook work there on his own account. They did half of the choir of La Badia in 1501-2, and the very elaborate lectern. The son of Mark was Giambattista, called Maestro Tasso, who was a fine carver in wood, and, in the opinion of Cellini, the best in his profession. He did many things both for ephemeral and lasting purposes, and became an architect, designing the door of the Church of S. Romolo and the Loggia of Mercato Nuovo, Florence, and superintending the construction of the latter between 1549 and 1551. In 1548 ...
— Intarsia and Marquetry • F. Hamilton Jackson
... given it the same amount of consideration, that is all. An artist in crime is, in his way, well worthy of a certain sort of admiration. Who could drive a knife in a man's back with a braver air of deviltry than Benvenuto Cellini? And yet he could turn himself from the deed and devote himself to the producing of a Perseus, or to playing the flute well enough to attract the attention of a Pope. And his own countrymen, the Borgias, had as pretty ...
— Ashton-Kirk, Criminologist • John T. McIntyre
... completed his "Benvenuto Cellini," his only attempt at opera since "Les Francs Juges," and, wonderful to say, managed to get it done at the opera, though the director, Duponchel, laughed at him as a lunatic, and the whole company already regarded the work as damned in advance. The ...
— Great Italian and French Composers • George T. Ferris
... overrunningly wasted all the limbs without consuming them, or taking away one particle from their compacted aged robustness. His whole high, broad form, seemed made of solid bronze, and shaped in an unalterable mould, like Cellini's cast Perseus. Threading its way out from among his grey hairs, and continuing right down one side of his tawny scorched face and neck, till it disappeared in his clothing, you saw a slender rod-like mark, lividly whitish. It resembled that ...
— Moby-Dick • Melville
... Cosimo I in the Piazza della Signoria has a bas-relief of his coronation. He was then fifty-one; he lived but four more years, and when he died he left a dukedom flourishing in every way: rich, powerful, busy, and enlightened. He had developed and encouraged the arts, capriciously, as Cellini's "Autobiography" tells us, but genuinely too, as we can see at the Uffizi and the Pitti. The arts, however, were not what they had been, for the great period had passed and Florence was in the trough of the wave. Yet Cosimo found ...
— A Wanderer in Florence • E. V. Lucas
... Heaven help him, not to-night! Little grinning demons were dancing on the oak cornices, there were mocking lights gleaming from Cellini tankards that Steel had given far too much money for. It had not seemed to matter just at the time. If all this artistic beauty had emptied Steel's purse there was a golden stream coming. What mattered it that the local ...
— The Crimson Blind • Fred M. White
... his latest years to repeat, with altered manner, for the Stanze of the Vatican and the Cartoons. Michelangelo went one day into the Carmine with Piero Torrigiano and other comrades. What ensued may best be reported in the narration which Torrigiano at a later time made to Benvenuto Cellini. ...
— The Life of Michelangelo Buonarroti • John Addington Symonds
... other gentlemen followed him. The first was adorned with a magnificent cuirass, so marvelous in its work that it seemed as if it had come out of the hands of Benvenuto Cellini. However, as the make of this cuirass was somewhat old-fashioned, its magnificence attracted more laughter than admiration; and it is true that no other part of the costume of the individual in question corresponded with this magnificence. The second, who was lame, was followed by ...
— The Forty-Five Guardsmen • Alexandre Dumas
... man cut away from the stake, when the fire has overrunningly wasted all the limbs without consuming them, or taking away one particle from their compacted aged robustness. His whole high, broad form, seemed made of solid bronze, and shaped in an unalterable mould, like Cellini's cast Perseus. Threading its way out from among his grey hairs, and continuing right down one side of his tawny scorched face and neck, till it disappeared in his clothing, you saw a slender rod-like mark, lividly whitish. It resembled that perpendicular seam sometimes ...
— Moby Dick; or The Whale • Herman Melville
... Leonardo, while his brain was teeming with forms of beauty and new creations, did not disdain to expend on matters which we in these days deem the province of the colorman. We have been delighted by Cellini's simple accounts of his methods of subjecting matter to the conceptions of his brain, uncaring and unconscious whether such methods involved processes that belonged to high art or low art, fine art or not fine—caring only for the beauty that his handiwork was to create. The modern "studio" ...
— Lippincott's Magazine of Popular Literature and Science Volume 15, No. 89, May, 1875 • Various
... expected. It was like pulling teeth at first. I want some coffee at once," he said to the attendant, "and a bath. That boat reeked with Moors and cattle, and there was no wagon-lit on the train from Madrid. I sat up all night, and played cards with that young Cellini. Have Madame Zara and Kalonay returned? I see the yacht in the harbor. Did ...
— The King's Jackal • Richard Harding Davis
... observe, though it is out of its proper place said here, this law forbids no luxury which men are not degraded in providing. You may have Paul Veronese to paint your ceiling, if you like, or Benvenuto Cellini to make cups for you. But you must not employ a hundred divers to find beads to stitch over your sleeve. (Did you see the account of the sales of the ...
— Time and Tide by Weare and Tyne - Twenty-five Letters to a Working Man of Sunderland on the Laws of Work • John Ruskin
... Prince Rupert, 1635. These suits of armor are the genuine ones which were worn by these characters in their lifetime. One thing greatly delighted me—it was the gorgeous shield, executed by Benvenuto Cellini, and presented by Francis I. to Henry VIII. at the Field of the Cloth of Gold. The workmanship is entirely beyond anything I had imagined possible for delicacy of finish. I hardly wonder that kings used to quarrel for the residence of ...
— Young Americans Abroad - Vacation in Europe: Travels in England, France, Holland, - Belgium, Prussia and Switzerland • Various
... power are on every side, and the Guildhall in London attests its existence there. Moreover, the greatest artists belonged to the guilds, uniting themselves usually by work of the goldsmith, as Benvenuto Cellini so quaintly describes in his ...
— The Tapestry Book • Helen Churchill Candee
... was opened to the French by a bevy of such painters and sculptors as Leonardo da Vinci, Rosso, Primaticcio, Benvenuto Cellini, and Bramante, and they were encouraged and feted by Marguerite especially. In those days a new picture from Italy by Raphael was received with as much pomp and ceremony as, in olden times, were accorded the holiest relics ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... he called rich racy canary, with a little bit of diet cake, on a small silver server of exquisite old workmanship. "I will say nothing of the server," he remarked, "though it is said to have been wrought by the old mad Florentine, Benvenuto Cellini. But, Mr. Lovel, our ancestors drank sackyou, who admire the drama, know where that's to be found.Here's success to your exertions ...
— The Antiquary, Complete • Sir Walter Scott
... only a few days, more than enough time to memorize everything I needed to know about Cittanuvo. And the more I knew the less I could understand their need for a battleship. It didn't fit. Cittanuvo was a secondary settlement out of the Cellini system, and I had run into these settlements before. They were all united in a loose alliance and bickered a lot among themselves, but never came to blows. If anything, they shared ...
— The Misplaced Battleship • Harry Harrison (AKA Henry Maxwell Dempsey)
... into intimate talk. "My work has been going badly," he proceeded; "or rather not at all. I made a rather decent fountain at Newport; but—remember what Susanna said?—it's not in the first rank. A happy balance and strong enough conception; yet it is like a Cellini ewer done in granite. The truth is, too much interests me; an artist ought to be the victim of a monomania. I'm a normal ...
— Linda Condon • Joseph Hergesheimer
... sketch. This house, though of the smallest dimensions, was fitted up with much good taste. [Picture: Back of Egmont Villa] There was a small boudoir on the side of the drawing-room, which was very rich in articles of virtu, more especially in some remarkably fine carvings, attributed to Cellini, Brustolini, and others. These were left to Hook by his brother, the late Dean of Worcester. As an improvisatore, Hook was unapproachable. In regard to his literary merits, let the following suffice, taken from the late Mr. Barham's life of Hook, ...
— A Walk from London to Fulham • Thomas Crofton Croker
... frank, he seems to me to pursue it ruthlessly, cruelly, unscrupulously. He is a man of high ideals, but without principle. In that respect he reminds one of the great spirits of the Italian Renaissance—Benvenuto Cellini and so forth—men who could pore for hours with conscientious artistic care over the detail of a hem in a sculptured robe, yet could steal out in the midst of their disinterested toil to plunge a knife in the back of ...
— Hilda Wade - A Woman With Tenacity Of Purpose • Grant Allen
... in these luxurious creations of long-forgotten ages and races a strong witchcraft was pent, and that a man might grow to give his heart and soul to them. My uncle could give me the date of every object. This statuette is a Praxiteles; this picture a Guido Reni; Benvenuto Cellini was the owner of this goblet; and this sword was that of ...
— Dr. Dumany's Wife • Mr Jkai
... some gorgeous tomb, bedizened with the incongruous half-Pagan statues of the Renaissance; but this at least is certain, that Rondelet's disciples imagined for him a monument more enduring than of marble or of brass, more graceful and more curiously wrought than all the sculptures of Torrigiano or Cellini, Baccio Bandinelli or Michael Angelo himself. For they named a lovely little lilac snapdragon, Linaria Domini Pellicerii—"Lord Pellicier's toad-flax;" and that name it will keep, we may believe, as long as winter and summer ...
— Historical Lectures and Essays • Charles Kingsley
... carved in wood, and those of the reception-room, in gilt and painted stucco, are things of beauty which no visitor to Rome should fail to see. The bath-room, a work of his predecessor, Clement VII., is copied from the antique. In 1538, while the building of this artistic gem was in progress, Benvenuto Cellini was thrown into one of the dungeons below, as a prisoner of state. He was accused of having stolen jewels belonging to the apostolic treasury; but the true reason seems to have been an offence against the Pope, which he had committed in 1527, while the hosts ...
— Pagan and Christian Rome • Rodolfo Lanciani
... personality the would-be Titian, Drer, Thorwaldsen and Benvenuto Cellini in one presents an engaging figure. His domestic life makes very pleasant reading. We find no dark holes and corners in the career of one who may be said to have remained a boy to the end, at fifty as at five full of freak and initiative, clingingly ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... romance and kindness. She spent unwearied hours in Ann's studio, masquerading in a sculptor's smock and staring at clay and marble with eyes of unbelief. And she tarried for amazed intervals in the studio upstairs where Margot Gilberte plied Cellini's art, embedding pennyweights of metal in hot pitch that, cooling, held it like a dark and shapeless hand while Margot sculptured elfin leaves and scrolls upon it. Curious things came to the jeweler's desk ...
— Kenny • Leona Dalrymple
... skilled workman and an artist. He was one of the last of those workers in metals who once sent their masterpieces from Rome to the great cathedrals of the world; one of the last of the artistic descendants of Caradosso, of Benvenuto Cellini, of Claude Ballin, and of all their successors; one of those men of rare talent who unite the imagination of the artist with the executive skill of the practised workman. They are hard to find nowadays. Of all the twenty chisellers of various ages ...
— Marzio's Crucifix and Zoroaster • F. Marion Crawford
... famous gold- and silver-smith of the olden time. A Benvenuto Cellini among the Japanese. His mark on a piece of metal work ...
— Tales of Old Japan • Algernon Bertram Freeman-Mitford
... artists were of the seventeenth century, and although Clouet was painter to Francis I. and Henry II., the former, like his predecessors, imported artists from Italy, among whom were Leonardo da Vinci and Benvenuto Cellini. ...
— Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. • Clara Erskine Clement
... Johnson ('Obiter Dicta') The Office of Literature (same) Truth-Hunting (same) Benvenuto Cellini (same) On the Alleged Obscurity of Mr. ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 4 • Charles Dudley Warner
... this establishment contain, in addition to the ordinary contents of a silversmith's shop, a number of exquisite copies in gold, silver, and bronze electro-plate of cups and vases of Greek and Etruscan execution, and of chased work by Benvenuto Cellini, and other master goldsmiths of the ...
— Rides on Railways • Samuel Sidney
... best books are certain Autobiographies: as, St. Augustine's Confessions; Benvenuto Cellini's Life; Montaigne's Essays; Lord Herbert of Cherbury's Memoirs; Memoirs of the Cardinal de Retz; Rousseau's Confessions; Linnaeus's Diary; Gibbon's, Hume's, Franklin's, Burns's, ...
— The Atlantic Monthly, Vol. I., No. 3, January 1858 - A Magazine of Literature, Art, and Politics • Various
... to Doria, and a sabre which had been worn by Castruccio, hung on either side of the mantelpiece. The whole had a republican tendency, but it was republicanism in gold and silver—mother-of-pearl republicanism—the Whig principle embalmed in Cellini chalices and porcelain of Frederic le Grand. Fortunately the conversation did not turn upon home politics. It wandered lightly through all the pleasanter topics of the day; slight ventilations of public character, dexterous allusions to anecdotes which none but the ...
— Blackwood's Edinburgh Magazine — Volume 54, No. 335, September 1843 • Various
... all the Goths from the days of Brennus to those of Garibaldi, and on her bosom reposed the celebrated transparent cameo of Augustus, which Caesar himself is said to have presented to Livia, and which Benvenuto Cellini had set in a framework of Cupids and rubies. If the weight of her magnificence were sometimes distressing, she had the consolation of being supported by the ...
— Lothair • Benjamin Disraeli
... their number, and were cut to pieces in careless desperation. Invariably, by friend and enemy alike, the English are described as the fiercest people in all Europe (the English wild beasts, Benvenuto Cellini calls them); and this great physical power they owed to the profuse abundance in which they lived, and to the soldier's training in which every man of them was bred from childhood. The state of the ...
— The Reign of Henry the Eighth, Volume 1 (of 3) • James Anthony Froude
... workmanship or any obvious folly, it had failed to fulfil the transient purpose for which it was erected. The only poetic evanescence is the evanescence that is inevitable. An unnecessary evanescence in things we make is bad art. If I remember the story correctly, it was to a Roman lady that Benvenuto Cellini took the exquisite waxen model of some piece of goldsmithing she had commissioned him to execute for her. So delighted was she with this mere model that she longed to keep it and called it the perfection of art, or some such word. But Benvenuto said, No, he could not claim ...
— The Amateur Garden • George W. Cable
... '50, "Lohengrin" (first performance); later on "The Flying Dulchman," and Wagner's splendid edition of Gluck's "Iphigenia in Aulis."—Berlioz's "Benvenuto Cellini;" Schumann's "Manfred" (first performance), Raff's "King Alfred," two of Lassen's Operas, Spohr's "Faust" (with the recitatives), Sobolewski's "Comala," Dorn's "Nibelungen" (first performance), etc., etc.—Finally, Peter Cornelius' "Barber of ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... concerned Miss Winchelsea might "go to her old Rome and stop there; she (Miss Lily Hardhurst) wouldn't grieve." And the way in which Miss Winchelsea put herself upon terms of personal tenderness with Horace and Benvenuto Cellini and Raphael and Shelley and Keats—if she had been Shelley's widow she could not have professed a keener interest in his grave—was a matter of universal astonishment. Her dress was a triumph of tactful discretion, ...
— The Country of the Blind, And Other Stories • H. G. Wells
... first stage. Do you remember Ballymahon, and the first sight of the gossamer in the hedges sparkling with dew, going there packed into the chaise with your four sisters and me to see the museum of a Mr. Smith, who had a Cellini cup and a Raphael plate, and miniatures of Madame de Maintenon, and wonders innumerable—but Sophy at this moment tells me that I am insisting upon your remembering things that happened before you were born, and that even Francis was only one year old at the ...
— The Life and Letters of Maria Edgeworth, Vol. 2 • Maria Edgeworth
... as I was admiring Benvenuto Cellini's wonderful Perseus, in front of the Loggia del Lanzi, I suddenly felt my sleeve pulled somewhat roughly, and on turning round, I found myself face to face with a woman of about fifty, who said to me with a strong German accent: 'You are French, Monsieur, are you not?' 'Certainly, I am,' ...
— The Works of Guy de Maupassant, Volume III (of 8) • Guy de Maupassant
... Berlioz, himself, says that he never intended to subvert the laws of music, only to make a new and individual use of them. As he was no abstract maker of music, his autobiography—one of the most fascinating in the history of art, only to be compared with that of Benvenuto Cellini—should be familiar to all who would penetrate the secrets of his style. Berlioz's compositions, in fact, are more specifically autobiographic than those of any other notable musician. Both in his music and his literary works are the same notes of passionate insistence on his own ...
— Music: An Art and a Language • Walter Raymond Spalding
... antique cameos, sardonyx stones, carved by the old Greeks of Asia Minor, with mountings of Mysian gold; curious mosaics of ancient Alexandria, set in silver; massive Egyptian bracelets lay heaped on a large plate of Palissy ware, supported by a tripod of gilt bronze, sculptured by Benvenuto Cellini. The marquise turned pale, as she recognized what she had never expected to see again. A profound silence fell on every one of the restless and excited guests. Fouquet did not even make a sign in dismissal of the richly liveried servants who crowded ...
— Louise de la Valliere • Alexandre Dumas, Pere
... remarkable that although so many famous painters were goldsmiths, none of the very greatest were. Among the goldsmiths were Orcagna, Ghiberti, Ghirlandajo, Antonio del Pollaiuolo, Francia, Verrocchio, Andrea del Sarto. But Benvenuto Cellini, the greatest of goldsmiths, was never a painter, and the very greatest painters were never goldsmiths, for Cimabue, Giotto, Mantegna, Lionardo da Vinci, Perugino, Raphael, Michelangelo, all began in the profession that made them the greatest ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... were all assembled at prayers in the private chapel, then went to breakfast, headed by Lady Canning, after which Miss Stanley took the Countess Haach and me to see the collection of gold plate. Three works of Benvenuto Cellini, and a trophy from the Armada, an immense flagon or wine-fountain, like a gigantic old- fashioned smelling-bottle, and a modern Indian work—a box given to the Queen by an Indian potentate—were what interested me the most. Then I looked at many interesting pictures ...
— Life of Her Most Gracious Majesty the Queen, (Victoria) Vol II • Sarah Tytler
... He was especially rich in drawings by the Old Masters, producing two or three, of exquisite delicacy, by Raphael, one by Salvator, a head by Rembrandt, and others, in chalk or pen-and-ink, by Giordano, Benvenuto Cellini, and hands almost as famous; and besides what were shown us, there seemed to be an endless supply of these art-treasures in reserve. On the wall hung a crayon-portrait of Sterne, never engraved, representing ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... shut out of Paradise, to do? He can only make a frenzied effort to record his vision before its very memory has faded from him. Benvenuto Cellini has told us of his tantrums while he was finishing his bronze statue of Perseus. He worked with such fury, he declares, that his workmen believed him to be no man, but a devil. But the poet, no less than the molder of bronze, ...
— The Poet's Poet • Elizabeth Atkins
... mountains. Greek and Roman poets talk of them with disgust and dread. Nothing could have been more depressing to a courtier of Augustus than residence at Aosta, even though he found his theatres and triumphal arches there. Wherever classical feeling has predominated, this has been the case. Cellini's Memoirs, written in the height of pagan Renaissance, well express the aversion which a Florentine or Roman felt for the inhospitable wildernesses of Switzerland.[2] Dryden, in his dedication to 'The Indian Emperor,' says, 'High objects, it is true, ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... that had blown out of Italy, before which dogmas and slaveries had crumbled to dust. In contrast, the world today seemed pitifully arid. Men seemed to have shrunk in stature before the vastness of the mechanical contrivances they had invented. Michael Angelo, da Vinci, Aretino, Cellini; would the strong figures of men ever so dominate the world again? Today everything was congestion, the scurrying of crowds; men had become ant-like. Perhaps it was inevitable that the crowds should sink deeper and deeper in slavery. Whichever won, tyranny from above, or spontaneous ...
— Three Soldiers • John Dos Passos
... hunt, had been relegated to subterranean regions, the walls dismantled, and the room turned over to a corps of artists of such renown as Da Vinci, Francois Clouet, Jean Cousin and the half-mad Benvenuto Cellini. ...
— Under the Rose • Frederic Stewart Isham
... Florentine engraver, in his amusing Autobiography, astonishes his readers with some necromantic wonders of which he was an eyewitness. Cellini had become acquainted and enamoured with a beautiful Sicilian, from whom he was suddenly separated. He tells with his accustomed candour and confidence, 'I was then indulging myself in pleasures of all sorts, and engaged in another amour to cancel the memory of my Sicilian ...
— The Superstitions of Witchcraft • Howard Williams
... Liszt in 1854 endeavouring to aid him in securing a production of "Benvenuto Cellini." Liszt writes about it to Wilhelm Fischer, chorus director at ...
— Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands
... headache. In serving me, this rascal of a Frederic has broken a cup, true Japan, upon my honor—the rogue does nothing else. Yesterday, for instance, did he not thump me prodigiously, by letting fall a goblet, after Cellini, of which the carving alone cost me three hundred francs? I must positively put the wretch out of doors, to ensure the safety of my furniture; and in consequence of this, Eneas, an audacious young negro, in whom wisdom hath not waited for years—Eneas, my groom, I say, will probably ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray
... words as with the creation of great images informed with magnificence of spirit. They are not lesser artists but greater, for there is a greater art in the simplification of form in the statue of Memnon than there is in the intricate detail of a bronze by Benvenuto Cellini. Standish O'Grady had in his best moments that epic wholeness and simplicity, and the figure of Cuculain amid his companions of the Red Branch which he discovered and refashioned for us is I think ...
— The Coming of Cuculain • Standish O'Grady
... burdened my memory with that impossible rubbish so long. It is believed by many people that an impression deposited in a child's memory within the first two years of its life cannot remain there five years, but that is an error. The incident of Benvenuto Cellini and the salamander must be accepted as authentic and trustworthy; and then that remarkable and indisputable instance in the experience of Helen Keller—however, I will speak of that at another time. For many years I believed that I remembered helping my grandfather drink his ...
— Chapters from My Autobiography • Mark Twain
... greater predecessors, Wei, Liang, Sui. This figure, though larger than life-size, is nowise monumental; on the contrary, it is patently a bibelot agrandi, reminding one oddly in this respect of Benvenuto Cellini's Perseus. It is something that has been conceived on a small scale and carried out on a large. This fact alone, had it been noted, as it must have been by any one who looked at the figure aesthetically, would have suggested that this was ...
— Pot-Boilers • Clive Bell
... as translated in 1822 by William Roscoe, the Liverpool banker and man of letters, who wrote a well-known "Life of Leo X," and of whom Irving, in his "Sketch Book," has left a pathetic personal account. The earliest English translation of Cellini appears to have been made by Thomas Nugent and published in 1771. The latest is by ...
— The Best of the World's Classics, Restricted to Prose, Vol. VIII (of X) - Continental Europe II. • Various
... in 1801 at Margate on Godwin's courtship his dramatic suggestions on Napoleon his spare figure at the Lakes his project for collaborating with Coleridge on children's books on Napoleon and Cromwell on Chapman's Homer on Milton's prose on Cellini on Independent Tartary on Coleridge's Poems, 3rd edition his 1803 holiday his adventure at sea his difficulties as a reviewer ceases to be a journalist his miserliness on old books his motto his portrait by Hazlitt on John Wordsworth's ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... MacWalter's taste and Mr. Smithson's bullion was a palace in the style of the Italian Renaissance, frescoed ceilings, painted panels, a staircase of sculptured marble, as beautiful as a dream, a conservatory as exquisite as a jewel casket by Benvenuto Cellini, a picture gallery which was the admiration of all London, and of the enlightened foreigner, and of the inquiring American. This was the house which Lesbia had been brought to see, and through which she walked with the calmly critical air ...
— Phantom Fortune, A Novel • M. E. Braddon
... casts, which he broke on completion, and no more Men and Women. And his own taste in art drew him, notoriously, to work in which the striving hand was palpable,—whether it was a triumphant tour de force like Cellini's Perseus, in the Loggia—their daily banquet in the early days at Florence; or the half-articulate utterances of "the Tuscan's early art," like those "Pre-Giotto pictures" which surrounded them in the salon of Casa Guidi, "quieting" them if they were over busy, as Mrs Browning beautifully says,[32] ...
— Robert Browning • C. H. Herford
... delicate wrist, Wrought, as Cellini's were at Rome, Out of the tears of the amethyst, And the ...
— War Poetry of the South • Various
... Monte-Leone to his friend, when the former was about to set out, "I have a favor to ask of you on which I place an immense estimate, and for which I must be indebted to your love. Here," said he, presenting the magnificent emerald wrought by Benvenuto Cellini, "take this ring, and beg your sister to accept it. Tell her, as she offered me her friendship, I have a right to send a testimonial to her of my devotion." Then with a voice trembling with emotion, he added, "Say this ring ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... ever been frank, and consequently no British autobiography has ever been good. Trollope's, perhaps, is as good as any that I know, but of all forms of literature it is the one least adapted to the national genius. You could not imagine a British Rousseau, still less a British Benvenuto Cellini. In one way it is to the credit of the race that it should be so. If we do as much evil as our neighbours we at least have grace enough to be ashamed of it ...
— Through the Magic Door • Arthur Conan Doyle
... olden days, such things might verily have accompanied our journey to that holy monastery. We might then have gone barefoot, saying prayers as we toiled along the banks of the Arno and up the steep Appenines, as did Benevenuto Cellini, before he poured the melted bronze into the mould of his immortal Perseus. But we are pilgrims to the shrines of Art and Genius; the dwelling-places of great minds are our sanctuaries. The mean dwelling, in which a poet has battled down poverty with the ecstacy of his mighty conceptions, ...
— Views a-foot • J. Bayard Taylor
... contemplating it experiences a sense of satisfaction. The nearness of the Palace of the Seigneurie, with its compact mass, admirably sets off the elegant slenderness of its arches and columns. The Loggia is a species of Museum in the open air. The "Perseus" of Benvenuto Cellini, the "Judith" of Donatello, the "Rape of the Sabines" of John of Bologna, are framed in the arcades. Six antique statues—the cardinal and monastic virtues—by Jacques, called Pietro, a Madonna by Orgagna adorn the interior wall. ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... was my father's judgment, "and, as I gave him credit, in the matter of conscience as null as Cellini himself: the last man in the world to turn religious. But the longer you live the more cause will you find to wonder at the divine spirit which bloweth where it listeth. Take these Methodists, who are to preach in Falmouth to-day. I have seen Wesley, and stood once for an hour ...
— Sir John Constantine • Prosper Paleologus Constantine
... of the sack which followed, written by Benvenuto Cellini, the celebrated Italian artist, shows him as an effective participant in the defence. This account of a combatant is of course only fragmentary, and is ...
— The Great Events by Famous Historians, Volume 9 • Various
... appeared to have some knowledge of every element and article that went into a motor car. There was a man who knew leather from cow to upholstery, and who talked about it lovingly. This man had the ability to make leather as interesting as the art of Benvenuto Cellini. Another was a specialist in hickory, and thought and talked spokes; another was a reservoir of dependable facts about rubber; another about gray iron castings; another about paints and enamels, and so on. In that department it would not have been ...
— Youth Challenges • Clarence B Kelland
... Horace chatting gayly with some such person as myself. Great warriors, from Alexander to Bonaparte, were there, and glad of the opportunity to be there, too; statesmen like Macchiavelli; artists like Cellini or Tintoretto. You couldn't move without stepping on the toes of genius. But now all is different. The money-getting instinct has been aroused within them all, with the result that when I invited Mozart to meet a few friends at dinner at my place last autumn, he sent me a ...
— The Pursuit of the House-Boat • John Kendrick Bangs
... strayed by chance to the twentieth century, and forgotten where it came from. He writhed and cursed at his ignorance, much as Adams did at his own, but in the opposite sense. St. Gaudens was a child of Benvenuto Cellini, smothered in an American cradle. Adams was a quintessence of Boston, devoured by curiosity to think like Benvenuto. St. Gaudens's art was starved from birth, and Adams's instinct was blighted from babyhood. Each had but half of a ...
— The Education of Henry Adams • Henry Adams
... the actual utterances of Jesus must have been in Aramaic, the dialect of Palestine. These distinctions were important, as you will find if you read Holinshed or Froissart and then read Benvenuto Cellini. You do not blame Holinshed or Froissart for believing and repeating the things they had read or been told, though you cannot always believe these things yourself. But when Cellini tells you that he saw this or did that, ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... been associated with this "castle by the sea." The whole district was once the property of that human monster Pier-Luigi Farnese, duke of Parma, heir of Pope Paul the Third, of whose demoniacal cruelty and treachery the racy pages of Cellini's Memoirs give so vivid an account, and whose repulsive face has grown familiar to us from Titian's famous portraits in the gallery of Naples. It was the evil Pier-Luigi's descendant and heiress-general of the family, Elizabeth Farnese, Queen of Spain, who conveyed ...
— The Naples Riviera • Herbert M. Vaughan
... vain, Balzac, to his intense joy, discovered "Marcas" over a small tailor's shop, to which he added, as "a flame, a plume, a star," the initial Z. Z. Marcas conveyed to him the idea of a great, though unknown, philosopher, poet, or silversmith, like Benvenuto Cellini; he went no farther, he was satisfied—he had found ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... noteworthy event in his career which he does not refer to constantly in the more autobiographic of his works. The De Vita Propria is indeed ill arranged and full of inconsistencies, but in spite of its imperfections, it presents its subject as clearly and effectively as Benvenuto Cellini is displayed in his own work. The rough sketch of a great master often performs its task more thoroughly than the finished painting, and Cardan's autobiography is a fragment of this sort. It lets pass in order of procession the moody neglected boy in Fazio's ill-ordered house, the student ...
— Jerome Cardan - A Biographical Study • William George Waters
... had additional reasons for haste. But the new bread and preserves were ignored. She built a rousing fire in the little kitchen stove; she brought out the moulding-board, and with trembling eagerness proceeded to mix cream-of-tartar biscuits. Not Cellini himself nor Jeannie Carlyle had awaited the results of passionate labor with a more strenuous eagerness; and when she drew out the panful of delicately browned biscuits, she set it down on the table, and looked at ...
— Meadow Grass - Tales of New England Life • Alice Brown
... northern traveller; the statues of the Gods in white marble in the open air would make him fancy himself in Athens in the olden time. The following statues in bronze and white marble are to be seen on this Piazza. In bronze are: a statue of Perseus by Cellini; Judith with the head of Holofernes by Donatello; David and Goliath; Samson. In white marble are the following beautiful statues: a group representing Hercules and Cacus; another representing a Roman carrying off a Sabine woman. The Hercules, ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye |
