"Bramante" Quotes from Famous Books
 ... Julius the Second, Leo the Tenth, and Sixtus the Fifth is accompanied by the superior merit of Bramante and Fontana, of Raphael and Michael Angelo; and the same munificence which had been displayed in palaces and temples was directed with equal zeal to revive and emulate the labors of antiquity. Prostrate ...
— The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II • Various
... fervor. This was his enthusiasm, this was his revelation, and from it he reasoned out the probable meaning of the fine arts. "This," thought Emerson, his eye rolling in a fine frenzy of moral feeling, "this must be what Apelles experienced, this fervor is the passion of Bramante. I understand the Parthenon." And so he projected his feelings about morality into the field of the plastic arts. He deals very freely and rather indiscriminately with the names of artists,—Phidias, Raphael, Salvator Rosa,—and he ...
— Emerson and Other Essays • John Jay Chapman
... his reign by great buildings, great sculpture, great pictorial schemes. There was nothing of the dilettante and collector about him. He wanted creation at a rapid rate and in enormous quantities. To indulge this craving, he gathered round him a band of demigods and Titans, led by Bramante, Raffaello, Michelangelo, and enjoyed the spectacle of a new world of art arising at his bidding through their industry ...
— The Life of Michelangelo Buonarroti • John Addington Symonds
... now suppressed. It is a cavalry barracks: dragoons have displaced Dominicans. There is a fine cupola to the church, the work of Bramante: in the salle or refectory of this convent was discovered, since Burnet's time, under a coat of wash or plaster, the celebrated fresco of Lionardo da Vinci, now so well known to the world by plates and copies, better finished than the original ever was, in all probability; certainly better ...
— Notes and Queries, Number 191, June 25, 1853 • Various
... was by no means behindhand: Dante, Giotto, Brunelleschi, and Donatello were dead, but Ariosto, Raphael, Bramante, and Michael Angelo were now living. Rome, Florence, and Naples had inherited the masterpieces of antiquity; and the manuscripts of AEschylus, Sophocles, and Euripides had come (thanks to the conquest of Mahomet II) to rejoin the ...
— Celebrated Crimes, Complete • Alexandre Dumas, Pere |
