"Berlioz" Quotes from Famous Books
... portraits in pencil, lithography, water-colours, and miniatures. In this work, Kriehuber has introduced a portrait of himself seated at the left of the pianist, with pencil and sketchbook in hand. Behind the piano stands Berlioz, and next him is Czerny, the celebrated music teacher and composer, and the ... — Among the Great Masters of Music - Scenes in the Lives of Famous Musicians • Walter Rowlands
... of English actors in the autumn of 1827. 'Hamlet' and 'Othello' were acted successively by Charles Kemble and Macready; Edmund Kean appeared as Richard III, Othello, and Shylock; Miss Smithson, who became the wife of Hector Berlioz the musician, filled the roles of Ophelia, Juliet, Desdemona, Cordelia, and Portia. French critics were divided as to the merits of the performers, but most of them were enthusiastic in their commendations of the plays. {351a} Alfred ... — A Life of William Shakespeare - with portraits and facsimiles • Sidney Lee
... opera must be more romantic than the symphony. "Composers who have given the world both opera and symphony such as Beethoven, Mozart, Weber, Spohr, Berlioz, always wrote Romantically in their operas and Classically in their symphonies." Of the development of opera ... — War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... streets of Paris, and they had graduated together from the gutters of Montmartre into the later control of Madame Louison's pretty little pied d' terre in Paris, hard by Auteuil, in that dreamy little impasse, the Rue de Berlioz. Neither of these attendants were faint-hearted, for their young hearts had been attuned early to the wolfish precocity of the Parisian waif. And they had followed their resolute mistress in her weary quest of the ... — A Fascinating Traitor • Richard Henry Savage
... programme contains some examples of modern French music (a delicate horror by Ravel, perhaps) and of the early Italians. You will get something sweet and suave and restful by Palestrina or Handel, and conclude, perhaps, with a tempest of Berlioz. ... — Nights in London • Thomas Burke
... Berlioz, 'but the theatres have to pay. They will pay until the treasury is empty, and after that the 'Immortals' will have to condescend to give singing lessons (i.e., those who know enough for it), or to sing at public places with accompaniment of one ... — The Continental Monthly, Vol 3 No 3, March 1863 - Devoted To Literature And National Policy • Various
... "Hallelujah." How much more soothing than our own "extra special," with its final crop of horrors! Music, indeed, is ever resounding: the gipsy bands are everywhere playing—Hungarian, not gipsy music, as Liszt imagined, for they never play to "the white men." The splendid "Rakoczi" March, which Berlioz introduced into his "Faust," is, however, of gipsy origin, having been invented, says tradition, by Cinka Panna, the faithful gipsy girl of Rakoczi II., after his defeat. There are also Betjar melodies, the songs of the brigand cavaliers, the romantic robbers who took from the ... — Without Prejudice • Israel Zangwill |