... aspects the whole figure had a tragic, nay, formidable dignity, from which one expected, and sometimes got, the tone and gesture of tragic acting. Yet at the same time, mixed in therewith, a curious strain of womanish, nay childish, weakness, appealingness. Altogether, a great lady, and a personality—yet something else too—something ill-assured, timid, incongruous—hard ... — Marcella • Mrs. Humphry Ward
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