"Wolfram" Quotes from Famous Books
... "a truce to your upbraidings—bread and water and a dungeon are marvellous mortifiers of ambition, and I rise from the tomb a wiser man than I descended into it. One half of those vain follies were puffed into mine ear by that perfidious Abbot Wolfram, and you may now judge if he is a counsellor to be trusted. Since these plots were set in agitation, I have had nothing but hurried journeys, indigestions, blows and bruises, imprisonments and starvation; besides that they can only end in the murder of some thousands of quiet ... — Ivanhoe - A Romance • Walter Scott
... all the country round. The mountain-side is astir with knights equipped with helmet, shield, and lance, and attended by pages and armor-bearers, minnesingers and minstrels. Yonder is Walther von der Vogelweide, engaged in earnest conversation with Wolfram von Eschenbach, Otto von Botenlaube, Hildebold von Schwanegau, and Reinmar von Brennenberg. In that group of notables, curiously enough, we discern a Jew, whose beautiful ... — Jewish Literature and Other Essays • Gustav Karpeles
... Italians used, and which Chaucer derived immediately from the Italians, the basis and suggestion was probably given in France. Chaucer (I have already named him) fascinated his contemporaries, but so too did Christian of Troyes and Wolfram of Eschenbach. Chaucer's power of fascination, however, is enduring; his poetical importance does not need the assistance of the historic estimate; it is real. He is a genuine source of joy and strength, which is flowing still for us and ... — Harvard Classics Volume 28 - Essays English and American • Various
... of Messrs. Inman and Walmsley's kennel, there were such admirable dogs as the rough-coated Wolfram—from whom were bred Tannhauser, Narcissus, Leontes and Klingsor—the smooth-coated dogs, the King's Son and The Viking; the rough-coated bitch, Judith Inman, and the smooth Viola, the last-named the finest specimen of her sex that has probably ever been seen. These dogs and bitches, with ... — Dogs and All About Them • Robert Leighton
... November 17, 1884. The opera was "Tannhuser" and the distribution of parts as follows: Elizabeth, Mme. Krauss; Venus, Frulein Slach; a Young Shepherd, Frulein Stern; the Landgrave, Josef Koegel; Tannhuser, Anton Schott; Wolfram, Adolf Robinson; Walther von der Vogelweide, Emil Tiffero; Biterolf, Josef Miller; Heinrich der Schreiber, Otto Kemlitz; Reinmar, Ludwig Wolf. The performance made no claim upon special analysis or description. Its highest significance ... — Chapters of Opera • Henry Edward Krehbiel
... purely German story it is found at the conclusion of Wolfram von Eschenbach's Parzival,[1] from which the following version is drawn. The name of the hero as written by Wolfram (Loherangrin) may possibly be traced to Garin le Loherin or Garin of Lorraine. Wagner's version is taken from the same source, but the mighty master of melody altered many of ... — Hero Tales and Legends of the Rhine • Lewis Spence
... you what nickname they gif me in Oregon," he added, smiling; "but my real name iss Wolfram von Rittenhofen. Berlin, it wass last my home. Tell me, ... — 54-40 or Fight • Emerson Hough
... Wolfram von Eschenbach, too, is very sparing of references to Nature: time is given by such phrases as 'when twilight began,' or 'as the day broke,' 'at the bright glow of morning' ... 'as day ... — The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... charming vale behind the Wartburg, he hears again the singing of the birds, the shepherds playing on the flute, the pious songs of the pilgrims on their way to Rome. Full of repentance he kneels down and prays, when suddenly the Landgrave appears with some minstrels, amongst them Wolfram von Eschinbach, Tannhaeuser's best friend. They greet their long-lost companion, who however cannot tell where he has been all the {318} time, and as Wolfram reminds him of Elizabeth, Tannhaeuser returns with ... — The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... ranges) Terrain: vast semidesert and desert plains; mountains in west and southwest; Gobi Desert in southeast Natural resources: oil, coal, copper, molybdenum, tungsten, phosphates, tin, nickel, zinc, wolfram, fluorspar, gold Land use: arable land 1%; permanent crops 0%; meadows and pastures 79%; forest and woodland 10%; other 10%; includes irrigated NEGL% Environment: harsh and rugged Note: landlocked; strategic ... — The 1992 CIA World Factbook • United States. Central Intelligence Agency.
... Athena's buckler; for I took great pleasure in certain allusions to the singer's life one finds in old romances and ballads, and thought his presence there all the more poignant because we discover it half lost, like portly Chaucer riding behind his Maunciple and his Pardoner. Wolfram von Eschenbach, singing his German Parsival, broke off some description of a famished city to remember that in his own house at home the very mice lacked food, and what old ballad singer was it who claimed to have fought ... — Four Years • William Butler Yeats
... me a welcome piece of evidence in support of the theory that sees in the poem of Wolfram von Eschenbach the survival of a genuine variant of the Perceval story, differing in important particulars from that preserved by Chretien de Troyes, and based upon a French ... — The Romance of Morien • Jessie L. Weston
... far and saw so much, are not recognizable as such in their poems. The epic poetry, which describes amour and costumes so fully, does not attempt more than a sketch of outward nature; and even the great Wolfram von Eschenbach scarcely anywhere gives us an adequate picture of the scene on which his heroes move. From these poems it would never be guessed that their noble authors in all countries inhabited or visited lofty castles, commanding ... — The Civilization of the Renaissance in Italy • Jacob Burckhardt
... Excellence, both natural and acquired, of German verse. Originality of its adaptation. The Pioneers: Heinrich von Veldeke. Gottfried of Strasburg. Hartmann von Aue. Erec der Wanderaere and Iwein. Lyrics. The "booklets." Der Arme Heinrich. Wolfram von Eschenbach. Titurel. Willehalm. Parzival. Walther von der Vogelweide. Personality of the poets. The ... — The Flourishing of Romance and the Rise of Allegory - (Periods of European Literature, vol. II) • George Saintsbury
... young and fresh, now the leaves are withered and the tints of autumn are everywhere. Elisabeth watches the pilgrims pass on their return from Rome—Tannhaeuser is not amongst them. She sings her prayer to the Virgin and goes home, as it proves, to die. Wolfram, Tannhaeuser's friend, who also loves Elisabeth, sings his song of resignation; and then Tannhaeuser enters, to the sinister theme of the Pope's curse. He tells Wolfram how he has been to Rome, how he has suffered, how he asked the Pope's pardon, and how the Pope declared ... — Wagner • John F. Runciman
... of the slain knight Wolfram: his foolery is but the disguise of his revenge, and thus he rails over the body of his brother: "Dead and gone! a scurvy burden to this ballad of life. There lies he, Siegfried—my brother, mark you—and I weep not, nor gnash the teeth, nor curse: and why ... — Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873 • Various
... read in court, would be printed in the newspapers for all the world to see. With youth's easy grasping of eternity, it seemed to him that his disgrace would be for ever. Beddoes' "Death's Jest-book" was lying open on his knee. Wolfram's song— ... — The Wooden Horse • Hugh Walpole |