"Viola" Quotes from Famous Books
 ... il riconobbe, e vide Le belle guance tenere d' Aminta Iscolorite in si leggiadri modi, Che viola non e che impallidisca Si dolcemente, e lui languir si fatto, Che parea gia negli ultimi sospiri Esalar l'alma; in guisa di Baccante Gridando, e percotendosi il bel petto, Lascio cadersi in sul giacente corpo, E giunse viso a viso, e ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... the "Vita Nuova," which had floated, like some sovereign essential oil, on the top of Petrarch's rose-water. Henceforward the world possesses a new kind of love: the love of Romeo, of Hamlet, of Bassanio, of Viola, and of Juliet; the love of the love poems of Shelley, of Tennyson, of Browning and Browning's wife. A love whose blindness, exaggeration of passion, all that might have made it foolish and impracticable, leads no longer to folly and sin, but to ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. II • Vernon Lee
... the Far South West.* By Emerson Bennett, author of "Prairie Flower," "Viola," etc. This has been appearing in the columns of the Saturday Evening Post for the last twelve weeks, where it has proved to be one of the most popular and powerful nouvellettes ever written in America. 336 pages. Price 50 cents in paper cover, or $1 ...
— The Roman Traitor (Vol. 2 of 2) • Henry William Herbert
... the cultured country beneath. We beheld the plants divided by zones, as the temperature of the atmosphere diminished with the elevation of the site. Below the Piton, lichens begin to cover the scorious and lustrous lava: a violet,* (* Viola cheiranthifolia.) akin to the Viola decumbens, rises on the slope of the volcano at 1740 toises of height; it takes the lead not only of the other herbaceous plants, but even of the gramina, which, in the Alps and on the ridge of the Cordilleras, form close neighbourhood ...
— Equinoctial Regions of America • Alexander von Humboldt
... compared with thirty per cent. for the remaining voices. In all the famous quartet organizations, Joachim, Hellmesberger, etc., the first violin has been the directing instrument and has set the pace. As chairman it has been his duty to say when second violin, viola and 'cello were entitled to hold the floor. Hellmesberger, in fact, considered himself the whole quartet." Mr. Kneisel smiled and showed me a little book of Hellmesberger's Vienna programs. Each program ...
— Violin Mastery - Talks with Master Violinists and Teachers • Frederick H. Martens
... peculiar structure, never sets a seed. Nearly all our orchidaceous plants absolutely require the visits of insects to remove their pollen-masses and thus to fertilise them. I find from experiments that humble-bees are almost indispensable to the fertilisation of the heartsease (Viola tricolor), for other bees do not visit this flower. I have also found that the visits of bees are necessary for the fertilisation of some kinds of clover; for instance twenty heads of Dutch clover (Trifolium repens) yielded 2,290 seeds, but twenty other heads, protected from bees, produced not one. ...
— On the Origin of Species - 6th Edition • Charles Darwin
... mature age and premature maternity of Mrs. Shakespeare justify inferences which his mysterious departure for London does not weaken, and his long absence, his infrequent visits to Stratford, the Duke's injunction to Viola—"let still the woman take An Elder than herself"—and the ironical bequest of his second best bed, ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... Durdlebury, Doggie Trevor began to feel appreciated. He could play the piano, the harp, the viola, the flute, and the clarionette, and sing a mild tenor. Besides music, Doggie had other accomplishments. He could choose the exact shade of silk for a drawing-room sofa cushion, and he had an excellent gift for the selection of wedding-presents. All in all, Marmaduke Trevor was a young gentleman ...
— The Literary World Seventh Reader • Various
... gesture that the observer almost forgot to notice the method of the mechanism and quite forgot that he was looking upon a fiction and a shadow. That her personation of Imogen, though more exalted in its nature than any of her works, excepting Isabella, would rival in public acceptance her Juliet, Viola, or Rosalind, was not to be expected: it was too much a passive condition—delicate and elusive—and too little an active effort. She woke into life the sleeping spirit of a rather repellant drama, and ...
— Shadows of the Stage • William Winter
... The story of Orsino, Viola, Olivia and Sebastian is to be found in the "Historie of Apolonius and Silla" as told by Barnabe Riche in the book Riche his Farewell to Militarie Profession. Riche took the tale from Bandello's Italian, or from de Belleforest's ...
— William Shakespeare • John Masefield
... along the High Street to Bridge House. Muriel Burnitt, escorted by Florrie and Viola Leach and the three little Andrews, was on in front, pluming herself upon her victory. The Careys had disappeared down the short cut to the Vicarage. Mavis hardly dared to look at Merle. The latter kept her face ...
— Monitress Merle • Angela Brazil
... to be a fiddle affair. Now I am free to say, if there is anything I hate, it is a fiddle. Hide it away under as many Italian coatings as you choose, viol, violin, viola, violone, violoncello, violoncellettissimo, at bottom it is all one, a fiddle; in its best estate, a whirligig, without dignity, sentiment, or power; and at worst a rubbing, rasping, squeaking, woollen, noisy nuisance that it sets teeth on edge to ...
— Gala-days • Gail Hamilton
... which is painted with an almost feminine tenderness. In Philaster, or Love Lies Bleeding, Euphrasia, conceiving a hopeless passion for Philaster—who is in love with Arethusa—puts on the dress of a page and enters his service. He employs her to carry messages to his lady-love, just as Viola, in Twelfth Night, is sent by the Duke to Olivia. Philaster is persuaded by slanderers that his page and his lady have been unfaithful to him, and in his jealous fury he wounds Euphrasia with his sword. Afterward, convinced of the boy's fidelity, ...
— Brief History of English and American Literature • Henry A. Beers
... Here, too, I noticed Meconopsis cambrica with orange flowers. Narcissus poeticus was also there, and so were some splendid thistles, large and rich in color. But the most remarkable part of the coloring in the meadows was produced by different shades of Viola cornuta carpeting the ground. We noticed this plant in many parts of the Pyrenees, ...
— Scientific American Supplement, No. 561, October 2, 1886 • Various
... amusement. For my part, I am rather disposed to believe, that the practice was dropped from the difficulty in finding fools able to do full justice to their parts: [Footnote: See Hamlet's praise of Yorick. In The Twelfth Night, Viola says:— This fellow is wise enough to play the fool, And to do that well craves a kind of wit; He must observe their mood on whom he jests, The quality of the persons, and the time; And like the haggard, check at every feather That comes before his eye. This ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... while following the reciting part, not kept time to, has especially to attend to the viola part, and to make it move, at the proper moment, from the F to the E, at the commencement of the second bar; because otherwise, as this part is executed by several instrumentalists playing in unison, some of them would hold ...
— The Orchestral Conductor - Theory of His Art • Hector Berlioz
... of a small farmer at Shottery, a little out of Stratford, whose house is still an object of pilgrimage for Shakespeare lovers. We have really no just ground for inferring, from the poet's early departure for London, that his married life was unhappy. The Duke in Twelfth Night (IV, iii) advises Viola against women's marrying men younger than themselves, it is true; but such advice is conventional. No one can tell how much the dramatist really felt of the thoughts which his characters utter. Who would guess from any words in I Henry IV, for instance, a play containing some of his richest ...
— An Introduction to Shakespeare • H. N. MacCracken
... the least prejudicing the growth of these creators of mould and soil. Among these plants we reckon a small ARBUTUS, a diminutive myrtle, a little dandelion, a small creeping CRASSULA, the common PINGUICULA alpina, a yellow variety of the VIOLA palustris, the STATICE armeria, or sea pink, a kind of burnet, the RANUNCULUS lapponicus, the HOLCUS odoratus, the common celery, with the ARABIS heterophylla. Soon after we observed, in places that ...
— A General History and Collection of Voyages and Travels, Volume 14 • Robert Kerr
... Coleridge declared that to see him was "reading Shakespeare by flashes of lightning." Readers of the dramatic criticism of Hazlitt and Lamb will recall tributes to Kean and to other favorite actors, especially perhaps their praise of Mrs. Jordan's Viola and Rosalind. Macready for forty years maintained the great traditions of English acting, and during his managements of Drury Lane sought to retain for Shakespeare's plays their preeminence on the stage. Associated with his many impersonations ...
— The Facts About Shakespeare • William Allan Nielson
... the orchestra recognized him as one of themselves; and as time went on, he was intrusted with the often needed miscellaneous musical instruments which form no part of the regular band of a boulevard theatre. For a very small addition to his stipend, Schmucke played the viola d'amore, hautboy, violoncello, and harp, as well as the piano, the castanets for the cachucha, the bells, saxhorn, and the like. If the Germans cannot draw harmony from the mighty instruments of Liberty, yet to ...
— Cousin Pons • Honore de Balzac
... VIOLA MEYNELL, is one of those books for which I cannot help feeling that my appreciation would have been keener two years ago than is possible to-day. It is the story of the growth to manhood of two brothers, Victor and Jimmy, who live with their widowed ...
— Punch, or the London Charivari, Vol. 150, January 12, 1916 • Various
... Rosalind. Whereas there is hardly a play that has not a perfect woman in it, steadfast in grave hope and errorless purpose: Cordelia, Desdemona, Isabella, Hermione, Imogen, Queen Katherine, Perdita, Silvia, Viola, Rosalind, Helena, and last, and perhaps loveliest, Virgilia, are all faultless: conceived in the ...
— Harvard Classics Volume 28 - Essays English and American • Various
... since it is the function of the critic to criticise, let us justify our role by noting that the scoring throughout tends to glutinousness, like that of the pre-war Carlsbad plum; further, that a solo on the muted viola against an accompaniment of sixteen sarrusophones is only effective if the sarrusophones are prepared to roar like sucking-doves, which, as LEAR would have said, "they seldom if ever do." Still, on the whole the Variations arrided ...
— Punch, or the London Charivari, Vol. 159, October 6, 1920 • Various
... arise. The varieties tending in a given direction are preserved, and the rest are destroyed. And the same process takes place among the varieties until, for example, the wild kale becomes a cabbage, or the wild Viola tricolor, a prize pansy. ...
— Evolution and Ethics and Other Essays • Thomas H. Huxley
... girl who lived year in and year out in a small country town was in no way provincial, for all her life she had been free of the company of the immortals. The Elizabethans she knew by heart, poetry was as daily bread. Rosalind in Arden, Viola in Illyria, were as real to her as Bella Bathgate next door. She had taken to herself as friends (being herself all the daughters of her father's house) Maggie Tulliver, Ethel Newcome, Beatrix Esmond, ...
— Penny Plain • Anna Buchan (writing as O. Douglas)
... its newer adjunct. And are the Bicentennial buildings so beautiful? At best we have exchanged the fraudulent wooden ramparts of Alumni Hall for the equally fraudulent inside columns of these newer buildings. It is a mercy that there is no style and changing fashion in elm trees. As Viola might have remarked about the Campus: it were excellently done, if ...
— Chimney-Pot Papers • Charles S. Brooks
... none other than the boy-actor for whom he created Viola and Imogen, Juliet and Rosalind, Portia and Desdemona, and Cleopatra herself. This was Cyril Graham's theory, evolved as you see purely from the Sonnets themselves, and depending for its acceptance ...
— Lord Arthur Savile's Crime and Other Stories • Oscar Wilde
... crows in like manner from a single pair of crows, while it was considered impossible that crows could have descended from rooks or vice versa. The "origin" of the first pair of each kind was a mystery. Similar remarks may be applied to our two common plants, the sweet violet (Viola odorata) and the dog violet (Viola canina). These also produce their like and never produce each other or intermingle, and they were therefore each supposed to have sprung from a single individual whose "origin" was unknown. But ...
— Darwinism (1889) • Alfred Russel Wallace
... orchestral shading and color which, still further developed by Wagner, Strauss and Tchaikowsky, have become conventional means of expression. Some of his most celebrated and satisfying works, in addition to those mentioned, are the Harold in Italy Symphony, with its personification by a solo viola of the chief character; the Romeo and Juliet Symphony, for both vocal and instrumental forces (of which the ball-scene with its wondrous love-melody and the Queen Mab Scherzo—unequalled for daintiness—represent ...
— Music: An Art and a Language • Walter Raymond Spalding
... had really been made ready for a dear young cousin of Lady Anne's, who had not lived to enjoy it. If Mary had only known, she owed something of Lady Anne's interest to the fact that her eyes were grey, like Viola's, her cheek ...
— Mary Gray • Katharine Tynan
... Manual, says: "Viola tricolor (pansy or heart's-ease) is common in dry or sandy soil. From New York to Kentucky and southward, doubtless only a small portion of the garden pansy ...
— Prairie Farmer, Vol. 56: No. 4, January 26, 1884 - A Weekly Journal for the Farm, Orchard and Fireside • Various
... Alice; the Merry Maids of Windsor Isabella; the Votaress Katharina and Bianca; the Shrew and the Demure Ophelia; the Rose of Elsinore Rosalind and Celia; the Friends Juliet; the White Dove of Verona Beatrice and Hero; the Cousins Olivia; the Lady of Illyria Hermione; the Russian Princess Viola; the Twin ...
— Notes and Queries, Number 58, December 7, 1850 • Various
... have a name? Then, O foolish one, so much I will tell you: Yesterday I was Helen, who launched a thousand ships and shook the topless towers of Ilium. To-day I am Rosalind in the forest of Arden, and to-morrow I may be Antigone, or Ariel or Viola, or what you will. I am what I make myself or choose to be. I pray ...
— Lady Larkspur • Meredith Nicholson
... door-attachment, by Phoebe R. Lamborne, West Liberty; photograph-album, Viola J. Angie, Spencer; step-ladder, Mrs. Mary J. Gartrell, Des Moines; baking-powder can with measure combined, Mrs. Lillie Raymond, Osceola; egg-stand, Mrs. M. E. Tisdale, Cedar Rapids; egg-beater, and self-feeding griddle-greaser, Mrs. Eugenia Kilborn, Cedar Rapids; tooth-pick holder, Mrs. Ayers, ...
— History of Woman Suffrage, Volume III (of III) • Various
... Viola, a young gentleman and lady of Messaline, were twins, and (which was accounted a great wonder) from their birth they so much resembled each other that, but for the difference in their dress, they could not be known apart. They were both born in one hour, and in one hour ...
— Tales from Shakespeare • Charles and Mary Lamb
... faithfully represented in the German version. This moon-stricken Pierrot chants—rather declaims—his woes and occasional joys to the music of the Viennese composer, whose score requires a reciter (female), a piano, flute (also piccolo), clarinet (also bass clarinet), violin (also viola), and violoncello. The piece is described as a melodrama. I listened to it on a Sunday morning, and I confess that Sunday at noon is not a time propitious to the mood musical. It was also the first time I had heard a note of Schoenberg's. In vain I had tried ...
— Ivory Apes and Peacocks • James Huneker
... equal to anything that any of our known poets could write, save Tennyson, of whom the strains sometimes remind us, although they are not imitations in any sense of the word. [The Reviewer next proceeds to quote, with a few words of comment, Christina Rossetti's "Sweet Death," John Tupper's "Viola and Olivia," Orchard's "Whit-Sunday Morn," and (later on) Dante Rossetti's ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... Schwabach a wagon, occupied by some strolling performers, overtook the traveller. They belonged to the better class, for they appeared before counts and princes, and were seven in number. The father and four sons played the violin, viola and reboc, and the two daughters sang to the lute and harp. The old man invited Adam to take the eighth place in the vehicle, so he counted his pennies, and room was made for him opposite Flora, called ...
— Uarda • Georg Ebers
... remarkable power and beauty. It is for 'rano, viola, first and second violin, and 'cello. It is divided into four movements: Allegro brillante; In moda d'una Marcia; Scherzo; and Allegro ...
— The Atlantic Monthly, Volume 15, No. 92, June, 1865 • Various
... performers included Madame Vestris, Signora Corn, Miss Symends (a native of this town, and who continued to sing here occasionally for twenty years), Signor Begrez (tenor), Signor Ambrogetti (buffo bass), Mr. R.N.C. Bocusa (harpist), Mr. Sha gool (violinist), Mr. Stanier (flautist), and Mr. Munde (viola player). The last two gentlemen were connected with this town until very late years. The chief novelty was the English version of Haydn's "Seasons," written by the Rev. John Webb, a local clergyman. ...
— Showell's Dictionary of Birmingham - A History And Guide Arranged Alphabetically • Thomas T. Harman and Walter Showell
... Allan promptly. "Everything's going beautifully. Philip's happy, and Angela's going to be gloriously dirty in a minute, which will give her nurse something to wash. You know how bitter Viola is about never getting the children ...
— The Wishing-Ring Man • Margaret Widdemer
... Love's Labour's Lost and the Midsummer-Night's Dream. Then came a time, lasting some half-dozen years, during which he composed the most mature and humorous of his English History plays (the plays with Falstaff in them), and the best of his romantic comedies (the plays with Beatrice and Jaques and Viola in them). There are no tragedies belonging to these half-dozen years, nor any dramas approaching tragedy. But now, from about 1601 to about 1608, comes tragedy after tragedy—Julius Caesar, Hamlet, Othello, King Lear, Timon of Athens, Macbeth, Antony and Cleopatra and Coriolanus; ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... you during the night." Her voice was retarded, scornful, viola-like. She sat down on the trunk of a ...
— A Voyage to Arcturus • David Lindsay
... exclaimed Vaura; "surely, Mrs. Haughton, you don't condemn, 'As you like it,' 'Much ado about nothing,' and the bill for to-night—and with brilliant Neilson! for their heaviness—I doubt if Rosalind, Beatrice, or Viola would agree with you, unless it be Viola, who may have found the Duke; so, thank Fate, our lovers are ...
— A Heart-Song of To-day • Annie Gregg Savigny
... farther away, it was almost immediately apparent that the singers were serenading Ortensia. It was no ordinary music, either; there were half-a-dozen fine voices and four or five stringed instruments, played with masterly skill—a violin, a 'viola d'amore,' and at least two or ...
— Stradella • F(rancis) Marion Crawford
... plots and characters to Spain, to France, and to the old English masters: but whatever our dramatists touched they tainted. In their imitations the houses of Calderon's stately and highspirited Castilian gentlemen became sties of vice, Shakspeare's Viola a procuress, Moliere's Misanthrope a ravisher, Moliere's Agnes an adulteress. Nothing could be so pure or so heroic but that it became foul and ignoble by transfusion through ...
— The History of England from the Accession of James II. - Volume 1 (of 5) • Thomas Babington Macaulay
... The Coronation is much better, and The Sea Voyage, with a kind of Amazon story grafted upon a hint of The Tempest, is a capital play of its kind. Better still, despite a certain looseness both of plot and moral, is The Coxcomb, where the heroine Viola is a very touching figure. The extravagant absurdity of the traveller Antonio is made more probable than is sometimes the case with our authors, and the situations of the whole join neatly, and pass trippingly. Wit at Several Weapons deserves ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... neat and as lasting as Blue Lobelia. It is a hardy annual, but the plants should be autumn sown of the year before. It flowers early and long, and its place might be taken for the autumn by scarlet dwarf nasturtiums, or clumps of geranium. Pink Catchfly, Blue Forget-me-not, White Arabis, and Yellow Viola would make gay any spring border. Then to show, to last, and to cut from, few flowers rival the self-colored pansies (Viola class). Blue, white, purple, and yellow alternately, they are charming, and ...
— Last Words - A Final Collection of Stories • Juliana Horatia Ewing
... Spenser's fairy forest. Through its wild ways Isoult la Desirous and Prosper le Gai go adventuring like Una and her Red Cross knight, or Enid and Geraint. Or, again, Isoult in her page's dress, and forsaken by her wedded lord, is like Viola or Imogen or Rosalind, or Constance in "Marmion," or any lady of old romance. Or sometimes again she is like a wood spirit, or an elemental creature such as was Undine. The invented place names, High March, Wanmeeting, Market Basing, etc., with their transparent air ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... have done in England, or one half of what it would cost in economical Spain. Yet even at so modest a price, Rizal was delayed in the publication until one fortunate morning he received a visit from a countryman, Doctor Maximo Viola, who invited him to take a pedestrian trip. Rizal responded that his interests kept him in Berlin at that time as he was awaiting funds from home with which to publish a book he had just completed, and showed him the manuscript. Doctor Viola was much interested and offered to use the ...
— Lineage, Life, and Labors of Jose Rizal, Philippine Patriot • Austin Craig
... minstrels, half of whom were—girls! How must the hearts of the illustrious West-Pointers have pit-a-patted with joy, and dilated with triumph, as they saw the Hutchinson troupe—Asa B., and Lizzie C., little Dennett and Freddy, naive Viola, melodeon and all—scampering back through the mud, bowed beneath the weight of their military displeasure! Per contra to this expulsion, be it remembered that it occurred within sight of the residence of a family, ...
— Woman's Work in the Civil War - A Record of Heroism, Patriotism, and Patience • Linus Pierpont Brockett
... plays in one without much connection. The Viola play is improbable. Why did Shakespeare omit that part of the story which tells us that Silla (Viola) had seen the Duke when he was shipwrecked on Cyprus where she lived, and had fallen in love with him? In the ...
— More Pages from a Journal • Mark Rutherford
... little Emma." A purer woman never lived. I knew that he was lying and told him so, but he was ready with a tale of time, place and circumstance and brazened it out. In like manner I have been told tales of Mary Anderson and Modjeska and Viola Allen—all of them lies. They were the tributes which my gentle friends, male and female, paid to success in their ...
— Volume 10 of Brann The Iconoclast • William Cowper Brann
... brought him a night's lodging and permission to leave his guitar. In the morning—for the following day was Sunday, and if he carried it with him, the police might arrest him for trying to play—he made a light breakfast on a roll, and went to the street where Viola lived, to see if he could meet her. As the bells were ringing, she came down the steps with her parents, and Nino followed at a respectful distance, until they went into church. Nino attempted to go in also; but the sombre ...
— Happy Days for Boys and Girls • Various
... of this game which the dolls could vary indefinitely. The dwarfs also gave concerts and taught her to play the lute, the viola, the theorbo, the lyre, and various ...
— Honey-Bee - 1911 • Anatole France
... winter vacation when Payson, Sr., fagged from his long day at the office sought the "Frolics" or the "Folies," Payson, Jr., might be seen at a concert for the harpsichord and viola, or at an evening of Palestrina or the Earlier Gregorian Chants. Had he been less supercilious about it this story would never have been written—and doubtless no great loss at that. But it is the prerogative of youth to be arrogantly merciless ...
— By Advice of Counsel • Arthur Train
... is ripe humanity, in Ophelia that same humanity broken down from within. As Viola, in "Twelfth Night" she is the woman let loose, to be bewitching in spite of herself; and here again her art is tested, and triumphs, for she is bewitching, and never trespasses into jauntiness on the one hand, or, on the other, into that modern sentiment which the theatre ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... of Mary Anderson in As You Like It: "Miss Anderson, superbly handsome as Rosalind, indicated that beneath her pretty swagger, nimble satire and silver playfulness Rosalind is as earnest of Juliet—though different in temperament and mind—as fond as Viola and as constant ...
— The Merry-Go-Round • Carl Van Vechten
... her grizzled hair parted above it and twisted to a large outstanding knob behind. She wore eyeglasses and peered through them at her music with intelligent intensity and profound humility. The violin was played by an enormous young man with red hair, and the viola, second violin and 'cello by three young women, all ...
— Tante • Anne Douglas Sedgwick
... date show that two organs existed in the Moravian Church, Broad St., Philadelphia, Pa., and that stringed instruments were used in the services, also that instruments (violin, viola da braccio, viola da gamba, flutes and French horns) were played for the first time in ...
— Annals of Music in America - A Chronological Record of Significant Musical Events • Henry Charles Lahee
... comedian; that is to say, Modjeska will take Mr. Robson's place in the "Two Dromios," and Robson will take Madame Modjeska's place in the great emotional play of "Camille." It is well known that Modjeska has a penchant for masculine roles, and her success as Rosalind and Viola leaves no room for doubt that she will give great satisfaction in the "Comedy of Errors." Mr. Robson has never liked female roles, but his falsetto voice, his slender figure, his smooth, rosy face, and his graceful, effeminate manners qualify him to a remarkable degree for the impersonation ...
— Eugene Field, A Study In Heredity And Contradictions - Vol. I • Slason Thompson
... family of Brie. He had not learned to read in his childhood. When he reached man's estate, he became a tree-pruner at Faverolles. His mother was named Jeanne Mathieu; his father was called Jean Valjean or Vlajean, probably a sobriquet, and a contraction of viola ...
— Les Miserables - Complete in Five Volumes • Victor Hugo
... our choir is so excellent—two violins, a viola, clarinet, 'cello, double bass, the trumpets and drums, and of course the ...
— The Christian - A Story • Hall Caine
... sighs, suspiros. As night advances, the cakes grow sweeter and the dances livelier, and the pretty national dances are at last introduced; though these are never seen to such advantage as when the peasants perform them on a Saturday or Sunday evening to the monotonous strain of a viola, the musician himself taking part in the complicated dance, and all the men chanting the refrain. Nevertheless they add to the gayety of our genteel entertainment, and you may stay at the party as long as you have patience,—if till four in the morning, ...
— Atlantic Monthly Volume 6, No. 37, November, 1860 • Various
... The Country Wife is borrowed from the Ecole des Maris and the Ecole des Femmes. The groundwork of the Plain Dealer is taken from the Misanthrope of Moliere. One whole scene is almost translated from the Critique de l'Ecole des Femmes. Fidelia is Shakspeare's Viola stolen, and marred in the stealing; and the Widow Blackacre, beyond comparison Wycherley's best comic character, is the Countess in Racine's Plaideurs, talking the jargon of English instead of ...
— Critical and Historical Essays Volume 2 • Thomas Babington Macaulay
... was not then obtained; the seed sown by these self-sacrificing angels of humanity will yet bring forth most glorious results. The efforts of the Hutchinson troupe of sweet singers in this direction will not be forgotten. John, the patriarch, with his bright son Henry and beautiful daughter Viola, made a musical trio whose soul-stirring songs were only excelled in purity of thought and delightful harmony of execution, by their intense, whole-hearted desire that the cause for which they prayed and sang with so much earnestness might be crowned ...
— History of Woman Suffrage, Volume II • Elizabeth Cady Stanton, Susan B. Anthony, and Matilda Joslyn Gage
... he writes until you meet him. Nothing in the world could make me tell you." She was all frankness and animation, and her guest told himself that she was of a great charm. They fell into professional talk. She spoke of her husband's talents; how he had played the viola in quartet parties; of his successful lecture, "The Inutility of Wagner," ...
— Melomaniacs • James Huneker
... Cantata, with Recitative; there is also a Song with recitative among the German ones. A Song with pianoforte accompaniment, 8 ducats. An Elegy, four voices, with the accompaniment of two violins, viola, and violoncello, 24 ducats. A Dervise Chorus, with full orchestra, ...
— Beethoven's Letters 1790-1826 Vol. 2 • Lady Wallace
... was especially acceptable to a southern audience.[110] One of the most eloquent speakers was General Robert R. Hemphill, member of the South Carolina legislature. Among the able and interesting southern delegates Laura Clay and Josephine K. Henry, of Kentucky, and A. Viola Neblett and Helen Lewis Morris, of North Carolina, were especial favorites. After the convention a mass meeting was held in the courthouse, which was crowded with an enthusiastic audience. Mrs. M. L. McLendon, president of the Atlanta Club, requested Miss Anthony ...
— The Life and Work of Susan B. Anthony (Volume 2 of 2) • Ida Husted Harper
... Henry and lovely daughter Viola—were giving a series of concerts, travelling in a handsome carriage drawn by a span of white horses. As they had one vacant seat, they were carrying Rev. Olympia Brown, a talented Universalist minister from Massachusetts, who had been canvassing the State for several months, and she spoke ...
— The Life and Work of Susan B. Anthony (Volume 1 of 2) • Ida Husted Harper
... their surroundings, when the Police-Commissary Per[vs]i['c] came up to him and asked for his passport. "Take yourself off!" shouted the intruder, as he pulled a bomb out of his trouser pocket. Per[vs]i['c] grappled with him and soon overpowered him. And outside the house four other fascisti, Armano Viola, Carpinelli, Bellia and Murolo, were captured. They claimed to be journalists, and it is quite true that Viola is on the staff of the notorious Vedetta Italiana; but when he comes into a foreign country as a ...
— The Birth of Yugoslavia, Volume 2 • Henry Baerlein
... of my book on Variation? I am involved in a multiplicity of experiments. I have been amusing myself by looking at the small flowers of Viola. If Oliver (Shortly afterwards he wrote: "Oliver, the omniscient, has sent me a paper in the 'Bot. Zeitung,' with most accurate description of all that I saw in Viola.") has had time to study them, he will have seen the curious case (as ...
— The Life and Letters of Charles Darwin, Volume II • Francis Darwin
... front to put others in the wrong, and keep the honours to herself. Now, after a momentary pause, she skimmed lightly on to another phase of the subject. "What should you say was the character and life history of a woman who could call her eldest child 'Daniel,' the second 'Viola Imogen,' and the third and fourth 'Hannah' ...
— A College Girl • Mrs. George de Horne Vaizey
... and left a son. At his funeral Chabrier said, "His family, his pupils, his immortal art: viola all his life!" But Auber, though too timid to marry or even to conduct his own works, was brave enough to earn the name ...
— The Love Affairs of Great Musicians, Volume 2 • Rupert Hughes
... Hampton Institute, I continued to work for a few months longer in the coal-mine. While at work there, I heard of a vacant position in the household of General Lewis Ruffner, the owner of the salt-furnace and coal-mine. Mrs. Viola Ruffner, the wife of General Ruffner, was a "Yankee" woman from Vermont. Mrs. Ruffner had a reputation all through the vicinity for being very strict with her servants, and especially with the boys who tried ...
— Modern American Prose Selections • Various
... ginochione nel tempio (Idomeneus, kneeling in the temple).' That will never do; he must come with all his following. That necessitates a march, and I have composed a very simple one for two violins, viola, bass and two oboes, which is to be played a mezza voce, during which the King enters and the priests make the preparations for the sacrifice. Then the King sinks on his knees and begins his prayer. In Electra's recitative, after the subterranean voice, the word 'Partono ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... Clarke County. Milly and Charley Green was my mammy and pappy and dey b'longed to Marse Daniel Miller. Mammy, she was born and raised in Clarke County but my pappy, he come from southwest Georgia. I done forgot de town whar he was brung up. Dere was seven of us chillun: me and Viola, Lula, Fannie, Rene, Bob, and Isaac. Chillun what warn't big 'nough to wuk in de fields or in de house stayed 'round de yard and played in de sand piles ...
— Slave Narratives: A Folk History of Slavery in the United States - Volume II. Arkansas Narratives. Part I • Work Projects Administration
... Garlands A. Mary F. Robinson Time Long Past Percy Bysshe Shelley "I Remember, I Remember" Thomas Hood My Lost Youth Henry Wadsworth Longfellow "Voice of the Western Wind" Edmund Clarence Stedman "Langsyne, When Life Was Bonnie" Alexander Anderson The Shoogy-Shoo Winthrop Packard Babylon Viola Taylor The Road of Remembrance Lizette Woodworth Reese The Triumph of Forgotten Things Edith M. Thomas In the Twilight James Russell Lowell An Immorality Ezra Pound Three Seasons Christina Georgina Rossetti The Old Familiar Faces Charles Lamb The Light of ...
— The Home Book of Verse, Vol. 1 (of 4) • Various
... nymphis serta Lycoride, Rosae ruborem sic viola adjuvat Iramista, sic Iris refulget ...
— Dr. Johnson's Works: Life, Poems, and Tales, Volume 1 - The Works Of Samuel Johnson, Ll.D., In Nine Volumes • Samuel Johnson
... into the restaurant there was a faint murmur of delighted surprise from the tables they passed; and one stout, but sentimental baroness cried, "Viola des seraphin!" ...
— The Admirable Tinker - Child of the World • Edgar Jepson
... of certain novelists that they write at the top of their voices, so, I think, one might describe Miss VIOLA MEYNELL as writing in a whisper. This certainly is the effect that Modern Lovers (SECKER) produced upon me. The gentle method of it invested the story—which of itself is a very slight thing—with an odd significance almost impossible to communicate in criticism; but the reading of a few pages ...
— Punch, Or The London Charivari, Vol. 146., January 14, 1914 • Various
... serta Lycoride, Rosae ruborem sic viola adjuvat Immista, sic Iris refulget AEthereis ...
— Life Of Johnson, Vol. 1 • Boswell, Edited by Birkbeck Hill
... seems astonishing that girls can be kept as slaves. However, the above appeal for help tells the story, not alone of the writer, but of the thousands of girls whose lives are being crushed, the minds depraved, and the bodies diseased by outrageous bondage. It was discovered that Viola had been given a fictitious name, all avenues of communication with the outside world were cut off, and she had lived in constant fear of being beaten if she let anyone know who she was. At last through a ruse she succeeded in getting letters ...
— Fighting the Traffic in Young Girls - War on the White Slave Trade • Various
... me—never so prove its soul-rousing power, its impossibility of statement. Especially in the rendering of one of Beethoven's master septettes by the well-chosen and perfectly-combined instruments (violins, viola, clarionet, horn, 'cello and contrabass,) was I carried away, seeing, absorbing many wonders. Dainty abandon, sometimes as if Nature laughing on a hillside in the sunshine; serious and firm monotonies, as of winds; a horn sounding through the ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman
... to have a "chest of viols," which consisted of six, viz., two trebles, two tenors, and two basses (see note in North's "Memoirs of Musick," ed. Rimbault, p. 70). The bass viol was also called the 'viola da gamba', because it was ...
— Diary of Samuel Pepys, Complete • Samuel Pepys
... Thei knowe noght Cupides art: For his fortune and his aprise Desdeigneth alle coveitise And hateth alle nygardie. And forto loke of this partie, A soth ensample, hou it is so, I finde write of Babio; Which hadde a love at his menage, Ther was non fairere of hire age, 4810 And hihte Viola be name; Which full of youthe and ful of game Was of hirself, and large and fre, Bot such an other chinche as he Men wisten noght in al the lond, And hadde affaited to his hond His servant, the which Spodius Was hote. And in this wise thus The worldes ...
— Confessio Amantis - Tales of the Seven Deadly Sins, 1330-1408 A.D. • John Gower
... but no one would wish to miss a bar of any other portion. The king's reproaches of his friend and vassal for his treachery, and the music with its gloomy orchestration, mostly of horns, bassoons, viola, and lower strings, with occasional English horn, and the deepest notes of the clarinet interspersed with wails of the bass-clarinet, are profoundly touching and proceed naturally out of the situation. Had there been nothing more than these it might have been much shorter, but ...
— Wagner's Tristan und Isolde • George Ainslie Hight
... Sarah. Poor Sarah had lost a large part of the small wit she had originally owned several years before, when her youngest daughter, aged four, died. All the babies that had arrived since had not consoled her for the death of that little lamb, by name Viola May, nor restored her full measure of under-wit. Poor Sarah Thomas had spied adorable little Lucy separated from her mates by chance for a few minutes, picking wild flowers, and had seized her in forcible but loving arms and carried her ...
— The Copy-Cat and Other Stories • Mary E. Wilkins Freeman
... Gnaphalium Sylvaticum (high land cudwort), Hieracium Umbellatum (narrow-leaved hawk weed), Alnus Glutinosa (common alder), Juncus Acutiflorus (sharp-flowered rush), Anagallis Pallida (pale-coloured pimpernel), Pedicularitis Sylvatica (dwarf red rattle), Pinguicola Vulgaris (common butter-wort), Viola Flavicornis, also called V. Ericetorum (yellow-horned violet). {31} The Cichorium (succory) and Parnassia Palustris (grass of Parnassus) are found in the neighbourhood. The Myrica (“Gale” or bog-myrtle) is very abundant, and a useful preventive against the moth if placed in wardrobes or ...
— Records of Woodhall Spa and Neighbourhood - Historical, Anecdotal, Physiographical, and Archaeological, with Other Matter • J. Conway Walter
... comedies immediately preceding the Hamlet period. In the latter plays we find the heroines, by their sweet womanly guidance and gentle but firm control, triumphantly bringing good out of evil in spite of adverse circumstance. Beatrice, Rosalind, Viola, Helena, and Isabella are all, not without a tinge of knight-errantry that does not do the least violence to the conception of tender, delicate womanhood, the good geniuses of the little worlds in which their influence is made to be felt. Events must inevitably have gone tragically ...
— Elizabethan Demonology • Thomas Alfred Spalding
... doubt that man must go on conquering and to conquer for millions of years to come? The world-will goes its way. We cannot resist. Nobody asks whether we are happy. The will that works towards the infinite asks only whom it can use for its ends, and who is useless. Viola tout." ...
— The Great Hunger • Johan Bojer
... sixteenth century organ, which had lately come into his possession, and which he could see at the end of the room on a slightly raised platform. Its beautiful shape, and the shape of the old instruments, vaguely perceived, lent an enchantment to the darkness. In the corner was a viola da gamba, and against the walls a harpsichord ...
— Evelyn Innes • George Moore
... striking resemblance to her brother Fergus; so much so, that they might have played Viola and Sebastian with the same exquisite effect produced by the appearance of Mrs. Henry Siddons and her brother, Mr. William Murray, in these characters. They had, the same antique and regular correctness of profile; the same dark eyes, eyelashes, and eyebrows; the same clearness of complexion, excepting ...
— Waverley • Sir Walter Scott |
