"Talma" Quotes from Famous Books
 ... with its schools of the classical and the romantic, has tempted me to a higher flight than I could have believed possible, let us descend to the theatres of Paris. Talma was still playing last year, when we arrived, and as in the case of repentance, I put off a visit to the Theatre Francais, with a full determination to go, because it might be made at any time. In the meanwhile, he fell ill and died, and it never was my good fortune to see that great actor. Mademoiselle ...
— Recollections of Europe • J. Fenimore Cooper
... men. Cooke, as far as I have been able to learn, (I never saw him,—I had once an engagement to meet him in Philadelphia, but he was drunk at the time, and disappointed me,) was perfectly natural. So I suppose Kean to have been. So Garrick was, and Talma. And the secret of the influence of these men was, that they burst the bonds of art and histrionic trick, and stood before their audience in their untrammelled natural strength. Garrick, at his first appearance, could not command an audience. It was first necessary ...
— The Atlantic Monthly, Volume 20, No. 121, November, 1867 • Various
... him with open arms, and gave the delighted youth a ticket to hear Talma. He was privileged to go behind the scenes between the acts, and converse with the actors. He was filled with delight. Talma saw him, and at once pronounced him a genius. In his memoirs, he declares that he said, "Alexander Dumas, I baptize you a poet, in the name of Shakspeare, Corneille, ...
— Paris: With Pen and Pencil - Its People and Literature, Its Life and Business • David W. Bartlett
... maintains that people should say ormoires, because women put away their gold and their dresses and moire in those articles of furniture, and that it is only a corruption of the language to say armoires. Potier, Talma, and Mademoiselle Mars were ten times millionaires, and did not live like other human beings; the great tragedian ate raw meat, and Mademoiselle Mars sometimes drank dissolved pearls, in imitation of a celebrated Egyptian actress. The Emperor ...
— Rise and Fall of Cesar Birotteau • Honore de Balzac
... the simple fulness of the original, tortured and twisted into such miserable intricacy, that even when the language is retained word for word, it ceases to convey its genuine meaning. The crowd which these tragedies attracted, especially from their affording an unusual room to the inimitable Talma for the display of his art, must be looked upon as no slight symptom of the people's dissatisfaction with their old works, and the want of ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... display the mimic wealth of that treasure which we are about to reveal to him! In order to counterfeit the passion whose fire is to make you a new man in the presence of your wife, you will require all the cunning of Talma. ...
— The Physiology of Marriage, Part II. • Honore de Balzac
... resembling those of Kemble, fitted to give full effect to the declamations in which they abound, and to the representation of characters of heroic virtue, elevated above the influence of earthly passions. The appearance of Talma is very different from this, and certainly has by no means the uniform dignity and ...
— Travels in France during the years 1814-1815 • Archibald Alison
... that they saw Talma perform, and years after, in her little rooms in Lady's Field at Norwich, Mrs. Opie, in her Quaker dress, used to give an imitation of the great actor and utter a deep 'Cain, Cain, where art thou?' To which Cain ...
— A Book of Sibyls - Miss Barbauld, Miss Edgeworth, Mrs Opie, Miss Austen • Anne Thackeray (Mrs. Richmond Ritchie) |
