"Sepia" Quotes from Famous Books
 ... brandaris one element only has been found: it is an oxide, which has received the name of oxyde tyrien.[820] No naturalist has as yet discovered what purpose the liquid serves in the economy, or in the preservation, of the animal; it is certainly not exuded, as sepia is by the cuttle-fish, to cloud the water in the neighbourhood, and enable the creature ...
— History of Phoenicia • George Rawlinson
... the United States National Museum and the Museum of Princeton University, fine collections of their work are to be seen. These collections generally consist of cape and body blankets made of the wool of the white mountain-goat. The colors are white, black, blue and yellow. The black is a rich sepia, obtained from the devil-fish; the blue and yellow colors coming from two barks grown in the Alexandrian archipelago. The white is the native color and the fringe of both cape and blanket is undyed. To strengthen and give solidity to the ...
— The Grand Canyon of Arizona: How to See It, • George Wharton James
... your Scotch friend in his estimate of Forbes, and if he were alive and the controversy beginning, I should say draw your picture in your best sepia or lampblack. But I have been thinking over this matter a good deal since I received your letter, and my verdict is, leave that tempting piece of ...
— The Life and Letters of Thomas Henry Huxley Volume 2 • Leonard Huxley
... been placed in conjunction with the Sepia to suggest the possibility of confusion with a conventionalized drawing of the latter in the blending of the symbolism of the water-jar and cephalopods in Western Asia and ...
— The Evolution of the Dragon • G. Elliot Smith
... looked about for something else, the sketch he had made of Simonetta on that last day. When he had found it, he rolled it straight and set it on his easel. It was not the first charcoal study he had made from life, but a brush drawing on dark paper, done in sepia-wash and the lights in white lead. He stood looking into it with his hands clasped. About half a braccia high, faint and shadowy in the pale tint he had used, he saw her there victim rather than Goddess. Standing timidly and wistfully, shrinking rather, veiling herself, maiden-like, ...
— Earthwork Out Of Tuscany • Maurice Hewlett
... in her reading. But often she laid the book absent-mindedly in her lap to listen with an ear turned toward the bed, and often, too, she looked out into the spreading softness of golden-green laced through by dove-gray and sepia-brown branches on which played baffling reflexes ...
— The Roof Tree • Charles Neville Buck
... place with bitumen, are capable of rendering very beautiful half tones, both on polished zinc and on albumenized paper. These sensitive substances are extracted by dissolving marine glue or coal-tar in benzine. By exposure to light, both marine-glue and coal-tar turn of a sepia color, and, in a printing-frame, they render a visible image, which is not the case with bitumen; their solvents are in the order of their energy; chloroform, ether, benzine, turpentine, petroleum spirit, ...
— Scientific American Supplement, No. 286 - June 25, 1881 • Various
... material or method of production, how absolutely dependent on rightness of place and depth,—there are now before you instances enough to prove. Here is Duerer's work in flat colour, represented by the photograph in its smoky brown; Turner's, in washed sepia, and in mezzotint; Lionardo's, in pencil and in chalk; on the screen in front of you a large study in charcoal. In every one of these drawings, the material of shadow is absolutely opaque. But photograph-stain, ...
— Lectures on Art - Delivered before the University of Oxford in Hilary term, 1870 • John Ruskin
... ventricosus, and differs entirely in its shade, when diluted, from that of the Loligo sagittata, as may be seen from specimens of these three colours on drawing paper. Swammerdam suspected the China ink to be made from that of the Sepia; Cuvier found it more like that of the Octopus and Loligo; but different kinds of that substance are brought from China, probably made from different genera of these animals, where they abound of gigantic size." At the present day, according to Cuvier, an ink is prepared ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 20, - Issue 566, September 15, 1832 • Various
... stencilled design of pine cones in shaded browns, draped the windows, and in the wide fireplace a fire was laid ready for lighting. The low mantelpiece above it held only three brass candlesticks with bayberry candles, and above it, beautifully lettered in sepia, were the words, ...
— The Torch Bearer - A Camp Fire Girls' Story • I. T. Thurston
... some new ties and socks and shirts, and a brand new Stetson, for Dinky-Dunk's old hat is almost a rag-bag. And I ordered half a dozen of the newer novels and a set of Herbert Spencer which I heard him say he wanted, and a sepia print of the Mona Lisa (which my lord says I look like when I'm planning trouble) and a felt mattress and a set of bed-springs (so good-by, old sway-backed friend whose humps have bruised me in body and spirit this many a night!) and a dozen big oranges and three dozen ...
— The Prairie Wife • Arthur Stringer
... hypo. is not absolutely necessary; and where it is desired to obtain fine olive, and dark sepia, and black tints, a better tone results from washing well, long, and ...
— Notes and Queries, Number 192, July 2, 1853 • Various
... should take a gloomy view of things. His masterpiece. "The Shot Tower from Battersea Bridge," together with the companion picture "Battersea Bridge from the Shot Tower," had been purchased by a dealer for seventeen and sixpence. His sepia monochrome, "Night," had brought him an I.O.U. for five shillings. These were his sole earnings for the last six weeks, and starvation ...
— Happy Days • Alan Alexander Milne
... N. brown &c. adj. bister[obs3][Pigments], ocher, sepia, Vandyke brown. V. render brown &c. adj.; tan, embrown[obs3], bronze. Adj. brown, bay, dapple, auburn, castaneous[obs3], chestnut, nut- brown, cinnamon, russet, tawny, fuscous[obs3], chocolate, maroon, foxy, tan, brunette, ...
— Roget's Thesaurus
... advanced into the circle of light. She was a small, slight woman, though the furs she was wearing served to conceal the slenderness of her figure. Someone had once said of her that "Mrs. Grey was a charming study in sepia." The description was not inapt. Eyes and hair were brown as a beechnut, and a scattering of golden-brown freckles emphasised the warm tints of a ...
— The Lamp of Fate • Margaret Pedler |
