"Sculptor" Quotes from Famous Books
 ... the centre of the garden stood a small, white building, severely classical in architecture, and surrounded by thickets of flowers. Six Ionic columns supported the roof, and the single door was of bronze. A splendid marble group of the "Fates" stood before the door, the work of a young American sculptor, Boris Yvain, who had died in Paris when ...
— The King In Yellow • Robert W. Chambers
... part of her creditor. Derues reassured her; a lady, he said, who had been stopping with them was returning to the country. The creditor departed. Later in the day Derues came out of the house and summoned some porters. With their help the heavy trunk was taken to the house of a sculptor, a friend of Derues, who agreed to keep it in his studio until Derues could take it down to his place in the country. Bertin came in to dinner again that evening, and also the young de Lamotte. Derues was ...
— A Book of Remarkable Criminals • H. B. Irving
... done the illustrator's strongest asset is spirit. Technique and a grain of insight will help a man over many a rut in portraiture, and a knowledge of patting clay and using a chisel has saved many a sculptor, but technical equipment alone never made an illustrator, because he deals too directly with life in action. Slack drawing and impatience of method will always be pardoned in an illustrator, if his ...
— The Building of a Book • Various
... crave pardon, your Highness, and you lords of the Supreme Council, that is all I have to tell. I love the glass, and I can make light things of it in good design, because I love it, as the painter loves his colours and the sculptor his marble. Give me glass, and I will make coloured air of it, and gossamer and silk and lace. It is all I know, it is my art, I live in it, I feel in it, I dream in it. To my thoughts, and eyes and hands, it is what the love of a fair woman is to the heart. While ...
— Marietta - A Maid of Venice • F. Marion Crawford
... Florence Burton, at once declared to himself that she was plain. Anything more unlike Julia Brabazon never appeared in the guise of a young lady. Julia was tall, with a high brow, a glorious complexion, a nose as finely modelled as though a Grecian sculptor had cut it, a small mouth, but lovely in its curves; and a chin that finished and made perfect the symmetry of her face. Her neck was long, but graceful as a swan's, her bust was full, and her whole figure ...
— The Claverings • Anthony Trollope
... the company has already forgotten. So far as we have learned, not an order for any memorial sculpture of Lincoln has been given in the whole country, and we believe that only one design by an American sculptor has been offered for the Springfield monument. There is time, however, to multiply designs; for the subscription, having reached a scant fifty thousand dollars, rests at that ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various
... writings inscribed on the walls. There are two out of eight such busts. It is also represented by two figures, a symbolic Statue of History, and a bronze Statue of Herodotus, both by Daniel Chester French, the sculptor, ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... all others pervading Mr. Fechter's assumptions. Himself a skilled painter and sculptor, learned in the history of costume, and informing those accomplishments and that knowledge with a similar infusion of romance (for romance is inseparable from the man), he is always a picture,—always a picture in ...
— Miscellaneous Papers • Charles Dickens
... the sore place; "but ain't he fit?" he added, delightedly. And fit he looked. Four years of hard work and clean living had done for him everything that it lies in years to do. They had made of the lank, raw, shanty lad a man, and such a man as a sculptor would have loved to behold. Straight as a column he stood two inches over six feet, but of such proportions that seeing him alone, one would never have guessed his height. His head and neck rose above his square shoulders with perfect symmetry ...
— The Man From Glengarry - A Tale Of The Ottawa • Ralph Connor
... photoplay is still something which simply imitates the true art of the drama on the stage. May it not be, on the contrary, that it does not imitate or replace anything, but is in itself an art as different from that of the theater as the painter's art is different from that of the sculptor? And may it not be high time, in the interest of theory and of practice, to examine the esthetic conditions which would give independent rights to the new art? If this is really the situation, it must be a truly fascinating problem, as it would give the chance to watch the ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... Sedan, in Zola's "Debacle," who, while conscious of the strength behind him, yet wanted his involuntary hosts to know that he, too, had been to Paris and knew how to be a galant homme. Men tell you "they've put up a mighty good fight, say!" or speaking of the young French sculptor allowed to go on with his work in the prison camp at Zossen, or the flower-beds in front of the French barracks there—"but, of course, the French are an artistic people. You can allow them liberties like that." Every now and then in the papers one runs across ...
— Antwerp to Gallipoli - A Year of the War on Many Fronts—and Behind Them • Arthur Ruhl
... a statesman we must know something of the world in which he lived. That is his material, out of which he tries to embody his ideals as the sculptor carves his out of marble. We are constantly under the illusions of time. Some critics say, for instance, that Washington fitted so perfectly the environment of the American Colonies during the last half of the eighteenth century, that he was the direct product of that environment; ...
— Theodore Roosevelt; An Intimate Biography, • William Roscoe Thayer
... some travelling Americans are! There is one nouveau riche from New-York, who has been going about all over Germany, asking every body for the sculptor—he thinks his name was METTERNICH—whose most famous work was the Status quo! He wants one of these, he says, for his jardin des plantes; which is going to be as big as the one near Paris. He has also heard of the Marquis of BUTE; and wants to buy one or two of his things; ...
— Punchinello, Vol. 1, No. 8, May 21, 1870 • Various
... little ashamed of the part he had played in the dispute; he felt that he had gone a bit further than he should. But his instinctive dislike to Palmer had grown day by day. The man's face, that index to character, had repulsed him when they first met. There are lines in the face chiseled by a sculptor who never makes a wrong stroke. The face is a truthful record of our vices and virtues. It is a map of life that outlines character so clearly that there is no getting away from the story it tells. The face ...
— Watch Yourself Go By • Al. G. Field
... flabby when the first bloom is over. The absurdity of this suggestion raises a smile, and a query as to the experience which its author must have had. For any person who has lived in Japan must have seen individuals of both sexes, whom the most fastidious painter or sculptor would ...
— Evolution Of The Japanese, Social And Psychic • Sidney L. Gulick
... moulding this proud and passionate woman to his will, as the sculptor moulds the clay which is to take the form of ...
— Run to Earth - A Novel • M. E. Braddon
... Alden Partridge. Besides attending to the more immediate duties of his position, he wrote while here a prize Essay on Duelling; a Discussion of the Genius of Coleridge; The Moral Power of the Poet, Painter, and Sculptor, contrasted, and many contributions in verse and prose to the public journals, under the signature of "Bertram." In 1828 he resigned his professorship, and settled in Washington, as editor of the American Spectator, a weekly gazette which he conducted with industry, and such ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... tired as she came up the path in the strong sunlight; and in striking contrast to her sat Miss Custer in the sheltered veranda, with her cool gray draperies flowing about her in the most graceful folds that could be imagined, as though a sculptor's hand had arranged them. Her dress was cut so as to disclose her white throat rising, swan-like, above a ruffling of soft yellow lace; and her sleeves, flaring a little and short enough to reveal a good deal of the exquisitely-moulded arms, were edged with the same costly trimming, throwing a creamy ...
— Lippincott's Magazine, Vol. 26, August, 1880 - of Popular Literature and Science • Various
... fastened little laminae, which represented so many Greek letters. This hint of his own suggested to him to draw lines from one hole to another; and he beheld the amethyst reveal the name of the sculptor, and the frieze of the temple the name of the god! This curious discovery has been since frequently applied; but it appears to have originated with this great antiquary, who by his learning and sagacity explained a supposed hieroglyphic, ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli
... fear had fallen from her, she spoke of the prophecy to her daughter, who nursed me at the breast now that my mother was dead. She did this as they walked together in the desert carrying food to the husband of the daughter, who was a sculptor, and shaped effigies of the holy Gods in the tombs that are fashioned in the rock—telling the daughter, my nurse, how great must be her care and love toward the child that should one day be Pharaoh, and drive the Ptolemies from Egypt. But the daughter, ...
— Cleopatra • H. Rider Haggard
... most beautiful creatures of all Greece; or that Alexander or Caesar ever wished to be deprived of the grandeur of their glorious exploits in war, for the convenience of children and heirs, how perfect and accomplished soever. Nay, I make a great question, whether Phidias or any other excellent sculptor would be so solicitous of the preservation and continuance of his natural children, as he would be of a rare statue, which with long labour and study he had perfected according to art. And to those furious and irregular ...
— The Essays of Montaigne, Complete • Michel de Montaigne
... pleasant vegetable to be acquainted with. They grow in the forms of urns and vases,—some shallow, others deeper, and all with a beautifully scalloped edge. Almost any squash in our garden might be copied by a sculptor, and would look lovely in marble, or in china; and, if I could afford it, I would have exact imitations of the real vegetable as portions of my dining-service. They would be very appropriate dishes for holding garden-vegetables. ...
— The Atlantic Monthly, Volume 18, No. 105, July 1866 • Various
... this. Although your painter may drop hints for the soul, let him not strain above his pitch lest he crack his larynx. To his colour he may add form in the flat; but he cannot escape the flat, however he may wriggle, any more than the sculptor can escape the round, scrape he never so wisely. Buonarroti will scrape and shift; the Fleming has scraped and shifted all his days to as little purpose. His seed-pearls invite your touch. Touch them, my friend, you will ...
— Earthwork Out Of Tuscany • Maurice Hewlett
... could handle them as dexterously as any disciple of Isaac Walton or of Nimrod could desire. True, she was not what is generally termed a beauty: her features, though not coarse, were scarcely those a sculptor or a painter would desire to have before him while completing his "Venus" for the next fine-art exhibition. In her short stout figure and determined look were indications of a strong-minded woman. Miss Bloomer, having lost her mother in early life, and her father being devoted to the chase, ...
— The Mysteries of All Nations • James Grant
... autumn, and the air filled with brown and golden leaves that tossed on a frozen wind. Miller ran by two boys lying on a lawn, petrified into a modern counterpart of the sculptor's "The Wrestlers." The sweetish tang of burning leaves brought a thrill of terror to him; for, looking down an alley from whence the smoke drifted, he saw a man tending a fire whose leaping flames were red tongues that did ...
— The Day Time Stopped Moving • Bradner Buckner
... was rather soft than stern, charming than grand, pale than flushed; his nose—if a sketch of his features be de rigueur for a person of his pretensions—was artistically beautiful enough to have been worth doing in marble by any sculptor not over-busy, and was hence devoid of those knotty irregularities which often mean power; while the double-cyma or classical curve of his mouth was not without a looseness in its close. Nevertheless, either from his readily appreciative mien, or his reflective ...
— The Woodlanders • Thomas Hardy
... or not, it is certain that the present figures must be all regarded as modern, since the eight actually left have been, with the exception of St. John the Baptist, very much restored. Redfern, the well-known sculptor, is responsible for the present statues. If not possessing the vigour of the old work, which from fragments in other parts of the building was certainly superior to these modern additions, yet they are creditable in design and ...
— Bell's Cathedrals: The Cathedral Church of Salisbury - A Description of its Fabric and a Brief History of the See of Sarum • Gleeson White
... the greatest American sculptor, has yet achieved in his art the most American things ever done in it, is J. Q. A. Ward, the author of the "Indian Hunter," and many other noble if less native works. He was born at Urbana, in Champaign County, of the old pioneer stock; and ...
— Stories Of Ohio - 1897 • William Dean Howells
... the pretty colour who has crossed the room to speak to him is the best known writer of New England romance. That shy-looking fellow standing against the curtain at your right, with the brown mustache and broad forehead, is the New England sculptor whose forcible creations are known everywhere, yet he is almost shrinkingly modest, and he never, it seems, even in thought, has broken the injunction of "Let another praise thee, ...
— People of the Whirlpool • Mabel Osgood Wright
... York, Thom, the self-taught and celebrated Scottish sculptor. His "Tarn O'Shanter," and "Old Mortality," obtained for him a wide-spread fame in Great Britain and the United States ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... stand behind contemporaries in the church of Voltaire's foundation, while the archpriest of Ferney prostrates himself with iterated formula, "Te Cathariniam laudamus, te Dominam confitemur." For St. Catharine was an interested reader of that correspondence of Diderot's with her sculptor Falconet, whose theme is the solidity of posthumous fame. Rulihiere had already written an account of the events of 1762, of which he had been an eye-witness; she had tried first to buy him, and then to have him thrown into the Bastille. She will ...
— The Great Events by Famous Historians, v. 13 • Various
... good, they shall have this power some day; for I do think that many things we call differences in kind, may in God's grand scale prove to be only differences in degree. And indeed the artist—by artist, I mean, of course, architect, musician, painter, poet, sculptor—in many things requires it just as much as the most helpless and dumb of his brethren, seeing in proportion to the things that he can do, he is aware of the things he cannot do, the thoughts he cannot express. Hence arises ...
— The Seaboard Parish Vol. 3 • George MacDonald
... most obvious phase a tendency of which the earlier effects are less pronounced. In the sarcophagus of the Sidonian king Eshmu-'azar II, which is preserved in the Louvre,(1) we have indeed a monument to which no Semitic sculptor can lay claim. Workmanship and material are Egyptian, and there is no doubt that it was sculptured in Egypt and transported to Sidon by sea. But the king's own engravers added the long Phoenician inscription, in which he adjures princes and ...
— Legends Of Babylon And Egypt - In Relation To Hebrew Tradition • Leonard W. King
... of a neighboring county still skates in victorious pursuit of us, (fit emblem of swift-footed justice!) on the black ice of the same lovely lake. Our imagination crowns the Cambridge poet, and the Cambridge sculptor, not with their later laurels, but with the willows out of which they taught us to carve whistles, shriller than any trump of fame, in the happy days when Mount Auburn was Sweet ...
— Atlantic Monthly, Vol. 1, No. 5, March, 1858 • Various
... a tendency to judge a work of art by its size. Thus the sculptor who does a "heroic figure" is the man who looms large to the average visitor ...
— Little Journeys to the Homes of the Great - Volume 14 - Little Journeys to the Homes of Great Musicians • Elbert Hubbard
... hear they're thinkin' o' raisin' a statoo o' Colonel Roosevelt at the Sixth Avenoo entrance to Central Park," he told Johnnie one day. "And I'm informed it's t' be Roosevelt the Rough Rider. Now at present the statoo's but a thought—a thought in the minds o' men and women, but in the brain o' a sculptor in particular. However, there'll come a day when the thought'll freeze into bronze. Dear me, think ...
— The Rich Little Poor Boy • Eleanor Gates
... luxurious brainless company of her hotel existence has the exotic brilliance of the orchid-house, at once dazzling and repulsive. Later, in the course of her married life, inspiring and inspired by the sculptor Pleydon (in whose fate the curious may perhaps trace some echo of recent controversy), the story of Linda becomes inevitably less vivid, though its grasp of the reader's sympathy is never relaxed. In fine, a tale ...
— Punch, or the London Charivari, Volume 159, August 11, 1920 • Various
... serve my present purpose here. Our expenses are small, and our income, from our incessant labour, fully adequate to these at present. I am now engaged in engraving six small plates for a new edition of Mr. Hayley's Triumphs of Temper, from drawings by Maria Flaxman, sister to my friend the sculptor. And it seems that other things will follow in course, if I do but copy these well. But patience! If great things do not turn out, it is because such things depend on the spiritual and not on the natural world; ...
— Selected English Letters (XV - XIX Centuries) • Various
... that every once in so often it is written up by enterprising special writers, and I have seen pictures of it and its studios and frequent comments on the work being done there by this or that artist or sculptor. So you see that, sooner or later, Mamma would certainly hear of it if I used my own name. That's the reason for ...
— Mixed Faces • Roy Norton
... related of her charitable temper. She had ordered two marble vases of Bouchardon. One was broken before reaching her. Learning that the man who broke it would lose his place if it were known, and that he had a family of four children, she immediately sent word to the atelier that the sculptor was not to be told of the loss, adding a gift of twelve francs to console the culprit for his fright. She often surprised her impecunious friends with the present of some bit of furniture she thought they needed, or an annuity delicately bestowed. "I have assigned ...
— The Women of the French Salons • Amelia Gere Mason
... SULLIVAN. The spirit of youth and lightsome joy permeates this story of pure, exulting womanhood. The dominant love episode of Doris with a high-minded sculptor, struggling to retrieve his father's sin; her revolt against marriage to Chapman and her brief union with weak, handsome Arthur make a love story par excellence. It depicts love as it really comes and molds and mars. Its happy ending tells how it rewards. ...
— The Pirate of Panama - A Tale of the Fight for Buried Treasure • William MacLeod Raine
... doctors of the church—St. Augustine, St. Gregoire, St. Leon, and St. Jerome. These are the work of Nicolas Drouin, a native of Nancy, and formerly ornamented a tomb in the church of the Cordeliers just mentioned. The physiognomy, expression, and pose of St. Augustine are well worthy of a sculptor's closest study, but it is rather as a whole than in detail that this exquisite statue delights the ordinary observer. All four sculptures are noble works of art; the fine, dignified figure of St. Augustine somehow takes strongest ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards
... man a good artist, a good sculptor, a good musician? Practice. . . . What makes a man a good man? Practice. Nothing else. There is nothing capricious about religion. We do not get the soul in different ways, under different laws, from those in which we get the body and ...
— Beautiful Thoughts • Henry Drummond
... the translator too often forgets the difference between his subject and himself; he is too often a common graveyard mason that would play the sculptor. And it is not nearly enough for him to be a decent craftsman. To give an adequate idea of an artist's work a man must be himself an artist of equal force and versatility with his original. The typical translator makes clever ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... court room. There was the Violinist, who was known the world over in musical sets,—everywhere, except in the concert room. There was the Journalist, who had travelled into almost as many queer places as Richard Burton, seen more wars, and followed more callings. There was the Sculptor, the fame of whose greater father had almost paralyzed a pair of good modeller's hands. There was the Critic, whose friends believed that in him the world had lost a great romancer, but whom a combination of hunger and laziness, and a proneness to think that nothing not genius was worth ...
— Told in a French Garden - August, 1914 • Mildred Aldrich
... good. Silhouetted against a turquoise sky was an arch of rainbow shape, so delicately proportioned that it seemed as if some great sculptor had hewn it from the rock. Its span of 270 feet bridged a stream of clear, sparkling water, that flowed 310 feet below its crest. The world's greatest natural bridge had been found as Jim had described it. Beneath it, an ancient ...
— The Book of the National Parks • Robert Sterling Yard
... of the act of Congress, approved June 23, 1910, the Secretary of State and the joint Committee on the Library entered into a contract with the sculptor, Albert Jaegers, for the execution of a bronze replica of the statue of Gen. von Steuben erected in Washington, for presentation to His Majesty the German Emperor and the German nation in recognition of the gift of the statue of Frederick ...
— State of the Union Addresses of William H. Taft • William H. Taft
... Colleoni, as you see him, last of the great Condottieri, in the bronze by great Verrochio at Venice to-day. In armour, complete in the embossed morion, one with the great Flemish war-horse, he sat to the sculptor, the baton of Captain-General, given him by the Doge of Venice, in the powerful hand that only a little while before aided his picked men of the infantry to pack and harden snow about the granite boulders of the mountains in the ...
— The Dop Doctor • Clotilde Inez Mary Graves
... yes, I was claiming for our Hebrew fathers the first statues. The trick of the sculptor, Judah, is not all there is of art, any more than art is all there is of greatness. I always think of great men marching down the centuries in groups and goodly companies, separable according to nationalities; here the Indian, ...
— Ben-Hur: A Tale of the Christ • Lew Wallace
... place, for they serve for both dams and bounds to the elaborately partitioned fields. Adjacent mud is therefore carefully plastered over the remains of the old dyke, which, to the credit of the former builders, is no small fraction of it, and the work then finished off with a sculptor's care. An easier-going peasantry might often forego renewal. Indeed, I cannot but think the farmers take a natural delight in this exalted form of mud pies; they work away on already passable specimens ...
— Noto, An Unexplored Corner of Japan • Percival Lowell
... little body was surmounted by a head which no sculptor in search of an antique model would have chosen. Gertie's profile was not Grecian; her features were not classic—but they were comely, and rosy, and so sweet that most people wanted to kiss them, and many people did. Gertie did not object. Probably, ...
— The Iron Horse • R.M. Ballantyne
... of Legazpi and Urdaneta presented in this volume was the work of the sculptor, Agustin Querol, and of the architect, Luis Maria Cabello. On the front and rear of the pedestal are the arms of Manila and Spain. On one side are allegorical representations of the sea and, valor for Legazpi, and on the other the emblems of science for ...
— The Philippine Islands, 1493-1898, Volume XXIII, 1629-30 • Various
... reminiscences of our middle-aged readers extend, it happened that two English gentlemen sat at table on a summer's evening, after dinner, quietly sipping their wine and engaged in desultory conversation. They were both men known to fame. One of them was a sculptor whose statues adorned the palaces of princes, and whose chiselled busts were the pride of half the nobility of his nation; the other was no less renowned as an anatomist and surgeon. The age of the anatomist might have been guessed at fifty, ...
— A Stable for Nightmares - or Weird Tales • J. Sheridan Le Fanu
... one Supreme God, the Father of gods and men. "If," says he, "there were a meeting called of all the several trades and professions,... and all were required to declare their sense concerning God, do you think that the painter would say one thing, the sculptor another, the poet another, and the philosopher another? No; nor the Scythian neither, nor the Greek, nor the hyperborean. In regard to other things, we find men speaking discordantly one to another, all men, as it were, differing from all men... Nevertheless, ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... tells us that when Angelo grew old and blind he was accustomed to ask his servant to lead him to the torso of Phidias. Passing his hands slowly over the broken marble, the sculptor entered into the thought of the great Grecian, and with love for his art glowing in his face and thrilling in his voice, he mused aloud upon the genius of Phidias. Love of his art made all his days bright and all his moons honeymoons. ...
— The Investment of Influence - A Study of Social Sympathy and Service • Newell Dwight Hillis
... inherent in it. Life may be incalculable, and you can never know beforehand what a great man, indeed, what any man may achieve, but even the originality of a Leonardo or a Beethoven cannot effect the impossible or contradict the order of nature. The sculptor feels that the statue is already lying in the marble awaiting only his creative touch to bring it forth. The metal is alive in the worker's hands, coaxing him to make of it something beautiful.[11] Purpose does not come out of an empty mind. Freedom and initiative never ...
— Christianity and Ethics - A Handbook of Christian Ethics • Archibald B. C. Alexander
... frustrated in them by cowardice, which is probably the worse immorality of the two. The same idea again may be found in that delightful lyric "Youth and Art," where a successful cantatrice reproaches a successful sculptor with their failure to understand each other in their ...
— Robert Browning • G. K. Chesterton
... a scheme for going to St Petersburg, where she had a friend who was a sculptor like herself, and who lived with a wealthy Russian whose hobby was jewel-making. The emotional, rather rootless life of the Russians appealed to her. She did not want to go to Paris. Paris was dry, and essentially boring. ...
— Women in Love • D. H. Lawrence
... did Mr. Smithson peruse her countenance in the hope of seeing that she was impressed by the splendour of his surroundings, and by the power of the man who commanded such splendour. Lesbia was as cold as the Italian sculptor's Reading Girl in an alcove of Mr. Smithson's picture gallery; and the stockbroker felt very much as Aladdin might have done if the fair Badroulbadour had shown herself indifferent to the hall of the jewelled windows, in that ...
— Phantom Fortune, A Novel • M. E. Braddon
... happens to be a bone-house, or shot into the neighbouring river, or on a farmer's dung-heap, if there is no such convenience as a bone-house at hand. It was this feeling that induced the celebrated sculptor, Chantrey, to make sure of a quiet resting-place for his remains.[2] In so doing, he was, though perhaps unconsciously, but following the example of many who have gone before him. We have more than once encountered a sober party upon their annual visit to some country church-yard tomb, of which, ...
— Chambers's Edinburgh Journal, No. 436 - Volume 17, New Series, May 8, 1852 • Various
... subtlety of penetration, though sensitiveness to its influence, as an ox slowly turns his great eye about at the sound of a bee, but never catches a glimpse of him; showing a restful stupidity that nevertheless had enough intellectual fire to take a kind, eager delight in telling, as it were, the sculptor that his clay was gray and his marble white. To a mind whose subtlety could never bewilder itself by no matter what intricacies of sudden turning, the solid stare before his nose of Mr. Pike must have ...
— Memories of Hawthorne • Rose Hawthorne Lathrop
... was put up in the chapel at Wetheral, I saw it in the sculptor's studio. Nollekens, who, by the bye, was a strange and grotesque figure that interfered much with one's admiration of his works, showed me at the same time the various models in clay which he had made one after another of the mother and her infant. The improvement on each was surprising, ...
— The Prose Works of William Wordsworth • William Wordsworth
... Citadel of Athens, rose the magnificent Temple of Athena, called the Parthenon, built under the direction of Phidias, the most celebrated sculptor of that time, who adorned it with many of his works, and especially with the huge statue of Athena in ivory, forty-seven feet in height. The Acropolis was also enriched with another figure of Athena in ...
— The Junior Classics • Various
... "Your sculptor? When you wish. I saw at the Champ de Mars medallions made by him which are very good. But he does not work much. He is an ...
— The Red Lily, Complete • Anatole France
... a poet also, well proved by his "Vision of Creation," and a thoughtful writer on religion and metaphysics. There is Dr. Zerffi, too, whose varied orations on history and other topics have filled our Crystal Palace with his advanced wisdom for fifteen years. There is Birch the sculptor, author of the "Godiva" and "The Last Call," exhibited here, and well appreciated by me as another Durham,—really a metempsychosis of character. Among literary ladies here I may mention as my friends Madame Zerffi, ...
— My Life as an Author • Martin Farquhar Tupper
... seemed to caress her ears so adorably. Why was it that he had never noticed the delicate arch of her eyebrows? Why had he failed to see the limpid sweetness in her eyes? And her hair, too, seemed to cling differently above the slim, round neck. What magic sculptor had chiseled her lips into their present form? Her chin; her nose; her broad, white brow—why had he never observed them before? And what was this strange, new light in the dark eyes? This look that was no longer childish, no longer ...
— The Rose in the Ring • George Barr McCutcheon
... statue of him by a modern Veronese sculptor, not unworthy of the subject or place, standing in the quiet Piazza dei Signori amid the deserted homes of the Della Scale, looking toward the palace of Can Grande, whose generous hospitality could not sweeten the bread of charity nor ease the steps of a patron's court to the proud ...
— Lippincott's Magazine, Vol. 20, August 1877 • Various
... close as you like, but precisely in front. It requires no careful choice of position so as to give a limb more prominence, or render the light more effective (the light just there is bad, though it is near a window). The sculptor did not rely upon 'artistic' and selected attitudes—something made up for the occasion. No meretricious aid whatever has been called in—no trick, no illusion of the eye, nothing theatrical. He relied solely and simply upon a true representation of the human ...
— Field and Hedgerow • Richard Jefferies
... lizards, birds, even the gnomes of German mythology, find their way into the Gothic cathedral. Not the traditional Greek acanthus leaf, but the foliage of the North-European oak grows under the hands of the sculptor. Even the cross is twisted into a flower; the sacro-sanct symbol of the Christian religion is newly conceived, newly interpreted and moulded so that it may have a place. The Gothic cathedral with its soaring arches free from all heaviness is the perfect ...
— The Evolution of Love • Emil Lucka
... Egyptian sculpture consist of bas-reliefs and figures in the round, carved from limestone and granite or cast in bronze. Many of the statues appear to our eyes very stiff and ungraceful. The sculptor never learned how to pose his figures easily or how to arrange them in an artistic group. In spite of these defects some Egyptian statues are wonderfully ...
— EARLY EUROPEAN HISTORY • HUTTON WEBSTER
... had in him by nature a quick flow of wit, with a bent towards Greek literature. It was thought at home that he showed as a boy the artist nature by his skill in making little waxen images. An uncle on his mother's side happened to be a sculptor. The home was poor, Lucian would have his bread to earn, and when he was fourteen he was apprenticed to his uncle that he might learn to become a sculptor. Before long, while polishing a marble tablet he pressed ...
— Trips to the Moon • Lucian
... temper, and fancying that her husband was annoyed with her, went to the studio just as the sculptor had finished handling the clay with the impetuosity that spurs an artist when the mood is on him. On seeing his wife, Wenceslas hastily threw the wet wrapper over the group, and putting both arms round ...
— Cousin Betty • Honore de Balzac
... attached to various aspects of creation, as an accompaniment. But, in addition, affective states become material for the creative activity. It is a well-known fact, almost a rule, that the poet, the novelist, the dramatist, and the musician—often, indeed, even the sculptor and the painter—experience the thoughts and feeling of their characters, become identified with them. There are, then, in this second instance, two currents of feeling—the one, constituting emotion as material ...
— Essay on the Creative Imagination • Th. Ribot
... first-born child after the pretty lake in Staffordshire on the borders of which their acquaintance had begun. Mr. Lockwood Kipling, after leaving school, had served his apprenticeship in one of the famous Staffordshire potteries at Burslem, had afterward worked in the studio of the sculptor, Mr. Birnie Philip, and from 1861 to 1865 had been engaged on the decorations of the South Kensington Museum. During our American war and in the years immediately following, the trade of Bombay was exceedingly flourishing, the city was immensely prosperous, ...
— Kipling Stories and Poems Every Child Should Know, Book II • Rudyard Kipling
... inferiority and often a sign of idiotic tendency, usually accompanied by a case history, tainted heredity and highly neurotic constitution. AEstheticism has reason for complaint, and more than one painter or sculptor has represented the union of Leda with the Swan. It is certainly much better for society, for an idiot or an imbecile to be castrated than for him to make a girl pregnant and ...
— The Sexual Question - A Scientific, psychological, hygienic and sociological study • August Forel
... the superior portion consisting of a sarcophagus resting upon a level base. Upon this sarcophagus is placed the statue of "La Architectura," which we reproduce, and which well exemplifies the genius of the author and sculptor, Juli Monteverde.—La ...
— Scientific American Supplement, No. 363, December 16, 1882 • Various
... be the happiest of men,—I should not be surprised to find in the long-run that they were,—but this is not the aim of our constitution, which was designed for the good of the whole and not of any one part. If I went to a sculptor and blamed him for having painted the eye, which is the noblest feature of the face, not purple but black, he would reply: 'The eye must be an eye, and you should look at the statue as a whole.' 'Now I can well imagine ...
— The Republic • Plato
... and hurt. He looked exactly as a famous sculptor looked who, when a beautiful work of his hands was unveiled, wished me to publish a descriptive sonnet from his pen. I bluntly refused. He was an admirable sculptor, but a dreadful sonneteer. Yet in his secret heart he valued the sonnet far above ...
— The Lost Naval Papers • Bennet Copplestone
... which experiences cut or furrow in the soul. A baby has no character. Its life is like a piece of white paper, with nothing yet written upon it; or it is like a smooth marble tablet, on which, as yet, the sculptor has cut nothing; or the canvas, waiting for the painter's colors. Character is formed as the years go on. It is the writing,—the song, the story, put upon the paper. It is the engraving, the sculpturing, which the marble receives under the chisel. It is the picture which the artist ...
— Making the Most of Life • J. R. Miller
... The celebrated sculptor, Mr. Woolner, informs me of one little peculiarity in the external ear, which he has often observed both in men and women, and of which he perceived the full significance. His attention was first ...
— The Descent of Man and Selection in Relation to Sex • Charles Darwin
... statuary art do without the gods and heroes of mythology who furnish it with plausible pretexts for the nude, and for such drapery as it needs; things which romanticism prescribes, or did at least prescribe at that time of its first fervour? Every sculptor is of necessity a classic." [8] Nevertheless, he says that the romantic school was not quite unprovided of sculptors. "In our inner circle (cenacle), Jehan du Seigneur represented this art, austere and rebellious to the fancy. . . . Jehan du Seigneur—let ...
— A History of English Romanticism in the Nineteenth Century • Henry A. Beers
... of the times. This is an electrical age, and men in my old profession aren't content to turn out one chef-d'oeuvre in a lifetime. They take orders by the gross. I waited upon inspiration. To-day the sculptor waits upon custom, and an artist will make a bust of anybody in any material desired as long as he is sure of getting his pay afterwards. I saw a life-size statue of the inventor of a new kind of lard the other day, and what ...
— A House-Boat on the Styx • John Kendrick Bangs
... to an important change in her outward life. She had accepted an invitation to become a teacher in Mr. Persico's school at Richmond, Virginia. Mr. Persico was an Italian, a brother of the sculptor of that name, a number of whose works are seen at Washington. He early became interested in our institutions, and as soon as he was able, came to this country and settled in Philadelphia as an artist. He married a lady of that city, and afterward on account ...
— The Life and Letters of Elizabeth Prentiss • George L. Prentiss
... the precious metal there; brought him and Jack together; and finally sent them to England in each other's company. Jack, of course, as yet knows nothing of his origin, and appears in London society merely as a natural genius and a sculptor of ...
— Confessions and Criticisms • Julian Hawthorne
... of sacrifice, which would rather cast fruitless labour before the altar than stand idle in the market; and, finally, a profound sympathy with the fulness and wealth of the material universe, rising out of that Naturalism whose operation we have already endeavoured to define. The sculptor who sought for his models among the forest leaves, could not but quickly and deeply feel that complexity need not involve the loss of grace, nor richness that of repose; and every hour which he spent in the study of the ...
— Selections From the Works of John Ruskin • John Ruskin
... demeanour, I should have regarded as slightly suggestive of incipient insanity. Her figure, clothed in a picturesque, if somewhat theatrical, adaptation of the costume of her comrades, was somewhat slight, but eminently graceful, while her hands and feet would have delighted a sculptor with their symmetry. Her voice was especially beautiful, being a full, rich, and ...
— Under the Meteor Flag - Log of a Midshipman during the French Revolutionary War • Harry Collingwood
... self-possession, distributing a few smiling looks to the people she knew as she advanced towards Lady Charlotte. Any one with a discerning eye could have seen that she was in that stage of youth when a beautiful woman is like a statue to which the master is giving the finishing touches. Life, the sculptor, had been at work upon her, refining here, softening there, planing away awkwardness, emphasising grace, disengaging as it were, week by week, and month by month, all the beauty of which the original ...
— Robert Elsmere • Mrs. Humphry Ward
... yet a most beautiful harmony pervades them all. In some the leaves are in profile, in others delicately spread upon the graceful columns and every vein displayed. I saw one window where a stone monkey sat reading his prayers, gowned and cowled,—an odd caprice of the tired sculptor. There is in this infinite variety of detail a delight that ends in something like fatigue. You cannot help feeling that this was naturally and logically the end of Gothic art. It had run its course. There was nothing left but this feverish quest of variety. It was in danger, after having gained ...
— Castilian Days • John Hay
... blowing water through, his conch. There are two statues, the one of a general who fought in the Indian Mutiny and afterwards lived and died in the Square, the other of a mid-Victorian philanthropist whose stout figure and urbane self-satisfaction (as portrayed by the sculptor) bear witness to an easy conscience and an unimaginative mind. There is, round and about the fountain, a lovely green lawn, and there are many overhanging trees and shady corners. An air of peace the garden breathes, and that although children are for ever racing up and down it, ...
— The Golden Scarecrow • Hugh Walpole
... Adams, Herbert (Sculptor) New York. Born in West Concord, Vermont 1858. Studied in Paris. Figures on columns inside of Rotunda, Palace ...
— The Art of the Exposition • Eugen Neuhaus
... the still air the music lies unheard; In the rough marble beauty hides unseen; To make the music and the beauty needs A master's touch, the sculptor's chisel keen. ...
— Choice Readings for the Home Circle • Anonymous
... destroyed by a few nibbling sheep that cropped the short grass on the graves where the rude forefathers of the hamlet slept. Can the sepulchral muses have found their way to so remote a district as this? Have "afflictions sore" and "vain physicians" obtained a sculptor among the headstones of this out-of-the-way place? We made a survey of the inscriptions, as a very sure guide to the state of education among the peasantry, and are compelled to confess that the schoolmaster had decidedly gone abroad. Even monuments of some ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... the Mountain, Love-distracted looked to Shirin, And Shirin the Sculptor's Passion Saw, and turn'd her ...
— Rubaiyat of Omar Khayyam and Salaman and Absal • Omar Khayyam and Ralph Waldo Emerson
... passion fired, The Cyprian Sculptor clasp'd the stone, Till the cold cheeks, delight-inspired, Blush'd—to sweet life the marble grown; So Youth's desire for Nature!—round The Statue, so my arms I wreathed, Till warmth and life in mine it found And breath ...
— Blackwood's Edinburgh Magazine - April 1843 • Various
... may flow from a flute if the player breathes a prayer. Some day we shall have the great opera of the Incarnation and Redemption. It is the ideal goal of music, and so of all art. But it demands the poet, the painter, and the sculptor, too, for its actors shall be immortal statues and a living chorus singing the passion of the race against the supreme dawn and the supreme sunset. But its greatest moments will be silence. Christ and His Mother will live this silence in the glory ...
— The Forgotten Threshold • Arthur Middleton
... heads were of medallion size, and well executed. It is impossible to contemplate this beautiful oratory, even in its mutilated state, but with feelings of admiration; the taste of the designer, no less than the execution of the sculptor, are wonderful, and although every part is covered with niches, pedestals, and canopies, interspersed with relievos, grotesque designs and ornaments, the whole appears light and airy. The ceilings of the canopies are covered with tracery that can only be compared to lace-work exquisitely ...
— Ely Cathedral • Anonymous
... lived a wondrous sculptor once, a genius in his way, Named Phidias Praxiteles Canova Merryday. He sat within his studio and said, "I really must Begin a ...
— The Jingle Book • Carolyn Wells
... and with a more careful and systematic arrangement of the pictures would be of considerable value to students of art. Valenciennes certainly had painters of merit before the sixteenth century. One of these, celebrated by Froissart, Maitre Andre, was both a sculptor and a painter. In 1364 he became 'imagier' of Charles V. of France. The statues of that king, of Jeanne de Bourbon his queen, and of King John and King Philip, still extant at St.-Denis, are his work. Two exquisite manuscripts illuminated ...
— France and the Republic - A Record of Things Seen and Learned in the French Provinces - During the 'Centennial' Year 1889 • William Henry Hurlbert
... figure crowned with wheat, apples in right hand, and the Horn of plenty with various fruits in the left hand. The monument bears this inscription, near the base—Whyte and De Rome, Founders. Frank Appersberger, Sculptor. ...
— By the Golden Gate • Joseph Carey
... a statue worthy of a sculptor as they stood there, the Indian girl in her splendid attire and the utmost beauty of her race, with the dagger in one hand; and the girl, pale now as a snow wreath, at ...
— A Little Girl in Old Detroit • Amanda Minnie Douglas
... the great beauty, as well as expression of his fine countenance lay. "Many pictures have been painted of him (says a fair critic of his features) with various success; but the excessive beauty of his lips escaped every painter and sculptor. In their ceaseless play they represented every emotion, whether pale with anger, curled in disdain, smiling in triumph, or dimpled with archness and love." It would be injustice to the reader not to borrow from the same ...
— The Mirror of Literature, Amusement, and Instruction, No. 474 - Vol. XVII. No. 474., Supplementary Number • Various
... expression in his eyes, until suddenly there comes a little nervous twitch at the corner of his mouth. Done! Nabbed! I have no doubt he thinks to himself, "Good Lord, what a simpleton Vedrine is!" He has not the least notion that I watch him and enjoy his little game. Now,' said the sculptor as he got up, 'I will show you my Knight, and then we will go over the ruin. It is worth looking at, you ...
— The Immortal - Or, One Of The "Forty." (L'immortel) - 1877 • Alphonse Daudet
... every talent I may have to make it unique and true to life. I think the New Woman novel is a thing of the past, and that the time has now come for a story of the old sort, yet written with a fidelity to life such as has never been attempted by the old novelists. A painter or a sculptor uses a model while producing a great picture or a statue. Why should not a writer use a model also? The motive of all great novels must be love, and the culminating point of a love-story is the proposal. In ...
— Revenge! • by Robert Barr
... persistent were the efforts from the earliest historic ages to accomplish this end. Passing over the legends of the time of mythology we find that many-sided genius, Leonardo da Vinci, early in the sixteenth century, not content with being a painter, architect, sculptor, engineer and designer of forts, offering drawings and specifications of wings which, fitted to men, he thought would enable them to fly. The sketches are still preserved in a museum at Paris. He modelled his wings on ...
— Aircraft and Submarines - The Story of the Invention, Development, and Present-Day - Uses of War's Newest Weapons • Willis J. Abbot
... arts! The sculptor wrests the rugged block from the rocky ribs of his mother earth;—the tailor clips the implicated "long hogs"[1] from the prolific backs of the living mutton;—the toothless saw, plied by an unweayring hand, prepares the stubborn mass for the chisel's tracery;—the loom, ...
— Punch, or the London Charivari, Vol. 1, September 5, 1841 • Various
... herewith, taken from the Illustrirte Zeitung, represent two statues for the new Post Office at Leipzig. The sculptor, Kaffsack, has represented the post and the telegraph as winged female figures. The figure representing Mail holds a horn or trumpet in her left hand, and a letter in her right hand. The figure representing Telegraphy holds a bunch of thunderbolts in her left hand, and unrolls ...
— Scientific American Supplement, No. 430, March 29, 1884 • Various
... lush grass there stood a magnificent horse, such a horse as a sculptor or a soldier might thrill to see. His color was a light chestnut, with mane and tail of a more tawny tint. Seventeen hands high, with a barrel and haunches which bespoke tremendous strength, he fined down to the most delicate lines of dainty ...
— Sir Nigel • Arthur Conan Doyle
... statue was just finished, a sudden frost fell upon Paris. The sculptor lay awake in his fireless garret, and thought of the still moist clay, thought how the moisture in the pores would freeze, and the dream of his life would be destroyed in a night. So the old man rose from his cot, and wrapped his bed-clothes reverently ...
— Quiet Talks with World Winners • S. D. Gordon
... we explain it, the dreary charge which feeble and envious tongues have brought against you, in England and at home? They say you employed in your novels and dramas that vicarious aid which, in the slang of the studio, the "sculptor's ...
— Letters to Dead Authors • Andrew Lang
... some whose fine regularity of feature might have served as the model for a Greek sculptor. Yet those were not the faces on which the eye rested with the long and deep delight that "drinks in beauty." I saw some worthy or the sublime spell of Vandyke, more with the magnificence of style which Reynolds loved, and still more with the subdued dignity and touching ...
— Blackwood's Edinburgh Magazine—Vol. 54, No. 333, July 1843 • Various
... of art is not to copy nature, but to express it. You are not a servile copyist, but a poet!" cried the old man sharply, cutting Porbus short with an imperious gesture. "Otherwise a sculptor might make a plaster cast of a living woman and save himself all further trouble. Well, try to make a cast of your mistress's hand, and set up the thing before you. You will see a monstrosity, a dead mass, bearing no resemblance to the living hand; you would be compelled to have recourse ...
— The Unknown Masterpiece - 1845 • Honore De Balzac
... son came to know her, was leading the life of a harmless, necessary sempstress, and that only by long entreaty, and under every condition of decorum, had she been induced to sit for her bust to the enthusiastic sculptor. Very touching was the story of how, when the artist became adorer and offered marriage, dear Arabella would not hear of such a thing; how, when her heart began to soften, she one day burst into tears ...
— Our Friend the Charlatan • George Gissing
... of hell. Even in the most hidden and sacred places of the medieval cathedral we still find representations of Satanic power in which profanity and obscenity run riot. In these representations the painter and the glass-stainer vied with the sculptor. Among the early paintings on canvas a well-known example represents the devil in the shape of a dragon, perched near the head of a dying man, eager to seize his soul as it issues from his mouth, and only kept off by the efforts of the attendant priest. Typical are the colossal portrait ...
— History of the Warfare of Science with Theology in Christendom • Andrew Dickson White
... described everyone to Arthur except young Raggles, who painted still life with a certain amount of skill, and Clayson, the American sculptor. Raggles stood for rank and fashion at the Chien Noir. He was very smartly dressed in a horsey way, and he walked with bowlegs, as though he spent most of his time in the saddle. He alone used scented pomade upon his neat smooth hair. ...
— The Magician • Somerset Maugham
... obelisk is a rough stone, rising to a great height, shaped like a pillar in the stadium; and it tapers upwards in imitation of a sunbeam, keeping its quadrilateral shape, till it rises almost to a point, being made smooth by the hand of a sculptor. ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... he keeps the statue clean in memory of his beautiful daughter, who had sat as a model for it—a girl fair in fame as in form. In the interests of his plot and his dismal philosophy, Mr. Hardy identifies the stranger with the sculptor of the statue, and dismisses us with his blighting aside on the old man's credulous love ...
— Old and New Masters • Robert Lynd
... perfect whole. The palace of Lorenzo de Medici was the assembling-place, and the ideal beauty of the Greeks found a new shrine in the groves of Florence. These became a true academia, where genius studied and taught, and where the presiding spirit of the place was Michael Angelo Buonarotti,[A] the sculptor—painter—architect—poet, whose universal mind appeared to fit him, not so much to shine in any one department—although shine he did in all—as to give an impetus to the whole Revival. But Michael Angelo, as a painter, excelled ...
— Chambers's Edinburgh Journal, No. 432 - Volume 17, New Series, April 10, 1852 • Various
... occurred to you, and that is this: that no man takes pleasure in exercising his trade as a pastime. Writing is my trade, and I exercise it only when I am obliged to. You might make your request of a doctor, or a builder, or a sculptor, and there would be no impropriety in it, but if you asked either of those for a specimen of his trade, his handiwork, he would be justified in rising to a point of order. It would never be fair to ask a doctor for one of his corpses to remember ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok
... view of originality; but, in spite of this conventional opinion, I hold that the healthy sign of an activity of mind in early youth is not to be striving after unheard-of miracles, but to imitate closely and carefully what is being said and done in the vicinity. The child of a great sculptor will hang about the studio, and will try to hammer a head out of a waste piece of marble with a nail; it does not follow that he too will be a sculptor. The child of a politician will sit in committee with a row of empty chairs, and will harangue an imaginary ...
— Father and Son • Edmund Gosse
... that few persons are vicious in the extreme, and that no one lives without some ennobling traits of character and life. The teacher's faith is the measure of the teacher's usefulness. It is to him what conception is to the artist; and, if the sculptor can see the image of grace and beauty in the fresh-quarried marble, so must the teacher see the full form of the coming man in the trembling child ...
— Thoughts on Educational Topics and Institutions • George S. Boutwell
... best made when one man does nothing but cut the wire, when another does nothing but mould the head, when a third does nothing but sharpen the point. But it is not true that Michael Angelo would have been a greater painter if he had not been a sculptor: it is not true that Newton would have been a greater experimental philosopher if he had not been a geometrician; and it is not true that a man will be a worse lawgiver because he is a great judge. I believe ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 4 (of 4) - Lord Macaulay's Speeches • Thomas Babington Macaulay
... jews' harp and penny whistle—we must endow the children of the poor with pianos—or perhaps as 'labour certificates' abbreviate the years at our disposal for instruction, with pianolas, and so realise the American sculptor's grand allegorical conception of 'Freedom presenting a Pianola to ...
— From a Cornish Window - A New Edition • Arthur Thomas Quiller-Couch
... merchant's name as an eternal memorial to him—was as impressive inside as out. The stained-glass windows had been made by a famous New York firm; the altar had been designed by an even more famous sculptor. The walls, quite improperly, were adorned with paintings of former presidents, but the largest painting of all—it was fairly Gargantuan—was of the pork merchant, a large, ruddy gentleman, whom the artist, a keen observer, had painted ...
— The Plastic Age • Percy Marks
... The man who paints a beautiful picture is an artist; the man who makes pin-heads all day is an artisan. The artificer is between the two, putting more thought, intelligence, and taste into his work than the artisan, but less of the idealizing, creative power than the artist. The sculptor, shaping his model in clay, is artificer, as well as artist; patient artisans, working simply by rule and scale, chisel and polish the stone. The man who constructs anything by mere routine and rule is a mechanic. ...
— English Synonyms and Antonyms - With Notes on the Correct Use of Prepositions • James Champlin Fernald |
