"Protagonist" Quotes from Famous Books
 ... the negotiations which were then hastily improvised, Germany, who strove hard to gain credit for the role of disinterested peacemaker, gradually revealed herself as the chief protagonist, whereas Austria was little more than a pawn in the game. Disguising her eagerness to provoke one of the two desired solutions, Russia's abandonment of Serbia or her declaration of war, Germany succeeded in misleading the Governments of France and Britain as ...
— England and Germany • Emile Joseph Dillon
... lyrique.' French taste, it need hardly be said, is very different from English with regard to what should and should not be placed upon the stage, but once granted the permissibility of making Jesus Christ the protagonist of an opera, there is comparatively little in 'Marie Magdeleine' to offend religious susceptibilities. The work is divided into four scenes: a palm-girt well outside the city of Magdala, the house of Mary and Martha, Golgotha, and the garden of Joseph of ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... of political principle. He aimed solely at curbing the aggression of the Jacobins upon Holland; and the obvious device of weakening France by expeditions to the West Indies further helped to bring events back into the arena of eighteenth-century strife. Now that Spain, the protagonist of the French Bourbons, deserted their cause and attacked the Power in which they most trusted, all pretence of a war of principle vanished. The importance of the change was not perceived at the time, though signs of it were not wanting. Both in France and England democratic enthusiasm speedily ...
— William Pitt and the Great War • John Holland Rose
... himself attended; the annexation of Cyprus; the Afghan and Zulu wars, were its salient features. Defeated at the polls in 1880 he resigned, and died next year. A master of epigram and a brilliant debater, he really led his party. He was the opposite in all respects of his protagonist, Mr. Gladstone. Lacking in zeal, he was yet loyal to England, and a warm personal friend ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... palliation of Lorenzo's failure in the temper of his times. There was enough daring left in Florence to carry through a plan of brilliant treason, modelled on an antique Roman tragedy. But there was not moral force in the protagonist to render that act salutary, not public energy sufficient in his fellow-citizens to accomplish his drama of deliverance. Lorenzo was corrupt. Florence was flaccid. Evil manners had emasculated the hero. In the state the ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... a week, in New York, consulting with some of the I.W.W. leaders; with Lockhart, the chief protagonist of Syndicalism in America, just returned from Colorado, to whom he had given a detailed account of the Hampton strike. And Lockhart, next week, was coming to Hampton to make a great speech and look over the ground for himself. All this Rolfe told Janet eagerly when he entered the ...
— The Crossing • Winston Churchill
... belongs to the rivulet and the twilights; but sublimity to the Niagaras, and the oceans, and the human heart, and the words of God. This drama is sublimity's self. Theme, actors, movement, goal, pertinency to the deepest needs of soul and experience, and chiefly, God as protagonist, say that sublimity belongs to this drama as naturally as to the prodigious mountains or to the desert at night. "Surely, God is in this place, and we ...
— A Hero and Some Other Folks • William A. Quayle
... the marriage, in 1572, of Henry of Navarre and Margaret, sister of King Charles IX, which was intended to assuage the religious strife. But the Duke of Guise, the protagonist of the play, is determined to counterwork this policy, and with the aid of Catherine de Medicis, the Queen-Mother, and the Duke of Anjou (afterwards Henry III), he arranges the massacre of the Huguenots. Of the ...
— Bussy D'Ambois and The Revenge of Bussy D'Ambois • George Chapman
... a psychological school called "Behaviourists," of whom the protagonist is Professor John B. Watson,* formerly of the Johns Hopkins University. To them also, on the whole, belongs Professor John Dewey, who, with James and Dr. Schiller, was one of the three founders of pragmatism. The view ...
— The Analysis of Mind • Bertrand Russell
... live forever as a symbolic figure, representative of certain indigenous qualities in American life. Lowell found in Leather-Stocking "the protagonist of our New World epic, a figure as poetic as that of Achilles, as ideally representative as that of Don Quixote, as romantic in his relation to our homespun and plebeian myths as Arthur in his to his mailed and plumed cycle of chivalry." ...
— The Story of Cooperstown • Ralph Birdsall
... their mother's milk, by the influence of a long tradition. The young man was M. Paul Bourget, who had not yet begun to write novels, while his literary and philosophical essays seemed rather to mark him out as the disciple of M. Taine than as the Catholic protagonist he was soon to become. M. Bourget did not then speak English, and my French conversation, which had been wholly learned from books, had a way at that time—and, alack! has still—of breaking down under me, just as one reached the thing one really wanted to say. So ...
— A Writer's Recollections (In Two Volumes), Volume I • Mrs. Humphry Ward
... plots often become very elaborate and contain even sub-plots, counter-plots, and added complications of all sorts. But the basis is the same, and always in some form struggle pervades the drama; always this struggle ranges the subordinate characters for or against protagonist and antagonist, and the outcome is vitally part and substance of all that goes before—the end was sown when the seeds of the beginning were planted. This touches ...
— Writing the Photoplay • J. Berg Esenwein and Arthur Leeds
... and with the glow of pleasure still in her heart, she found her keen and observant mind watching him almost as if he were a stranger. This had been her misfortune always, the ardent heart joined to the critical judgment, the spectator chained eternally to the protagonist. She received a swift impression that he had prepared his words and even his gestures, the kiss on her fingers. Yet, in spite of this suggestion of the actor, or because of it, he possessed, she felt, ...
— One Man in His Time • Ellen Glasgow
... squadrons, that is, squadrons composed of vessels of similar type and armament, put out and follow roughly the "single line ahead" formation. Upon sighting the enemy there is the manoeuvring for position advantage which must accrue to the speedier protagonist. One then, witnesses what might almost be described as an application of the process of capping the line or "crossing the 'T.'" This tends to throw the slower squadron into confusion by bending it back upon itself, meanwhile exposing it ...
— Aeroplanes and Dirigibles of War • Frederick A. Talbot
... Letheby, his suspense and agitation increased. It was a matter of intense surprise that our good friends from Kilkeel seemed to have forgotten their grievance; and a still greater surprise that their foreman and self-constituted protagonist could deprive himself of the intense pleasure of writing eloquent objurgations to the priest. But not one word was heard from them; and when, in the commencement of the autumn, Father Letheby received a letter from the Board of Works, stating ...
— My New Curate • P.A. Sheehan
... which it cannot stand, though it continues the saga of the Mississippi with sympathy and knowledge; but The Fugitive Blacksmith has a flavor which few comparisons and no neglect can spoil. Its protagonist, wrongly accused of a murder which he by mischance finds it difficult to explain, takes to his heels and lives by his mechanic wits among the villages of the lower Mississippi through a diversity of adventures which puts ...
— Contemporary American Novelists (1900-1920) • Carl Van Doren
... wandering, but Becket wanders too far and too long. The political details of the quarrel between Church and State, with its domestic and international complexities, are apt to fatigue the attention. Inevitable and insoluble as the situation was, neither protagonist is entirely sympathetic, whether in the play or in history. The struggle in Becket between his love of the king and his duty to the Church (or what he takes to be his duty) is nobly presented, and is truly dramatic, ...
— Alfred Tennyson • Andrew Lang
... a revolutionist as the born aristocrat, witness Nietzsche—and Chopin, in the bloodless battle of the Romantics, in the silent warring of Slav against Teuton, Gaul and Anglo-Saxon, will ever stand as the protagonist ...
— Chopin: The Man and His Music • James Huneker
... vicissitudes of Paracelsus are brought out, as has been stated, in dialogue with others. The three minor characters, though probably called into being as mere foils to the protagonist, have a distinct individuality of their own. Michal is Browning's first sketch of a woman. She is faint in outline and very quiet in presence, but though she scarcely speaks twenty lines, her face remains with us like a beautiful face seen once and never to be forgotten. There is something already, ...
— An Introduction to the Study of Browning • Arthur Symons
... Salisbury was an aristocrat and thought as an aristocrat. John Bright viewed industrial life from the standpoint of a Lancashire mill-owner. William Edward Forster, the creator of national education, a Chartist in his youth, had become the gaoler of Parnell and the protagonist of coercion in Ireland. Joseph Chamberlain alone seemed to realise the significance of the social problem, and unhappily political events were soon to deflect his career from what then seemed to be its ...
— The History of the Fabian Society • Edward R. Pease
... William Shakspeare, the protagonist on the great arena of modern poetry, and the glory of the human intellect, was born at Stratford-upon-Avon, in the county of Warwick, in the year 1564, and upon some day, not precisely ascertained, in the month of April. It is certain that he was baptized on the 25th; and from that ...
— Biographical Essays • Thomas de Quincey
... of the narrative in order to forward the other. But the author doubtless felt that the reader's interest would be freshened by turning from the amorous adventures of Louisa to the daring deeds of Horatio, while a protagonist of each sex enabled her to exhibit at once examples of both male and female virtue. And in spite of inherent difficulties, she succeeded to some extent in showing an interrelation of plots, as where Dorilaus by going to the north of Ireland to hear the ...
— The Life and Romances of Mrs. Eliza Haywood • George Frisbie Whicher
... last days of our stay, when the meaning of the war gradually was forming in our minds we talked of these things. There are two Henrys—one, the owner of a ten-story building in Wichita, the editor of a powerful and profitable newspaper; the other a protagonist, a sentimental idealist. To me this was his greatest charm—this infinite variety of Henrys that was forever turning up in our discourse. The owner of the Beacon building and the publisher of the newspaper had small use for my theories about the importance of the rise of woman into fellowship ...
— The Martial Adventures of Henry and Me • William Allen White
... the honor of Milton, and one of his chief claims on our gratitude, that he is the first great protagonist in Christendom of the doctrine that marriage is a private matter, and that, therefore, it should be freely dissoluble by mutual consent, or even at the desire of one of the parties. We owe to him, says Howard, "the boldest defence of the liberty of divorce which had yet appeared. ...
— Studies in the Psychology of Sex, Volume 6 (of 6) • Havelock Ellis
... the Rocks" the protagonist expresses his belief that oratory is a weapon of war, and that it should be unsheathed, so to speak, in all its brilliancy only with the definite view of rousing people to action. Surely no man ever had a better chance of wielding the brilliant weapon than D'Annunzio, ...
— Defenders of Democracy • The Militia of Mercy
... premonition of the approach of doom grew more darkly oppressive. The trail of the artist is discernible across his thoughts. In his troubled imagination he identified his own situation with that of the protagonist in tragedies on the theme of fate. He did not withhold his thoughts from the supreme instance. That same friend who found him possessed of gloom preserved these words of his: "I have read on my knees the story of ...
— Lincoln • Nathaniel Wright Stephenson
... awkward but clever Lincoln. The debate was prolonged far into the night; and on which side victory finally folded her wings, no man can tell.[101] Douglas made the stronger impression, though Whigs professed entire satisfaction with the performance of their protagonist. There were some in the audience who took exception to Lincoln's stale anecdotes, and who thought ...
— Stephen A. Douglas - A Study in American Politics • Allen Johnson
... great appreciation, and Mr Cruickshank, following, spoke in complimentary terms of the eloquent appeal made by the "young and vigorous protagonist" of the imperial cause, but proceeded to a number of quite other and apparently more important grounds why he should be elected. The Hon. Mr Tellier's speech—the Minister was always kept to the last—was a defence of the recent dramatic development of the Government's railway ...
— The Imperialist • (a.k.a. Mrs. Everard Cotes) Sara Jeannette Duncan
... reputation for his pictures. There was one, a Sargent, a portrait of the protagonist in this little drama of success, that hung in a recess of the hall at the foot of the stairs. R. Gordon Carson, as the great psychologist had seen him, was a striking person, an embodiment of modern waywardness, an outcropping ...
— The Web of Life • Robert Herrick
... plead with him. Oh, lovely sight! with her they too began to plead: "Pieta di Nona, Signore! Pieta di noi, Madonna!" She was their graceful choragus; or rather, she, like some slim daughter of the Greeks—Iphigenia or another—voiced the protagonist's part; and they wailed after her, a chorus of elders. Finally, she knelt to him, wound her arms about his hips, put up her entreating face. The comedy was played out. Amilcare showed himself shaken; he stooped to her, lifted her in his arms, embraced her. "O mouth of singular ...
— Little Novels of Italy • Maurice Henry Hewlett
... stable world-system as a result of the syndicate formed at Washington. On the contrary, we may expect that, when Asia has thoroughly assimilated our economic system, the Marxian class-war will break out in the form of a war between Asia and the West, with America as the protagonist of capitalism, and Russia as the champion of Asia and Socialism. In such a war, Asia would be fighting for freedom, but probably too late to preserve the distinctive civilizations which now make Asia valuable to the human family. Indeed, the war would probably be so devastating ...
— The Problem of China • Bertrand Russell
... shoulders by fate. 'Sigurd Jorsalfar,' the last of the saga-plays, was planned as the second part of a dramatic sequence, of which the first was never written. Another work in this manner, having for its protagonist the great national hero, Olaf Trygvason, was also planned and even begun; but the author's energy flagged, and he felt himself irresistibly impelled to devote himself to more modern themes dealt with in a more modern way. But before leaving this ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... mercantile and economic maps of the world, are usually the results of careful though informal conversation, and the man whose opinions weigh in such crises is he who has first carefully pondered the words of both antagonist and protagonist. ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein
... and had come up in the counting-room, the day of the accident, equipped to feed his broken-backed father, with knowledge enough to be a bookkeeper, and little enough pride to be a messenger. Only, he had no spirit of adventure to fit him for a supercargo,—even that brushed too close upon the protagonist for him; and so he stayed upon his office stool. While other clerks went away promoted, he ticked off his life in alternation from the counting-room to the bank; trustworthy on that well-taught street with any forms of other people's fortunes, only not to make ...
— Pirate Gold • Frederic Jesup Stimson
... the New South, here briefly indicated, and in order to appreciate what Lanier really accomplished, two types of Southerners must be clearly distinguished. After the war the conservative Southerner — ranging all the way from the fiery Bourbon to the strong and worthy protagonist of the old order — failed to understand the meaning of defeat. He interpreted the conflict as the triumph of brute force, — sheer material prosperity, — and comforted himself with the thought that many of the noblest causes had ...
— Sidney Lanier • Edwin Mims
... Cowperwood personally, though contemptuous of the bucolic mass when regarded as individuals, had always been impressed by this great community of his election. Here had come Marquette and Joliet, La Salle and Hennepin, dreaming a way to the Pacific. Here Lincoln and Douglas, antagonist and protagonist of slavery argument, had contested; here had arisen "Joe" Smith, propagator of that strange American dogma of the Latter-Day Saints. What a state, Cowperwood sometimes thought; what a figment of the brain, and yet how wonderful! He had crossed ...
— The Titan • Theodore Dreiser
... in love and in the world of man, the protagonist throws in his lot with a woman who is already married. Together they go into another country, she perforce leaving her children behind. The conflict of love and hate goes on between the man and the woman, and between these two and the world around them, till it reaches some sort of conclusion, ...
— Look! We Have Come Through! • D. H. Lawrence
... hesitated for a moment whether to challenge it quietly and firmly, or whether laughingly, to accept the sly imputations of secrecy, of hypocrisy, in a "not-worth-while" temper. If things developed—and Artois felt that they must with such a protagonist as the Marchesino—a situation might arise in which Doro's enmity must come out into the open and be dealt with drastically. Till then was it not best to ignore it, to fall in with his apparent frivolity? Before Artois could decide—for his natural temper and an under-sense of prudence ...
— A Spirit in Prison • Robert Hichens
... was b. near Newport Pagnel, Bucks, and ed. at Westminster School and Oxford. He became the leading protagonist on the High Church side in the ecclesiastical controversies of his time, and is believed to have been the chief author of the famous defence of Dr. Sacheverell in 1712. He also wrote most of Boyle's Examination of Dr. Bentley's Dissertations ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... sit and vote on the nation's destinies. On a back seat, on the Liberal side of the House, silent, forlorn, unspeaking and unspoken to, he sat throughout the long and tedious debate in which he was a protagonist. There was, indeed, something shocking to the sense—shocking in being so surprising—that this should be the figure around which one of the fiercest and most tragic political struggles of our time should have surged. He is a man slightly above the middle height, ...
— Sketches In The House (1893) • T. P. O'Connor
... the Talmud (sewn pamphlet). Lockhart's Life of Napoleon (cover wanting, marginal annotations, minimising victories, aggrandising defeats of the protagonist). ...
— Ulysses • James Joyce
... it excited between radicals and clericals, one can consult contemporary periodicals, and Olmet y Carraffa, cap. XIV. Its estreno happened to coincide with a popular protest against the forced retirement to a convent of a Seorita de Ubao, and the Spanish public saw in the protagonist a symbol of Spain, torn between reaction and progress. Consequently, no play of Galds has been so unduly praised or so bitterly attacked. Two facts appear to stand out from the confusion: (1) Galds did not deliberately trade upon popular passions, since ...
— Heath's Modern Language Series: Mariucha • Benito Perez Galdos
... It was the Pennsylvanian model and Voltaire had pronounced Pennsylvania the best government in the world. Franklin gave the sanction of an oracle to the constitution of his state, and Turgot was its vehement protagonist in Europe. ...
— Lectures on the French Revolution • John Emerich Edward Dalberg-Acton
... a vase in the Homeric Gallery, is rich in natural gestures. Without them, from the costumes and attitudes it is easy to recognize the protagonist or principal actor in the group, and its general subject. The warrior goddess Athene stands forth in the midst of what appears to be a council of war. After the study of modern gesture speech, the votes of each ...
— Sign Language Among North American Indians Compared With That Among Other Peoples And Deaf-Mutes • Garrick Mallery
... industrial speculators. In fact, the name of the American Disease was given to it. Various theories about the effects of climate, sunlight per square inch and unit of time, oxygen content of the air, and so on, were offered up upon the altar of scientific explanation. Sir Arbuthnot Lane, famous protagonist of Lane's intestinal kink, said that all Americans were neurasthenic. Neurasthenia became one of the most popular of diagnoses, ...
— The Glands Regulating Personality • Louis Berman, M.D.
... Durham's Report; yet that Report is so fundamental a document in the development of British imperial opinion that time must be found to dispel one or two popular illusions.[15] It is a mistake to hold that Durham advocated the fullest concession of local autonomy to Canada. Sir Francis Hincks, a protagonist of Responsible Government, once quoted from the Report sentences which seemed to justify all his claims: "The crown must submit to the necessary consequences of representative institutions, and if it has to carry on the government in union with a representative body, it must consent to carry it on ...
— British Supremacy & Canadian Self-Government - 1839-1854 • J. L. Morison
... The dramatic interest is intensified by the warning of Artemidorus and the suggestion of a way of escape for the protagonist. ...
— The New Hudson Shakespeare: Julius Caesar • William Shakespeare
... The full import of such an epistemology Berkeley never recognized, but he is clearly employing it here, and the overthrow of Hylas is inevitable so long as he does not challenge it or turn it against his opponent. This, however, as a protagonist of Berkeley's own making, he fails to do, and he plays into Philonous's hands by admitting that what is known only in perception must for that reason consist in perception. He frankly owns "that it is vain to ...
— The Approach to Philosophy • Ralph Barton Perry
... four o'clock, but the day was so overcast that dusk was already falling in the building. A little group of men who had been talking in the choir turned round at the sound of the opening door, and made towards the architect. The protagonist was a clergyman past middle age, who wore a stock, and stepped forward to greet the ...
— The Nebuly Coat • John Meade Falkner
... figure has been recognised as a more or less fanciful autobiographical sketch. In his last work, A Groatsworth of Wit, in the introduction to which he makes his well-known attack upon Shakespeare, the adventures of Roberto, the protagonist of the story, tally approximately with known circumstances of Greene's life. In the opening of the story, Roberto's marriage, his desertion of his wife, his attachment to another woman who deserts him when he falls into poverty, ...
— Shakespeare's Lost Years in London, 1586-1592 • Arthur Acheson
... divine:" his Christ, as has been wittily said, is "God's good boy:" the discourses of Raphael to Adam are scholastic lectures: Adam himself is too sophisticated for the state of innocence, and Eve is somewhat insipid. The real protagonist of the poem is Satan, upon whose mighty figure Milton unconsciously bestowed something of his own nature, and whose words of defiance might almost have come from some Republican leader when the Good Old Cause ...
— Brief History of English and American Literature • Henry A. Beers
... was the title of the play. Its protagonist had come home after completing his education in Vienna; and there was the family gathered to greet him. Mr. Hartman, the father, was a wholesale grocer—a business large enough to have brought wealth, but painfully tainted with "commonness". Then there was Mrs. Hartman, ...
— Love's Pilgrimage • Upton Sinclair
... we commented, yet a protagonist of the peasant might point out that it was perhaps as noble and certainly quite as useful to be held by a passion for the soil as to be caught by the glamour of men riding out to slaughter. And Zola puts this in the mind ...
— In the Claws of the German Eagle • Albert Rhys Williams
... however, that at the time when most of these reviews were written Wilde had published scarcely any of the works by which his name has become famous in Europe, though the protagonist of the aesthetic movement was a well-known figure in Paris and London. Later he was recognised—it would be truer to say he was ignored—as a young man who had never fulfilled the high promise of a distinguished university ...
— Reviews • Oscar Wilde
... comparison he had made. It was true! Cobalt was nearly lost to them, and now the iron of Algoma had passed into other hands. Old bankers and financiers cast their minds back and were surprised at the number of similar instances they recalled. And here was Clark, the protagonist, Clark the speculator, Clark the wild man from Philadelphia, demonstrating in the cold language to which they were accustomed and which they perfectly understood, that he had done the same thing over again and on a more imposing ...
— The Rapids • Alan Sullivan
... than of his hero's character. Romeo is crude and immature when compared with a profound psychological study like Hamlet. In "Hamlet" the action often stands still while incidents are invented for the mere purpose of displaying the peculiarities of the protagonist. "Hamlet," too, is the longest of Shakespeare's plays with the exception of "Antony and Cleopatra," and "the total length of Hamlet's speeches," says Dryasdust, "far exceeds that of those allotted by Shakespeare to any other of his characters." ...
— The Man Shakespeare • Frank Harris
... Manchester at one period a word of awe. Why do these young Mancunians recollect to such stupendous purpose? Here is Mr. AGATE, with an introduction of forty-four pages, all about time and infinity, before he can get his protagonist so much as started anywhere at all. It is a little like one of those demon-scenes out of the pantomimes he describes so lovingly—"Do so! May safety and success attend on Crusoe." But of course the subsequent action is more responsible. I imagine Mr. AGATE'S picture ...
— Punch, or the London Charivari, Volume 158, February 11, 1920 • Various
... connection interests me personally because Campion was the protagonist of unrhymed lyrical verse—my special metrical hobby. I like to think that William Strachey may have supported Campion in his controversy with Gabriel Harvey, who, by the way, lived at Saffron Walden, from which town ...
— The Adventure of Living • John St. Loe Strachey
... appeal was doubtless the existence of persecution by the Roman authorites, perhaps largely at the instigation of local Judaism. To meet this special perplexity, the author holds up the picture of early days, when the great protagonist of the Gospel constantly enjoyed protection at the hands of Roman justice. It is implied that the present distress is but a passing phase, resting on some misunderstanding; meantime, the example ...
— Project Gutenberg Encyclopedia
... it is hard to define this "love" which is the protagonist, so to speak, in the world's emotional drama, it is still harder to define its opposite, its antagonist. I could name this by the name of "hate," the ordinary antithesis of love, but if I did so it would have to be ...
— The Complex Vision • John Cowper Powys
... the moment of extreme crisis in the fortunes of the treaty its chief protagonist was removed from the scene of action and the Democratic forces fighting for ratification were deprived of effective leadership. Had there been a real leader in the Senate who could carry on the fight with vigor and finesse, ...
— Woodrow Wilson and the World War - A Chronicle of Our Own Times. • Charles Seymour
... go his own way. Marat once said of him: "Il n'est pas dangereux." The phrase had been taken up. Within the precincts of the National Convention, Marat was still looked upon as the great protagonist of Liberty, a martyr to his own convictions carried to the extreme, to squalor and dirt, to the downward levelling of man to what is the lowest type in humanity. And his sayings were still treasured up: even the Girondins did not dare to attack his memory. Dead Marat was more ...
— I Will Repay • Baroness Emmuska Orczy
... serve as text for any sermon; and yet we may learn from him as from a hero of Hebrew or Hellenic story. His life was a tragedy; and like some protagonist of Greek drama, he was capable of erring and of suffering greatly. He had kicked against the altar of justice as established in the daily sanctities of human life; and now he had to bear the penalty. The conventions he despised ...
— Percy Bysshe Shelley • John Addington Symonds
... be silly or the act mean. The hesitation of Hamlet, the credulity of Othello, the baseness of Emma Bovary, or the irregularities of Mr. Swiveller, caused neither disappointment nor disgust to their creators. And so with Pepys and his adored protagonist: adored not blindly, but with trenchant insight and enduring, human toleration. I have gone over and over the greater part of the Diary; and the points where, to the most suspicious scrutiny, he has seemed not perfectly sincere, are so few, so doubtful, ...
— Harvard Classics Volume 28 - Essays English and American • Various |
