"Playwright" Quotes from Famous Books
 ... would be here at five o'clock, sir," answers Mary, who, according to the playwright, then goes out. But ...
— The Cricket • Marjorie Cooke
... in the Stationer's Register refer unambiguously to Dekker as the author, the title page of the Quarto states that the play is written by 'S.R.', the only Jacobean playwright with those initials being ...
— The Noble Spanish Soldier • Thomas Dekker
... SIMON, French dramatist, born at Paris, where he became director of the Opera Comique; was celebrated as a vivacious playwright and composer of operas; during a temporary absence from Paris he established his Comedy Company in the camp of Marshal Saxe during the Flanders campaign; his memoirs and correspondence give a bright picture of theatrical life in Paris during the ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... read that sentence; and I must here affirm, with as much gentleness as the implication will bear, that it has yet to be proved that they have dipped any deeper. At all events, whenever an English playwright represents a young and marriageable woman as being anything but a romantic heroine, he is disposed of without further thought as an echo of Schopenhauer. My own case is a specially hard one, because, when I implore the critics who are obsessed with the Schopenhaurian formula ...
— Bernard Shaw's Preface to Major Barbara • George Bernard Shaw
... the celebrated French poet and playwright, who is in this country as the official representative of the French Academy—the "Forty Immortals"—has written a remarkable tribute to American aid of France during the present war. The address, which is herewith presented, was ...
— New York Times Current History; The European War, Vol 2, No. 2, May, 1915 - April-September, 1915 • Various
... bitten with the theatrical mania, who annoys a manager with impertinent flattery and advice. It is said that Thomas Vaughan, a playwright of small reputation, was the original of this character.—Sheridan, The Critic (see act ...
— Character Sketches of Romance, Fiction and the Drama, Vol 1 - A Revised American Edition of the Reader's Handbook • The Rev. E. Cobham Brewer, LL.D.
... chiefly for ripening in its heat the philosophic humorist. That was the real character of the man. He tried many things, and he produced much; but the root of him was that he was a humorous thinker. He did not write first-rate plays, or first-rate novels, rich as he was in the elements of playwright and novelist. He was not an artist. But he had a rare and original eye and soul,—and in a peculiar way he could pour out himself. In short, to be an Essayist was the bent of his nature and genius. English literature ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... same anonymous writer we learn something of Parisian life in the reign of Francis I. One day a certain Monsieur Cruche, a popular poet and playwright, was performing moralities and novelties on a platform in the Place Maubert, and among them a farce "funny enough to make half a score men die of laughter, in which the said Cruche, holding a lantern, feigned to perceive the doings of a hen and a salamander."[107] The amours of the ...
— The Story of Paris • Thomas Okey
... to recapitulate what every biographical dictionary will provide, a long list of famous names associated with our counties; to remind you that we have produced two poet-laureates—John Skelton, of Diss, the author of Colyn Cloute, and Thomas Shadwell, of Broomhill, the playwright—the latter perhaps not entirely a subject for pride; two very rough and ready political philosophers, Thomas Paine, born at Thetford, and William Godwin, born at Wisbeach; a very popular novelist in Bulwer ...
— Immortal Memories • Clement Shorter
... Miss Colgate was as pleased as Punch over this flattering tribute to her magnetism—for the part, as described, was one that would not "get over" unless created by an actress of pronounced magnetic appeal—and lost no time in falling deeply in love with the manly playwright. They were serious-minded, ambitious young people. It is of small consequence that he was an untried, unskilled dramatist, and of equally small moment that she was little more than an amateur. They saw a bright light ahead and trudged steadily toward it, prodding ...
— Mr. Bingle • George Barr McCutcheon
... a young newspaper man and author, who came to me for the loan of five dollars. I had never seen him before, but I knew his brother, a brilliant playwright, in a ...
— A Woman of the World - Her Counsel to Other People's Sons and Daughters • Ella Wheeler Wilcox
... the novelli of Boccaccio, Masaccio, and Bandello, of Giraldi Cinthio and Ser Giovanni Fiorentino and of many another writer of romantic tales of whimsical gaiety, of intrigue, or of tragedy, and Brandilancia was a playwright gifted with a most exceptional genius for adaptation. He had read a few of these tales and had realised that they contained admirable material for dramatisation, but now by a turn of the wheel of Fortune the entire inexhaustible mine of absorbing plot of piquant ...
— Romance of Roman Villas - (The Renaissance) • Elizabeth W. (Elizbeth Williams) Champney
... and your immortality laboriously dragged about in a schoolboy's satchel. A precious recompense for your lavished blood to be wrapped round gingerbread by some Nuremberg chandler, or, if you have great luck, to be screwed upon stilts by a French playwright, and be made to move ...
— The Works of Frederich Schiller in English • Frederich Schiller
... pastoral romance of the Arcadia, written to please his sister, the Countess of Pembroke, and the short Apology for Poetry, a very spirited piece of work, immediately provoked by a rather silly diatribe against the theatre by one Stephen Gosson, once a playwright himself, but turned Puritan clergyman. Both appear to have been written about the same time—that is to say, between 1579 and 1581; Sidney being then in London and in the society of Spenser ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... a patron of art and literature that Louis XIV gained much of his celebrity. Molire, who was at once a playwright and an actor, delighted the court with comedies in which he delicately satirized the foibles of his time. Corneille, who had gained renown by the great tragedy of The Cid in Richelieu's time, found a worthy successor in Racine, the most distinguished ...
— An Introduction to the History of Western Europe • James Harvey Robinson
... Douglas had forsaken all traditions. He had been fettered with only a small knowledge of the stage and its workings, and he had escaped the fatal tribute to the conventionalities paid by almost every contemporary playwright. It was a sweet and passionate story which leaped out from the lips of those fashionably dressed but earnest men and women, grandly human, exquisitely told. Here and there the touches were lurid enough, but there was plenty of graceful relief, every sentence seemed pervaded ...
— The Survivor • E.Phillips Oppenheim
... ever seen Mr. Cooper manifest as much enthusiasm with any other person when occasion was felicitous, the subject of interest, and the comedian in his happy vein. Dunlap, were he speaking, might tell you of his [Cooper's] gratuities to the unfortunate playwright and the dramatic performer." In 1832 William Dunlap's "History of the American Theatre" was "Dedicated to James Fenimore Cooper Esq., ...
— James Fenimore Cooper • Mary E. Phillips
... may be argued from the fact that in these plays, which contain nothing salacious or indecent, there is scarcely a character of any rank who scruples to tell lies; and the truth is not to be found in works intended to school the public to virtue. The ingenious old playwright's memoirs are full of gossip concerning that poor old Venice, which is now no more; and the worthy autobiographer, Casanova, also gives much information about things that ...
— Venetian Life • W. D. Howells
... 'Scenes,' and from Mr. MacCarthy's translation of 'The Secret in Words.' 'The Secret in Words' is light comedy of intricate plot. Fabio is an example of the attendant gracioso, half servant, half confidant, who appears often in the Spanish drama. The Spanish playwright did not confine himself to one form of verse; and Mr. MacCarthy, in his adequate translation, has followed the various forms of Calderon, only not attempting the assonant vowel, so hard to escape in Spanish, and still harder to reproduce ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 7 • Various
... playful vanity he gave vent to a torrent of self-appreciation. He then named all the "other notables present"—a poet, a cartoonist, a budding playwright, a distinguished Russian revolutionist, an editor, and another newspaper man—maligning and deriding some of them and grudgingly praising the others. Much of what he said was lost upon me, for, although he knew that I was a rank outsider, he used ...
— The Rise of David Levinsky • Abraham Cahan
... act was beginning to get hold of him with that force which, after all, only a French playwright is master of, he looked up and saw the two sisters coming round the corner of the house from the great kitchen garden, which stretched its grass paths and tangled flower-masses down the further slope of the hill. The transition was sharp from Dumas's heated ...
— Robert Elsmere • Mrs. Humphry Ward
... often took himself and his art with hardly more seriousness than does the writer of the vaudeville skit or musical comedy of to-day, if he often wished primarily to gain the immediate laugh, then much of Langen's long list of the playwright's dramatic delinquencies is ...
— Amphitryo, Asinaria, Aulularia, Bacchides, Captivi • Plautus Titus Maccius
... freedom's playwright, Vaclav Havel, languished as a prisoner in Prague. And today it's Vaclav ...
— State of the Union Addresses of George H.W. Bush • George H.W. Bush
... consummate artist like yourself I need hardly suggest that The Nights still offers many a virgin mine to the Playwright; and I inscribe this volume to you, not only in admiration of your genius but in the hope that you will find means of exploiting the hidden wealth which awaits only ...
— Supplemental Nights, Volume 2 • Richard F. Burton
... worship. Thus Attica had a temple to Theseus, the Ionian hero; the shrine of AEsculapius at Epidau'rus was famous throughout the classic world; and the exploits of Hercules were commemorated by the Dorians at the tomb of a Ne'mean king. When the bard and the playwright clothed these tales in verse, all Greece hearkened; and when the painter or the sculptor took these subjects for his skill, all Greece applauded. Thus was strengthened the national sense ...
— Mosaics of Grecian History • Marcius Willson and Robert Pierpont Willson
... Minnie, the eldest, was happily married to Lieutenant Roper of the U. S. Navy; her early death was a grief hard to bear. The second child, a boy, died in infancy. The surviving children are: Herbert G. Croly, a man of letters in New York City; Vida Croly Sidney, the wife of the English playwright, Frederick Sidney, lives in London; and Alice Gary Mathot, the wife of a New York lawyer, William F. Mathot, resides ...
— Memories of Jane Cunningham Croly, "Jenny June" • Various
... difficult to imagine the soul stirred to the same high passion by the botanist, the astronomer, the geologist, the electrician, or even the entomologist as in former times by the poet, the humorist, the novelist, or the playwright. If the fictionist of whatever sort had succeeded in identifying himself with the scientist, he must leave the enjoyment of divine honors to the pianist, the farce-comedian, the portrait-painter, the emotional actor, ...
— Imaginary Interviews • W. D. Howells
... for all, and let us consider, for example, the mechanism of a modern cotton mill, or of a boot factory, or a Hoe printing press, or a plant for electric lighting. All these would be impossible if it had not been for inventive faculties as rare in their way as those of a playwright like Mr. Shaw. ...
— A Critical Examination of Socialism • William Hurrell Mallock
... Ireland" society that Yeats became identified with the new spirit; he dreamed of a national poetry that would be written in English and yet would be definitely Irish. In a few years he became one of the leaders in the Celtic revival. He worked incessantly for the cause, both as propagandist and playwright; and, though his mysticism at times seemed the product of a cult rather than a Celt, his symbolic dramas were acknowledged to be full of a haunting, other-world spirituality. (See Preface.) The Hour Glass (1904), ...
— Modern British Poetry • Various
... obvious conveniences for the playwright, and should greatly simplify the difficulties of stage-craft. Those introductory statements which are required to explain the opening conditions and need such adroit handling will no longer be necessary. You just put everybody wise by a series of tableaux ...
— Punch, or the London Charivari, Volume 158, February 11, 1920 • Various
... flimsiest of excuses, which arrest the progress of the main narrative—i.e., the travel—and give the author an opportunity to use up some spare material which he does not know what to do with. Such are "The Man of the Hill," in Tom Jones; "The History of Melopoyn the Playwright" in Roderick Random; the "Memoirs of a Lady of Quality," occupying fifty-three thousand words, in Peregrine Pickle; "The Philosophic Vagabond," in the Vicar of Wakefield; and "Wandering Willie's Tale," in Redgauntlet. ...
— The Great English Short-Story Writers, Vol. 1 • Various
... denunciations of masquerades and theatres (in which latter, by the way, one Samuel Foote had very recently been following the example of the author of Pasquin); but Fielding the magistrate and Fielding the playwright were two different persons; and a long interval of changeful experience lay between them. In another part of his charge, which deals with the offence of libelling, it is possible that his very vigorous appeal was not the less forcible by reason of the personal attacks to which he had ...
— Fielding - (English Men of Letters Series) • Austin Dobson
... comic that all the reviews hailing from Germany where the play was very soon produced compare Chesterton with Shaw and many of them say that he is the better playwright. "He means more to it," a Munich paper was translated as saying, "than the good old Shaw." Chesterton's superiority can hardly be entertained in the matter of technique. Actually what the critic meant was that he preferred the ideas of Chesterton to the ideas of Shaw. Both men were chiefly concerned ...
— Gilbert Keith Chesterton • Maisie Ward
... months of March-July in 1844, in the magazine Le Siecle, the first portion of a story appeared, penned by the celebrated playwright Alexandre Dumas. It was based, he claimed, on some manuscripts he had found a year earlier in the Bibliotheque Nationale while researching a history he planned to write on Louis XIV. They chronicled the adventures of a young man named D'Artagnan who, upon ...
— The Man in the Iron Mask • Alexandre Dumas, Pere
... Opposed to Woman Suffrage. The large audience voted in favor of woman suffrage. The convention was held at Concord, December 10, 11, with addresses by Mrs. Katherine Houghton Hepburn, president of the Connecticut association; Witter Bynner of Cornish, the poet and playwright, and Senator Helen Ring Robinson of Colorado. Miss Kimball subscribed $600, the largest individual contribution yet received. Mrs. Jenks gave a report of the meeting of the International Suffrage Alliance at Budapest, which she attended. This year the charters ...
— The History of Woman Suffrage, Volume VI • Various
... impossible to pass the exhaustless Shakspere without some further word of inadequate comment. Apparently no one in his day guessed that among the jostling throng of soldiers, statesmen, and philosophers this obscure playwright was the intellectual king. But Time has more than redressed the wrong, for now he is not only reverenced as a sovereign but sometimes worshiped as an oracle. The prime secret of his power, compared with ...
— The Chief End of Man • George S. Merriam
... sympathise," was the acid comment of one of them, "with the actresses who were forced to take part in such stuff"; and Joseph Daly described the heroine as "deserting a royal admirer to court the sovereign public." The author of this balderdash was one C. P. T. Ware, "a poor little hack playwright, ...
— The Magnificent Montez - From Courtesan to Convert • Horace Wyndham
... A noted English playwright stated that "the theatre is literally making the minds of our urban population to-day. It is a huge factory of sentiment, of character, of points of honor, of conception, of conduct, of everything that finally determines the destiny of ...
— Home Missions In Action • Edith H. Allen
... universal adulation of her dark and changeful face, her savage and sovereign beauty. There was insolence in her tread, and mad allurement in the rounded beauty of her powerful white arm—and at his weakest the young playwright admitted that all else concerning her ...
— The Light of the Star - A Novel • Hamlin Garland
... the great Russian revolution and relieve their feelings in regard to it. There is something still more appealing in the yearning efforts the immigrants sometimes make to formulate their situation in America. I recall a play written by an Italian playwright of our neighborhood, which depicted the insolent break between Americanized sons and old country parents, so touchingly that it moved to tears all the older Italians in the audience. Did the tears of each express relief in finding that others had had the same experience as himself, and did the knowledge ...
— Twenty Years At Hull House • Jane Addams
... regard to this subject, there have been not a few scoffers and dissenters, even among people of distinction. Douglas Jerrold, the playwright, was one of these, for he declared that he disliked dining amidst the strains of a military band, because he could taste the brass in his soup. Charles Lamb, in his chapter on "Ears," remarked, that while a carpenter's hammer, on ...
— Primitive Psycho-Therapy and Quackery • Robert Means Lawrence
... remarks from the men, the reading from the works of England's most famous poet and playwright ...
— Stand By! - Naval Sketches and Stories • Henry Taprell Dorling
... stage properties of the traditional revolution were concerned, plots, conspiracies, powder-smoke, blood and thunder, any one of the ten thousand squabbles in the mediaeval, Italian, and Flemish towns, furnishes far more material to the romancer or playwright than did the great Revolution ...
— Equality • Edward Bellamy
... as a playwright, consisting of eight pieces, or nine if we include the later In a Balcony, is sufficiently ample to enable us to form a trustworthy estimate of his genius as seen in drama. Dramatic, in the sense that he created and studied ...
— Robert Browning • Edward Dowden
... playwright produces a plot whose incidents are just within the possibilities, and far beyond the probabilities, of this life, it is said to be "ingenious," because of the crowd of circumstances that are huddled into ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... William. The Laureate was sub-purveyor of amusement for the court; but there was no longer a court to amuse, and the King himself never once in his reign entered a theatre. The piety of Queen Mary rendered her a rare attendant at the play-house. Plays were therefore no longer wanted. A playwright could not amuse. Congreve was a dramatist who had never exhibited even passable talent for other forms of poetical composition. But Tate's limited gifts, displayed to Dorset's satisfaction in various encomiastic verses addressed ...
— Atlantic Monthly, Volume 2, Issue 11, September, 1858 • Various
... coarse words he was curiously feminine. Intercourse with Beardsley, for example, had backed his humorous gentleness with a sort of challenging courage; his new intimacy with Lord Alfred Douglas, coming on the top of his triumph as a playwright, was lending him aggressive self-confidence. There was in him that [Greek: hubris] (insolent self-assurance) which the Greek feared, the pride which goeth before destruction. I regretted the change in him and ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... For, obviously, the comic element in a drawing is often a borrowed one, for which the text supplies all the stock-in-trade. I mean that the artist may be his own understudy in the shape of a satirist, or even a playwright, and that then we laugh far less at the drawings themselves than at the satire or comic incident they represent. But if we devote our whole attention to the drawing with the firm resolve to think of nothing else, we shall probably ...
— Laughter: An Essay on the Meaning of the Comic • Henri Bergson
... active; his style must be not only lucid, but also must arrest the reader; he must exercise perpetually a power of selection which plays over innumerable details; he must, in the midst of such occupations, preserve unity of design, as much as must the novelist or the playwright; and yet with all this there is not a verb, an adjective or a substantive which, if it does not repose upon established evidence, will not mar the particular type of work on which ...
— First and Last • H. Belloc
... twinkle or genial by-play in which Stevenson excelled. But he has more of dramatic power, pure and simple, than Stevenson had—his novels—the best of them—would far more easily yield themselves to the ordinary purposes of the ordinary playwright. Along with conscientiousness, perception, penetration, with the dramatist must go a certain indescribable common- sense commonplaceness—if I may name it so—protection against vagary and that over-refined egotism ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... "The New York Idea" at the Lyric Theatre, New York, on November 19, 1906, was one of the rare, distinguished events in the American Theatre. It revealed the fact that at last an American playwright had written a drama comparable with the very best European models, scintillating with clear, cold brilliancy, whose dialogue carried with it an exceptional literary style. It was a play that showed a vitality which will serve to ...
— Representative Plays by American Dramatists: 1856-1911: The New York Idea • Langdon Mitchell
... a poet as an audience to a playwright; Keats realized this truth when he printed Endymion. He knew it was full of faults and that he could not revise it. But he also knew that its publication would set him free, and make it possible for him immediately to write something better. This seems to have been the case with Amy Lowell. ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... first play, and first attempt in literature, Cromwell, was a complete failure, this did not deter him from longing to become a successful playwright. After having established himself as a novelist, he turned again to this field of literature. Having written several plays, he was acquainted, naturally, with the leading actresses of his day; among these was Madame Dorval, whom he liked. He purposed ...
— Women in the Life of Balzac • Juanita Helm Floyd
... didn't know much about tragedies—law was his bent—he had read law for two years, off and on. They would go to London and seize fortune by the scalp-lock. In London good lawyers were needed, and London was the only place for a playwright. ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... these before us, how could we dare be infidels and recreants to our earlier faith, or smile in scorn at the fanciful loves and cherished dreams of infancy? Such were our feelings, nor could it well be otherwise; for Tieck was, and is, a poet of the highest grade—not a playwright and systematic jest-hunter; and would as soon have put forth his hand in impious challenge against the Ark, as have stooped to become a buffooning pander to the idle follies of the million. It remained for England—great and classic England—no, by heavens! I will not do her that wrong—but for London, ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 358, August 1845 • Various
... were less unsteady on his legs. And yet he takes Kit's words kindly, and is glad to hear that "Titus Andronicus," produced the other day, pleases the man whose praise is most worth having. Will Shakespeare looks up to Kit Marlowe, and "Titus Andronicus" is the work of a young playwright who has tried to write like Kit. Marlowe knows it, and he takes it as something of a compliment, though he does not believe in imitation himself. He would return now to his seat beside Ned Alleyn; but the floor ...
— My Lady Nicotine - A Study in Smoke • J. M. Barrie
... circumstances, and he imagines to such purpose that he generally finds the man he wants. I have often told Lyle that if he had not been a detective he would have made a great success as a poet or a playwright. ...
— Ranson's Folly • Richard Harding Davis
... the playwright fail for lack Of matter, if with curious eyes He follows in our Pressmen's track, Who find the source of their supplies In Life, that ever-flowing font, And "give ...
— Punch, or the London Charivari, Vol. 159, November 17, 1920 • Various
... disgrace with Henslowe and his former associates, Jonson offered his services as a playwright to Henslowe's rivals, the Lord Chamberlain's company, in which Shakespeare was a prominent shareholder. A tradition of long standing, though not susceptible of proof in a court of law, narrates that Jonson had submitted the manuscript of "Every Man in His Humour" to the ...
— Sejanus: His Fall • Ben Jonson
... in long procession, and matters of high theatrical politics engage the attention from year to year. Punch's interest in theatricals is hardly surprising when it is remembered how closely identified with the drama have been many members of the Staff. Douglas Jerrold was a successful playwright before ever Punch was heard of, and as the author of "Black-Eyed Susan" and "Time Works Wonders" he made his name popular with many who had hardly heard of his connection with "the great comic." It has been computed that the Punch writers, ...
— The History of "Punch" • M. H. Spielmann
... League," said Ann demurely, "the Federation of Arts, National Society of Portrait Painters, Architectural League, Watercolor Society, Authors' League and the Prince who thinks he's a playwright." ...
— Kenny • Leona Dalrymple
... divided into acts, but not into scenes, though the first act is headed Actus Primus, Scaena Prima. The first systematic division into scenes was made by Nicholas Rowe, poet laureate to George I, in the edition which he issued in six octavo volumes in 1709. In this edition Rowe, an experienced playwright, marked the entrances and exits of the characters and introduced many stage directions and the list of dramatis personae which has been the basis for all later lists. A second edition in eight volumes was published in 1714. Rowe followed very closely the text of the Fourth Folio, but ...
— The New Hudson Shakespeare: Julius Caesar • William Shakespeare
... a domestic Cassandra. Flaminio and not Marcello is made the main instrument of Vittoria's crime and elevation. The Cardinal Montalto is called Monticelso, and his papal title is Paul IV. instead of Sixtus V. These are details of comparative indifference, in which a playwright may fairly use his liberty of art. On the other hand, Webster shows a curious knowledge of the picturesque circumstances of the tale. The garden in which Vittoria meets Bracciano is the villa of Magnanapoli; Zanche, the Moorish slave, combines Vittoria's waiting-woman, Caterina, ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... Sir William Berkeley took up his duties in Virginia and began a career which ended both gloriously and ignominiously thirty-five years later. Berkeley came from a distinguished family, was a graduate of Oxford and the Inns of Court, a playwright, and a courtier much admired by the King. Men frequently wondered why he chose to waste his talents in the American wilderness when he might have achieved eminence at Court. The mystery will probably ever remain. In Virginia ...
— Virginia Under Charles I And Cromwell, 1625-1660 • Wilcomb E. Washburn
... arts which have yielded up their secrets to Mr. Wills, it is interesting to note in his poems, here the picturesque vision of the painter, here the psychology of the novelist, and here the playwright's sense of dramatic situation. Yet these things, which are the elements of his work of art though we arbitrarily separate them in criticism, are in the work itself blended and made one by the true imaginative and informing power. For Melchior is not a ...
— Reviews • Oscar Wilde
... heads were bobbing. Whence came their tunes, so quaintly weird, so boisterous and yet so full of melancholy? The composer has sought to catch them, has touched them with his refining art and has spoiled them. The playwright has striven to transfer from the field to the stage a cotton-picking scene and has made a travesty of it. To transfer the passions of man and to music-riddle them is an art with stiff-jointed rules, but the ...
— An Arkansas Planter • Opie Percival Read
... one of the events of this period. It was a charming performance, even if not a great financial success, and little Elsie Leslie, who played the double part of the Prince and Tom Canty, became a great favorite in the Clemens home. She was also a favorite of the actor and playwright, William Gillette, [9] and once when Clemens and Gillette were together they decided to give the little girl a surprise—a pair of slippers, in fact, embroidered by themselves. In his presentation letter to her, ...
— The Boys' Life of Mark Twain • Albert Bigelow Paine
... Virginius and The Hunchback, who had become a Baptist minister in his old age. When, at home, I mentioned this acquaintance, it awakened no interest. I believe that my Father had never heard, or never noticed, the name of one who had been by far the most eminent English playwright of that age. ...
— Father and Son • Edmund Gosse
... planning his dream in marble; Phidias was cutting away the needless portions of the white stone of Pentelicus and liberating wondrous forms of beauty; Sophocles was revealing the possibilities of the stage; AEschylus was pointing out the way as a playwright; and the passion for physical beauty was ...
— Little Journeys to the Homes of the Great Philosophers, Volume 8 • Elbert Hubbard
... the effect it's had already," he said. "Shaw is the only playwright clever enough to write dialogue that will hold any number of people in the theatre. The motion picture has made the public demand action. It has changed the plot and progress ...
— Laugh and Live • Douglas Fairbanks
... Ages, and fixes the limits beyond which their dramatic poets, with a few exceptions, were not destined to advance. Nor was the choice of the fable without significance. Quitting the Bible stories and the Legends of Saints, which supplied the mediaeval playwright with material, Poliziano selects a classic story: and this story might pass for an allegory of Italy, whose intellectual development the scholar-poet ruled. Orpheus is the power of poetry and art, softening stubborn nature, civilising men, and prevailing ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... abuse to find epithets for Walpole. Gay amidst general applause set the statesmen of his day on the public stage in the guise of highwaymen and pickpockets. "It is difficult to determine," said the witty playwright, "whether the fine gentlemen imitate the gentlemen of the road, or the gentlemen of the road the fine gentlemen." Much of this virulence sprang, no doubt, from a real contempt of the selfishness and corruption which disgraced ...
— History of the English People, Volume VII (of 8) - The Revolution, 1683-1760; Modern England, 1760-1767 • John Richard Green
... Monsieur and Madame Denis were the heavy parents; and a gentlemanlike young mouse named Leander was jeune premier. Then, in my leisure, they used to act the most tremendous plays. I was stage-manager, prompter, playwright, chorus, and audience, placing the theatre before a looking-glass, so that, though my duties kept me behind, I could peer round the edge, and watch the spectacle as from the front. I would invent the lines and deliver them, but, that my illusion ...
— Grey Roses • Henry Harland
... with Grattan, are perhaps as mournful in the end as the four mud walls that are so often left in Wicklow as the only remnants of a farmhouse. The desolation of this life is often of a peculiarly local kind, and if a playwright chose to go through the Irish country houses he would find material, it is likely, for many gloomy plays that would turn on the dying away of these old families, and on the lives of the one or two delicate girls that are ...
— In Wicklow and West Kerry • John M. Synge
... real influence on the story. Aeschylus' skill in this branch of his art is really extraordinary; the Chorus does take a part, and a vital part too, in the play. Again, the number of Greek actors was limited, whereas in a modern play their number is just as great as suits playwright's convenience or his capacity. The impression then of a Greek play is that it is a somewhat thin performance compared with the vivacity and complexity of the great Elizabethans. The plot, where it exists, seems very narrow in Attic drama; ...
— Authors of Greece • T. W. Lumb
... except the last, which Poe either invented, or, in quoting, altered. Some of the works named he apparently had not read, since their character is not suited to his purpose. Jean Baptiste Louis Gresset (1709-1777) was a French poet and playwright; the two works mentioned are poems,—the first, a tale of an escaped parrot who stopped at a convent and shocked the nuns by his profanity. Niccolo Machiavelli (1469-1527) was a famous Italian historian and statesman, who wrote a celebrated treatise called "The ...
— Selections From Poe • J. Montgomery Gambrill
... fond of defending his friends, came vigorously to the defense of the playwright, to whom he was devoted and whose first nights he seldom missed. In the discussion which followed Charmian saw more clearly how peculiarly in tune her ...
— The Way of Ambition • Robert Hichens
... The playwright's mouthing shams, And the long-winded speeches Grow brisk as epigrams. My heart, in sudden clover, With smiles adorns my face, For, when the Act is over, I need not keep my place. I'll chase my fears, like foxes, ...
— Punch, or the London Charivari, Vol. 98, January 25th, 1890 • Various
... dear boy. Clarissa is a masterpiece, there are fourteen volumes of her, and the most wooden-headed playwright would give you the whole of Clarissa in a single act. So long as I amuse you, what have you to complain of? That costume was positively lovely. Don't you like camillias? Would you rather have dahlias? No? Very good, chestnuts then, here's for you." ...
— The Firm of Nucingen • Honore de Balzac
... find the sage seated on his doorstep. If Judas go forth tonight it is to Judas his steps will tend. Every life is many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love, but always meeting ourselves. The playwright who wrote the folio of this world and wrote it badly (He gave us light first and the sun two days later), the lord of things as they are whom the most Roman of catholics call dio boia, hangman god, is doubtless all in all in all of ...
— Ulysses • James Joyce
... as they advance, retreat, and countermarch, little by little yielding up their secret, disclosing all the subtle interplay of human motives. From the heights of his knowledge the critic surveys the spectacle; with an insight born of his learning, he penetrates the mysteries of the playwright's craft. He knows what thought and skill have gone into this result; he knows the weary hours of toil, the difficulties of invention and selection, the heroic rejections, the intricacies of construction, the final triumph. He ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... knowledge that Payne was for a time a dramatist. Though his brief excursion into the theater must later have seemed to him a minor episode in his life, Payne's enemies were aware of the fact that he was a playwright and have written their knowledge into the record of his treasonable activities. For example, the author of a burlesque life of Payne, which contains, so far as I know, the only connected account of his activities, makes this useful remark: "Then [after his ...
— The Fatal Jealousie (1673) • Henry Nevil Payne
... vivacity to the American stage that no other American playwright has thus far succeeded in emulating. The total impression of his work leads one to believe that he also brought to the American stage a style which was at the same time literary and distinctly his own. His personality was interesting and lovable, quickly ...
— Representative Plays by American Dramatists: 1856-1911: The Moth and the Flame • Clyde Fitch
... for example. They do not sustain themselves at the lofty level on which Michelangelo moves with certainty and ease—"the greatest of known artists," so Mr. Lafarge has ventured to acclaim him; and just as Shakspere is unsurpassed as a poet and also as a playwright, just as Cicero takes a foremost place as an orator and also as a writer of prose, so Michelangelo is mighty as a sculptor, as an architect, and ...
— Inquiries and Opinions • Brander Matthews
... we are to seek real generalities, we must not consult the playwright. Perhaps we may find the best conditions for general statement where we do not even have to deal with an individual, but can listen to the mind of the race and can absorb its wisdom from its proverbs. Let us take the word proverb in its widest ...
— Psychology and Social Sanity • Hugo Muensterberg
... was about a man who had written a play, and who thought, as every playwright thinks, that it was a great addition to the drama, and would bring him fame and fortune. He took this play to a London manager, but heard nothing from it for a long time, and at last it was returned to him. Then, on going to a first ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell
... feelings the most entertaining of old Ben's comedies, and, more than any other, would admit of being brought out anew, if under the management of a judicious and stage-understanding playwright; and an actor, who had studied ...
— Shakespeare, Ben Jonson, Beaumont and Fletcher • S. T. Coleridge
... have this regarded as the correct version, and has himself prepared the "copy" of same. Because of the easy accessibility of Dion Boucicault's "The Octoroon; or, Life in Louisiana," it was thought best to omit this Irish-American playwright, whose jovial prolixity enriched the American stage of the '60's and '70's. His "London Assurance" is included in the present Editor's collection of "Representative British Dramas: Victorian ...
— Representative Plays by American Dramatists: 1856-1911: - Introduction and Bibliography • Montrose J. Moses
... the composition of Sordello. Like all Browning's plays which were acted, it owed its partial failure to causes quite apart from its own merits or defects as a play.[13] Browning may not have had the making of a good playwright; but at least no one ever gave him the chance of showing whether he was or not. The play is not without incident, especially in the third act. But its chief merit lies in the language and style of the dialogue. There ...
— An Introduction to the Study of Browning • Arthur Symons
... Olof, but also the other historical characters, in close accordance with what history has to tell us about them. Among the chief figures there is only one—Gert the Printer—who is not known to history, and one—the wife of Olof—who is so little known that the playwright has been at liberty to create it almost wholly out ...
— Master Olof - A Drama in Five Acts • August Strindberg
... hold that those who run down the institution are all, without exception, poor creatures who cannot get in. For the strong apparent instances to the contrary, there was a reason in each case. I ventured to mention the great name of Balzac, a man from our country. But the playwright Desminieres, who used to manage the amateur theatricals at Compiegne, burst out with 'Balzac! But did you know him? Do you know, sir, the sort of man he was? An utter Bohemian! A man, sir, who never had a guinea in his pocket! I had it from his friend Frederic Lemaitre. Never one guinea! And you ...
— The Immortal - Or, One Of The "Forty." (L'immortel) - 1877 • Alphonse Daudet
... the mouths of Shakesperian commentators, is wont to interpret these lines as a protest against the contempt wherewith Elizabethan society regarded the professions of playwright and actor. We are asked to conceive that Shakespeare humbly desires the pity of his bosom friend because he is not put on the same level of social estimation with a brocaded gull or a prosperous stupid goldsmith of the Cheap. No, it is a cry, from ...
— Style • Walter Raleigh
... is a nom de plume. The author's real name is Armandine Lucile Aurore Dupin. She was a famous French novelist and playwright—born ...
— Short Stories and Selections for Use in the Secondary Schools • Emilie Kip Baker
... all right." I laughed aloud. I was so relieved. "Of course I am, and he's my manager, and my playwright, and my secretary, and—my—my dear, dear boy. There!" I wasn't laughing at the end of it. I never can laugh when I try to tell what Fred ...
— In the Bishop's Carriage • Miriam Michelson
... to some dramatic scheme in which Sir Lumley Skeffington, an amateur playwright, had tried to engage Lamb's pen. Lamb's share of the speaking pantomime for the Sheridans has vanished. We do not even know if it ...
— The Works of Charles and Mary Lamb, Vol. 5 • Edited by E. V. Lucas
... once undertaken by him, entirely from his own point of view. 'Gerontius' is meant to be studied and dwelt upon by the meditative reader. The Autos of Calderon were got ready by perhaps the most accomplished playwright that ever lived, to amuse and stimulate a thronging southern population. 'Gerontius' is, we may perhaps say for Dr. Newman in the ...
— The Two Lovers of Heaven: Chrysanthus and Daria - A Drama of Early Christian Rome • Pedro Calderon de la Barca
... Austrian Minister, eagerly. "And then there is the prerogative of the author and of the playwright to drop a curtain whenever he wants to, or to put a stop to everything by ending the chapter. That isn't fair. That is an advantage over nature. When some one accuses some one else of doing something dreadful at the play, down comes the curtain quick ...
— Van Bibber and Others • Richard Harding Davis
... (though he drops the Forrest for professional considerations), John Wilkes, Joseph, and the girls. All of the boys are known to more or less of fame; none of them in his art has reached the renown of the father; but one has sent his name as far as that of the great playwright to whom they were pupils; wherever Shakspeare is quoted, John Wilkes Booth will be named, and infamously, like that Hubert in "King John," who would have murdered ...
— The Life, Crime and Capture of John Wilkes Booth • George Alfred Townsend
... proportion of the great mass of correspondence which I turned over. There were letters from Carlo Angiolini, who was afterwards to bring the manuscript of the Memoirs to Brockhaus; from Balbi, the monk with whom Casanova escaped from the Piombi; from the Marquis Albergati, playwright, actor, and eccentric, of whom there is some account in the Memoirs; from the Marquis Mosca, 'a distinguished man of letters whom I was anxious to see,' Casanova tells us in the same volume in which he describes his visit ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt
... To the young playwright, the difficulty of getting his characters on to the stage would seem much less than the difficulty of finding them something to say when they are there. He writes gaily and without hesitation "Enter Lord Arthur Fluffinose," and only then ...
— Punch, or the London Charivari, June 10, 1914 • Various |
