"Modernism" Quotes from Famous Books
 ... organization of the industry, the trade, and the finance that were to control the world for four generations, and produce that industrial civilization which is the basis and the energizing force of modernism. Immediately, and with conspicuous ability, they took hold of the problem, solved its difficulties, developed its possibilities, and by the end of the nineteenth century had made it master of ...
— Towards the Great Peace • Ralph Adams Cram
... make her the envied of her housemates—shaping such sad imaginings. She was expressing in her own native phrases—assisted a little by her Sixth Standard training—feelings which might almost have been called those of the age—the ache of modernism. The perception arrested him less when he reflected that what are called advanced ideas are really in great part but the latest fashion in definition—a more accurate expression, by words in logy and ism, of sensations which men and women ...
— Tess of the d'Urbervilles - A Pure Woman • Thomas Hardy
... said Duthil. "He is the high priest of modernism. He and all the rest of the neurologists have divided up devilment into provinces, and labelled each province with names all ending in enia or itis. Berselius is a Primitive, it seems; this Balkan prince is—I don't know what they call him—sure ...
— The Pools of Silence • H. de Vere Stacpoole
... their courtesy in permitting me to reprint them. The articles on The Birth-Rate, The Future of the English Race, Bishop Gore and the Church of England, and Cardinal Newman are from the Edinburgh Review; those on Patriotism, Catholic Modernism, St. Paul, and The Indictment against Christianity are from the Quarterly Review; those on Institutionalism and Mysticism and Survival and Immortality from the Hibbert Journal. I have not attempted to remove all traces of overlapping, which I hope may be pardoned in essays ...
— Outspoken Essays • William Ralph Inge
... and gave himself up, expecting death by torture. "Go, sir," said the king; "we too are gentlemen." The idea of a "sweet life" of honour had dawned even on Sekukoeni: it lights up Malory's romance, and is reflected in Tennyson's Idylls, doubtless with some modernism of expression. ...
— Alfred Tennyson • Andrew Lang
... continues, "the whole tenor of the poems themselves confirms what is here remarked. There is nothing, either in the Iliad or Odyssey, which savours of modernism, applying that term to the age of Peisistratus—nothing which brings to our view the alterations brought about by two centuries, in the Greek language, the coined money, the habits of writing and reading, the despotisms and republican governments, the ...
— The Odyssey of Homer • Homer, translated by Alexander Pope
... one of the most hopeless of the many difficulties which Modernism finds, and will find, insuperable either by steam or dynamite, that of either wedging or welding into its own cast-iron head, any conception of a king, monk, or townsman of the twelfth and two succeeding centuries. ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... all such pessimistic voices came the glad soul of Robert Louis Stevenson, whose old-fashioned revelling in the situation is the exact counter-blast to Hardy's modernism, and is one of those perennial human things which are ever both new and old. It is not that Stevenson has not seen the other side of life. He has seen it and he has suffered from it deeply, both ...
— Among Famous Books • John Kelman
... the theatre, like the double stage for the little Madison Square playhouse, in New York, which was the precursor of such modern paraphernalia as came later with the foreign revolving stages. He always stood on the threshold of modernism, advocating those principles which were to fructify in the decades to follow him. Such pioneer spirit was evident in his ardent advocacy of Delsarte methods of acting; his own work as an actor was coloured and influenced ...
— Representative Plays by American Dramatists: 1856-1911: Paul Kauvar; or, Anarchy • Steele Mackaye
... N. newness &c. adj.; novelty, recency; immaturity; youth &c. 127; gloss of novelty. innovation; renovation &c. (restoration) 660. modernism; mushroom, parvenu; latest fashion. V. renew &c. (restore) 660; modernize. Adj. new, novel, recent, fresh, green; young &c. 127; evergreen; raw, immature, unsettled, yeasty; virgin; untried, unhandseled[obs3], ...
— Roget's Thesaurus
... which demanded calm consideration and the finer intellect. From the doctrine of the Trinity to the question of cabbage versus beef; from Neo-Malthusianism to the grievance of compulsory vaccination; not a subject which modernism has thrown out to the multitude but here received its sufficient mauling. Above the crowd floated ...
— The Nether World • George Gissing
... no better as melody. As a matter of fact there is, has been, and for ever will be war over this question of melody, because the point of view on the subject is continually changing. As Cyril Scott puts it in his book, "The Philosophy of Modernism": "at one time it (melody) extended over a few bars and then came to a close, being, as it were, a kind of sentence, which, after running for the moment, arrived at a full stop, or semicolon. Take this and compare it with the modern tendency: for that modern tendency is to argue that a melody ...
— The Merry-Go-Round • Carl Van Vechten
... to prove the AUTHENTICITY of his attempt at imitation. Without documentary evidence of antiquity, no critic can approach the imitation except in a spirit of determined scepticism. He knows, certainly, that the ballad is modern, and, knowing that, he easily finds proofs of modernism even where they do not really exist. I am convinced that to imitate a ballad that would, except for the lack of documentary evidence, beguile the expert, is perfectly feasible. I even venture to offer examples of my own manufacture at the close of this volume. ...
— Sir Walter Scott and the Border Minstrelsy • Andrew Lang
... time-yellowed lace among cities—the heart of the New World as it had once been, still beating, still whispering of its one-time power, still living in the memory of its mellowed romance, its almost forgotten tragedies—a ghost that lived, that still beat back defiantly the destroying modernism that would desecrate its sacred things. And it pleased him to think of Marette Radisson as the spirit of it, wandering north, and still farther north—even as the spirits of the profaned dead had risen from the ...
— The Valley of Silent Men • James Oliver Curwood
... thinking man fails to see the infinity of space between Modernism and Orthodoxy, or to apprehend the fact that daily they are drawing farther apart! Time holds no promise of ...
— The Church, the Schools and Evolution • J. E. (Judson Eber) Conant
... have no doubt it is, most true to nature in one sense. We can believe that such a country would have such a sky, and such appearance in foreground and distance; but that very truth creates to our mind's eye an anachronism—it brings down the tale of antiquity to very modernism—it robs it of its antique hue—it shows it too commonly, too familiarly. As we read it, we do not so see it; we are not so matter-of-fact. There is an ideal colouring that belongs to sentiment—our minds always adopt it. We have not as yet correctly worked out that theory, and therefore ...
— Blackwood's Edinburgh Magazine, Volume 54, No. 334, August 1843 • Various
... time which the Pre-Raphaelites have adopted, in choosing Raphael as the man whose works mark the separation between Mediaevalism and Modernism, is perfectly accurate. It has been accepted as such ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin |
