"Metre" Quotes from Famous Books
 ... It was very sad, but better than many things that are not called sad. James hovered about, put out and miserable, but active and exact as ever; read to her, when there was a lull, short bits from the Psalms, prose and metre, chanting the latter in his own rude and serious way, showing great knowledge of the fit words, bearing up like a man, and doting over her as his "ain Ailie." "Ailie, ma woman!" "Ma ain bonnie ...
— Rab and His Friends • John Brown, M. D.
... Saxons of Sus-sex, Es-sex, and Middle-sex? Only so far as they were Angles; and, except in the parts near the Elbe, they were other than Angle. This we know from their language, in which a Gospel Harmony, in alliterative metre, a fragmentary translation of the Psalms, and a heroic rhapsody called Hildubrant and Hathubrant have ...
— The Ethnology of the British Islands • Robert Gordon Latham
... Poet, a poem by Sir H. Wotton—'How happy is he born or taught, that serveth not another's will'? It is very beautiful, and fit for a Paradise of any kind. Here are some lines from old Lily, which your ear will put in the proper metre. It gives a fine description of a fellow walking in Spring, and looking here and there, and pricking up his ears, as different birds sing. 'What bird so sings, but doth so wail? Oh! 'tis the ravished nightingale: "Jug, jug, jug, jug, terue," ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... which had also been consecrated with mystic ceremonies. And as this ring touched and bounded off from the different letters which still preserved their distances distinct, he made with these letters, by the order in which he touched them, verses in the heroic metre, corresponding to the questions which we had asked; the verses being also perfect in metre and rhythm; like the answers of the Pythia which are so celebrated, or those given by the oracles ...
— The Roman History of Ammianus Marcellinus • Ammianus Marcellinus
... Gomarus. I think M. Bayle repeated them from memory, for he put sacrata instead of afflata. But it is apparently the printer's fault that prudenter stands in place of pudenter (that is, modestly) which the metre requires. ...
— Theodicy - Essays on the Goodness of God, the Freedom of Man and the Origin of Evil • G. W. Leibniz
... there comes an Englishman nourished on this poetry, taught his trade by this poetry, getting words, rhyme, metre from this poetry; for even of that stanza which the Italians used, and which Chaucer derived immediately from the Italians, the basis and suggestion was probably given in France. Chaucer (I have already named him) fascinated his contemporaries, but so ...
— Harvard Classics Volume 28 - Essays English and American • Various
... the society, it won't be enough, of course, for me alone to preside; it will be necessary to invite two others to serve as vice-presidents; you might then enlist Ling Chou and Ou Hsieh, both of whom are cultured persons. The one to choose the themes and assign the metre, the other to act as copyist and supervisor. We three cannot, however, definitely say that we won't write verses, for, if we come across any comparatively easy subject and metre, we too will indite a stanza if we feel so disposed. ...
— Hung Lou Meng, Book II • Cao Xueqin
... 2439b. Defective metre and sense, owing to the loss of a hemistich, but the sense is complete. Grein's suggestion, feoll on foldan, adds nothing to the ...
— Genesis A - Translated from the Old English • Anonymous
... incident of her schooldays, what had been inclination before was aroused to determination and the child neglected her lessons to write. A volume of crude verse fashioned after the metre of Meredith's "Lucile," a romantic book in rhyme, and two novels were the fruits of this youthful ardour. Through the sickness and death of a sister, the author missed the last three months of school, but, she remarks, "unlike my schoolmates, ...
— At the Foot of the Rainbow • Gene Stratton-Porter
... There were no significant italics in this text. Lines longer than 75 characters have been broken according to metre, and the continuation is indented two spaces. This etext was transcribed from a ...
— Main Street and Other Poems • Alfred Joyce Kilmer
... disappointment of the reader, the terms proposed are humiliatingly low; yet such as, under modifications, I accede to. I have received testimonials from men not merely of genius according to my belief, but of the highest accredited reputation, that my translation of "Wallenstein" was in language and in metre superior to the original, and the parts most admired were substitutions of my own, on a principle of compensation. Yet the whole work went for waste-paper. I was abused—nay, my own remarks in the Preface were transferred ...
— A Publisher and His Friends • Samuel Smiles
... I whistled for Old Clay, and back he comes, and I mounted and off, jist as the crowd came up. The folks looked staggered, and wondered a little grain how it was done so cleverly in short metre. If I didn't quilt him in no time, you may depend; I went right slap into him, like a flash of lightning into a gooseberry bush. He found his suit ready made and fitted afore he thought he was half measured. ...
— The Clockmaker • Thomas Chandler Haliburton
... this Coleridge afterwards remarked with justice that its "ideas were better than the language or metre in which they were conveyed." Porson, with little magnanimity, as De Quincey complains, was severe upon its Greek, but its main conception—an appeal to Death to come, a welcome deliverer to the slaves, and to bear them to shores where "they may tell ...
— English Men of Letters: Coleridge • H. D. Traill
... rare; and a rhymer who had any skill in it passed for a great poet, just as in the dark ages a person who could write his name passed for a great clerk. Accordingly, Duke, Stepney, Granville, Walsh, and others whose only title to fame was that they said in tolerable metre what might have been as well said in prose, or what was not worth saying at all, were honored with marks of distinction which ought to be reserved for genius. With these Addison must have ranked, if he had not earned true and lasting glory by performances ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... leaves a close friend, who is wooed in mistake for herself by the suitor destined for her own hand. This is the main dramatic point; the thread is very slender, and is drawn out to its utmost limits through five acts of blank verse. The language and metre are scrupulously correct. But one cannot credit the play with any touch of poetry or imagination. It presents a trite theme tamely and prosaically. Congenital inability of the most inveterate toughness to appreciate ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... degree of human thought, feeling, and emotion, and clothed them all, from the lowest to the loftiest, from the slightest to the most intense and concentrated, in the dress of exactly appropriate style and language. His metre also is a perfect vehicle of the language. If we think the range of his knowledge limited, yet it was all that his country and his age possessed, and it was very greatly more than has been supposed by readers that dwelt only on the surface. So long as the lamp of civilization ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... with this sweetness and fluency, the scientific construction of the metre of the 'Faery Queene' is very noticeable. One of Spenser's arts is that of alliteration, and he uses it with great effect in doubling the ...
— Literary Remains (1) • Coleridge
... but it really has been a difficulty of the poet in translating his own Alexandrines into French prose, not to produce verses; nor has he always avoided them. Here, for instance, is a distich which not only becomes French when translated word for word, but also reproduces exactly metre and rhyme:— ...
— Frederic Mistral - Poet and Leader in Provence • Charles Alfred Downer
... succeeded by a most abominable fog, thick and white like cotton-wool. These were hardly ideal conditions under which to close a rocky and unknown coast, but it had to be done. The trouble was that it was entirely useless taking soundings, as the twenty-metre depth-line on the chart went right up to the land. We crept slowly eastwards, till, when by dead reckoning we were ten miles inside the coast, the Navigator accidentally leant on the whistle lever; this action on his part probably saved the ship, as an immediate echo answered the blast. ...
— The Diary of a U-boat Commander • Anon
... of the reader. We can only promise him the utmost fidelity in the translation, having taken no other liberty than the substitution of common idiomatic phrases, peculiar to our language, for corresponding phrases in the other. The original metre, in every instance, ...
— Atlantic Monthly, Vol. 9, No. 54, April, 1862 • Various
... he visited Vallombrosa with Crabb Robinson in 1837, wrote an inferior poem there, in a rather common metre, in honour of Milton's association ...
— A Wanderer in Florence • E. V. Lucas
... cave, took from his pocket a ball of string and a tape-measure, tied the string to the flint corner, fastened a pebble at the nineteenth metre and flung it toward the land side. The pebble at most reached the end of ...
— The Hollow Needle • Maurice Leblanc
... written, at college, the prize essay on Rendle's poetry (it chanced to be the moment of the great man's death); he had fashioned the fugitive verse of his own storm-and-stress period on the forms which Rendle had first given to English metre; and when two years later the Life and Letters appeared, and the Silvia of the sonnets took substance as Mrs. A., he had included in his worship of Rendle the woman who had inspired not only such divine verse but such playful, tender, ...
— The Greater Inclination • Edith Wharton
... remarks on the unaccountable alternation and connection between pleasure and pain, and adds that AEsop, had he observed it, would have made a fable from it. This remark reminds Cebes of Socrates's having put some of AEsop's fables into metre since his imprisonment, and he asks, for the satisfaction of the poet Evenus, what has induced him to do so. Socrates explains his reason, and concludes by bidding him tell Evenus to follow him as soon as ...
— Apology, Crito, and Phaedo of Socrates • Plato
... completely as you can all your present notions about the nature of verse and poetry. Take a sponge and wipe the slate of your mind. In particular, do not harass yourself by thoughts of metre and verse forms. Second: Read William Hazlitt's essay "On Poetry in General." This essay is the first in the book entitled *Lectures on the English Poets*. It can be bought in various forms. I think the cheapest satisfactory ...
— LITERARY TASTE • ARNOLD BENNETT
... no news to other than professional critics that no means of study can be more precious or more necessary to a student of Shakespeare than this of tracing the course of his work by the growth and development, through various modes and changes, of his metre. But the faculty of using such means of study is not to be had for the asking; it is not to be earned by the most assiduous toil, it is not to be secured by the learning of years, it is not to be attained by the devotion of a life. No proficiency in grammar and arithmetic, ...
— A Study of Shakespeare • Algernon Charles Swinburne
... not good for metre. Even when an actress speaks her lines as lines, and does not drop into prose by slipping here and there a syllable, she spoils the tempo by inordinate length of pronunciation. Verse cannot keep upon ...
— The Colour of Life • Alice Meynell
... poet twice called himself the melancholy Cowley? He employed no poetical cheville[28] for the metre of a verse which his ...
— Calamities and Quarrels of Authors • Isaac D'Israeli
... sweet, But Hymen's tenderness is sweeter; And though all virile love be meet, You'll find the poet's love is metre. ...
— Echoes from the Sabine Farm • Roswell Martin Field and Eugene Field
... almost entirely, the chief exception being in the case of the old poems, a great number of which appear in the Records and the Chronicles alike. The actual words of these poems had to be preserved as well as the metre, and therefore it was necessary to indite them phonetically. For the rest, the Nihon Shoki, which resulted from the labours of these annalists and literati, was so Chinese that its authors did not hesitate to draw largely upon the ...
— A History of the Japanese People - From the Earliest Times to the End of the Meiji Era • Frank Brinkley and Dairoku Kikuchi
... beings, and the whole is little better than [Greek: skias onar.] The plot was, as I believe, suggested by the "Twa Briggs" of Robert Burns, a Scottish poet of the last century, as that found its prototype in the "Mutual Complaint of Plainstanes and Causey" by Fergusson, though the metre of this latter be different by a foot in each verse. I reminded my talented young parishioner and friend that Concord Bridge had long since yielded to the edacious tooth of Time. But he answered me to this effect: that there was no greater mistake of an authour than to suppose the ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... acknowledged master-piece of Latin poetry and the most sublime of all uninspired hymns. The secret of its irresistible power lies in the awful grandeur of the theme, the intense earnestness and pathos of the poet, the simple majesty and solemn music of its language, the stately metre, the triple rhyme, and the vocal assonances, chosen in striking adaptation—all combining to produce an overwhelming effect, as if we heard the final crash of the universe, the commotion of the opening ...
— Purgatory • Mary Anne Madden Sadlier
... interrupted Miss Maxwell. "Though they don't amount to anything as poetry, they show a good deal of promise in certain directions. You almost never make a mistake in rhyme or metre, and this shows you have a natural sense of what is right; a 'sense of form,' poets would call it. When you grow older, have a little more experience,—in fact, when you have something to say, I think you may write very good verses. Poetry needs knowledge and vision, experience and ...
— Rebecca of Sunnybrook Farm • Kate Douglas Wiggin
... (Ps, cxxxvii. 7). In the last poem the city, after piteously lamenting her manifold sorrows, v. 1-18, beseeches the everlasting God for deliverance therefrom, v. 19-22. [Footnote 1: In the Hebrew elegiac metre, as in the Greek and Latin, the second line is shorter than the first—usually three beats followed by two.] [Footnote 2: An unconvincing attempt has been made to refer the last two chapters to ...
— Introduction to the Old Testament • John Edgar McFadyen
... hand of the official clock dropped into its slot somebody called the Naval Observatory. The call was so faint as to be barely audible, in spite of the fact that Hood's instrument was tuned for a three-thousand-metre wave. Supposing quite naturally that the person calling had a shorter wave, he gradually cut out the inductance of his receiver; but the sound faded out entirely, and he returned to his original inductance and shunted in his condenser, upon which the call immediately increased ...
— The Man Who Rocked the Earth • Arthur Train
... S. C., in which there is a remarkable notice of Cleveland, Donne, and 'Bass Divine.' The latter name somebody has ignorantly altered, not knowing, probably, who 'Bass Divine' was. The poem is in imitation of Hudibras, both in style and metre." ...
— Notes and Queries, Number 34, June 22, 1850 • Various
... leisure, when it comes? I cannot bring myself to discard inkstone and brush; Now and then I make a new poem. When the poem is made, it is slight and flavourless, A thing of derision to almost every one. Superior people will be pained at the flatness of the metre; Common people will hate the plainness of the words. I sing it to myself, then stop and ...
— More Translations from the Chinese • Various
... stand for any of the large rapacious birds, as the eagle or the condor. True, and yet the picture is a purely fanciful one, as no bird of prey SAILS with his burden; on the contrary, he flaps heavily and laboriously, because he is always obliged to mount. The stress of the rhyme and metre are of course in this case very great, and it is they, doubtless, that drove the poet into this false picture of a bird of prey laden with his quarry. It is an ungracious task, however, to cross- question the gentle Muse of Longfellow in this manner. ...
— The Writings of John Burroughs • John Burroughs
... English. The second marks the passages that struck me as flat or mean. The third is a note of reprobation, levelled at those sentences in which you have adopted that worst sort of vulgar language, commonplace book language. The last mark implies bad metre.' ...
— Studies in Literature and History • Sir Alfred Comyn Lyall
... Dante, Arioste, and Petrarch, they greatly polished our rude and homely manner of vulgar poesy, from that it had been before, and for that cause may justly be said the first reformers of our English metre and style[107]." ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... points of vantage commanding the broad fields of knowledge, upon which the poet may take his station to survey the world and all that it contains. But it has long ceased to be his function to set forth, in any kind of metre, systems of speculative thought or purely scientific truths. This was not the case in the old world. There was a period in the development of the intellect when the abstractions of logic appeared like intuitions, and guesses about the structure of the universe still ...
— Sketches and Studies in Italy and Greece, Complete - Series I, II, and III • John Symonds
... seem to have lost all sense of exactness," said Mrs. Gradinger, "for the lines you have just read would not pass muster as classic. In the penultimate line there are two syllables in excess of the true Alexandrine metre, and the last line seems too long by one. Neither Racine nor Voltaire would have taken such liberties with prosody. I remember a speech in Phaedre of more than a hundred lines which is an admirable example of what I mean. I dare say some of you ...
— The Cook's Decameron: A Study in Taste: - Containing Over Two Hundred Recipes For Italian Dishes • Mrs. W. G. Waters
... tendencies, and by the intrinsic impulse towards modulation of sound already explained, speech first issued from the human breast in harmonious accents and rhythmic form, and these became in their turn the causes and genesis of versification and metre. The classic experiments of Helmholtz show that each note may be regarded as a harmonic whole, owing to the complementary sounds which accompany it in its complete development. With reference to our own race, the genesis of the composition of verse and metre are ...
— Myth and Science - An Essay • Tito Vignoli
... of it has no doubt a thoroughly barbarian twang, and it is particularly in the Psalms—which we have now been reading, and which might be ranked with the finest hymns—that I miss the number and rhythm of the syllables, the observance of a fixed metre—in short, severity of form. David, the royal poet, was no less possessed by the divinity when he sang to his lyre than other poets have been, but he does not seem to have known that delight felt by our poets in overcoming the difficulties they ...
— Uarda • Georg Ebers
... supremest gifts of Shelley: namely, that his marvellous metrical invention of the anapaestic heptameter was almost exactly reproducible in a language to which all variations and combinations of anapaestic, iambic, or trochaic metre are as natural and pliable as all dactylic and spondaic forms of verse are unnatural and abhorrent. As it happens, this highest central interlude of a most adorable masterpiece is as easy to detach from its dramatic setting, and even from ...
— Studies in Song • Algernon Charles Swinburne
... I tried the blank metre once, and it would not do, and so I had to begin again in lyrics. Something above an hundred lines is written, and now I am in two panics, just as if one were not enough. First, because it seems to me a very daring subject—a subject almost beyond our sympathies, and therefore quite beyond the ...
— The Letters of Elizabeth Barrett Browning (1 of 2) • Frederic G. Kenyon
... sights astonishes the gravity of an Englishman; whose astonishment is yet heightened by the extraordinary good humour which every where prevails. The laugh, the joke, the equivoque, and reply, were worth being recorded in pointed metre;—and what metre but that of Crabbe could possibly render it justice? By nine of the clock all is hushed. The sale is over: the goods are cleared; and both buyers and ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume One • Thomas Frognall Dibdin
... strikes at the weak point of his adversary's argument. "You appeal to scholars," he says in substance; "you admit that I am one; now you don't like my choice of words or metre; I do; who, then, shall decide? Why, the public, of course, which is the court of last appeal in such cases." It appears to us, that, on most of the points at issue, the truth lies somewhere between the two ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various
... "it has to be bribed to devil you. Until you've put ten centimes in the metre, you don't get any gas. ...
— Jonah and Co. • Dornford Yates
... doctor; he knows and tells; he is the only teller of news, for he was present and privy to the appearance which he describes. He is a beholder of ideas and an utterer of the necessary and causal. For we do not speak now of men of poetical talents, or of industry and skill in metre, but of the true poet. I took part in a conversation the other day concerning a recent writer of lyrics, a man of subtle mind, whose head appeared to be a music-box of delicate tunes and rhythms, and whose skill and command of language, we could not sufficiently praise. But when ...
— Essays, Second Series • Ralph Waldo Emerson
... too much for them; they seemed to enter heartily into the other portions of the service—but the psalms in metre are a great Shibboleth. My beadle, who always sat where he could command the congregation, has often assured me that when a psalm was announced he could soon tell the ...
— St. Cuthbert's • Robert E. Knowles
... have, we may reasonably hope, small need of the law any how, and we may be pretty sure that the verses which have touched the great popular heart are made in a spirit which is better than any law, even the law of metre. On reading attentively the poem in question we find a touching theme handled with simplicity, and in a certain sense earning its popular place, though no poem could possibly be so good as the simple fact—an ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XII, No. 28. July, 1873. • Various
... will escape and live together, far away from men, in an Aegean island. The description of this visionary isle, and of the life to be led there by the fugitives from a dull and undiscerning world, is the most beautiful that has been written this century in the rhymed heroic metre. ...
— Percy Bysshe Shelley • John Addington Symonds
... been superseded by the learned professors and the gentlemanly versifiers of later times! Is there to-day a popular poet, using the English language, who does not, in technical acquirements and in the artificial adjuncts of poetry,—rhyme, metre, melody, and especially sweet, dainty fancies,—surpass Europe's and Asia's loftiest and oldest? Indeed, so marked is the success of the latter-day poets in this respect, that any ordinary reader may well be puzzled, and ask, if the ...
— Birds and Poets • John Burroughs
... "Well," until the end, has, with several alterations rendered necessary by change of metre, been treated by Molire in his Amphitryon, Act ii., Sc. ...
— Don Garcia of Navarre • Moliere
... love of Nature:—that, whilst maintaining on the whole the advances in art made since the Restoration, they renewed the half-forgotten melody and depth of tone which marked the best Elizabethan writers:—that, lastly, to what was thus inherited they added a richness in language and a variety in metre, a force and fire in narrative, a tenderness and bloom in feeling, an insight into the finer passages of the Soul and the inner meanings of the landscape, a larger and wiser Humanity,—hitherto hardly attained, and perhaps unattainable even ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... Shower, he continued in the Garden, and never quitted it, till he had found one Moiety of the Tablet, which was unfortunately broke in such a Manner, that even the half Lines were good sense, and good Metre, tho' very short. But what was still more remarkably unfortunate, they appear'd at first View, to be a severe satyr upon the King: ...
— Zadig - Or, The Book of Fate • Voltaire
... morning, trying in vain to damage his lost rolling stock. This booty was of immense value to us, and to a large extent it solved the transport problem which at this moment was a very anxious one indeed. The line was metre gauge and we had no stock to fit it, though later the Egyptian State Railways brought down some engines and trucks from the Luxor-Assouan section, but this welcome aid was not available till after the rains had begun and had made lorry traffic temporarily impossible between our standard ...
— How Jerusalem Was Won - Being the Record of Allenby's Campaign in Palestine • W.T. Massey
... branches of art, but its productions are not likely to be of value outside the doting domestic circle. Even Pope who "lisped in numbers for the numbers came," did not add to our Anthology from his cradle, though he may therein have acquired his monotonous rocking-metre. Immaturity of mind and experience, so easily disguised on the stage or the music-stool—even by adults—is more obvious in the field of pure intellect. The contribution with which Mary Antin makes her debut in letters is, however, saved from the emptiness of embryonic ...
— From Plotzk to Boston • Mary Antin
... side, who did not interest him, he used to whisper to me, "Talk, that I may do my Catullus," and between the courses he wrote what I now give you. The public school-boy is taught that the Atys was unique in subject and metre, that it was the greatest and most remarkable poem in Latin literature, famous for the fiery vehemence of the Greek dithyramb, that it was the only specimen in Latin of the Galliambic measure, so called, because sung by the Gallae—and I suspect ...
— The Carmina of Caius Valerius Catullus • Caius Valerius Catullus
... coal, however, was reckoned by Captain Palander at twelve cubic feet or 0.3 cubic metre an hour, with a speed ...
— The Voyage of the Vega round Asia and Europe, Volume I and Volume II • A.E. Nordenskieold
... Spanish metre, unwritten mouth-to-mouth wisdom, stable as a proverb, enduring through generations of unrecorded wanderers, that repeated it for a few years, and ...
— Red Men and White • Owen Wister
... a crown, I can truthfully state 'Tis a metre long, nor curly nor straight, And it is as yellow as plumbic chromate In a ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
... his poems. By temperament a singer as well as a seer and sayer, Emerson was nevertheless deficient in the singing voice. He composed no one great poem, his verse presents no ideas that are not found in his prose. In metre and rhyme he is harsh and willful. Yet he has marvelous single phrases and cadences. He ejaculates transports and ecstasies, and though he cannot organize and construct in verse, he is capable here and there of the true miracle ...
— The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry
... intil lengths like the metre psalms, but it luikit gye an' daft like, sae I didna' read it," said the cuif hastily. "Here it's to ye, Meg. I was e'en gaun to licht my cutty wi't." Something shone gray-white in Saunders's hand as he held it out to Meg, ...
— The Lilac Sunbonnet • S.R. Crockett
... is presumably tougher than the ancient; for we have to bear, and do bear, the seeds of greater diseases than those the ancients carried with them. We may use, perhaps, the unvarying savage as a metre to gauge the vigour of the constitutions to whose contact he ...
— Physics and Politics, or, Thoughts on the application of the principles of "natural selection" and "inheritance" to political society • Walter Bagehot
... in a book—because we feel it to be memorable, to be worth preserving. But to set this memorable speech down we must choose one of two forms, verse or prose; and I define verse to be a record in metre and rhythm, prose to be a record which, dispensing with metre (abhorring it indeed), uses rhythm laxly, preferring it to be various and unconstrained, so always that it convey a certain pleasure ...
— On the Art of Writing - Lectures delivered in the University of Cambridge 1913-1914 • Arthur Quiller-Couch
... pleased with this, as it gave me an opportunity of quietly imitating well-known and celebrated authors. I had composed a good number of so- called Anacreontic poems, which, on account of the convenience of the metre, and the lightness of the subject, flowed forth readily enough. But these I could not well take, as they were not in rhyme; and my desire before all things was to show my father something that would please ...
— Autobiography • Johann Wolfgang von Goethe
... Thought.—The striking reality and directness of this lyric, its immense emotional undercurrent, and its abrupt, almost gasping metre, admirably suited to the impassioned mood of the speaker,—these are a few of the qualities that combine to make "A Woman's Thought" one of the most remarkable poems in ...
— The Golden Treasury of American Songs and Lyrics • Various
... speech, beginning "Should we be silent and not speak," is nearly word for word from Plutarch, with some additional graces of expression, and the charm of metre superadded. I shall give the last lines of this address, as illustrating that noble and irresistible eloquence which was the crowning ornament of the character. One exquisite touch of nature, which is distinguished by italics, was beyond the rhetorician and historian, ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... difference between them is, that they borrow their phrases from a different and a scantier gradus ad Parnassum. If they were, indeed, to discard all imitation and set phraseology, and to bring in no words merely for show or for metre,—as much, perhaps, might be gained in freedom and originality, as would infallibly be lost in allusion and authority; but, in point of fact, the new poets are just as great borrowers as the old; only that, instead of ...
— Early Reviews of English Poets • John Louis Haney
... contemplate my said Lady's good grace, and also that his work is in rhyme and as far as I know it is not had in prose in our tongue, and also, peradventure, he translated after some other author than this is; and yet for as much as divers men be of divers desires, some to read in rhyme and metre and some in prose; and also because that I have now good leisure, being in Cologne, and have none other thing to do at this time; in eschewing of idleness, mother of all vices, I have delibered in myself for the contemplation of my said ...
— Fifteenth Century Prose and Verse • Various
... and float the sight up away through the fissure of the rocks. The rhythm (to touch one of the various things) the rhythm of that 'Duchess' does more and more strike me as a new thing; something like (if like anything) what the Greeks called pedestrian-metre, ... between metre and prose ... the difficult rhymes combining too quite curiously with the easy looseness of the general measure. Then 'The Ride'—with that touch of natural feeling at the end, to prove that it was not in brutal carelessness that the poor horse was driven through all ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... how convenient or inconvenient these conditions may be for signification, they will always make themselves felt and may sometimes remain predominant. In poetry they are still conspicuous. Euphony, metre, and rhyme colour the images they transmit and add a charm wholly extrinsic and imputed. In this immersion of the message in the medium and in its intrinsic movement the magic of poetry lies; and the miracle grows as there is ...
— The Life of Reason • George Santayana
... part of the book is not mere prose, written out into the form of verse, he is persuaded that its melody is more obvious and perceptible than that of our vulgar measures. "One advantage," says Mr. Southey, "this metre assuredly possesses; the dullest reader cannot distort it into discord: he may read it with a prose mouth, but its flow and fall will still be perceptible." We are afraid, there are duller readers in the world than Mr. Southey ...
— Famous Reviews • Editor: R. Brimley Johnson
... and colleagues. Compare a poem of William Morris with one by Lewis Morris. Compare Swinburne's Songs and Sonnets with Matthew Arnold's Obermann; Rudyard Kipling's Ballads with The Light of Asia. Have they any common standard of form, any type of metre? The purists doubt as to the style of Carlyle as a "model," but no one denies that the French Revolution and Hero-Worship, at least in certain passages, display a mastery over language as splendid as anything in our prose literature. ...
— Studies in Early Victorian Literature • Frederic Harrison
... have written the numerals in letters, else the metre would not have come clear: they were really in figures thus, "II C. et XX," "XIII C. moins XII". I quote the inscription from M. l'Abbe Roze's admirable little book, "Visite a la Cathedrale d'Amiens,"—Sup. ...
— Our Fathers Have Told Us - Part I. The Bible of Amiens • John Ruskin
... "The metre of these Odes is constructed on Greek models. It is not uniform but symmetrical. The nine stanzas of each ode form three groups. A slight examination will show that the 1st, 4th, and 7th stanzas are exactly inter-correspondent; so the 2d, 5th, and 8th; and so the remaining three. The technical ...
— Select Poems of Thomas Gray • Thomas Gray
... is especially cultivated; there is sufficient to supply all the province of Cathay, and so fertile is the soil that according to a French traveller, M. E. Simon, an acre is now worth 15,000 francs, or three francs the metre. In the thirteenth century this plain was covered with towns and country-houses, and the inhabitants lived upon the fruits of the ground, and the produce of their flocks and herds, while the large quantity of game furnished ...
— Celebrated Travels and Travellers - Part I. The Exploration of the World • Jules Verne
... stag at eve had drunk his fill. The metre of the poem proper is iambic, that is, with the accent on the even syllables, and octosyllabic, or eight syllables to ...
— The Lady of the Lake • Sir Walter Scott
... special interests; but for any archaeological work the following things are desirable. Note- books of squared paper. Drawing-blocks of blue-squared paper. Paper for wet squeezes, and for dry squeezes. Brush for wet squeezes (spoke brush). One or two so-metre tapes. A few bamboo gardening canes for markers in planning. Divide one in inches or centimetres for measuring buildings. A steel rod, 3 ft. x 1 inch for probing. Field- glass, or low-power telescope. Prismatic compass with card partly black, to see at night. Large ...
— How to Observe in Archaeology • Various
... a pantomime (Forbidden treat to those who stood in fear of him), Roaring at jokes, sans metre, sense, or rhyme, He turned, and saw immediately in rear of him, His peace of mind upsetting, and annoying it, A curate, also heartily ...
— Fifty Bab Ballads • William S. Gilbert
... dull, and it was during this visit that he gave me an inkling of his wish to go out to India as a cadet, but the transactions anent that fall within the scope of another year—as well as what relates to her headstone, and the epitaph in metre, which I indicated myself thereon; John Truel the mason carving the same, as may be seen in the kirkyard, where it wants a little reparation and setting upright, having settled the wrong way when the second ...
— The Annals of the Parish • John Galt
... is the orthodox custom of translators to render the dialogue of the Greek plays in blank verse; but in this instance the whole animation and rapidity of the original would be utterly lost in the stiff construction and protracted rhythm of that metre. ...
— Athens: Its Rise and Fall, Complete • Edward Bulwer-Lytton
... this confusion: "The mere matter of all poetry—to wit, the appearances of nature and the thoughts and feelings of men—being unalterable, it follows that the difference between poet and poet will depend upon the manner of each in applying language, metre, rhyme, cadence, and what not, to this invariable material." What has become here of the substance of Paradise Lost—the story, scenery, characters, sentiments as they are in the poem? They have ...
— English Prose - A Series of Related Essays for the Discussion and Practice • Frederick William Roe (edit. and select.)
... thou shalt stay?' Devastator of the day! Know, each substance and relation, Thorough nature's operation, Hath its unit, bound and metre; And every new compound Is some product and repeater,— Product of the earlier found. But the unit of the visit, The encounter of the wise,— Say, what other metre is it Than the meeting of the eyes? Nature poureth into nature Through the channels of that feature, Riding on the ray of sight, Fleeter ...
— Poems - Household Edition • Ralph Waldo Emerson
... fact selected from two poems addressed to daughters of Lord Carteret, and are put together arbitrarily, out of the order in which they stand in the original poems. There is a short poem by Philips in the same metre, addressed to Signora Cuzzoni, and dated May 25, 1724, beginning, "Little syren of the stage;" but none of the verses quoted in the Treatise on the Bathos ...
— Notes and Queries, Number 208, October 22, 1853 • Various
... assortment of verses, Sexton's Daughter, Hymns of a Hermit, and I know not what other extensive stock of pieces; concerning which he was now somewhat at a loss as to his true course. He could write verses with astonishing facility, in any given form of metre; and to various readers they seemed excellent, and high judges had freely called them so, but he himself had grave misgivings on that latter essential point. In fact here once more was a parting of the ways, "Write in Poetry; write ...
— The Life of John Sterling • Thomas Carlyle
... Chaucer's greatest work is the Canterbury Tales. It is a collection of stories written in heroic metre— that is, in the rhymed couplet of five iambic feet. The finest part of the Canterbury Tales is the Prologue; the noblest story is probably the Knightes Tale. It is worthy of note that, in 1362, when Chaucer was a very young man, the session of the House of Commons ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... the base of the Pic de Bergons, with the Pic du Lac Grand rivalling it on the other side of the defile, we soon sighted the chasm and cascade of Rioumaou on our left, and reached the Pas de l'Echelle. At 1 metre 50 centimetres, or 43/4 feet, from the extremity of the ornamental facing which marks the place, we pulled up, to try the magnificent echo, and were in no way disappointed. Our voices came back particularly clearly, ...
— Twixt France and Spain • E. Ernest Bilbrough
... their practical cogency, an attentive reader will not fail to be interested in the attempt Mr. Saintsbury has made to give technical rules of metre for the production of the true prose rhythm. Any one who cares to do so might test the validity of those rules in the nearest possible way, by applying them to the varied examples in this wide [6] survey of what has been actually well done in English prose, ...
— Essays from 'The Guardian' • Walter Horatio Pater
... itself from oratory by words and expressions still more ardent and glowing. What separates and distinguishes poetry is more particularly the ornament of verse; it is this which gives it its character, and is an essential, without which it cannot exist. Custom has appropriated different metre to different kinds of composition, in which the world is not perfectly agreed. In England the dispute is not yet settled which is to be preferred, rhyme or blank verse. But however we disagree about what these metrical ornaments shall be, that some ...
— Seven Discourses on Art • Joshua Reynolds
... are not meant as a 'translation,' but as an humble attempt to give the literal sense in some sort of metre. It would be an act of arrogance even to aim at success where Pope and Chapman failed. It is simply, I believe, impossible to render Homer into English verse; because, for one reason among many, it is impossible ...
— Hypatia - or, New Foes with an Old Face • Charles Kingsley
... any form of poetry but song-writing. The Kilmarnock volume contains poems descriptive of peasant life and manners, epistles in verse generally to rhyming brethren, a few lyrics on personal feelings, or on incidents like those of the mouse and the daisy, and three songs. In these, the form, the metre, the style and language, even that which is known as Burns's peculiar stanza, all belong to the traditional forms of his country's poetry, and from earlier bards had been handed down to Burns by his two immediate forerunners, Ramsay and Fergusson. To these two he felt himself ...
— Robert Burns • Principal Shairp
... French in less than two years, and as a mark of my gratitude I translated his Radamiste into Italian Alexandrines. I am the first Italian who has dared to use this metre in our language." ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt
... got my apparatus finished now, and in the afternoon I climbed up to the roof of the main building and set it up there. I saw at once that the sight cut the hillside several metres below the top. Good. Even reckoning a whole metre down to the water-level, there would still be pressure enough and ...
— Wanderers • Knut Hamsun
... you. We call it "Hunt the Shovels." You have been instructed to draw shovels from the Brigade. The term covers a space of some thousand square metres intersected with hedges, bridges, rivers, dugouts, horseponds (natural and adventitious), any square metre of which ...
— Punch, or the London Charivari, Vol. 150, February 23, 1916 • Various
... in the seventh century, and they who are not satisfied with his printed biographies will find one in manuscript of 550 pages, compiled in 1766, in the Cuomo Library at Naples.] treated in the heroic style and metre, as though he were a new Achilles. As a jeu d'esprit the book might pass; but it is deadly serious. Single men will always be found to perpetrate monstrosities of literature; the marvel is that an entire generation of writers should ...
— Old Calabria • Norman Douglas
... of short syllables of speech varied in different rotations by long syllables. The metrical character of English poetry depends upon the recurrence of similarly accented syllables at short and more or less regular intervals. Let us take this as the definition of what I mean by metre in the few sentences in which I shall use ...
— Writing for Vaudeville • Brett Page
... to give me more than a slight pleasure; but it is possible that I am prejudiced by a dislike of English anapaests (I am aware that the classic terms are not really applicable to our English metres, but the reader will underhand that I mean the metre of the lines just quoted.) I do not find these anapaests in the Elizabethan or in the seventeenth-century poets, or most rarely. They were dear to the eighteenth century, and, much more than the heroic couplet, are the distinctive ...
— Hearts of Controversy • Alice Meynell
... is the poetry of naked thought. They have neither rhyme nor metre to adorn it," says Schoolcraft (Oneota, 14). The preceding poem has both; what guarantee is there that the translator has not embellished the substance of it as he did its form? Yet, granting he did not embroider ...
— Primitive Love and Love-Stories • Henry Theophilus Finck
... and perhaps the purest. They are at least as old as the time of Elizabeth, and can pass among the Zigany in the heart of Russia for Ziganskie. The other lines are not so ancient. The piece is composed in a metre something like that of the ancient Sclavonian songs, and contains the questions which two strange Gypsies, who suddenly meet, put to each other, and the answers which ...
— Romano Lavo-Lil - Title: Romany Dictionary - Title: Gypsy Dictionary • George Borrow
... a large selection from Paul Gerhardt's "Spiritual Songs." Every piece included is given in full, and is rendered into the metre of the original. A few of the following translations have appeared at various times during the last three years in different periodicals. They have been revised for this volume. Several of the hymns have been beautifully translated by others; and had the Translator been compiling ...
— Paul Gerhardt's Spiritual Songs - Translated by John Kelly • Paul Gerhardt
... his thought he substituted for Lalage the fair-haired Bertha, quite regardless of the requirements of the metre. ...
— Tales From Two Hemispheres • Hjalmar Hjorth Boyesen
... in his ears, and with his soul stirred by the events about him, Watts McHurdie, lying in the hospital, wrote the song that made him famous. They know in Sycamore Ridge that Watts is not much of a poet, that his rhymes are sometimes bad and his metre worse. But once his heart took fire and burned for a day sheer white, and in that day he wrote words that a nation sang, and now all the world is singing. And they are proud of him, and when people come to ...
— A Certain Rich Man • William Allen White
... known as Catasetum tridentatum has pollinia with very large viscid discs; on touching one of the two filaments (antennae) which occur on the gynostemium of the flower the pollinia are shot out to a fairly long distance (as far as 1 metre) and in such manner that they alight on the back of the insect, where they are held. The antennae have, moreover, acquired an importance, from the point of view of the physiology of stimulation, as stimulus-perceiving organs. Darwin had shown that it is only ...
— Darwin and Modern Science • A.C. Seward and Others
... this Old Testament printed, and some sheets of the New. The printing-office was at Cambridge, three hours' ride from Boston, where also there was a college of students, whether of savages or of other nations. The Psalms of David are added in the same metre. ...
— Journal of Jasper Danckaerts, 1679-1680 • Jasper Danckaerts
... there existed in Leipzig a sort of literary centre, where Gottsched was regarded as a dictator in matters of taste. This literary autocrat praised Bodmer's translation of 'Paradise Lost' more than the original poem, in which he condemned the rhymeless metre. A sharp controversy soon divided the literary world into two hostile parties, known in German literature as the "conflict between Leipzig and Zuerich." Gottsched followed Voltaire in considering the English style rude and barbarous; whereas Bodmer, with keener artistic ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... first half of the twelfth century, which was the basis of the German "Pfaffe" Lamprecht's "Alexanderbuch," also of the twelfth century. The French poets Lambert li Court and Alexandre de Bernay composed, between 1180 and 1190, a romance of Alexander, the twelve-syllable metre of which gave rise to the name Alexandrines. The German poem of Rudolf of Ems was based on the Latin epic of Walter of Chatillon, about 1200, which became henceforward the prevailing form of the story. In contrast with it is the thirteenth century Old English epic of Alexander (in vol. i. ...
— Great Men and Famous Women. Vol. 1 of 8 • Various
... German, (to those, at least, who do not know what sort of a thing Faust is in the original,) for offering another translation to the public, of a poem which has been already translated, not only in a literal prose form, but also, twenty or thirty times, in metre, and sometimes with great ...
— Faust • Goethe
... still to the expression of mere personality, by the medium of some sublimated form of reverie, the thought blended and tinged in the subtlest gradations, without the clumsy necessity of sacrificing the sequence of thought to the barbarous devices of metre and rhyme, or to the still more childish devices of incident and drama. Flaubert, it will be remembered, looked forward to a time when a writer would not require a subject at all, but would express emotion and thought directly rather than ...
— At Large • Arthur Christopher Benson
... to their feet as one man. Then to Peter's and my own intense surprise that most impressive of all chants, the Doxology in long metre, surged out, gaining in volume and strength as its strains were caught up ...
— Peter - A Novel of Which He is Not the Hero • F. Hopkinson Smith
... best tests in the world of what a poet really means is his metre. He may be a hypocrite in his metaphysics, but he cannot be a hypocrite in his prosody. And all the time that Byron's language is of horror and emptiness, his metre is a bounding pas de quatre. He may arraign existence on the most deadly charges, he ...
— Varied Types • G. K. Chesterton
... An automobile had come in last night from Madrid, a sixty horse-power Merlin, and the chauffeur had reported snow half a metre deep on the mountains. The Merlin had stuck, he said, and had to be pulled out with oxen. Supposing the Duke intended going to Madrid instead of turning off by way of Salamanca, he—and incidentally we—seemed likely to come ...
— The Car of Destiny • C. N. Williamson and A. M. Williamson
... Attention to metre and euphony will generally enable us to assign, amongst the forms in which we pick up and note any particular proverb, the original and legitimate one; especially when combined with brevity and "pith." As a case in point, our friend Ludlum will serve ...
— Notes and Queries, Number 33, June 15, 1850 • Various
... thirty hymns. Some hymns were untouched—e.g., the three hymns of the Blessed Sacrament, the Ave Maris Stella, which is rhythmic prose, not verse, and the hymn of the Angels, which was sufficiently perfect. The metre of three hymns, Tibi Christe splendor Patris, and the Urbs Jerusalem and Angularis ...
— The Divine Office • Rev. E. J. Quigley
... him, said: "By Jupiter, Socrates, you have done well in reminding me. With respect to the poems which you made, by putting into metre those Fables of AEsop and the hymn to Apollo, several other persons asked me, and especially Evenus recently, with what design you made them after you came here, whereas before, you had never made any. If, therefore, you care at all that I should be able to answer ...
— The Great Events by Famous Historians, Vol. 2 • Various
... been said that the entire series is an exemplification of the Horatian maxim, "Sunt bona, sunt quaedam mediocria, sunt mala plura"; and, except that we should be disposed to exchange the position of the words "quaedam" and "plura" (if the metre allowed it), with this sentiment ...
— Bell's Cathedrals: The Cathedral Church of Ely • W. D. Sweeting
... all the poetry of this age. Though written by both Troubadours and Trouveres, the latter were far superior in style and invention, and it is mostly their work which has survived. These romances were sometimes in prose, but more often in poetry of extremely smooth and flowing metre. ...
— Woman's Work in Music • Arthur Elson
... It becomes an inviting treat to the populace, and gains an additional zest and burlesque by following the already established plan of tragedy; and the first man of genius who seizes the idea, and reduces it into form,—into a work of art,—by metre and music, is the Aristophanes ...
— Literary Remains, Vol. 2 • Coleridge
... coolest Poet; and the fullest of this common earth and its affairs, of any sage that has ever showed his head upon it, in prose or metre. The sturdiness with which he makes good his position, as an inhabitant, for the time being, of this terrestrial ball, and, by the ordinance of God, subject to its laws, and liable to its pains and penalties, is a thing which appears, to the careful reviewer of it, on the ...
— The Philosophy of the Plays of Shakspere Unfolded • Delia Bacon
... without metre; And, here again, nothing is wrong; (For nothing on earth could be neater) Except ...
— The New Morning - Poems • Alfred Noyes
... brain, Dreaming I hear the British tongue? Dear Heaven! what a rhyme! And yet 'tis all as good As some that I have fashioned in my time, Like bud and wood; And on the other hand you couldn't have a more precise or neater Metre. ...
— The Battle of the Bays • Owen Seaman
... felicitously, 'Cyrus the Great and Artaxerxes (Whose temper bloodier than a Turk's is) Were children both of the mild, pious, And happy monarch, King Darius,'—who fails to see that, although a correct 'Kuraush' may pass, yet 'Darayavush' disturbs the metre as well as the rhyme? It seems, however, that 'Themistokles' may be winked at: not so the 'harsh and subversive Kirke.' But let the objector ask somebody with no knowledge to subvert, how he supposes 'Circe' is spelt in Greek, and the answer will be 'with a soft c.' Inform him ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... Sidney Lanier was much more than a clever artisan in rhyme and metre; because he will, I think, take his final rank with the first princes of American song, I am glad to provide this slight memorial. There is sufficient material in his letters for an extremely interesting biography, which could be properly prepared only by his wife. These pages can give ...
— The Poems of Sidney Lanier • Sidney Lanier
... of complexion, shapeliness of nose, gentleness of eyes, sweetness of mouth, cleverness of speech, slenderness of shape and seemliness of all attributes. But the acme of beauty is in the hair and, indeed, al-Shihab the Hijazi hath brought together all these items in his doggrel verse of the metre Rajaz, ...
— The Book of the Thousand Nights and a Night, Volume 1 • Richard F. Burton
... down a peaceful spectator of others?[105] The Bacchic and Corybantic dances one can also modulate and quell, by changing the metre from the trochaic and the measure from the Phrygian. Similarly, too, the Pythian priestess, when she descends from her tripod, possesses her soul in peace. Whereas the love-fury, when once it has really seized on a man and inflamed ...
— Plutarch's Morals • Plutarch
... articles on ballooning from the French. It is also interesting that she retained in her translation the original units which Verne used (metre, feet, leagues), a practice forgotten until recently. This may be the first appearance of a work by Jules Verne in ...
— A Voyage in a Balloon (1852) • Jules Verne
... easy as you suppose, miss. To begin with, the original is in verse; a late Latin poem in a queer metre, and by whom written nobody knows. But you are quite right about my wasting my time. . . . What troubles me is that I have been wasting yours, when you ought to have been out at play ...
— Brother Copas • Sir Arthur Thomas Quiller-Couch
... that we should try to attribute the times of the year to children; their likeness is so rife among annuals. For man and woman we are naturally accustomed to a longer rhythm; their metre is so obviously their own, and of but a single stanza, without repetition, without renewel, without refrain. But it is by an intelligible illusion that we look for a quick waxing and waning in the lives of young children—for a waxing that shall come again another time, and for a waning that shall ...
— The Children • Alice Meynell
... as an artist in verse, Tennyson is the greatest of modern poets. Other masters, old and new, have surpassed him in special instances; but he is the only one who rarely nods, and who always finishes his verse to the extreme. Here is the absolute sway of metre, compelling every rhyme and measure needful to the thought; here are sinuous alliterations, unique and varying breaks and pauses, winged flights and falls, the glory of sound and color everywhere present, or, if missing, absent of the poet's free will. The fullness of his art evades ...
— Selections from Wordsworth and Tennyson • William Wordsworth and Alfred Lord Tennyson
... which is new in this book may be considered as having been hitherto overlooked or rejected, while in the alternative case it is to be understood that the original cast of the melody has at some former time been altered (frequently to suit the English common metre to which it was not at first conformable), ...
— A Practical Discourse on Some Principles of Hymn-Singing • Robert Bridges
... the rest: the latter were the compositions of a school of bards in the neighbourhood of Mount Helicon in Boeotia, among whom in like manner Hesiod enjoyed the greatest celebrity. The poems of both schools were composed in the hexameter metre and in a similar dialect; but they differed widely in ...
— A Smaller History of Greece • William Smith
... can book it by the coach. I warrant it, large as it looks, readable in two hours; and I very much want to know what you think of the first act, and especially the opening, which seems to me quite famous. The metre is very odd and rough, but now and then there's a wildness in it which helps the thing very much; and altogether it has left a something on my mind which I can't ...
— The Letters of Charles Dickens - Vol. 1 (of 3), 1833-1856 • Charles Dickens
... of the hexameter upon English soil has been an affair of more than two centuries. The attempt was first systematically made during the reign of Elizabeth, but the metre remained a feeble exotic that scarcely burgeoned under glass. Gabriel Harvey,—a kind of Don Adriano de Armado,—whose chief claim to remembrance is, that he was the friend of Spenser, boasts that he was the first to whom the notion of transplantation ...
— Atlantic Monthly, Volume 3, Issue 15, January, 1859 • Various
... opportunity to say that my translation of BEOWULF, of which the last reprint was issued in 1910, is not in prose, as some have misconceived it, but it is in the same metrical form as the translations in the present volume,—an accentual metre in rough imitation of the original. I agree with Professor Gummere and others that this is a better form for the translation of Old English poetry than plain prose. It was approved by the late Professor ...
— Elene; Judith; Athelstan, or the Fight at Brunanburh; Byrhtnoth, or the Fight at Maldon; and the Dream of the Rood • Anonymous
... of English poetry, but relinquished the design to Warton, to whom he communicated an outline of his own plan. The "Observations on English Metre" and the essay on the poet Lydgate, among Gray's prose remains, are apparently ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers
... Welsh, and have translated the songs of Ab Gwilym, some ten thousand lines, into English rhyme; I have also learnt Danish, and have rendered the old book of ballads cast by the tempest upon the beach into corresponding English metre. Good! have I done enough already to secure myself a reputation of a thousand years? No, no! certainly not; I have not the slightest ground for hoping that my translations from the Welsh and Danish will be read at the end of a thousand years. Well, but I am only eighteen, ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow
... Percy Folio MS., with the spelling modernised, except in two or three instances for the sake of the rhyme (13.4) or metre (102.2). Other alterations, as suggested by Child, are noted. Apart from the irregularities of metre, this ballad is remarkable for the large proportion of 'e' rhymes, which are found in 71 stanzas, or two-thirds of the whole. The redundant 'that,' ...
— Ballads of Mystery and Miracle and Fyttes of Mirth - Popular Ballads of the Olden Times - Second Series • Frank Sidgwick |
