"Lyric" Quotes from Famous Books
 ... the woods. Wouldn't you like to? The hills are one long glory to-day." It was not the note of her prayer, it was well-ordered and calm. Still, Steering's heart leaped like a boy's at her friendliness, and he began to speak his gratitude in a lyric tune: ...
— Sally of Missouri • R. E. Young
... class, even giving the word class a fairly elastic sense. They are short prose Romans d'aventures. But Asseneth is a mystical allegory; Aucassin et Nicolette is a sort of idyll, almost a lyric, in which the adventure is entirely subordinated to the emotional and poetical interest; L'Empereur Constant, though with something of the Roman d'aventures in it, has a tendency towards a moralitas ("there is ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... King's health, and supported the toast by a ballad in which "Great Charles, like Jehovah," was described as merciful and generous to the foes that would unking him and the vipers that would sting him. The chorus to this loyal lyric was sung by the "groundlings" with heartiness ...
— The Shadow of a Crime - A Cumbrian Romance • Hall Caine
... only in repose. Once excited, he burst forth, a sort of mirth accentuated his enthusiasm, and he was at once both laughing and lyric. ...
— Les Miserables - Complete in Five Volumes • Victor Hugo
... valley, and saw the full moon come up and look down upon us from behind Sentinel Rock, and heard the intermittent booming of Yosemite Falls sifting through the spruce trees that towered around us, and felt the tender, brooding spirit of the great valley, itself touched to lyric intensity by the grandeurs on every hand, steal in upon us, and possess our souls—surely that was a night none of us can ever forget. As Yosemite can stand the broad, searching light of midday and not be cheapened, so its enchantments can stand the light ...
— Time and Change • John Burroughs
... in the ambassador's house at Soleure, he was lodged in a room which had once belonged to his namesake, Jean Baptiste Rousseau (b. 1670—d. 1741), whom the older critics astonishingly insist on counting the first of French lyric poets. There was a third Rousseau, Pierre [b. 1725—d. 1785], who wrote plays and did other work now well forgotten. There are some lines ...
— Rousseau - Volumes I. and II. • John Morley
... accompaniment, second, bass; score; bourdon[obs3], drone, morceau[obs3], terzetto[obs3]. composer &c. 413; musician &c. 416. V. compose, perform &c. 416; attune. Adj. musical; instrumental, vocal, choral, lyric, operatic; harmonious &c. 413; Wagnerian. Adv. adagio; largo, larghetto, andante, andantino[obs3]; alla capella[It][obs3]; maestoso[obs3], moderato; allegro, allegretto; spiritoso[obs3], vivace[obs3], veloce[obs3]; presto, prestissimo[obs3]; con brio; capriccioso[obs3]; scherzo, ...
— Roget's Thesaurus
... his "Lyric Love." The story of the most beautiful romance that the world has ever known thus falls into three distinctive periods,—that of the separate life of each up to the time of their marriage; their married life, with its scenic setting in the enchantment of Italy; and his life after ...
— The Brownings - Their Life and Art • Lilian Whiting
... did feed Admetus' heifers white Is no light tale. Upon the lyric string Nor more could I my joyful notes indite, Nor with sweet ...
— The Elegies of Tibullus • Tibullus
... was, as I remember it, a most exquisite night—a white poem, a frosty, starry lyric of light. It was one of those nights on which one might fall asleep and dream happy dreams of gardens of mirth and song, feeling all the while through one's sleep the soft splendour and radiance of the white moon-world outside, as one hears soft, far-away music sounding through ...
— The Golden Road • Lucy Maud Montgomery
... Lyric Hall lies just this side of the Forty-second Street station along the line of the Sixth Avenue Elevated road, and you can look into its windows from the passing train. It was after one o'clock when the invited guests and their ...
— Cinderella - And Other Stories • Richard Harding Davis
... twenty years," concluded the report in a strain of lyric prophecy, "petroleum will have taken the place of all the primitive and useless illuminating mediums now employed. It will replace, in like manner, all the coarse and troublesome varieties of fuel of our day. In less than twenty years the whole world will be lighted and heated by petroleum; ...
— The Clique of Gold • Emile Gaboriau
... an early date: Enzina's echo verses are imitated in the Comedia de Rubena, 1521). We may note that the story of Troy is running in Vicente's head as in the Exhorta[c,][a]o of 1513 (he had probably just read the Cronica Troyana). The last lyric, A la guerra, caballeros, is out of keeping with the rest of the play, but fighting in Africa was so frequent that it cannot help to determine the play's date. It is in this period (1512-14) that it is customary to place the death of ...
— Four Plays of Gil Vicente • Gil Vicente
... all concurred in the opinion, that poetry was first employed in celebrating the praises of the gods. The fragments of the Orphic hymns, and those of Linus and Musaeus, show these poets entertained sounder notions of the Supreme Being than many philosophers of a later date. There are lyric fragments yet remaining that bear striking ...
— The Atlantic Monthly, Vol. IV, No. 22, Aug., 1859 • Various
... to philosophisings. It grows late apace. (Ah, Hulda, how like opals in the lyric April rain are your eyes in this first faint purple-pink of the tremulous dawn.... Were I a Heine!) In my far-away America, Hulda, in far-away New York, it is now onto midnight. I see Broadway, strumpet of the highways, sweltering collarless under the loud electricity of Times Square. ...
— Europe After 8:15 • H. L. Mencken, George Jean Nathan and Willard Huntington Wright
... spoken in the northern part of the country. This, the langue d'oil, became at length the French language. But the langue d'oc, a soft and musical tongue, survived long enough to become the vehicle of lyric strains, mostly on subjects of love and gallantry, still familiar in mention, and famous as the songs of the troubadours. The flourishing time of the troubadours was in the eleventh and twelfth centuries. Provencal is an alternative ...
— Classic French Course in English • William Cleaver Wilkinson
... dignified form than is really inherent in the music. "Norma" was at that time even given for his benefit! He now took up the "Rienzi" material in earnest and projected a plan for the work which required the largest stage for its execution. The lyric element of the romance, the messengers of peace, the battle hymns, and the passion of love had already charmed his purely musical sense. It was however by a solid work for the theatre, of which the main feature should not be simply "beautiful verses and fine ...
— Life of Wagner - Biographies of Musicians • Louis Nohl
... listen to an entire concert is to provide variety of material—a heavy number followed by a light one; a slow, flowing adagio by a bright snappy scherzo; a tragic and emotionally taxing song like the Erl-King by a sunny and optimistic lyric; a song or a group of songs in major possibly relieved by one in minor; a coloratura aria by a song in cantabile style; a group of songs in French by a group in English; a composition in severe classic style by one of romantic tendency, ...
— Essentials in Conducting • Karl Wilson Gehrkens
... motive for our care of offspring, and for all our other most self-forgetful devotions, our finest altruisms, our most polished expressions in language, manners and dress. It justifies labor, ambition, and at times even self-effacement. It underlies nearly all the lyric expressions in art; furnishes almost the only theme for that delineation of modern life which we call the novel; and is a main support for music, painting, statuary and belles-lettres. It gives us the institution of the family, which is the parent of the state; it is closely allied to religion; ...
— Woman in Modern Society • Earl Barnes
... reading at this time so limited as might be expected from the foregoing. The study of Shelley's poetry had led me to read pretty nearly all the English lyric poets; Shelley's atheism had led me to read Kant, Spinoza, Godwin, Darwin and Mill; and these, again, in their turn, introduced me to many writers and various literature. I do not think that at this time I cared much for novel reading. Scott seemed to me on a par with Burke's speeches; that is ...
— Confessions of a Young Man • George Moore
... us how the mysteries of being are shared by the commonest lives; the short lyric "Wages" condenses into a few lines the strongest proof of the life to come; and "Crossing the Bar" has borne many a spirit in peace out to the ...
— The World's Best Poetry Volume IV. • Bliss Carman
... the Revolutionary epoch in modern history. Though he wrote several long narrative poems and one great tragedy, he was above all a lyric poet—according to some the greatest lyric poet of England. His life, like his poetry, was almost untrammelled by convention. Both gave great offence to the stricter elements of English society. In ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... Devastation or a Glatton? Can a Devastation or a Glatton ever inspire poetic thoughts and images? One would say that the singer must be endowed in no ordinary degree with the sacred fire whom such a theme as a modern ironclad turret-ship should move to lyric utterance. It has been said that all the romance of the road died out with the old coaching days; and certainly a locomotive engine, with its long black train of practical-looking cars, makes hardly so picturesque a feature in the landscape as one of the old ...
— Man on the Ocean - A Book about Boats and Ships • R.M. Ballantyne
... There is no more mystery in it than in the singing of birds. The motive may be either to obtain discharge from the sense of guilt or a desire to save and store up the very echoes and last drops of pleasure. Human beings keep diaries for as many different reasons as they write lyric poems. With Pepys, I fancy, the main motive was a simple happiness in chewing the cud of pleasure. The fact that so much of his pleasure had to be kept secret from the world made it all the more necessary for him to babble when alone. True, ...
— The Art of Letters • Robert Lynd
... Blessed Virgin, King Edward III dedicated his principal religious foundation; and Chaucer, to whatever extent his opinions or sentiments may have been in accordance with ideas of ecclesiastical reform, displays a pious devotion towards the foremost Saint of the Church. The lyric entitled the "Praise of Women," in which she is enthusiastically recognized as the representative of the whole of her sex, is generally rejected as not Chaucer's; but the elaborate "Orison ...
— Chaucer • Adolphus William Ward
... before among the rudiments of grammar; but that sublime art which in Aristotle's Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric, what decorum is, which is the grand masterpiece to observe. This would make them soon perceive what despicable creatures our common rhymers and play-writers be; and show them what religious, what glorious and magnificent ...
— The Spectator, Volume 2. • Addison and Steele
... pigeon-wings, the concertina played "Matamoras," Jones continued his lyric, when two Mexicans leaped at each other, and the concertina stopped with ...
— Red Men and White • Owen Wister
... the German mind—for many centuries. But at the same time this evil effect was counter-balanced by the ineradicable strength and virtues of the Northern barbaric blood. This sacred Teutonic blood it was which brought into Western Europe the subtlety of romantic conceptions, the true lyric touch in poetry, the deep reverence which was (till recently) the note of their religion, the love of adventure in which the old civilization was lacking, and a vast respect for women. At the same time their warrior spirit evolved the great structure of feudalism, the chivalric model ...
— Europe and the Faith - "Sine auctoritate nulla vita" • Hilaire Belloc
... herd! sleep, darkling thorpe and croft, Safe from the weather! 30 He, whom we convoy to his grave aloft, Singing together, He was a man born with thy face and throat, Lyric Apollo! Long he lived nameless: how should spring take note Winter would follow? Till lo, the little touch, and youth was gone! Cramped and diminished, Moaned he, "New measures, other feet anon! My dance is finished?" ...
— Browning's Shorter Poems • Robert Browning
... least of scholars, who exerted themselves to emulate the Alexandrian masters. With true tact the more gifted of the Alexandrian poets avoided larger works and the pure forms of poetry—the drama, the epos, the lyric; the most pleasing and successful performances consisted with them, just as with the new Latin poets, in "short- winded" tasks, and especially in such as belonged to the domains bordering on the pure forms of art, more especially to the ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... against its revival, pursuing it continually, wherever it should pause or lurk, even to the most remote and unconsidered villages and hamlets"—Crescimbeni could not do less than write four dialogues, as he did, in which he evolved from four of Constanzo's sonnets all that was necessary for Tuscan lyric poetry. ...
— Modern Italian Poets • W. D. Howells
... Lyric poetry is by its excellence the chief art of England, as music is the art of Germany. A book of poetry is almost sure of fair appreciation in the English press which does not trouble to notice a "Sartor Resartus" or the first essays of an Emerson. The excessive consideration ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... Harmless tribe! Your lyric madness You'll continue, while there yonder, In the East, the clouds are gathering, Soon to ...
— The Trumpeter of Saekkingen - A Song from the Upper Rhine. • Joseph Victor von Scheffel
... gathering their utmost force from the sense of communion in a form which has expressed them both, for long generations of struggling fellow-men. The Hebrew liturgy, like others, has its transitions of litany, lyric, proclamation, dry statement and blessing; but this evening, all were one for Deronda: the chant of the Chazaris or Reader's grand wide-ranging voice with its passage from monotony to sudden cries, the outburst of sweet boys' voices from the little choir, ...
— Daniel Deronda • George Eliot
... that Cowper's poetry lacked the true note of passion, that there was an absence of the "lyric cry." I protest that I find the note of passion in the "Lines on the Receipt of my Mother's Picture," in his two sets of verses to Mrs. Unwin, in his sonnet to Wilberforce not less marked than I find it in ...
— Immortal Memories • Clement Shorter
... following generation, now that the foundations were once laid, there arose a lyric, epic, and dramatic art; and it is of great importance, even in a historical point of view, to ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... though the owners of the windows may possibly not think so. This rather indescribable element runs through a hundred English things, as in the love of bathos shown even in the sound of proper names; so that even the yearning lover in a lyric yearns for somebody named Sally rather than Salome, and for a place called Wapping rather than a place called Westermain. Even in the relapse into rowdiness there is a sort of relapse into comfort. There is also ...
— What I Saw in America • G. K. Chesterton
... first and the music having been enthusiastically applauded, Dresden followed the good example in October 1890. The music is full of sweet melody, the composition masterfully set. Its comic parts are not quite natural, but the lyric is almost classical and the text, written by the composer himself, though lacking in action, shows, that Cornelius was a true poet as well as a ...
— The Standard Operaglass - Detailed Plots of One Hundred and Fifty-one Celebrated Operas • Charles Annesley
... Germany in these years inevitably reflected the liberal sentiment of the time; it is always the radical emotion of any revolutionary period that finds the most effective lyric expression, the conservative state of mind being more characteristically prosaic. For the group of ardent spirits who made themselves the heralds of the new day, one of their number, the novelist and dramatist Karl Gutzkow, found the name "Young Germany." Just as the "Storm and Stress" of 1770 ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VII. • Various
... so much as this, however, is not to say the last word. The question is whether Wordsworth, however unequal to Shelley in lyric quality, to Coleridge or to Keats in imaginative quality, to Burns in tenderness, warmth, and that humour which is so nearly akin to pathos, to Byron in vividness and energy, yet possesses excellences of his own which place him in other respects above ...
— Studies in Literature • John Morley
... course would be the pecuniary emolument by no means to be sneezed at, going hand in hand with his tuition fees. Not, he parenthesised, that for the sake of filthy lucre he need necessarily embrace the lyric platform as a walk in life for any lengthy space of time. But a step in the required direction it was beyond yea or nay and both monetarily and mentally it contained no reflection on his dignity in the smallest and it often turned in uncommonly handy to be handed ...
— Ulysses • James Joyce
... the lovely lyric which comes from the lips of Mary, has been sung during many centuries as one of the chief canticles of the Christian Church. Its occasion was a visit paid to her kinswoman, Elisabeth, by Mary shortly ...
— The Gospel of Luke, An Exposition • Charles R. Erdman
... contrasted in Synge's "Riders to the Sea" and his "Playboy." The first was written straight from the heart. We feel Synge must have followed those people carrying the dead body, and touched to the quick by the caoine, passed the touch on to us, for in the lyric swell of the close we get the true emotion. Here alone is he in the line of greatness. This gripped his heart and he wrote out of himself. But in the other work of his it was otherwise. He has put his method on record: he listened through a chink in the floor, and wrote around ...
— Principles of Freedom • Terence J. MacSwiney
... lose, if necessary, all of Milton, all of Shakespeare but a song or two, much of Dante and some of Homer, to be secured in them for ever. My friend (of the Ramillies) and I were disputing about a phrase I had applied to lyric poetry as the infallible test of its merit. I asked for "the lyric cry," and he scorned me. I could find a better phrase with time; but the quatrain just quoted makes it unmistakable, as I think. Anyhow, it will be conceded that there was some putting off ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... gazed with reverent delight, for he thought he was praying. But he was only blessed. So easily can God make a man happy! The past had dropped from him like a wild but weary and sordid dream. He was reborn, a new child, in a new bright world, with a glowing summer to revel in. One of God's lyric prophets, the larks, was within earshot, pouring down a vocal summer of jubilant melody. The lark thought nobody was listening but his wife; but God heard in heaven, and the young prodigal heard on the earth. He would be ...
— Alec Forbes of Howglen • George MacDonald
... Verona, is the greatest lyric poet of Roman literature. One hundred and sixteen of ...
— History of Rome from the Earliest times down to 476 AD • Robert F. Pennell
... The moral laws are deduced from faith in the equal personal dignity of men, and the ennobling of humanity set up as the highest mission of morality. The three fundamental aesthetical tempers are the idyllic and epic of enthusiasm, the dramatic of resignation, the lyric of devotion. ...
— History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg
... in other countries. In the construction and conduct of his plots he showed great skill, yet the ingenuity expended in the management of the story did not restrain the fiery emotion and opulent imagination which mark his finest speeches and give them a lyric quality which some critics regard as his ...
— Life Is A Dream • Pedro Calderon de la Barca
... performance as Gorboduc must have been hailed as not only a novelty but a wonder. It was the first piece composed in English on the ancient tragic model, with a regular division into five acts, closed by lyric choruses. ...
— Memoirs of the Court of Queen Elizabeth • Lucy Aikin
... Here we have neither the plastic effect of the sculpture nor the color of the painting. The essential features of the real model are left out. As an imitation it would fail disastrously. What is imitated in a lyric poem? Through more than two thousand years we have appreciated the works of the great dramatists who had their personages speak in the rhythms of metrical language. Every iambic verse is a deviation from reality. If they had ...
— The Photoplay - A Psychological Study • Hugo Muensterberg
... part of its literature shows more striking proof of the common life and interests of Mediaeval Europe than does the lyric poetry of the period. In Northern France, in Provence, in all parts of Germany, in Italy, and a little later in Spain, we see a most remarkable outburst of song. The subjects were the same in all the countries. Love-the love of feudal chivalry—patriotism, and religion were ...
— Song and Legend From the Middle Ages • William D. McClintock and Porter Lander McClintock
... all only about thirty thousand lines; but it includes epic, lyric, didactic, elegiac, and allegorical poems, together with war-ballads, paraphrases, riddles, and charms. Of the five elegiac poems (Wanderer, Seafarer, Ruin, Wife's Complaint, and Husband's Message), the Wanderer is the most artistic, and best portrays the ...
— Anglo-Saxon Grammar and Exercise Book - with Inflections, Syntax, Selections for Reading, and Glossary • C. Alphonso Smith
... of opera-dancers is extremely well defined, as their names implies; for they most do congregate wherever an opera-house exists. Some, however, descend to the non-lyric drama, and condescend to "illustrate" the plays of Shakespeare. It is said that the classical manager of Drury Lane Theatre has secured a company of them to help the singers he has engaged to perform Richard the Third, Coriolanus, and other ...
— Punch, or the London Charivari, Vol. 1, October 23, 1841 • Various
... herself "en rapport" with those around her. Books were her world from her earliest years; in them she literally lost and found herself. She was eleven years old when the War of Succession broke out, which inspired her first lyric outbursts. Her poems and translations written between the ages of fourteen and seventeen were collected, and constituted her first published volume. Crude and immature as these productions naturally were, and ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... authors. She is, without doubt, the most highly intellectual of our female poets.... The new poems, while not inferior to the others in point of literary art, have in them more of fervor and of feeling; more of that lyric sweetness which catches the attention and makes the song sing itself over and over afterwards in the remembering brain.... Some of the new poems seem among the noblest H. H. has ever written. They touch the high-water mark of ...
— Hetty's Strange History • Helen Jackson
... from the little-read play, The Two Gentlemen of Verona, may serve to illustrate the perfection of the Shakespearean lyric. ...
— An Introduction to Shakespeare • H. N. MacCracken
... decline to give at least their name, deeply as they feel that in giving it they are offending against all the rules of historical perspective. I should not say that my father was one of the great poets of Germany, though Heine, no mean critic, declared that he placed his lyric poetry next to that of Goethe. Besides, he was barely thirty-three when he died. He had been a favourite pupil of F. A. Wolf, and had proved his classical scholarship by his Homerische Vorschule, and other publications. His poems became popular in the true sense of the word, ...
— My Autobiography - A Fragment • F. Max Mueller
... 90th Psalm—'the prayer o' Moses, the man o' God'—the grandest piece o' lyric, to my taste, that I ever heard o' on the face o' God's earth, an' see what a man can write that'll have the patience to wait a century or twa before he rins to the publisher's. I gie ye up fra' this moment; the letting out o' ink is like the letting out o' waters, ...
— Alton Locke, Tailor And Poet • Rev. Charles Kingsley et al
... The Lyric Poems are almost all of the light and airy kind, such as trip lightly and nimbly along, without the load of any weighty meaning. From these, however, "Rural Elegance" has some right to be excepted. I once heard it praised by a very learned lady; and, though the lines ...
— Lives of the Poets: Gay, Thomson, Young, and Others • Samuel Johnson
... book of Daniel. The contact with the outside world makes possible a phase of literature such as that to which the books of Job and Ecclesiastes belong. The deepening of the inner life gave the world the lyric of the Psalms, some of which are credibly assigned to a period so late as that ...
— Edward Caldwell Moore - Outline of the History of Christian Thought Since Kant • Edward Moore
... disclaims the capacity for lofty themes, but, especially as he grows older and more philosophic, and perhaps less lyric, half-seriously attributes whatever he does to persevering effort. ...
— Horace and His Influence • Grant Showerman
... expectancy, and when we steamed out into the lake I could scarcely repress a cry of joy so thrilling was the view. I had never seen a large body of water, had striven to picture the majesty of a wave, and now I stood with poetry rolling about me—now a deep-blue elegy, now a limpid lyric, varying in hue with the shifting of a luminous fleece-work, far above. To have been born and brought up amid great scenes were surely a privilege, but to come upon them for the first time when the mind is ripe, ...
— The Jucklins - A Novel • Opie Read
... course we are. Old rivals too, In commerce and adventure the world over. From JOHN THE GREAT'S time to the present, you In Africa have been a daring rover; "The Rover's free"! Ah! that's good lyric brag— He is not free to trample on ...
— Punch, or the London Charivari, Volume 98, January 18, 1890 • Various
... ringing true. Look, for example, at the work of those two whom we could so ill spare—Synge and St. John Hankin. They were as far apart as dramatists well could be, except that each had found a special medium—the one a kind of lyric satire, the other a neat, individual sort of comedy—which seemed exactly to express his spirit. Both forms were in a sense artificial, but both were quite sincere; for through them each of these two dramatists, so utterly dissimilar, shaped forth the essence of his broodings and visions ...
— Another Sheaf • John Galsworthy
... will only say that anything more acute, delicate, and discriminating, and, I must add, more entirely valueless and pedantic, I do not think I ever heard. It must have required immense and complicated knowledge. He was tracing the development of a certain kind of dramatic lyric, and what surprised me was that he supplied the subtle intellectual connection, the missing links, so to speak, of which there is no earthly record. Let me give a single instance. He was accounting for a rather sudden change of thought in a well-known poet, and he showed ...
— The Child of the Dawn • Arthur Christopher Benson
... event of the evening! General Hardshell Jackson, Senor Lupe de Tamale, and the renowned lyric barytone, James Russell Lowell Mason, will combine in a grand farewell concert. Ascend the platform, Senor!" he cried to the Mexican lad, who stood, wide-eyed, in a corner. Then he ...
— Stanford Stories - Tales of a Young University • Charles K. Field
... they generally have been swift to turn from him and to prefer to him not only foreigners, which would not necessarily be bad, but oftentimes the least respectable of musicians. The triumph of Rameau was of the briefest. Scarcely had his magnificent lyric tragedies established themselves when the Guerre des bouffons broke out, and popular taste, under the direction of Jean Jacques Rousseau and the other Encyclopedists, discovered the light Italian music of the day more "natural" and infinitely ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... he followed Owen back to his study, hoping to persuade him into telling the story of how he had gone down to Dulwich to write a criticism of Innes's concert, and how he had at once recognised that Evelyn had a beautiful voice, and would certainly win a high position on the lyric stage if ...
— Sister Teresa • George Moore
... power to their AEolian and Dorian neighbours. Among the Ionic cities themselves Miletus and Ephesus were the most flourishing, Grecian literature took its rise in the AEolic and Ionic cities of Asia Minor. Homer was probably a native of Smyrna. Lyric poetry flourished in the island of Lesbos, where Sappho and Alcaeus were born. The Ionic cities were also the seats of the earliest schools of Grecian philosophy. Thales, who founded the Ionic school of ...
— A Smaller History of Greece • William Smith
... quasi-satirical poems of The Mooncalf, The Owl, and The Man in the Moon, show a faculty of comic treatment less graceful indeed, but scarcely inferior, and the lyrics called Odes (of which the Ballad of Agincourt is sometimes classed as one) exhibit a command of lyric metre hardly inferior to the command displayed in that masterpiece. In fact, if ever there was a poet who could write, and write, perhaps beautifully, certainly well, about any conceivable broomstick in almost any conceivable manner, that poet was Drayton. His historical poems, which ...
— A History of English Literature - Elizabethan Literature • George Saintsbury
... box you can haf all your wishes," asserted the Professor, still in the German lyric strain over his triumph. "It iss the box of enchantments. You haf but to will the change you would haf taig place—it iss done. The substance ...
— The Mystery • Stewart Edward White and Samuel Hopkins Adams
... teach him, and your words will be hopeless and profitless. The one thing that is required to bind Christian men together is this common affection. That being there, everything will come. It is the germ out of which all is developed. As we read in that great chapter to the Corinthians—the lyric praise of Charity,—all kinds of blessing and sweetness and gladness come out of this, It is the central force which, being present, secures that all shall be right, which, being absent, ensures that all shall ...
— Expositions of Holy Scripture: St. John Chaps. XV to XXI • Alexander Maclaren
... music. Apollo is the god of dreams, Dionysus the god of intoxication; the one represents for us the world of appearances, the other is, as it were, the voice of things in themselves. The chorus, then, which arose out of the hymns to Dionysus, is the "lyric cry," the vital ecstasy; the drama is the projection into vision, into a picture, of the exterior, temporary world of forms. "We now see that the stage and the action are conceived only as vision: that the sole 'reality' is precisely the chorus, which ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... his claims. After giving up his farm he removed to Dumfries. It was at this time that, being requested to furnish words for The Melodies of Scotland, he responded by contributing over 100 songs, on which perhaps his claim to immortality chiefly rests, and which placed him in the front rank of lyric poets. His worldly prospects were now perhaps better than they had ever been; but he was entering upon the last and darkest period of his career. He had become soured, and moreover had alienated many of his best friends by ...
— A Short Biographical Dictionary of English Literature • John W. Cousin
... mountain spring; But—when it's bitter with base treachery— It dams itself against all utterance, And either mines the soul, or, breaking forth, Sweeps downward to destruction. Oh! 'tis true, Love is the lyric happiness of youth; And they, who sing its perfect melody, Do from the honest parish register Still take their tune. And so must you. For you Are now in the very period of youth When myriads of unborn beings knock loud and long Upon the willing ...
— The Scarlet Stigma - A Drama in Four Acts • James Edgar Smith
... the publication, in 1855, of the Poems, in two volumes, entitled "Men and Women," Browning reviewed his work and made an interesting reclassification of it. He separated the simpler pieces of a lyric or epic cast—such rhymed presentations of an emotional moment, for example, as "Mesmerism" and "A Woman's Last Word," or the picturesque rhymed verse telling a story of an experience, such as "Childe ...
— Men and Women • Robert Browning
... a fool, he will stay and stay on until the town becomes all in all to him; until the very streets are his chums and certain buildings and corners his best friends. Then he is hopeless, and to live elsewhere would be death. The Bowery will be his romance, Broadway his lyric, and the Park his pastoral, the river and the glory of it all his epic, and he will look down pityingly on ...
— The Sport of the Gods • Paul Laurence Dunbar
... think, there was a waiter in this very hotel, but, alas! he is now gone, who sang (from morning to night, as my informant said with a shrug at the recollection) what but 's ist lange her, the German version of Auld Lang Syne; so you see, madame, the finest lyric ever written will make its way out of whatsoever corner of patois it found ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson
... thou, Euterpe, touched blind Milton's tongue, And swept the thousand chords of Shakespeare's soul; Woke Byron from his hours of idle dream, And then he sang mankind a deathless song. But thou at last didst reach the lyric goal Of art in Tennyson's ...
— The Loom of Life • Cotton Noe
... Julia by name, Your friend, little Cally, your wishes proclaim; Read this and you'll soon learn to know it, I'm not your papa the great lyric poet. ...
— James Fenimore Cooper • Mary E. Phillips
... very extensive compositions, to give them additional polish, and bring them to the highest possible perfection of which they were susceptible, even had I written them down with the utmost care. Maroncelli did the same, and, by degrees, retained by heart many thousand lyric verses, and epics of different kinds. It was thus, too, I composed the tragedy of Leoniero da Dertona, ...
— My Ten Years' Imprisonment • Silvio Pellico
... might be bad or good; he no doubt wanted a lyric facility and technical skill; but he had the source of poetry in his spiritual perception. He was a good reader and critic, and his judgment on poetry was to the ground of it. He could not be deceived as to the presence or absence of the poetic element in any composition, ...
— Excursions • Henry D. Thoreau
... English lyric verse, of whose depths, main-stream, and back-waters his knowledge was profound, ...
— The Garden of Bright Waters - One Hundred and Twenty Asiatic Love Poems • Translated by Edward Powys Mathers
... life is wrought In movements of melodious thought; In symphony, great wave on wave— Or fugue, elusive, swift, and grave; A singing land, whose lyric rhymes Float on the air like village chimes: Music and Verse—the deepest part Of a whole nation's thinking heart! * * * * * Oh land of Now, oh land of Then! Dear God! the dreams, the ...
— Punch, or the London Charivari, Vol. 153, Sept. 12, 1917 • Various
... were not wearing a mask, but were exhibiting their genuine selves with perfect simplicity. Now one characteristic of the Wit is always a fear of ridicule. Above all things he dreads making a fool of himself. The old lyric, for example, which came so spontaneously to the Elizabethan poet or dramatist, and of which echoes are still to be found in the Restoration, has decayed, or rather, has been transformed. When you have written a genuine bit of love-poetry, ...
— English Literature and Society in the Eighteenth Century • Leslie Stephen
... a lyric recitation; let us be brief and clear. What do you want? Explain yourself. I don't suppose that you have addressed this rebuke to me solely for the purpose of telling me that you are in ...
— Serge Panine, Complete • Georges Ohnet
... The lyric related the history of a new suit of clothes that was worn by everyone except the person ...
— A Great Man - A Frolic • Arnold Bennett
... Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Leon Gautier's Introduction ...
— A Collection of Ballads • Andrew Lang
... of throbbing life lie behind that roll! Then run over the persons of a single drama: that one bounded inclosure, how rich in variety and intensity, and truth of feeling! And when you shall have thus cursorily sent your mind through each and all, tragic, comic, historic, lyric, you will have traversed in thought, accompanied by hundreds of infinitely diversified characters, wide provinces of human sorrow and joy. Why are these pictures of passion so uniquely prized, passed on from generation ...
— Essays AEsthetical • George Calvert
... very valuable to a collector of English sound sense.... Burns's 'Scots wha hae' is poor as a lyric composition. ...
— The Prose Works of William Wordsworth • William Wordsworth
... belongs more to the masculine than to the mystic school. Deep in thought, he is clear in language and in purpose. Since Byron's dramas, we have seldom had such fiery and vigorous verse. He blends the strong with the tender, in natural and sweet proportions. His genius, too, vaults into the lyric motion with very great ease and mastery. He is a minstrel as well as a bard, and has shown power over almost every form of lyrical composition. His sentiment is clear without being commonplace, original, yet not extravagant, and betokens, as well as his ...
— Harper's New Monthly Magazine, Volume 1, No. 3, August, 1850. • Various
... I shall have occasion to speak; but, as the title of the book implies,—for Antiphon means the responsive song of the parted choir,—I shall have chiefly to do with the lyric or ...
— England's Antiphon • George MacDonald
... their renown in music, as well as what might be termed their golden era, with the establishment of the Italian opera, in the seventeenth century. At this period all the stages of Italy were the scenes of the lyric triumphs of this otherwise unfortunate class, some of whom accumulated vast fortunes. In the following century, as has been seen, Clement XVI abolished the practice as far as the church was concerned, and in the present century the first Napoleon abolished the practice secularly and socially. ...
— History of Circumcision from the Earliest Times to the Present - Moral and Physical Reasons for its Performance • Peter Charles Remondino
... death, in spite of his feeling that he was in some measure a help and comfort to his sister." Under the influence of this great sorrow he wrote The Two Voices, Ulysses, "Break, Break, Break," and began that exquisite series of lyric poems, afterwards joined together in the In Memoriam. His friendship for Hallam remained throughout life with him as one of his most ...
— Selections from Wordsworth and Tennyson • William Wordsworth and Alfred Lord Tennyson
... to be found in the Peninsula; the one consists of these somewhat reactionary and romantic lovers of the past, the other of the fresh, native products of the people, independent as far as possible of antiquity, and altogether unaffected by learned studies. The latter is mainly lyric in its character, and has often a wild beauty, which is none the less attractive because it is purely natural. These songs deal more with nature than those of the Sclavonic tribes, with which Mrs. Robinson ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various
... glad to hear that you are soon to have Voltaire at Manheim: immediately upon his arrival, pray make him a thousand compliments from me. I admire him most exceedingly; and, whether as an epic, dramatic, or lyric poet, or prose-writer, I think I justly apply to him the 'Nil molitur inepte'. I long to read his own correct edition of 'Les Annales de l'Empire', of which the 'Abrege Chronologique de l'Histoire Universelle', ...
— The PG Edition of Chesterfield's Letters to His Son • The Earl of Chesterfield
... "I wrote the lyric as well as the melody," said Wilson Hymack, who had already seated himself at the piano. "It's got the greatest title you ever heard. It's a lallapaloosa! It's called 'It's a Long Way Back to Mother's ...
— Indiscretions of Archie • P. G. Wodehouse
... all recollect a dozen instances when architecture, music, painting, or some sudden sight of sea or mountain, have thus affected us; and all poetry, particularly all great lyric poetry, Goethe's, Shelley's, Wordsworth's, and, above all, Browning's, is full of the record of ...
— Laurus Nobilis - Chapters on Art and Life • Vernon Lee
... more necessary to define sharply the line between poetry of the people and poetry for the people.[2] The latter may still be written; the making of the former is a lost art. Poetry of the people is either lyric or narrative. This difference is roughly that between song and ballad. 'With us,' says Ritson, 'songs of sentiment, expression, or even description, are properly termed songs, in contradistinction to mere narrative ...
— Ballads of Romance and Chivalry - Popular Ballads of the Olden Times - First Series • Frank Sidgwick
... Wagner, who was more moderate and a closer follower of tradition, sought to establish a compromise (perhaps an impossible one) between music and speech, and to create the new lyric drama, Berlioz, who was more revolutionary, achieved the dramatic symphony, of which the unequalled model to-day is still Romeo ...
— Musicians of To-Day • Romain Rolland |
