"Lear" Quotes from Famous Books
 ... off the police evidence and the doctor, d'you see? Then—'Mr. Bright!' Old man comes up into the box. Stands there massive, bowed with grief, chest heaving, voice coming out of it like an organ in the Dead March. Stands there like Lear over the body of Cordelia. Stands there like the father of ...
— If Winter Comes • A.S.M. Hutchinson
... left of the road had a charm, however; there is something picturesque in the big, comfortable shoulders of the Cote. That delicate critic M. Emile Montegut, in a charming record of travel through this region published some years ago, praises Shakespeare for having talked (in "Lear") of "waterish Burgundy." Vinous Burgundy would surely be more to the point. I stopped at Beaune in pursuit of the picturesque, but I might almost have seen the little I discovered without stopping. It is a drowsy Burgundian town, very old and ripe, with crooked streets, vistas always oblique, ...
— A Little Tour in France • Henry James
... decision with acclamation, and the two elder ones vied with one another in attempts to set her mind at rest by undertaking everything, and promising for themselves and the children perfect regularity and harmony. Sophy, with a bluntness that King Lear would have highly disapproved, said, 'She was glad mamma was going, but she knew they should be all at sixes and sevens. She would do her best, and ...
— The Young Step-Mother • Charlotte M. Yonge
... alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as he ...
— The Ascent of the Soul • Amory H. Bradford
... Utopias as white As new-cut bread, and dull as life in cells, O, scribes who dare forget how wild we are How human breasts adore alarum bells. You house us in a hive of prigs and saints Communal, frugal, clean and chaste by law. I'd rather brood in bloody Elsinore Or be Lear's fool, straw-crowned amid the straw. Promise us all our share in Agincourt Say that our clerks shall venture scorns and death, That future ant-hills will not be too good For Henry Fifth, or Hotspur, or Macbeth. Promise that through to-morrow's ...
— The Congo and Other Poems • Vachel Lindsay
... since thou needs woldst vnderstand my sham Which I did grieue and blush to ope to thee, And had lear di'd then told thee of the same, Now be not slacke to lend thy helpe to me, Thou forst me for to open my disgrace, Then lend thy help to salue my ...
— Seven Minor Epics of the English Renaissance (1596-1624) • Dunstan Gale
... himself a mischief, and keeps a lear eye still, for fear it should escape him. A man that sees a great deal more in every thing than is to be seen, and yet he thinks he sees nothing: his own eye stands in his light. He is a fellow commonly guilty of some weaknesses, which he might conceal ...
— Microcosmography - or, a Piece of the World Discovered; in Essays and Characters • John Earle
... answered Mr. Lear, rather surprised by these words. "The doctor will give you relief, I trust, ...
— From Farm House to the White House • William M. Thayer
... talk about the Santa Clans doings and the principal actor in them, and no end of speculations as to his inducements and purposes to be served in taking so much trouble. For Shampuashuh people were shrewd, and did not believe, any more than King Lear, that anything could come of nothing. That he was not moved by general benevolence, poured out upon the school of the white church, was generally agreed. "What's we to him?" asked pertinently one of the old ladies; and vain efforts were made to ascertain ...
— Nobody • Susan Warner
... plays that it was possible to read with any hope of attracting or interesting an audience. My father had limited his range to a few of the most frequently acted plays. I delivered the following twenty-four: King Lear, Macbeth, Cymbeline, King John, Richard II., two parts of Henry IV., Henry V., Richard III., Henry VIII., Coriolanus, Julius Caesar, Anthony and Cleopatra, Hamlet, Othello, Romeo and Juliet, The Merchant of Venice, The Winter's Tale, Measure for ...
— Records of Later Life • Frances Anne Kemble
... guardian angel ever since my blindness. She does all my writing, reads the plays and my notes to refresh my memory. She was reading King Lear this afternoon, and I was much stirred by the sad trials of the poor old king. I mentally compared my lot with his and found that the advantage is mine. He had no home, two ungrateful daughters, and, as far as I can learn, no 'shadow of a rock in a weary land.' I have a comfortable dwelling, ...
— The Unknown Wrestler • H. A. (Hiram Alfred) Cody
... bilious people. Whereas, of all the shameful people (equally billions and not less bilious) that have presumed to quarrel with Milton, not one has thought him ludicrous, but only dull and somnolent. In 'Lear' and in 'Hamlet,' as in a human face agitated by passion, are many things that tremble on the brink of the ludicrous to an observer endowed with small range of sympathy or intellect. But no man ever found the ...
— The Notebook of an English Opium-Eater • Thomas de Quincey
... face as he gazed into the blue gulfs over him. No one can detect the first beginnings of any life, and those of spiritual emotion must more than any lie beyond our ken: there is infinite room for hope. Falconer said no more. We betook ourselves early within doors, and he read King Lear to us, expounding the spiritual history of the poor old king after a fashion I had never conceived—showing us how the said history was all compressed, as far as human eye could see of it, into the few months that elapsed between his abdication and his death; how in that short time he had to ...
— Robert Falconer • George MacDonald
... its womb, usurped its throne, and ever since the maddened old creature, with hoary crest of foam, wails and laments continually, like King Lear exposed to the ...
— Glimpses of Bengal • Sir Rabindranath Tagore
... entered that region in which Michael Angelo, Beethoven, Goethe, and the antique Athenian stage poets are great. He would really not be great at all if it were not that he had religion enough to be aware that his religionless condition was one of despair. His towering King Lear would be only a melodrama were it not for its express admission that if there is nothing more to be said of the universe than Hamlet has to say, then 'as flies to wanton boys are we to the gods: they kill ...
— Back to Methuselah • George Bernard Shaw
... Constance, frantic for the loss of her son—then look at Lear, maddened by the ingratitude of his daughters: why it is the west wind bowing those aspen tops that wave before our window, compared to the tropic hurricane, when forests crash and burn, and mountains tremble to ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... some appear extravagant praise, but for its justice we confidentially appeal to the record. The plays which have most severely tried the sagacity of Shakspeare's critics, are Hamlet, Macbeth, Lear, and Othello. We do not hesitate to say that Mr. Hudson's analysis and representation of these are the most thorough, accurate, and comprehensive which exist at present either in English or German. Compare him or these tragedies with Goethe, with Schlegel, with Coleridge, with Hazlitt, ...
— Graham's Magazine Vol XXXII No. 6 June 1848 • Various
... was that Carl should become a clergyman, but his distaste for theology did not go unexpressed. So perverse and persistent were his inclinations that they preyed on the mind of his father, who quoted King Lear and said, "How sharper than a serpent's tooth it is to have a ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... ever. During the lonely days, and still more lonely nights, he thought much about the past. He knew that he had made a failure of life, and that he had nothing to live for now. At times he would endeavor to fan the coals of rebellion by reading "King Lear," "Timon of Athens," and the story of Old Aeneas. But the effect was never lasting, and when the artificial stimulation subsided he ...
— The King's Arrow - A Tale of the United Empire Loyalists • H. A. Cody
... fairly on English ground now; of course, it is wet weather. The phenomena of the British climate have not changed much since the time when the rains "let fall their horrible pleasure" upon the head of the poor, drenched outcast, Lear. Thunder and lightning, however, which belonged to that particular war of the elements, are rare in England. The rain is quiet, fine, insinuating, constant as a lover,—not wasting its ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various
... appeared to them, in their low spiritual condition, a moral chaos, which they set about converting, in some of his great plays, into a cosmos; and a sad muss, if not a ridiculous muss, they made of it. Signal examples of this are the 'rifacimenti' of the Tempest by Dryden and Davenant, the King Lear by Tate, and the Antony and Cleopatra (entitled 'All for Love, or the World ...
— Introduction to Robert Browning • Hiram Corson
... ascribed by Dr. Whately to the fact that "all men are more gratified at catching the resemblance for themselves, than in having it pointed out to them." But after what has been said, the great economy it achieves will seem the more probable cause. Lear's exclamation— ...
— The Philosophy of Style • Herbert Spencer
... and was very hoarse. During the night he felt ill and awoke his wife. As soon as it was daylight, Mrs. Washington sent a messenger posthaste for Dr. Craik. Before he arrived, Washington insisted upon being bled, and his secretary, Tobias Lear, sent across the river to Port Tobacco for Dr. Gustavus Brown. When Dr. Craik arrived he was alarmed at the condition of his friend, bled him twice, and asked to have Dr. Dick called for consultation. The three doctors battled with their primitive ...
— Seaport in Virginia - George Washington's Alexandria • Gay Montague Moore
... to do, ever, beyond snooze in the shade and eat, and run sometimes behind the pony—a task which came as easily to her as did the other less active parts of her employment. Her desertion, particularly at a crisis, made Rosemary McClean cry, and set her father to quoting Shakespeare's "King Lear." ...
— Rung Ho! • Talbot Mundy
... degree of perfection which prevails widely around it, and forms the environment in which it grows. No such single mind in single contact with the facts of nature could have created a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creation of a nation's spirit; and the artist and poet, filled full with the power of that spirit, but gave it form, and nothing but form. Nor would the form itself have been attained by ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... rhymed poems are his Sonnets, in which he chronicles many of the various moods of his mind. The plays consist of tragedies, historical plays, and comedies. The greatest of his tragedies are probably Hamlet and King Lear; the best of his historical plays, Richard III. and Julius Csar; and his finest comedies, Midsummer Night's Dream and As You Like It. He wrote in the reign of Elizabeth as well as in that of James; but his greatest works belong to the ...
— A Brief History of the English Language and Literature, Vol. 2 (of 2) • John Miller Dow Meiklejohn
... possession of the good things of this world; and Caesar is a brute who wants to get into possession of them. And there is another difference: they are polished and cultured brutes, and Caesar is the brute natural,—'the unaccommodated man' that Lear spoke of." ...
— Caesar's Column • Ignatius Donnelly
... reply—to draw back the veil from the "bitter close of all," and to show that the hardest part of her work began when she laid down her sword, and the ending years of her life were the saddest and weariest portion. Never since the days of Lear has such a tale been told of a parent's sacrifice and of a child's ingratitude. In the royal home of the Duke of Bretagne, there was no room for her but for whose love and care he would have been a homeless fugitive. The discarded ...
— The White Lady of Hazelwood - A Tale of the Fourteenth Century • Emily Sarah Holt
... bosom. To carry on the old trade of Praetor, Consul, Proconsul, and Imperator, so as to get what he could of power and wealth and dignity in the scramble, was, I think, Caesar's purpose. The rest grew upon him. As Shakspeare, sitting down to write a play that might serve his theatre, composed some Lear or Tempest—that has lived and will live forever, because of the genius which was unknown to himself—so did Caesar, by his genius, find his way to a power which he had not premeditated. A much longer time is necessary for eradicating an idea from men's minds than a fact from ...
— Life of Cicero - Volume One • Anthony Trollope
... home there was much to excite his leonine wrath and sense of intolerable wrong. Three times he had quitted his villa, with vows never to return to it, and three times he had been led back. When for a fourth time—like a feeble yet majestic Lear—one hot summer day, toward noon, he flung himself, or was flung, out of doors with only a few pauls in his pocket, it was to Casa Guidi that he made his way broken-hearted, yet breathing forth wrath.[73] Browning had often said, as his wife tells her sister-in-law, that ...
— Robert Browning • Edward Dowden
... tragedy. Whatever form his verse takes,—sonnet, song, or dramatic poetry,—it shows the touch of the master hand, the inspiration of the master mind. Of his plays those which are still most frequently acted are the tragedies "Hamlet," "Macbeth," "King Lear," and "Othello," the comedies "Midsummer-night's Dream," "The Merchant of Venice," "As You Like It," and "The Comedy of Errors," and the historical plays "Julius Caesar," "King Henry IV," "King Henry V," ...
— Graded Poetry: Seventh Year - Edited by Katherine D. Blake and Georgia Alexander • Various
... come to know Shakespeare's plays well you will find it very interesting to follow his stories to their sources. That of King Lear, which is one of Shakespeare's great romantic historical plays, is, for instance, to be found in Geoffrey of Monmouth, in Wace's Brut, and in Layamon's Brut. But it was from none of these that Shakespeare took the story, but from the chronicle ...
— English Literature For Boys And Girls • H.E. Marshall
... terror; or,—beneath the moon's Cloud-hurrying glimmer,—to the startled ear, Crazed, madman snatches of old, perished tunes, The witless wit of outcast Edgar there In the wild night; or, wan with all despair, The mirthless laughter of the Fool in Lear. ...
— Weeds by the Wall - Verses • Madison J. Cawein
... until the Hoosiers had made a few hundred thousands, and then, when they thought they were going to make millions, letting it down and scooping them. My habit of listening intently to Uncle Nate's telegrammatic style of talk caused him to like me. I resembled King Lear: I talked with those who were wise, and said little, and Nathan's aphorisms about trade and politics made good paragraphs when boiled down ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 26, September 1880 • Various
... how easy it was to get there; how easy to get home again. Moreover, though going to sea in the Shannon was not quite the same 'as going to sea in a sieve,' our stay-at-home friends were of the same mind as those of the dear little Jumblies, whom Mr. Lear has made immortal in his New Book of Nonsense; and we were bound to come back as soon as possible, and not 'in twenty years or more,' if we wished them ...
— At Last • Charles Kingsley
... eminent actor, and one whom we have not niggardly praised. Yet we will not disparage departed excellence for any person existing; and therefore cannot avoid wishing our young author had seen Garrick, and bearing in his "mind's eye" his natural acting of Lear, Hamlet, Macbeth, Richard, &c.—he might then go and witness the performances of ...
— The Mirror of Taste, and Dramatic Censor - Volume I, Number 1 • Stephen Cullen Carpenter
... indeed the work seems at first to have been intended for Mary's hand alone, but her brother undertook the telling of the stories of the tragedies, and to use his own words, out of the twenty tales he was "responsible for Lear, Macbeth, Timon, Romeo, Hamlet, Othello, for occasionally a tail-piece or correction of grammar, for none of the cuts, and for all of the spelling." When the work was originally produced it had illustrations to which Lamb objected. His reference to tail-pieces is possibly an ...
— Charles Lamb • Walter Jerrold
... not long since, in Edinburgh, copied from an engraving in Boydell's Shakspeare; subject,—"Lear (and suite) in the storm," but coloured according to the imagination and taste of the artist; its name ought assuredly to have been Redcap and the blue-devils, for the venerable and lamented monarch had fine streaming locks of the real carrot hue, whilst his very hideous ...
— The Mirror of Literature, Amusement, and Instruction - Volume 12, No. 341, Saturday, November 15, 1828. • Various
... in the following terms: "How little Shakspeare was once read, may be understood from Tate, who, in his dedication to the altered play of King Lear, speaks of the original as an obscure piece, recommended to his notice by a friend; and the author of the Tatler, having occasion to quote a few lines out of Macbeth, was content to receive them from ...
— Biographical Essays • Thomas de Quincey
... dreams are made on, and our little life is rounded with a sleep." The easy-going persons who reluct at the idea of a pessimistic Shakespeare should turn the pages of Troilus and Cressida, Measure for Measure, and Timon of Athens. What we guessed as we read Hamlet and Lear grows a certainty as ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... simular man of virtue, Thou art incestuous: caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... on, "My prologue an anachronism, quotha! The groundlings will never mark it. Think'st thou wisdom came to mankind with the stenchful rocket and the sundered atomy? More, the Bard himself was topfull of anachronism. He put spectacles on King Lear, had clocks tolling the hour in Caesar's Rome, buried that Roman 'stead o' burning him and gave Czechoslovakia a seacoast. Go ...
— No Great Magic • Fritz Reuter Leiber
... little weaknesses of his which Mr. Jones's biography, all unconsciously, reveals. Butler, it is clear, was morbidly vain. Many writers are so, but few let their vanity take them so far. Learn from Mr. Jones. In 1879 he and Butler met Edward Lear in an inn at Varese. He told them a little tale about a tipsy man from Manchester—rather a good little tale. "I do not remember that Edward Lear told us anything else particularly amusing, but then neither did we tell him anything particularly ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... his great mind would long break o'er The cold command of Death. Still in my ear is echoing The surf of his strong words, and still Against the wild trees on the Hill His cottage sheltered under, I see the toss of his gray locks, Like Lear's—for he had felt the sting Of all too greatly giving The kingdom of his mind to those Who for it held ...
— Many Gods • Cale Young Rice
... in their dark levity, of Swift himself. In speaking of Pudd'nhead Wilson, Anna E. Keeling has said "Humour there is in almost every scene and every page; but it is such humour as sheds a wild gleam on the greatest Shakespearian tragedies—on the deep melancholy of Hamlet, the heartbreak of Lear." The greatest ironic achievements of Mark Twain, in brief compass, are the two stories: 'The Man that Corrupted Hadleyburg' and 'Was it Heaven or Hell'? They reveal the power and subtlety of his art as an ironic humorist—or shall we rather say, ironic wit? For they range all the way from ...
— Mark Twain • Archibald Henderson
... Anglo-Saxon term for a small stream or brook, originating from springs, and winding through meadows, thus differing from a beck. Shakspeare makes Edgar say in "King Lear"— ...
— The Sailor's Word-Book • William Henry Smyth
... tragedy must seem to him only a tiny gasp for breath, the most delightful human comedy only a tiny flutter of joy. Against a background of suns dying on the other side of Aldebaran any mole trodden upon by some casual hoof may appear as significant a personage as an Oedipus or a Lear in his last agony. To be a novelist or dramatist at all such a cosmic philosopher must contract his vision to the little island we inhabit, must adjust his interest to mortal proportions and concerns, must match his narrative to the scale ...
— Contemporary American Novelists (1900-1920) • Carl Van Doren
... Lear, your daughters shall neither esteem nor respect you, and the lines you dictate shall be to them but the idle vaporings of a mind diseased. Your acute ears shall hear these daughters express the wish that you were dead; and then in your blindness you will give yourself into the ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... One of Johnson's suggestions was "these lymmes," taking 'lymmes' in the sense of 'lime-hounds,' i.e. 'leash-hounds.' 'Lym' is on the list of dogs in King Lear, III, vi, 72. In defence of the Folio text Dr. Wright quotes Timon's curse on the senators of Athens and says, "Lear's curses were certainly levelled at his ...
— The New Hudson Shakespeare: Julius Caesar • William Shakespeare
... out the math for the interplanetary ships? I did! Without me they would never have been built!" He turned dramatically, as though he were playing King Lear. "And what do I get for it?" He pointed an accusing finger at Arcot. "What do I get? He is called 'Earth's most brilliant physicist', and I, who did all the hard work, am referred to as 'his mathematical ...
— Islands of Space • John W Campbell
... proclaimed. "No, I beg your pardon!" she hastily corrected herself, "King Lear! I hadn't noticed the crown." (Bruno had very cleverly provided one, which fitted him exactly, by cutting out the centre of a dandelion to make room ...
— Sylvie and Bruno • Lewis Carroll
... all people,' he says, 'children are the most imaginative. They abandon themselves without reserve to every illusion. Every image which is strongly presented to their mental eye produces on them the effect of reality. No man, whatever his sensibility may be, is ever affected by Hamlet or Lear as a little girl is affected by the story of poor Red Ridinghood. She knows that it is all false, that wolves cannot speak, that there are no wolves in England. Yet, in spite of the knowledge, ...
— Mushrooms on the Moor • Frank Boreham
... remained at the inn for a fortnight, until he was able to settle down comfortably in lodgings, in Dove Court, Mansion House. He was soon hard at work upon 'The Death of Rizzio,' adorning his walls with pictures he had brought with him or sent for afterwards from Kendal, such as 'King Lear,' 'Elfrida,' 'The Death of Lefevre,' and a few portraits of friends. The Rizzio picture has been represented as 'a work of extraordinary merit, combining energetic action with strong expression.' Its fate was sad enough; attracting no notice, producing no profit, and at length becoming an incumbrance ...
— Art in England - Notes and Studies • Dutton Cook
... intelligence and a great beauty in her time. She was once taken out to dinner by General Washington when he was President. Madam Hancock, whose husband had been President of the Continental Congress and Governor of Massachusetts, complained to General Washington's Secretary, Mr. Lear, that that honor belonged to her. The Secretary told General Washington, the next day, what she said. The General answered that it was his privilege to give his arm to the handsomest woman in the room. Whether the reply was communicated to Mrs. Hancock, ...
— Autobiography of Seventy Years, Vol. 1-2 • George Hoar
... this transcendent gift,—possible to write it respectably without the slightest grandeur or grace of mind,—by virtue of command of words, industry, care, and good sense. We cannot imagine Shakspeare tracing out his conception of Hamlet, or giving language to Lear or Miranda, without a soulful experience as far above mere intellectual assiduity as humanity is above mechanism; we cannot think of Milton elaborating his sublime epic, without, in fancy, taking in the studious years, the Italian nights ...
— Atlantic Monthly, Volume 6, Issue 35, September, 1860 • Various
... not above broad farce when the fancy seized him. At the time when a certain kind of nonsense verse was popular, he, with Sir Noel Paton and others, added not a few facetious sonnets to Edward Lear's book, which lay on Madame Novikoff's table. His authorship is betrayed by the introduction of familiar Somersetshire names, Taunton, Wellington, Curry Rivel, Creech, ...
— Biographical Study of A. W. Kinglake • Rev. W. Tuckwell
... free men, and did not try to make us slaves. On the contrary, he gave us a representative Constitution, which has lasted a thousand years. We might call him our Manx King Alfred, if the indirections of history did not rather tempt us to christen him our Manx King Lear. His Saga has never been written, or else it is lost. Would that we could recover it! Oh, that imagination had the authority of history to vitalise the old man and his times! I seem to see him as he lived. There are hints of his character in his laws, that are as stage directions, telling of the ...
— The Little Manx Nation - 1891 • Hall Caine
... Or, as Lear, I pour'd forth the deep imprecation, By my daughters of kingdom and reason deprived; Till, fired by loud plaudits and self-adulation, I regarded myself as a ...
— My Recollections of Lord Byron • Teresa Guiccioli
... shook like those of a palsied old man. I sank upon a stone to rest, to try and arrange my scattered ideas into some sort of connection and order. Mad! I clasped my aching head between my hands, and brooded on the fearful prospect looming before me, and in the words of poor King Lear, ...
— A Romance of Two Worlds • Marie Corelli
... Architect was the originator of the present Thames Embankment. Macaulay, in his essay on Southey's edition of the Pilgrim's Progress, in the Edinburgh for December, 1831, makes some very similar remarks about Martin and the way in which he would probably paint Lear. ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... was a period of poverty with the Strick family, and Loveday was sent to fetch the evening milk from the farm at the crest of the hill. On the way, she came upon Cherry Cotton and Primrose Lear, seated upon a granite stile, their heads together over something Cherry held in her lap. Cherry heard approaching footsteps, and whipped her apron over the object she and her friend had been so busily discussing. Loveday was hurt rather than angered by the unkind action, ...
— The White Riband - A Young Female's Folly • Fryniwyd Tennyson Jesse
... old-time teaching of religion. The descendants of the "chosen people," the originators of the Bible, were condemned to torture of a sort to exhaust their spiritual heritage. Judaism suffered the tragic fate of King Lear. Was it conceivable that the horrors—the rivers of blood, the groans of massacred communities, the serried ranks of martyrs, the ever-haunting fear of the morrow—should fail to leave traces in the character ...
— Jewish History • S. M. Dubnow
... bield that gars the gear Is gone where glint the pawky een. And aye the stound is birkin lear Where sconnered yowies wheeped yestreen, The creeshie rax wi' skelpin' kaes Nae mair the howdie bicker whangs, Nor weanies in their wee bit claes Glour light as lammies ...
— The Book of Humorous Verse • Various
... G string,—while a harp and three flutes carry the burden of the accompaniment gracefully); a pleasant "Reverie" for string orchestra, harp, and organ; and two impromptus for string orchestra, a "Meditation" representing Cordelia brooding tenderly over the slumbering King Lear,—art ministering very tenderly to the mood,—and a cleverly ...
— Contemporary American Composers • Rupert Hughes
... corners with her eyes cast down; flushed whenever she was addressed; stammered whenever she answered a question, and nearly died of heart failure when subjected to an examination of any sort. She delighted the committee when reading at sight from "King Lear," but somewhat discouraged them when she could not tell the capital of the United States. She admitted that her former teacher, Miss Dearborn, might have mentioned it, but if so ...
— New Chronicles of Rebecca • Kate Douglas Wiggin
... defective." But these more significant words are found in a letter which he wrote to Hackett, the player: "Some of Shakespeare's plays I have never read, while others I have gone over perhaps as frequently as any unprofessional reader. Among the latter are 'Lear,' 'Richard III,' 'Henry VIII,' 'Hamlet,' ...
— The Guide to Reading - The Pocket University Volume XXIII • Edited by Dr. Lyman Abbott, Asa Don Dickenson, and Others
... equal in these parts with a gun or a fishing-rod. Forbye, I would rather walk ae mile on the hill wi' ye than twae, for ye gang up a brae-face like a mawkin! God! There's no a single man's trade that ye're no brawly fitted for. And then ye've a heap o' book-lear that folk learned ye away about England, though I cannot speak muckle on that, ...
— The Half-Hearted • John Buchan
... thriving and populous portions of the Netherlands, with a swiftness, precision, and even with a jocularity which hardly seemed human. There was a kind of grim humor about the man. The woman who, according to Lear's fool, was wont to thrust her live eels into the hot paste, "rapping them o' the coxcombs with a stick and crying reproachfully, Wantons, lie down!" had the spirit of a true inquisitor. Even so dealt Titelmann with his heretics ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... probable levels, by limiting human nature to the bounds within which he can clinically examine it, he shirks, for the most part, the greatest crisis of the soul. Can the greatest drama be concerned with less than the ultimate issues of nature, the ultimate types of energy? with Lear and with Oedipus? The world of Shakespeare and of the Greeks is the world; it is universal, whether Falstaff blubbers in the tavern or Philoctetes cries in the cave. But the world which Ibsen really knows is that little segment of the world which we call society; its laws are not those ...
— Figures of Several Centuries • Arthur Symons
... Wives of Windsor Measure for Measure Cymbeline Titus Andronicus Troilus and Cressida Coriolanus Julius Caesar Antony and Cleopatra Timon of Athens Romeo and Juliet Shakspeare's English Historical Plays King John Richard II. Henry IV. Part I. Henry IV. Part II. Henry V. Henry VI. Part I. Richard III. Lear Hamlet Notes on Macbeth Notes on the Winter's Tale ...
— Literary Remains, Vol. 2 • Coleridge
... poetic and strongly dramatic—are indeed exceedingly rare. Mr. Bottomley is one of the few who have produced such drama in English. For many years he printed his work privately, in beautiful editions for his friends; but of late several of the plays have been made available—King Lear's Wife in Georgian Poetry, 1913-15, and in a volume of the same title, including Midsummer Eve and The Riding to Lithend, published ...
— The Atlantic Book of Modern Plays • Various
... or rank, in the cricket-field, or at the Opera, and you will soon find thoughts of the evening hazards and bets intrude themselves on the sermon, and that recollections of the popular melodies interfere with the psalms. Religion is thus treated like Lear, to whom his ungrateful daughters first denied one half of his stipulated attendance, and then made it a question whether they should grant him any share of what ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 13, No. 355., Saturday, February 7, 1829 • Various
... large, luxurious living room. Only one evening found them away from this temporary home. That was on Thanksgiving night, when Miriam gave a theatre party in honor of her guests to see Everett Southard and Anne in "King Lear," and after the play Mr. and Miss Southard entertained their friends at supper in one of New York's most exclusive restaurants. Thanksgiving morning they spent in the church of which Eric Burroughs ...
— Grace Harlowe's Problem • Jessie Graham Flower
... swaying him about in its fitful gusts, and he rather liked it. In his anguish of spirit it was a pleasure to contend with the storm. The wind, the lightning, the sudden sharp claps of thunder were on his own key. He felt in the temper of old Lear. The winds might blow ...
— The End Of The World - A Love Story • Edward Eggleston
... would seem to make it an almost hopeless task now to discover the causes of his insomnia. He wrote a marvellous body of literature, and it might be thought this labor itself would suffice as an explanation: that the furnace heat in which the conceptions of Hamlet and Macbeth and Lear were wrought in the crucible of his brain would be fatal to repose. But his contemporaries speak of him as an easy and rapid writer; one whose imagination is only paralleled by the ease, the force and beauty of the phrase in which it is embodied. We are told, too, by Dr. ...
— Shakespeare's Insomnia, And the Causes Thereof • Franklin H. Head
... soul to a cinder with that odious drug," said Wingfold. "'Tis true, as Edgar in King Lear says: ...
— Thomas Wingfold, Curate • George MacDonald
... with all its foolish and cruel fables; with all its infamous doctrines; with its spirit of caste; with its spirit of hatred, and tell me whether it was written by a good God. Why, if you will read the maledictions and curses of that book, you would think that God, like Lear, had divided heaven among his daughters, and then, in the insanity of despair, had launched his curses ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll
... the Beethoven concert, in the morning there was an extra seance of the orchestra for the performance of the Overtures to "King Lear" (Berlioz) and to the "Meistersinger," my march "Vom Fels zum Meer," the "Ideales," and Brahms' Variations on a theme of Haydn. Always the same and complete understanding in the ensemble and the details of the scores,—the same vigor, energy, refinement, ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... again the fret of heart and soul, The loneliness and passion of King Lear; No more bewilderment and broken words ...
— The Miracle and Other Poems • Virna Sheard
... Minister Van de Lear's son, Calvin. He's going to succeed his venerable and pious poppy in Kensington pulpit. They'll ...
— Bohemian Days - Three American Tales • Geo. Alfred Townsend
... now within a foot Of the extreme verge; for all beneath the moon Would I not leap upright! KING LEAR. ...
— An Old Sailor's Yarns • Nathaniel Ames
... under my notice. On December 7, 1834, at the third and last of a series of concerts given by Berlioz at the Conservatoire, Chopin played an "Andante" for the piano with orchestral accompaniments of his own composition, which, placed as it was among the overtures to "Les Francs-Juges" and "King Lear," the "Harold" Symphony, and other works of Berlioz, no doubt sounded at the concert as strange as it looks on the programme. The "Andante" played by Chopin was of course the middle movement of one of his concertos. [Footnote: Probably the "Larghetto" from the F minor Concerto. See Liszt's remark ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... in us by similar dramas in our own language. Few, I trust, would be rash or ignorant enough, to compare Schiller with Shakspeare, yet, merely as illustration, I would say, that we should proceed to the perusal of Wallenstein, not from Lear or Othello, but from Richard the Second, or the three parts of Henry the Sixth. We scarcely expect rapidity in an historical drama; and many prolix speeches are pardoned from characters, whose names and actions have formed ...
— The Life of Samuel Taylor Coleridge - 1838 • James Gillman
... negative. Helmholtz goes so far as to state that the expression of sexual longing in music is identical with that of religious longing. It is quite true, again, that a soft and gentle voice seems to every normal man as to Lear "an excellent thing in woman," and that a harsh or shrill voice may seem to deaden or even destroy altogether the attraction of a beautiful face. But the voice is not usually in itself an adequate or powerful method of evoking ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... epic and lyric poetry into drama, an epic and lyric poetry illustrated by tableaux against backgrounds out of faery. Let us not forget that there is one effect which is of "The Tempest," and another effect which is of "Lear," and that it is after all something of a convention to call the latter a success of drama and the former a success of something other than drama. Yet it is just as necessary to remember that drama does mean a definite sort of literature, and the success ...
— Irish Plays and Playwrights • Cornelius Weygandt
... handwriting was beautifully neat, almost like copper-plate, in its precision and elegance, we shall understand what a task it must have been for him to keep up his correspondence. A little later he employed a young New Hampshire graduate of Harvard, Tobias Lear, who graduated in 1783, who served him as secretary until his death, and undoubtedly lightened the epistolary cares of the General. But Washington continued to carry on much of the letter-writing, especially the intimate, himself; and, like the Adamses ...
— George Washington • William Roscoe Thayer
... were issued, Boydell petitioned Parliament to allow him to dispose of his gallery of paintings by a lottery. The petition was granted, and the whole collection was thus disposed of. One of the finest of these pictures, King Lear, by Sir Benjamin West, is now ...
— Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) • S. Spooner
... Judy) and creator of "Ally Sloper," the British Punchinello, produced at least one memorable book for children. "Queens and Kings and other Things," a folio volume printed in gold and colour, with nonsense rhymes and pictures, almost as funny as those of Edward Lear himself. "The Boy Crusoe," and many other books of somewhat ephemeral character are his, and Routledge's "Every Boy's Magazine" contains many of his designs. Just as these pages are being corrected the news of his ...
— Children's Books and Their Illustrators • Gleeson White
... was across the drift of Lethe in the darkness, but never for long together. Once he woke uneasily with a start and saw a flash. The crash followed as in one beat, and the rain was like the rain in King Lear. He was broadly awake now. Two carriers were nestling near him. He felt fearfully for his pipe, and almost mourned for it as washed away. He found it, and turned over with a happy sigh. 'Man's airy notions!' 'as in a grave,' 'mix with earth' he hummed ...
— Cinderella in the South - Twenty-Five South African Tales • Arthur Shearly Cripps
... has found an asylum in Persia. The Shah allows him a palace, but he is shorn already of half his hareem. Perhaps the fate of Lear may be before him yet, though not from ...
— 1931: A Glance at the Twentieth Century • Henry Hartshorne
... descriptions, the heroic incidents, witches, and ghosts were exactly to my taste. I immediately acted Shakspeare's plays on my little puppet theatre. I saw Hamlet's ghost, and lived upon the heath with Lear. The more persons died in a play, the more interesting I thought it. At this time I wrote my first piece: it was nothing less than a tragedy, wherein, as a matter of course, everybody died. The subject of it I borrowed from an old song about Pyramus ...
— The True Story of My Life • Hans Christian Andersen
... As I mean to end, so I'll begin. And as for you, George, there's no end to your softness. You're that green, that the very cows would eat you." Was it not well said by Mr. Robinson in his preface to these memoirs, that the poor old commercial Lear, whose name stood at the head of the firm, was cursed with a ...
— The Struggles of Brown, Jones, and Robinson - By One of the Firm • Anthony Trollope
... difficulties still exist and may be seen all about us. In order to illustrate the situation baldly, and at the same time to put it dramatically, it may be well to take an instance concerning which we have no personal feeling. The tragedy of King Lear has been selected, although we have been accustomed so long to give him our sympathy as the victim of the ingratitude of his two older daughters, and of the apparent coldness of Cordelia, that we have not ...
— Democracy and Social Ethics • Jane Addams
... Stratford they pointed out to her the desk at which Shakespeare sat as a lad, with all its boyish hieroglyphics, and her thought instinctively leaped across the years to "The Tempest," "King Lear," and "Hamlet." She pondered deeply the relation between the activities of the lad and the behavior of the man, wondering how much the school had to do with the plays that stand alone in literature, and whether he imbibed the power from associations, from books, from people, or from ...
— The Vitalized School • Francis B. Pearson
... talk with entire sincerity,—I said,—always feels himself in danger of two things, namely,—an affectation of bluntness, like that of which Cornwall accuses Kent in "Lear," and actual rudeness. What a man wants to do, in talking with a stranger, is to get and to give as much of the best and most real life that belongs to the two talkers as the time will let him. ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... sorrow, or moved by a great passion, he is endowed for a moment with the poet's speech. A poetic fact, one may almost say, is just any fact at its best. Art, it is true, looks at its object through a medium, but it always seems its inmost meaning. In Lear, Othello, Hamlet, in Falstaff and Touchstone, there is a revelation of the inner truth of human life beyond the power of moral science to bestow. We do well to seek philosophy in the poets, for though they teach only by hints and parables, they nevertheless reflect the concrete ...
— Browning as a Philosophical and Religious Teacher • Henry Jones
... But when his spirit companions with our thought And in his fellowship our pain is healed; And we are likest God when we are brought Most near to all men. Bring us near to him, The gentle, human soul whose calm might wrought Imperious Lear and made our eyes grow dim For Imogen,—who, though he heard the spheres "Still choiring to the young-eyed cherubim," Could laugh with Falstaff and his loose compeers And love the rascal with the same big heart That o'er Cordelia could ...
— More Songs From Vagabondia • Bliss Carman and Richard Hovey
... Miriam and I. Anne, Miss Southard and Mr. Southard left New York City for California last week. Mr. Southard and Anne are to appear as joint stars in film productions of 'As You Like It,' 'Hamlet,' 'King Lear' and possibly other Shakespearian plays. It is their first experience in posing before the camera. Anne sent you her love. She will write you as soon as she ...
— Grace Harlowe's Return to Overton Campus • Jessie Graham Flower
... readers—Lamb writes very much in the manner in which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... landscape is turned into a vegetable person [the cornstalk is Lanier's symbol of the poet], and you give its poetry with many touches of marvel and mystery in vegetable life. Your third landscape takes for an instant the form and tragic state of King Lear; you thus make it seize on our sympathies as if it were a real person, and you then restore it to the inanimate, and contemplate its possible beneficence in ...
— Sidney Lanier • Edwin Mims
... shifts the crown to the head of his son with the intention of still pulling the wires behind the scenes, but, finding that Charles means to rule as well as reign, clutches angrily at his surrendered crown,—this King Victor has something in him of Lear, something of the dying Henry IV. But history provided more sober issues, and Browning's temperament habitually inclined him to stave off the violence of tragic passion which disturbs the subtle eddyings of thought ...
— Robert Browning • C. H. Herford
... are cursings. Hundreds of examples might be added to those collected by Steevens in a note to "King Lear," act ii. sc. 3. It is a singular coincidence that ban, signifying a curse, and ban, a public notice of marriage, should have the ...
— A Select Collection of Old English Plays, Vol. VIII (4th edition) • Various
... Reliques had indirectly preferred a claim to the praise of invention, by not concealing that his supplementary labours were considerable! how selfish his conduct, contrasted with that of the disinterested Gael, who, like Lear, gives his kingdom away, and is content to become a pensioner upon his own issue for a beggarly pittance!—Open this far-famed Book!—I have done so at random, and the beginning of the Epic Poem Temora, ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... support vigorously the action of his group. We say vigorously; for Mr. Rothermel, in his Italian pictures, revealed an artistic nature related to humanity in its most agitated moods, as in the "Lear," and in the "Saint Agnese,"—this beautiful picture being, however, a higher conception, inasmuch as in it the spirit might find some rest in the stillness of the maiden Agnese, already saint and about to be martyr, and in the deep blue sky, on whose field linger white clouds, like lambs "shepherded ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... enough," the girl said, "without you cutting up crazy and making folks talk. If you want to dance, for goodness' sake hire somebody to lear—to teach you, same as ...
— Flowing Gold • Rex Beach
... could not know whether she were a good or a bad sailor. Aunt Sara and Elinor had told her unpleasant anecdotes of voyages; but when Dover Castle on its gray height, and white Shakespeare Cliff with its memories of "Lear," had faded from her following eyes, still she would hardly have known that the vessel was moving. The purring turbines scarcely thrilled the deck; and presently Mary ate sandwiches and drank a decoction of coffee, brought by her new friend. He laughed when she started at ...
— The Guests Of Hercules • C. N. Williamson and A. M. Williamson
... such moods that transform and elevate what otherwise would be absurd to the nobly serious; that changes the impossible into the possible; just as an exalted mood or mind is, or was, the primary difference between Hamlet, or Macbeth, or Lear, and any of the forgotten Bowery melodramas ...
— Children of the Whirlwind • Leroy Scott
... us. With Balzac and Tolstoy we gaze unrevolted upon the nethermost depths of human depravity, discerning moral beauty even there; while with Virgil, Dante and Milton, we walk unscathed in Hell itself. The terribilita of Michaelangelo, the chaos and anarchy of Shakespeare at his greatest, as in Lear—these find expression in perfect rhythms, so potent that we recognize them as proceeding from a supernal beauty, the beauty of that soul "from which also cometh the life of man and of beast, and of the birds of the air and of the fishes ...
— Four-Dimensional Vistas • Claude Fayette Bragdon
... Hieroglyphics and other Antiquities, 6 vols. 8vo. Lond. 1813,—which was suppressed by the author after a few copies had been sold. I have the second and third volumes, being all that relates to Shakspeare. They consist of an edition of Hamlet, Lear, Othello, Merchant of Venice, and the third satire of Horace, copiously illustrated with notes and woodcuts, intended to prove that in the works in question, in common with "all the classics and the different specimens ...
— Notes and Queries, Number 34, June 22, 1850 • Various
... beyond local topics. To all these facts, rather bitter allusion is made in a letter to the governor of New Hampshire, written from Mount Vernon, on the 31st of January, 1789, by the private secretary of Washington, Tobias Lear, who thus reflected, no doubt, the mood ...
— Patrick Henry • Moses Coit Tyler
... greater part of the Middle Ages. Among these historians are William of Malmesbury, who belonged properly to the twelfth century; Geoffrey of Monmouth, who preserved for us the stories of Arthur, of Lear, and Cymbeline; Gerald de Barri, or Giraldus Cambrensis; Matthew Paris, a Benedictine monk, of St. Albans; Henry of Huntingdon; Gervase of Tilbury; ...
— Handbook of Universal Literature - From The Best and Latest Authorities • Anne C. Lynch Botta
... of the forest as it is borne down from the mountains and carried seaward, to gladden, it may be, the heart of some hard-worked, broken-spirited sailor, who, in a passing ship, sees from aloft this fair, fair island with its smiling green of lear, and soft, heaving valleys, above the long lines of curving beach, showing white and bright in the morning sun! And, as you walk, the surf upon the reef for ever calls and calk; sometimes loudly with a deep, resonant boom, ...
— "Martin Of Nitendi"; and The River Of Dreams - 1901 • Louis Becke
... of Romeo and Juliet, by the inherent fault of stage representation, sullied and turned from their very nature by being exposed to a large assembly! How can the profound sorrows of Hamlet be depicted by a gesticulating actor? So, to see Lear acted, to see an old man tottering about the stage with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. The contemptible machinery by which they mimic the storm in which he goes out is not more inadequate ...
— The Atlantic Monthly, Vol. IV, No. 22, Aug., 1859 • Various
... dangerous trades; but such an opinion, though it may encourage a client, does not protect him. For example, if a publisher asks his solicitor whether he may venture on an edition of Sterne's Sentimental Journey, or a manager whether he may produce King Lear without risk of prosecution, the solicitor will advise him to go ahead. But if the solicitor or counsel consulted by him were asked for a guarantee that neither of these works was a libel, he would have to reply ...
— The Shewing-up of Blanco Posnet • George Bernard Shaw
... if we may judge from the accounts which we have of their poor commons, would have used far different words, in addressing the Faculty, from King Lear, who, speaking to his ...
— A Collection of College Words and Customs • Benjamin Homer Hall
... us. Ancient Father of Christendom, under whose sheltering shadow once slept in peace for near a thousand years the now storm-tossed nations of Western and Central Christendom, couldst thou indeed, when turned out a houseless[47] fugitive like Lear upon a night of tempest, still retain aught of thy ancient prestige, and through the might of belief rule over those who ...
— The Posthumous Works of Thomas De Quincey, Vol. II (2 vols) • Thomas De Quincey
... Be comforted, good madam; the great rage, You see is cured in him: and yet it is danger To make him even o'er the time he has lost. Desire him to go in: trouble him no more, Till further settling. KING LEAR. ...
— Waverley Volume XII • Sir Walter Scott
... but greatness like theirs is never more than the highest degree of an excellence which prevails widely round it, and forms the environment in which it grows. No single mind in single contact with the facts of nature could have created out of itself a Pallas, a Madonna, or a Lear: such vast conceptions are the growth of ages, the creations of a nation's spirit; and artist and poet, filled full with the power of that spirit, have but given them form, and nothing more than form. Nor would the form itself have been attainable ...
— Shakespeare: His Life, Art, And Characters, Volume I. • H. N. Hudson
... And prattles to the night. Anon, a reverend form With tattered robe and forehead bare, That challenge all the torments of the air, Goes by! And the pent feelings choke in one long sigh, While, as the mimic thunder rolls, you hear The noble wreck of Lear Reproach like things of life the ancient skies, And commune with the storm! Lo! next a dim and silent chamber, where Wrapt in glad dreams, in which, perchance, the Moor Tells his strange story o'er, The gentle Desdemona chastely lies, Unconscious of the loving murderer nigh. Then through a ...
— War Poetry of the South • Various
... great power of wrath, inheriting the high, hasty temper of his mother. Tobias Lear, his intimate friend and private secretary, says that in the winter of 1791, an officer brought a letter telling of General St. Clair's disastrous defeat by the Indians. It must be delivered to the President himself. He left his family and guests at table, glanced over the contents, and, ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... the Northwest headed by George Rogers Clark, as he was called, the Hannibal of the New World, who with three hundred untrained militia conquered for you that vast domain of the Northwest, which Virginia, in her devotion to the Union gave, a free donation with magnanimity surpassing that of Lear. She divided her possession with her associates, and let me add, it has not been requited with the ingratitude of Lear's daughters, for the disposition and the policy of this Government toward Virginia at the end of the war, and toward the people of the South has been characterized ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
... even the greatest leaders of men and the brave outward show of their reception by the masses. And the other scene of which I thought, was the appearance of Mr. Irving on a first night in some big play, say, like "Lear." All the public know is that the actor is there, on the stage, to pronounce his kingly speech; but, before he has got there, Mr. Irving, perhaps, has had the sleepless nights which are required in thinking out the smallest details ...
— Sketches In The House (1893) • T. P. O'Connor
... Shakespeare's, or Lear's, Cliff at Dover is one of the first things to which the transatlantic up-channel traveller's attention is called. Blind old Gloster has thus ...
— The Automobilist Abroad • M. F. (Milburg Francisco) Mansfield
... himself. All that Beatrice says in The Cenci is beautiful and conceivable and admirable: but unless we except her exquisite last words—and even they are more beautiful than inevitable—we shall hardly find what we find in "King Lear" and "The White Devil," "Othello" and "The Duchess of Malfy"—the tone of convincing reality; the note, as a critic of our own day might call ...
— The Age of Shakespeare • Algernon Charles Swinburne
... definitely mapped-out and circumscribed. But he is far too good a craftsman to do no more than give a mere panorama of that daily Bath programme which King Nash and his dynasty ordained and established. He goes back to the origins; to the legend of King Lear's leper-father; to the Diary of the too-much-neglected Celia Fiennes; to Pepys[55] and Grammont's Memoirs; to the days when hapless Catherine of Braganza, with the baleful "belle Stewart" in her train, made fruitless pilgrimage to Bladud's ...
— De Libris: Prose and Verse • Austin Dobson
... Modern Art before a select and distinguished audience. The chief point on which he dwelt was the absolute unity of all the arts and, in order to convey this idea, he framed a definition wide enough to include Shakespeare's King Lear and Michael Angelo's Creation, Paul Veronese's picture of Alexander and Darius, and Gibbon's description of the entry of Heliogabalus into Rome. All these he regarded as so many expressions of man's thoughts and emotions on fine things, conveyed through visible or audible modes; and starting from ...
— Miscellanies • Oscar Wilde
... my bookcase. From across the room a hitburner seared the door and slashed sidewise, cutting a smoking swathe across my encyclopedia from A-AUD to CAN-DAN and then came down as I squirmed aside. It took King Lear right out of Shakespeare before the beam winked out. It went off just in time to keep me from sporting a cooked stripe down ...
— Stop Look and Dig • George O. Smith
... do better than follow Dr. Prior on this word: "Harlock, as usually printed in 'King Lear' and ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe
... Poor old King Lear, who in ancient times reigned in Britain, having in his old age turned over all his possessions to his two older daughters, Goneril and Regan, who professed to love him more than did their younger sister Cordelia, was by ...
— Fun And Frolic • Various
... the Hermitage at St. Petersburgh; and I remember well that this engraving by Sharp was one of the few ornaments in the drawing-room of Macaulay when I last saw him, shortly before his lamented death. Next to the Doctors of the Church is his LEAR IN THE STORM, after the picture by West, now in the Boston Athenaeum, and his SORTIE FROM GIBRALTAR, after the picture by Trumbull, also in the Boston Athenaeum. Thus, through at least two of his masterpieces whose ...
— The Best Portraits in Engraving • Charles Sumner
... is not a bad woman. Let people overburdened with credulity believe that she is bad," cried Doederlein, with the expression and in the tone and gesture of the royal Lear, and shook his Olympian locks. "The fact is that violence has been practised on her; she has been driven into ruin! Men have stolen the sweet love of my dearly beloved daughter through the use ...
— The Goose Man • Jacob Wassermann
... consists in fixing the mark of shame upon the offender and publicly humiliating him by means of the solemn sentence of the judge. It may be asked, What human being is fit to exercise this awful office of acting as judge of another? Remember the words of Shakespeare in King Lear: ". . . .See how yond justice rails upon yond simple thief. Hark in thine ear: change places; and . . . . which is the justice, which the thief?" Or recall what the Puritan preacher said when he ...
— The Essentials of Spirituality • Felix Adler
... repeated or read at many of the library story hours. Lear's nonsense rhymes and certain rhythmical story poems are especially enjoyed by the children. Outlines of stories or selections from books designed to lead to the reading of an entire book are mentioned in connection ...
— Library Work with Children • Alice I. Hazeltine
... almost invariable recurrence of the stock motives and frameworks—of rebellion, treason, paynim invasion, petulance of a King's son, somewhat too "coming" affection of a King's daughter, tyrannical and Lear-like impotentia of the King himself, etc.—may be exaggerated, but cannot be denied. In the greatest of all by general acknowledgment, the far-famed Roland, the economy of pure story interest is ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... to know what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles, ...
— Ulysses • James Joyce
... March, 1820. He was greatly praised in his day, and doubtless thought himself a great artist. He painted a vast number of portraits and quite a number of pictures of classical and historical subjects. His "Lear" is in the Boston Athenaeum; his "Hamlet and Ophelia" is in the Longworth collection in Cincinnati; "Christ Healing the Sick" is in the Pennsylvania Hospital; and the "Rejected Christ" is or was owned by Mr. Harrison, of Philadelphia. There are two portraits of West, one by Allston ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement
... so sonderbare und ihm eigne Wege er auch whlet, und der Franzose erreicht ihn fast niemals, ob er gleich die gebahnten Wege der Alten betritt. Nach dem 'Oedipus' des Sophokles muss in der Welt kein Stck mehr Gewalt ber unsere Leidenschaften haben als 'Othello,' als 'Knig Lear,' als 'Hamlet' u.s.w. Hat Corneille ein einziges Trauerspiel, das Sie nur halb so gerhret htte als die 'Zaire' des Voltaire? Und die 'Zaire' des Voltaire, wie weit ist sie unter dem 'Mohren von Venedig,' dessen schwache Copie sie ist, und von ...
— An anthology of German literature • Calvin Thomas |
