"Lear" Quotes from Famous Books
 ... my edition of Shakspeare, and remember that I formerly misrepresented your opinion of Lear. Be pleased to write the paragraph as you would have it, and send it[335]. If you have any remarks of your own upon that or any other play, I shall gladly ...
— Life Of Johnson, Vol. 2 • Boswell
... The wind poured in my ear Immortal names—Lear, Hamlet, Hal, Macbeth, And thro the night I heard the rushing breath Of ghost and witch and fool go whirling by. I followed them, under the phantom sphere Of the pale moon, along the Avon's near And nimbused flowing, followed to his bier— Who ...
— Nirvana Days • Cale Young Rice
... with a walking-stick, turned out of doors by his daughters in a rainy night, has nothing in it but what is painful and disgusting. We want to take him into shelter and relieve him. That is all the feeling which the acting of Lear ever produced in me. But the Lear of Shakespeare cannot be acted. The contemptible machinery by which they mimic the storm which he goes out in, is not more inadequate to represent the horrors of the real elements, than any actor can be to represent Lear: they might ...
— English Critical Essays - Nineteenth Century • Various
... good madam; the great rage, You see is cured in him: and yet it is danger To make him even o'er the time he has lost. Desire him to go in: trouble him no more, Till further settling. KING LEAR. ...
— Waverley Volume XII • Sir Walter Scott
... on, "My prologue an anachronism, quotha! The groundlings will never mark it. Think'st thou wisdom came to mankind with the stenchful rocket and the sundered atomy? More, the Bard himself was topfull of anachronism. He put spectacles on King Lear, had clocks tolling the hour in Caesar's Rome, buried that Roman 'stead o' burning him and gave Czechoslovakia a seacoast. ...
— No Great Magic • Fritz Reuter Leiber
... reply—to draw back the veil from the "bitter close of all," and to show that the hardest part of her work began when she laid down her sword, and the ending years of her life were the saddest and weariest portion. Never since the days of Lear has such a tale been told of a parent's sacrifice and of a child's ingratitude. In the royal home of the Duke of Bretagne, there was no room for her but for whose love and care he would have been a homeless fugitive. The discarded ...
— The White Lady of Hazelwood - A Tale of the Fourteenth Century • Emily Sarah Holt
... it is just such moods that transform and elevate what otherwise would be absurd to the nobly serious; that changes the impossible into the possible; just as an exalted mood or mind is, or was, the primary difference between Hamlet, or Macbeth, or Lear, and any of the forgotten Bowery melodramas of a generation ...
— Children of the Whirlwind • Leroy Scott
... if we may judge from the accounts which we have of their poor commons, would have used far different words, in addressing the Faculty, from King Lear, who, speaking to his daughter ...
— A Collection of College Words and Customs • Benjamin Homer Hall
... coat, with a little woollen under-jacket to protect her from the cold, and a plain cheap felt hat, much mocked at by the American girls. Sarina scorned the mental scope of these girls; scorned to spend for dress, money with which she could learn to read "Othello" and "King Lear" in the original; and scorned to spend in giggling the lunch hour, in which she might read in Yiddish newspapers the latest tidings ...
— Making Both Ends Meet • Sue Ainslie Clark and Edith Wyatt
... pleasure in the growing number of his years expressly as these constitute a deduction from the unknown sum total of those which have been appointed him; and when the utmost bravery of their affection must breathe, not Serus, but CITO in cadum redeas! O royal Lear of our literature, who have spurned from your love the dearest daughter of your thought, is it only left us to say, "How friendly is Death,—Death, who restores us to free relations with the whole, when our own fierce partialities have imprisoned and bound us hand ...
— The Atlantic Monthly, Vol. 12, No. 72, October, 1863 • Various
... Othello, and Lear were roles in which he [Burbage] gained especial renown. But Burbage and Shakespeare were popularly credited with co-operation in less solemn enterprises. They were reputed to be companions in many sportive adventures. The sole anecdote of Shakespeare that ...
— Testimony of the Sonnets as to the Authorship of the Shakespearean Plays and Poems • Jesse Johnson
... reminiscence of a very poignant kind. Browning told us that he did not know Landor very well, but that he saw him in the last years of his life under circumstances of a terribly pathetic kind. Landor played almost exactly the part of King Lear—though from a different reason—and got almost exactly King Lear's reward. Landor, it will be remembered, was originally a rich man. It will also be remembered that he was possessed of a very arbitrary and turbulent nature and quarrelled with many members of his family, ...
— The Adventure of Living • John St. Loe Strachey
... soul to a cinder with that odious drug," said Wingfold. "'Tis true, as Edgar in King Lear says: ...
— Thomas Wingfold, Curate • George MacDonald
... impression is that it was condemned as a fabrication for this and other neologies. The button is not a conspicuous item of female attire as of the male, and Shakespeare has been attacked for the vulgarity of even making Lear say, 'Prithee, undo this button,' ...
— The Book-Hunter - A New Edition, with a Memoir of the Author • John Hill Burton
... last evening, the 31st, I took Louisa, at half-past seven, to the house of Mr. Hawes, an under Secretary of State, to see a beautiful children's masque. It was an impersonation of the "Old Year" dressed a little like LEAR with snowy hair and draperies. OLD YEAR played his part inimitably, at times with great pathos, and then introducing witty hits at all the doings of his reign, such as exploding cotton, the new planet, a subject which he put at rest as "FAR BEYOND ...
— Letters from England 1846-1849 • Elizabeth Davis Bancroft (Mrs. George Bancroft)
... with one who is perpetually tempting me to laugh at him, pray, dearest Darsie, let not thy ardour for adventure carry thee into more such scrapes as that of the Solway Sands. The rest of the story is a mere imagination; but that stormy evening might have proved, as the clown says to Lear, 'a ...
— Redgauntlet • Sir Walter Scott
... world in thin disguise much of his own life-story? Shakespeare alone, of men of genius of the first rank, seems to have learned comparatively few of his lessons in the school of suffering. But, possibly, if more were known of Shakespeare, it would be found that Lear, Macbeth, and Hamlet are but the expressions of lessons learned as he fought ...
— The Ascent of the Soul • Amory H. Bradford
... should one do if cats have fits?" "What woman first invented mitts?" "Who said 'To labor is to pray?'" "How much did Daniel Lambert weigh?" "Don't you admire E. P. Roe?" "What is the fare to Kokomo?" "Have you a life of Sairy Gamp?" "Can you lend me a postage-stamp?" "Have you the rimes of Edward Lear?" "What wages do they give you here?" "What dictionary is the best?" "Did Brummell wear a satin vest?" "How do you spell 'anemic,' please?" "What is a Gorgonzola cheese?" "Who ferried souls across the Styx?" "What is the square of ...
— More Toasts • Marion Dix Mosher
... know it, and we know it so well and feel so much with Caesar or with Lear or with Othello or with Macbeth, that we instinctively take it all for true psychology, while it after all covers just the exceptional cases of ...
— Psychology and Social Sanity • Hugo Muensterberg
... which Shakspeare's fools and jesters—in some respects the wisest and thoughtfullest characters in his works—talk. If his words be "light as air," they vent "truths deep as the centre." If the Fool in "Lear" had written letters to his friends and acquaintances, I think they would have marvellously resembled this epistle to Patmore; and if, in saying this, I compliment the Fool, I hope I do not derogate from the genius of Elia. Jaques, it will be remembered, ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... comparing was introduced into English, both methods were often used with the same adjective; and, for a time, double comparatives and double superlatives were common; as, worser, most boldest. In "King Lear" Shakespeare uses the double comparative a dozen times.]; as, valuable, less valuable, least valuable. Most definitive and many descriptive adjectives cannot be compared, as their meaning will not admit of ...
— Higher Lessons in English • Alonzo Reed and Brainerd Kellogg
... always feud where there is not understanding. There is eternal feud between those two camps of misunderstanding, age and youth. This play, written by a young man, shows the feud from the point of view of youth. The play of King Lear shows it from the point of view of age. This play of youth is as lovely and as feverish as love itself. Youth is bright and beautiful, like the animals. Age is too tired to care for brightness, too cold to care for beauty. The bright, beautiful creatures dash themselves to pieces against the bars ...
— William Shakespeare • John Masefield
... even if we turn from their contemporaries to Shelley himself. All that Beatrice says in The Cenci is beautiful and conceivable and admirable: but unless we except her exquisite last words—and even they are more beautiful than inevitable—we shall hardly find what we find in "King Lear" and "The White Devil," "Othello" and "The Duchess of Malfy"—the tone of convincing reality; the note, as a critic of our own day might call it, ...
— The Age of Shakespeare • Algernon Charles Swinburne
... taste was allowed to enrich the collection of the Hermitage at St. Petersburgh; and I remember well that this engraving by Sharp was one of the few ornaments in the drawing-room of Macaulay when I last saw him, shortly before his lamented death. Next to the Doctors of the Church is his LEAR IN THE STORM, after the picture by West, now in the Boston Athenaeum, and his SORTIE FROM GIBRALTAR, after the picture by Trumbull, also in the Boston Athenaeum. Thus, through at least two of his masterpieces whose originals are among us, is our country associated ...
— The Best Portraits in Engraving • Charles Sumner
... destruction of 272 volumes of the English translation of Balzac's "Les Contes Drolatiques" on the ground that the book was obscene. "Les Contes Drolatiques" is an acknowledged masterpiece, and is not nearly so free spoken as "Lear" or "Hamlet" or "Tom Jones" or "Anthony and Cleopatra." What would be thought of a French magistrate or a German magistrate who ordered a fair translation of "Hamlet" or of "Lear" to be burnt, because of its obscenity? He would be regarded as demented. ...
— Oscar Wilde, Volume 1 (of 2) - His Life and Confessions • Frank Harris
... are brutes who are in possession of the good things of this world; and Caesar is a brute who wants to get into possession of them. And there is another difference: they are polished and cultured brutes, and Caesar is the brute natural,—'the unaccommodated man' that Lear spoke of." ...
— Caesar's Column • Ignatius Donnelly
... Cf. King Lear. Throughout the figure of Saturn—the old man robbed of his kingdom—reminds us of Lear, and sometimes we seem to detect actual reminiscences of Shakespeare's treatment. Cf. Hyperion, i. 98; and King ...
— Keats: Poems Published in 1820 • John Keats
... thou bloody hand; Thou perjured, and thou simular man of virtue, Thou art incestuous: caitiff, to pieces shake, That under covert and convenient seeming Hast practised on man's life: close pent-up guilts, Rive your concealing continents, and cry These dreadful summoners grace. — Lear. ...
— Alvira: the Heroine of Vesuvius • A. J. O'Reilly
... a man "fourscore and upwards," like Lear, and like Lear, too, "mightily abused," about five feet seven, a little stooping, but still vigorous and alert; with a pleasant, fresh countenance, and the complexion of a middle-aged, plump, healthy woman, such as Rubens or Gilbert Stuart would gloat over in portraiture, ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... was that Carl should become a clergyman, but his distaste for theology did not go unexpressed. So perverse and persistent were his inclinations that they preyed on the mind of his father, who quoted King Lear and said, "How sharper than a serpent's tooth it is ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard
... in King Lear which are enough to make us wish we had never been born. They are almost an impeachment of the Ruler of the Universe, and yet—there is Cordelia. Whence did she come? She is as much His handiwork as Regan, and in all our conclusions about ...
— More Pages from a Journal • Mark Rutherford
... I took delight In LEAR'S immortal Dong, Whose nose was luminously bright, Who sang a silvery song. He did not terrify the birds With strange and unpropitious words Of double-edged ontong; I'm ...
— Punch, or the London Charivari, Vol. 153, Sept. 19, 1917 • Various
... Lear, King of Britain, had three daughters; Goneril, wife to the Duke of Albany; Regan, wife to the Duke of Cornwall; and Cordelia, a young maid, for whose love the King of France and Duke of Burgundy were joint suitors, and were at this time making stay for ...
— Tales from Shakespeare • Charles Lamb and Mary Lamb
... rags Do make their children blind; But fathers that wear bags Do make their children kind. —Shakespeare (King Lear, ii. 4). ...
— The Child and Childhood in Folk-Thought • Alexander F. Chamberlain
... do we find the fatality in "Hamlet," "King Lear," in "Macbeth"? Is its throne not erected in the very centre of the old king's madness, on the lowest degree of the young prince's imagination, at the very summit of the Thane's morbid cravings? Macbeth we may well pass by; not need we linger over Cordelia's father, for ...
— Wisdom and Destiny • Maurice Maeterlinck
... on the other side of the account. The sameness of the chanson story, the almost invariable recurrence of the stock motives and frameworks—of rebellion, treason, paynim invasion, petulance of a King's son, somewhat too "coming" affection of a King's daughter, tyrannical and Lear-like impotentia of the King himself, etc.—may be exaggerated, but cannot be denied. In the greatest of all by general acknowledgment, the far-famed Roland, the economy of pure story interest is pushed to a point which in a less unsophisticated age—say the twentieth instead of the twelfth ...
— A History of the French Novel, Vol. 1 - From the Beginning to 1800 • George Saintsbury
... doubt that the plays of Shakespeare which I have enumerated were all seen by Pepys in authentic shapes. Betterton acted Lear, we are positively informed, "exactly as Shakespeare wrote it"; and at the dates when Pepys saw Hamlet, Twelfth Night, and the rest, there is no evidence that the old texts had been tampered with. The rage for ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... Academy, a position which, except a brief interregnum, he held until his death in March, 1820. He was greatly praised in his day, and doubtless thought himself a great artist. He painted a vast number of portraits and quite a number of pictures of classical and historical subjects. His "Lear" is in the Boston Athenaeum; his "Hamlet and Ophelia" is in the Longworth collection in Cincinnati; "Christ Healing the Sick" is in the Pennsylvania Hospital; and the "Rejected Christ" is or was owned by Mr. ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement
... Like another Lear, your daughters shall neither esteem nor respect you, and the lines you dictate shall be to them but the idle vaporings of a mind diseased. Your acute ears shall hear these daughters express the wish that you were dead; and then in your blindness you will give yourself into the keeping of a woman ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... adopted people and their enemies in many a fight, who had sought battle in their behalf and heaped them with favors. His eyes saw the depth of that resignation which gave to God the one jewel that would have atoned for the horrid sufferings of the past. If he were free! He thought of old Lear moaning over ...
— The Art of Disappearing • John Talbot Smith
... the crude blur of these impressions her husband stood out definitely, a dominant influence. She seemed to be only now beginning to feel his dominance. Yet all the time, she could not get away from the sense of living in some fantastic dream—an Edward Lear nonsense dream. The sight of the kangaroos in the Bush brought a particular rhyme of her childhood to her mind. She half said, half sang ...
— Lady Bridget in the Never-Never Land • Rosa Praed
... great deal of talk about the Santa Clans doings and the principal actor in them, and no end of speculations as to his inducements and purposes to be served in taking so much trouble. For Shampuashuh people were shrewd, and did not believe, any more than King Lear, that anything could come of nothing. That he was not moved by general benevolence, poured out upon the school of the white church, was generally agreed. "What's we to him?" asked pertinently one of the old ladies; and ...
— Nobody • Susan Warner
... countenance in the plays of Shakespeare. There man appears as he is, made up of a crowd of passions, which contend for the mastery over him, and govern him in turn. What is Hamlet's ruling passion? Or Othello's? Or Harry the Fifth's? Or Wolsey's? Or Lear's? Or Shylock's? Or Benedick's? Or Macbeth's? Or that of Cassius? Or that of Falconbridge? But we might go on for ever. Take a single example—Shylock. Is he so eager for money as to be indifferent to revenge? Or so eager for revenge as to be indifferent to money? Or so bent on both together ...
— Famous Reviews • Editor: R. Brimley Johnson
... encased him round, and then coming and boring with a little pin through his castle wall. And these feelings, though their predominance is subdued in the mightiest tragedies, remain powerful there. In the figure of the maddened Lear ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... delivered. Shakspeare is not more admired for writing his plays, than Garrick for acting them. I think him a very good and very various player—but several have pleased me more, though I allow not in so many parts. Quin in Falstaff, was as excellent as Garrick in Lear. Old Johnson far more natural in every thing he attempted. Mrs. Porter and your Dumesnil surpassed him in passionate tragedy; Cibber and O'Brien were what Garrick could never reach, coxcombs, and men of fashion.(778) Mrs. Clive is at least as perfect in low comedy—and Yet to me, Ranger ...
— The Letters of Horace Walpole Volume 3 • Horace Walpole
... know what are the events which cast their shadow over the hell of time of King Lear, Othello, Hamlet, Troilus and Cressida, look to see when and how the shadow lifts. What softens the heart of a man, shipwrecked in storms dire, Tried, like another Ulysses, Pericles, ...
— Ulysses • James Joyce
... nothings and make no demands upon our intelligence. That is art indeed, we cry: and we intoxicate ourselves with it because it is merely art. "The quality of mercy is not strained" is far more popular than Lear's speech, "No, no, no! Come, let's away to prison," because it is professional rhetoric; it is what Shakespeare could write at any moment, whereas the speech of Lear is what Lear said at one particular moment. ...
— Essays on Art • A. Clutton-Brock
... come, emerged in swarming multitudes—multitudes swelled by the vast tribe of play-goers, who had been counting the hours since a Falstaff had made them laugh, an Ophelia made them weep, and a Lear made them tremble. And had this only issued in the revival of the drama of Shakspeare and Johnson, few could have had much to say in objection; for that, in general, was as pure as it was powerful. But, alas, besides them there had been a Beaumont, a ...
— The Poetical Works of John Dryden, Vol I - With Life, Critical Dissertation, and Explanatory Notes • John Dryden
... And as for Addition, Subtraction, Multiplicatio{n}, and Diuision (which yet were neuer taught by any man as farre as I do knowe) I wyll enstruct you after the treatyse of fractions. And now for this tyme fare well, and loke that you cease not to practyse that you haue lear ned. S. Syr, with moste harty mynde I thanke you, bothe for your good learnyng, {and} also your good cou{ns}el, which (god wyllyng) I ...
— The Earliest Arithmetics in English • Anonymous
... even much that was essential, when it seemed to him that the effect upon his nation, upon his time, would be impaired. Thus it is true, for example, that by omitting the first scene of King Lear he changed the character of the piece; but he was right, after all, for in that scene Lear appears so ridiculous that one can not wholly blame his daughters. The old man awakens our pity, but we have no sympathy for him, and it is sympathy that Schroeder wished to arouse as well as abhorrence ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... Fame. It was his absolute abandonment to passion which made Shakespeare the supreme poet. If it had not been for his excessive sensuality, and his mad passion for his "gipsy," we should never have had from him "Hamlet," "Macbeth," "Othello," "Antony and Cleopatra," or "Lear." He would still have been a poet and a dramatic writer of the first rank; but he would not have stood alone above all others: he would ...
— The Man Shakespeare • Frank Harris
... elevation into the deepest abyss of misery, where humanity is stripped of all external and internal advantages, and given up a prey to naked helplessness. The threefold dignity of a king, an old man, and a father, is dishonoured by the cruel ingratitude of his unnatural daughters; the old Lear, who out of a foolish tenderness has given away every thing, is driven out to the world a wandering beggar; the childish imbecility to which he was fast advancing changes into the wildest insanity, and when he is rescued from the disgraceful destitution to which he was abandoned, ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... complete numbers. I myself never missed; my companion, rarely. Others were sometimes absent, and sometimes came to time when they were in a very doubtful state, looking as if they were saying to themselves, with Lear,— ...
— Our Hundred Days in Europe • Oliver Wendell Holmes
... book of yours," said the Colonel, "in which you tried to prove that Shakespeare never wrote 'Hamlet' and 'Macbeth' and 'Lear' and all those ...
— Something of Men I Have Known - With Some Papers of a General Nature, Political, Historical, and Retrospective • Adlai E. Stevenson
... Shakespeare's 'King Lear' and 'Cymbeline' came from Geoffrey's 'Historia Britonum,' as did also the story of 'Gorboduc,' the first tragedy in the English language. Milton intended at one time that the subject of the great poem for which he was "pluming his wings" should be King Arthur, as may be seen, in his 'Mansus' ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 2 • Charles Dudley Warner
... rabbets; cut them in pieces, season them with savoury spice, and lay 'em in the pye, with four sweet-breads sliced, and as many sheep's-tongues, two shiver'd palates, two pair of lamb-stones, twenty or thirty coxcombs, with savoury-balls and oysters. Lay on butter, and close the pye. A lear. ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... which, when the subject was changed for the duties of life, still retained its strength, and wrought for good. These things are all gone; and, dissatisfied as we are with the bold substitutes of modern wisdom, let us use that which they cannot take from us, our books of "auld lear," and refresh ourselves with a peep at Leslie, in the Hogmanay of 16—. Who has not heard of "Christ's Kirk" in the kingdom of Fife, that place so celebrated by King James, in his incomparable "Christ's Kirk on the ...
— Wilson's Tales of the Borders and of Scotland Volume 17 • Alexander Leighton
... was right, and I do care more for life than for poetry. No—I take it back. Do you know one of the tragedies—a Bible tragedy too—David—was written in his third period—much about the same time as Lear? The comedy, April Rain, is also a late work. Beckett is a fine ranting piece, like Richard II., but very fine for the stage. Irving is to play it this autumn when I'm in town; the part rather suits him—but who is to play Henry—a tremendous creation, sir. Betterton in his private ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 23 (of 25) • Robert Louis Stevenson
... addressed; stammered whenever she answered a question, and nearly died of heart failure when subjected to an examination of any sort. She delighted the committee when reading at sight from "King Lear," but somewhat discouraged them when she could not tell the capital of the United States. She admitted that her former teacher, Miss Dearborn, might have mentioned it, but if so she had not ...
— New Chronicles of Rebecca • Kate Douglas Wiggin
... World, who with three hundred untrained militia conquered for you that vast domain of the Northwest, which Virginia, in her devotion to the Union gave, a free donation with magnanimity surpassing that of Lear. She divided her possession with her associates, and let me add, it has not been requited with the ingratitude of Lear's daughters, for the disposition and the policy of this Government toward Virginia at the end of the ...
— Modern Eloquence: Vol III, After-Dinner Speeches P-Z • Various
... the display of his declamatory powers, on the speech-days, he selected always the most vehement passages,—such as the speech of Zanga over the body of Alonzo, and Lear's address to the storm. On one of these public occasions, when it was arranged that he should take the part of Drances, and young Peel that of Turnus, Lord Byron suddenly changed his mind, and preferred the speech of Latinus,—fearing, it was supposed, some ridicule from the inappropriate taunt ...
— Life of Lord Byron, Vol. I. (of VI.) - With his Letters and Journals. • Thomas Moore
... I have a letter in my pocket from a young friend in a country company, the ladies of which have their sensibility strung up to so fine a tone that he cannot take the tragedy of King Lear for his benefit, because not one of them will play either Regan or Goneril. If their feelings are so exquisite in the country, where our wise laws treat players as vagabonds, what must they be when loaded with all the legal, tragic, and royal dignity ...
— The Adventures of Hugh Trevor • Thomas Holcroft
... Fort Laramie, and we praised her so injudiciously that she became completely spoiled. She has performed a round of characters during the last week, very miserably, though we are bound to confess that her performance of King Lear last evening was superior to anything of the kind we ever saw. Miss Pelican is about forty-three years of age, singularly plain in her personal appearance, awkward and embarrassed, with a cracked and squeaking voice, and really dresses quite outrageously. She ...
— The Wit and Humor of America, Volume V. (of X.) • Various
... one of the noblest operas ever written. It has probably been one of the causes, however, why it is so rarely represented at the present time, its overture alone being well known to modern musical audiences. This opera has been compared by critics to Shakespeare's "King Lear," as being a great expression of anguish and despair in their more stormy phases. Chorley tells us that, when he first saw it, he was irresistibly reminded of the lines in Barry Cornwall's poem ...
— Great Italian and French Composers • George T. Ferris
... "sufficiencies" was, by an inarticulate speaker, or inattentive hearer, confounded with "sufficiency as", and how "abled", a word very unusual, was changed into "able". For "abled", however, an authority is not wanting. Lear uses it in the same sense, or nearly the same, with the Duke. As for "sufficiencies", D. Hamilton, in his dying speech, prays that "Charles II. may exceed both the VIRTUES and ...
— Preface to Shakespeare • Samuel Johnson
... striking and unfamiliar. From the dead branches of those skeleton pines and hemlocks, these rampikes, hang masses of white moss, snow-white, amid the dark verdure. An actor might wear such a beard in the play of King Lear. Acadian children wore such to imitate "grandpere," centuries ago; Cowley's trees are "Patricians," these ...
— Acadia - or, A Month with the Blue Noses • Frederic S. Cozzens
... tones, the expression and character are always such as support vigorously the action of his group. We say vigorously; for Mr. Rothermel, in his Italian pictures, revealed an artistic nature related to humanity in its most agitated moods, as in the "Lear," and in the "Saint Agnese,"—this beautiful picture being, however, a higher conception, inasmuch as in it the spirit might find some rest in the stillness of the maiden Agnese, already saint and about to be ...
— Atlantic Monthly, Vol. 9, No. 52, February, 1862 • Various
... tragedian, then, idealises, because he starts from within. He reaches, as it were, the central fire, in the heat of which every separate faculty, every animal want, every fortuitous incident is melted down and lost. We never could observe in actual experience passion such as Lear's, or meditation such as Hamlet's, fusing everything else into itself. Facts at every step would interfere to prevent such a possibility. But let us place ourselves, by the poet's help, within the soul of Lear or Hamlet, and we shall be able to follow the process by which ...
— An Estimate of the Value and Influence of Works of Fiction in Modern Times • Thomas Hill Green
... not operate upon the said eyes then and there, like the barbarous monsters in the stage-direction in King Lear. When her ladyship was going to tear out her daughter's eyes, she would retire smiling, with an arm round her dear child's waist, and ...
— The Virginians • William Makepeace Thackeray
... me to know how hurt and distressed she was that Elizabeth should have so treated her, and as I didn't sleep any more than she did, though, owing to very different feelings about Elizabeth, I made up my mind as to some things I would say to her when she got back. And if she has never read "King Lear" I will see that she hears it read before very long with a glossary, and comments of my own on ingratitude and things of that sort. Also she may hear some ...
— Kitty Canary • Kate Langley Bosher
... Boston Museum. He served with distinction in the Civil War as captain in the 28th Massachusetts infantry regiment. From 1867 to 1870, with John McCullough, he managed the California theatre, San Francisco. Among his many and varied parts may be mentioned Hamlet, Lear, Macbeth, Shylock, Richard III., Wolsey, Benedick, Richelieu, David Garrick, Hernani, Alfred Evelyn, Lanciotto in George Henry Boker's (1823-1890) Francesca da Rimini, and James Harebell in The Man o' Airlie. He played Othello to Booth's Iago and Cassius to his Brutus. He acted in London ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... excite his leonine wrath and sense of intolerable wrong. Three times he had quitted his villa, with vows never to return to it, and three times he had been led back. When for a fourth time—like a feeble yet majestic Lear—one hot summer day, toward noon, he flung himself, or was flung, out of doors with only a few pauls in his pocket, it was to Casa Guidi that he made his way broken-hearted, yet breathing forth wrath.[73] Browning had often said, as his wife tells her sister-in-law, that he owed more as a writer ...
— Robert Browning • Edward Dowden
... commanding brigades in General Butler's division; Lieutenant-Colonels Garland and Wilson, commanding brigades in General Twiggs' division; Colonels Mitchell, Campbell, Davis, and Wood, commanding the Ohio, Tennessee, Mississippi, and 2d Texas regiments, respectively; and Majors Lear, Allen, and Abercrombie, commanding the 3d, 4th, and 1st regiments of infantry; all of whom served under my eye, and conducted their commands with coolness and gallantry against the enemy. Colonel Mitchell, Lieutenant-Colonel McClung, Mississippi ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... we luvit ilk ither weel, 'Twas then we twa did part; Sweet time—sad time! twa bairns at schule, Twa bairns, and but ae heart! 'Twas then we sat on ae laigh bink, To leir ilk ither lear; And tones, and looks, and smiles ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... vigor in the creation of character. The decrepit old rake, the Marquis de Noriolis, feeble in his folly and wandering in helplessness, but irresistible when aroused, is a striking figure; and still more striking is the portrait of his wife, now the Marquise de Noriolis, but once Fanny Lear the adventuress—a woman who has youth, beauty, wealth, everything before her, if it were not for the shame which is behind her: gay and witty, and even good-humored, she is inflexible when she is determined; hers is a velvet manner and an iron will. The name of Fanny Lear may ...
— Lippincott's Magazine of Popular Literature and Science, Vol. XXVI., December, 1880. • Various
... be it noted, a student of Bergson at the Ecole Normale—found his ideal in the great story of the young girl of Domremy who saved France when all the pomp and wisdom of generals had broken down. And in our own poetry has not Mr. Bottomley rewritten the Lear story, with the focus of power and interest transferred from the old king—left with not an inch of king in ...
— Recent Developments in European Thought • Various
... in titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest; It's no in makin muckle mair; It's no in books, it's no in lear, To make us truly blest; If happiness hae not her seat And centre in the breast, We may be wise, or rich, or great, But never can be blest: Nae treasures, nor pleasures, Could make us happy lang; The heart ay's the part ay That makes ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham
... of poverty with the Strick family, and Loveday was sent to fetch the evening milk from the farm at the crest of the hill. On the way, she came upon Cherry Cotton and Primrose Lear, seated upon a granite stile, their heads together over something Cherry held in her lap. Cherry heard approaching footsteps, and whipped her apron over the object she and her friend had been so busily discussing. Loveday was hurt rather than angered by the unkind ...
— The White Riband - A Young Female's Folly • Fryniwyd Tennyson Jesse
... never became Royal Architect was the originator of the present Thames Embankment. Macaulay, in his essay on Southey's edition of the Pilgrim's Progress, in the Edinburgh for December, 1831, makes some very similar remarks about Martin and the way in which he would probably paint Lear. ...
— The Works of Charles and Mary Lamb (Vol. 6) - Letters 1821-1842 • Charles and Mary Lamb
... not long since, in Edinburgh, copied from an engraving in Boydell's Shakspeare; subject,—"Lear (and suite) in the storm," but coloured according to the imagination and taste of the artist; its name ought assuredly to have been Redcap and the blue-devils, for the venerable and lamented monarch had fine streaming locks of the real carrot hue, whilst ...
— The Mirror of Literature, Amusement, and Instruction - Volume 12, No. 341, Saturday, November 15, 1828. • Various
... bield that gars the gear Is gone where glint the pawky een. And aye the stound is birkin lear Where sconnered yowies wheepen yestreen. The creeshie rax wi' skelpin' kaes Nae mair the howdie bicker whangs, Nor weanies in their wee bit claes Glour light as ...
— The Humourous Poetry of the English Language • James Parton
... houses "the dumb rhetoric," in which "tables, chairs, and joint stools are living, and significant things." In these passages Lamb seems to regard the comic merely as a means to an end;—"Who sees not," he asks, "that the grave-digger in Hamlet, the fool in Lear have a kind of correspondency to, and fall in with, the subjects which they seem to interrupt; while the comic stuff in 'Venice Preserved,' and the doggrel nonsense of the cook and his poisoning associates in the Rollo of Beaumont and Fletcher are pure irrelevant, impertinent ...
— History of English Humour, Vol. 2 (of 2) • Alfred Guy Kingan L'Estrange
... of the best known plays retold in prose with the most famous speeches included in the original verse. Contains: As you like it, Julius Caesar, King Henry 5th, King John, King Lear, King Richard 2nd, Macbeth, Merchant of Venice, Midsummer night's dream and Tempest. These are also ...
— Lists of Stories and Programs for Story Hours • Various
... that he had made a mistake, and the day after his trial at old Drury, signed articles to return to Covent Garden for three years. Here he proved a great attraction; he must have been in truth an actor of no ordinary merit; his rendering of the character of Lear, in particular, met with universal approbation, and in this tragedy he was supported by actors of the ability of Charles Kemble and William Macready, both of whom he threw into the shade. At the ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt
... long walk; thick clouds made the atmosphere dark, though it was as yet only early afternoon; and the wind howled dismally over the hills of the heath—not improbably the same heath which had witnessed the agony of the Wessex King Ina, presented to after-ages as Lear. Gertrude Lodge talked most, Rhoda replying with monosyllabic preoccupation. She had a strange dislike to walking on the side of her companion where hung the afflicted arm, moving round to the other when inadvertently ...
— Wessex Tales • Thomas Hardy
... is for the artist to fill himself to the brim with the subject, and to let it burst out. I do not at all believe in the painful pinching and pulling together of a particular bit of work. That sort of process is excellent practice, but it seems to me like the receipt in one of Edwin Lear's Nonsense Books for making some noisome dish, into which all sorts of ingredients of a loathsome kind were to be put; and the directions end with the words: 'Serve up in a cloth, and throw all out of the window as soon as possible.' It is an excellent ...
— At Large • Arthur Christopher Benson
... writer of nonsense verses and their illustrator; the former must let himself go as much as he can, the latter must hold himself in. In Greybeards at Play, Chesterton took the bit between his teeth, and bolted faster than Edward Lear had ever done. The antitheses of such verses as the following ...
— G. K. Chesterton, A Critical Study • Julius West
... wonder how you made him!" exclaimed Abraham, turning up his nose at his parent, and then looking to the ceiling with emotion—"You unnatural old Lear! ...
— Blackwoods Edinburgh Magazine, Volume 59, No. 365, March, 1846 • Various
... White's, with felons, or a bore, Pay their last duty to the Court and come All fresh and fragrant, to the drawing-room; In hues as gay, and odours as divine, As the fair fields they sold to look so fine. "That's velvet for a king!" the flatterer swears 'Tis true, for ten days hence 'twill be King Lear's. Our Court may justly to our stage give rules, That helps it both to fools-coats and to fools. And why not players strut in courtiers' clothes? For these are actors too, as well as those: Wants reach all states; they beg but better ...
— Essay on Man - Moral Essays and Satires • Alexander Pope
... and glades for pleasure and repose, no vistas through which to view some towering hill or elevated temple; everything in that crowded space seems of the same value: he speaks with no more awe of "King Lear" than of the last Cobden prize essay; he has swallowed them both with the same ease, and got the facts safe in his pouch; but he has no time to ruminate because he must still be swallowing; nor does he seem to know what even Macbeth, with Banquo's murderers ...
— On The Art of Reading • Arthur Quiller-Couch
... no in titles nor in rank; It's no in wealth like Lon'on bank, To purchase peace and rest. It's no in makin' muckle mair; It's no in books; it's no in lear; To make ...
— The End of the Rainbow • Marian Keith
... reported, negative. Helmholtz goes so far as to state that the expression of sexual longing in music is identical with that of religious longing. It is quite true, again, that a soft and gentle voice seems to every normal man as to Lear "an excellent thing in woman," and that a harsh or shrill voice may seem to deaden or even destroy altogether the attraction of a beautiful face. But the voice is not usually in itself an adequate or powerful method of evoking sexual emotion in a man. ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... to pass into real madness in Ophelia. King Lear's growing perturbation becomes insanity the moment he sees the pretended ...
— The Tragedie of Hamlet, Prince of Denmark - A Study with the Text of the Folio of 1623 • George MacDonald
... greatness like theirs is never more than the highest degree of perfection which prevails widely around it, and forms the environment in which it grows. No such single mind in single contact with the facts of nature could have created a Pallas, a Madonna, or a Lear; such vast conceptions are the growth of ages, the creation of a nation's spirit; and the artist and poet, filled full with the power of that spirit, but gave it form, and nothing but form. Nor would the form itself have been attained by any ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... these parts with a gun or a fishing-rod. Forbye, I would rather walk ae mile on the hill wi' ye than twae, for ye gang up a brae-face like a mawkin! God! There's no a single man's trade that ye're no brawly fitted for. And then ye've a heap o' book-lear that folk learned ye away about England, though I cannot speak muckle on that, no ...
— The Half-Hearted • John Buchan
... moved by a great passion, he is endowed for a moment with the poet's speech. A poetic fact, one may almost say, is just any fact at its best. Art, it is true, looks at its object through a medium, but it always seems its inmost meaning. In Lear, Othello, Hamlet, in Falstaff and Touchstone, there is a revelation of the inner truth of human life beyond the power of moral science to bestow. We do well to seek philosophy in the poets, for though they teach only by hints and parables, they nevertheless reflect ...
— Browning as a Philosophical and Religious Teacher • Henry Jones
... William Pearce, his manager at Mount Vernon during a portion of his presidency, were bought from the heirs of Pearce by the celebrated Edward Everett and now belong to the Long Island Historical Society. These have been published. His correspondence with Tobias Lear, for many years his private secretary, are now in the collection of Thomas K. Bixby, a wealthy bibliophile of St. Louis. These also have been published. The one greatest repository of papers is ...
— George Washington: Farmer • Paul Leland Haworth
... his infamous functions throughout Flanders, Douay, and Tournay, the most thriving and populous portions of the Netherlands, with a swiftness, precision, and even with a jocularity which hardly seemed human. There was a kind of grim humor about the man. The woman who, according to Lear's fool, was wont to thrust her live eels into the hot paste, "rapping them o' the coxcombs with a stick and crying reproachfully, Wantons, lie down!" had the spirit of a true inquisitor. Even so dealt Titelmann with his heretics writhing on the rack or in the flames. Cotemporary ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... and poor Cos lamentably disgraced himself at Sir Charles Mirabel's table, by premature inebriation. A carriage was called for him: the hospitable door was shut upon him. Often and sadly did he speak to his friends at the Kitchen of his resemblance to King Lear in the plee—of his having a thankless choild, bedad—of his being a pore worn-out, lonely old man, dthriven to dthrinking by ingratitude, and seeking to dthrown his sorrows ...
— The History of Pendennis, Vol. 2 - His Fortunes and Misfortunes, His Friends and His Greatest Enemy • William Makepeace Thackeray
... wasn't. The Pudneys, who had taken him to Birmingham, had already got rid of him, and we had a horrible consciousness of his wandering roofless, in dishonour, about the smoky Midlands, almost as the injured Lear wandered on the storm-lashed heath. His room, upstairs, had been lately done up (I could hear the crackle of the new chintz) and the difference only made his smirches and bruises, his splendid tainted genius, the more tragic. If he wasn't barefoot in the mire he was sure to be unconventionally ...
— The Coxon Fund • Henry James
... of English poetry by Akshay Chowdhury, our initiator into English literature, there was the wildness of intoxication. The frenzy of Romeo's and Juliet's love, the fury of King Lear's impotent lamentation, the all-consuming fire of Othello's jealousy, these were the things that roused us to enthusiastic admiration. Our restricted social life, our narrower field of activity, was hedged in with such monotonous uniformity that tempestuous feelings found no entrance;—all ...
— My Reminiscences • Rabindranath Tagore
... along, you know: where is your sense of propriety? I advised him to stay up there where he is safe, and not tempt the shafts and arrows any more. What, I 'haven't done anything then, after all?' O, haven't I! Jane, you are worse than a serpent's tooth: if Lear had been in my place, he would have talked about a thankless sister. It has been a weary, toilsome, painful task, and few men could have carried it through to so happy an end. And when I come back hungering for sympathy—I told you what my nature ...
— A Pessimist - In Theory and Practice • Robert Timsol
... followed, were written by both Charles Lamb and his sister: indeed the work seems at first to have been intended for Mary's hand alone, but her brother undertook the telling of the stories of the tragedies, and to use his own words, out of the twenty tales he was "responsible for Lear, Macbeth, Timon, Romeo, Hamlet, Othello, for occasionally a tail-piece or correction of grammar, for none of the cuts, and for all of the spelling." When the work was originally produced it had illustrations to which Lamb objected. His reference to tail-pieces is possibly an indication ...
— Charles Lamb • Walter Jerrold
... palsied old man. I sank upon a stone to rest, to try and arrange my scattered ideas into some sort of connection and order. Mad! I clasped my aching head between my hands, and brooded on the fearful prospect looming before me, and in the words of poor King Lear, I prayed in ...
— A Romance of Two Worlds • Marie Corelli
... fidelity than to actual beauty, yet, like a great painter, he brings all Nature into sympathy with man. We feel the ghostly shudder of the November night in Hamlet, breathe the bracing Highland air in Macbeth, the air of the woods in As You Like It; the storm on the heath roars through Lear's mad outburst, the nightingale sings in the pomegranate outside ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... classes, which is what one demands from a great human poet, is not that he should flatter the poor and denounce the rich, but that he should weigh them both in the same balance. Now whoever will read Lear and Measure for Measure will find stamped on his mind such an appalled sense of the danger of dressing man in a little brief authority, such a merciless stripping of the purple from the "poor, bare, forked animal" that calls itself a king and fancies itself a god, that one ...
— Dark Lady of the Sonnets • George Bernard Shaw
... feeling that Pindar's Isle of the Blest, whither he was brought by Thetis, whose mother's prayer had moved the Heart of Zeus, to dwell with Cadmus and Peleus, is Achilles' true home; or the isle of the heroes of all time, described by Carducci, where King Lear sits telling OEdipus of his sufferings, and Cordelia calls to Antigone, "Come, my Greek sister! We will sing of peace to our fathers." Helen and Iseult, silent and thoughtful, roam under the shade of the myrtles, while the setting sun kisses ...
— Greek and Roman Ghost Stories • Lacy Collison-Morley
... etching) and by W. M. Rossetti (the verses): "Cordelia." For the belated No. 3 of "The Germ" we were much at a loss for an illustration. Mr. Brown offered to accommodate us by etching this design, one of a series from "King Lear" which he had drawn in Paris in 1844. That series, though not very sightly to the eye, is of extraordinary value for dramatic insight and energy. We gladly accepted, and he produced this etching with very little self-satisfaction, so far as the technique of execution is ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... out the math for the interplanetary ships? I did! Without me they would never have been built!" He turned dramatically, as though he were playing King Lear. "And what do I get for it?" He pointed an accusing finger at Arcot. "What do I get? He is called 'Earth's most brilliant physicist', and I, who did all the hard work, am referred to as 'his mathematical assistant'." He shook his head ...
— Islands of Space • John W Campbell
... the best proof of this adventurous youth in the nineteenth century we should say, with all respect to its portentous sciences and philosophies, that it was to be found in the rhymes of Mr. Edward Lear and in the literature of nonsense. 'The Dong with the Luminous Nose,' at least, is original, as the first ship and the first plough ...
— The Defendant • G.K. Chesterton
... as a memorial of the late Mr. Sidney Lear by his wife, to whom the cathedral is indebted for many of its modern enrichments. It is entirely of wrought metal, by Skidmore, of Coventry, and a good example of its class. It replaced the organ screen compiled by Wyatt from fragments of the Hungerford and Beauchamp ...
— Bell's Cathedrals: The Cathedral Church of Salisbury - A Description of its Fabric and a Brief History of the See of Sarum • Gleeson White
... here published was prepared from a collection of original letters from General Washington on matters, for the most part, purely domestic and personal, addressed to Colonel Tobias Lear, his private Secretary for a part of the time he was President; and then, and during periods much longer, his confidential friend. They came into my hands through the voluntary kindness of Mrs. Lear, of the city of Washington, the estimable relict of Colonel Lear, and niece ...
— Washington in Domestic Life • Richard Rush
... address to the absent as present, the inanimate as living, or the abstract as personal. It is closely allied to personification, with which it is often associated. This figure is expressive of intense emotion. The following passage from "King Lear" will serve for illustration: ...
— Elementary Guide to Literary Criticism • F. V. N. Painter
... triumph, she snatches a dagger, exclaiming, "I will trust my resolution and my good hands." With the same swift instinct, Cassius trusts to his hands when he stabs Caesar: "Speak, hands, for me!" "Let me kiss your hand," says the blind Gloster to Lear. "Let me wipe it first," replies the broken old king; "it smells of mortality." How charged is this single touch with sad meaning! How it opens our eyes to the fearful purging Lear has undergone, to learn that royalty is no defence against ingratitude and cruelty! Gloster's ...
— The World I Live In • Helen Keller
... Englishman had presented him with the odes of Collins, which he had read with pleasure. He knew little or nothing of Gray, except his ELEGY written in a country CHURCH-YARD. He complained of the fool in LEAR. I observed that he seemed to give a terrible wildness to the distress; but still he complained. He asked whether it was not allowed, that Pope had written rhymed poetry with more skill than any of our writers—I said I preferred Dryden, because his ...
— Biographia Literaria • Samuel Taylor Coleridge
... with a sleep." The easy-going persons who reluct at the idea of a pessimistic Shakespeare should turn the pages of Troilus and Cressida, Measure for Measure, and Timon of Athens. What we guessed as we read Hamlet and Lear grows a certainty as we read ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys
... Maeterlinck's consolations more genuinely consoling than other philosophy. On the second and far more poignant terror that still survives in the very nature of death, he hardly touches. I mean the severance of love, the disappearance of the beloved. "No, no, no life," cries Lear: ...
— Essays in Rebellion • Henry W. Nevinson
... Annibale Caracci by himself, which cost the Athenaeum a hundred dollars; and Cole's allegorical pictures, and his immense and dreary canvas, in which the prostrate shepherds and the angel in Joseph's coat of many colors look as if they must have been thrown in for nothing; and West's brawny Lear tearing his clothes to pieces. But why go on with the catalogue, when most of these pictures can be seen either at the Athenaeum building in Beacon Street or at the Art Gallery, and admired or ...
— A Mortal Antipathy • Oliver Wendell Holmes, Sr.
... the same," and his experience and sagacity in all public affairs—he was a scholar and loved all the arts. "He founded," says Pitscottie, "ane triumphant college in Sanct Androis, called Sanct Salvatore's College, wherein he made his lear (library) very curiouslie and coastlie; and also he biggit ane ship, called the Bishop's Barge, and when all three were complete, to wit, the college, the lear, and the barge, he knew not which of the three was the costliest; for it was reckoned ...
— Royal Edinburgh - Her Saints, Kings, Prophets and Poets • Margaret Oliphant
... outbreaks, which a sense of the wicked injustice of their fate, and seeing their own offspring brought up in evidence against them, through the most detestable acts, and by the basest subornation, would naturally extort from minds even of iron mould. If ever Lear's or Timon's power of malediction could be justifiably called into exercise, it would be against such a tribunal and such witnesses as they had generally ...
— Discovery of Witches - The Wonderfull Discoverie of Witches in the Countie of Lancaster • Thomas Potts
... Himself has given us. Here is the picture—a palace, a table abundantly spread, lights and music, delight and banqueting, gladness and fulness, society and sustenance. The guests sit close and all partake. To be within means food, shelter, warmth, festivity, society; to be without, like Lear on the moor, is to stand the pelting of the storm, weary, stumbling in the dark, starving, solitary, and sad. Within is brightness and good cheer; without ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... the Court had considered it as being nos poma natamus. I kept our friends quiet by declining to move in a matter which was to expose us to the insult of a certain refusal. Clerk, with his usual felicity of quotation, said they should have remembered the Clown's exhortation to Lear, "Good nuncle, tarry and ...
— The Journal of Sir Walter Scott - From the Original Manuscript at Abbotsford • Walter Scott
... Humphrey of Junction City, Kansas, has written a series of short stories on the property rights of women in Kansas, a subject that was and is, still, of vital importance to the women of the state. "The Legal Status of Mrs. O'Rourke" and "King Lear in Kansas" ...
— Kansas Women in Literature • Nettie Garmer Barker
... without much persuasion, to join the rest of the party at dinner. In the evening, all (Fairthorn excepted) draw round the fire. Waife is entreated by George to read a scene or two out of Shakespeare. He selects the latter portion of "King Lear." Darrell, who never was a playgoer, and who, to his shame be it said, had looked very little into Shakespeare since he left college, was wonderstruck. He himself read beautifully—all great orators, I suppose, do; but his talent was not ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... uproarious; enough to wake the dead, enough to wake seven sleepers. shrill &c 410 clamorous &c (vociferous) 411 stentorian, stentorophonic^. Adv. loudly &c adj.. aloud; at the top of one's voice, at the top of one's lungs, lustily, in full cry. Phr. the air rings with; the deep dread-bolted thunder [Lear]. ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... fulfill the requirements of our modern short-story for the reason that they are not constructed for one single impression, but are in reality parts of possible longer stories. They are, as it were, parts of stories not unlike Dr. Jekyll and Mr. Hyde and A Lear of the Steppes, and lack those complete and concise artistic effects found in the short-stories, Markheim and Mumu, by the same authors. Both Ruth and the Prodigal Son are exceptionally well told, possess a splendid moral tone, and are excellent prophecies of what the nineteenth ...
— Short-Stories • Various
... back, her white garments streaming in the air, her golden locks floating, her witching eyes closed, and her blue lips apart and rigid on her glistening teeth—so she lay like dead Cordelia in the arms of old Lear. ...
— The Missing Bride • Mrs. E. D. E. N. Southworth
... to discover the causes of his insomnia. He wrote a marvellous body of literature, and it might be thought this labor itself would suffice as an explanation: that the furnace heat in which the conceptions of Hamlet and Macbeth and Lear were wrought in the crucible of his brain would be fatal to repose. But his contemporaries speak of him as an easy and rapid writer; one whose imagination is only paralleled by the ease, the force and beauty of the phrase ...
— Shakespeare's Insomnia, And the Causes Thereof • Franklin H. Head
... Shakespearian humour which lies beyond Hazlitt's sphere. His criticism of Hamlet is feeble; he does not do justice to Mercutio or to Jaques; but he sympathises more heartily with the tremendous passion of Lear and Othello, and finds something congenial to his taste in Coriolanus and Timon of Athens. It is characteristic, too, that he evidently understands Shakespeare better on the stage than in the closet. When he can ...
— Hours in a Library - New Edition, with Additions. Vol. II (of 3) • Leslie Stephen
... could I tell the wonders of an isle That in that fairest lake had placed been, I could e'en Dido of her grief beguile; Or rob from aged Lear his bitter teen: For sure so fair a place was never seen, Of all that ever charm'd romantic eye: It seem'd an emerald in the silver sheen Of the bright waters; or as when on high, Through clouds of fleecy ...
— Poems 1817 • John Keats
... tower is so deep that no pioneer can undermine it, so thick that no cannon can breach it, so high that no ladder can scale it.' 'The righteous runneth into it,' and is perched up there; and can look down like Lear from his cliff, and all the troubles that afflict the lower levels shall 'show scarce so gross as beetles' from the height where he stands, safe and high, hidden in the name ...
— Expositions Of Holy Scripture - Volume I: St. Luke, Chaps. I to XII • Alexander Maclaren
... his greatest play, the deepest in meaning, the best knit from the first scene to the last. While 'Othello' centres on jealousy, 'Lear' on madness, 'Romeo and Juliet' on love, 'Macbeth' turns on fate, on the supernal influences which compel a man with good in him to a murderous course. The weird witches who surround the bubbling caldron ...
— [19th Century Actor] Autobiographies • George Iles
... great power of wrath, inheriting the high, hasty temper of his mother. Tobias Lear, his intimate friend and private secretary, says that in the winter of 1791, an officer brought a letter telling of General St. Clair's disastrous defeat by the Indians. It must be delivered to the President himself. He left ...
— The True Citizen, How To Become One • W. F. Markwick, D. D. and W. A. Smith, A. B.
... and as likely to charm the reader by its freshness and originality. But one point, we must confess, is not new, and that is the representation of Shakespeare as a lawyer. The supposition, that the author of "Macbeth," "Hamlet," and "King Lear," was a bustling young attorney, is of respectable age, and has years enough upon its beard, if not discretion. It has been brought forward afresh by two members of the profession for which is claimed the honor of having Shakespeare's name upon its ...
— Atlantic Monthly, Vol. 4, No. 21, July, 1859 • Various
... stoicism of Brutus and Cato, the rapid and hurried vehemence of Hotspur, mark the class of characters I mean. But he fails where a ready and pliable yielding to the events and passions of life makes what may be termed a more natural personage. Accordingly I think his Macbeth, Lear, and especially his Richard, inferior in spirit and truth. In Hamlet, the natural fixed melancholy of the prince places him within Kemble's range;—yet many delicate and sudden turns of passion slip through his fingers. He is {p.155} a lordly vessel, goodly and magnificent ...
— Memoirs of the Life of Sir Walter Scott, Volume V (of 10) • John Gibson Lockhart
... Here lies LEAR. Aged about 8 years. A Tom Cat killed in single combat with Tom the Templar whilst defending his hearth and home. England expects every ...
— The Junior Classics Volume 8 - Animal and Nature Stories • Selected and arranged by William Patten
... and impressive work of art. One thinks instinctively, in seeking for some adequate parallel, of what Goethe did with the materials of the Faust legend, or of what Shakespeare did with the indications offered for 'King Lear' and 'Cymbeline' by Holinshed's chronicle-history. And the two greatest names in modern literature are suggested not only by this general fact of creative power, but also more specifically by certain characters in the trilogy. Audhild, the Icelandic maiden beloved of Sigurd, has more ...
— Library Of The World's Best Literature, Ancient And Modern, Vol. 5 • Various
... and the antique Athenian stage poets are great. He would really not be great at all if it were not that he had religion enough to be aware that his religionless condition was one of despair. His towering King Lear would be only a melodrama were it not for its express admission that if there is nothing more to be said of the universe than Hamlet has to say, then 'as flies to wanton boys are we to the gods: they kill ...
— Back to Methuselah • George Bernard Shaw
... to have its special place in the economy of life as a sort of balance to the over-serious tendency. One of the two great masters of verse of this sort was the English author Edward Lear (1812-1888). He was also a famous illustrator of books and magazines. Among his juvenile books, illustrated by himself, were Nonsense Songs and More Nonsense Songs. All his verse is now generally published under the first title. Good nonsense verse precludes ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... early in the morning, had been sight-seeing in Boston all day, was to dine and go to the theatre with us afterwards. The talk naturally turned upon the stage. Longfellow said he thought Mr. Charles Mathews was entirely unjust in his criticisms upon Mr. Forrest's King Lear. He considered Mr. Forrest's rendering of the part as very fine and close to nature. He could not understand why Mr. Mathews should underrate it as he did. Longfellow showed us a book given him by Charles ...
— Authors and Friends • Annie Fields
... slave all through that dreadful famine year of 1606-7, when the people died of hunger in the very streets of the town, and for the space of seven months there was no rain. We know at any rate that Romeo and Juliet was brought out at Dresden in 1613, along with Hamlet and King Lear, and it was surely to none other than Willie Hughes that in 1615 the death-mask of Shakespeare was brought by the hand of one of the suite of the English ambassador, pale token of the passing away of ...
— Lord Arthur Savile's Crime and Other Stories • Oscar Wilde
... memory, preserving the sense and the three words "boy," "wood-sawyer," and "Coriolanus," which always recurred in Field's various versions of "Why I did not go on the stage." Eugene returned to St. Louis and quietly disposed of the costumes he had prepared for such characters as Hamlet, Lear, and Spartacus. ...
— Eugene Field, A Study In Heredity And Contradictions - Vol. I • Slason Thompson
... bad woman. Let people overburdened with credulity believe that she is bad," cried Doederlein, with the expression and in the tone and gesture of the royal Lear, and shook his Olympian locks. "The fact is that violence has been practised on her; she has been driven into ruin! Men have stolen the sweet love of my dearly beloved daughter through the use of vile tricks and artifices. Where is she, the ...
— The Goose Man • Jacob Wassermann
... little weaknesses of his which Mr. Jones's biography, all unconsciously, reveals. Butler, it is clear, was morbidly vain. Many writers are so, but few let their vanity take them so far. Learn from Mr. Jones. In 1879 he and Butler met Edward Lear in an inn at Varese. He told them a little tale about a tipsy man from Manchester—rather a good little tale. "I do not remember that Edward Lear told us anything else particularly amusing, but then neither did we tell him anything ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... "King Lear" is one of the most pitiful of Shakespeare's play. It is about the thanklessness of children to a father. Old King Lear had three daughters—Goneril, Regan, and Cordelia. He loved these daughters dearly and he believed that they loved him. As he grew old in life he thought he ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant
... came one day to Mr. Linton (head master of the grammar school) with a halflin[807:A], a long, empty chap, who had taken it into his head that he would have some little learning. Said the father, 'Mr. Linton, ye see, my laddie's fond o' lear'[807:B], and I'm thinking o' makin' a scholar o' him.' 'But,' said Mr. Linton, looking at the youth, and not seeing any sign that there was much in him, 'What are you to make of him?' 'You see, Mr. Linton,' ...
— Life and Literature - Over two thousand extracts from ancient and modern writers, - and classified in alphabetical order • J. Purver Richardson
... early kings of Britain, including Arthur. They often touch the true epic note,—as in the wrestling match between Corineus and the giant,—use similes drawn from every-day life, and supply us with legends of King Lear and of Cymbeline. ...
— The Book of the Epic • Helene A. Guerber
... translated the first twelve books of the Odyssey, outside of school hours. He devoured all stories of mythology he could lay hands on, and soon began to create vast tragedies. He revelled in Shakespeare, and finally began to write a play which was to combine the ideas of both Hamlet and King Lear. Forty-two persons were killed off in the course of the play and had to be brought back as ghosts, as otherwise there would have been no characters for the last act. He worked on ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... and well know that J. K. is an eminent actor, and one whom we have not niggardly praised. Yet we will not disparage departed excellence for any person existing; and therefore cannot avoid wishing our young author had seen Garrick, and bearing in his "mind's eye" his natural acting of Lear, Hamlet, Macbeth, Richard, &c.—he might then go and witness the performances ...
— The Mirror of Taste, and Dramatic Censor - Volume I, Number 1 • Stephen Cullen Carpenter
... dogges, and then thei would haue peace and concorde with theim, the Shepeherdes gaue ouer their Dogges, their Dogges deliuered and murdered, the shepe were immediat- ly deuoured: So saieth he, if ye shall ones deliuer to Philip, the king of the Macedonians your Oratours, by whose lear- nyng, knowlege and wisedome, the whole bodie of your do- minions is saued, for thei as Bandogges, doe repell all mis- cheuous enterprises and chaunses, no doubte, but that raue- nyng Wolfe Philip, will eate and consume your people, by this Fable ...
— A booke called the Foundacion of Rhetorike • Richard Rainolde
... Greece till about 800 B.C. is a string of the fairy tales, all about Theseus and Heracles and Oedipus and Minos and Perseus is a Cabinet des Fees, a collection of fairy tales. Shakespeare took them and put bits of them into 'King Lear' and other plays; he could not have made them up himself, great as he was. Let ladies and gentlemen think of this when they sit down to write fairy tales, and have them nicely typed, and send them to Messrs. Longman & Co. to be published. They think that ...
— The Lilac Fairy Book • Andrew Lang
... society, and M. Egiste Brancadori, who kept the Marzocco, was one of those unconscious buffoons of whom he was continually in search in real life, one of those whom he called his "Thebans", in reference to King Lear. "I'll talk a word with this same learned Theban," cried the mad king, one knows not why, when he meets "poor Tom" on ...
— Cosmopolis, Complete • Paul Bourget
... of the Reliques had indirectly preferred a claim to the praise of invention, by not concealing that his supplementary labours were considerable! how selfish his conduct, contrasted with that of the disinterested Gael, who, like Lear, gives his kingdom away, and is content to become a pensioner upon his own issue for a beggarly pittance!—Open this far-famed Book!—I have done so at random, and the beginning of the Epic Poem Temora, in eight Books, ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot
... are both poetic and strongly dramatic—are indeed exceedingly rare. Mr. Bottomley is one of the few who have produced such drama in English. For many years he printed his work privately, in beautiful editions for his friends; but of late several of the plays have been made available—King Lear's Wife in Georgian Poetry, 1913-15, and in a volume of the same title, including Midsummer Eve and The Riding to Lithend, published in London ...
— The Atlantic Book of Modern Plays • Various
... these in date of composition, and in popular estimation at least among English readers, comes, 'Le Pere Goriot.' It is certainly trite to call the book a French "Lear," but the expression emphasizes the supreme artistic power that could treat the motif of one of Shakespeare's plays in a manner that never forces a disadvantageous comparison with the great tragedy. The retired vermicelli-maker is not as grand a figure ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... column told of the doings in the theatrical world—the plays produced, the actors appearing, the managers making announcements. Fannie Davenport was just opening at the Fifth Avenue. Daly was producing "King Lear." He read of the early departure for the season of a party composed of the Vanderbilts and their friends for Florida. An interesting shooting affray was on in the mountains of Kentucky. So he read, read, read, ...
— Sister Carrie • Theodore Dreiser |
